Английский язык с Крестным Отцом - читать бесплатно онлайн полную версию книги автора Илья Франк (ч. 2)

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They verified the story of Nazorine. The wholesaler had all his personal wealth in his

wife's name. His furniture business was incorporated and he was not personally liable

(ответственный). True, he had shown bad faith (вероломство) by taking the money of

Nazorine when he knew he was going to file (подать как-либо документ) bankruptcy

but this was a common practice. Under law there was nothing to be done.

Of course the matter was easily adjusted. Don Corleone sent his Consigliori, Genco

Abbandando, to speak to the wholesaler, and as was to be expected, that wide-awake

businessman caught the drift immediately and arranged for Nazorine to get his furniture.

But it was an interesting lesson for the young Vito Corleone.

The second incident had more far-reaching repercussions (repercussion – отдача

/после удара/; отзвук, эхо). In 1939, Don Corleone had decided to move his family out

of the city. Like any other parent he wanted his children to go to better schools and mix

with better companions. For his own personal reasons he wanted the anonymity of

surburban life where his reputation was not known. He bought the mall property in Long

Beach, which at that time had only four newly built houses but with plenty of room for

more. Sonny was formally engaged to Sandra and would soon marry, one of the houses

would be for him. One of the houses was for the Don. Another was for Genco

Abbandando and his family. The other was kept vacant at the time.

A week after the mall was occupied, a group of three workmen came in all innocence

with their truck. They claimed to be furnace (печь, топка ['f∂:nıs]) inspectors for the

town of Long Beach. One of the Don's young bodyguards let the men in and led them to

the furnace in the basement. The Don, his wife and Sonny were in the garden taking

their ease and enjoying the salty sea air.

Much to the Don's annoyance he was summoned into the house by his bodyguard.

The three workmen, all big burly fellows, were grouped around the furnace. They had

taken it apart, it was strewn around the cement basement floor. Their leader, an

authoritative man, said to the Don in a gruff (грубый, сердитый) voice, "Your furnace is

in lousy shape. If you want us to fix it and put it together again, it'll cost you one hundred

fifty dollars for labor and parts and then we'll pass you for county inspection." He took

out a red paper label. "We stamp this seal on it, see, then nobody from the county

bothers you again."

The Don was amused. It had been a boring, quiet week in which he had had to

neglect his business to take care of such family details moving to a new house entailed

(to entail – влечь за собой). In more broken English than his usual slight accent he

asked, "If I don't pay you, what happens to my furnace?"

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The leader of the three men shrugged. "We just leave the furnace the way it is now."

He gestured at the metal parts strewn over the floor.

The Don said meekly, "Wait, I'll get you your money." Then he went out into the

garden and said to Sonny, "Listen, there's some men working on the furnace, I don't

understand what they want. Go in and take care of the matter." It was not simply a joke;

he was considering making his son his underboss. This was one of the tests a business

executive had to pass.

Sonny's solution did not altogether please his father. It was too direct, too lacking in

Sicilian subtleness. He was the Club (дубинка), not the Rapier. For as soon as Sonny

heard the leader's demand he held the three men at gunpoint and had them thoroughly

bastinadoed (приказал как следует отколотить; bastinado [bжstı’neıd∂u]– палочные

удары) by the bodyguards. Then he made them put the furnace together again and tidy

up the basement. He searched them and found that they actually were employed by a

house-improvement firm with headquarters in Suffolk County. He learned the name of

the man who owned the firm. Then he kicked the three men to their truck. "Don't let me

see you in Long Beach again," he told them. "I'll have your balls hanging from your

ears."

It was typical of the young Santino, before he became older and crueler, that he

extended his protection to the community he lived in. Sonny paid a personal call to the

home-improvement firm owner and told him not to send any of his men into the Long

Beach area ever again. As soon as the Corleone Family set up their usual business

liaison with the local police force they were informed of all such complaints and all

crimes by professional criminals. In less than a year Long Beach became the most

crime-free town of its size in the United States. Professional stickup artists and strong-

arms received one warning not to ply (усердно работать, заниматься чем-либо; ply –

сгиб, складка; уклон, склонность) their trade in the town. They were allowed one

offense (обида, оскорбление; проступок, нарушение; преступление). When they

committed a second they simply disappeared. The flimflam (трюк, мошенническая

проделка) home-improvement gyp (мошенничество; плут) artists, the door-to-door

con men (жулики /сленг/) were politely warned that they were not welcome in Long

Beach. Those confident con men who disregarded the warning were beaten within an

inch of their lives (чуть не до смерти; within an inch of = closely, near to). Resident

young punks who had no respect for law and proper authority were advised in the most

fatherly fashion to run away from home. Long Beach became a model city.

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What impressed the Don was the legal validity (действительность, законность

[v∂'lıdıtı]; valid [‘vжlıd] – действительный, имеющий силу) of these sales swindles

(swindle – надувательство). Clearly there was a place for a man of his talents in that

other world which had been closed to him as an honest youth. He took appropriate

steps to enter that world.

And so he lived happily on the mall in Long Beach, consolidating and enlarging his

empire, until after the war was over, the Turk Sollozzo broke the peace and plunged the

Don's world into its own war, and brought him to his hospital bed.

Book 4

Chapter 15

In the New Hampshire village, every foreign phenomenon was properly noticed by

housewives peering from windows, storekeepers lounging (to lounge – сидеть

развалясь, праздно проводить время) behind their doors. And so when the black

automobile bearing New York license plates stopped in front of the Adams' home, every

citizen knew about it in a matter of minutes.

Kay Adams, really a small-town girl despite her college education, was also peering

from her bedroom window. She had been studying for her exams and preparing to go

downstairs for lunch when she spotted the car coming up the street, and for some

reason she was not surprised when it rolled to a halt (/автомобиль/ остановился) in

front of her lawn. Two men got out, big burly men who looked like gangsters in the

movies to her eyes, and she flew down the stairs to be the first at the door. She was

sure they came from Michael or his family and she didn't want them talking to her father

and mother without any introduction. It wasn't that she was ashamed of any of Mike's

friends, she thought; it was just that her mother and father were old-fashioned New

England Yankees and wouldn't understand her even knowing such people.

She got to the door just as the bell rang and she called to her mother, "I'll get it." She

opened the door and the two big men stood there. One reached inside his breast pocket

like a gangster reaching for a gun and the move so surprised Kay that she let out a little

gasp but the man had taken out a small leather case which he flapped open to show an

identification card. "I'm Detective John Phillips from the New York Police Department,"

he said. He motioned to the other man, a dark-complexioned man with very thick, very

black eyebrows. "This is my partner, Detective Siriani. Are you Miss Kay Adams?"

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Kay nodded. Phillips said, "May we come in and talk to you for a few minutes. It's

about Michael Corleone."

She stood aside to let them in. At that moment her father appeared in the small side

hall that led to his study. "Kay, what is it?" he asked.

Her father was a gray-haired, slender, distinguished-looking man who not only was

the pastor of the town Baptist church but had a reputation in religious circles as a

scholar. Kay really didn't know her father well, he puzzled her, but she knew he loved

her even if he gave the impression he found her uninteresting as a person. Though they

had never been close, she trusted him. So she said simply, "These men are detectives

frorn New York. They want to ask me questions about a boy I know."

Mr. Adams didn't seem surprised. "Why don't we go into my study?" he said.

Detective Phillips said gently, "We'd rather talk to your daughter alone, Mr. Adams."

Mr. Adams said courteously, "That depends on Kay, I think. My dear, would you rather

speak to these gentlemen alone or would you prefer to have me present? Or perhaps

your mother?"

Kay shook her head. "I'll talk to them alone."

Mr. Adams said to Phillips, "You can use my study. Will you stay for lunch?" The two

men shook their heads. Kay led them into the study.

They rested uncomfortably on the edge of the couch as she sat in her father's big

leather chair. Detective Phillips opened the conversation by saying, "Miss Adams, have

you seen or heard from Michael Corleone at any time in the last three weeks?" The one

question was enough to warn her. Three weeks ago she had read the Boston

newspapers with their headlines about the killing of a New York police captain and a

narcotics smuggler named Virgil Sollozzo. The newspaper had said it was part of the

gang war involving the Corleone Farnily.

Kay shook her head. "No, the last time I saw him he was going to see his father in the

hospital. That was perhaps a month ago."

The other detective said in a harsh voice, "We know all about that meeting. Have you

seen or heard from him since then?"

"No," Kay said.

Detective Phillips said in a polite voice, "If you do have contact with him we'd like you

to let us know. It's very important we get to talk to Michael Corleone. I must warn you

that if you do have contact with him you may be getting involved in a very dangerous

situation. If you help him in any way, you may get yourself in very serious trouble."

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Kay sat up very straight in the chair. "Why shouldn't I help him?" she asked. "We're

going to be married, married people help each other."

It was Detective Siriani who answered her. "If you help, you may be an accessory

(добавочный, вспомогательный; /здесь/ соучастник [∂k'ses∂ri]) to murder. We're

looking for your boy friend because he killed a police captain in New York plus an

informer the police officer was contacting. We know Michael Corleone is the person who

did the shooting."

Kay laughed. Her laughter was so unaffected, so incredulous, that the officers were

impressed. "Mike wouldn't do anything like that," she said. "He never had anything to do

with his family. When we went to his sister's wedding it was obvious that he was treated

as an outsider, almost as much as I was. If he's hiding now it's just so that he won't get

any publicity, so his name won't be dragged through all this. Mike is not a gangster. I

know him better than you or anybody else can know him. He is too nice a man to do

anything as despicable (презренный [‘despık∂bl]) as murder. He is the most law-

abiding (законопослушный) person I know, and I've never known him to lie."

Detective Phillips asked gently, "How long have you known him?"

"Over a year," Kay said and was surprised when the two men smiled.

"I think there are a few things you should know," Detective Phillips said. "On the night

he left you, he went to the hospital. When he came out he got into an argument with a

police captain who had come to the hospital on official business. He assaulted that

police officer but got the worst of it. In fact he got a broken jaw and lost some teeth. His

friends took him out to the Corleone Family houses at Long Beach. The following night

the police captain he had the fight with was gunned down and Michael Corleone

disappeared. Vanished. We have our contacts, our informers. They all point the finger at

Michael Corleone but we have no evidence for a court of law. The waiter who witnessed

the shooting doesn't recognize a picture of Mike but he may recognize him in person.

And we have Sollozzo's driver, who refuses to talk, but we might make him talk if we

have Michael Corleone in our hands. So we have all our people looking for him, the FBI

is looking for him, everybody is looking for him. So far, no luck, so we thought you might

be able to give us a lead (подсказать что-то, направить нас по верному следу)."

Kay said coldly, "I don't believe a word of it." But she felt a bit sick knowing the part

about Mike getting his jaw broken must be true. Not that that would make Mike commit

murder.

"Will you let us know if Mike contacts you?" Phillips asked.

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Kay shook her head. The other detective, Siriani, said roughly, "We know you two

have been shacking up together. We have the hotel records and witnesses. If we let

that information slip to the newspapers your father and mother would feel pretty lousy.

Real respectable people like them wouldn't think much of a daughter shacking up with a

gangster. If you don't come clean right now I'll call your old man in here and give it to

him straight."

Kay looked at him with astonishment. Then she got up and went to the door of the

study and opened it. She could see her father standing at the living-room window,

sucking at his pipe. She called out, "Dad, can you join us?" He turned, smiled at her,

and walked to the study. When he came through the door he put his arm around his

daughter's waist and faced the detectives and said, "Yes, gentlemen?"

When they didn't answer, Kay said coolly to Detective Siriani, "Give it to him straight,

officer."

Siriani flushed. "Mr. Adams, I'm telling you this for your daughter's good. She is mixed

up with a hoodlum we have reason to believe committed a murder on a police officer.

I'm just telling her she can get into serious trouble unless she cooperates with us. But

she doesn't seem to realize how serious this whole matter is. Maybe you can talk to

her."

"That is quite incredible," Mr. Adams said politely.

Siriani jutted his jaw. "Your daughter and Michael Corleone have been going out

together for over a year. They have stayed overnight in hotels together registered as

man and wife. Michael Corleone is wanted for questioning in the murder of a police

officer. Your daughter refuses to give us any information that may help us. Those are

the facts. You can call them incredible but I can back everything up."

"I don't doubt your word, sir," Mr. Adams said gently. "What I find incredible is that my

daughter could be in serious trouble. Unless you're suggesting that she is a" – here his

face became one of scholarly doubt – "a 'moll (любовница гангстера [mol]),' I believe

it's called."

Kay looked at her father in astonishment. She knew he was being playful in his

donnish (педантичный, высокомерный, чванный) way and she was surprised that he

could take the whole affair so lightly.

Mr. Adams said firmly, "However, rest assured that if the young man shows his face

here I shall immediately report his presence to the authorities. As will my daughter. Now,

if you will forgive us, our lunch is growing cold."

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He ushered the men out of the house with every courtesy and closed the door on their

backs gently but firmly. He took Kay by the arm and led her toward the kitchen far in the

rear of the house, "Come, my dear, your mother is waiting lunch for us."

By the time they reached the kitchen, Kay was weeping silently, out of relief from

strain, at her father's unquestioning affection. In the kitchen her mother took no notice of

her weeping, and Kay realized that her father must have told her about the two

detectives. She sat down at her place and her mother served her silently. When all

three were at the table her father said grace (молитва /перед едой/) with bowed head.

Mrs. Adams was a short stout woman always neatly dressed, hair always set. Kay

had never seen her in disarray (беспорядок /в одежде/; смятение [dıs∂'reı]). Her

mother too had always been a little disinterested in her, holding her at arm's length. And

she did so now. "Kay, stop being so dramatic. I'm sure it's all a great deal of fuss about

nothing at all. After all, the boy was a Dartmouth boy, he couldn't possibly be mixed up

in anything so sordid (грязный, низкий, подлый)."

Kay looked up in surprise. "How did you know Mike went to Dartmouth?"

Her mother said complacently (complacent [k∂m'pleısnt] – благодушный), "You

young people are so mysterious, you think you're so clever. We've known about him all

along, but of course we couldn't bring it up until you did."

"But how did you know?" Kay asked. She still couldn't face her father now that he

knew about her and Mike sleeping together. So she didn't see the smile on his face

when he said, "We opened your mail, of course."

Kay was horrified and angry. Now she could face him. What he had done was more

shameful than her own sin. She could never believe it of him. "Father, you didn't, you

couldn't have."

Mr. Adams smiled at her. "I debated which was the greater sin, opening your mail, or

going in ignorance of some hazard my only child might be incurring (to incur [ın'k∂:] –

подвергаться /чему-либо/; навлечь на себя). The choice was simple, and virtuous."

Mrs. Adams said between mouthfuls of boiled chicken, "After all, my dear, you are

terribly innocent for your age. We had to be aware. And you never spoke about him."

For the first time Kay was grateful that Michael was never affectionate in his letters.

She was grateful that her parents hadn't seen some of her letters. "I never told you

about him because I thought you'd be horrified about his family."

"We were," Mr. Adams said cheerfully. "By the way, has Michael gotten in touch with

you?"

Kay shook her head. "I don't believe he's guilty of anything."

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She saw her parents exchange a glance over the table. Then Mr. Adams said gently,

"If he's not guilty and he's vanished, then perhaps something else happened to him."

At first Kay didn't understand. Then she got up from the table and ran to her room.

Three days later Kay Adams got out of a taxi in front of the Corleone mall in Long

Beach. She had phoned, she was expected. Tom Hagen met her at the door and she

was disappointed that it was him. She knew he would tell her nothing.

In the living room he gave her a drink. She had seen a couple of other men lounging

around the house but not Sonny. She asked Tom Hagen directly, "Do you know where

Mike is? Do you know where I can get in touch with him?"

Hagen said smoothly, "We know he's all right but we don't know where he is right now.

When he heard about that captain being shot he was afraid they'd accuse him. So he

just decided to disappear. He told me he'd get in touch in a few months."

The story was not only false but meant to be seen through, he was giving her that much.

"Did that captain really break his jaw?" Kay asked.

"I'm afraid that's true," Tom said. "But Mike was never a vindictive (мстительный

[vın’dıktıv]) man. I'm sure that had nothing to do with what happened."

Kay opened her purse and took out a letter. "Will you deliver this to him if he gets in

touch with you?"

Hagen shook his head. "If I accepted that letter and you told a court of law I accepted

that letter, it might be interpreted as my having knowledge of his whereabouts

(местонахождение). Why don't you just wait a bit? I'm sure Mike will get in touch."

She finished her drink and got up to leave. Hagen escorted her to the hall but as he

opened the door, a woman came in from outside. A short, stout woman dressed in black.

Kay recognized her as Michael's mother. She held out her hand and said, "How are you,

Mrs. Corleone?"

The woman's small black eyes darted at her for a moment, then the wrinkled, leathery,

olive-skinned face broke into a small curt smile of greeting that was yet in some curious

way truly friendly. "Ah, you Mikey's little girl," Mrs. Corleone said. She had a heavy

Italian accent, Kay could barely understand her. "You eat something?" Kay said no,

meaning she didn't want anything to eat, but Mrs. Corleone turned furiously on Tom

Hagen and berated (to berate – ругать, бранить) him in Italian ending with, "You don't

even give this poor girl coffee, you disgrazia." She took Kay by the hand, the old

woman's hand surprisingly warm and alive, and led her into the kitchen. "You have

coffee and eat something, then somebody drive you home. A nice girl like you, I don't

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want you to take the train." She made Kay sit down and bustled (to bustle – торопиться,

суетиться) around the kitchen, tearing off her coat and hat and draping them over a

chair. In a few seconds there was bread and cheese and salami on the table and coffee

perking (to perk – вскидывать голову; подаваться вперед; /здесь/ возвышаться,

быть установленым наверху) on the stove.

