2 In The Commune: 1871: A Smile

Not only France, but the whole civilized world, was startled and dismayed by the sudden success of the Red Republicans of Paris. The most extraordinary, and perhaps the most alarming, feature of the movement, was the fact that it had been brought about by men nearly all of whom were totally unknown to society at large. It was not, therefore, the influence, whether for good or evil, of a few great names which might be supposed to exercise a species of enchantment on the uneducated classes, and to be capable of moving them, almost without thought, towards the execution of any design which the master-minds might have determined on—it was not this which had caused the convulsion. The outbreak was clearly due less to individual persuasion, which in the nature of things is evanescent, than to the operation of deep-rooted principles such as survive when men depart. The ideas which gave rise to the Commune were within the cognizance of the middle and upper classes of society; but it was not supposed that they had attained such power, or were capable of such organized action. A frightful apparition of the Red Republic had been momentarily visible in June, 1848; but it was at once exercised by the cannon and bayonets of Cavaignac. It was again apprehended towards the close of 1851, and would probably have made itself once more manifest, had not the coup d'etat of Louis Napoleon prevented any such movement, not only at that time, but for several years to come. Every now and then during the period of the Second Empire, threatenings of this vague yet appalling danger came and went, but the admirable organization of the Imperial Government kept the enemies of social order in subjection, though only by a resort to means regrettable in themselves, against which the Moderate Republicans were perpetually directing their most bitter attacks, little thinking that they would soon be obliged to use the same weapons with still greater severity. Nevertheless, although the Emperor Napoleon held the Red Republic firmly down throughout his term of power, the principles of the extreme faction were working beneath the surface; and they only awaited the advent of a weaker Government, and of a period of social disruption, to glare upon the world with stormy menace.


HISTORY OF THE WAR BETWEEN FRANCE AND GERMANY Anonymous. Cassell, Petter & Galpin, 1872.

— There you are, Karl. The black man strokes his head.

Karl has removed his clothes and lies naked on the double bed in the hotel suite. The silk counterpane is cool.

— Do you feel any better now?

— I'm not sure.

Karl's mouth is dry. The man's hands move down from his head to touch his shoulders. Karl gasps. He shuts his eyes.

Karl is seven years old. He and his mother have fled from their house as the Versaillais troops storm Paris in their successful effort to destroy the Commune established a few months earlier. It is civil war and it is savage. The more so, perhaps, because the French have received such an ignominious defeat at the hands of Bismarck's Prussians.

He is seven years old. It is the Spring of 1871. He is on the move.

— Do you like this? asks the black man.



KARL WAS SEVEN. His mother was twenty-five. His father was thirty-one, but had probably been killed fighting the Prussians at St. Quentin. Karl's father had been so eager to join the National Guard and prove that he was a true Frenchman.

"Now, Karl." His mother put him down and he felt the hard cobbles of the street beneath his thin shoes. "You must walk a little. Mother is tired, too."

It was true. When she was tired, her Alsatian accent always became thicker and now it was very thick. Karl felt ashamed for her.

He was not sure what was happening. The previous night he had heard loud noises and the sounds of running feet. There had been shots and explosions, but such things were familiar enough since the Siege of Paris. Then his mother had appeared in her street clothes and made him put on his coat and shoes, hurrying him from the room and down the stairs and into the street. He wondered what had happened to their maid. When they got into the street he saw that a fire had broken out some distance away and that there were many National Guardsmen about. Some of them were running towards the fires and others, who were wounded, were staggering in the other direction. Some bad soldiers were attacking them, he gathered, and his mother was afraid that the house would be burned down. "Starvation—bombardment—and now fire," she had muttered bitterly. "I hope all the wretched Communards are shot!" Her heavy black skirts hissed as she led him through the night, away from the fighting.

By dawn, more of the city was burning and all was confusion. Ragged members of the National Guard in their stained uniforms rallied the citizens to pile furniture and bedding onto the carts which had been overturned to block the streets. Sometimes Karl and his mother were stopped and told to help the other women and children, but she gave excuses and hurried on. Karl was dazed. He had no idea where they were going. He was vaguely aware that his mother knew no better than he. When he gasped that he could walk no further, she picked him up and continued her flight, her sharp face expressing her disapproval at his weakness. She was a small, wiry woman who would have been reasonably pretty had her features not been set so solidly in a mask of tension and anxiety. Karl had never known her face to soften, either to him or to his father. Her eyes had always seemed fixed on some distant objective which, secretly and grimly, she had determined to reach. That same look was in her eyes now, though much more emphatic, and the little boy had the impression that his mother's flight through the city was the natural climax to her life.

