Bullet Park

I

Paint me a small railroad station then, ten minutes before dark. Beyond the platform are the waters of the Wekonsett River, reflecting a somber afterglow. The architecture of the station is oddly informal, gloomy but unserious, and mostly resembles a pergola, cottage or summer house although this is a climate of harsh winters. The lamps along the platform burn with a nearly palpable plaintiveness. The setting seems in some way to be at the heart of the matter. We travel by plane, oftener than not, and yet the spirit of our country seems to have remained a country of railroads. You wake in a pullman bedroom at three a.m. in a city the name of which you do not know and may never discover. A man stands on the platform with a child on his shoulders. They are waving goodbye to some traveler, but what is the child doing up so late and why is the man crying? On a siding beyond the platform there is a lighted dining car where a waiter sits alone at a table, adding up his accounts. Beyond this is a water tower and beyond this a well-lighted and empty street. Then you think happily that this is your country-unique, mysterious and vast. One has no such feelings in airplanes, airports and the trains of other nations.

A train arrives, a passenger departs and is met by a real-estate agent named Hazzard, for who else will know the exact age, usefulness, value and well-being of the houses in the town. "Welcome to Bullet Park. We hope you'll like it well enough to join us here." Mr. Hazzard does not happen to live in Bullet Park. His name, like that of every other licensed real-estate dealer, is nailed to the trees in vacant lots, but he transacts his business in a small office in the next village. The stranger has left his wife in the Hotel Plaza, watching television. The search for shelter seems to him to go on at a nearly primordial level. Prices are high these days and nothing is exactly what one wants. The scuffed paint and discarded portables of earlier owners seem as alive and demanding as the clothing and papers one sorts out after a death in the family. The house or the flat that he looks for, he knows, will have had to have appeared at least twice in his dreams. When it is all over, when the gardens are planted and the furniture is settled, the rigors of the journey will have been concealed; but on this evening the blood-memory of travel and migrations courses through his veins. The people of Bullet Park intend not so much to have arrived there as to have been planted and grown there, but this of course was untrue. Disorder, moving vans, bank loans at high interest, tears and desperation had characterized most of their arrivals and departures.

"This is our commercial center," says Hazzard. "We have all sorts of plans for its improvement. There's Powder Hill," says Hazzard, nodding towards a lighted hill on their right. "There's a property there I'd like to show you. The asking price is fifty-seven thousand. Five bedrooms, three baths…" The lights of Powder Hill twinkled, its chimneys smoked and a pink plush toilet-seat cover flew from a clothesline. Seen at an improbable distance by some zealous and vengeful adolescent, ranging over the golf links, the piece of plush would seem to be the imprimatur, the guerdon, the accolade and banner of Powder Hill behind which marched, in tight English shoes, the legions of wife-swapping, Jew-baiting, booze-fighting spiritual bankrupts. Oh damn them all, thought the adolescent. Damn the bright lights by which no one reads, damn the continuous music which no one hears, damn the grand pianos that no one can play, damn the white houses mortgaged up to their rain gutters, damn them for plundering the ocean for fish to feed the mink whose skins they wear and damn their shelves on which there rests a single book-a copy of the telephone directory, bound in pink brocade. Damn their hypocrisy, damn their cant, damn their credit cards, damn their discounting the wilderness of the human spirit, damn their immaculateness, damn their lechery and damn them above all for having leached from life that strength, malodorousness, color and zeal that give it meaning. Howl, howl, howl.

But the adolescent, as adolescents always are, would be mistaken. Take the Wickwires, for instance, whose white house (estimated resale price: $65,000) Hazzard and the traveler were passing. If the social customs of Powder Hill were to be attacked by the adolescent the Wickwires would make a splendid target. They were charming, they were brilliant, they were incandescent, and their engagement calendar was booked solid from Labor Day to the Fourth of July. They were quite literally social workers-celebrants-using their charm and their brilliance to make things go at a social level. They were people who understood that cocktails and dinner in their time and place were as important to the welfare of the community as the village caucus, the school board and the municipal services. For a community that had so few altars-four to be exact-and none of them sacrificial, they seemed, as serious and dedicated celebrants, to have improvised a sacrificial altar on which they had literally given up some flesh and blood. They were always falling downstairs, bumping into sharp-edged furniture and driving their cars into ditches. When they arrived at a party they would be impeccably dressed but her right arm would be in a sling. He would support a game leg with a gold-headed cane and wear dark glasses. She had sprained her arm in a fall. He had broken his leg in the winter and the dark glasses concealed a mouse that had the thrilling reds and purples of a late winter moon, cloud-buried and observed by some yearning and bewildered youth. Their brilliance was not diminished by their injuries. In fact they almost always appeared with some limb in a sling, some extremity bandaged, some show of court plaster.

Their brilliance, their ardor as celebrants, is serious. After any common weekend when they have lunched and dined out for three days running the seriousness of their role can best be estimated when the light of Monday morning shines on them as they sleep. When the alarm rings he mistakes it for the telephone. Their children are away at school and he concludes that one of them is sick or in trouble. When he understands that it is the alarm and not the telephone he puts his feet onto the floor. He groans. He swears. He stands. He feels himself to be a hollow man but one who has only recently been eviscerated and who can recall what it felt like to have a skinful of lively lights and vitals. She whimpers in pain and covers her face with a pillow. Feeling himself to be a painful cavity he goes down the hall to the bathroom. Looking at himself in the mirror he gives a loud cry of terror and revulsion. His eyes are red, his face is scored with lines, his light hair seems clumsily dyed. He possesses for a moment the curious power of being able to frighten himself. He soaks his face with water and shaves his beard. This exhausts his energies and he comes back down the hall to the bedroom, says that he will take a later train, returns to bed and pulls the blankets over his face to shut out the morning. She whimpers and cries. She then leaves the bed, her nightgown hooked up over her comely backside. She goes to the bathroom but she shuts her eyes as she passes the mirror. Back in bed she covers her face with a pillow and they both lie there, groaning loudly. He then joins her on her side of the bed and they engage in a back-breaking labor of love that occupies them for twenty minutes and leaves them both with a grueling headache. He has already missed the 8:11, the 8:22 and the 8:30. "Coffee" he mutters, and gets out of bed once more. He goes downstairs to the kitchen. Stepping into the kitchen he lets out another cry of pain when he sees the empties on the shelf by the sink.

They are ranged there like the gods in some pantheon of remorse. Their intent seems to be to force him to his knees and to wring from him some prayer. "Empties, oh empties, most merciful empties have mercy upon me for the sake of Jack Daniels and Seagram Distillers." Their immutable emptiness gives them a look that is cruel and censorious. Their labels-scotch, gin and bourbon-have the ferocity of Chinese demons, but he definitely has the feeling that if he tried to placate them with a genuflection they would be merciless. He drops them into a wastebasket, but this does not dispose of their force. He puts some water on to boil and feeling for the wall like a blind man makes his way back to the bedroom where he can hear his wife's cries of pain. "Oh I wish I were dead," she cries, "I wish I were dead." "There, there, dear," he says thickly. "There, there." He sets out a clean suit, a shirt, a tie and some shoes and then gets back into bed again and pulls the blankets over his face. It is now close to nine and the garden is filled with light. They hear the schoolbus at the corner, sounding its horn for the Marsden boy. The week has begun its splendid procession of days. The kettle begins to whistle.

He gets out of bed for the third time, returns to the kitchen and makes some coffee. He brings a cup for them both. She gets out of bed, washes her face without examining it and then returns to bed. He puts on some underwear and then returns to bed himself. For the next hour they are up and down, in and out, struggling to rejoin the stream of things, and finally he dresses and racked by vertigo, melancholy, nausea and fitful erections he boards his Gethsemane -the Monday-morning 10:48.

There was nothing hypocritical about the Wick-wires' Monday mornings, and so much for the adolescent

The stranger might observe that the. place seems very quiet; they seem to have come inland from the sounds of wilderness-gulls, trains, cries of pain and love, creaking things, hammerings, gunfire- not even a child practices the piano in this precinct of disinfected acoustics. They pass the Howestons (7 bedrooms, 5 baths, $65,000) and the Welchers (3 bedrooms, 1 1/2 baths, $31,000). The wind draws through the beam of their headlight some yellow elm leaves, a credit card, potato chips, bills, checks and ashes. Are there songs for this place, the stranger might wonder; and there are. Songs sung to children and by children, songs for cooking, songs for undressing, water songs, ecclesiastical doggerel (We throw our crowns at Your feet), madrigals, folk songs, and a little native music. Mr. Elmsford (6 bedrooms, 3 baths, $53,000) dusts off his tarnished psalter which is something he never mastered and sings: "Hotchkiss, Yale, an indifferent marriage, three children and twenty-three years with the Universal Tuffa Corporation. Oh, why am I so disappointed," he sings, "why does everything seem to have passed me by." There is a rush for the door before he starts his second verse but he goes on singing. "Why does everything taste of ashes, why is there no brilliance or promise in my affairs." The waiters empty the ashtrays, the bartender locks an iron screen over the bottles and they finally turn off the lights, but he goes on singing, "I tried, I tried, I did the best I knew how to do so why should I feel so sad and blue?" "This place is shut, mister," they tell him, "and you're the guy who shut it." Then there are the affirmative singers: " Bullet Park is growing, growing, Bullet Park is here to stay, Bullet Park shows great improvement, every day in every way…"

Vital statistics? They were of no importance. The divorce rate was way down, the suicide rate was a secret; traffic casualties averaged twenty-two a year because of a winding highway that seemed to have been drawn on the map by a child with a grease pencil. The winters were too inclement for citrus fruit but much too clement for the native white birch.

Hazzard drew his car up in front of a white house with lighted windows. "This is the property I had in mind for you," he said. "I hope she won't be in. She's not much of a saleswoman. She said she was going out." He rang the bell but Mrs. Heathcup opened the door. It appeared that she was preparing to go out but had not quite made it. She was a stocky woman with skewered silver-gilt hair, wearing a bathrobe. On the tip of one of her silk slippers there was a cloth rose; on the other there was none. "Well you're welcome to look," she said in a in hoarse, carrying voice. "I hope you'll like it well enough to buy it. I'm getting a little tired of having people track mud through the place and then decide on something else. It's a lovely house and everything works-you'll have to take my word for that-but I've known people around here to sell houses with dangerous wiring, backed-up septic tanks, obsolete plumbing and leaky roofs. There's nothing like that here. Before my husband passed away he saw that everything was in apple-pie order and the only reason I'm selling is because there's nothing here for me, now that he's gone. Nothing at all. There's nothing in a place like this for any single woman. Speaking of tribes, it's like a regular tribe. Widows, divorcees, single men, the tribal elders give them all the gate. Fifty-seven is my price. That's not my asking price it's my final price. We put twenty thousand into the place and my husband painted it every single year before he passed away. In January he'd paint the kitchen. Saturdays and Sundays and nights, that is. Then he'd paint the hallway and the living room and the dining room and the bedrooms and then next January he'd start all over again in the kitchen. He was painting the dining room the day he passed away. I was upstairs. When I say that he passed away I don't want you to think that he died in his sleep. While he was painting I heard him talking to himself. 'I can't stand it any longer,' he said. I still don't know what he meant. Then he went out into the garden and shot himself. That was when I found out what land of neighbors I had. You can look all over the world but you won't find neighbors as kind and thoughtful as the people in Bullet Park. As soon as they heard about my husband passing away they came over here to comfort me. There must have been ten or twelve of them and we all had something to drink and they were so comforting that I almost forgot what had happened. I mean it didn't seem as though anything had happened. Well here's the living room. Eighteen by thirty-two. We've had fifty guests here for cocktails but it never seems crowded. I'll sell you the rug for half of what I gave for it. All wool. If your wife wants the curtains I'm sure we can work something out. Do you have a daughter? This hallway would be a beautiful place for a wedding. I mean when the bride throws down her bouquet. Now the dining room…"

The dinner table was set for twelve with soup plates, wine glasses, candlesticks and wax flowers. "I always keep my table set," said Mrs. Heathcup. "I haven't entertained for months but Mr. Heathcup hated to see an empty table and so I always keep it set, sort of in memory. An empty table depressed him. I change the setting once or twice a week. There are four churches in the village. I suppose you know about the Gorey Brook Country Club. It has a good eighteen-hole course designed by Pete Ellison, four en tout cas courts and a pool. I hope you're not Jewish. They're very strict about that. I don't have a pool myself and frankly it's something of a limitation. When people start talking about pool chemicals and so forth you'll find yourself left out of the conversation. I've had an estimate made and you can have one put in the back garden for

eight thousand. Maintenance comes to around twenty-five a week and they charge a hundred to open and close it. The neighbors, as I've said, are wonderful people, although they take some knowing. You might think Harry Plutarch, who lives across the street, a little odd unless you knew the whole story. His wife ran off with Howie Jones. What she did was to have a moving van come to the house one morning and take everything out of the place except a chair, a single bed and a parrot cage. When he came home from work he found an empty house and he's been living with a chair, a bed and a parrot ever since. Here's a copy of the evening paper. It might give you some idea of what the place is like…"

As Mrs. Heathcup flushed toilets, opened and shut doors, the stranger, whose name was Hammer, felt a lack of interest in her house increase until it seemed like a kind of melancholy, but the tragic and brightly lighted place was commodious and efficient and one lived in such places. There was the ghost of poor Heathcup, but every house has a ghost. "I think it's what we want," he said. I'll bring Mrs. Hammer out tomorrow and let her decide."

Hazzard drove him back to the railroad station then and left him there. Suburban waiting rooms are not maintained and the place had been sacked. Broken windows let in the night wind. The clock face was smashed. The hands of the clock were gone. The architect, so many years ago, had designed the building with some sense of the erotic and romantic essence of travel, but all his inventions had been stripped or defaced and Hammer found himself in a warlike ruin. He opened the paper and read: "The Lithgow Club had its annual dinner on Thursday evening at Harvey 's restaurant. The program began with a parade of sweethearts-wives of the members-which was followed by a demonstration of the hula given by Mrs. Leonard A. Atkinson who was accompanied by her husband on the ukulele…

"Seventeen debutantes were presented to society at the Gorey Brook Country Club…

"Mr. Lewis Harwich was burned to death last night when a can of charcoal igniter exploded and set fire to his clothing during a barbecue party in the garden of his home at 23 Redburn Circle…

"School taxes expected to increase."

He caught the 7:14.

