XXIII

On the north Texas plains – An old buffalo hunter – The millennial herds – The bonepickers – Night on the prairie – The callers – Apache ears – Elrod takes a stand – A killing – Bearing off the dead – Fort Griffin – The Beehive – A stageshow – The judge – Killing a bear – The judge speaks of old times – In preparation for the dance – The judge on war, destiny, the supremacy of man – The dancehall – The whore – The jakes and what was encountered there – Sie müssen schlafen aberIch muss tanzen.

In the late winter of eighteen seventy-eight he was on the plains of north Texas. He crossed the Double Mountain Fork of the Brazos River on a morning when skim ice lay along the sandy shore and he rode through a dark dwarf forest of black and twisted mesquite trees. He made his camp that night on a piece of high ground where there was a windbreak formed of a tree felled by lightning. He’d no sooner got his fire to burn than he saw across the prairie in the darkness another fire. Like his it twisted in the wind, like his it warmed one man alone.

It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he’d made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and tens of thousands and the hides pegged out over actual square miles of ground and the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the ton and hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half crazed and wallowing in the carrion.

I seen Studebaker wagons with six and eight ox teams headed out for the grounds not haulin a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there was eight million carcasses for that’s how many hides reached the railhead. Two year ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They’re gone. Ever one of them that God ever made is gone as if they’d never been at all.

The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there’s other worlds like this, he said. Or if this is the only one.

* * *

When he came upon the bonepickers he’d been riding three days in a country he’d never seen. The plains were sere and burntlooking and the small trees black and misshapen and haunted by ravens and everywhere the ragged packs of jackal wolves and the crazed and sunchalked bones of the vanished herds. He dismounted and led the horse. Here and there within the arc of ribs a few flat discs of darkened lead like old medallions of some order of the hunt. In the distance teams of oxen bore along slowly and the heavy wagons creaked dryly. Into these barrows the pickers tossed the bones, kicking down the calcined architecture, breaking apart the great frames with axes. The bones clattered in the wagons, they plowed on in a pale dust. He watched them pass, ragged, filthy, the oxen galled and mad-looking.

None spoke to him. In the distance he could see a train of wagons moving off to the northeast with great tottering loads of bones and further to the north other teams of pickers at their work.

He mounted and rode on. The bones had been gathered into windrows ten feet high and hundreds long or into great conical hills topped with the signs or brands of their owners. He overtook one of the lumbering carts, a boy riding the near wheel ox and driving with a jerkline and a jockeystick. Two youths squatting atop a mound of skulls and pelvic bones leered down at him.

Their fires dotted the plain that night and he sat with his back to the wind and drank from an army canteen and ate a handful of parched corn for his supper. All across those reaches the yammer and yap of the starving wolves relayed and to the north the silent lightning rigged a broken lyre upon the world’s dark rim. The air smelled of rain but no rain fell and the creaking bone-carts passed in the night like darkened ships and he could smell the oxen and hear their breath. The sour smell of the bones was everywhere. Toward midnight a party hailed him as he squatted at his coals.

Come up, he said.

They came up out of the dark, sullen wretches dressed in skins. They carried old military guns save for one who had a buffalo rifle and they had no coats and one of them wore green hide boots peeled whole from the hocks of some animal and the toes gathered shut with leader.

Evenin stranger, called out the eldest child among them.

He looked at them. They were four and a halfgrown boy and they halted at the edge of the light and arranged themselves there.

Come up, he said.

They shuffled forward. Three of them squatted and two stood.

Where’s ye outfit? said one.

He aint out for bones.

You aint got nary chew of tobacca about your clothes halve ye?

He shook his head.

Nary drink of whiskey neither I dont reckon.

He aint got no whiskey.

Where ye headed mister?

Are you headed twards Griffin?

He looked them over. I am, he said.

Goin for the whores I’ll bet ye.

He aint goin for the whores.

It’s full of whores, Griffin is.

Hell, he’s probably been there more’n you.

You been to Griffin mister?

Not yet.

Full of whores. Full plumb up.

