Break It Down

The Cottages

She is seventy-nine or so, and on the one hand it’s hard to talk to her (she has come for dinner, it’s just the two of us; she eats much more than I thought an old lady would and even after several helpings of the main meal and dessert keeps digging into the raisin box with her knotted fingers and spreading raisins on her clean plate and nervously lining them up and tossing them into her mouth as she talks, and when they fall out on her lower lip tipping them back in), it’s hard to talk to her because she has only four or five things she wants to talk about and she forgets the name of every person and the name of every thing she wants to talk about and when groping to describe the thing whose name she has forgotten forgets the name of what she needs to describe to identify to me the first thing she has forgotten (she closes her eyes, leans her head back, and taps her twisted fingers on the tablecloth) and in the midst of this description, because she has gone on trying so long, forgets why she began it and stops dead or takes a different direction altogether (she talks with her eyes closed, her wiry white hair is tied back under a thin piece of yarn, and then she opens her eyes and cries out at her lolling dog to lie down and when the dog lies down stamps on his head in further irritation, and he rolls back his eyes in fear); on the other hand, even with only four or five subjects she doesn’t exhaust what she has to say because she entirely forgets that she has made a remark or asked a question and had an answer to it already, and so she asks again and I answer again, and she remarks again, and this happens at intervals all through dinner and beyond (I can’t convey the truth to her; there is my truth and her memory of it; I do not know a friend of hers but all evening she asks if I know him), but sometimes she tells me something about the Depression and the apartments she owned in the city, and then how her husband wrote his own column for the local paper and she never knew another writer as fine as he was, and then that is part of one long story and she remembers everything that happened and remembers, though she will have forgotten when I see her again, that she has told it to me now, though just barely.

Lillian in her cap of white hair and her ankle socks and tied brown shoes is a small old woman who works over her sink before sunrise (I hear it through the wall of this cottage standing in the trees above the reedy lake with its black banks of mud and its dock of splintered wood), who washes her white linen by hand and hangs it on lines by the cottage and takes it down in the late morning. Now she sits reading at the picnic table a picture book about Polish Jews, with her white-framed glasses directed at the pictures, and when I walk by and ask, she says she is not really reading but thinking about sour apples and her daughters, she has been waiting all day for her two large daughters and waiting also to cook them the foods of their childhood; but though all day she is clean and ready, her daughters don’t come and don’t call. I look out from time to time and she is still sitting there alone, and she will not call them for fear of being a nuisance, and because she is disappointed she begins to think as she has thought before that she is too far away, she will not come back to this cottage again though she has come here for so many years, first with her husband, then without her husband, who died between one summer and the next, and she is thinking too how she makes trouble for everyone; well, no one minds! I have told her, but she will never believe that any more than she will uncover her old body to swim in company with the other old people here, and goes down to the lake alone at dawn; and now she puts away her book and her glasses and her shoes untied by the bed, and goes to bed, for it is evening, and she likes to lie and watch the darkness come down into the woods, though tonight, as sometimes before, she does not really watch, or though her eyes rest on the darkening woods, she is not so much watching as waiting, and often, now, feels she is waiting.