Kay said timidly, "I came to ask about Mike, I haven't heard from him. Mr. Hagen said

nobody knows where he is, that he'll turn up in a little while."

Hagen spoke quickly, "That's all we can tell her now, Ma."

Mrs. Corleone gave him a look of withering contempt (с «уничтожающим»

презрением; to wither [‘wıр∂] – вянуть; иссушать). "Now you gonna tell me what to do?

My husband don't tell me what to do, God have mercy on him." She crossed herself.

"Is Mr. Corleone all right?" Kay asked.

"Fine," Mrs. Corleone said. "Fine. He's getting old, he's getting foolish to let something

like that happen." She tapped her head disrespectfully. She poured the coffee and

forced Kay to eat some bread and cheese.

After they drank their coffee Mrs. Corleone took one of Kay's hands in her two brown

ones. She said quietly, "Mikey no gonna write you, you no gonna hear from Mikey. He

hide two – three years. Maybe more, maybe much more. You go home to your family

and find a nice young fellow and get married."

Kay took the letter out of her purse. "Will you send this to him?"

The old lady took the letter and patted Kay on the cheek. "Sure, sure," she said.

Hagen started to protest and she screamed at him in Italian. Then she led Kay to the

door. There she kissed her on the cheek very quickly and said, "You forget about Mikey,

he no the man for you anymore."

There was a car waiting for her with two men up front. They drove her all the way to

her hotel in New York never saying a word. Neither did Kay. She was trying to get used

to the fact that the young man she had loved was a cold-blooded murderer. And that

she had been told by the most unimpeachable source: his mother.

Chapter 16

Carlo Rizzi was punk sore at the world. Once married into the Corleone Family, he'd

been shunted aside (to shunt – переводить на запасный путь; /здесь/ откладывать в

сторону, оставить не у дел) with a small bookmaker's business on the Upper East

Side of Manhattan. He'd counted on one of the houses in the mall on Long Beach, he

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knew the Don could move retainer families out when he pleased and he had been sure

it would happen and he would be on the inside of everything. But the Don wasn't

treating him right. The "Great Don," he thought with scorn. An old Moustache Pete

who'd been caught out on the street by gunmen like any dumb small-time (мелкий,

незначительный, второсортный) hood. He hoped the old bastard croaked (to croak –

каркать; /разг./ умереть). Sonny had been his friend once and if Sonny became the

head of the Family maybe he'd get a break, get on the inside.

He watched his wife pour his coffee. Christ, what a mess she turned out to be. Five

months of marriage and she was already spreading, besides blowing up. Real guinea

broads all these Italians in the East.

He reached out and felt Connie's soft spreading buttocks. She smiled at him and he

said contemptuously, "You got more ham than a hog." It pleased him to see the hurt

look on her face, the tears springing into her eyes. She might be a daughter of the Great

Don but she was his wife, she was his property now and he could treat her as he

pleased. It made him feel powerful that one of the Corleones was his doormat (половик

для вытирания ног).

He had started her off just right. She had tried to keep that purse full of money

presents for herself and he had given her a nice black eye and taken the money from

her. Never told her what he'd done with it, either. That might have really caused some

trouble. Even now he felt just the slightest twinge of remorse (угрызения совести;

twinge – приступ боли). Christ, he'd blown nearly fifteen grand on the track (играя на

скачках) and show girl bimbos (bimbo – глупая красотка легкого поведения).

He could feel Connie watching his back and so he flexed his muscles as he reached

for the plate of sweet buns on the other side of the table. He'd just polished off ham and

eggs but he was a big man and needed a big breakfast. He was pleased with the

picture he knew he presented to his wife. Not the usual greasy dark guinzo husband

(guinzo – итальяшка) but crew-cut blond, huge golden-haired forearms and broad

shoulders and thin waist. And he knew he was physically stronger than any of those so

called hard guys that worked for the family. Guys like Clemenza, Tessio, Rocco

Lampone, and that guy Paulie that somebody had knocked off. He wondered what the

story was about that. Then for some reason he thought about Sonny. Man to man he

could take Sonny, he thought, even though Sonny was a little bigger and a little heavier.

But what scared him was Sonny's rep, though he himself had never seen Sonny

anything but good-natured and kidding around. Yeah, Sonny was his buddy. Maybe with

the old Don gone, things would open up.

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He dawdled (to dawdle – тратить, тянуть время, бездельничать) over his coffee. He

hated this apartment. He was used to the bigger living quarters of the West and in a

little while he would have to go crosstown to his "book" to run the noontime action. It

was a Sunday, the heaviest action of the week what with baseball going already and the

tail end of basketball and the night trotters (trotter – рысак) starting up. Gradually he

became aware of Connie bustling around behind him and he turned his head to watch

her.

She was getting dressed up in the real New York City guinzo style that he hated. A

silk flowered-pattern dress with belt, showy bracelet and earrings, flouncy (flounce –

оборка) sleeves. She looked twenty years older. "Where the hell are you going?" he

asked.

She answered him coldly, "To see my father out in Long Beach. He still can't get out

of bed and he needs company."

Carlo was curious. "Is Sonny still running the show?"

Connie gave him a bland look. "What show?"

He was furious. "You lousy little guinea bitch, don't talk to me like that or I'll beat that

kid right out of your belly." She looked frightened and this enraged him even more. He

sprang from his chair and slapped her across the face, the blow leaving a red welt

(след, рубец /от удара/). With quick precision he slapped her three more times. He

saw her upper lip split bloody and puff up. That stopped him. He didn't want to leave a

mark. She ran into the bedroom and slammed the door and he heard the key turning in

the lock. He laughed and returned to his coffee.

He smoked until it was time for him to dress. He knocked on the door and said, "Open

it up before I kick it in." There was no answer. "Come on, I gotta get dressed," he said in

a loud voice. He could hear her getting up off the bed and coming toward the door, then

the key turned in the lock. When he entered she had her back to him, walking back

toward the bed, lying down on it with her face turned away to the wall.

He dressed quickly and then saw she was in her slip. He wanted her to go visit her

father, he hoped she would bring back information. "What's the matter, a few slaps take

all the energy out of you?" She was a lazy slut.

"I don't wanna go." Her voice was tearful, the words mumbled. He reached out

impatiently and pulled her around to face him. And then he saw why she didn't want to

go and thought maybe it was just at well.

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He must have slapped her harder than he figured. Her left cheek was blown up, the

cut upper lip ballooned grotesquely puffy and white beneath her nose. "OK," he said,

"but I won't be home until late. Sunday is my busy day."

He left the apartment and found a parking ticket on his car, a fifteen-dollar green one.

He put it in the glove compartment with the stack of others. He was in a good humor.

Slapping the spoiled little bitch around always made him feel good. It dissolved some of

the frustration (досада, расстройство /планов/, разочарование) he felt at being

treated so badly by the Corleones.

The first time he had marked her up, he'd been a little worried. She had gone right out

to Long Beach to complain to her mother and father and to show her black eye. He had

really sweated it out. But when she came back she had been surprisingly meek, the

dutiful little Italian wife. He had made it a point to be the perfect husband over the next

few weeks, treating her well in every way, being lovey and nice with her, banging her

every day, morning and night. Finally she had told him what had happened since she

thought he would never act that way again.

She had found her parents coolly unsympathetic and curiously amused. Her mother

had had a little sympathy and had even asked her father to speak to Carlo Rizzi. Her

father had refused. "She is my daughter," he had said, "but now she belongs to her

husband. He knows his duties. Even the King of Italy didn't dare to meddle with the

relationship of husband and wife. Go home and learn how to behave so that he will not

beat you."

Connie had said angrily to her father, "Did you ever hit your wife?" She was his

favorite and could speak to him so impudently. He had answered, "She never gave me

reason to beat her." And her mother had nodded and smiled.

She told them how her husband had taken the wedding present money and never told

her what he did with it. Her father had shrugged and said, "I would have done the same

if my wife had been as presumptuous (самонадеянный, дерзкий, нахальный

[prı’zΛmptju∂s]) as you."

And so she had returned home, a little bewildered, a little frightened. She had always

been her father's favorite and she could not understand his coldness now.

But the Don had not been so unsympathetic as he pretended. He made inquiries and

found out what Carlo Rizzi had done with the wedding present money. He had men

assigned to Carlo Rizzi's bookmaking operation who would report to Hagen everything

Rizzi did on the job. But the Don could not interfere. How expect a man to discharge his

husbandly duties to a wife whose family he feared? It was an impossible situation and

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he dared not meddle. Then when Connie became pregnant he was convinced of the

wisdom of his decision and felt he never could interfere though Connie complained to

her mother about a few more beatings and the mother finally became concerned

enough to mention it to the Don. Connie even hinted that she might want a divorce. For

the first time in her life the Don was angry with her. "He is the father of your child. What

can a child come to in this world if he has no father?" he said to Connie.

Learning all this, Carlo Rizzi grew confident. He was perfectly safe. In fact he bragged

(to brag – похваляться, хвастаться) to his two "writers" on the book, Sally Rags and

Coach, about how he bounced his wife around when she got snotty and saw their looks

of respect that he had the guts (имеет смелость, не боится; gut – кишка) to

manhandle (тащить, передвигать вручную; грубо обращаться, избивать) the

daughter of the great Don Corleone.

But Rizzi would not have felt so safe if he had known that when Sonny Corleone

learned of the beatings he had flown into a murderous rage and had been restrained

only by the sternest and most imperious command of the Don himself, a command that

even Sonny dared not disobey. Which was why Sonny avoided Rizzi, not trusting

himself to control his temper.

So feeling perfectly safe on this beautiful Sunday morning, Carlo Rizzi sped crosstown

on 96th Street to the East Side. He did not see Sonny's car coming the opposite way

toward his house.

Sonny Corleone had left the protection of the mall and spent the night with Lucy

Mancini in town. Now on the way home he was traveling with four bodyguards, two in

front and two behind. He didn't need guards right beside him, he could take care of a

single direct assault. The other men traveled in their own cars and had apartments on

either side of Lucy's apartment. It was safe to visit her as long as he didn't do it too often.

But now that he was in town he figured he would pick up his sister Connie and take her

out to Long Beach. He knew Carlo would be working at his book and the cheap bastard

wouldn't get her a car. So he'd give his sister a lift out.

He waited for the two men in front to go into the building and then followed them. He

saw the two men in back pull up behind his car and get out to watch the streets. He kept

his own eyes open. It was a million-to-one shot that the opposition even knew he was in

town but he was always careful. He had learned that in the 1930's war.

He never used elevators. They were death traps. He climbed the eight flights to

Connie's apartment, going fast. He knocked on her door. He had seen Carlo's car go by

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and knew she would be alone. There was no answer. He knocked again and then he

heard his sister's voice, frightened, timid, asking, "Who is it?"

The fright in the voice stunned him. His kid sister had always been fresh and snotty,

tough as anybody in the family. What the hell had happened to her? He said, "It's

Sonny." The bolt inside slid back and the door opened and Connie was in his arms

sobbing. He was so surprised he just stood there. He pushed her away from him and

saw her swollen face and he understood what had happened.

He pulled away from her to run down the stairs and go after her husband. Rage flamed

up in him, contorting his own face. Connie saw the rage and clung to him, not letting him

go, making him come into the apartment. She was weeping out of terror now. She knew

her older brother's temper and feared it. She had never complained to him about Carlo

for that reason. Now she made him come into the apartment with her.

"It was my fault," she said. "I started a fight with him and I tried to hit him so he hit me.

He really didn't try to hit me that hard. I walked into it."

Sonny's heavy Cupid face was under control. "You going to see the old man today?"

She didn't answer, so he added, "I thought you were, so I dropped over to give you a

lift. I was in the city anyway."

She shook her head. "I don't want them to see me this way. I'll come next week."

"OK," Sonny said. He picked up her kitchen phone and dialed a number. "I'm getting a

doctor to come over here and take a look at you and fix you up. In your condition you

have to be careful. How many months before you have the kid?"

"Two months," Connie said. "Sonny, please don't do anything. Please don't."

Sonny laughed. His face was cruelly intent (полный решимости; пристальный;

погруженный во что-либо [ın'tent]) when he said, "Don't worry, I won't make your kid

an orphan before he's born." He left the apartment after kissing her lightly on her

uninjured cheek.

On East 112th Street a long line of cars were double-parked in front of a candy store

that was the headquarters of Carlo Rizzi's book. On the sidewalk in front of the store,

fathers played catch with small children they had taken for a Sunday morning ride and

to keep them company as they placed their bets (делали ставки). When they saw Carlo

Rizzi coming they stopped playing ball and bought their kids ice cream to keep them

quiet. Then they started studying the newspapers that gave the starting pitchers (pitcher

– подающий мяч; to pitch – бросать, кидать; /спорт./ подавать), trying to pick out

winning baseball bets for the day.

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Carlo went into the large room in the back of the store. His two "writers," a small wiry

man called Sally Rags and a big husky fellow called Coach, were already waiting for the

action to start. They had their huge, lined pads in front of them ready to write down bets.

On a wooden stand was a blackboard with the names of the sixteen big league baseball

teams chalked on it, paired to show who was playing against who. Against each pairing

was a blocked-out square to enter the odds.

Carlo asked Coach, "Is the store phone tapped (to tap the line – подслушивать

телефонный разговор; tap – пробка, затычка; кран; to tap – вставлять кран,

снабжать втулкой; вынимать пробку) today?"

Coach shook his head. "The tap is still off."

Carlo went to the wall phone and dialed a number. Sally Rags and Coach watched

him impassively as he jotted down the "line," the odds on all the baseball games for that

day. They watched him as he hung up the phone and walked over to the blackboard

and chalked up the odds against each game. Though Carlo did not know it, they had

already gotten the line and were checking his work. In the first week in his job Carlo had

made a mistake in transposing the odds onto the blackboard and had created that

dream of all gamblers, a "middle." That is, by betting the odds with him and then betting

against the same team with another bookmaker at the correct odds, the gambler could

not lose. The only one who could lose was Carlo's book. That mistake had caused a

six-thousand-dollar loss in the book for the week and confirmed the Don's judgment

about his son-in-law. He had given the word that all of Carlo's work was to be checked.

Normally the highly placed members of the Corleone Family would never be

concerned with such an operational detail. There was at least a five-layer insulation to

their level. But since the book was being used as a testing ground for the son-in-law, it

had been placed under the direct scrutiny of Tom Hagen, to whom a report was sent

every day.

Now with the line posted, the gamblers were thronging into the back room of the

candy store to jot down the odds on their newspapers next to the games printed there

with probable pitchers. Some of them held their little children by the hand as they looked

up at the blackboard. One guy who made big bets looked down at the little girl he was

holding by the hand and said teasingly, "Who do you like today, Honey, Giants or the

Pirates?" The little girl, fascinated by the colorful names, said, "Are Giants stronger than

Pirates?" The father laughed.

A line began to form in front of the two writers. When a writer filled one of his sheets

he tore it off, wrapped the money he had collected in it and handed it to Carlo. Carlo

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went out the back exit of the room and up a flight of steps to an apartment which

housed the candy store owner's family. He called in the bets to his central exchange

and put the money in a small wall safe that was hidden by an extended window drape.

Then he went back down into the candy store after having first burned the bet sheet and

flushed (to flush – спускать; бить струей) its ashes down the toilet bowl.

None of the Sunday games started before two P.M. because of the blue laws, so after

the first crowd of bettors, family men who had to get their bets in and rush home to take

their families to the beach, came the trickling (trickle – струйка) of bachelor gamblers or

the die-hards (die-hard – твердолобый человек; консерватор) who condemned their

families to Sundays in the hot city apartments. These bachelor bettors were the big

gamblers, they bet heavier and came back around four o'clock to bet the second games

of doubleheaders (две игры, следующие непосредственно друг за другом). They

were the ones who made Carlo's Sundays a full-time day with overtime, though some

married men called in from the beach to try and recoup (компенсировать, возмещать

[rı'ku:p]) their losses.

By one-thirty the betting had trickled off so that Carlo and Sally Rags could go out and

sit on the stoop (крыльцо со ступенями; открытая веранда) beside the candy store

and get some fresh air. They watched the stickball (stickball – a form of baseball played

in the streets, on playgrounds, etc., in which a rubber ball and a broomstick or the like

are used in place of a baseball and bat) game the kids were having. A police car went

by. They ignored it. This book had very heavy protection at the precinct and couldn't be

touched on a local level. A raid would have to be ordered from the very top and even

then a warning would come through in plenty of time.

Coach came out and sat beside them. They gossiped a while about baseball and

women. Carlo said laughingly, "I had to bat (бить палкой, битой; bat – бита; дубина,

било /для льна/) my wife around again today, teach her who's boss."

Coach said casually, "She's knocked up pretty big now, ain't she?"

"Ahh, I just slapped her face a few times," Carlo said.

"I didn't hurt her." He brooded for a moment. "She thinks she can boss me around, I

don't stand for that (не потерплю этого)."