II

Holy Communion. Sexagesima. Nailles heard. a cricket in the chancel and the noise of a tin drum from the rain gutters while he said his prayers. His sense of the church calendar was much more closely associated with the weather than with the revelations and strictures in Holy Gospel. St. Paul meant blizzards. St. Mathias meant a thaw. For the marriage at Cana and the cleansing of the leper the oil furnace would still be running although the vents in the stained-glass windows were sometimes open to the raw spring air. Abstain from fornication. Possess your vessel in honor. Jesus departs from the coast of Tyre and Sidon as the skiing ends. For the crucifixion a bobsled stands stranded in a flowerbed, its painter coiled among the early violets. The trout streams open for the resurrection. The crimson cloths at Pentecost and the miracle of the tongues meant swimming. St. James and Revelations fell on the first warm days of summer when you could smell the climbing roses by the window and when an occasional stray bee would buzz into the house of God and buzz out again. Trinity carried one into summer, the dog days and the drought, and the parable of the Samaritan was spoken as the season changed and the gentle sounds of the night garden turned as harsh as hardware. The flesh lusteth against the spirit to the smoke of leaf fires as did the raising of the dead. Then one was back again with St. Andrew and the snows of Advent.

This division of Nailles's attention during worship had begun when, as a young boy, he had spent most of his time in church examining the forms captured in the grained-oak pews. In certain lights and frames of mind they seemed quite coherent. There was a charge of Mongol horsemen in the third pew on the right, next to the font. In the pew ahead of that there appeared to be a broad lake-some body of water-with a lighthouse on a peninsula. In the pew across the aisle there was a clash of arms and in the pew ahead of that there seemed to be a herd of cattle. This lack of concentration did not distress Nailles. He did not expect to part with his flesh or his memory in the narthex. His concerns in church remained at least partially matter-of-fact, and on this winter morning he noticed that Mrs. Trencham was carrying on her particular brand of competitive churchmanship. Mrs. Trencham was a recent convert-she had been a Unitarian-and she was more than proud of her grasp of the responses and courtesies in the service; she was bellicose. At the first sound of the priest's voice in the vestarium she was on her feet and she fired out her amens and her mercies in a stern and resonant voice, timed well ahead of the rest of the congregation as if she were involved in a sort of ecclesiastical footrace. Her genuflections were profound and graceful, her credo and confession were letter-perfect, her Lamb of God was soulful, and if she was given any competition, as she sometimes was, she would throw in a few signs of the cross as a proof of the superiority of her devotions. Mrs. Trencham was a winner.

There were chrysanthemums on the altar. The cloth was purple. Only the two candles that represent the flesh and the spirit burned. Charlie Stuart came in and took a forward pew. Something about his appearance perplexed Nailles. His clothing hung on him loosely. He must have lost weight; but how much? Forty pounds. Fifty pounds. The voluminousness of his jacket gave him a shocking, wasted and decrepit look. Cancer, Nailles wondered. But their wives were good friends and if it had been cancer he would have heard. Truths and rumors of cancer moved through the neighborhood as freely as the wind. The sight of his stricken friend forced onto him some heavy thoughts about the mysteriousness of infirmity and death. Thoughts of death brought him around to the fact that Charlie's father had died in an airplane crash in South America six months ago and this brought him around to the cheerful conclusion that Charlie was wearing his father's suits. How simple it all was! He beamed at this triumph of practicality over death. Then the strangers came in.

The handful of men and women who attended Holy Communion were all well known to Nailles. New communicants were seldom seen, and his curiosity was legitimate. They were perhaps in their forties-the man's hair was brown-superior products of heterosexual monogamy. She genuflected deeply, curtsied in fact. He gave the cross a stiff nod. At the mention of the Virgin Mary in the Credo she genuflected again while he remained standing. She had been a very pretty woman and would probably never lose the authority this good fortune had given her when she was younger. His face was scrubbed, decent and bright. But for its brightness it might have seemed commonplace. They spoke the responses in a clear voice.

She was, Nailles thought, in her grace and loveliness one of those women who seem to bask in the extraordinary and visionary state of holy matrimony… Regret, he thought, had not left a line on her face. She would excel in all her roles-ardent, clever, sage and loving. Matrimony seemed invented for her kind; indeed her kind might have had a hand in its invention. Someone less sympathetic than Nailles would have singled him out as one of those men who, at the summit of their perfection, would be discovered to have embezzled two million dollars from the accounts entrusted to him in order to finance the practice and blackmail of his savage and unnatural sexual appetites. The same critic would imagine her to be bored, vindictive, a secret sherry drinker who dreamed nightly of being debauched in a male harem. But to Nailles, on this rainy morning, they seemed invincible. Their honor, passion and intelligence were genuine. Their lives would not be undangerous but they would bring to their disappointments and their successes an immutable brand of common sense.

When the peace that passes understanding was dispersed among them, the priest left the altar and muttered a prayer from the vestarium. The sounds of muttered prayer seemed to Nailles to have an organic antiquity; to fall on his ear like the grating sound of a wave. The acolyte extinguished the lights of the flesh and the spirit, Nailles finished up his devotions and went down the aisle behind the strangers.

"We're the Hammers," the stranger said to the priest.

Nailles did not think this funny, anticipating the fact that almost everyone else in the neighborhood would. How many hundreds or perhaps thousands of cocktail parries would they have to live through, side by side: Hammer and Nailles. Nailles claimed not to be a superstitious man but he did believe in the mysterious power of nomenclature. He believed, for example, that people named John and Mary never divorced. For better for worse, in madness and in saneness they seemed bound together for eternity by the simplicity of their names. They might loathe and despise one another, quarrel, weep and commit mayhem, but they were not free to divorce. Tom, Dick and Harry could go to Reno on a whim, but nothing short of death could separate John and Mary. How much worse was Hammer and Nailles.

"Welcome to Christ's Church," the priest was exclaiming. "Welcome to Bullet Park. Father Frisbee did write to me about you." Father Frisbee had probably not gone into their finances, but Father Ransome, at a glance; guessed them to be good for at least five hundred a year; although he had experienced many disappointments. The Follansbees, for instance, who kept saddle horses and went to Europe every summer, dropped a dollar into the plate whenever they came to church and let it go at that. On top of this they very likely claimed a tax exemption of a thousand. Live and learn. "Mr. and Mrs. Hammer," he said, "may I present your neighbor Mr. Nailles." He laughed.

The look they exchanged was deeply curious and in some ways hostile. The stranger evidently anticipated the unwanted union that the sameness of their names would enforce in such a place. Nailles, who detested genealogy, crests, idle investigations into the elegance of time gone, spoke from a conflict of feeling when he said: "Our name used to be de Noailles."

"I've never looked into the history of our name," said the stranger. He could have beeri unfriendly. He took his wife's arm and left the church.

"Tell me," the priest asked Nailles, "what's happened about Tony and the confirmation class."

"He's playing varsity basketball," said Nailles quite loudly. The Hammers were still within hearing. "He's the only member of his form on the varsity squad and I hate to ask him to give it up."

"Oh well," said Father Ransome, "the bishop will come again in the spring but I suppose he'll be playing baseball then."

"I'm afraid you're right," said Nailles, yielding his place to Mrs. Trencham, who hinted at a curtsy and would probably have kissed the priest's ring had he worn one, but his fingers were bare.

Driving away from church Nailles turned on his windshield wiper although the rain had let up. The reason for this was that (at the time of which I'm writing) society had become so automative and nomadic that nomadic signals or means of communication had been established by the use of headlights, parking lights, signal lights and windshield wipers. The evening paper described the issues involved and the suitable signals. Hang the child murderer. (Headlights.) Reduce the state income tax. (Parking lights.) Abolish the secret police. (Emergency signal.) The diocesan bishop had suggested that churchgoers turn on their windshield wipers to communicate their faith in the resurrection of the dead and the life of the world to come. He drove on through a neighborhood where all the houses stood on acre or half-acre lots. All the houses were white. His own place was at the western edge of the town. He had three acres. At the edge of his property was a sign that said: "No dumping. $50 fine. Violators will be prosecuted," Below the sign were a gutted automobile, three defunct television sets and a soiled mattress. The night population of Bullet Park was sparse but its most inscrutable and mysterious members were the scavengers' opposite- the dumpers. Four or five times a year Nailles would find on his property a collection of broken refrigerators, television sets, maimed and unidentifiable automobiles and always a few mattresses, rent, stained, human and obscene. The mattresses were ubiquitous. The town clerk had explained to him that the cost and inconvenience of legitimate dumping outweighed the scrap value of the rubbish. It was cheaper and easier to drive up to Bullet Park from the city and dump your waste than to have some professional haul it away. No violator had ever been caught and prosecuted. The problem for Nailles was merely emotional-Nellie would call the clerk and a truck would haul the stuff away in the morning-but his anger at seeing his land disfigured and his sadness and unease at the human allusions of this intimate and domestic rubbish disturbed him.

Nailles's house (white) was one of those rectilinear Dutch Colonials with a pair of columns at the door and an interior layout so seldom varied that one could, standing in the hallway with its curved staircase, correctly guess the disposition of every stick of furniture and almost every utility from the double bed in the northeast master's room through the bar in the pantry to the washing machine in the laundry basement. Nailles was met in the hall by an old red setter named Tessie whom he had trained and hunted with for twelve years. Tessie was getting deaf and now, whenever the screen door slammed, she would mistake this for the report of a gun and trot out onto the lawn, ready to retrieve a bird or a rabbit. Tessie's muzzle, her pubic hair and her footpads had turned white and it was difficult for her to climb stairs. In the evening, when he went to bed, Nailles would give her a boost. She sometimes cried out in pain. The cries were piteous and senile and the only such cries (or the first such cries) the house had heard since Nailles had bought the place. Nailles spoke to the old bitch with a familiarity that could seem foolish. He wished her good morning and asked her how she had slept. When he tapped the barometer and looked out at the sky he asked her opinion on the weather. He invited her to have a piece of toast, talked with her about the editorials in the Times and urged her, like some headmaster, to have a good day when he left for the train. When he returned in the evening he gave her some crackers or peanuts while he mixed the cocktails and often lighted a wood fire as much for her pleasure as anything else. He had decided that should a time come when she would have to be killed he would take her out behind the rose garden and shoot her himself. As she had grown old she had developed two common frailties. She was afraid of heights and thunderstorms. When the first peal of thunder sounded she would seek out Nailles and stay at his side until the violence had definitely gone into the next county. Nailles still hunted with her in the autumn.

Nellie was frying bacon in the kitchen and he kissed her and embraced her passionately. Nailles loved Nellie. If he had a manifest destiny it was to love Nellie. Should Nellie die he might immolate himself on her pyre, although the thought that Nellie might die had never occurred to him. He thought her immortal. The intenseness of his monogamy, the absoluteness of his belief in the holiness of matrimony, was thought by a surprising number of people to be morbid, aberrant and devious. In the course of events many other women were made available to Nailles but when some ardent divorcee, widow or wayward housewife attacked him, his male member would take a painful attitude of disinterest. It would seem to summon him home. It was a domesticated organ with a love of home cooking, open fires and the thighs of Nellie. Had he any talent he would have written a poem to the thighs of Nellie. The idea had occurred to him. He sincerely would have liked to commemorate his spiritual and fleshly love. The landscapes that he beheld when he raised her nightgown made his head swim. What beauty; what incredible beauty. Here was the keystone to his love of the visible world.

They ate breakfast in the dining room. Nailles went to the hallway and shouted up the stairs to his son: "Breakfast's ready, Tony."

"But he isn't here, darling," Nellie said. "He's at the Pendletons'. You drove him over on your way to church."

"Oh yes," said Nailles, but he seemed bewildered. He never seemed quite to understand that the boy was free to move in and out of his house, in and out of his orbit and his affections. Knowing that the boy was away, having in fact driven him to an airport and put him on a plane, he would then return home and look for him in the garden. The love Nailles felt for his wife and his only son seemed like some limitless discharge of a clear amber fluid that would surround them, cover them, preserve them and leave them insulated but visible like the contents of an aspic.

Sitting at their breakfast table Nailles and Nellie seemed to have less dimension than a comic strip, but why was this? They had erotic depths, origins, memories, dreams and seizures of melancholy and enthusiasm. Nailles sighed. He was thinking of his mother. She had suffered a stroke four months ago and had never quite regained consciousness. She was a patient in a nursing home in the west end of the village. Nailles visited her every Sunday and remembered uneasily his visit of a week ago.

The nursing home was one of those large places, the favorite of undertakers, that had been made obsolete by the disappearance of a servant class. There was a crystal chandelier and a marble floor in the vestibule but the furniture seemed to have been gathered from some ancient porch and the flowers on the table were made of wax. The director was a Swede and must have been a prosperous Swede since his rates began at one hundred and fifty dollars a week; but he did not spend his money on clothes. His trousers shone and he wore a shapeless brown jacket of cotton. He spoke without an accent but in the pleasant, singing way of Scandinavians. "Dr. Powers was here yesterday," he sang, "but he had nothing to report. Her blood pressure is a hundred and seventy-two. Her heart is damaged but still very strong. She is getting twenty-two cc.'s of PLM six times a day and the usual anticoagulants." The director had received no medical education but he displayed the medical information that had rubbed onto him with the same flair with which a green soldier will display his military nomenclature. "The hairdresser came on Wednesday but I didn't have her hair touched up. You asked me not to."

"My mother never dyed her hair," Nailles said.

"Yes, I know," the director said, "but most of my clients like to see their parents looking well. I call them my dolls," he said, speaking with genuine tenderness. "They look like people and yet they're really not." Nailles wondered darkly if the director had played with dolls. How else could he have hit on this comparison. "We dress them. We undress them. We have their hair arranged. We talk with them but of course they can't answer. I think of them as my dolls."

"Could I see her," Nailles asked.

"Certainly."

The director led him up the marble stairs and opened the door to his mother's room. It was a small bedroom with a single window. It would have been a child's bedroom when the house contained a family. "She spoke last Thursday," the director said. "The nurse was feeding her. She said, 'I'm living in a foxhole.' Of course her speech was blurred. Now I'll leave you alone." He closed the door and Nailles said: "Mother, Mother…"

Her white hair was thin. Her teeth were in a glass on a table by the bed. She breathed lightly and moved her left hand on the covers. Nailles had pled with the doctor to, as he put it, let her die, but the doctor had said that it was his responsibility to save lives. Inert, uncomprehending, the emaciated figure still had for him an immense emotional power. She had been in all things a fair woman-kindly, decent and loving-and that she should be so cruelly smitten and left so close to death challenged Nailles's belief in the fitness of things. She should, he thought, have been rewarded for her excellence by a graceful demise. He took the deathly wages of sin quite literally. The wicked were sick, the good were robust; although her inertness made these the opinions of a simpleton. Her hand moved and he noticed then that she wore her diamond rings. Some nurse, playing doll, must have slipped them onto her fingers. "Mother," he asked, "Mother, is there anything I can do for you? Would you like Tony to come and visit you? Would you like to see Nellie?" He was talking to himself.