They say you can get clapped a day’s ride out when the wind is right.

They set in a tree in front of this here place and you can look up and see their bloomers. I’ve counted high as eight in that tree early of a evenin. Set up there like coons and smoke cigarettes and holler down at ye.

It’s set up to be the biggest town for sin in all Texas.

It’s as lively a place for murders as you’d care to visit.

Scrapes with knives. About any kind of meanness you can name.

He looked at them from one to the other. He reached and took up a stick and roused the fire with it and put the stick in the flames. You all like meanness? he said.

We dont hold with it.

Like to drink whiskey?

He’s just talkin. He aint no whiskey drinker.

Hell, you just now seen him drink it not a hour ago.

I seen him puke it back up too. What’s them things around your neck there mister?

He pulled the aged scapular from his shirtfront and looked at it. It’s ears, he said.

It’s what?

Ears.

What kind of ears?

He tugged at the thong and looked down at them. They were perfectly black and hard and dry and of no shape at all.

Humans, he said. Human ears.

Aint done it, said the one with the rifle.

Dont call him a liar Elrod, he’s liable to shoot ye. Let’s see them things mister if you dont care.

He slipped the scapular over his head and handed it across to the boy who’d spoken. They pressed about and felt the strange dried pendants.

Niggers, aint it? they said.

Docked them niggers’ ears so they’d know em when they run off.

How many is there mister?

I dont know. Used to be near a hundred.

They held the thing up and turned it in the firelight.

Nigger ears, by god.

They aint niggers.

They aint?

No.

What are they?

Injins.

The hell they are.

Elrod you done been told.

How come them to be so black as that if they aint niggers.

They turned that way. They got blacker till they couldnt black no more.

Where’d you get em at?

Killed them sons of bitches. Didnt ye mister?

You been a scout on the prairies, aint ye?

I bought them ears in California off a soldier in a saloon didnt have no money to drink on.

He reached and took the scapular from them.

Shoot. I bet he’s been a scout on the prairie killed ever one of them sons of bitches.

The one called Elrod followed the trophies with his chin and sniffed the air. I dont see what you want with them things, he said. I wouldnt have em.

The others looked at him uneasily.

You dont know where them ears come from. That old boy you bought em off of might of said they was injins but that dont make it so.

The man didnt answer.

Them ears could of come off of cannibals or any other kind of foreign nigger. They tell me you can buy the whole heads in New Orleans. Sailors brings em in and you can buy em for five dollars all day long them heads.

Hush Elrod.

The man sat holding the necklace in his hands. They wasnt cannibals, he said. They was Apaches. I knowed the man that docked em. Knowed him and rode with him and seen him hung.

Elrod looked at the others and grinned. Apaches, he said. I bet them old Apaches would give a watermelon a pure fit, what about you all?

The man looked up wearily. You aint callin me a liar are ye son?

I aint ye son.

How old are you?

That’s some more of your business.

How old are you?

He’s fifteen.

You hush your damn mouth.

He turned to the man. He dont speak for me, he said.

He’s done spoke. I was fifteen year old when I was first shot.

I ain’t never been shot.

You aint sixteen yet neither.

You aim to shoot me?

I aim to try to keep from it.

Come on Elrod.

You aint goin to shoot nobody. Maybe in the back or them asleep.

Elrod we’re gone.

I knowed you for what you was when I seen ye.

You better go on.

Set there and talk about shootin somebody. They aint nobody done it yet.

The other four stood at the limits of the firelight. The youngest of them was casting glances out at the dark sanctuary of the prairie night.

Go on, the man said. They’re waitin on ye.

He spat into the man’s fire and wiped his mouth. Out on the prairie to the north a train of yoked wagons was passing and the oxen were pale and silent in the starlight and the wagons creaked faintly in the distance and a lantern with a red glass followed them out like an alien eye. This country was filled with violent children orphaned by war. His companions had started back to fetch him and perhaps this emboldened him the more and perhaps he said other things to the man for when they got to the fire the man had risen to his feet. You keep him away from me, he said. I see him back here I’ll kill him.