There were still a few bettors hanging around shooting the breeze (to shoot the

breeze – трепаться, болтать /сленг/; breeze – легкий ветерок; новость, слух), talking

baseball, some of them sitting on the steps above the two writers and Carlo. Suddenly

the kids playing stickball in the street scattered. A car came screeching (to screech –

скрипеть, визжать) up the block and to a halt in front of the candy store. It stopped so

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abruptly that the tires screamed and before it had stopped, almost, a man came hurtling

out (to hurtle – пролетать, нестись со свистом; сильно бросать) of the driver's seat,

moving so fast that everybody was paralyzed. The man was Sonny Corleone.

His heavy Cupid-featured face with its thick, curved mouth was an ugly mask of fury.

In a split second he was at the stoop and had grabbed Carlo Rizzi by the throat. He

pulled Carlo away from the others, trying to drag him into the street, but Carlo wrapped

his huge muscular arms around the iron railings of the stoop and hung on. He cringed

(to cringe – съеживаться /от страха/) away, trying to hide his head and face in the

hollow of his shoulders. His shirt ripped away in Sonny's hand.

What followed then was sickening. Sonny began beating the cowering Carlo with his

fists, cursing him in a thick, rage-choked voice. Carlo, despite his tremendous physique,

offered no resistance, gave no cry for mercy or protest. Coach and Sally Rags dared not

interfere. They thought Sonny meant to kill his brother-in-law and had no desire to share

his fate. The kids playing stickball gathered to curse the driver who had made them

scatter, but now were watching with awestruck interest. They were tough kids but the

sight of Sonny in his rage silenced them. Meanwhile another car had drawn up behind

Sonny's and two of his bodyguards jumped out. When they saw what was happening

they too dared not interfere. They stood alert, ready to protect their chief if any

bystanders had the stupidity to try to help Carlo.

What made the sight sickening was Carlo's complete subjection, but it was perhaps

this that saved his life. He clung to the iron railings with his hands so that Sonny could

not drag him into the street and despite his obvious equal strength, still refused to fight

back. He let the blows rain on his unprotected head and neck until Sonny's rage ebbed.

Finally, his chest heaving, Sonny looked down at him and said, "You dirty bastard, you

ever beat up my sister again I'll kill you."

These words released the tension. Because of course, if Sonny intended to kill the

man he would never have uttered the threat. He uttered it in frustration because he

could not carry it out. Carlo refused to look at Sonny. He kept his head down and his

hands and arms entwined in the iron railing. He stayed that way until the car roared off

and he heard Coach say in his curiously paternal voice, "OK, Carlo, come on into the

store. Let's get out of sight."

It was only then that Carlo dared to get out of his crouch against the stone steps of the

stoop and unlock his hands from the railing. Standing up, he could see the kids look at

him with the staring, sickened faces of people who had witnessed the degradation of a

fellow human being. He was a little dizzy but it was more from shock, the raw fear that

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had taken command of his body; he was not badly hurt despite the shower of heavy

blows. He let Coach lead him by the arm into the back room of the candy store and put

ice on his face, which, though it was not cut or bleeding, was lumpy with swelling

bruises. The fear was subsiding now and the humiliation he had suffered made him sick

to his stomach so that he had to throw up (вырвать). Coach held his head over the sink,

supported him as if he were drunk, then helped him upstairs to the apartment and made

him lie down in one of the bedrooms. Carlo never noticed that Sally Rags had

disappeared.

Sally Rags had walked down to Third Avenue and called Rocco Lampone to report

what had happened. Rocco took the news calmly and in his turn called his caporegime,

Pete Clemenza. Clemenza groaned and said, "Oh, Christ, that goddamn Sonny and his

temper," but his finger had prudently clicked down on the hook so that Rocco never

heard his remark.

Clemenza called the house in Long Beach and got Tom Hagen. Hagen was silent for

a moment and then he said, "Send some of your people and cars out on the road to

Long Beach as soon as you can, just in case Sonny gets held up by traffic or an

accident. When he gets sore like that he doesn't know what the hell he's doing. Maybe

some of our friends on the other side will hear he was in town. You never can tell."

Clemenza said doubtfully, "By the time I could get anybody on the road, Sonny will be

home. That goes for the Tattaglias too."

"I know," Hagen said patiently. "But if something out of the ordinary happens, Sonny

may be held up. Do the best you can, Pete."

Grudgingly Clemenza called Rocco Lampone and told him to get a few people and

cars and cover the road to Long Beach. He himself went out to his beloved Cadillac and

with three of the platoon (взвод; полицейский отряд [pl∂’tu:n]) of guards who now

garrisoned his home, started over the Atlantic Beach Bridge, toward New York City.

One of the hangers-on (hanger-on – прихлебатель, приспешник) around the candy

store, a small bettor on the payroll of the Tattaglia Family as an informer, called the

contact he had with his people. But the Tattaglia Family had not streamlined (to

streamline – придавать обтекаемую форму; хорошо налаживать, подготовить) itself

for the war, the contact still had to go all the way through the insulation layers before he

finally got to the caporegime who contacted the Tattaglia chief. By that time Sonny

Corleone was safely back in the mall, in his father's house, in Long Beach, about to face

his father's wrath.

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Chapter 18

The war of 1947 between the Corleone Family and the Five Families combined

against them proved to be expensive for both sides. It was complicated by the police

pressure put on everybody to solve the murder of Captain McCluskey. It was rare that

operating officials of the Police Department ignored political muscle that protected

gambling and vice operations, but in this case the politicians were as helpless as the

general staff of a rampaging (to rampage [rжm’peıdG] – неистовствовать,

буйствовать), looting army whose field officers refuse to follow orders.

This lack of protection did not hurt the Corleone Family as much as it did their

opponents. The Corleone group depended on gambling for most of its income, and was

hit especially hard in its "numbers" or "policy" branch of operations. The runners who

picked up the action were swept into police nets and usually given a medium

shellacking (полное поражение; основательная порка) before being booked. Even

some of the "banks" were located and raided, with heavy financial loss. The

"bankers," .90 calibers in their own right, complained to the caporegimes, who brought

their complaints to the family council table. But there was nothing to be done. The

bankers were told to go out of business. Local Negro free-lancers were allowed to take

over the operation in Harlem, the richest territory, and they operated in such scattered

fashion that the police found it hard to pin them down.

After the death of Captain McCluskey, some newspapers printed stories involving him

with Sollozzo. They published proof that McCluskey had received large sums of money

in cash, shortly before his death. These stories had been planted by Hagen, the

information supplied by him. The Police Department refused to confirm or deny these

stories, but they were taking effect. The police force got the word through informers,

through police on the Family payroll, that McCluskey had been a rogue cop

(продажный полицейский; rogue [r∂ug] – жулик, мошенник).

Not that he had taken money or clean graft (взятка, подкуп), there was no rank-and-

file onus to that (за это бы никто не бросил в него камень; rank-and-file – члены

какой-либо организации /исключая руководителей или офицеров/, рядовые члены;

onus – бремя; ответственность, долг ['∂un∂s]). But that he had taken the dirtiest of

dirty money; murder and drugs money. And in the morality of policemen, this was

unforgivable.

Hagen understood that the policeman believes in law and order in a curiously

innocent way. He believes in it more than does the public he serves. Law and order is,

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after all, the magic from which he derives his power, individual power which he

cherishes as nearly all men cherish individual power. And yet there is always the

smoldering resentment (тлеющее, теплящееся негодование, возмущение, чувство

обиды [rı'zentm∂nt]) against the public he serves. They are at the same time his ward

(опека, подопечный) and his prey (добыча). As wards they are ungrateful, abusive

(оскорбительный, бранный; /здесь/ оскорбляющие [∂'bju:sıv]; to abuse [∂'bju:z] –

оскорблять, ругать) and demanding. As prey they are slippery and dangerous, full of

guile (обман, хитрость, вероломство [gaıl]). As soon as one is in the policeman's

clutches (когти, лапы) the mechanism of the society the policeman defends marshals

(выстраивать /войска/) all its resources to cheat him of his prize. The fix is put in by

politicians. Judges give lenient (мягкий, снисходительный [‘li:nj∂nt]) suspended

sentences to the worst hoodlums. Governors of the States and the President of the

United States himself give full pardons, assuming that respected lawyers have not

already won his acquittal (оправдание /юр./ [∂'kwıtl]). After a time the cop learns. Why

should he not collect the fees these hoodlums are paying? He needs it more. His

children, why should they not go to college? Why shouldn't his wife shop in more

expensive places? Why shouldn't he himself get the sun with a winter vacation in

Florida? After all, he risks his life and that is no joke.

But usually he draws the line against accepting dirty graft. He will take money to let a

bookmaker operate. He will take money from a man who hates getting parking tickets or

speeding tickets. He will allow call girls and prostitutes to ply their trade; for a

consideration. These are vices natural to a man. But usually he will not take a payoff for

drugs, armed robberies, rape, murder and other assorted (смешанный) perversions. In

his mind these attack the very core (сердцевина) of his personal authority and cannot

be countenanced (countenance [‘kauntın∂ns] – выражение лица; to keep one’s

countenance – не показывать вида; to countenance – терпеть, одобрять,

санкционировать).

The murder of a police Captain was comparable to regicide (цареубийство

['redGısaıd]). But when it became known that McCluskey had been killed while in the

company of a notorious narcotics peddler, when it became known that he was

suspected of conspiracy to murder, the police desire for vengeance began to fade. Also,

after all, there were still mortgage (заклад, ипотека; закладная ['mo:gıdG]) payment to

be made, cars to be paid off, children to be launched (to launch – бросать, метать;

запускать /ракету/) into the world. Without their "sheet" money (деньги, получаемые

по списку /с нарушителей закона, кормящихся на их участке/); sheet – простыня;

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лист бумаги, печатный лист), policemen had to scramble (карабкаться, продираться,

бороться за обладание) to make ends meet. Unlicensed peddlers were good for lunch

money. Parking ticket payoffs came to nickels and dimes (nickel – монета в 5 центов;

dime – монета в 10 центов). Some of the more desperate even began shaking down

suspects (homosexuals, assaults (assault – нападение; изнасилование [∂'so:lt]) and

batteries (battery – побои, оскорбление действием /юр./) in the precinct squad rooms

(в полицейских участках; squad [skwod] – /воен./ группа, команда /здесь – на

дежурстве/). Finally the brass relented (начальство смягчилось; brass [brα:s] –

латунь, желтая медь; начальство, старший офицер /воен. жарг/). They raised the

prices and let the Families operate. Once again the payoff sheet (список выплат) was

typed up by the precinct bagman (странствующий торговец; коммивояжер /здесь

имеется в виду (насмешливо) полицейский, собирающий свою «долю»/), listing

every man assigned to the local station and what his cut was each month. Some

semblance of social order was restored.

It had been Hagen's idea to use private detectives to guard Don Corleone's hospital

room. These were, of course, supplemented by the much more formidable soldiers of

Tessio's regime. But Sonny was not satisfied even with this. By the middle of February,

when the Don could be moved without danger, he was taken by ambulance to his home

in the mall. The house had been renovated so that his bedroom was now a hospital

room with all equipment necessary for any emergency. Nurses specially recruited and

checked had been hired for round-the-clock care, and Dr. Kennedy, with the payment of

a huge fee, had been persuaded to become the physician in residence to this private

hospital. At least until the Don would need only nursing care.

The mall itself was made impregnable. Button men were moved into the extra houses,

the tenants sent on vacations to their native villages in Italy, all expenses paid.

Freddie Corleone had been sent to Las Vegas to recuperate and also to scout out

(разведать) the ground for a Family operation in the luxury hotel-gambling casino

complex that was springing up. Las Vegas was part of the West Coast empire still

neutral and the Don of that empire had guaranteed Freddie's safety there. The New

York five Families had no desire to make more enemies by going into Vegas after

Freddie Corleone. They had enough trouble on their hands in New York.

Dr. Kennedy had forbade any discussion of business in front of the Don. This edict

was completely disregarded. The Don insisted on the council of war being held in his

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room. Sonny, Tom Hagen, Pete Clemenza and Tessio gathered there the very first night

of his homecoming.

Don Corleone was too weak to speak much but he wished to listen and exercise veto

powers. When it was explained that Freddie had been sent to Las Vegas to learn the

gambling casino business, he nodded his head approvingly. When he learned that

Bruno Tattaglia had been killed by Corleone button men he shook his head and sighed.

But what distressed him most of all was learning that Michael had killed Sollozzo and

Captain McCluskey and had then been forced to flee to Sicily. When he heard this he

motioned them out and they continued the conference in the corner room that held the

law library.

Sonny Corleone relaxed in the huge armchair behind the desk. "I think we'd better let

the old man take it easy for a couple of weeks, until the doc says he can do business."

He paused. "I'd like to have it going again before he gets better. We have the go-ahead

from the cops to operate. The first thing is the policy banks in Harlem. The black boys

up there had their fun, now we have to take it back. They screwed up the works but

good, just like they usually do when they run things. A lot of their runners (runner –

/здесь/ руководящий бизнесом) didn't payoff winners. They drive up in Cadillacs and

tell their players they gotta wait for their dough or maybe just pay them half what they

win. I don't want any runner looking rich to his players. I don't want them dressing too

good. I don't want them driving new cars. I don't want them welching (to welch, to welsh

– скрыться, не уплатив проигрыша) on paying a winner. And I don't want any free-

lancers staying in business, they give us a bad name. Tom, let's get that project moving

right away. Everything else will fall in line as soon as you send out the word that the lid

is off («крышка открыта» = секретность снята, можно работать спокойно)."

Hagen said, "There are some very tough boys up in Harlem. They got a taste of the

big money. They won't go back to being runners or sub-bankers again."

Sonny shrugged. "Just give their names to Clemenza. That's his job, straightening

them out."

Clemenza said to Hagen, "No problem."

It was Tessio who brought up the most important question. "Once we start operating,

the five Families start their raids. They'll hit our bankers in Harlem and our bookmakers

on the East Side. They may even try to make things tough for the garment center outfits

we service. This war is going to cost a lot of money."

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"Maybe they won't," Sonny said. "They know we'll hit them right back. I've got peace

feelers (feeler – щупальце; разведчик) out and maybe we can settle everything by

paying an indemnity for the Tattaglia kid."

Hagen said, "We're getting the cold shoulder (нам оказывают холодный прием) on

those negotiations. They lost a lot of dough the last few months and they blame us for it.

With justice. I think what they want is for us to agree to come in on the narcotics trade,

to use the Family influence politically. In other words, Sollozzo's deal minus Sollozzo.

But they won't broach (broach – вертел; to broach – делать прокол, отверстие;

почать /бочку вина/; /здесь/ огласить; начать обсуждать) that until they've hurt us

with some sort of combat action. Then after we've been softened up they figure we'll

listen to a proposition on narcotics."

Sonny said curtly, "No deal on drugs. The Don said no and it's no until he changes it."

Hagen said briskly, "Then we're faced with a tactical problem. Our money is out in the

open. Bookmaking and policy. We can be hit. But the Tattaglia Family has prostitution

and call girls and the dock unions. How the hell are we going to hit them? The other

Families are in some gambling. But most of them are in the construction trades,

shylocking, controlling the unions, getting the government contracts. They get a lot from

strong-arm and other stuff that involves innocent people. Their money isn't out in the

street. The Tattaglia nightclub is too famous to touch it, it would cause too much of a

stink. And with the Don still out of action their political influence matches ours. So we've

got a real problem here."

"It's my problem, Tom," Sonny said. "I'll find the answer. Keep the negotiation alive

and follow through on the other stuff. Let's go back into business and see what happens.

Then we'll take it from there. Clemenza and Tessio have plenty of soldiers, we can

match the whole Five Families gun for gun if that's the way they want it. We'll just go to

the mattresses."

There was no problem getting the free-lance Negro bankers out of business. The

police were informed and cracked down. With a special effort. At that time it was not

possible for a Negro to make a payoff to a high police or political official to keep such an

operation going. This was due to racial prejudice and racial distrust more than anything

else. But Harlem had always been considered a minor problem, and its settlement was

expected.

The Five Families struck in an unexpected direction. Two powerful officials in the

garment unions were killed, officials who were members of the Corleone Family. Then

the Corleone Family shylocks were barred from the waterfront piers (pier – волнолом,

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дамба; пирс) as were the Corleone Family bookmakers. The longshoremen's union

(longshoreman – портовый грузчик) locals had gone over to the Five Families.

Corleone bookmakers all over the city were threatened to persuade them to change

their allegiance (верность, лояльность; вассальная зависимость [∂'li:dG∂ns]). The

biggest numbers (затраты; смета) banker in Harlem, an old friend and ally (союзник) of

the Corleone Family, was brutally murdered. There was no longer any option. Sonny

told his caporegimes to go to the mattresses.

Two apartments were set up in the city and furnished with mattresses for the button

men to sleep on, a refrigerator for food, and guns and ammunition. Clemenza staffed

one apartment and Tessio the other. All Family bookmakers were given bodyguard

teams. The policy bankers in Harlem, however, had gone over to the enemy and at the

moment nothing could be done about that. All this cost the Corleone Family a great deal

of money and very little was coming in. As the next few months went by, other things

became obvious. The most important was that the Corleone Family had overmatched

itself (to overmatch = to be more than a match for – превосходить /силой, умением/;

/здесь/ переоценить свои силы; match – ровня, пара; равносильный противник).

There were reasons for this. With the Don still too weak to take a part, a great deal of

the Family's political strength was neutralized. Also, the last ten years of peace had

seriously eroded the fighting qualities of the two caporegimes, Clemenza and Tessio.