Karl tried not to cry out as he trotted behind his mother's dusty black skirts. His whole body was aching and his feet were blistered and once he fell on the cobbles and had to scramble up swiftly in order to catch her as she turned a corner.

They were now in a narrow side street not far from the Rue du Bac on the Left Bank. Twice Karl had caught a glimpse of the nearby Seine. It was a beautiful spring morning, but the sky was slowly being obscured by thick smoke from the many burning buildings on both sides of the river. Noticing this, his mother hesitated.

"Oh, the animals!" Her tone was a mixture of disgust and despair. "They are setting fire to their own city!"

"May we rest now, mother?" asked Karl.

"Rest?" She laughed bitterly. But she made no effort to continue on her way, though she cast about her in every direction, trying to decide where she could best expect to find safety.

Suddenly, from a couple of streets away, there came a series of explosions which shook the houses. There were shots and then a great angry cry, followed by individual screams and shouts. In the guise of addressing her son, she muttered to herself.

"The streets are not safe. The dogs are everywhere. We must try to find some government soldiers and ask their protection."

"Are those the bad soldiers, mother? "

"No, Karl, they are the good soldiers. They are freeing Paris of those who have brought the city to ruin."

"The Prussians?"

"The Communists. We all knew it would come to this. What a fool your father was."

Karl was surprised to hear the contempt in her voice. She had previously always told him to look up to his father. He began to cry. For the first time since leaving the house, he felt deeply miserable, rather than merely uncomfortable.

"Oh, my God!" His mother reached out and shook him. "We don't need your weeping on top of everything else. Be quiet, Karl."

He bit his lip, but he was still shaken by sobs.

She stroked his head. "Your mother is tired," she said. "She has always done her duty." A sigh. "But what's the point?" Karl realized that she was not trying to comfort him at all, but herself. Even the automatic stroking of his hair was done in an effort to calm herself. There was no real sympathy in the gesture. For some reason this knowledge made him feel deep sympathy for her. It has not been easy, even when his father was alive, with no-one coming to buy clothes in the shop just because they had a German-sounding name. And she had protected him from the worst of the insults and beaten the boys who threw stones at him.

He hugged her waist. "Have courage, mother," he whispered awkwardly.

She looked at him in astonishment. "Courage? What does it gain us?" She took his hand. "Come. We'll find the soldiers."

Trotting beside her, Karl felt closer to her than he had ever felt, not because she had shown affection for him but because he had been able to show affection for her. Of late, he had begun to feel guilty, believing he might not love his mother as much as a good son should.

The two of them entered the somewhat broader street that was Rue du Bac and here was the source of the sounds they had heard. The Communards were being beaten back by the well-trained Versailles troops. The Versaillese, having been so roundly defeated by the Prussians, were avenging themselves on their recalcitrant countrymen. Most of the Communards were armed with rifles on which were fixed bayonets. They had run out of ammunition and were using the rifles as spears. Most of them were dressed in ordinary clothes, but there was a handful of National Guardsmen among them, in soiled pale blue uniforms. Karl saw a torn red flag still flying somewhere. Many women were taking part in the fighting. Karl saw one woman bayonet a wounded Versaillese who lay on the ground. His mother pulled him away. She was trembling now. As they rounded a bend in the Rue du Bac, they saw another barricade. Then there was an eruption and a roar and the barricades flew apart. Through the dust and debris Karl saw bodies flung in every direction. Some of the dead were children of his own age. A terrifying wailing filled the street, a wailing which turned into a growl of anger. The remaining Communards began to fire at the unseen enemy. Another eruption and another roar and the remains of the barricade went down. For a second there was silence. Then a woman rushed from a nearby house and screamed something, hurling a burning bottle through an open window in her own cellar. Karl saw that a house on the opposite side of the street was beginning to burn. Why were the people setting fire to their own houses?

Now through the smoke and the ruins came the Versaillese in their smart dark blue and red uniforms. Their eyes were red and glaring, reflecting the flames. They frightened Karl far more than the National Guardsmen. Behind them galloped an officer on a black horse. He was screaming in the same high-pitched tone as the woman. He was waving a saber. Karl's mother took a step towards the troops and then hesitated. She turned and began to run in the other direction, Karl running with her.

There were several shots and Karl noticed that bullets were striking the walls of the houses. He knew at once that he and his mother were being fired at. He grinned with excitement.

They dashed down the next side street and had to wade through piles of garbage to enter a ruined building, an earlier victim of the first Siege. His mother hid behind a quaking wall as the soldiers ran past. When they had gone she sat down on a slab of broken stone and began to cry. Karl stroked her hair, wishing that he could share her grief.

"Your father should not have deserted us," she said.