When they had gone he built up the fire and caught the horse and took the hobbles off and tied it and saddled it and then he moved off apart and spread his blanket and lay down in the dark.

When he woke there was still no light in the east. The boy was standing by the ashes of the fire with the rifle in his hand. The horse had snuffed and now it snuffed again.

I knowed you’d be hid out, the boy called.

He pushed back the blanket and rolled onto his stomach and cocked the pistol and leveled it at the sky where the clustered stars were burning for eternity. He centered the foresight in the milled groove of the framestrap and holding the piece so he swung it through the dark of the trees with both hands to the darker shape of the visitor.

I’m right here, he said.

The boy swung with the rifle and fired.

You wouldnt of lived anyway, the man said.

It was gray dawn when the others came up. They had no horses. They led the halfgrown boy to where the dead youth was lying on his back with his hands composed upon his chest.

We dont want no trouble mister. We just want to take him with us.

Take him.

I knowed we’d bury him on this prairie.

They come out here from Kentucky mister. This tyke and his brother. His momma and daddy both dead. His grandaddy was killed by a lunatic and buried in the woods like a dog. He’s never knowed good fortune in his life and now he aint got a soul in this world.

Randall you take a good look at the man that has made you a orphan.

The orphan in his large clothes holding the old musket with the mended stock stared at him woodenly. He was maybe twelve years old and he looked not so much dullwitted as insane. Two of the others were going through the dead boy’s pockets.

Where’s his rifle at mister?

The man stood with his hand on his belt. He nodded to where the rifle stood against a tree.

They brought it over and presented it to the brother. It was a Sharp’s fifty calibre and holding it and the musket he stood inanely armed, his eyes skittering.

One of the older boys handed him the dead boy’s hat and then he turned to the man. He give forty dollars for that rifle in Little Rock. You can buy em in Griffin for ten. They aint worth nothin. Randall, are you ready to go?

He did not assist as a bearer for he was too small. When they set out across the prairie with his brother’s body carried up on their shoulders he followed behind carrying the musket and the dead boy’s rifle and the dead boy’s hat. The man watched them go. Out there was nothing. They were simply bearing the body off over the bonestrewn waste toward a naked horizon. The orphan turned once to look back at him and then he hurried to catch up.

* * *

In the afternoon he rode through the McKenzie crossing of the Clear Fork of the Brazos River and he and the horse walked side by side down the twilight toward the town where in the long red dusk and in the darkness the random aggregate of the lamps formed slowly a false shore of hospice cradled on the low plain before them. They passed enormous ricks of bones, colossal dikes composed of horned skulls and the crescent ribs like old ivory bows heaped in the aftermath of some legendary battle, great levees of them curving away over the plain into the night.

They entered the town in a light rain falling. The horse nickered and snuffed shyly at the hocks of the other animals standing at stall before the lamplit bagnios they passed. Fiddle-music issued into the solitary mud street and lean dogs crossed before them from shadow to shadow. At the end of the town he led the horse to a rail and tied it among others and stepped up the low wooden stairs into the dim light that fell from the doorway there. He looked back a last time at the street and at the random windowlights let into the darkness and at the last pale light in the west and the low dark hills around. Then he pushed open the door and entered.

A dimly seething rabble had coagulated within. As if the raw board structure erected for their containment occupied some ultimate sink into which they had gravitated from off the surrounding flatlands. An old man in a tyrolean costume was shuffling among the rough tables with his hat outheld while a little girl in a smock cranked a barrel organ and a bear in a crinoline twirled strangely upon a board stage defined by a row of tallow candles that dripped and sputtered in their pools of grease.

He made his way through the crowd to the bar where several men in gaitered shirts were drawing beer or pouring whiskey. Young boys worked behind them fetching crates of bottles and racks of glasses steaming from the scullery to the rear. The bar was covered with zinc and he placed his elbows upon it and spun a silver coin before him and slapped it flat.

Speak or forever, said the barman.

A whiskey.