Clemenza was still a competent executioner and administrator but he no longer had the

energy or the youthful strength to lead troops. Tessio had mellowed (смягчился; mellow

– спелый, сочный; to mellow – делаться спелым, созревать; смягчаться)with age

and was not ruthless enough. Tom Hagen, despite his abilities, was simply not suited to

be a Consigliori in a time of war. His main fault was that he was not a Sicilian.

Sonny Corleone recognized these weaknesses in the Family's wartime posture but

could not take any steps to remedy them. He was not the Don and only the Don could

replace the caporegimes and the Consigliori. And the very act of replacement would

make the situation more dangerous, might precipitate some treachery (спровоцировать,

вызвать какое-нибудь предательство, измену; to precipitate [prı’sıpıteıt] –

низвергать, повергать; ввергать; ускорять, торопить). At first, Sonny had thought of

fighting a holding action until the Don could become well enough to take charge, but

with the defection of the policy bankers, the terrorization of the bookmakers, the Family

position was becoming precarious (случайный; ненадежный, сомнительный,

опасный [prı’kε∂rı∂s]). He decided to strike back.

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But he decided to strike right at the heart of the enemy. He planned the execution of

the heads of the five Families in one grand tactical maneuver. To that purpose he put

into effect an elaborate system of surveillance (надзор, наблюдение /напр. за

подозреваемым/ [s∂:’veıl∂ns]) of these leaders. But after a week the enemy chiefs

promptly dived underground and were seen no more in public.

The Five Families and the Corleone Empire were in stalemate (пат /шахм./; мертвая

точка, тупик; stale – несвежий /хлеб/; спертый /воздух/; выдохшийся /спортсмен/).

Chapter 18

Amerigo Bonasera lived only a few blocks from his undertaking establishment on

Mulberry Street and so always went home for supper. Evenings he returned to his place

of business, dutifully joining those mourners paying their respects to the dead who lay in

state in his somber parlors.

He always resented the jokes made about his profession, the macabre (мрачный,

ужасный /франц./ [m∂'kα:br]; dance macabre – танец смерти /жанр средневекового

искусства/) technical details which were so unimportant. Of course none of his friends

or family or neighbors would make such jokes. Any profession was worthy of respect to

men who for centuries earned bread by the sweat of their brows.

Now at supper with his wife in their solidly furnished apartment, gilt statues of the

Virgin Mary with their red-glassed candles flickering on the sideboard, Bonasera lit a

Camel cigarette and took a relaxing glass of American whiskey. His wife brought

steaming plates of soup to the table. The two of them were alone now; he had sent his

daughter to live in Boston with her mother's sister, where she could forget her terrible

experience and her injuries at the hands of the two ruffians (хулиган, негодяй ['rΛfj∂n])

Don Corleone had punished.

As they ate their soup his wife asked, "Are you going back to work tonight?"

Amerigo Bonasera nodded. His wife respected his work but did not understand it. She

did not understand that the technical part of his profession was the least important. She

thought, like most other people, that he was paid for his skill in making the dead look so

lifelike in their coffins. And indeed his skill in this was legendary. But even more

important, even more necessary was his physical presence at the wake

(бодрствование; поминки /перед погребением/). When the bereaved family

(скорбящая, понесшая потерю семья; to bereave – лишать, отнимать) came at night

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to receive their blood relatives and their friends beside the coffin of their loved one, they

needed Amerigo Bonasera with them.

For he was a strict chaperone (опекун, сопровождающий; chaperone – пожилая

дама, сопровождающия молодую девушку на балы и пр.; компаньонка [‘∫жp∂r∂un])

to death. His face always grave, yet strong and comforting, his voice unwavering, yet

muted to a low register, he commanded the mourning ritual. He could quiet grief that

was too unseemly, he could rebuke (упрекать, делать выговор [rı’bju:k]) unruly

children whose parents had not the heart to chastise (подвергать наказанию

/особенно телесному/ [t∫жs’taız]). Never cloying (слащав; to cloy – пресыщать) in the

tender of his condolences, yet never was he offhand (импровизированный; /здесь/

бесцеремонный). Once a family used Amerigo Bonasera to speed a loved one on

(проводить, отправить в последний путь близкого человека), they came back to him

again and again. And he never, never, deserted one of his clients on that terrible last

night above ground.

Usually he allowed himself a little nap after supper. Then he washed and shaved

afresh, talcum powder generously used to shroud (посыпать, укрыть; shroud – саван;

пелена, покров) the heavy black beard. A mouthwash always. He respectfully changed

into fresh linen, white gleaming shirt, the black tie, a freshly pressed dark suit, dull black

shoes and black socks. And yet the effect was comforting instead of somber. He also

kept his hair dyed black, an unheard-of frivolity in an Italian male of his generation; but

not out of vanity. Simply because his hair had turned a lively pepper and salt, a color

which struck him as unseemly for his profession.

After he finished his soup, his wife placed a small steak before him with a few forkfuls

of green spinach oozing yellow oil. He was a light eater. When he finished this he drank

a cup of coffee and smoked another Camel cigarette. Over his coffee he thought about

his poor daughter. She would never be the same. Her outward beauty had been

restored but there was the look of a frightened animal in her eyes that had made him

unable to bear the sight of her. And so they had sent her to live in Boston for a time.

Time would heal her wounds. Pain and terror was not so final as death, as he well knew.

His work made him an optimist.

He had just finished the coffee when his phone in the living room rang. His wife never

answered it when he was home, so he got up and drained his cup and stubbed out his

cigarette. As he walked to the phone he pulled off his tie and started to unbutton his

shirt, getting ready for his little nap. Then he picked up the phone and said with quiet

courtesy, "Hello."

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The voice on the other end was harsh, strained. "This is Tom Hagen," it said. "I'm

calling for Don Corleone, at his request."

Amerigo Bonasera felt the coffee churning (churn – маслобойка, мешалка; to churn

– взбивать /масло/; взбалтывать, вспенивать) sourly in his stomach, felt himself

going a little sick. It was more than a year since he had put himself in the debt of the

Don to avenge his daughter's honor and in that time the knowledge that he must pay

that debt had receded. He had been so grateful seeing the bloody faces of those two

ruffians that he would have done anything for the Don. But time erodes gratitude more

quickly than it does beauty. Now Bonasera felt the sickness of a man faced with

disaster. His voice faltered as he answered, "Yes, I understand. I'm

listening."

He was surprised at the coldness in Hagen's voice. The Consigliori had always been

a courteous man, though not Italian, but now he was being rudely brusque. "You owe

the Don a service," Hagen said. "He has no doubt that you will repay him. That you will

be happy to have this opportunity. In one hour, not before, perhaps later, he will be at

your funeral parlor to ask for your help. Be there to greet him. Don't have any people

who work for you there. Send them home. If you have any objections to this, speak now

and I'll inform Don Corleone. He has other friends who can do him this service."

Amerigo Bonasera almost cried out in his fright, "How can you think I would refuse the

Godfather? Of course I'll do anything he wishes. I haven't forgotten my debt. I'll go to my

business immediately, at once."

Hagen's voice was gentler now, but there was something strange about it. "Thank

you," he said. "The Don never doubted you. The question was mine. Oblige him tonight

and you can always come to me in any trouble, you'll earn my personal friendship."

This frightened Amerigo Bonasera even more. He stuttered, "The Don himself is

coming to me tonight?"

"Yes," Hagen said.

"Then he's completely recovered from his injuries, thank God," Bonasera said. His

voice made it a question.

There was a pause at the other end of the phone, then Hagen's voice said very quietly,

"Yes." There was a click and the phone went dead.

Bonasera was sweating. He went into the bedroom and changed his shirt and rinsed

his mouth. But he didn't shave or use a fresh tie. He put on the same one he had used

during the day. He called the funeral parlor and told his assistant to stay with the

bereaved family using the front parlor that night. He himself would be busy in the

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laboratory working area of the building. When the assistant started asking questions

Bonasera cut him off very curtly and told him to follow orders exactly.

He put on his suit jacket and his wife, still eating, looked up at him in surprise. "I have

work to do," he said and she did not dare question him because of the look on his face.

Bonasera went out of the house and walked the few blocks to his funeral parlor.

This building stood by itself on a large lot with a white picket fence running all around

it. There was a narrow roadway leading from the street to the rear, just wide enough for

ambulances and hearses (hearse [h∂:s] – катафалк, похоронные дроги). Bonasera

unlocked the gate and left it open. Then he walked to the rear of the building and

entered it through the wide door there. As he did so he could see mourners already

entering the front door of the funeral parlor to pay their respects to the current corpse.

Many years ago when Bonasera had bought this building from an undertaker planning

to retire, there had been a stoop of about ten steps that mourners had to mount before

entering the funeral parlor. This had posed a problem. Old and crippled mourners

determined to pay their respects had found the steps almost impossible to mount, so

the former undertaker had used the freight elevator for these people, a small metal

platform, that rose out of the ground beside the building. The elevator was for coffins

and bodies. It would descend underground, then rise into the funeral parlor itself, so that

a crippled mourner would find himself rising through the floor beside the coffin as other

mourners moved their black chairs aside to let the elevator rise through the trapdoor

(люк, опускная дверь; trap – ловушка, капкан; /вентиляционная/ дверь /в шахте/).

Then when the crippled or aged mourner (скорбящий; to mourn – скорбеть,

оплакивать /кого-либо/) had finished paying his respects, the elevator would again

come up through the polished floor to take him down and out again.

Amerigo Bonasera had found this solution to the problem unseemly (неподобающий,

непристойный) and penny-pinching (мелочный, скаредный, экономящий на копейке;

to pinch – щипать; сжимать; скупиться). So he had had the front of the building

remodeled, the stoop done away with and a slightly inclining walk put in its place. But of

course the elevator was still used for coffins and corpses.

In the rear of the building, cut off from the funeral parlor and reception rooms by a

massive soundproof (звуконепроницаемый) door, was the business office, the

embalming (to embalm [ım'bα:m] – бальзамировать; balm – бальзам) room, a

storeroom for coffins, and a carefully locked closet holding chemicals and the awful

tools of his trade. Bonasera went to the office, sat at his desk and lit up a Camel, one of

the few times he had ever smoked in this building. Then he waited for Don Corleone.

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He waited with a feeling of the utmost despair. For he had no doubt as to what

services he would be called upon to perform. For the last year the Corleone Family had

waged war against the five great Mafia Families of New York and the carnage had filled

the newspapers. Many men on both sides had been killed. Now the Corleone Family

had killed somebody so important that they wished to hide his body, make it disappear,

and what better way than to have it officially buried by a registered undertaker? And

Amerigo Bonasera had no illusions about the act he was to commit. He would be an

accessory to murder. If it came out, he would spend years in jail. His daughter and wife

would be disgraced, his good name, the respected name of Amerigo Bonasera,

dragged through the bloody mud of the Mafia war.

He indulged himself (позволил себе) by smoking another Camel. And then he

thought of something even more terrifying. When the other Mafia Families found out that

he had aided the Corleones they would treat him as an enemy. They would murder him.

And now he cursed the day he had gone to the Godfather and begged for his

vengeance. He cursed the day his wife and the wife of Don Corleone had become

friends. He cursed his daughter and America and his own success. And then his

optimism returned. It could all go well. Don Corleone was a clever man. Certainly

everything had been arranged to keep the secret. He had only to keep his nerve. For of

course the one thing more fatal than any other was to earn the Don's displeasure.

He heard tires on gravel. His practiced ear told him a car was coming through the

narrow driveway and parking in the back yard. He opened the rear door to let them in.

The huge fat man, Clemenza, entered, followed by two very rough-looking young

fellows. They searched the rooms without saying a word to Bonasera, then Clemenza

went out. The two young men remained with the undertaker.

A few moments later Bonasera recognized the sound of a heavy ambulance coming

through the narrow driveway. Then Clemenza appeared in the doorway followed by two

men carrying a stretcher (носилки; to stretch – растягивать/ся/, вытягивать/ся/). And

Amerigo Bonasera's worst fears were realized. On the stretcher was a corpse swaddled

(to swaddle – пеленать, свивать /младенца/) in a gray blanket but with bare yellow

feet sticking out the end.

Clemenza motioned the stretcher-bearers into the embalming room. And then from

the blackness of the yard another man stepped into the lighted office room. It was Don

Corleone.

The Don had lost weight during his illness and moved with a curious stiffness. He was

holding his hat in his hands and his hair seemed thin over his massive skull. He looked

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older, more shrunken than when Bonasera had seen him at the wedding, but he still

radiated power. Holding his hat against his chest, he said to Bonasera, "Well, old friend,

are you ready to do me this service?"

Bonasera nodded. The Don followed the stretcher into the embalming room and

Bonasera trailed after him. The corpse was on one of the guttered (gutter –

водосточный желоб, сточная канавка) tables. Don Corleone made a tiny gesture with

his hat and the other men left the room.

Bonasera whispered, "What do you wish me to do?"

Don Corleone was staring at the table. "I want you to use all your powers, all your skill,

as you love me," he said. "I do not wish his mother to see him as he is." He went to the

table and drew down the gray blanket. Amerigo Bonasera against all his will, against all

his years of training and experience, let out a gasp of horror. On the embalming table

was the bullet-smashed face of Sonny Corleone. The left eye drowned in blood had a

star fracture (трещина, излом, разрыв) in its lens (линза; хрусталик глаза). The

bridge of his nose and left cheekbone were hammered into pulp.

For one fraction of a second the Don put out his hand to support himself against

Bonasera's body. "See how they have massacred my son," he said.

Chapter 19

Perhaps it was the stalemate that made Sonny Corleone embark on the bloody

course of attrition (трение, изнашивание от трения; истощение, изнурение) that

ended in his own death. Perhaps it was his dark violent nature given full rein. In any

case, that spring and summer he mounted senseless raids on enemy auxiliaries

(auxiliary [o:g’zılj∂rı] – вспомогательный; помощник). Tattaglia Family pimps (pimp –

сводник, сутенер) were shot to death in Harlem, dock goons (goon – головорез,

наемный бандит) were massacred. Union officials who owed allegiance to the Five

Families were warned to stay neutral, and when the Corleone bookmakers and shylocks

were still barred from the docks, Sonny sent Clemenza and his regime to wreak (давать

выход, волю чувству [ri:k], to wreak vengeance upon one’s enemy – отомстить врагу)

havoc (опустошение, разрушение ['hжv∂k]) upon the long shore.

This slaughter was senseless because it could not affect the outcome of the war.

Sonny was a brilliant tactician and won his brilliant victories. But what was needed was

the strategical genius of Don Corleone. The whole thing degenerated into such a deadly

guerrilla war that both sides found themselves losing a great deal of revenue and lives

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to no purpose. The Corleone Family was finally forced to close down some of its most

profitable bookmaking stations, including the book given to son-in-law Carlo Rizzi for his

living. Carlo took to drink and running with chorus girls and giving his wife Connie a hard

time. Since his beating at the hands of Sonny he had not dared to hit his wife again but

he had not slept with her. Connie had thrown herself at his feet and he had spurned her,

as he thought, like a Roman, with exquisite patrician pleasure. He had sneered at her,

"Go call your brother and tell him I won't screw you, maybe he'll beat me up until I get a

hard on (эрекция)."

But he was in deadly fear of Sonny though they treated each other with cold

politeness. Carlo had the sense to realize that Sonny would kill him, that Sonny was a

man who could, with the naturalness of an animal, kill another man, while he himself

would have to call up all his courage, aIl his will, to commit murder. It never occurred to

Carlo that because of this he was a better man than Sonny Corleone, if such terms

could be used; he envied Sonny his awesome savagery, a savagery which was now

becoming a legend.

Tom Hagen, as the Consigliori, disapproved of Sonny's tactics and yet decided not to

protest to the Don simply because the tactics, to some extent, worked. The Five

Families seemed to be cowed (to cow – запугивать, усмирять), finally, as the attrition

went on, and their counterblows weakened and finally ceased altogether. Hagen at first

distrusted this seeming pacification of the enemy but Sonny was jubilant (ликующий,

торжествующий ['dGu:bıl∂nt]). "I'll pour it on," he told Hagen, "and then those bastards

will come begging for a deal."

Sonny was worried about other things. His wife was giving him a hard time because

the rumors had gotten to her that Lucy Mancini had bewitched her husband. And though

she joked publicly about her Sonny's equipment and technique, he had stayed away

from her too long and she missed him in her bed, and she was making life miserable for

him with her nagging.

In addition to this Sonny was under the enormous strain of being a marked man. He

had to be extraordinarily careful in all his movements and he knew that his visits to Lucy

Mancini had been charted by the enemy. But here he took elaborate precautions since

this was the traditional vulnerable spot. He was safe there. Though Lucy had not the

slightest suspicion, she was watched twenty-four hours a day by men of the Santino

regime and when an apartment became vacant on her floor it was immediately rented

by one of the most reliable men of that regime.

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The Don was recovering and would soon be able to resume command. At that time

the tide of battle must swing to the Corleone Family. This Sonny was sure of.

Meanwhile he would guard his Family's empire, earn the respect of his father, and,

since the position was not hereditary to an absolute degree, cement his claim as heir to

the Corleone Empire.

But the enemy was making its plans. They too had analyzed the situation and had

come to the conclusion that the only way to stave off (предотвратить, отсрочить

/бедствие/; stave – палка, шест) complete defeat was to kill Sonny Corleone. They

understood the situation better now and felt it was possible to negotiate with the Don,

known for his logical reasonableness. They had come to hate Sonny for his

bloodthirstiness, which they considered barbaric. Also not good business sense.