"He had to fight, mother," said Karl. It was what she had said to him when his father joined the Guard. "For France."

"For the Reds. For the fools who brought all this upon us!"

Karl did not understand.

Soon his mother was sleeping in the ruins. He curled up beside her and slept, too.

When they awakened that afternoon there was much more smoke. It drifted everywhere. On all sides buildings burned. Karl's mother staggered up. Without looking at him or speaking to him, she seized his hand in a grip which made him wince. Her boots slipping on the stones, her skirts all filthy and ragged at the hem, she dragged him with her to the street. A young girl stood there, her face grave. "Good day," she said.

"Are they still fighting?"

The girl could hardly understand his mother's accent, it had become so thick. The girl frowned.

"Are they still fighting?" his mother asked again, speaking in a peculiar, slow voice.

"Yes." The girl shrugged. "They are killing everyone. Anyone."

"That way?" Karl's mother pointed towards the Seine. "That way?"

"Yes. Everywhere. But more that way." She pointed in the general direction of the Boulevard du Montparnasse. "Are you a petrol-woman?"

"Certainly not!" Madame Glogauer glared at the girl. "Are you?"

"I wasn't allowed," said the girl regretfully. "There isn't much petrol left."

Karl's mother took him back the way they had come. The fires which had been started earlier were now out. It appeared that they had done little damage. Not enough petrol, thought Karl.

With her sleeve over her mouth, his mother picked her way through the corpses and crossed the ruins of the barricade. The other men and women who were searching for dead friends or relatives ignored them as they went by.

Karl thought there were more dead people than living people in the world now.

They reached the Boulevard St.-Germaine, hurrying towards the Quai d'Orsay. On the far side of the river monstrous sheets of flame sprang from a dozen buildings and smoke boiled into the clear May sky.

"I am so thirsty, mother," murmured Karl. The smoke and the dust filled his mouth. She ignored him.

Here again the barricades were deserted, save for the dead, the victors and the sightseers. Groups of Versaillese stood about, leaning on their rifles, smoking and watching the fires, or chatting to the innocent citizens who were so anxious to establish their hatred of the Communards. Karl saw a group of prisoners, their hands bound with rope, sitting miserably in the road, guarded by the regular soldiers. Whenever a Communard moved, he would receive a harsh blow from a rifle butt or would be threatened by the bayonet. The red flag flew nowhere. In the distance came the sound of cannon fire and rifle fire.

"At last!" Madame Glogauer began to move towards the troops. "We shall go home soon, Karl. If they have not burned our house down."

Karl saw an empty wine bottle in the gutter. Perhaps they could fill it with water from the river. He picked it up even as his mother dragged him forward.

"Mother—we could..."

She stopped. "What have you got there? Put the filthy thing down!"

"We could fill it with water."

"We'll drink soon enough. And eat."

She grabbed the bottle from his hand. "If we are to remain respectable, Karl..."

She turned her head at a shout. A group of citizens were pointing at her. Soldiers began to run towards them. Karl heard the word "petroleuse" repeated several times. Ma-dame Glogauer shook her head and threw the bottle down. "It is empty," she said quietly. They could not hear her. The soldiers stopped and raised their rifles She stretched her hands towards them. "It was an empty bottle!" she cried.

Karl tugged at her. "Mother!" He tried to take her hand, but it was still stretched towards the soldiers. "They cannot understand you, mother."

She began to back away and then she ran. He tried to follow, but fell down. She disappeared into a little alley. The soldiers ran past Karl and followed her into the alley. The citizens ran after the soldiers. They were shrieking with hysteria and bloodlust. Karl got up and ran behind them. There were some shots and some screams. By the time Karl had entered the little street the soldiers were coming back again, the citizens still standing looking at something on the ground. Karl pushed his way through them. They cuffed him and snarled at him and then they, too, turned away.

"The pigs use women and children to fight their battles," said one man. He glared at Karl. "The sooner Paris is cleansed of such scum the better."

His mother lay sprawled on her face in the filth of the street. There was a dark, wet patch on her back. Karl went up to her and, as he had suspected, found that the patch was blood. She was still bleeding. He had never seen his mother's blood before. He tried hard to turn her over, but he was too weak. "Mother?" Suddenly her whole body heaved and she drew in a great dry breath. Then she moaned.

The smoke drifted across the sky and evening came and the city burned. Red flames stained the night on every side. Shots boomed. But there were no more voices. Even the people who passed and whom Karl begged to help his wounded mother did not speak. One or two laughed harshly. With his help, his mother managed to turn herself over and sat with her back propped against the wall. She breathed with great difficulty and did not seem to know him, staring as fixedly and as determinedly into the middle distance as she had always done. Her hair was loose and it clung to her tight, anxious face. Karl wanted to find her some water, but he did not want to leave her.