Nailles then thought of his father. The old man had been a crack shot, a lucky fisherman, a heavy drinker and the life of his club. Nailles remembered returning from college in his freshman year. He had brought his roommate with him. He admired his roommate and presented him proudly to his father at the railroad station, but the old man raked the stranger with an instantaneous look of scorn and rejection and gave a perceptible shake of his head at the incredible bad taste his son had displayed in the choice of a companion. Nailles had thought they would go home for dinner but his father took them instead to a hotel where there was a band and dancing. When he began to order the dinner Nailles saw that his father was very drunk. He joked with the waitress, made a grab at her backside and spilled his water. When the band began to play "I'm Forever Blowing Bubbles" he left the table, made his way through the dancers, took the baton away from the conductor and led the band. Everyone in the restaurant was amused but Nailles who, had he possessed a pistol, would have shot his father in the back.

The old man shook his white head, weaved, bobbed, called for fortissimo and pianissimo and gave a hilarious impersonation of an orchestral conductor. It was one of his most successful acts at the club. The band laughed, the conductor laughed, the waitresses put down their trays to watch and Nailles sank deeper and deeper into his abyss of misery and unease. He could leave the place and take a taxi home but the already touchy relationship between himself and his father would only worsen. He excused himself and went to the toilet, where he leaned on a washbasin. It was the only way he had to express his grief. When he returned to the table the performance was over and his father was having a third or fourth drink. They finally got some dinner and in the taxi on the way home his father fell into a drunken sleep. Nailles had helped him up the steps to the house, grateful to be able to play out this much of his role as a son. He ardently wanted to love the old man but this was his only filial opportunity. His father went on up to his room and Nailles was greeted by his mother's faint, pained, knowledgeable and winsome smile.

A fresh pillow lay on the only other chair in the room. He could, by taking a step, lift it, press it to her face firmly and end her pain in a few minutes. He took the step, he lifted the pillow off the chair and returned to his seat, but suppose she struggled, suppose, in spite of her pain and her cavernous loss of consciousness she still instinctively and tenaciously loved what remained of her life; suppose she regained consciousness long enough to see that her son was a matricide. These were Nailles's memories at the breakfast table.

Nellie was not the sort of hostess who, greeting you at a dinner party, would get her tongue halfway down your throat before you'd hung up your hat. She was winsome. She wore lace that morning and smelled of carnations. She was a frail woman with reddish hair whose committee work, flower arrangements and moral views would have made the raw material for a night-club act. She was interested in the arts. She had painted the three pictures in the dining room. The canvas came printed with a maze of blue lines like a geodetic survey map. The areas within the lines were numbered-one for yellow, two for green and so forth- and by following the instructions carefully she was able to raise, on the lifeless cloth, the depth and brilliance of an autumn afternoon in Vermont or (over the sideboard) Gainsborough's portrait of the daughters of Major Gillespie. This was vulgar and she guessed as much, but it pleased her. She had recently enrolled-genuinely curious and anxious to be informed-in a class on the modern theater. One of her assignments had been to go to New York and report on a play that was being performed in the Village. She had planned to go with a friend but her friend was taken sick and she made the journey alone.

The play was performed in a loft before a small audience. The air was close. Towards the end of the first act one of the cast took off his shoes, his shirt, his trousers and then, with his back to the, audience, his underpants. Nellie could not believe her eyes. Had she protested by marching out of the theater, as her mother would have done, she would seem to be rejecting the facts of life. She intended to be a modern woman and to come to terms with the world. Then the actor turned slowly around, yawning and stretching himself unselfconsciously. It was all true to life but some violent series of juxtapositions, concepts of propriety and her own natural excitability threw her into an emotional paroxysm that made her sweat. If these were merely the facts of life why should her eyes be riveted on his thick pubic brush from which hung, like a discouraged and unwatered flower, his principal member. The lights faded. The cast remained, dressed for the rest of the play but Nellie was unnerved. When she left the theater it was rainy and humid. She crossed Washington Square to catch a bus. Some students from the university were circling the pool carrying picket signs on which were written Fuck, Prick and Cunt. Had she gone mad? She watched the procession until it wound out of sight. Shit was the last placard she saw. She was weak. Boarding the bus she looked around for the reassuring faces of her own kind, looked around desperately for honest mothers, wives, women who took pride in their houses, their gardens, their flower arrangements, their cooking. Two young men in the seat in front of her were laughing. One of them threw his arms around the other and kissed him on the ear. Should she thrash them with her umbrella? At the next stop what she was looking for-an honest woman-took the seat beside her. She smiled at the stranger, who returned the smile and said, wearily: "I've been looking everywhere for English cretonne, good English cretonne, and there doesn't seem to be a yard of it available in the city of New York. I have good English things and an English-type house and nubbly, stretchy reps look completely out of place in my decorating scheme, but nubbly, stretchy reps are all you can get. I suppose there must be some cretonne somewhere but I haven't been able to find it. My old cretonne is perfectly beautiful but it's showing signs of wear. Iris, peonies and cornflowers on a blue background. I have a sample here. She opened her bag and took out a scrap of printed linen.

It was what Nellie had wanted, but while the stranger went on talking about stuffs the words printed on the picket signs-Fuck and Prick-seemed to burn in her consciousness with a lingering incandescence and she could not forget the actor's pubic brush and his unwatered flower. She seemed unable to return to where she had been. The stranger had begun to describe her things and Nellie's reaction shifted from boredom to irritability. How contemptible was a life weighted down with rugs and chairs, a consciousness stuffed with portables, virtue incarnate in cretonne and evil represented by rep. It seemed more contemptible than the amorous young men in front of her and the asininity of the students. She seemed to have glimpsed an erotic revolution that had' left her bewildered and miserable but that had also left her enthusiasm for flower arrangements crippled. She walked east to the station in the rain, passed several newsstands that seemed to specialize in photographs of naked men. Boarding the train was a step in the right direction. She was going home and she would, in the space of an hour, be able to close her door on that disconcerting and rainy afternoon. She would be herself again, Nellie Nailles, Mrs. Eliot Nailles, honest, conscientious, intelligent, chaste, etc. But if her composure depended upon shutting doors, wasn't her composure contemptible? Contemptible or not, she felt, as the train moved, the symptoms of restoration. When she left the train at her stop and walked through the parking lot to her car she had arrived back at herself. She drove up the bill; opened the door. The cook was stewing mushrooms in butter and the living room smelled of this. "Did you have a nice day," the cook asked.

"Yes, thank you. Very nice. It was disappointing to have it rain but we do need rain for the reservoirs, don't we?" She found the utter artificiality of her sentiments galling, but how close could she, come to the truth? Could she say shit to the cook and describe what she had seen on the stage? She climbed the stairs to her pleasant room and took a pleasant bath, but falsehood, confinement, exclusion and a kind of blindness seemed to be her only means of comprehension. She did not tell Nailles about the experience.

After breakfast Nailles climbed the stairs to his son's room. Nailles had sat up the night before with his son when he and Nellie had come in from a party and found the young man reading.

"Did you have a good time?" Tony had asked.

"Pretty good."

"You going to have a nightcap," Tony asked.

"Sure. Why not. Do you want a beer?"

"Yes. I'll get them."

"I'll get them," Nailles said, not sternly but finally. He did not like to see a man his son's age tending bar. Some of his friends and neighbors allowed their children to pass drinks and mix drinks. Nailles thought this inefficient and unsuitable. The children usually got the proportions wrong and lost, he thought, through this performance, some desirable innocence. He got the beer and the whiskey and returned to his chair. He seemed intensely absorbed in his thoughts and frowned at the air above the rug. There was between the two men, preparing to speak but still silent, that sense of sanctuary that is the essence of

love.

Nailles described the party to Tony, who knew most of the guests. The boy wondered if his mother would have fallen asleep and if he would be spared the carnal demands, encouragements, exclamations and cheers that he heard so often from his parents' bedroom. He hoped his mother had fallen asleep. There was some preference in the air, some enjoyable and yet self-conscious sense that they were playing out the roles written for them as a Father and a Son. Love was definitely what Nailles felt, and where a more demonstrative man in another country would have embraced his son and declared his love, Nailles would not. Nailles lighted a cigarette and coughed. The cough was racking, phlegmatic, it shook him pitilessly and brought the blood to his face. It declared, much more than anything else, the difference in their ages. Tony wondered why he didn't stop smoking. If he stopped smoking he might stop coughing. In the discord of his father's cough, in its power to briefly enfeeble him, the boy was reminded unsentimentally of the facts of sickness, age and death. But his father, he thought proudly, looked and acted much younger than his age; much younger than Don Waltham's father or Henry Pastor's father and Herbert Matson's father. His father played no game admirably but he could still knock his way through a brief ice-hockey scrimmage, score occasionally at touch football and ski intermediate trails. He was forty-two. This time of life seemed to Tony bewildering, antique and hoary. The thought of having lived for so long excited him as an archaeologist is excited by a Sumerian or a Scythian relic. But his hair was thick and there was no gray in it, his face was lined but it was not puffy, he held himself well and he had a flat stomach. His father was unusual, Tony thought, and went on to think, complacently, that he would inherit this unusualness; he would be the unusual son of an unusual father spared the usualness of gray hair, baldness, obesity and fussiness.

Nailles put a record on the player. It would, Tony knew, be Guys and Dolls. Nailles almost never went to the theater and he was uninterested in music, but for some reason that no one remembered clearly now, it was all so long ago, he had been given a pair of tickets for the opening night of Guys and Dolls. Some friend had been taken sick or called out of town. Nailles wanted to pass the tickets on to someone else, he so disliked musicals and had never heard of Loesser or Runyon, but Nellie had a new dress she wanted to wear and for this reason they went to the theater. He listened suspiciously to the overture but his rapture seems to have begun with the opening fugue and to have mounted, number by number. On the final chorus he got to his feet and began to smash his hands together, roaring, "Encore, encore." When the house lights went on he continued to clap and shout and he was one of the last people to leave the theater.

He thought that he had seen that night the writing of theatrical history and he had evolved some sentimental theory about the tragedy of the sublime. He got Frank Loesser all mixed up with Orpheus and when he read in the paper that Loesser had divorced he thought-sadly-that this had something to do with the perfection of Guys and Dolls. He had no interest in going to any of Loesser's other shows since he was convinced that they would be tragically inferior. No man-no artist-could repeat such a triumph. He seemed to feel that Loesser, like the architect of St. Basil's, should have plucked out his eyes. That opening night seemed to him to have had the perfection of a midsummer day whose sublimity hinted at the inevitability of winter and death.

He began to sing along with the recording. He had bought the recording immediately after the opening and had not replaced it, so that its tonal values were faded. He didn't care. He dispensed with the words and substituted a series of inchoate noises (dadadadad) but on "Luck Be a Lady Tonight" he got to his feet, smashed his fist into his palm and sang the verses he remembered. On the last chorus he made a groping gesture to illustrate a man reaching for stars and when the last note had been played he sighed and said: "That's a great show, really great. It's too bad you never saw it. Well, good night."

Now on this Sunday morning he seemed to be looking for the boy. Tony's room was cold. The boy kept the heat turned off and slept with both windows open. The cold made the room seem to have been emptied for more than the morning. He might have been gone for a year, Nailles felt, but why? He looked around with love at the intimate and common clutter: rucked and cleated football shoes, a football sweater, a pile of books including Stephen Crane, Somerset Maugham, Samuel Butler and Hemingway. Sometime earlier, looking for a dictionary, he had taken one from his son's bookcase and as he opened the dictionary fifty or more printed photographs of naked women slipped and cataracted to the floor. He had been provoked, it had been his principal reaction. He examined the photographs, bringing his very limited knowledge of women to this gallery of lewd strangers. The paper was cheap and he guessed that the pictures had been cut from those nudist magazines that one finds in some shoeshine parlors and barber shops. He was not in the least dismayed that his beloved son had chosen to collect these pictures instead of stamps, Indian arrowheads, geological specimens or numismatic rarities. He dropped the pictures into a wastebasket and looked up the spelling of the word that had concerned him. Sometime later, perhaps a month later, the boy asked: "Have you been using my dictionary?"

"Why yes," Nailles said, "and I threw away all those pictures."

"Oh," the boy said and neither of them said anything more.

On the table by the window was a tape recorder he had given the boy as a birthday present. He would no more have switched it on than he would have opened the boy's mail. His sense of these aspects of privacy was scrupulous and immutable; but had he turned on the recorder he would have heard his son's voice, lowered half an octave by reproduction, saying: "You dirty old baboon, you dirty old baboon. For as long as I can remember it seems to me that whenever I'm trying to go to sleep I can hear you saying dirty things. You say the dirtiest things in the whole world, you dirty, filthy, horny old baboon." However he didn't turn on the recorder.

He changed out of the business suit he wore to church into work clothes. He had once suggested to the vestry that early communicants be encouraged to attend church in the sports and work clothing most of them wore on Sunday, but Father Ran-some had countered by asking if he would be expected to serve the sacraments in tennis shorts. He went to the cellar, where he fueled the chain saw with gasoline and oil. South of the house was a small valley in which a grove of twelve elms had been lingeringly destroyed by the elm beetle. Nailles spent his weekends felling the dead trees and cutting and splitting the wood into fireplace lengths. The trees had preserved no trace of their lachrymose beauty. They had dropped their upper branches and shed their bark and the wood shone like bone in the winter light, half truncated and ungainly, the landscape for some nightmare or battlefield. He chose a tree and planned his cut. He was proud, in fact complacent, about his expert-ness with a chain saw and enjoyed maneuvering the howling, screaming engine and its murderous teeth. The valley was protected and was, that morning, so unseasonably warm that the dead wood had released some fragrance-a smell of spice that reminded him of the cold churches in Rome. Spring. He heard the belling of a wood dove or an owl. The air was soft but seemed much less than idyllic-a troubled softness-the unease of all change. Sexagesima. The Epistle? What was it? Then he remembered. "Of the Jews five times received I forty stripes save one. Thrice was I beaten with rods, once was I stoned, thrice I suffered shipwreck, a night and a day I have been in the deep; in journeyings often, in perils of waters, in perils of robbers, in perils by mine own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren; in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness." Nellie then heard the howling of the saw.

III

One morning Tony refused to get out of bed.

"I'm not sick," he said when his mother took his temperature. "I just feel terribly sad. I just don't feel like getting up."

His parents decided to let him take the day off.

Five days later he was still in bed.

Nellie was to think of the three doctors who came to treat him as suitors in some myth or legend where a choice of three caskets-Gold, Silver and Lead-was offered to the travelers. In one of the caskets there would be the key to some great fortune-jewels and a bride. It was the element of guesswork that reminded her of the legendary princes. One by one they stood over her son trying to divine or guess the force that had stricken him. Gold? Silver? Lead? The first to come was the general practitioner.

