Acknowledgments

First and foremost, I thank the women and men who spoke frankly to me about private matters. For obvious reasons I will not name them here. Accounts of childhood sexual abuse are difficult to deal with, even on the written page. To recount personal experiences is nothing short of heroic. Few crime victims face the battles that those who as adults begin to recall childhood sexual abuse must fight. Far too often, family members and the general public refuse to believe their claims, even in the face of corroborative evidence. None of us wants to think about the harrowing crimes that innocent children suffer in their own homes. But we owe everyone who has such memories a fair hearing. Please don’t ignore any child or adult who claims that she-or he-has been sexually abused. Listen, and contact a professional. Do not wait. Do not ignore your instincts. If you need more information about child abuse, visit http://www.gregiles.com.

As with all of my novels, I relied upon the knowledge of experts to add verisimilitude to this story. I warmly thank all of these people for their contributions:

Police expertise: O’Neil DeNoux, former homicide detective and a great writer in his own right.

Dental expertise: Dr. Carrie Iles.

Medical expertise: Dr. Jerry W. Iles, Dr. Michael Bourland, Dr. Tom Carey, Dr. Geoff Flattman, Dr. Andrew Martin.

Natchez City Cemetery: Don Estes, Maypop, Martin Anderson.

Mortuary science: Charles Laird, Dickey Laird.

Miscellaneous: Nancy Hungerford, Jane Hargrove, George Ward, Clint Pomeroy, Tammye Hoover, Lisa Bunch.

Early readers: Ed Stackler, Mike Henry, Betty Iles, Carrie Iles, Ann Paradise.

Special thanks to Geoff Iles, without whose invaluable help these books would be much less than they are.

Special thanks to Selah Saterstrom, for permission to quote from her hypnotic work, The Pink Institution.

Special thanks to Kim Barker, who first saw the blood on the wall. She’s a wonderful writer with a great imagination. I’m glad she likes laughter better than fear. Woo-hoo!

All mistakes are mine.

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