THE PHOTOS WERE CRAP.
The ones he’d taken from the top of Dunkery Beacon were blurred by wind shake and the one he’d taken from the car park had the front wing of a car encroaching into the left-hand side of the frame.
But because he’d spent the last of his pocket money on getting the film developed—and because it was at least in focus—that was the one Steven sent to Arnold Avery.