Dr. Mullin came unwillingly since at this time doctors never visited their patients at home. When critical illness struck, the victim was taken to the hospital in an ambulance where residents and interns performed the final rites. Dr. Mullin urged Nellie to bring Tony to the office. It was difficult for Nellie to explain that Tony refused to get out of bed. When this was finally made clear Mullin agreed to come to the house at noon.

He arrived in an unwashed Volkswagen with a dented fender. He was a young man-younger than Nellie-with an optimism, a brightness, that seemed untouched and uninformed by what he must have learned about the inalienable power of sickness, disease and death. This had actually harmed his practice, since patients, faced with the grave, did not like a healer so inexperienced in grief. He was not a blustering man and he was not a fool but the forcefulness of his optimism was a kind of disturbance like those sudden winds that fling open doors and scatter papers. Nellie showed him up to Tony's room and waited downstairs. She could hear Mullin's resonant and cheerful voice and Tony's quiet replies.

"There's absolutely nothing wrong with him," the doctor said when he came down. "I've taken a specimen and some blood and I'll have the laboratory check these. If he gets up tomorrow I'll give him a cardiogram but I'm pretty sure there's nothing wrong. As a matter of fact I haven't seen as perfect a specimen in a long time. Of course he's a young man but he's certainly enjoying all the benefits of his time of life. This doesn't get him out of bed but it may be a passing depression. If he doesn't get out of bed tomorrow I'll give you some pills that ought to do the trick." He wrote a prescription and smiled at Nellie. Our relationships with healers are swift, intimate and in some ways tender, and for a moment Nellie loved the doctor. He asked her to call him in the morning at around eleven and she did.

"He wouldn't get up again," Nellie said. "He's been in bed six days now. I gave him one of the pills in a glass of orange juice about ten. A little later I heard him get up and take a shower and then he came down into the kitchen. He was dressed but I saw right away that something was wrong. He was staggering a little and laughing and the pupils of his eyes were like pinpoints. I asked if he wanted some breakfast and he said he wanted six fried eggs and six slices of toast and a quart of milk. He said he'd never been so hungry in his life. He was very restless. He wandered around the kitchen laughing and once he bumped into a table like a drunken man. After he'd eaten all his breakfast he said: 'I feel strong. I've never felt so strong in my life. I'd better get out of the house before I tear it down.' That's what he said. Then he went out of the kitchen door and started running up the path towards Courtland. It's an old bridle path that cuts through the woods there for about six miles. He used to run it when he was on the track team. Well, I couldn't keep up with him of course so I drove around to Route 64 where the path comes out. I waited there for about an hour, I guess, and then he came running along the path. He seemed to have sweated out the drug because he didn't seem drunk any more but he seemed to have lost his memory. He couldn't remember eating breakfast and he didn't seem very clear in his mind about how he'd gotten out to Route 64. I drove him home. He went to sleep in the car. Then he took another shower and went back to bed."

"Well I guess we won't try that again," Dr. Mullin said. "I've heard of bad side effects from that drug but I thought we'd take a chance. I don't really know what to tell you Mrs. Nailles unless you want to try psychotherapy. I work with Dr. Bronson who has an office in the village if you want to call him."

The psychiatrist was even more reluctant than the general practitioner to leave his office, but when Nellie made the situation clear he finally agreed to come. Nellie was standing at the window when he drove up at three. His car was a bright-blue sports convertible with a peculiarly long hood, determined, it seemed, to give an impression of bestiality and expensiveness. It confused Nellie that a man whose profession was to cure melancholy and sorrow should have such a worldly car, but when the doctor climbed out of his racer he seemed unworldly. He seemed a little browbeaten and indecisive. He closed the door, wrung his hands and examined the car from end to end with a deeply worried and suspicious frown. Then he climbed the stairs and rang the bell.

He carried no bag, of course-no identification of any sort. He had, she thought, some of the occupational mannerisms of a dentist. His manner was weary and kindly and he wrung his hands. While she described what had happened he circled the living-room floor as if a dentist chair stood in the middle of the rug. He was a little stooped as if he were accustomed to spending his time in the company of prone patients and his voice had a sad and a healing tone. Nellie led him upstairs to Tony's bedroom and closed the door. Fifty minutes later he was back in the living room.

"I'm afraid he's quite sick, Mrs. Nailles, and the worst of it is that he's uncooperative. I think you may have to send him to a hospital."

"What hospital?"

"Well there's a sanatorium called Stonehenge in the next town where I often send patients. He might respond to electric shock."

"Oh, no," Nellie said. She began to cry.

"Electric shock isn't fatal Mrs. Nailles. After the first treatment he won't know what's happening. The treatment does not build up anxiety."

"Oh, no," Nellie said. "Please."

"Well he's deeply troubled, Mrs. Nailles. It would take months of intense therapy, with his cooperation, to begin to understand what's gone wrong. Men of his generation, coming from environments of this sort, very often present us with problems that resist analysis. I suppose you give the boy everything he wants?"

"Within reason," Nellie said. "He doesn't have a car."

"I see that he has a tape recorder, a record player, a closet full of expensive clothes."

"Yes."

"There is a tendency in your income group to substitute possessions for moral and spiritual norms. A strict sense of good and evil, even if it is mistaken, is better than none."

"Eliot goes to church nearly every Sunday," Nellie said.

How poor and transparent the fact seemed now that she had stated it. She knew the lassitude of Eliot's prayers, the indifference of his devotions, and that it was habit, superstition and sentimentality that got him up for Holy Communion. "We don't tell lies," she went on. "I think Tony's never told a lie." The doctor gave her an offensively thin smile. "We don't read one another's mail. We don't cheat. We don't gossip. We pay our bills. Eliot loves me. We drink before dinner. I smoke a good deal…"

Was that all? It seemed like a poor show but what else was expected of her? Prophets with beards, fiery horsemen, thunder and lightning, holy commandments inscribed on tablets in ancient languages? "We are honest and decent people," she said angrily, "and I'm not going to be made to feel guilty about it."

"I don't intend to make you feel guilty, Mrs. Nailles. There is nothing reprehensible about honesty and decency, but the fact is that your son is very sick."

The telephone rang and when Nellie answered it someone asked to speak with the doctor. "I will not sell that property for less than fifty thousand dollars," the doctor said. "If you're looking for a cheaper place I have a nice modern ranch on Chestnut Street. I know the property is assessed at thirty thousand but that assessment was made eight years ago. Fifty thousand dollars is my final price. Excuse me," he said to Nellie.

"Certainly," Nellie said, but the conversation had nettled her. Did this healer sell real estate on the side or was the healing of madness his sideline?

"Will you come again?" Nellie asked.

"Not unless he asks for me," the doctor said. "It would simply be a waste of your money and my time."

When the doctor had gone Nellie climbed the stairs and asked Tony how he felt.

"About the same," he said. "I still feel terribly sad. I feel as if the house were made of cards. When I was a little kid and sick you used to make me card houses and I'd blow them over. This is a nice house and I like it but I feel as if it were made of cards."

The third to come was a specialist on somnambulatory phenomena. He came by train and taxi and looked to Nellie like a mechanic. He carried a suitcase and a larger case filled with instruments. When she asked if Tony might be harmed he assured her that he had nothing but gentle electrodes that recorded body temperatures. She showed him up to the guest room and was about to introduce him to Tony when he said: "I think I'll take a little nap. You see, I'll be up most of the night."

"Is there anything I can get you," Nellie asked.

"Oh no thank you. I'll just lie down." He closed the door.

When he came down at five Nellie offered him a drink.

"Not me," he said, "no thanks. I'm AA. I've been off it for a year and a half now. Oh, you should have seen me. I weighed two hundred and fifty pounds, most of it gin. The first group I joined was in the Village. That wasn't much help. I mean they were all freaks. Then I switched to a group in the East Sixties and believe me, Mrs. Nailles, there's not a clinker in that crowd. All important businessmen. Lawyers. Doctors. We get our kicks out of talking about withdrawal symptoms. What it feels like to hit bottom. It's like talking about a trip to hell. We've all been there and we talk just like travelers talk about places where they've been. It's a great crowd. Then when the meeting's over we say a prayer. I suppose," he said, "that ministers and priests think about God all the time. I suppose they think about God when they wake up and I suppose everything they see during the day reminds them about God and of course they say their prayers before they go to sleep. It was just like that with me except that I didn't think about God; I thought about the hootch. I thought about hootch the first thing in the morning, I thought about hootch all day long and I always went to bed with a skinful. Hootch was just like God to me, I mean it was everywhere the way God is supposed to be. The clouds reminded me of hootch, the rain reminded me of hootch, the stars reminded me of hootch. I used to dream about girls before I got on the hootch but after that I just used to dream about hootch. I mean dreams are supposed to come from some very deep part of your mind like sex but with me it was hootch. I'd dream that I had a glass in one hand and a bottle in the other. Then I'd dream that I poured two or three inches into the glass. Then I'd drink it and dream about that wonderful feeling I used to get as if I were beginning a new life. I used to dream about bourbon and scotch and gin and vodka. I never dreamed about rum. I never liked rum. Just sitting there drinking and watching comics on TV I'd feel as if I was sliding down a greased pole, just sliding and sliding so nice and easy. Then in the morning I'd wake up with the shakes and the blues and start thinking about hootch again."

The specialist tried to explain his profession at dinner but his vocabulary was so highly technical that neither Nellie nor Eliot was very clear about what to expect. At eight o'clock he carried his case of instruments upstairs and said: "Time to get to work." He closed the door. When he came down for breakfast his eyes were red and he seemed to have been up all night. Nailles drove him to the station and he mailed them his findings at the end of the week. The report read: "The patient suspended consciousness at 9:12 with a corresponding drop in body temperature. He slept in the Fanchon position-that is on his abdomen with his right knee bent. At 10:00 he had a two-minute dream sequence that raised his body temperature and generally relaxed his cardiovascular tensions. At 10:03 he changed to the nimbus position, that is he crooked his left leg. His next dream sequence was at 1:15 and lasted three minutes. This caused him to have an erection which woke him briefly but he then shifted to the prenatal position and fell asleep again. His body temperature remained constant. At 3:10 he returned to the Fanchon position and began to snore. The snoring was both oral and nasal and continued for eight and one half minutes…"

The report was five typewritten pages and attached to it was a bill for five hundred dollars.

IV

Nailles thought of pain and suffering as a principality, lying somewhere beyond the legitimate borders of western Europe. The government would be feudal and the country mountainous but it would never lie on his itinerary and would be unknown to his travel agent. Now and then he received postcards from this distant place. There would be a view of the statue of Aesculapius in the public gardens with some snowy mountains in the distance and on the back of the card this message: "Edna is under sedation most of the time and has about three weeks to live but she would like a letter from you." He wrote entertaining letters to the dying and mailed them off to that remote and quaint capital where the figures on the Rathaus Glockenspiel were crippled, where the statues in the park were the grotesques pain can extort from the imagination, where the palace had been converted into a hospital and rivers of blood foamed under the arched bridges. He was not meant to travel here and he was surprised and frightened to wake from a dream in which he had seen, out of a train window, that terrifying range of mountains.

When Tony had been in bed for twelve days Nailles's inexperience with grief was ended. He would not have gone so far as to say that fortune was dealt out like the peanuts at the end of a child's birthday party, but he felt vaguely that one had one's share of brute pleasure, hard work, money and love and that the rank inequities that he saw everywhere were mysteries that did not concern him. Lucky Nailles! Now his son lay close to death. This did not come like a new fact in his life. It was to be his life and he was to learn the obsessiveness of suffering. When he woke in the morning his first thought was that he might hear Tony's step on the stairs. Whatever occupied him- drink, play, work or money-was merely a distraction from the consuming image of his lost son, gripping a pillow. Having observed the obsessiveness of pain he went on to observe the gross jealousy of a man who feels that his luck has run out. Why, of all the young men in Bullet Park, should Tony have been singled out to suffer a mysterious and incurable disease? It was not a question that he asked himself but a question forced onto him pitilessly by the world as it appeared to him from the first thing in the morning until dark. Cheerful and thoughtless laughter on the station platform merely made Nailles wonder angrily and bitterly why the sons of his friends were free to walk and run in the light while his son lay imprisoned. Lunching with friends who spoke inevitably about the successes of their sons would provoke in him such sadness and misgiving that he would seem physically alienated from the company. Seeing a young stranger run down the street he wanted to call after him: "Stop, stop, stop, stop. Tony was once as strong and swift as you." Having been a patriot about his way of life he found himself involved in subversion, espionage and vengefulness.

"Do you know anyone named Hammer," Nellie asked one evening. Nailles explained that he had met the Hammers in church. "Well she called this afternoon," Nellie said, "and asked us to dinner. I don't approve of asking strangers to dinner but perhaps they come from some part of the world where this goes on."

"It does seem strange, doesn't it," Nailles said. "We just said hello on the porch. Perhaps they're lonely…" He was not thinking of the Hammers' probable aloneness but of his own. It was the image of Tony in bed that broke down his rigid sense of social fitness. Tony was sick, Nailles was sad, there was more suffering in life than he had been led to believe and mightn't it be generous to overlook Mrs. Hammer's importunity and accept her invitation. 'If we're not doing anything else why don't we go," he said. "It would be neighborly and we can leave early." A few nights later then they drove up to Powder Hill. It was a starry night-Venus blazed like a light bulb, and going up the walk to the house Nailles bent and kissed his wife. Hammer let them in and introduced them to his wife and the other guests. Marietta Hammer seemed absentminded, unenthusiastic or perhaps drunk. One of Nailles's great liabilities was an inability to judge people on their appearance. He thought all men and women honest, reliable, clean and happy and he was often surprised and disappointed. He could see at once that the optimistic estimate of the Hammers that he had made in church might have to be overhauled. There were three other couples-the Taylors, the Phillipses and the Hazzards. There seemed to be no maid. Hammer mixed the drinks in the pantry and Marietta excused herself and went into the kitchen.

"Have you known the Hammers for long," Eliot asked the others.

"I don't really know them at all," Mr. Taylor said. "I have the Ford agency in the village and when he came in to buy a car he asked me for dinner. I figure they'll be a two-car family- everybody on Powder Hill is-so I'm really here on business."

"I sold them their deep freeze," said Mr. Phillips.

"I sold them the house," said Mr. Hazzard.

"Isn't it a lovely house," said Mrs. Hazzard. "The Heathcups lived here until he passed away."

"He was such a nice fellow," said Mr. Hazzard. "I've never understood why he did it."

"Let's see," Hammer said, coming in from the pantry. "Bourbon for you. Scotch and water…"

"What business are you in, Mr. Hammer," asked Mr. Hazzard.

"I'm president of Paul Hammer Associates," Hammer said. "We do just about everything."