Whiskey it is. He set up a glass and uncorked a bottle and poured perhaps half a gill and took the coin.

He stood looking at the whiskey. Then he took his hat off and placed it on the bar and took up the glass and drank it very deliberately and set the empty glass down again. He wiped his mouth and turned around and placed his elbows on the bar behind him.

Watching him across the layered smoke in the yellow light was the judge.

He was sitting at one of the tables. He wore a round hat with a narrow brim and he was among every kind of man, herder and bullwhacker and drover and freighter and miner and hunter and soldier and pedlar and gambler and drifter and drunkard and thief and he was among the dregs of the earth in beggary a thousand years and he was among the scapegrace scions of eastern dynasties and in all that motley assemblage he sat by them and yet alone as if he were some other sort of man entire and he seemed little changed or none in all these years.

He turned away from those eyes and stood looking down at the empty tumbler between his fists. When he looked up the barman was watching him. He raised his forefinger and the barman brought the whiskey.

He paid, he lifted the glass and drank. There was a mirror along the backbar but it held only smoke and phantoms. The barrel organ was groaning and creaking and the bear with tongue aloll was revolving heavily on the boards.

When he turned the judge had risen and was speaking with other men. The showman made his way through the throng shaking the coins in his hat. Garishly clad whores were going out through a door at the rear of the premises and he watched them and he watched the bear and when he looked back across the room the judge was not there. The showman seemed to be in altercation with the men standing at the table. Another man rose. The showman gestured with his hat. One of them pointed toward the bar. He shook his head. Their voices were incoherent in the din. On the boards the bear was dancing for all that his heart was worth and the girl cranked the organ handle and the shadow of the act which the candlelight constructed upon the wall might have gone begging for referents in any daylight world. When he looked back the showman had donned the hat and he stood with his hands on his hips. One of the men had drawn a longbarreled cavalry pistol from his belt. He turned and leveled the pistol toward the stage.

Some dove for the floor, some reached for their own arms. The owner of the bear stood like a pitchman at a shooting galery. The shot was thunderous and in the afterclap all sound in that room ceased. The bear had been shot through the midsection. He let out a low moan and he began to dance faster, dancing in silence save for the slap of his great footpads on the planks. Blood was running down his groin. The little girl strapped into the barrel organ stood frozen, the crank at rest on the upswing. The man with the pistol fired again and the pistol bucked and roared and the black smoke rolled and the bear groaned and began to reel drunkenly. He was holding his chest and a thin foam of blood swung from his jaw and he began to totter and to cry like a child and he took a few last steps, dancing, and crashed to the boards.

Someone had seized the pistol arm of the man who’d done the shooting and the gun was waving aloft. The owner of the bear stood stunned, clutching the brim of his oldworld hat.

Shot the goddamned bear, said the barman.

The little girl had unbuckled herself out of the barrel organ and it clattered wheezing to the floor. She ran forward and knelt and gathered the great shaggy head up in her arms and began to rock back and forth sobbing. Most of the men in the room had risen and they stood in the smoky yellow space with their hands on their sidearms. Whole flocks of whores were scuttling toward the rear and a woman mounted to the boards and stepped past the bear and held out her hands.

It’s all over, she said. It’s all over.

Do you believe it’s all over, son?

He turned. The judge was standing at the bar looking down at him. He smiled, he removed his hat. The great pale dome of his skull shone like an enormous phosphorescent egg in the lamplight.

The last of the true. The last of the true. I’d say they’re all gone under now saving me and thee. Would you not?

He tried to see past him. That great corpus enshadowed him from all beyond. He could hear the woman announcing the commencement of dancing in the hall to the rear.

And some are not yet born who shall have cause to curse the Dauphin’s soul, said the judge. He turned slightly. Plenty of time for the dance.

I aint studyin no dance.

The judge smiled.

The tyrolean and another man were bent over the bear. The girl was sobbing, the front of her dress dark with blood. The judge leaned across the bar and seized a bottle and snapped the cork out of it with his thumb. The cork whined off into the blackness above the lamps like a bullet. He rifled a great drink down his throat and leaned back against the bar. You’re here for the dance, he said.