At last he got up and blocked the path of a man who came walking towards Boulevard St-Germaine. "Please help my mother, sir," he said.

"Help her? Yes, of course. Then they will shoot me, too. That will be good, eh?" The man threw back his head and laughed heartily as he continued on his way.

"She did nothing wrong!" Karl shouted.

The man stopped just before he turned the corner. "It depends how you look at it, doesn't it, young man?" He gestured into the boulevard. "Here's what you need! Hey, there! Stop! I've got another passenger for you." Karl heard the sound of something squeaking. The squeaking stopped and the man exchanged a few words with someone else. Then he disappeared. Instinctively Karl backed away with some idea of defending his mother. A filthy old man appeared next. "I've just about got room," he complained. He brushed Karl aside, heaved Madame Glogauer onto his shoulder and turned, staggering back down the street. Karl followed. Was the man going to help his mother? Take her to the hospital?


A cart stood in the street. There were no cart-horses, for they had all been eaten during the Siege as Karl knew. Instead, between the shafts stood several ragged men and women. They began to move forward when they saw the old man appear again, dragging the squeaking cart behind them. Karl saw that there were people of all ages and sexes lying on top of one another in the cart. Most of them were dead, many with gaping wounds and parts of their faces or bodies missing. "Give us a hand here," said the old man and one of the younger men left his place at the front and helped heave Madame Glogauer onto the top of the pile. She groaned.

"Where are you taking her?" asked Karl.

They continued to ignore him. The cart squeaked on through the night. Karl followed it. From time to time he heard his mother moan.

He became very tired and could hardly see, for his eyes kept closing, but he followed the cart by its sound, hearing the sharp clack of clogs and the slap of bare feet on the road, the squeal of the wheels, the occasional cries and moans of the living passengers. By midnight they had reached one of the outlying districts of the city and entered a square. There were Versaillese soldiers here, standing about on the remains of a green. In the middle of the green was a dark area. The old man said something to the soldiers and then he and his companions began unloading the cart. Karl tried to see which one of the people was his mother. The ragged men and women carried their burdens to the dark area and dropped them into it. Karl could now see that it was a freshly dug pit. There were already a large number of bodies in it. He peered in, certain that he had heard his mother's voice among the moans of the wounded as, indiscriminately, they were buried with the dead. All around the square shutters were closing and lights were being extinguished. A soldier came up and dragged Karl away from the graveside. "Get back," he said, "or you'll go in with them."

Soon the cart went away. The soldiers sat down by the graveside and lit their pipes, complaining about the smell, which had become almost overpowering, and passing a bottle of wine back and forth. "I'll be glad when this is over," said one.

Karl squatted against the wall of the house, trying to distinguish his mother's voice amongst those which groaned or cried out from the pit. He was sure he could hear her pleading to be let out.

By dawn, her voice had stopped and the cart came back with a fresh load. These were dumped into the pit and the soldiers got up reluctantly at the command of their officer, putting down their rifles and picking up shovels. They began to throw earth onto the bodies.

When the grave was covered, Karl got up and began to walk away.

The guards put down their shovels. They seemed more cheerful now and they opened another bottle of wine. One of them saw Karl. "Hello, young man. You're up early." He ruffled the boy's hair. "Hoping for some more excitement, eh?" He took a pull on the bottle and then offered it to Karl. "Like a drink? " He laughed. Karl smiled at him.


Karl gasps and he writhes on the bed.

— What are you doing? he says.

— Don't you like it? You don't have to like it. Not everyone does.

— Oh, God, says Karl.

The black man gets up. His body gleams in the faint light from the window. He moves gracefully back, out of range of Karl's vision.—Perhaps you had better sleep. There is lots of time.

-No...

— You want to go on? A pause.

-Yes...



What Would You Do? (2)

You have been brought to a room by the Secret Police.

They say that you can save the lives of your whole family if you will only assist them in one way.

You agree to help.

There is a table covered by a cloth. They remove the cloth and reveal a profusion of objects. There is a children's comforter, a Smith and Wesson.45, an umbrella, a big volume of Don Quixote, illustrated by Dore, two blankets, a jar of honey, four bottles of drugs, a bicycle pump, some blank envelopes, a carton of Sullivans cigarettes, an enameled pin with the word 1900 on it (blue on gold), a wrist-watch, a Japanese fan.

They tell you that all you have to do is choose the correct object and you and your family will be released.

You have never seen any of the objects before. You tell them this. They nod. That is all right. They know. Now choose.

You stare at the objects, trying to divine their significance.






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