Marietta Hammer laughed. Her laughter was meant to discountenance her husband. It was a musical laugh-half an octave-but it was, Eliot thought, the kind of laughter one hears in women's clubs, at bridge parties and in those restaurants that feature rich desserts. It had no power of sexual arousal as laughter often does. Her blond hair, her earrings and her dress were all long and she had a definite beauty-the kind of beauty you might see on a magazine cover, but it would be an old cover in a dentist's anteroom, a little worn and dating from the year before last. She went into the pantry and helped herself to more whiskey. Taylor did not conceal the fact that he was there on business and during cocktails he spoke of the interesting discounts he could offer Hammer when the time came to buy his second car. The dinner, as things went in Bullet Park, wasn't much. There was some kind of goulash or stew and Marietta picked at it with such obvious distaste that Eliot wondered if Hammer hadn't cooked the meal. "Well I don't suppose you've been in Bullet Park long enough to form any judgments but we do hope you like the place. I've always found it a very nice community."

"We've only been here two weeks," Hammer said.

"If you want my opinion," Marietta said, "I'll be happy to give you one. I think it stinks. It's just like a masquerade party. All you have to do is to get your clothes at Brooks, catch the train and show up in church once a week and no one will ever ask a question about your identity."

"Please darling," Hammer said. "Not tonight."

"Oh what's wrong with you," she asked. "What are you so cross about? You've been cross all week. Are you sore because I bought this dress? Is that your trouble? Do you think I ought to buy my clothes at Macy's or Alexander's or someplace like that? Do you think I ought to make my own clothes, for Christ's sake. So it cost four hundred dollars but it looks good on me and I need something to wear. And I don't have many clothes. Well I don't have very many clothes. All right I do have a lot of clothes and I've said something stupid and now you're going to gloat over it. Oh Jesus, I wish you could see your face. You make me laugh."

"You can get nice couturier dresses at Ohrbach's," Mrs. Taylor said.

"Not tonight, sweetheart," Hammer said.

"You're a doormat," she went on. "You're a henpecked doormat and don't try and blame me for it. You're the kind of a man who thinks that someday, someday, some slender, well-bred, beautiful, wealthy, passionate and intelligent blonde will fall in love with you. Oh God, I can imagine the whole thing. It's so disgusting. She'll have long hair and long legs and be about twenty-eight, divorced, but without any children, I'll bet she's an actress or a night-club singer. That's about the level of your imagination. What do you do with her, chump, what do you do with her besides tying on a can. What is a henpecked doormat up to. Do you take her to the theater? Do you buy her jewelry? Do you travel? I'll bet you travel. That's your idea of a big thing. Ten days on the Raffaello, tying on a can morning, noon and night and drifting into the first-class bar at seven in your beautifully cut dinner jacket. What a distinguished couple! What crap. But I guess it would be the France, someplace where you can show off your lousy French. I suppose you'd drag her around Paris in her high heels, showing her all your old haunts. I feel sorry for her, I really do. But get this straight, chump, get this straight. If this blonde showed up you wouldn't have the guts to take her to bed. You'd just moon around, kissing her behind pantry doors, and finally decide not to be unfaithful to me. That's if a blonde showed up, but no blonde is going to show up. There isn't any such blonde. You're going to be lonely for the rest of your life. You're a lonely man and a lonely man is a lonesome thing, a stick, a stone, a bone, a doormat, an empty gin bottle…"

"I think we'd better go," said Mrs. Taylor.

"Yes," said the Phillipses, and there was a rush for the door.

"Good night."

"Good night."

"Good night."

Lying in bed that night Nailles thought: Hammer and Nailles, spaghetti and meatballs, salt and pepper, oil and vinegar, Romeo and Juliet, block and tackle, thunder and lightning, bacon and eggs, corned beef and cabbage, ham and cheese, curb and snaffle, shoes and socks, line and sinker, true and false, sharp and flat, boots and spurs, snorkel and flipper, fish and chips, white tie and tails, bride and groom, dog and cat, sugar and cream, table and chair, pen and ink, stars and moon, ball and chain, tears and laughter, Mummy and Dad, war and peace, heaven and hell, good and evil, life and death, love and death, death and taxes… He slept and dreamed.

He dreamed that they were in a small country church that they sometimes attended in the summer. The church was cruciform and had a threadbare green carpet. There was a sharp and depressing smell of ecclesiastical varnish. The occasion was a funeral and the coffin stood before the chancel but he could not remember whose soul it was they had come to pray for and he looked around the congregation to discover who was missing. Charlie Estabrooke? But he was on the left with his wife. Bailey Barnes? Bailey was on the right with his whole family. Alex Kneeland? Eddie Clapp? Jim Randolph? Sam Farrar? Dave Poor? Rick Rhodes? Jim Stesse? And Roger Cromwell? When he saw that the congregation was intact he realized that the funeral must be his own.

V

When Tony had been in bed for seventeen days there was a spell of fine weather and Nailles woke one morning feeling wonderful. It was about six. The sun had not yet risen but the sky was brilliant. He shaved and bathed and bounded into Nellie's side of the bed and taking her in his arms he thought she seemed a much younger woman than he knew her to be. They seemed in their loving and being loved to have put down the accumulations of time, as if their baser qualities, like some stern presence, had gone off for an hour or so, leaving them free to sport and revel. When he went to the window the land that he saw looked like a paradise. It was not, he knew. Septic drain fields lay under the grass and that flock of cardinals in the fir trees might have lice, but while the brilliance of their plumage and the clarity of their singing had nothing to do with peace on earth, love or bank deposits, it gave him such a feeling of exaltation he threw his arms apart as if he were going to embrace the landscape and the birds. "Oh I feel so wonderful," he said. "Something seems to have happened while I slept. I feel as though I'd been given something, some kind of a present. I feel that everything's going to be the way it was when it was so wonderful. Tony will get up today or perhaps tomorrow and go back to school. I just know that everything's going to be wonderful."

Nailles ate a big breakfast and then went up to Tony's room. That neither he nor his wife nor his son had ever been ill made the reek of a sickroom, as it flew up to his nose, cutting and strange. The shades were drawn. Tony slept. He slept in his underpants and his shoulders were bare. His skin was a liverish color. His hair was mussed and had not been cut for a month. He embraced his pillow with desperation. "Wake up, Tony," Nailles said. "Wake up. It's a marvelous, marvelous morning. Wake up and take a look." He raised the shades and a brilliant light poured into the sickroom. "Look, Tony, see how bright everything is. Nobody can stay in bed on a day like this. It's like a challenge, Tony. Everything's ahead of you. Everything. You'll go to college and get an interesting job and get married and have children. Everything's in front of you, Tony. Come to the window."

He took his son by the hand and drew him out of bed to the window and stood there with an arm around his shoulder. "See, Tony, how bright it all is. Doesn't it make you feel better?" Tony dropped to his knees on the floor. "Tomorrow, Daddy," he sobbed. "Maybe tomorrow."

Nailles felt, like some child on a hill, that purpose and order underlay the roofs, trees, river and streets that composed the landscape. There was some obvious purpose in his loving Nellie and the light of morning but what was the purpose, the message, the lesson to be learned from his stricken son? Grief was for the others; sorrow and pain were for the others; some terrible mistake had been made. Tony was sobbing violently and then he spoke-he howled:

"Give me back the mountains."

"What, Sonny, what did you say?"

"Give me back the mountains."

"What mountains, Sonny," Nailles asked. "Do you mean the mountains that we used to climb? The White Mountains. They're not really white, are they? Remember how we used to climb from Franconia to Crawford? That was fun, wasn't it? Are those the mountains you mean?"

"I don't know," Tony said. He got back into bed.

"Well I have to go or I'll miss the train," Nailles said. "I'll see you tonight"

Nailles, waiting that morning for the 7:56, fended off any questions about his son's health by saying that he had mononucleosis. He stood on the platform between Harry Shinglehouse and Hammer. Nailles and Hammer read the Times. Shinglehouse read the Wall Street Journal. Since the dinner party Nailles and Hammer had said good morning but not much more. They sometimes took the same train in the morning but Nailles had only once seen his neighbor on the 6:32 home, when Hammer was asleep, either drunk or weary or both. He had a black dispatch case in his lap and was humped unconscious over this in a position that seemed desperate and abject. What is the pathos of men and women who fall asleep on trains and planes; why do they seem forsaken, poleaxed and lost? They snore, they twist, they mutter names, they seem the victims of some terrible upheaval although they are merely going home to supper and to cut the grass. Nailles watched his neighbor and when he did not wake up at Bullet Park he shook his shoulder and said: "Time to get up." "Oh thank you," said Hammer. It had been their only conversation.

This morning they nodded to one another and read their folded papers as down the tracks came the Chicago express, two hours behind schedule and going about ninety miles an hour. Nailles grabbed for his hat, folded his paper and shut his eyes because the noise and commotion of the express was like being in the vortex of some dirty wind tunnel. When the express had passed he opened his eyes and saw the train helling off into the distance, gaily waving a plume of steam like a pig's tail. He had started to read the Times again when he noticed that Harry Shinglehouse had vanished. He swung around to see if Harry had changed his position but he was not on the platform. Looking back to the tracks he saw a highly polished brown loafer lying on the cinders. "My God," he finally said. "That fellow. What's his name. He was sucked under the train."

"Hmmmmm," said Hammer, lowering his paper.

"Shinglehouse. He's gone."

"By Jesus, so he has," said Hammer.

"Shinglehouse," Nailles shouted. "He's dead. I mean he was killed."

"What'll we do," said Hammer.

"I'll call the police," Nailles said. "I'd better call the police."

There was a telephone booth at the end of the platform and he ran to this and got the police.

"Patrolman Shea speaking," said a voice.

"Look," Nailles said. "This is Eliot Nailles. I'm at the station. The Chicago train just came through and Shinglehouse was sucked under the train."

"I don't get it," said the patrolman. Nailles had to repeat his story three times. The 7:56 came in and everyone but Hammer and Nailles boarded it. A few minutes later they heard the siren and saw the lights of a police car. Two policemen ran out onto the platform. "He was standing right there," Nailles said. "There's his loafer. He was standing right there and the train came through and he was gone."

"Where's the body?"

"I don't know," Nailles said.

"Well I guess you two had better come back to the stationhouse with me for questioning."

"But we have to go to work," Hammer said. "I have a meeting."

"So have I," Nailles said, "and anyhow we don't know anything about it. Why don't you call the railroad police?" This was a shot in the dark but someone had to do something to make that moment continuous and the police seemed grateful for the suggestion. One of them picked the shoe off the tracks and they went back to the patrol car. Suddenly Hammer began to cry. "There," Nailles said. "There. It's all right. Was he a friend of yours?"

"No," Hammer sobbed. "I didn't know the poor bastard."

"There, there," Nailles said, putting an arm around Hammer. They were merely acquaintances but the casualty had thrust them into an intimate relationship. Hammer controlled his sobbing but Nailles kept an arm around his shoulders and this curious couple were seen by the passengers of the 8:11. Nailles and Hammer rode into the city together, stunned by the mysteriousness of life and death.

The evening paper carried the story. The vanished man had been unemployed and had left a wife and three children. He had once run for town council on the Republican ticket and had formerly been in advertising. Nailles wanted to call the widow but he could think of nothing to say.

The next morning was dark and rainy. He overslept and missed the express train that usually took him to his office. The local that he traveled on made twenty-two stops between Bullet Park and Grand Central Station. The dirty train windows and the overcast sky seemed to have eclipsed his spirits. He remembered Shinglehouse's loafer. He felt peculiar. He read his Times but the news in the paper, with the exception of the sporting page, seemed to be news from another planet. A maniac with a carbine had massacred seventeen people in a park in Dallas, including an archbishop who had been walking his dog. The usual wars were raging. The Musicians' Union, Airplane Pilots, Firemen, Circus Performers and Deckhands were all threatening to strike. The White House secretary denied rumors of a fistfight between the President, the Secretary of State and the Secretary of Defense. Drought threatened the wheat crop. An unidentified flying object had been seen in Ohio. A hairdresser in Linden, New Jersey, had shot his wife, his four children, his poodle and himself. A three-day smog in Chicago had paralyzed most transportation and closed many businesses. Nailles felt uncheerful and tried the naive expedient of bolstering his spirits by assessing his good fortune. Had he been indicted for grand larceny? No. Had he been murdered in a park? No. Had he been trapped in a burning building, lost on a glacier, bitten by a rabid dog? No. Then why wasn't he more cheerful?

The train stopped at Tremont Point, Greenacres, Lascalles, Meadowvale and Clear Haven. The trip seemed intolerable, but why? He had made it a thousand times. Why should this link between his home and his office seem torturous? His breathing was heavy, his palms were wet, there was a quaking feeling in his gut and the dark rain seemed to beat upon his heart. When the train reached Longbrook, Nailles suddenly grabbed his raincoat, pushed his way past the oncoming passengers and left the car. The train coasted on and he found himself alone in a suburban railway station at half past eight in the morning.

Nailles's sense of being alive was to bridge or link the disparate environments and rhythms of his world, and one of his principal bridges-that between his white house and his office-had collapsed. He stepped out of the rain into the waiting room. What he needed was guts but where could he find them? He could not summon them, that much was clear. Could he develop them in a gymnasium, win them in a lottery, buy them from a mail-order house or receive them as a heavenly dispensation? There was another local in fifteen minutes and commuters had begun to gather for this. Nailles boarded it, trying to sell himself a specious brand of cheerfulness. He stayed on that local for two more stops and got off again. Station by station he made a cruel pilgrimage into the city.

After dinner that night Nailles poured a strong whiskey and took it up to Tony's room. He sat in a chair beside Tony's bed as he had done so many times in the past when he used to read to the boy Treasure Island.

"How do you feel, Sonny?"

"About the same."

"Did you eat any supper?"

"Yes."

"There was a long thing in the paper on Sunday about how your generation thinks the world is terribly compromised. Do you think the world is terribly compromised?"

"No, I don't think it's compromised."

"You don't think this has anything to do with your trouble?"

"I love the world. I just feel sad, that's all."

"Well I suppose there's plenty to be sad about if you look around, but it makes me sore to have people always chopping at the suburbs. I've never understood why. When you go to the theater they're always chopping at the suburbs but I can't see that playing golf and raising flowers is depraved. The living is cheaper out here and I'd be lost if I couldn't get some exercise. People seem to make some connection between respectability and moral purity that I don't get. For instance, the fact that I wear a vest doesn't necessarily mean that I claim to be pure in heart. That doesn't follow. All kinds of scandalous things happen everywhere but just because they happen to people who have flower gardens doesn't mean that flower gardens are wicked. For instance, Charlie Stringer was indicted last year for sending pornography through the mails. He claims to be some kind of a publisher and I guess dirty pictures is his business. He lives in one of those Tudor houses on Hansen Circle and he has a pretty wife and three children. Flower gardens. Trees. A couple of poodles. The critics would say: Look, look, look what a big facade he's constructed to conceal the fact that he deals in obsceneness and corruption, but what's the point? Why should a man who deals in filth have to live in a cesspool? He's a bastard for sure but why shouldn't a bastard want to water his grass and play softball with the kids?