I got to go.

The judge looked aggrieved. Go? he said.

He nodded. He reached and took hold of his hat where it lay on the bar but he did not take it up and he did not move.

What man would not be a dancer if he could, said the judge. It’s a great thing, the dance.

The woman was kneeling and had her arm around the little girl. The candles sputtered and the great hairy mound of the bear dead in its crinoline lay like some monster slain in the commission of unnatural acts. The judge poured the tumbler full where it stood empty alongside the hat and nudged it forward.

Drink up, he said. Drink up. This night thy soul may be required of thee.

He looked at the glass. The judge smiled and gestured with the bottle. He took up the glass and drank.

The judge watched him. Was it always your idea, he said, that if you did not speak you would not be recognized?

You seen me.

The judge ignored this. I recognized you when I first saw you and yet you were a disappointment to me. Then and now. Even so at the last I find you here with me.

I aint with you.

The judge raised his bald brow. Not? he said. He looked about him in a puzzled and artful way and he was a passable thespian.

I never come here huntin you.

What then? said the judge.

What would I want with you? I come here same reason as any man.

And what reason is that?

What reason is what?

That these men are here.

They come here to have a good time.

The judge watched him. He began to point out various men in the room and to ask if these men were here for a good time or if indeed they knew why they were here at all.

Everbody dont have to have a reason to be someplace.

That’s so, said the judge. They do not have to have a reason. But order is not set aside because of their indifference.

He regarded the judge warily.

Let me put it this way, said the judge. If it is so that they themselves have no reason and yet are indeed here must they not be here by reason of some other? And if this is so can you guess who that other might be?

No. Can you?

I know him well.

He poured the tumbler full once more and he took a drink himself from the bottle and he wiped his mouth and turned to regard the room. This is an orchestration for an event. For a dance in fact. The participants will be apprised of their roles at the proper time. For now it is enough that they have arrived. As the dance is the thing with which we are concerned and contains complete within itself its own arrangement and history and finale there is no necessity that the dancers contain these things within themselves as well. In any event the history of all is not the history of each nor indeed the sum of those histories and none here can finally comprehend the reason for his presence for he has no way of knowing even in what the event consists. In fact, were he to know he might well absent himself and you can see that that cannot be any part of the plan if plan there be.

He smiled, his great teeth shone. He drank.

An event, a ceremony. The orchestration thereof. The overture carries certain marks of decisiveness. It includes the slaying of a large bear. The evening’s progress will not appear strange or unusual even to those who question the rightness of the events so ordered.

A ceremony then. One could well argue that there are not categories of no ceremony but only ceremonies of greater or lesser degree and deferring to this argument we will say that this is a ceremony of a certain magnitude perhaps more commonly called a ritual. A ritual includes the letting of blood. Rituals which fail in this requirement are but mock rituals. Here every man knows the false at once. Never doubt it. That feeling in the breast that evokes a child’s memory of loneliness such as when the others have gone and only the game is left with its solitary participant. A solitary game, without opponent. Where only the rules are at hazard. Dont look away. We are not speaking in mysteries. You of all men are no stranger to that feeling, the emptiness and the despair. It is that which we take arms against, is it not? Is not blood the tempering agent in the mortar which bonds? The judge leaned closer. What do you think death is, man? Of whom do we speak when we speak of a man who was and is not? Are these blind riddles or are they not some part of every man’s jurisdiction? What is death if not an agency? And whom does he intend toward? Look at me.

I dont like craziness.

Nor I. Nor I. Bear with me. Look at them now. Pick a man, any man. That man there. See him. That man hatless. You know his opinion of the world. You can read it in his face, in his stance. Yet his complaint that a man’s life is no bargain masks the actual case with him. Which is that men will not do as he wishes them to. Have never done, never will do. That’s the way of things with him and his life is so balked about by difficulty and become so altered of its intended architecture that he is little more than a walking hovel hardly fit to house the human spirit at all. Can he say, such a man, that there is no malign thing set against him? That there is no power and no force and no cause? What manner of heretic could doubt agency and claimant alike? Can he believe that the wreckage of his existence is unentailed? No liens, no creditors? That gods of vengeance and of compassion alike lie sleeping in their crypt and whether our cries are for an accounting or for the destruction of the ledgers altogether they must evoke only the same silence and that it is this silence which will prevail? To whom is he talking, man? Cant you see him?