Nobody wanted the old days back again with all its turmoil (суматоха, беспорядок

['t∂:moıl]) and trouble.

One evening Connie Corleone received an anonymous phone call, a girl's voice,

asking for Carlo. "Who is this?" Connie asked.

The girl on the other end giggled and said, "I'm a friend of Carlo's. I just wanted to tell

him I can't see him tonight. I have to go out of town."

"You lousy bitch," Connie Corleone said. She screamed it again into the phone. "You

lousy tramp bitch." There was a click on the other end.

Carlo had gone to the track for that afternoon and when he came home in the late

evening he was sore at losing and half drunk from the bottle he always carried. As soon

as he stepped into the door, Connie started screaming curses at him. He ignored her

and went in to take a shower. When he came out he dried his naked body in front of her

and started dolling up (to doll up – наряжать/ся/; doll – кукла) to go out.

Connie stood with hands on hips, her face pointy (заостренный) and white with rage.

"You're not going any place," she said. "Your girl friend called and said she can't make it

tonight. You lousy bastard, you have the nerve to give your whores my phone number.

I'll kill you, you bastard." She rushed at him, kicking and scratching.

He held her off with one muscular forearm. "You're crazy," he said coldly. But she

could see he was worried, as if he knew the crazy girl he was screwing would actually

pull such a stunt (удачное, эффектное выступление; штука, трюк, фокус). "She was

kidding around, some nut," Carlo said.

Connie ducked (to duck – нырять, увертываться; duck – утка) around his arm and

clawed (to claw – царапать; claw – коготь) at his face. She got a little bit of his cheek

under her fingernails. With surprising patience he pushed her away. She noticed he was

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careful because of her pregnancy and that gave her the courage to feed her rage. She

was also excited. Pretty soon she wouldn't be able to do anything, the doctor had said

no sex for the last two months and she wanted it, before the last two months started.

Yet her wish to inflict a physical injury on Carlo was very real too. She followed him into

the bedroom.

She could see he was scared and that filled her with contemptuous delight. "You're

staying home," she said, "you're not going out."

"OK, OK," he said. He was still undressed, only wearing his shorts. He liked to go

around the house like that, he was proud of his V-shaped body, the golden skin. Connie

looked at him hungrily. He tried to laugh. "You gonna give me something to eat at

least?"

That mollified (to mollify – смягчить) her, his calling on her duties, one of them at

least. She was a good cook, she had learned that from her mother. She sauteed (to

sautй – потушить, приготовить что-либо быстро в небольшом количестве масла

или жира) veal and peppers, preparing a mixed salad while the pan simmered (to

simmer – закипать; кипеть на медленном огне). Meanwhile Carlo stretched out on his

bed to read the next day's racing form. He had a water glass full of whiskey beside him

which he kept sipping at.

Connie came into the bedroom. She stood in the doorway as if she could not come

close to the bed without being invited. "The food is on the table," she said.

"I'm not hungry yet," he said, still reading the racing form.

"It's on the table," Connie said stubbornly.

"Stick it up your ass," Carlo said. He drank off the rest of the whiskey in the water

glass, tilted the bottle to fill it again. He paid no more attention to her.

Connie went into the kitchen, picked up the plates filled with food and smashed them

against the sink. The loud crashes brought Carlo in from the bedroom. He looked at the

greasy veal and peppers splattered all over the kitchen walls and his finicky

(разборчивый, мелочно требовательный) neatness was outraged. "You filthy guinea

spoiled brat," he said venomously. "Clean that up right now or I'll kick the shit out of

you."

"Like hell I will," Connie said. She held her hands like claws ready to scratch his bare

chest to ribbons.

Carlo went back into the bedroom and when he came out he was holding his belt

doubled in his hand. "Clean it up," he said and there was no mistaking the menace in

his voice. She stood there not moving and he swung the belt against her heavily padded

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hips, the leather stinging but not really hurting. Connie retreated to the kitchen cabinets

and her hand went into one of the drawers to haul out the long bread knife. She held it

ready.

Carlo laughed. "Even the female Corleones are murderers," he said. He put the belt

down on the kitchen table and advanced toward her. She tried a sudden lunge but her

pregnant heavy body made her slow and he eluded the thrust she aimed at his groin in

such deadly earnest. He disarmed her easily and then he started to slap her face with a

slow medium-heavy stroke so as not to break the skin. He hit her again and again as

she retreated around the kitchen table trying to escape him and he pursued her into the

bedroom. She tried to bite his hand and he grabbed her by the hair to lift her head up.

He slapped her face until she began to weep like a little girl, with pain and humiliation.

Then he threw her contemptuously onto the bed. He drank from the bottle of whiskey

still on the night table. He seemed very drunk now, his light blue eyes had a crazy glint

in them and finally Connie was truly afraid.

Carlo straddled his legs apart and drank from the bottle. He reached down and

grabbed a chunk (толстый кусок, ломоть) of her pregnant heavy thigh in his hand. He

squeezed very hard, hurting her and making her beg for mercy. "You're fat as a pig," he

said with disgust and walked out of the bedroom.

Thoroughly frightened and cowed, she lay in the bed, not daring to see what her

husband was doing in the other room. Finally she rose and went to the door to peer into

the living room. Carlo had opened a fresh bottle of whiskey and was sprawled on the

sofa. In a little while he would drink himself into sodden (промокший, пропитанный;

отупевший /напр. от усталости, пьянства/) sleep and she could sneak into the kitchen

and call her family in Long Beach. She would tell her mother to send someone out here

to get her. She just hoped Sonny didn't answer the phone, she knew it would be best to

talk to Tom Hagen or her mother.

It was nearly ten o'clock at night when the kitchen phone in Don Corleone's house

rang. It was answered by one of the Don's bodyguards who dutifully turned the phone

over to Connie's mother. But Mrs. Corleone could hardly understand what her daughter

was saying, the girl was hysterical yet trying to whisper so that her husband in the next

room would not hear her. Also her face had become swollen because of the slaps, and

her puffy lips thickened her speech. Mrs. Corleone made a sign to the bodyguard that

he should call Sonny, who was in the living room with Tom Hagen.

Sonny came into the kitchen and took the phone from his mother. "Yeah, Connie," he

said.

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Connie was so frightened both of her husband and of what her brother would do that

her speech became worse. She babbled, "Sonny, just send a car to bring me home, I'll

tell you then, it's nothing, Sonny. Don't you come. Send Tom, please, Sonny. It's

nothing, I just want to come home."

By this time Hagen had come into the room. The Don was already under a sedated

sleep in the bedroom above and Hagen wanted to keep an eye on Sonny in all crises.

The two interior bodyguards were also in the kitchen. Everybody was watching Sonny

as he listened on the phone.

There was no question that the violence in Sonny Corleone's nature rose from some

deep mysterious physical well. As they watched they could actually see the blood

rushing to his heavily corded neck, could see the eyes film with hatred, the separate

features of his face tightening, growing pinched, then his face took on the grayish hue of

a sick man fighting off some sort of death, except that the adrenalin pumping through

his body made his hands tremble. But his voice was controlled, pitched low, as he told

his sister, "You wait there. You just wait there." He hung up the phone.

He stood there for a moment quite stunned with his own rage, then he said, "The

fucking sonofabitch, the fucking sonofabitch." He ran out of the house.

Hagen knew the look on Sonny's face, all reasoning power had left him. At this

moment Sonny was capable of anything. Hagen also knew that the ride into the city

would cool Sonny off, make him more rational. But that rationality might make him even

more dangerous, though the rationality would enable him to protect himself against the

consequences of his rage. Hagen heard the car motor roaring into life and he said to the

two bodyguards, "Go after him."

Then he went to the phone and made some calls. He arranged for some men of

Sonny's regime living in the city to go up to Carlo Rizzi's apartment and get Carlo out of

there. Other men would stay with Connie until Sonny arrived. He was taking a chance

(рисковал), thwarting (thwart – банка на гребной шлюпке; поперечный; to thwart –

перечить; /по/мешать исполнению, /здесь/ раздражая, действуя ему «против

шерсти») Sonny, but he knew the Don would back him up. He was afraid that Sonny

might kill Carlo in front of witnesses. He did not expect trouble from the enemy. The

Five Families had been quiet too long and obviously were looking for peace of some

kind.

By the time Sonny roared out of the mall in his Buick, he had already regained, partly,

his senses. He noted the two bodyguards getting into a car to follow him and approved.

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He expected no danger, the Five Families had quit counterattacking, were not really

fighting anymore.

He had grabbed his jacket in the foyer and there was a gun in a secret dashboard

(щиток, приборная доска) compartment (отделение) of the car, the car registered in

the name of a member of his regime, so that he personally could not get into any legal

trouble. But he did not anticipate needing any weapon. He did not even know what he

was going to do with Carlo Rizzi.

Now that he had a chance to think, Sonny knew he could not kill the father of an

unborn child, and that father his sister's husband. Not over a domestic spat (небольшая

ссора; легкий удар, шлепок; to spat – похлопать, пошлепать; побраниться; слегка

поссориться). Except that it was not just a domestic spat. Carlo was a bad guy and

Sonny felt responsible that his sister had met the bastard through him.

The paradox in Sonny's violent nature was that he could not hit a woman and had

never done so. That he could not harm a child or anything helpless. When Carlo had

refused to fight back against him that day, it had kept Sonny from killing him; complete

submission disarmed his violence. As a boy, he had been truly tenderhearted. That he

had become a murderer as a man was simply his destiny.

But he would settle this thing once and for all, Sonny thought, as he headed the Buick

toward the causeway (мостовая, мощеная дорожка, тротуар; дамба, гать) that would

take him over the water from Long Beach to the parkways on the other side of Jones

Beach. He always used this route when he went to New York. There was less traffic.

He decided he would send Connie home with the bodyguards and then he would have

a session with his brother-in-law. What would happen after that he didn't know. If the

bastard had really hurt Connie, he'd make a cripple out of the bastard. But the wind

coming over the causeway, the salty freshness of the air, cooled his anger. He put the

window down all the way.

He had taken the Jones Beach Causeway, as always, because it was usually

deserted this time of night, at this time of year, and he could speed recklessly until he hit

the parkways on the other side. And even there traffic would be light. The release of

driving very fast would help dissipate what he knew was a dangerous tension. He had

already left his bodyguards' car far behind.

The causeway was badly lit, there was not a single car. Far ahead he saw the white

cone of the manned tollbooth (будка для сбора дорожной пошлины: toll).

There were other tollbooths beside it but they were staffed only during the day, for

heavier traffic. Sonny started braking the Buick and at the same time searched his

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pockets for change. He had none. He reached for his wallet, flipped it open with one

100

hand and fingered out a bill. He came within the arcade of light and he saw to his mild

surprise a car in the tollbooth slot (щелка, щель, прорезь; /здесь/ узкий проезд возле

будки) blocking it, the driver obviously asking some sort of directions from the toll taker.

Sonny honked (to honk – кричать /о диких гусях/; сигналить /авто/) his horn and the

other car obediently rolled through to let his car slide into the slot.

Sonny handed the toll taker the dollar bill and waited for his change. He was in a hurry

now to close the window. The Atlantic Ocean air had chilled the whole car. But the toll

taker was fumbling with his change; the dumb son of a bitch actually dropped it. Head

and body disappeared as the toll man stooped down in his booth to pick up the money.

At that moment Sonny noticed that the other car had not kept going but had parked a

few feet ahead, still blocking his way. At that same moment his lateral vision caught

sight of another man in the darkened tollbooth to his right. But he did not have time to

think about that because two men came out of the car parked in front and walked

toward him. The toll collector still had not appeared. And then in the fraction of a second

before anything actually happened, Santino Corleone knew he was a dead man. And in

that moment his mind was lucid, drained of all violence, as if the hidden fear finally real

and present had purified him.

Even so, his huge body in a reflex for life crashed against the Buick door, bursting its

lock. The man in the darkened tollbooth opened fire and the shots caught Sonny

Corleone in the head and neck as his massive frame spilled out of the car. The two men

in front held up their guns now, the man in the darkened tollbooth cut his fire, and

Sonny's body sprawled on the asphalt with the legs still partly inside. The two men each

fired shots into Sonny's body, then kicked him in the face to disfigure his features even

more, to show a mark made by a more personal human power.

Seconds afterward, all four men, the three actual assassins (assassin [∂'sжsın] –

/наемный, нападающий из-за угла/ убийца) and the bogus (поддельный, фиктивный)

toll collector, were in their car and speeding toward the Meadowbrook Parkway on the

other side of Jones Beach. Their pursuit was blocked by Sonny's car and body in the

tollgate slot but when Sonny's bodyguards pulled up a few minutes later and saw his

body lying there, they had no intention to pursue. They swung their car around in a huge

arc and returned to Long Beach. At the first public phone off the causeway one of them

hopped out and called Tom Hagen. He was very curt and very brisk. "Sonny's dead,

they got him at the Jones Beach toll."

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Hagen's voice was perfectly calm. "OK," he said. "Go to Clemenza's house and tell

him to come here right away. He'll tell you what to do."

Hagen had taken the call in the kitchen, with Mama Corleone bustling around

101

preparing a snack for the arrival of her daughter. He had kept his composure and the

old woman had not noticed anything amiss. Not that she could not have, if she wanted

to, but in her life with the Don she had learned it was far wiser not to perceive. That if it

was necessary to know something painful, it would be told to her soon enough. And if it

was a pain that could be spared her, she could do without. She was quite content not to

share the pain of her men, after all did they share the pain of women? Impassively she

boiled her coffee and set the table with food. In her experience pain and fear did not dull

physical hunger; in her experience the taking of food dulled pain. She would have been

outraged if a doctor had tried to sedate her with a drug, but coffee and a crust of bread

were another matter; she came, of course, from a more primitive culture.

And so she let Tom Hagen escape to his corner conference room and once in that

room, Hagen began to tremble so violently he had to sit down with his legs squeezed

together, his head hunched into his contracted shoulders, hands clasped together

between his knees as if he were praying to the devil.

He was, he knew now, no fit Consigliori for a Family at war. He had been fooled,

faked out, by the Five Families and their seeming timidity. They had remained quiet,

laying their terrible ambush (засада ['жmbu∫]). They had planned and waited, holding

their bloody hands no matter what provocation they had been given. They had waited to

land one terrible blow. And they had. Old Genco Abbandando would never have fallen

for it, he would have smelled a rat, he would have smoked them out, tripled his

precautions. And through all this Hagen felt his grief. Sonny had been his true brother,

his savior; his hero when they had been boys together. Sonny had never been mean or

bullying (to bully – задирать; запугивать) with him, had always treated him with

affection, had taken him in his arms when Sollozzo had turned him loose. Sonny's joy at

that reunion had been real. That he had grown up to be a cruel and violent and bloody

man was, for Hagen, not relevant (уместный, относящийся к делу ['relıv∂nt]).

He had walked out of the kitchen because he knew he could never tell Mama

Corleone about her son's death. He had never thought of her as his mother as he

thought of the Don as his father and Sonny as his brother. His affection for her was like

his affection for Freddie and Michael and Connie. The affection for someone who has

been kind but not loving. But he could not tell her. In a few short months she had lost all

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102

her sons; Freddie exiled to Nevada, Michael hiding for his life in Sicily, and now Santino

dead. Which of the three had she loved most of all? She had never shown.

It was no more than a few minutes, Hagen got control of himself again and picked up

the phone. He called Connie's number. It rang for a long time before Connie answered

in a whisper.

Hagen spoke to her gently. "Connie, this is Tom. Wake your husband up, I have to

talk to him."

Connie said in a low frightened voice, "Tom, is Sonny coming here?"

"No," Hagen said. "Sonny's not coming there. Don't worry about that. Just wake Carlo

up and tell him it's very important I speak to him."

Connie's voice was weepy. "Tom, he beat me up, I'm afraid he'll hurt me again if he

knows I called home."

Hagen said gently, "He won't. He'll talk to me and I'll straighten him out. Everything

will be OK. Tell him it's very important, very, very important he come to the phone. OK?"

It was almost five minutes before Carlo's voice came over the phone, a voice half

slurred by whiskey and sleep. Hagen spoke sharply to make him alert.

"Listen, Carlo," he said, "I'm going to tell you something very shocking. Now prepare

yourself because when I tell it to you I want you to answer me very casually as if it's less

than it is. I told Connie it was important so you have to give her a story. Tell her the

Family has decided to move you both to one of the houses in the mall and to give you a

big job. That the Don has finally decided to give you a chance in the hope of making

your home life better. You got that?"

There was a hopeful note in Carlo's voice as he answered, "Yeah, OK."

Hagen went on, "In a few minutes a couple of my men are going to knock on your

door to take you away with them. Tell them I want them to call me first. Just tell them

that. Don't say anything else. I'll instruct them to leave you there with Connie. OK?"

"Yeah, yeah, I got it," Carlo said. His voice was excited. The tension in Hagen's voice

seemed to have finally alerted him that the news coming up was going to be really

important. Hagen gave it to him straight. "They killed Sonny tonight. Don't say anything.

Connie called him while you were asleep and he was on his way over there, but I don't

want her to know that, even if she guesses it, I don't want her to know it for sure. She'll

start thinking it's all her fault. Now I want you to stay with her tonight and not tell her

anything. I want you to make up with her. I want you to be the perfect loving husband.

And I want you to stay that way until she has her baby at least. Tomorrow morning

somebody, maybe you, maybe the Don, maybe her mother, will tell Connie that her

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103

brother got killed. And I want you by her side. Do me this favor and I'll take care of you

in the times to come. You got that?"