"We talk an awful lot about freedom and independence. If you were going to define our national purpose I don't guess you could avoid using words like freedom and independence. The President is always talking about freedom and independence, the army and navy are always fighting to defend freedom and independence and on Sundays at church Father Ransome thanks God for our freedom and independence but you and I know that the blacks who live in those firetraps down along the river don't have any freedom or independence in the choice of what they do and where they live. Charlie Simpson is really a great fellow but he and Phelps Marsden and a half a dozen other prominent and wealthy men around here make their money in deals with Salazar, Franco, Union Minière and all those military juntas. They talk about freedom and independence more than anybody else but they furnish the money and the armaments and the technicians to crush freedom and independence whenever it appears. I hate lying and I hate falsehoods and when you get a world that admits so many liars I suppose you've got something to be sad about. I don't, as a matter of fact, have as much freedom and independence as I'd like myself. What I wear, what I eat, my sex life and a lot of my thinking is pretty well regimented but there are times when I like being told what to do. I can't figure out what's right and wrong in every situation.

"The newspapers are sometimes very confusing. They keep running photographs of soldiers dying in jungles and mudholes right beside an advertisement for a forty-thousand-dollar emerald ring or a sable coat. It would be childish to say that the soldier died for emeralds and sables but there it is, day after day, the dying soldier and the emerald ring. And homosexuality. You read a lot about that these days and it bothers me. I wish it didn't exist. Before I joined the Chemists Club I used to have to pump ship in Grand Central and I almost never went into those choppers without getting into trouble. Once when I was going up the stairs this guy came along and took my arm. I had on a Brooks suit and a Locke hat and Peal shoes and the reason I had all this stuff on was to make my intentions clear. So I walked away from him. I didn't hit him. I didn't see his face. I've never seen any of their faces. The only reason I joined the Chemists Club was so that I could have a place in midtown where I could pump ship without getting into a moral crisis. Of course I'm not really a chemist and pushing mouthwash isn't a very inspiring life but when you think of the things we need you realize that someone has to make them. I mean razor blades and soap and bacon and eggs and gasoline and train tickets and shoes. Somebody has to make all that stuff. Tony? Tony?" Tony slept.

Nailles finished his drink and looked lovingly at his mysterious son. Tony was born in Rome, where Nailles had worked as a chemist for FAOU. Nailles had taken Nellie to the international hospital across the river late one afternoon. The doctor was a very fat man. He timed Nellie's pains and told Nailles to return to the hospital at half past ten. When Nailles returned he was taken into an office to have his blood typed. There was no explanation. Later a friend appeared with a bottle of scotch and a package of American cigarettes, both of which were difficult to get at the time. The nuns seemed to have no objection to their drinking; in fact they brought them glasses and ice. Nailles's friend left at midnight. The doctor came in at three. He was sweating and seemed worried. 'Is she in danger," Nailles asked. "Yes," the doctor said harshly, "she is in danger. Life is dangerous. Why do Americans want to be immortal?"

"Please tell me," Nailles said.

"I will tell you that when this is over I would advise her not to have any more children."

There were some peacocks in a park across the street. They began to shriek as the sun rose. This sounded to Nailles portentous. The doctor came in again at eight. "Take a walk," he said to Nailles. "Divert yourself. Breathe some fresh air." Nailles walked down the hill to St. Peter's and said his prayers. Then he climbed the stairs to the roof where all the gigantic saints and apostles stood with their backs to him. He had liked the city of Rome. Now it seemed sinister; the city of the wolf. Rome would kill Nellie. The bloody history of the place seemed to have some bearing on her Me. Rome would murder Nellie.

He walked across the city on foot, trying to sweat out his pain. In some back street he encountered an old man selling phallic symbols and death's heads. He walked to the zoo and had a Campari at the cafe. Beside the caf6 was a cage of carnivorous birds, tearing at raw meat. Leaving the cafe he saw a hyena; then a cage of wolves. When he got back to the hospital a nun told him that he had an eight-pound son and that his wife was out of danger. He howled with relief and banged drunkenly around the waiting room. He saw Nellie and his son that night and Tony seemed to him then to be brilliant, impetuous and strong. Much later they had discussed the possibility of adopting a brother or sister for Tony, but a foundling would have challenged Tony's sovereignty and this was something they did not want.

He had no way of judging his worth as a father. They had quarreled. When Tony was nine. He had suddenly given up all his athletics and friendships and settled down in front of the television set. The night of the quarrel was rainy. Nailles came into the house by the kitchen door. Nellie was cooking. Nailles kissed her on the back of the neck and raised her skirts but she demurred. "Please darling," she said. "It makes me feel as if I were in a burlesque skit. Tony's report card is on the table. You might want to take a look at it." Nailles mixed a drink and read the report. The marks were all C's and D's. Nailles walked through the dining room, crossed the dark hall to the living room where Tony was watching a show. The tube was the only light, shifting and submarine, and with the noise of the rain outside the room seemed like some cavern in the sea.

"Do you have any homework," Nailles asked.

"A little," Tony said.

"Well I think you'd better do it before you watch television," Nailles said. On the tube some cartoon figures were dancing a jig.

"I'll just watch to the end of this show," Tony said. "Then I'll do my homework."

"I think you'd better do your homework now," Nailles said.

"But Mummy said I could see this show," Tony said.

"How long has it been," said Nailles, "that you've asked permission to watch television?" He knew that in dealing with his son sarcasm would only multiply their misunderstandings but he was tired and headstrong. "You never ask permission. You come home at half past three, pull your chair up in front of the set and watch until supper. After supper you settle down in front of that damned engine and stay there until nine. If you don't do your homework how can you expect to get passing marks in school?"

"I learn a lot of things on television," Tony said shyly. "I learn about geography and animals and the stars."

"What are you learning now?" Nailles asked.

The cartoon figures were having a tug of war. A large bird cut the rope with his beak and all the figures fell down.

This is different," Tony said. "This isn't educational. Some of it is."

"Oh leave him alone, Eliot, leave him alone," Nellie called from the kitchen. Her voice was soft and clear. Nailles wandered back into the kitchen.

"But don't you think," he asked, "that from half past three to nine with a brief interlude for supper is too much time to spend in front of a television set?"

"It is a lot of time," Nellie said, "but it's terribly important to him right now and I think he'll grow out of it."

"I know it's terribly important," Nailles said. "I realize that. When I took him Christmas shopping he wasn't interested in anything but getting back to the set. He didn't care about buying presents for you or his cousins or his aunts and uncles. All he wanted to do was to get back to the set. He was just like an addict. I mean he had withdrawal symptoms. It was just like me at cocktail hour but I'm thirty-four years old and I try to ration my liquor and my cigarettes."

"He isn't quite old enough to start rationing things," Nellie said.

"He won't go coasting, he won't play ball, he won't do his homework, he won't even take a walk because he might miss a program."

"I think he'll grow out of it," Nellie said.

"But you don't grow out of an addiction. You have to make some exertion or have someone make an exertion for you. You just don't outgrow serious addictions."

He went back across the dark hall with its shifty submarine lights and outside the noise of rain. On the tube a man with a lisp, dressed in a clown suit, was urging his friends to have Mummy buy them a streamlined, battery-operated doll carriage. He turned on a light and saw how absorbed his son was in the lisping clown.

"Now I've been talking with your mother," he said, "and we've decided that we have to do something about your television time." (The clown was replaced by the cartoon of an elephant and a tiger dancing the waltz.) "I think an hour a day is plenty and I'll leave it up to you to decide which hour you want."

Tony had been threatened before but either his mother's intervention or Nailles's forgetfulness had saved him. At the thought of how barren, painful and meaningless the hours after school would be the boy began to cry.

"Now crying isn't going to do any good," Nailles said. The elephant and the tiger were joined by some other animals in their waltz.

"Skip it," Tony said. "It isn't your business."

"You're my son," Nailles said, "and it's my business to see you do at least what's expected of you. You were tutored last summer in order to get promoted and if your marks don't improve you won't be promoted this year. Don't you think it's my business to see that you get promoted? If you had your way you wouldn't even go to school. You'd wake up in the morning, turn on the set and watch it until bedtime."

"Oh please slap it, please leave me alone," Tony said. He turned off the set, went into the hall and started to climb the stairs.

"You come back here, Sonny," Nailles shouted. "You come back here at once or I'll come and get you."

"Oh please don't roar at him," Nellie asked, coming out of the kitchen. "I'm cooking veal birds and they smell nice and I was feeling good and happy that you'd come home and now everything is beginning to seem awful."

"I was feeling good too," Nailles said, "but we have a problem here and we can't evade it just because the veal birds smell good."

He went to the foot of the stairs and shouted: "You come down here, Sonny, you come down here this instant or you won't have any television for a month. Do you hear me? You come down here at once or you won't have any television for a month."

The boy came slowly down the stairs, "Now you come here and sit down," Nailles said, "and we'll talk this over. I've said that you can have an hour each day and all you have to do is to tell me which hour you want."

"I don't know," Tony said. "I like the four-o'clock show and the six-o'clock show and the seven-o'clock show…"

"You mean you can't confine yourself to an hour, is that it?"

"I don't know," Tony said.

I guess you'd better make me a drink," Nellie said. "Scotch and soda."

Nailles made a drink and returned to Tony. "Well if you can't decide," Nailles said, "I'm going to decide for you. First I'm going to make sure that you do your homework before you turn on the set."

"I don't get home until half past three," Tony said, "and sometimes the bus is late and if I do my homework I'll miss the four-o'clock show."

"That's just too bad," Nailles said, "that's just too bad."

"Oh leave him alone," Nellie said. "Please leave him alone. He's had enough for tonight."

"It isn't tonight we're talking about, it's every single night in the year including Saturdays, Sundays and holidays. Since no one around here seems able to reach any sort of agreement I'm going to make a decision myself. I'm going to throw that damned thing out the back door."

"Oh no, Daddy, no," Tony cried. "Please don't do that. Please, please, please. I'll try. I'll try to do better."

"You've been trying for months without any success," Nailles said. "You keep saying that you'll try to cut down and all you do is to watch more and more. Your intentions may have been good but there haven't been any noticeable results. Out it goes."

"Oh please don't, Eliot," Nellie cried. "Please don't. He loves his television. Can't you see that he loves it?"

"I know that he loves it," Nailles said. "That's why I'm going to throw it out the door. I love my gin and I love my cigarettes but this is the fourteenth cigarette I've had today and this is only my fourth drink. If I sat down to drink at half past three and drank steadily until nine I'd expect someone to give me some help." He unplugged the television set with a yank and picked the box up in his arms. The box was heavy for his strength, and an awkward size, and in order to carry it he had to arch his back a little like a pregnant woman. With the cord trailing behind him he started for the kitchen door.

"Oh, Daddy, Daddy," Tony cried. "Don't, don't, don't," and he fell to his knees with his hands joined in a conventional, supplicatory position that he might have learned from watching some melodrama on the box.

"Eliot, Eliot," Nellie screamed. "Don't, don't. You'll be sorry, Eliot. You'll be sorry."

Tony ran to his mother and she took him in her arms. They were both crying.

"I'm not doing this because I want to," Nailles shouted. "After all I like watching football and baseball when I'm home and I paid for the damned thing. I'm not doing this because I want to. I'm doing this because I have to."

"Don't look, don't look," Nellie said to Tony and she pressed his face into her skirts.

The back door was shut and Nailles had to put the box on the floor to open this. The rain sounded loudly in the yard. Then, straining, he picked up the box again, kicked open the screen door and fired the television out into the dark. It landed on a cement paving and broke with the rich, glassy music of an automobile collision. Nellie led Tony up the stairs to her bedroom, where she threw herself onto the bed, sobbing. Tony joined her. Nailles closed the kitchen door on the noise of the rain and poured another drink. Fifth, he said.

All of this was eight years ago.

VI

Tony had gone out for football and had made the second squad in his junior year. He had never been a good student-he got mostly C's-but in French his marks were so low they were scarcely worth recording. One afternoon when he was about to join the squad for practice it was announced over the squawk box that he should report to the principal. He was not afraid of the principal but he was disturbed at the thought of missing any of the routines of football practice. When he stepped into the outer office a secretary asked him to sit down.

"But I'm late," Tony said, 'I'm late for practice already."

"He's busy," the secretary said.

"Couldn't I come back some other time? Couldn't I do it tomorrow?"

"You'd be late for practice tomorrow."

"Couldn't I see him during class time?"

"No."

Tony glanced at the office. In spite of the stubborn and obdurate facts of learning, the place had for him a galling sense of unreality. A case of athletic trophies stood against one wall but this seemed to be the only note of permanence. Presently he was let into the principal's office and given a chair.

"You've failed first-year French twice, Tony," the principal said, "and it looks as if you're going to fail it again. Your parents expect you to go on to college and you know you have to have a modern-language credit. Your intelligence quotient is very high and neither Miss Hoe nor I can understand why you fail."

"It's just that I can't say French, sir," Tony said. I just can't say any French. My father can't either. I just can't say French. It sounds phony."

The principal switched on the squawk box and said into it: "Could you see Tony now, Miss Hoe?" Her affirmative came through loud and clear. "Certainly." "You go down and see Miss Hoe now," said the principal.

"Couldn't I see her after class tomorrow, sir? I'm missing football practice."

"I think Miss Hoe will have something to say about that. She's waiting."

Miss Hoe was waiting in a room whose bright lights and pure colors did nothing to cheer him. It would soon be getting dark on the playing field and he had already missed passing and tackle. Miss Hoe sat before a large poster showing the walk of Carcassonne. It was the only traditional surface in the room. The brilliant, fluorescent lights in the ceiling made the place seem to be a cavern of incandescence, authoritative in its independence from the gathering dark of an autumn afternoon; and the power to light the room came from another county, well to the north, where snow had already fallen. The chairs and desks were made of brightly colored plastic. The floor was waxed Vinylite.

"Sit down, Tony," she said. "Please sit down. It's time that we had a little talk."

She might have been a pretty woman-small-featured and slender-but her skin was sallow and in the brightness of the light one saw that she had a few chin whiskers. Her waist was very slender and she seemed to take some pride in this. She always wore belts, cinctures, chains or ribbons around her middle and she sometimes wore a girlish ribbon in her brown hair. Her mouth, considering the strenuous exercise it got in French vowels, was very small. She wore no perfume and exhaled the faint unfreshness of humanity at the end of the day.