The man was indeed muttering to himself and peering balefully about the room wherein it seemed there was no friend to him.

A man seeks his own destiny and no other, said the judge. Will or nill. Any man who could discover His own fate and elect therefore some opposite course could only come at last to that selfsame reckoning at the same appointed time, for each man’s destiny is as large as the world he inhabits and contains within it all opposites as well. This desert upon which so many have been broken is vast and calls for largeness of heart but it is also ultimately empty. It is hard, it is barren. Its very nature is stone.

He poured the tumbler full. Drink up, he said. The world goes on. We have dancing nightly and this night is no exception. The straight and the winding way are one and now that you are here what do the years count since last we two met together? Men’s memories are uncertain and the past that was differs little from the past that was not.

He took up the tumbler the judge had poured and he drank and set it down again. He looked at the judge. I been everwhere, he said. This is just one more place.

The judge arched his brow. Did you post witnesses? he said. To report to you on the continuing existence of those places once you’d quit them?

That’s crazy.

Is it? Where is yesterday? Where is Glanton and Brown and where is the priest? He leaned closer. Where is Shelby, whom you left to the mercies of Elias in the desert, and where is Tate whom you abandoned in the mountains? Where are the ladies, ah the fair and tender ladies with whom you danced at the governor’s ball when you were a hero anointed with the blood of the enemies of the republic you’d elected to defend? And where is the fiddler and where the dance?

I guess you can tell me.

I tell you this. As war becomes dishonored and its nobility called into question those honorable men who recognize the sanctity of blood will become excluded from the dance, which is the warrior’s right, and thereby will the dance become a false dance and the dancers false dancers. And yet there will be one there always who is a true dancer and can you guess who that might be?

You aint nothin.

You speak truer than you know. But I will tell you. Only that man who has offered up himself entire to the blood of war, who has been to the floor of the pit and seen horror in the round and learned at last that it speaks to his inmost heart, only that man can dance.

Even a dumb animal can dance.

The judge set the bottle on the bar. Hear me, man, he said. There is room on the stage for one beast and one alone. All others are destined for a night that is eternal and without name. One by one they will step down into the darkness before the footlamps. Bears that dance, bears that dont.

* * *

He drifted with the crowd toward the door at the rear. In the anteroom sat men at cards, dim in the smoke. He moved on. A woman was taking chits from the men as they passed through to the shed at the rear of the building. She looked up at him. He had no chit. She directed him to a table where a woman was selling the chits and stuffing the money with a piece of shingle through a narrow slit into an iron strongbox. He paid his dollar and took the stamped brass token and rendered it up at the door and passed through.

He found himself in a large hall with a platform for the musicians at one end and a large homemade sheetiron stove at the other. Whole squadrons of whores were working the floor. In their stained peignoirs, in their green stockings and melon-colored drawers they drifted through the smoky oil light like makebelieve wantons, at once childlike and lewd. A dark little dwarf of a whore took his arm and smiled up at him.

I seen you right away, she said. I always pick the one I want.

She led him through a door where an old Mexican woman was handing out towels and candles and they ascended like refugees of some sordid disaster the darkened plankboard stairwell to the upper rooms.

Lying in the little cubicle with his trousers about his knees he watched her. He watched her take up her clothes and don them and he watched her hold the candle to the mirror and study her face there. She turned and looked at him.

Let’s go, she said. I got to go.

Go on.

You cant lay there. Come on. I got to go.

He sat up and swung his legs over the edge of the little iron cot and stood and pulled his trousers up and buttoned them and buckled his belt. His hat was on the floor and he picked it up and slapped it against the side of his leg and put it on.