Carlo's voice was a little shaky. "Sure, Tom, sure. Listen, me and you always got

along. I'm grateful. Understand?"

"Yeah," Hagen said. "Nobody will blame your fight with Connie for causing this, don't

worry about that. I'll take care of that." He paused and softly, encouragingly, "Go ahead

now, take care of Connie." He broke the connection.

He had learned never to make a threat, the Don had taught him that, but Carlo had

gotten the message all right: he was a hair away from death.

Hagen made another call to Tessio, telling him to come to the mall in Long Beach

immediately. He didn't say why and Tessio did not ask. Hagen sighed. Now would come

the part he dreaded.

He would have to waken the Don from his drugged slumber. He would have to tell the

man he most loved in the world that he had failed him, that he had failed to guard his

domain and the life of his eldest son. He would have to tell the Don everything was lost

unless the sick man himself could enter the battle. For Hagen did not delude himself.

Only the great Don himself could snatch even a stalemate from this terrible defeat.

Hagen didn't even bother checking with Don Corleone's doctors, it would be to no

purpose. No matter what the doctors ordered, even if they told him that the Don could

not rise from his sickbed on pain of death, he must tell his adopted father and then

follow him. And of course there was no question about what the Don would do. The

opinions of medical men were irrelevant now, everything was irrelevant now. The Don

must be told and he must either take command or order Hagen to surrender the

Corleone power to the Five Families.

And yet with all his heart, Hagen dreaded the next hour. He tried to prepare his own

manner. He would have to be in all ways strict with his own guilt. To reproach himself

would only add to the Don's burden. To show his own grief would only sharpen the grief

of the Don. To point out his own shortcomings (недостатки, дефекты, то, в чем «не

дотягивает») as a wartime Consigliori, would only make the Don reproach himself for

his own bad judgment for picking such a man for such an important post.

He must, Hagen knew, tell the news, present his analysis of what must be done to

rectify (исправить, выпрямить) the situation and then keep silent. His reactions

thereafter must be the reactions invited by his Don. If the Don wanted him to show guilt,

he would show guilt; if the Don invited grief, he would lay bare his genuine sorrow.

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Hagen lifted his head at the sound of motors, cars rolling up onto the mall. The

caporegimes were arriving. He would brief them first and then he would go up and

104

wake Don Corleone. He got up and went to the liquor cabinet by the desk and took out

a glass and bottle. He stood there for a moment so unnerved he could not pour the

liquid from bottle to glass. Behind him, he heard the door to the room close softly and,

turning, he saw, fully dressed for the first time since he had been shot, Don Corleone.

The Don walked across the room to his huge leather armchair and sat down. He

walked a little stiffly, his clothes hung a little loosely on his frame but to Hagen's eyes he

looked the same as always. It was almost as if by his will alone the Don had discarded

all external evidence of his still weakened frame. His face was sternly set with all its old

force and strength. He sat straight in the armchair and he said to Hagen, "Give me a

drop of anisette."

Hagen switched bottles and poured them both a portion of the fiery, licorice-tasting

alcohol. It was peasant, homemade stuff, much stronger than that sold in stores, the gift

of an old friend who every year presented the Don with a small truckload.

"My wife was weeping before she fell asleep," Don Corleone said. "Outside my

window I saw my caporegimes coming to the house and it is midnight. So, Consigliori of

mine, I think you should tell your Don what everyone knows."

Hagen said quietly, "I didn't tell Mama anything. I was about to come up and wake you

and tell you the news myself. In another moment I would have come to waken you."

Don Corleone said impassively, "But you needed a drink first."

"Yes," Hagen said.

"You've had your drink," the Don said. "You can tell me now." There was just the

faintest hint of reproach for Hagen's weakness.

"They shot Sonny on the causeway," Hagen said. "He's dead."

Don Corleone blinked (to blink – мигать, щуриться). For just the fraction of a second

the wall of his will disintegrated and the draining (to drain – дренировать, осушать

/почву/; истощать /силы, средства/) of his physical strength was plain on his face.

Then he recovered.

He clasped his hands in front of him on top of the desk and looked directly into

Hagen's eyes. "Tell me everything that happened," he said. He held up one of his hands.

"No, wait until Clemenza and Tessio arrive so you won't have to tell it all again."

It was only a few moments later that the two caporegimes were escorted into the room

by a bodyguard. They saw at once that the Don knew about his son's death because

the Don stood up to receive them. They embraced him as old comrades were permitted

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105

to do. They all had a drink of anisette which Hagen poured them before he told them the

story of that night.

Don Corleone asked only one question at the end. "Is it certain my son is dead?"

Clemenza answered. "Yes," he said. "The bodyguards were of Santino's regime but

picked by me. I questioned them when they came to my house. They saw his body in

the light of the tollhouse. He could not live with the wounds they saw. They place their

lives in forfeit for what they say."

Don Corleone accepted this final verdict without any sign of emotion except for a few

moments of silence. Then he said, "None of you are to concern yourselves with this

affair. None of you are to commit any acts of vengeance, none of you are to make any

inquiries to track down the murderers of my son without my express command. There

will be no further acts of war against the Five Families without my express and personal

wish. Our Family win cease all business operations and cease to protect any of our

business operations until after my son's funeral. Then we will meet here again and

decide what must be done. Tonight we must do what we can for Santino, we must bury

him as a Christian. I will have friends of mine arrange things with the police and all other

proper authorities. Clemenza, you will remain with me at all times as my bodyguard, you

and the men of your regime. Tessio, you will guard all other members of my Family.

Tom, I want you to call Amerigo Bonasera and tell him I will need his services at some

time during this night. To wait for me at his establishment. It may be an hour, two hours,

three hours. Do you all understand that?"

The three men nodded. Don Corleone said, "Clemenza, get some men and cars and

wait for me. I will be ready in a few minutes. Tom, you did well. In the morning I want

Constanzia with her mother. Make arrangements for her and her husband to live in the

mall. Have Sandra's friends, the women, go to her house to stay with her. My wife will

go there also when I have spoken with her. My wife will tell her the misfortune and the

women will arrange for the church to say their masses and prayers for his soul."

The Don got up from his leather armchair. The other men rose with him and

Clemenza and Tessio embraced him again. Hagen held the door open for the Don, who

paused to look at him for a moment. Then the Don put his hand on Hagen's cheek,

embraced him quickly, and said, in Italian, "You've been a good son. You comfort me."

Telling Hagen that he had acted properly in this terrible time. The Don went up to his

bedroom to speak to his wife. It was then that Hagen made the call to Amerigo

Bonasera for the undertaker to redeem (выкупить /заложенные вещи/; возместить;

искупить) the favor he owed to the Corleones.

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Book 5

Chapter 20

106

The death of Santino Corleone sent shock waves through the underworld of the nation.

And when it became known that Don Corleone had risen from his sick bed to take

charge of the Family affairs, when spies at the funeral reported that the Don seemed to

be fully recovered, the heads of the Five Families made frantic efforts to prepare a

defense against the bloody retaliatory (to retaliate [rı’tжlıeıt] – отплачивать, отвечать

тем же самым; применять репрессалии; retaliatory [rı’tжlı∂t∂rı] – ответный,

ответный удар; репрессивный) war that was sure to follow. Nobody made the mistake

of assuming that Don Corleone could be held cheaply because of his past misfortunes.

He was a man who had made only a few mistakes in his career and had learned from

every one of them.

Only Hagen guessed the Don's real intentions and was not surprised when emissaries

were sent to the Five Families to propose a peace. Not only to propose a peace but a

meeting of all the Families in the city and with invitations to Families all over the United

States to attend. Since the New York Families were the most powerful in the country, it

was understood that their welfare affected the welfare of the country as a whole.

At first there were suspicions. Was Don Corleone preparing a trap (западня)? Was he

trying to throw his enemies off their guard? Was he attempting to prepare a wholesale

massacre to avenge his son? But Don Corleone soon made it clear that he was sincere.

Not only did he involve all the Families in the country in this meeting, but made no move

to put his own people on a war footing (привести в боевую готовность) or to enlist

allies. And then he took the final irrevocable (неотменяемый, окончательный,

безвозвратный [ı'rev∂k∂bl]) step that established the authenticity of these intentions

and assured the safety of the grand council to be assembled. He called on the services

of the Bocchicchio Family.

The Bocchicchio Family was unique in that, once a particularly ferocious branch of the

Mafia in Sicily, it had become an instrument of peace in America. Once a group of men

who earned their living by a savage determination, they now earned their living in what

perhaps could be called a saintly fashion. The Bocchicchios' one asset (имущество

/часто об одном предмете/; ценное качество /разг./) was a closely knit structure of

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blood relationships, a family loyalty severe even for a society where family loyalty came

before loyalty to a wife.

The Bocchicchio Family, extending out to third cousins, had once numbered nearly

two hundred when they ruled the particular economy of a small section of southern

Sicily. The income for the entire family then came from four or five flour mills, by no

means owned communally, but assuring labor and bread and a minimal security for all

Family members. This was enough, with intermarriages, for them to present a common

front against their enemies.

No competing mill, no dam that would create a water supply to their competitors or

ruin their own selling of water, was allowed to be built in their corner of Sicily. A powerful

landowning baron once tried to erect his own mill strictly for his personal use. The mill

was burned down. He called on the carabineri (полицейские /итал./) and higher

authorities, who arrested three of the Bocchicchio Family. Even before the trial the

manor house of the baron was torched (подожжен; torch – факел). The indictment

(обвинительный акт [ın'daıtm∂nt]) and accusations were withdrawn. A few months later

one of the highest functionaries in the Italian government arrived in Sicily and tried to

solve the chronic water shortage of that island by proposing a huge dam. Engineers

arrived from Rome to do surveys while watched by grim natives, members of the

Bocchicchio clan. Police flooded the area, housed in a specially built barracks.

It looked like nothing could stop the dam from being built and supplies and equipment

had actually been unloaded in Palermo. That was as far as they got. The Bocchicchios

had contacted fellow Mafia chiefs and extracted agreements for their aid. The heavy

equipment was sabotaged, the lighter equipment stolen. Mafia deputies in the Italian

Parliament launched a bureaucratic counterattack against the planners. This went on for

several years and in that time Mussolini came to power. The dictator decreed that the

dam must be built. It was not. The dictator had known that the Mafia would be a threat

to his regime, forming what amounted to a separate authority from his own. He gave full

powers to a high police official, who promptly solved the problem by throwing everybody

into jail or deporting them to penal work islands. In a few short years he had broken the

power of the Mafia, simply by arbitrarily arresting anyone even suspected of being a

mafioso. And so also brought ruin to a great many innocent families.

The Bocchicchios had been rash enough to resort to force against this unlimited

power. Half of the men were killed in armed combat, the other half deported to penal

island colonies. There were only a handful left when arrangements were made for them

to emigrate to America via the clandestine underground route of jumping ship through

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108

Canada. There were almost twenty immigrants and they settled in a small town not far

from New York City, in the Hudson Valley, where by starting at the very bottom they

worked their way up to owning a garbage hauling firm (фирма по вывозу мусора; to

haul – тянуть, тащить, волочить; перевозить) and their own trucks. They became

prosperous because they had no competition. They had no competition because

competitors found their trucks burned and sabotaged. One persistent fellow who

undercut prices was found buried in the garbage he had picked up during the day,

smothered (to smother [‘smΛр∂] – душить; задохнуться) to death.

But as the men married, to Sicilian girls, needless to say, children came, and the

garbage business though providing a living, was not really enough to pay for the finer

things America had to offer. And so, as a diversification (ответвление; боковая линия;

/здесь/ дополнительное занятие), the Bocchicchio Family became negotiators and

hostages in the peace efforts of warring Mafia families.

A strain of stupidity ran through the Bocchicchio clan, or perhaps they were just

primitive. In any case they recognized their limitations and knew they could not compete

with other Mafia families in the struggle to organize and control more sophisticated

business structures like prostitution, gambling, dope and public fraud (обман,

мошенничество /здесь – государства/ [fro:d]). They were straight-from-the-shoulder

(сплеча, прямо, без обиняков) people who could offer a gift to an ordinary patrolman

but did not know how to approach a political bagman. They had only two assets. Their

honor and their ferocity.

A Bocchicchio never lied, never committed an act of treachery. Such behavior was too

complicated. Also, a Bocchicchio never forgot an injury and never left it unavenged no

matter what the cost. And so by accident they stumbled into what would prove to be

their most lucrative profession.

When warring families wanted to make peace and arrange a parley, the Bocchicchio

clan was contacted. The head of the clan would handle the initial negotiations and

arrange for the necessary hostages. For instance, when Michael had gone to meet

Sollozzo, a Bocchicchio had been left with the Corleone Family as surety for Michael's

safety, the service paid for by Sollozzo. If Michael were killed by Sollozzo, then the

Bocchicchio male hostage held by the Corleone Family would be killed by the

Corleones. In this case the Bocchicchios would take their vengeance on Sollozzo as the

cause of their clansman's death. Since the Bocchicchios were so primitive, they never

let anything, any kind of punishment, stand in their way of vengeance. They would give

up their own lives and there was no protection against them if they were betrayed. A

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Bocchicchio hostage (заложник; залог ['hostıdG]) was gilt-edged (с золотым обрезом;

первоклассный; gilt – позолота) insurance (гарантия, страхование).

And so now when Don Corleone employed the Bocchicchios as negotiators and

arranged for them to supply hostages for all the Families to come to the peace meeting,

there could be no question as to his sincerity. There could be no question of treachery.

The meeting would be safe as a wedding.

Hostages given, the meeting took place in the director's conference room of a small

commercial bank whose president was indebted to Don Corleone and indeed some of

whose stock belonged to Don Corleone though it was in the president's name. The

president always treasured that moment when he had offered to give Don Corleone a

written document proving his ownership of the shares, to preclude (предотвратить) any

treachery. Don Corleone had been horrified. "I would trust you with my whole fortune,"

he told the president. "I would trust you with my life and the welfare (благосостояние)

of my children. It is inconceivable (немыслимо, непредставимо) to me that you would

ever trick me or otherwise betray me. My whole world, all my faith in my judgment of

human character would collapse. Of course I have my own written records so that if

something should happen to me my heirs would know that you hold something in trust

for them. But I know that even if I were not here in this world to guard the interests of my

children, you would be faithful to their needs."

The president of the bank, though not Sicilian, was a man of tender sensibilities. He

understood the Don perfectly. Now the Godfather's request was the president's

command and so on a Saturday afternoon, the executive suite of the bank, the

conference room with its deep leather chairs, its absolute privacy, was made available

to the Families.

Security at the bank was taken over by a small army of handpicked (выбранный,

подобранный; отборный) men wearing bank guard uniforms. At ten o'clock on a

Saturday morning the conference room began to fill up. Besides the Five Families of

New York, there were representatives from ten other Families across the country, with

the exception of Chicago, that black sheep of their world. They had given up trying to

civilize Chicago, and they saw no point in including those mad dogs in this important

conference.

A bar had been set up and a small buffet. Each representative to the conference had

been allowed one aide (помощник, адъютант [eıd]). Most of the Dons had brought their

Consiglioris as aides so there were comparatively few young men in the room. Tom

Hagen was one of those young men and the only one who was not Sicilian. He was an

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object of curiosity, a freak (каприз, причуда; уродец; человек или явление,

выходящее за рамки обычного).

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Hagen knew his manners. He did not speak, he did not smile. He waited on his boss,

Don Corleone, with all the respect of a favorite earl (граф /английский/ [∂:l]) waiting on

his king; bringing him a cold drink, lighting his cigar, positioning his ashtray; with respect

but no obsequiousness (подобострастие; obsequious [∂b’si:kwı∂s] –

подобострастный).

Hagen was the only one in that room who knew the identity of the portraits hanging on

the dark paneled walls. They were mostly portraits of fabulous financial figures done in

rich oils. One was of Secretary of the Treasury Hamilton. Hagen could not help thinking

that Hamilton might have approved of this peace meeting being held in a banking

institution. Nothing was more calming, more conducive to pure reason, than the

atmosphere of money.

The arrival time had been staggered (to stagger – шататься, колебаться;

регулировать часы работы) for between nine-thirty to ten A.M. Don Corleone, in a

sense the host since he had initiated the peace talks, had been the first to arrive; one of

his many virtues was punctuality. The next to arrive was Carlo Tramonti, who had made

the southern part of the United States his territory. He was an impressively handsome

middle-aged man, tall for a Sicilian, with a very deep sunburn, exquisitely tailored and

barbered. He did not look Italian, he looked more like one of those pictures in the

magazines of millionaire fishermen lolling (to loll – сидеть развалясь; стоять

/облокотясь/ в ленивой позе) on their yachts. The Tramonti Family earned its

livelihood from gambling, and no one meeting their Don would ever guess with what

ferocity he had won his empire.

Emigrating from Sicily as a small boy, he had settled in Florida and grown to manhood

there, employed by the American syndicate of Southern small-town politicians who

controlled gambling. These were very tough men backed up by very tough police

officials and they never suspected that they could be overthrown by such a greenhorn

(новичок, неопытный человек) immigrant. They were unprepared for his ferocity and

could not match it simply because the rewards being fought over were not, to their

minds, worth so much bloodshed. Tramonti won over the police with bigger shares of

the gross (общая масса [gr∂us]); he exterminated those redneck (неотесанный

человек, деревенщина) hooligans who ran their operation with such a complete lack of

imagination. It was Tramonti who opened ties with Cuba and the Batista regime and

eventually poured money into the pleasure resorts of Havana gambling houses,

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whorehouses, to lure (завлекать, заманивать [lu∂]) gamblers from the American

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mainland. Tramonti was now a millionaire many times over and owned one of the most

luxurious hotels in Miami Beach.