She lived alone, of course, but we will grant her enough privacy not to pry into the clinical facts of her virginity or to catalogue the furniture, souvenirs, etc. with which her one-room apartment was stuffed. As a lonely and defenseless spinster she was prey to the legitimate anxieties of her condition. There were four locks on the door to her apartment and she carried a vial of ammonia in her handbag to throw into the eyes of assailants. She had read somewhere that anxiety was a manifestation of sexual guilt and she could see, sensibly, that her aloneness and her virginity would expose her to guilt and repression. However, the burden of guilt must, she felt, be somewise divided between her destiny and the news in the evening paper. It was not her guilt that had caused the increase in sexual brutality. She had come to feel that some disorganized conspiracy of psychopaths was developing. Weekly, sometimes daily, women who resembled her were debauched, mutilated and strangled. Alone in the dark she was always afraid. Since she frequently dreamed that she was being debauched by some brute in a gutter she had to include guilt along with terror.

"When were you born, Tony," she asked.

"May twenty-seventh."

"Oh, I knew it," she said. "I knew it. You're Gemini."

"What's that?"

"Gemini is the constellation under which you were born. Gemini determines many of your characteristics and one might say your fate; but Gemini men are invariably good linguists. The fact that you are Gemini proves to me that you can do your work and do it brilliantly. You can't dispute your stars, can you?"

He looked past her through the window to the playing field. There was still enough light in the air, enough color in the trees to compete with the incandescence of their cavern; but in another ten minutes there would be nothing to see in the window but a reflection of Miss Hoe and himself. He knew nothing about astrology beyond the fact that he thought it to be a sanctuary for fools. He supposed that she might have read in the stars (and he was right) that it was her manifest destiny to be unloved, unmarried, childless and lonely. She sighed and. he was suddenly conscious of her breathing, its faint sibilance and the rise and fall of her meager front. It seemed intimate-sexual-as if they lay in one another's arms, and he moved his chair back suddenly, scraping the legs on the Vinylite. The noise restored him.

"I've talked this over with Mr. Northrup, Tony, and we've reached a decision. Since you seem unable to manage your own time with any efficiency we are going to give you a little assistance. We are going to ask you to give up football."

He had not anticipated this staggering injustice. He would not cry but there was a definite disturbance in his eyeducts. She didn't know what she was saying. She knew, poor woman, much less about football than he knew about French. He loved football, loved the maneuvers, the grass work, the fatigue, and loved the ball itself-its shape, color, odor and the way it spiraled into the angle of his elbow and ribcage. He loved the time of year, the bus trips to other schools, he loved sitting on the bench. Football came more naturally to him than anything else at his time of life and how could they take this naturalness away from him and fill up the breach with French verbs?

"You don't know what you're saying, Miss Hoe."

"I'm afraid I do, Tony. I've not only talked with Mr. Northrup. I've talked with Coach."

"With Coach?"

"Yes, with Coach. Coach thinks it will be better for you, better for our school, better perhaps for our football team if you spent more time at your studies."

"Coach said this?"

"Coach said that you were enthusiastic but he doesn't think that in any way you're indispensable. He thinks perhaps that you're wasting your time."

He stood. "You know what, Miss Hoe?" he asked.

"What, Tony," she said. "What, dear?"

"You know I could kill you," he said. I could kill you. I could strangle you."

She stood, hurling her chair against the walls of Carcassonne, and began to scream. Her screaming brought Mr. Graham, the Latin teacher, and Mr. Clark (science) running. She stood at her desk, her arm outflung, pointing at Tony. "He tried to kill me," she screamed. "He threatened to kill me."

"There, there, Mildred," said Mr. Graham. "There, there."

"I want a policeman," she screamed. "Call the police." Mr. Clark called the office through the squawk box and asked for the secretary to call the police. Mr. Clark picked up Miss Hoe's chair and she sat in it, trembling and breathing heavily but sternly as if she were about to upbraid an unruly class. Tony simply stared at his hands. Then in the distance they heard the sound of a police siren that seemed, excited and grieving, not to come from the autumn twilight but from some television drama in which they were the actors or combatants, playing out nothing so simple as poor French marks and a mistaken threat. Tony was Miss Hoe's long-lost brother who had just returned from his travels with the news that their beautiful mother was a well-known communist spy. The science teacher would have been Miss Hoe's husband-a dreary failure whose business misadventures and drinking bouts had brought her to the brink of a nervous breakdown-and Mr. Clark came from the FBI. Thus, juxtaposed for a moment by the sound of the siren, they seemed about to have their dilemma interrupted by an advertisement for painkillers or detergents, until the police came in, asking, "What's up, what's going on here?" Vandalism had been their guess, although it was the wrong time of day-but vandalism was the usual complaint. Why did kids want to rip the lids off desks and break windows. Miss Hoe raised her head. Her poor face, shining with tears, was ugly. "He tried to kill me," she said. "He tried to kill me."

"Now Mildred," said Mr. Clark. "Now Mildred."

"Don't I have any protection at all," she cried angrily. "Are you all going to stand around and defend this murderer until I'm found some night with a broken neck? How do you know he doesn't have a knife. Has anyone searched him? Has anyone even asked him a question?"

"You got a knife, Sonny," one of the police asked.

"No," said Tony.

"You try to kill this lady?"

"No, sir," said Tony.

"You try to kill this lady?"

"No, sir. I got angry at her and said that I'd like to but I didn't touch her. I wouldn't ever touch her,"

"I want something done about this," Miss Hoe said. "I am entitled to some protection."

"You want to file charges against him lady? Felonious assault, I guess."

"I do," Miss Hoe said.

"All right. I'll take him down to the station and book him. Come on, Sonny."

The corridor was crowded by this time with teachers, secretaries and janitors, none of whom knew what had happened and all of whom were asking one another what it was. Tony and the police had gotten to the end of the corridor and were about to turn out of sight when Miss Hoe cried: "Officer, Officer." It was a frightened voice and they turned quickly.

"Could you take me home, will you drive me home?"

"Where do you live?"

" Warwick Gardens."

"Sure."

"I'll just be a minute."

She got her coat, turned off the lights and locked the door to her classroom. She came swiftly down the hall, through the crowd, to where they waited. She got into the back seat of the car and Tony sat in front between the two police. "It's very kind of you to take me home," Miss Hoe said. "I do appreciate it, but I'm terribly afraid of the dark. When I go into the cafetorium for my lunch the first thing I think of is that it will get dark in four hours. Oh, I wish it would never get dark-never. I suppose you know all about that lady who was mistreated and strangled on Maple Street last month. She was my age and we had the same first name. We had the same horoscope and they never found the murderer…"

One of the police walked her to the door of the Warwick Gardens and then they drove to the police station in the center of town. Tony explained that his mother was in the city but that his father usually came out on the 6:32. "Well, the judge won't be here until eight or later," one of the police said, "and we can't book you without the judge but you don't look very desperate to me and I'll remand you in the custody of your father as soon as he comes home. The lady seemed a little hysterical…"

It was, of course, the first time Tony had been in the police station. It was a new building, not in any way shabby, but definitely grim. Fluorescent tubing shed a soulful, grainy and searching light and an extraordinarily harsh and unnatural voice was coming from a radio. "Five foot eight," said the voice. "Blue eyes. Crooked teeth. A scar on the right side of the jaw. A birthmark at the back of the neck. Weight one hundred and sixty pounds. Wanted for murder…" They took down Tony's name and address and invited him to sit down. The only other civilian in the place was a shabbily dressed man who wore a stained, white silk scarf around his neck. His clothing was greasy and threadbare, his hands were black but the white silk scarf seemed like a declaration of self-esteem. "How long do I have to stay here," he asked the lieutenant at the desk.

"Until the judge comes in."

"What did I do wrong?"

"Vagrancy."

"I hitched a ride on Twenty-seven," the vagrant said. "I asked this guy to stop the car so I could take a piss and as soon as I got out of the car he drove away. Why would he do a thing like that?" The lieutenant coughed. "Well you don't have long for this world," the vagrant said. "You don't have long for this world with a cough like that. Ha. Ha. A doctor told me that twenty-eight years ago and you know where the doctor is now? Six feet under. Pushing up daisies. He died a year later. The secret of keeping young is to read children's books. You read the books they write for little children and you'll keep young. You read novels, philosophy, stuff like that and it makes you feel old. You fish in the river?"

"Some," said the lieutenant, putting as much disinterest into the sound as he could. The vagrant offended his nose, his sight and his sense of the fitness of things, not because of his manifest eccentricity but because he had heard the story so many times. They were all alike, the roadside vagrants, they suffered a sameness greater than the intellectual and sumptuary sameness of the businessmen who rode the 6:32. They all had theories, travels, diets, colorful pasts, studied conversational openings, and they usually wore some piece of soiled finery like the white silk scarf.

"Well, I hope you don't eat the fish," the vagrant said. "That river's nothing but an open toilet. All the shit from New York City comes up the river twice a day on the tides. You wouldn't eat the fish you found in a toilet, would you? Would you?"

Then he turned to Tony and asked: "What you here for, Sonny."

"Don't tell him," said the lieutenant. "He's not here to ask questions."

"Well, can't I be friendly," the vagrant asked. "Perhaps if we had a little conversation we might discover that we have some interests in common. For instance I've made a study of the customs and history of the Cherokee Indians and a great many people find this interesting. I once lived with them on a reservation in Oklahoma for three months. I wore their clothes, observed their customs and ate their food. They eat dogs, you know. Dogs are their favorite food. They boil them mostly although sometimes they roast them. They…"

"Shut up," said the lieutenant.

At quarter to seven they called Nailles, who answered and said that he would be right over. When he strode into the station and found his son there his first impulse was to embrace the young man but he restrained himself. "You can take him home," the lieutenant said. "I don't think anything much will come of this. He'll tell you what happened. The complainant seems to have been a little hysterical."

Tony told his father what had happened as they drove home. Nailles had no counsel, advice, censure, experience or any other paternal qualities to bring to that crazy hour. He understood the boy's deep feelings about being dropped from the squad and he seemed to have shared in his son's felonious threatening of Miss Hoe. A little wind was blowing and as they drove, leaves of all colors-but mostly yellow-blew through the shaft of their headlights and what he said was: "I love to see leaves blowing through the headlights. I don't know why. I mean they're just dead leaves, no good for anything, but I love to see them blowing through the light"

VII

It was an autumn afternoon. Saturday.

Below the house, near the grove of dead elms, there was a swamp where a flock of red-winged blackbirds nested each spring. According to the law of their species they should have turned south in the autumn but the number of bird-feeding appliances in the neighborhood, overflowing with provender, had rattled their migratory instincts and they now spent the autumn and winter in Bullet Park in utter confusion. Their song-two ascending notes and a harsh trill like a cicada-was inalienably associated with the first long nights of summer but now one heard it in the autumn, one heard it in the snow. To hear this summery music on one of the last clement days of the year was like some operatic reprise where the heroine, condemned to death, hears in her dark cell (Orrido Carcere) the lilting love music that was first sung at the beginning of Act II. The wind that day was westerly and after lunch one heard the thump-thump-thump of a bass drum from the football field where the band was warming up for a home game.

Tony, after having been dropped from the squad, did not, of course, spend his spare time studying irregular verbs. Instead he read poetry as if he shared, with the poets, the mysterious and painful experience of being forced into the role of a bystander. He had not read poetry before. Nailles was not so obtuse as to protest but he was uneasy. He might say that poetry was one of the most exalted of the arts but he could not cure himself of the conviction that poetry was the demesne of homely women and morbidly sensitive men.

As soon as Tony heard the bass drum that afternoon he went upstairs and lay down on his bed. Nailles was worried and called up the stairs: "Tony, hey Tony, let's do something, shall we? Let's go for a ride or something."

"No thank you, Daddy," Tony said. "What I think I'll do is to go into New York if you don't mind. I'll go to a movie or maybe see the basketball game."

"That's fine," Nailles said. "I'll drive you to the train."

At three the next morning Nailles woke. He got out of bed and started down the hall towards Tony's room. He felt very old, as if while he slept he had put down the dreams of a strong man- snow-covered mountains and beautiful women-in exchange for the anxieties of some decrepit octogenarian who feared that he had lost his false teeth. He felt frail, wizened, a shade of himself. Tony's bed was empty. "Oh, my God," he said loudly. "Oh, my God." His only and dearly beloved son had been set upon by thieves, perverts, prostitutes, murderers and dope addicts. He was, in fact, not so much afraid of the pain his son might know as of the fact that should his son endure any uncommon pain he, Nailles, would have no resources to protect him from the terror of seeing his beloved world-his kingdom-destroyed. Without his son he could not live. He was afraid of his own death.

He went back down the hall, closed the door to the room where Nellie slept and went downstairs, where he telephoned the New York City bureau of missing persons. There was no answer. He then called the central police office but they had no record of anyone like Tony. He gave them his number and asked them to call if there was any news. He drank half a glass of whiskey and then walked around the living room saying, "Oh, God, oh, God, oh, God." Then he went upstairs, took a Nembutal, got into bed and lost consciousness a few minutes later.

Nailles woke at half past seven and went back to Tony's room, which was empty. He then woke Nellie and told her the boy was missing. He telephoned the missing persons bureau but there was still no answer and when he telephoned the police they had no news. The next train from New York was the 8:10 and having absolutely nothing else to go on he settled for a kind of specious, single-minded hopefulness. Tony would be on that train. He felt that if he hoped strenuously enough for the boy's return the boy would appear. He drove to the station and when the train came in Tony appeared, surrounded by that mysterious company of men and women who travel on Sunday mornings and who invariably carry paper bags. Nailles embraced his son, embraced him until his bones cracked, and asked: "Oh my God, why didn't you telephone, why didn't you tell us."

"It was too late, Daddy. I didn't want to wake you up."

"What happened?"

"Well, I was feeling blue about football and I thought I'd buy a book of poetry so I went into a bookstore and there was this nice lady-Mrs. Hubbard-and we talked and then I asked her if she'd have dinner with me and she said why didn't I come to her apartment-she called it her flat-and she'd cook me dinner and so I did."

"Did you spend the night with her?"

"Yes."

Nailles knew that his son was a mature male and he had no reason to protest that the boy had acted as one; but what sort of a woman would pick up a young man in a bookstore and hustle him home to bed?

"Was she a slut?"

"Oh, no, Daddy, she's very nice. She's a widow. She graduated from Smith. Her husband was killed in the war."

This irritated Nailles. She had given her husband to her country and thus he must give his son to her. He somehow thought it the responsibility of war widows to remarry hastily and not to parade their forlornness throughout society, stressing the inequities of warfare. If she was attractive, intelligent and clean why hadn't she remarried?

"Well, we can't tell your mother. It would kill her. We'll have to make up some story. You went to a basketball game and it went overtime and you spent the night at the Crutchmans'."