You need to get down there and get you a drink, she said. You’ll be all right.

I’m all right now.

He went out. He turned at the end of the hallway and looked back. Then he went down the stairs. She had come to the door. She stood in the hallway holding the candle and brushing her hair back with one hand and she watched him descend into the dark of the stairwell and then she pulled the door shut behind her.

He stood at the edge of the dancefloor. A ring of people had taken the floor and were holding hands and grinning and calling out to one another. A fiddler sat on a stool on the stage and a man walked up and down calling out the order of the dance and gesturing and stepping in the way he wished them to go. Outside in the darkened lot groups of wretched Tonkawas stood in the mud with their faces composed in strange lost portraits within the sashwork of the windowlights. The fiddler rose and set the fiddle to his jaw. There was a shout and the music began and the ring of dancers began to rotate ponderously with a great shuffling. He went out the back.

The rain had stopped and the air was cold. He stood in the yard. Stars were falling across the sky myriad and random, speeding along brief vectors from their origins in night to their destinies in dust and nothingness. Within the hall the fiddle squealed and the dancers shuffled and stomped. In the street men were calling for the little girl whose bear was dead for she was lost. They went among the darkened lots with lanterns and torches calling out to her.

He went down the walkboard toward the jakes. He stood outside listening to the voices fading away and he looked again at the silent tracks of the stars where they died over the darkened hills. Then he opened the rough board door of the jakes and stepped in.

The judge was seated upon the closet. He was naked and he rose up smiling and gathered him in his arms against his immense and terrible flesh and shot the wooden barlatch home behind him.

In the saloon two men who wanted to buy the hide were looking for the owner of the bear. The bear lay on the stage in an immense pool of blood. All the candles had gone out save one and it guttered uneasily in its grease like a votive lamp. In the dancehall a young man had joined the fiddler and he kept the measare of the music with a pair of spoons which he clapped between his knees. The whores sashayed half naked, some with their breasts exposed. In the mudded dogyard behind the premises two men went down the boards toward the jakes. A third man was standing there urinating into the mud.

Is someone in there? the first man said.

The man who was relieving himself did not look up. I wouldnt go in there if I was you, he said.

Is there somebody in there?

I wouldnt go in.

He hitched himself up and buttoned his trousers and stepped past them and went up the walk toward the lights. The first man watched him go and then opened the door of the jakes.

Good God almighty, he said.

What is it?

He didnt answer. He stepped past the other and went back up the walk. The other man stood looking after him. Then he opened the door and looked in.

In the saloon they had rolled the dead bear onto a wagonsheet and there was a general call for hands. In the anteroom the tobacco smoke circled the lamps like an evil fog and the men bid and dealt in a low mutter.

There was a lull in the dancing and a second fiddler took the stage and the two plucked their strings and turned the little hardwood pegs until they were satisfied. Many among the dancers were staggering drunk through the room and some had rid themselves of shirts and jackets and stood barechested and sweating even though the room was cold enough to cloud their breath. An enormous whore stood clapping her hands at the bandstand and calling drunkenly for the music. She wore nothing but a pair of men’s drawers and some of her sisters were likewise clad in what appeared to be trophies—hats or pantaloons or blue twill cavalry jackets. As the music sawed up there was a lively cry from all and a caller stood to the front and called out the dance and the dancers stomped and hooted and lurched against one another.

And they are dancing, the board floor slamming under the jackboots and the fiddlers grinning hideously over their canted pieces. Towering over them all is the judge and he is naked dancing, his small feet lively and quick and now in doubletime and bowing to the ladies, huge and pale and hairless, like an enormous infant. He never sleeps, he says. He says he’ll never die. He bows to the fiddlers and sashays backwards and throws back his head and laughs deep in his throat and he is a great favorite, the judge. He wafts his hat and the lunar dome of his skull passes palely under the lamps and he swings about and takes possession of one of the fiddles and he pirouettes and makes a pass, two passes, dancing and fiddling at once. His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.

THE END

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