When he came into the conference room followed by his aide, an equally sunburned

Consigliori, Tramonti embraced Don Corleone, made a face of sympathy to show he

sorrowed for the dead son.

Other Dons were arriving. They all knew each other, they had met over the years,

either socially or when in the pursuit of their businesses. They had always showed each

other professional courtesies and in their younger, leaner (lean – тощий, худой) days

had done each other little services. The second Don to arrive was Joseph Zaluchi from

Detroit. The Zaluchi Family, under appropriate disguises and covers, owned one of the

horse-racing tracks in the Detroit area. They also owned a good part of the gambling.

Zaluchi was a moon-faced, amiable-looking man who lived in a one-hundred-thousand-

dollar house in the fashionable Grosse Point section of Detroit. One of his sons had

married into an old, well-known American family. Zaluchi, like Don Corleone, was

sophisticated (скушенный, изощренный, сложный, непростой). Detroit had the lowest

incidence of physical violence of any of the cities controlled by the Families; there had

been only two executions in the last three years in that city. He disapproved of traffic in

drugs.

Zaluchi had brought his Consigliori with him and both men came to Don Corleone to

embrace him. Zaluchi had a booming American voice with only the slightest trace of an

accent. He was conservatively dressed, very businessman, and with a hearty goodwill

to match. He said to Don Corleone, "Only your voice could have brought me here." Don

Corleone bowed his head in thanks. He could count on Zaluchi for support.

The next two Dons to arrive were from the West Coast, motoring from there in the

same car since they worked together closely in any case. They were Frank Falcone and

Anthony Molinari and both were younger than any of the other men who would come to

the meeting; in their early forties. They were dressed a little more informally than the

others, there was a touch of Hollywood in their style and they were a little more friendly

than necessary. Frank Falcone controlled the movie unions and the gambling at the

studios plus a complex of pipeline (трубопровод, нефтепровод) prostitution that

supplied girls to the whorehouses of the states in the Far West. It was not in the realm

of possibility for any Don to become "show biz" but Falcone had just a touch. His fellow

Dons distrusted him accordingly.

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Anthony Molinari controlled the waterfronts of San Francisco and was preeminent

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(выдающийся, превосходящий других) in the empire of sports gambling. He came of

Italian fishermen stock and owned the best San Francisco sea food restaurant, in which

he took such pride that the legend had it he lost money on the enterprise by giving too

good value for the prices charged. He had the impassive face of the professional

gambler and it was known that he also had something to do with dope smuggling over

the Mexican border and from the ships plying (to ply – курсировать, совершать рейс /о

корабле/) the lanes (lane – узкая дорога, тропинка /особ. между живыми

изгородями/; морской путь) of the oriental oceans. Their aides were young, powerfully

built men, obviously not counselors but bodyguards, though they would not dare to carry

arms to this meeting. It was general knowledge that these bodyguards knew karate, a

fact that amused the other Dons but did not alarm them in the slightest, no more than if

the California Dons had come wearing amulets blessed by the Pope. Though it must be

noted that some of these men were religious and believed in God.

Next arrived the representative from the Family in Boston. This was the only Don who

did not have the respect of his fellows. He was known as a man who did not do right by

his "people," who cheated them unmercifully. This could be forgiven, each man

measures his own greed. What could not be forgiven was that he could not keep order

in his empire. The Boston area had too many murders, too many petty wars for power,

too many unsupported free-lance activities; it flouted (to flout – попирать, глумиться)

the law too brazenly. If the Chicago Mafia were savages, then the Boston people were

gavones, or uncouth (неуклюжий, грубоватый, неотесанный [Λn'ku:θ]) louts (lout –

неуклюжий, неотесанный человек, деревенщина); ruffians. The Boston Don's name

was Domenick Panza. He was short, squat; as one Don put it, he looked like a thief.

The Cleveland syndicate, perhaps the most powerful of the strictly gambling

operations in the United States, was represented by a sensitive-looking elderly man with

gaunt (сухопарый; длинный, вытянутый в длину; мрачный) features and snow-white

hair. He was known, of course not to his face, as "the Jew" because he had surrounded

himself with Jewish assistants rather than Sicilians. It was even rumored that he would

have named a Jew as his Consigliori if he had dared. In any case, as Don Corleone's

Family was known as the Irish Gang because of Hagen's membership, so Don Vincent

Forlenza's Family was known as the Jewish Family with somewhat more accuracy. But

he ran an extremely efficient organization and he was not known ever to have fainted at

the sight of blood, despite his sensitive features. He ruled with an iron hand in a velvet

political glove.

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The representatives of the Five Families of New York were the last to arrive and Tom

Hagen was struck by how much more imposing, impressive, these five men were than

the out-of-towners, the hicks. For one thing, the five New York Dons were in the old

Sicilian tradition, they were "men with a belly" meaning, figuratively, power and courage;

and literally, physical flesh, as if the two went together, as indeed they seem to have

done in Sicily. The five New York Dons were stout, corpulent men with massive leonine

heads, features on a large scale, fleshy imperial noses, thick mouths, heavy folded

cheeks. They were not too well tailored or barbered; they had the look of no-nonsense

busy men without vanity.

There was Anthony Stracci, who controlled the New Jersey area and the shipping on

the West Side docks of Manhattan. He ran the gambling in Jersey and was very strong

with the Democratic political machine. He had a fleet of freight hauling trucks that made

him a fortune primarily because his trucks could travel with a heavy overload and not be

stopped and fined by highway weight inspecton. These trucks helped ruin the highways

and then his road-building firm, with lucrative state contracts, repaired the damage

wrought. It was the kind of operation that would warm any man's heart, business of itself

creating more business. Stracci, too, was old-fashioned and never dealt in prostitution,

but because his business was on the waterfront it was impossible for him not to be

involved in the drug-smuggling traffic. Of the five New York Families opposing the

Corleones his was the least powerful but the most well disposed.

The Family that controlled upper New York State, that arranged smuggling of Italian

immigrants from Canada, all upstate (северная часть штата) gambling and exercised

veto power on state licensing of racing tracks, was headed by Ottilio Cuneo. This was a

completely disarming man with the face of a jolly round peasant baker, whose legitimate

activity was one of the big milk companies. Cuneo was one of those men who loved

children and carried a pocket full of sweets in the hopes of being able to pleasure one of

his many grandchildren or the small offspring (отпрыск) of his associates. He wore a

round fedora with the brim turned down all the way round like a woman's sun hat, which

broadened his already moon-shaped face into the very mask of joviality. He was one of

the few Dons who had never been arrested and whose true activities had never even

been suspected. So much so that he had served on civic committees and had been

voted as "Businessman of the Year for the State of New York" by the Chamber of

Commerce.

The closest ally to the Tattaglia Family was Don Emilio Barzini. He had some of the

gambling in Brooklyn and some in Queens. He had some prostitution. He had strong-

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114

arm. He completely controlled Staten Island. He had some of the sports betting in the

Bronx and Westchester. He was in narcotics. He had close ties to Cleveland and the

West Coast and he was one of the few men shrewd enough to be interested in Las

Vegas and Reno, the open cities of Nevada. He also had interests in Miami Beach and

Cuba. After the Corleone Family, his was perhaps the strongest in New York and

therefore in the country. His influence reached even to Sicily. His hand was in every

unlawful pie. He was even rumored (о нем даже ходили слухи; rumor [‘ru:m∂] – слух,

молва) to have a toehold (точка опоры /напр. для ноги, когда взбираешься на гору/,

зацепка; toe – палец ноги) in Wall Street. He had supported the Tattaglia Family with

money and influence since the start of the war. It was his ambition to supplant

(вытеснить, занять чье-то место [s∂’plα:nt]) Don Corleone as the most powerful and

respected Mafia leader in the country and to take over part of the Corleone empire. He

was a man much like Don Corleone, but more modern, more sophisticated, more

businesslike. He could never be called an old Moustache Pete and he had the

confidence of the newer, younger, brasher (brashy – щетинистый, шероховатый)

leaders on their way up. He was a man of great personal force in a cold way, with none

of Don Corleone's warmth and he was perhaps at this moment the most "respected"

man in the group.

The last to arrive was Don Phillip Tattaglia, the head of the TattagIia Family that had

directly challenged the Corleone power by supporting Sollozzo, and had so nearly

succeeded. And yet curiously enough he was held in a slight contempt by the others.

For one thing, it was known that he had allowed himself to be dominated by Sollozzo,

had in fact been led by the nose by that fine Turkish hand. He was held responsible for

all this commotion (волнение /моря/; смятение; суматоха, суета), this uproar that had

so affected the conduct of everyday business by the New York Families. Also he was a

sixty-year-old dandy (щеголь, франт) and woman-chaser. And he had ample

(обширный, достаточный) opportunity to indulge his weakness.

For the Tattaglia Family dealt in women. Its main business was prostitution. It also

controlled most of the nightclubs in the United States and could place any talent

anywhere in the country. Phillip Tattaglia was not above using strong-arm to get control

of promising singers and comics and muscling in on record firms. But prostitution was

the main source of the Family income.

His personality was unpleasant to these men. He was a whiner (to whine – скулить,

хныкать, плакаться), always complaining of the costs in his Family business. Laundry

bills, all those towels, ate up the profits (but he owned the laundry firm that did the work).

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The girls were lazy and unstable, running off, committing suicide. The pimps were

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treacherous and dishonest and without a shred (лоскуток, клочок) of loyalty. Good help

was hard to find. Young lads of Sicilian blood turned up their noses at such work,

considered it beneath their honor to traffic and abuse women; those rascals who would

slit a throat with a song on their lips and the cross of an Easter palm in the lapel of their

jackets. So Phillip Tattaglia would rant (говорить напыщенно, декламировать,

проповедовать) on to audiences unsympathetic and contemptuous. His biggest howl

(вой, завывание) was reserved for authorities who had it in their power to issue and

cancel liquor licenses for his nightclubs and cabarets. He swore he had made more

millionaires than Wall Street with the money he had paid those thieving guardians of

official seals.

In a curious way his almost victorious war against the Corleone Family had not won

him the respect it deserved. They knew his strength had come first from Sollozzo and

then from the Barzini Family. Also the fact that with the advantage of surprise he had

not won complete victory was evidence against him. If he had been more efficient, all

this trouble could have been avoided. The death of Don Corleone would have meant the

end of the war. It was proper, since they had both lost sons in their war against each

other, that Don Corleone and Phillip Tattaglia should acknowledge each other's

presence only with a formal nod. Don Corleone was the object of attention, the other

men studying him to see what mark of weakness had been left on him by his wounds

and defeats. The puzzling factor was why Don Corleone had sued for peace after the

death of his favorite son. It was an acknowledgment of defeat and would almost surely

lead to a lessening of his power. But they would soon know.

There were greetings, there were drinks to be served and almost another half hour

went by before Don Corleone took his seat at the polished walnut table. Unobtrusively

(unobtrusive [Λn∂b’tru:sıv] – ненавязчивый, скромный), Hagen sat in the chair slightly

to the Don's left and behind him. This was the signal for the other Dons to make their

way to the table. Their aides sat behind them, the Consiglioris up close so that they

could offer any advice when needed.

Don Corleone was the first to speak and he spoke as if nothing had happened. As if

he had not been grievously wounded and his eldest son slain (to slay-slew-slain –

убивать /книжн./), his empire in a shambles (в развалинах, руинах), his personal

family scattered, Freddie in the West and under the protection of the Molinari Family

and Michael secreted in the wastelands (пустынные, невозделанные земли) of Sicily.

He spoke naturally, in Sicilian dialect.

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"I want to thank you all for coming," he said. "I consider it a service done to me

personally and I am in the debt of each and every one of you. And so I will say at the

beginning that. I am here not to quarrel or convince, but only to reason and as a

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reasonable man do everything possible for us all to part friends here too. I give my word

on that, and some of you who know me well know I do not give my word lightly. Ah, well,

let's get down to business. We are all honorable men here, we don't have to give each

other assurances as if we were lawyers."

He paused. None of the others spoke. Some were smoking cigars, others sipping their

drinks. All of these men were good listeners, patient men. They had one other thing in

common. They were those rarities, men who had refused to accept the rule of organized

society, men who refused the dominion of other men. There was no force, no mortal

man who could bend them to their will unless they wished it. They were men who

guarded their free will with wiles (wile – хитрость, уловка, обман) and murder. Their

wills could be subverted (to suvert [sΛb’v∂:t] – ниспровергнуть; разрушить) only by

death. Or the utmost reasonableness.

Don Corleone sighed. "How did things ever go so far?" he asked rhetorically. "Well, no

matter. A lot of foolishness has come to pass. It was so unfortunate, so unnecessary.

But let me tell what happened, as I see it."

He paused to see if someone would object to his telling his side of the story.

"Thank God my health has been restored and maybe I can help set this affair aright.

Perhaps my son was too rash, too headstrong, I don't say no to that. Anyway let me just

say that Sollozzo came to me with a business affair in which he asked me for my money

and my influence. He said he had the interest of the Tattaglia Family. The affair involved

drugs, in which I have no interest. I'm a quiet man and such endeavors (endeavor

[ın'dev∂] – попытка, старание, стремление) are too lively for my taste. I explained this

to Sollozzo, with all respect for him and the Tattaglia Family. I gave him my 'no' with all

courtesy. I told him his business would not interfere with mine, that I had no objection to

his earning his living in this fashion. He took it ill and brought misfortune down on all our

heads. Well, that's life. Everyone here could tell his own tale of sorrow. That's not to my

purpose."

Don Corleone paused and motioned to Hagen for a cold drink, which Hagen swiftly

furnished him. Don Corleone wet his mouth. "I'm willing to make the peace," he said.

"Tattaglia has lost a son, I have lost a son. We are quits. What would the world come to

if people kept carrying grudges against all reason? That has been the cross of Sicily,

where men are so busy with vendettas they have no time to earn bread for their families.

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It's foolishness. So I say now, let things be as they were before. I have not taken any

117

steps to learn who betrayed and killed my son. Given peace, I will not do so. I have a

son who cannot come home and I must receive assurances that when I arrange matters

so that he can return safely that there will be no interference, no danger from the

authorities. Once that's settled maybe we can talk about other matters that interest us

and do ourselves, all of us, a profitable service today." Corleone gestured expressively,

submissively, with his hands. "That is all I want."

It was very well done. It was the Don Corleone of old. Reasonable. Pliant (гибкий,

податливый, уступчивый; to ply – сгибать, делать складку). Soft-spoken. But every

man there had noted that he had claimed good health, which meant he was a man not

to be held cheaply despite the misfortunes of the Corleone Family. It was noted that he

had said the discussion of other business was useless until the peace he asked for was

given. It was noted that he had asked for the old status quo, that he would lose nothing

despite his having got the worst of it over the past year. However, it was Emilio Barzini

who answered Don Corleone, not Tattaglia. He was curt and to the point without being

rude or insulting.

"That is all true enough," Barzini said. "But there's a little more. Don Corleone is too

modest. The fact is that Sollozzo and the Tattaglias could not go into their new business

without the assistance of Don Corleone. In fact, his disapproval injured them. That's not

his fault of course. The fact remains that judges and politicians who would accept favors

from Don Corleone, even on drugs, would not allow themselves to be influenced by

anybody else when it came to narcotics. Sollozzo couldn't operate if he didn't have

some insurance of his people being treated gently. We all know that. We would all be

poor men otherwise. And now that they have increased the penalties the judges and the

prosecuting attorneys drive a hard bargain when one of our people get in trouble with

narcotics. Even a Sicilian sentenced to twenty years might break the omerta and talk his

brains out. That can't happen. Don Corleone controls all that apparatus. His refusal to

let us use it is not the act of a friend. He takes the bread out of the mouths of our

families. Times have changed, it's not like the old days where everyone can go his own

way. If Corleone had all the judges in New York, then he must share them or let us

others use them. Certainly he can present a bill for such services, we're not communists,

after all. But he has to let us draw water from the well. It's that simple."

When Barzini had finished talking there was a silence. The lines were now drawn,

there could be no return to the old status quo. What was more important was that

Barzini by speaking out was saying that if peace was not made he would openly join the

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118

Tattaglia in their war against the Corleone. And he had scored a telling point. Their lives

and their fortunes depended upon their doing each other services, the denial of a favor

asked by a friend was an act of aggression. Favors were not asked lightly and so could

not be lightly refused.

Don Corleone finally spoke to answer. "My friends," he said, "I didn't refuse out of

spite (назло, со злобы, с досады). You all know me. When have I ever refused an

accommodation (согласование, соглашение, компромисс)? That's simply not in my

nature. But I had to refuse this time. Why? Because I think this drug business will

destroy us in the years to come. There is too much strong feeling about such traffic in

this country. It's not like whiskey or gambling or even women which most people want

and is forbidden them by the pezzonovante of the church and the government. But

drugs are dangerous for everyone connected with them. It could jeopardize

(подвергнуть риску) all other business. And let me say I'm flattered by the belief that I

am so powerful with the judges and law officials, I wish it were true. I do have some

influence but many of the people who respect my counsel might lose this respect if

drugs become involved in our relationship. They are afraid to be involved in such

business and they have strong feelings about it. Even policemen who help us in

gambling and other things would refuse to help us in drugs. So to ask me to perform a

service in these matters is to ask me to do a disservice to myself. But I'm willing to do

even that if all of you think it proper in order to adjust other matters."

When Don Corleone had finished speaking the room became much more relaxed with

more whisperings and cross talk. He had conceded (to concede – уступать; допускать

/возможность, правильность чего-либо/ [k∂n'si:d]) the important point. He would offer

his protection to any organized business venture in drugs. He was, in effect, agreeing

almost entirely to Sollozzo's original proposal if that proposal was endorsed (to endorse

[ın’do:s] – расписываться на обороте документа; подтверждать, одобрять) by the

national group gathered here. It was understood that he would never participate in the

operational phase, nor would he invest his money. He would merely use his protective

influence with the legal apparatus. But this was a formidable concession.

The Don of Los Angeles, Frank Falcone, spoke to answer. "There's no way of

stopping our people from going into that business. They go in on their own and they get

in trouble. There's too much money in it to resist. So it's more dangerous if we don't go

in. At least if we control it we can cover it better, organize it better, make sure it causes

less trouble. Being in it is not so bad, there has to be control, there has to be protection,

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119

there has to be organization, we can't have everybody running around doing just what

they please like a bunch of anarchists."

The Don of Detroit, more friendly to Corleone than any of the others, also now spoke

against his friend's position, in the interest of reasonableness. "I don't believe in drugs,"

he said. "For years I paid my people extra so they wouldn't do that kind of business. But

it didn't matter, it didn't help. Somebody comes to them and says, 'I have powders, if

you put up the three-, four-thousand-dollar investment we can make fifty thousand

distributing.' Who can resist such a profit? And they are so busy with their little side

business they neglect the work I pay them to do. There's more money in drugs. It's

getting bigger all the time. There's no way to stop it so we have to control the business

and keep it respectable. I don't want any of it near schools, I don't want any of it sold to

children. That is an infamita. In my city I would try to keep the traffic in the dark people,

the colored. They are the best customers, the least troublesome and they are animals

anyway. They have no respect for their wives or their families or for themselves. Let

them lose their souls with drugs. But something has to be done, we just can't let people

do as they please and make trouble for everyone."

This speech of the Detroit Don was received with loud murmurs of approval. He had

hit the nail on the head. You couldn't even pay people to stay out of the drug traffic. As

for his remarks about children, that was his well-known sensibility, his

tenderheartedness speaking. After all, who would sell drugs to children? Where would

children get the money? As for his remarks about the coloreds, that was not even heard.

The Negroes were considered of absolutely no account, of no force whatsoever. That

they had allowed society to grind them into the dust proved them of no account and his

mentioning them in any way proved that the Don of Detroit had a mind that always

wavered (to waver – колебаться, колыхаться, развеваться) toward irrelevancies

(irrelevance – неуместность [ı'relıv∂ns]).

All the Dons spoke. All of them deplored the traffic in drugs as a bad thing that would

cause trouble but agreed there was no way to control it. There was, simply, too much

money to be made in the business, therefore it followed that there would be men who

would dare anything to dabble (плескаться, барахтаться; заниматься чем-либо

поверхностно) in it. That was human nature.

It was finally agreed. Drug traffic would be permitted and Don Corleone must give it

some legal protection in the East. It was understood that the Barzini and Tattaglia

Families would do most of the large-scale operations. With this out of the way the

conference was able to move on to other matters of a wider interest. There were many

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complex problems to be solved. It was agreed that Las Vegas and Miami were to be

open cities where any of the Families could operate. They all recognized that these

120

were the cities of the future. It was also agreed that no violence would be permitted in

these cities and that petty (мелкий, незначительный) criminals of all types were to be

discouraged. It was agreed that in momentous affairs, in executions that were

necessary but might cause too much of a public outcry, the execution must be approved

by this council. It was agreed that button men and other soldiers were to be restrained

from violent crimes and acts of vengeance against each other on personal matters. It

was agreed that Families would do each other services when requested, such as

providing executioners, technical assistance in pursuing certain courses of action such

as bribing jurors (juror ['dGu∂r∂] – присяжный), which in some instances could be vital.

These discussions, informal, colloquial and on a high level, took time and were broken

by lunch and drinks from the buffet bar.

Finally Don Barzini sought to bring the meeting to an end. "That's the whole matter

then," he said. "We have the peace and let me pay my respects to Don Corleone, whom

we all have known over the years as a man of his word. If there are any more

differences we can meet again, we need not become foolish again. On my part the road

is new and fresh. I'm glad this is all settled."

Only Phillip Tattaglia was a little worried still. The murder of Santino Corleone made

him the most vulnerable person in this group if war broke out again. He spoke at length

for the first time.

"I've agreed to everything here, I'm willing to forget my own misfortune. But I would

like to hear some strict assurances from Corleone. Will he attempt any individual

vengeance? When time goes by and his position perhaps becomes stronger, will he

forget that we have sworn our friendship? How am I to know that in three or four years

he won't feel that he's been ill served, forced against his will to this agreement and so

free to break it? Will we have to guard against each other all the time? Or can we truly

go in peace with peace of mind? Would Corleone give us all his assurances as I now

give mine?"

It was then that Don Corleone gave the speech that would be long remembered, and

that reaffirmed his position as the most far-seeing statesman among them, so full of

common sense, so direct from the heart; and to the heart of the matter. In it he coined a

phrase that was to become as famous in its way as Churchill's Iron Curtain, though not

public knowledge until more than ten years later.

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121

For the first time he stood up to address the council. He was short and a little thin from

his "illness," perhaps his sixty years showed a bit more but there was no question that

he had regained all his former strength, and had all his wits.

"What manner of men are we then, if we do not have our reason," he said. "We are all

no better than beasts in a jungle if that were the case. But we have reason, we can

reason with each other and we can reason with ourselves. To what purpose would I

start all these troubles again, the violence and the turmoil? My son is dead and that is a

misfortune and I must bear it, not make the innocent world around me suffer with me.

And so I say, I give my honor, that I will never seek vengeance, I will never seek

knowledge of the deeds that have been done in the past. I will leave here with a pure

heart.

"Let me say that we must always look to our interests. We are all men who have

refused to be fools, who have refused to be puppets dancing on a string pulled by the

men on high. We have been fortunate here in this country. Already most of our children

have found a better life. Some of you have sons who are professors, scientists,

musicians, and you are fortunate. Perhaps your grandchildren will become the new

pezzonovanti. None of us here want to see our children follow in our footsteps, it's too

hard a life. They can be as others, their position and security won by our courage. I

have grandchildren now and I hope their children may someday, who knows, be a

governor, a President, nothing's impossible here in America. But we have to progress

with the times. The time is past for guns and killings and massacres. We have to be

cunning like the business people, there's more money in it and it's better for our children

and our grandchildren.

"As for our own deeds, we are not responsible to the .90 calibers, the pezzonovantis

who take it upon themselves to decide what we shall do with our lives, who declare

wars they wish us to fight in to protect what they own. Who is to say we should obey the

laws they make for their own interest and to our hurt? And who are they then to meddle

when we look after our own interests? Sonna cosa nostra," Don Corleone said, "these

are our own affairs. We will manage our world for ourselves because it is our world,

cosa nostra. And so we have to stick together to guard against outside meddlers.

Otherwise they will put the ring in our nose as they have put the ring in the nose of all

the millions of Neapolitans and other Italians in this country.

"For this reason I forgo my vengeance for my dead son, for the common good. I

swear now that as long as I am responsible for the actions of my Family there will not be

one finger lifted against any man here without just cause and utmost provocation. I am

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122

willing to sacrifice my commercial interests for the common good. This is my word, this

is my honor, there are those of you here who know I have never betrayed either.

"But I have a selfish interest. My youngest son had to flee, accused of Sollozzo's

murder and that of a police captain. I must now make arrangements so that he can

come home with safety, cleared of all those false charges. That is my affair and I will

make those arrangements. I must find the real culprits (culprit – Обвиняемый,

преступник, виновный ['kΛlprıt]) perhaps, or perhaps I must convince the authorities of

his innocence, perhaps the witnesses and informants will recant (отрекаться,

отказываться от своего мнения [rı'kжnt]) their lies. But again I say that this is my affair

and I believe I will be able to bring my son home.

"But let me say this. I am a superstitious man, a ridiculous failing but I must confess it

here. And so if some unlucky accident should befall my youngest son, if some police

officer should accidentally shoot him, if he should hang himself in his cell, if new

witnesses appear to testify to his guilt, my superstition will make me feel that it was the

result of the ill will still borne me by some people here. Let me go further. If my son is

struck by a bolt of lightning I will blame some of the people here. If his plane should fall

into the sea or his ship sink beneath the waves of the ocean, if he should catch a mortal

fever, if his automobile should be struck by a train, such is my superstition that I would

blame the ill will felt by people here. Gentlemen, that ill will, that bad luck, I could never

forgive. But aside from that let me swear by the souls of my grandchildren that I will

never break the peace we have made. After all, are we or are we not better men than

those pezzonovanti who have killed countless millions of men in our lifetimes?"

With this Don Corleone stepped from his place and went down the table to where Don

Phillip Tattaglia was sitting. Tattaglia rose to greet him and the two men embraced,

kissing each other's cheeks. The other Dons in the room applauded and rose to shake

hands with everybody in sight and to congratulate Don Corleone and Don Tattaglia on

their new friendship. It was not perhaps the warmest friendship in the world, they would

not send each other Christmas gift greetings, but they would not murder each other.

That was friendship enough in this world, all that was needed.

Since his son Freddie was under the protection of the Molinari Family in the West,

Don Corleone lingered with the San Francisco Don after the meeting to thank him.

Molinari said enough for Don Corleone to gather that Freddie had found his niche out

there, was happy and had become something of a ladies' man. He had a genius for

running a hotel, it seemed. Don Corleone shook his head in wonder, as many fathers do

when told of undreamed-of talents in their children. Wasn't it true that sometimes the

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123

greatest misfortunes brought unforeseen rewards? They both agreed that this was so.

Meanwhile Corleone made it clear to the San Francisco Don that he was in his debt for

the great service done in protecting Freddie. He let it be known that his influence would

be exerted so that the important racing wires (проволока, обозначающая финиш на

скачках /под которую забегают кони на финише/) would always be available to his

people no matter what changes occurred in the power structure in the years to come, an

important guarantee since the struggle over this facility was a constant open wound

complicated by the fact that the Chicago people had their heavy hand in it. But Don

Corleone was not without influence even in that land of barbarians and so his promise

was a gift of gold.

It was evening before Don Corleone, Tom Hagen and the bodyguard-chauffeur, who

happened to be Rocco Lampone, arrived at the mall in Long Beach. When they went

into the house the Don said to Hagen, "Our driver, that man Lampone, keep an eye on

him. He's a fellow worth something better I think." Hagen wondered at this remark.

Lampone had not said a word all day, had not even glanced at the two men in the back

seat. He had opened the door for the Don, the car had been in front of the bank when

they emerged, he had done everything correctly but no more than any well-trained

chauffeur might do. Evidently the Don's eye had seen something he had not seen.

The Don dismissed Hagen and told him to come back to the house after supper. But

to take his time and rest a little since they would put in a long night of discussion. He

also told Hagen to have Clemenza and Tessio present. They should come at ten P.M.,

not before. Hagen was to brief Clemenza and Tessio on what had happened at the

meeting that afternoon.

At ten the Don was waiting for the three men in his office, the corner room of the

house with its law library and special phone. There was a tray with whiskey bottles, ice

and soda water. The Don gave his instructions.

"We made the peace this afternoon." he said. "I gave my word and my honor and that

should be enough for all of you. But our friends are not so trustworthy so let's all be on

our guard still. We don't want any more nasty little surprises." Then Don turned to

Hagen. "You've let the Bocchicchio hostages go?"

Hagen nodded. "I called Clemenza as soon as I got home."

Corleone turned to the massive Clemenza. The caporegime nodded. "I released them.

Tell me, Godfather, is it possible for a Sicilian to be as dumb as the Bocchicchios

pretend to be?"

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124

Don Corleone smiled a little. "They are clever enough to make a good living. Why is it

so necessary to be more clever than that? It's not the Bocchicchios who cause the

troubles of this world. But it's true, they haven't got the Sicilian head."

They were all in a relaxed mood, now that the war was over. Don Corleone himself

mixed drinks and brought one to each man. The Don sipped his carefully and lit up a

cigar.

"I want nothing set forth to discover what happened to Sonny, that's done with and to

be forgotten. I want all cooperation with the other Families even if they become a little

greedy and we don't get our proper share in things. I want nothing to break this peace

no matter what the provocation until we've found a way to bring Michael home. And I

want that to be first thing on your minds. Remember this, when he comes back he must

come back in absolute safety. I don't mean from the Tattaglias or the Barzinis. What I'm

concerned about are the police. Sure, we can get rid of the real evidence against him;

that waiter won't testify, nor that spectator or gunman or whatever he was. The real

evidence is the least of our worries since we know about it. What we have to worry

about is the police framing false evidence because their informers have assured them

that Michael Corleone is the man who killed their captain. Very well. We have to

demand that the Five Families do everything in their power to correct this belief of the

police. All their informers who work with the police must come up with new stories. I

think after my speech this afternoon they will understand it is to their interest to do so.

But that's not enough. We have to come up with something special so Michael won't

ever have to worry about that again. Otherwise there's no point in him coming back to

this country. So let's all think about that. That's the most important matter.

"Now, any man should be allowed one foolishness in his life. I have had mine. I want

all the land around the mall bought, the houses bought. I don't want any man able to

look out his window into my garden even if it's a mile away. I want a fence around the

mall and I want the mall to be on full protection all the time. I want a gate in that fence.

In short, I wish now to live in a fortress. Let me say to you now that I will never go into

the city to work again. I will be semiretired. I feel an urge to work in the garden, to make

a little wine when the grapes are in season. I want to live in my house. The only time I'll

leave is to go on a little vacation or to see someone on important business and then I

want all precautions taken. Now don't take this amiss. I'm not preparing anything. I'm

being prudent, I've always been a prudent man, there is nothing I find so little to my

taste as carelessness in life. Women and children can afford to be careless, men cannot.

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125

Be leisurely in all these things, no frantic (неистовый, безумный) preparations to alarm

our friends. It can be done in such a way as to seem natural.

"Now I'm going to leave things more and more up to each of you three. I want the

Santino regime disbanded and the men placed in your regimes. That should reassure

our friends and show that I mean peace. Tom, I want you to put together a group of men

who will go to Las Vegas and give me a full report on what is going on out there. Tell me

about Fredo, what is really happening out there, I hear I wouldn't recognize my own son.

It seems he's a cook now, that he amuses himself with young girls more than a grown

man should. Well, he was always too serious when he was young and he was never the

man for Family business. But let's find out what really can be done out there."

Hagen said quietly, "Should we send your son-in-law? After all, Carlo is a native of

Nevada, he knows his way around."

Don Corleone shook his head. "No, my wife is lonely here without any of her children.

I want Constanzia and her husband moved into one of the houses on the mall. I want

Carlo given a responsible job, maybe I've been too harsh on him, and" – Don Corleone

made a grimace – "I'm short of sons. Take him out of the gambling and put him in with

the unions where he can do some paper work and a lot of talking. He's a good talker."

There was the tiniest note of contempt in the Don's voice.

Hagen nodded. "OK, Clemenza and I will go over all the people and put together a

group to do the Vegas job. Do you want me to call Freddie home for a few days?"

The Don shook his head. He said cruelly, "What for? My wife can still cook our meals.

Let him stay out there." The three men shifted uneasily in their seats. They had not

realized Freddie was in such severe disfavor with his father and they suspected it must

be because of something they did not know.

Don Corleone sighed. "I hope to grow some good green peppers and tomatoes in the

garden this year, more than we can eat. I'll make you presents of them. I want a little

peace, a little quiet and tranquillity for my old age. Well, that's all. Have another drink if

you like."

It was a dismissal. The men rose. Hagen accompanied Clemenza and Tessio to their

cars and arranged meetings with them to thrash out (тщательно обсудить, выяснить,

проработать; to thrash – бить, пороть; /молотить = to thresh/) the operational details

that would accomplish the stated desires of their Don. Then he went back into the

house where he knew Don Corleone would be waiting for him.

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126

The Don had taken off his jacket and tie and was lying down on the couch. His stern

face was relaxed into lines of fatigue. He waved Hagen into a chair and said, "Well,

Consigliori, do you disapprove of any of my deeds today?"

Hagen took his time answering. "No," he said. "But I don't find it consistent

(последовательный, стойкий; совместимый, согласующийся), nor true to your nature.

You say you don't want to find out how Santino was killed or want vengeance for it. I

don't believe that. You gave your word for peace and so you'll keep the peace but I can't

believe you will give your enemies the victory they seem to have won today. You've

constructed a magnificent riddle that I can't solve, so how can I approve or disapprove?"

A look of content came over the Don's face. "Well, you know me better than anyone

else. Even though you're not a Sicilian, I made you one. Everything you say is true, but

there's a solution and you'll comprehend it before it spins out to the end. You agree

everyone has to take my word and I'll keep my word. And I want my orders obeyed

exactly. But, Tom, the most important thing is we have to get Michael home as soon as

possible. Make that first in your mind and in your work. Explore all the legal alleys, I

don't care how much money you have to spend. It has to be foolproof when he comes

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