"But I've asked her to lunch."

"Who."

"Mrs. Hubbard."

"Oh, my God," said Nailles. "Why did you do that?"

"Well, she's lonely and doesn't seem to have many friends and you've always told me that I should ask people to the house."

"All right," Nailles said. "This is our story. You went into a bookstore and you met a lonely war widow and you asked her to lunch. Then you got some dinner somewhere and you went to a basketball game and you spent the night at the Crutchmans'. Right?"

"I'll try."

"You'd damned well better."

Nellie embraced her son tenderly. He said that he had invited a widow for lunch and Nailles explained that Tony had spent the night at the Crutchmans'. The boy might possibly dissemble but he was incapable, Nailles knew, of a forthright lie.

"How are the Crutchmans," Nellie asked. "I haven't seen them for so long. Do they have a nice guest room? They've always urged us to use it but I always like to come home. I suppose we ought to send them something. Do you think we ought to send them flowers? I could write them a note."

"Oh, don't bother," Nailles said. I'll send them something."

After breakfast Nailles asked Tony if he wanted to cut wood but the boy said he thought he'd do his homework. The word "homework" touched Nailles-it seemed to mean innocence, youth, purity, simple things-all lost in the bed of a sluttish war widow. He felt sad. He cut wood until it was time to bathe and dress and then he made a drink. Nellie was cooking a leg of lamb and this humble and innocent smell filled the kitchen. He looked at Nellie for some trace of suspiciousness, reflection or misgiving but she seemed so unwary, so truly innocent that he went to the stove and kissed her. Then he went to the living room window and waited.

Tony parked the car in the driveway and opened the door for Mrs. Hubbard, who got out laughing. She wore a gray Chesterfield with a velvet collar and carried an umbrella, which she swung in a broad arc, striking the ground like a walking stick. Her right arm was hooked rakishly in Tony's and she seemed propelled forward partly by Tony, partly by the umbrella. She was shorter than he and looked up into the young man's face with a flirtatiousness that angered Nailles. She wore no hat and her hair was a nondescript reddish color, obviously dyed. Nailles, at a glance, put her age at thirty. Her heels were very high and this made the calves of her legs bulge a little. Her face was round and flushed and Nailles wondered. Indigestion? Alcohol? He opened the door and welcomed her politely and she said:

"It's simply heavenly of you to take pity on a poor widow."

"We're delighted to have you," said Nailles. Tony took her coat.

"How do you do," said Nellie. "Won't you please come in." She was in the living room to the right of the hall, where a fire was burning. The pleasure she took in presenting her house, her table, to someone who was lonely shone in her face.

"What a divine house," said Mrs. Hubbard, keeping her eyes on the rug. Nailles guessed that she needed glasses. "Can I get you a Manhattan," Nailles asked. "We usually drink Manhattans on Sunday."

"Any sort of drinkee would be divine," said Mrs. Hubbard, and Nailles made for the pantry. Tony asked if he could help and Nailles thought that he could help by throwing her out the door but he said nothing.

"Did you find the train trip boring," Nellie asked.

"Not really," said Mrs. Hubbard. "I had the great good luck to find an interesting traveling companion-a young man who seems to have some real-estate interests out here. I can't remember his name. I think it was Italian. He had the blackest eyes… Hmm," she said of a novel on the table. "O'Hara."

"I'm Just leafing through it," Nellie said. "I mean if you know the sort of people he describes you can see how distorted his mind is. Most of our set are happily married and lead simple lives. I much prefer the works of Camus." Nellie pronounced this Camooooo. "We have a very active book club and at present we're studying the works of Camus."

"What Camus are you studying?"

"Oh, I can't remember all the titles," Nellie said. "We're studying all of Camus."

It was to Mrs. Hubbard's credit that she did not pursue the subject. Tony got her an ashtray and Nailles looked narrowly at his beloved son and this stray. His manner towards her was manly and gentle. He didn't at any point touch her but he looked at her in a way that was proprietory and intimate. He seemed contented. Nailles did not understand how, having debauched this youth, she had found the brass to confront his parents. Was she totally immoral? Did she think them totally, immoral? But his strongest and strangest feeling, observing the boy's air of mastery, was one of having been deposed, as if, in some ancient legend where men wore crowns and lived in round towers, the bastard prince, the usurper, was about to seize the throne. The sexual authority that Nailles imagined as springing from his marriage bed and flowing through all the rooms and halls of the house was challenged. There did not seem to be room for two men in this erotic kingdom. His feeling was not of a contest but of an inevitability. He wanted to take Nellie upstairs and prove to himself, like some old rooster, that the scepter was still his and that the young prince was busy with golden apples and other impuissant matters.

"How did you lose your husband, Mrs. Hubbard," Nellie asked.

"I really can't say," said Mrs. Hubbard. "They don't go in terribly much for detail. They simply announce that he was lost in action and that you are entitled to a pension. Oh, what a divine old dog," she exclaimed as Tessie came into the room. "I adore setters. Daddy used to breed and show them."

"Where was this," Nailles asked.

"On the island," said Mrs. Hubbard. "We had a largish place on the island until Daddy lost his pennies and I may say he lost them all."

"Where did he show his dogs?"

"Mostly on the island. He showed one dog in New York-Aylshire Lassie-but he didn't like the New York show."

"Shall we go in to lunch," asked Nellie.

"Could I use the amenities," asked Mrs. Hubbard.

"The what?" said Nellie.

"The john," said Mrs. Hubbard.

"Oh, of course," said Nellie. "I'm sorry…"

Nailles carved the meat and absolutely nothing of any interest or significance was said until about halfway through the meal when Mrs. Hubbard complimented Nellie on her roast. "It's so marvelous to have a joint for Sunday lunch," she said. "My flat is very small, as are my means, and I never tackle a roast. Poor Tony had to make do with a hamburger last night."

"Where was this," Nellie asked.

"Emma cooked my supper last night," Tony said.

"Then you didn't spend the night at the Crutchmans'?"

"No, Mother," Tony said.

Nellie saw it all; seemed to be looking at it. Would she rail at the stranger for having debauched her cleanly son? Bitch. Slut Whore. Degenerate. Would she cry and leave the table? Tony was the only one then who looked at his mother and he was afraid she would. What would happen then? He would follow her up the stairs calling: "Mother, Mother, Mother." Nailles would telephone for a taxi to take dirty Mrs. Hubbard away. Nellie, her lunch half finished, lighted a cigarette and said: "Let's play I packed my grandmother's trunk. We always used to play it when Tony was a boy and things weren't going well."

"Oh, lets," said Mrs. Hubbard.

"I packed my grandmother's trunk," said Nellie, "and into it I put a grand piano."

"I packed my grandmother's trunk," said Nailles, "and into it I put a grand piano and an ashtray."

"I packed my grandmother's trunk," said Mrs. Hubbard, "and into it I put a grand piano, an ashtray and a copy of Dylan Thomas."

"I packed my grandmother's trunk," said Tony, "and into it I put a grand piano, an ashtray, a copy of Dylan Thomas and a football."

"I packed my grandmother's trunk," said Nellie, "and into it I put a grand piano, an ashtray, a copy of Dylan Thomas, a football, and a handkerchief."

"I packed my grandmother's trunk," said Nailles, "and into it I put a grand piano, an ashtray, a copy of Dylan Thomas, a football, a handkerchief and a baseball bat…"

They got through lunch and when this was over Mrs. Hubbard asked to be taken to the station. She thanked Nailles and Nellie, got into her Chesterfield, went out the door and then returned saying: "Oops, I nearly forgot my bumbershoot." Then she was gone.

Nellie cried. Nailles embraced her, saying: "Darling, darling, darling, darling." She went upstairs and when Tony returned Nailles said that his mother was resting. "For God's sake," said Nailles, "please don't ever do anything like that again."

"I won't, Daddy," said Tony.

VIII

On the night but one before Tony was stricken with what Nailles insisted was mononucleosis, Nailles and Nellie had gone to a dinner party at the Ridleys'.

The Ridleys were a couple who brought to the hallowed institution of holy matrimony a definitely commercial quality as if to marry and conceive, rear and educate children was like the manufacture and merchandising of some useful product produced in competition with other manufacturers. They were not George and Helen Ridley. They were "the Ridleys." One felt that they might have incorporated and sold shares in their destiny over the counter. "The Ridleys" was painted on the door of their station wagon. There was a sign saying "The Ridleys" at the foot of their driveway. In their house, matchbooks, coasters and napkins were all marked with their name. They presented their handsome children to their guests with the air of salesmen pointing out the merits of a new car in a showroom. The lusts, griefs, exaltations and shabby worries of a marriage never seemed to have marred the efficiency of their organization. One felt that they probably had branch offices and a staff of salesmen on the road. They were very stingy with their liquor and when they got home Nailles made a nightcap for Nellie and himself.

Nailles put on eyeglasses to measure the whiskey. Now and then his glasses flashed a double beam of light. He seemed, to Nellie, fussy that night as he measured out the ice and soda and she noticed a large lipstick stain along the side of his mouth. He would have exchanged an innocent kiss behind a pantry door and this did not worry her but the streak of crimson made him look ridiculous. His procreative usefulness was over-she thought-but his venereal itch was unabated-he scratched himself while she watched-and she wondered if there wasn't some massive obsolescence to the overly sensual man in his forties; some miscalculation in nature that left him able to populate a small city with his unwanted progenerative energies. Later, when Nailles lurched over to Nellie's side of the bed she didn't actually kick him but she made it clear that he was unwelcome.

Now Nailles had no use for men who were afraid of women. He had grown up with a man who suffered from this terrible infirmity. His name was Harry Pile and Pile had been afraid of women all his life. This had begun quite naturally with his mother-a large, big-breasted, impetuous woman who fired out contradictory commands, broke her husband's spirit and thrashed her only son with a thorny walking stick. When Pile was eight or nine years old he fell in love with a girl named Janet Forbes. She was intelligent and responsive and yet in some way formidable. Her shoulders were broad, her voice was a little gruff for a girl and her uncle, Wilbert Forbes, had discovered a mountain in Alaska that bore his name. That Harry's beloved shared her name with a mountain seemed to hint at some snowcapped massiveness, some inaccessibility that both pleased and frightened him. In school and college he invariably fell in love with women distinguished by their independence and intractability. He first married a high-spirited and beautiful young woman who gave him three daughters and then ran off with an Italian waiter. This deepened his fears. For his second wife he chose a woman so preternaturally demure, wistful and shy that it seemed he had outmaneuvered his fears but she turned out to be a heavy drinker and another source of anxiety. In the meantime the three daughters of his first marriage had grown up into argumentative, robust and determined young women and when he once tried to correct the eldest she picked up a china lamp and smashed it over the top of his head. It was Pile who swept up the pieces and retired in defeat. Pile was afraid of his secretary, afraid of his receptionist, afraid of strange women approaching him on the sidewalk. In his thirties he was taken ill and when Nailles went to visit him in the hospital he found, of course, that Pile was afraid of the nurses, afraid even of those kindly and maternal volunteers who sell cigarettes and newspapers. He failed rapidly and when Nailles last saw him he was emaciated and barely able to speak. When Nailles asked if there was anything he wanted he shook his head. When Nailles asked if there was any friend he would like to see he merely sighed. When he finally spoke it was in a hoarse whisper. "Do you think God will be a woman?" he asked. It was one of the last things or perhaps the last thing he said, since he died that night.

Nailles was not afraid of Nellie but he bothered her no more. Frustrated, angry and indignant he went into the guest room and slept there.

If you met Nailles on a train or a plane or a bus or a boat and asked him what he did he would describe himself as a chemist. If you questioned him further he would say that he worked for the Saffron Chemical Corporation but that was all you would get out of him. He had majored in chemistry at college but he had not taken a graduate degree and his chemistry was dated. He worked for Monsanto in Delaware for five years and then he worked for three years analyzing chemical fertilizers for the Food and Agricultural Offices of the United Nations in Rome. Saffron hired him when he returned to the United States. Saffron operated a small laboratory in Westfield but it was basically a manufacturing firm that produced a patent floor mop called Moppet, a line of furniture polish called Tudor, and Spang, a mouthwash. Nailles was principally occupied with the merchandising of Spang and he was definitely restive about this. It seemed to reflect on his dignity. He had argued with himself frequently on this score. Would he be more dignified if he had manufactured mattresses, depilatories, stained-glass windows or toilet seats? No. In the TV commercials for Spang, boxers in the ring objected to one another's bad breath. Bad breath came between young lovers, friends, husbands and wives. In a sense this was all true, he told himself. Bad breath was a human infirmity like obeseness and melancholy and it was his simple task to cure it. Sexual compatibility was the keystone to any robust marriage and bad breath could lead to divorce, alimony and custody suits. Bad breath could sap a man's self-esteem, posture and appearance. Suspecting himself to be a sufferer, the victim would mumble into his shirt, hoping to divert the fumes downward. Bad breath recognized no class. Nailles had read in the paper that bad breath came between Lord Russell and his love. Bad breath could come between the priest and his flock, Nailles had observed when Father Ransome breathed on him as he reached for the chalice. In Nailles's mythology the nymphs complained among themselves about the bad breath of Priapus. Bad breath drove children away from home. The wise statesman in his councils was not heeded because his breath was noxious. Bad breath was a cause of war.

Saffron was a paternal organization. A kindly old man named Marshman was president and majority stock owner and in the last year his son Michael had graduated from college and joined the firm. He was energetic, full of ideas and detestable. He had the products appraised by a firm of motivational psychologists. They concluded that the formula for Spang was too bland. Cleanliness was associated- so they claimed-with bitterness, and the sales of Spang would increase if its taste was more unpleasant. The laboratory had been asked to work up a new formula and on the day after the Ridleys' dinner Nailles drove to Westfield to test mouthwash. It was a pointless day. He rinsed and spat, rinsed and spat. His taste was not especially keen and when he chose a formula it was guesswork. He started back to Bullet Park at about four. His mouth was stinging and he stopped at a bar on the road for a drink.

There was nothing to recommend the place from the outside. It was shabby but when he stepped into the dark room he found himself in one of those quiet bars where the customers sit in a palpable atmosphere of sanctuary. The bartender wore a rented yellow jacket. Four men at the bar were drinking whiskey. One of them was feeding potato chips to a mongrel dog. "I never get any further than Southwark," one of them said. "Southwark is the only place I ever get to any more." There seemed to be some metric regulation to the pace of the talk. It was emotional, intimate, evocative and as random as poetry. They had come from other places and would go to other places but sitting against the light at four in the afternoon they seemed as permanent as the beer pulls. "Ill buy a free drink for anyone that can tell me what kind of dog my dog is," said the man with the potato chips. There were no takers and so he answered the question himself. "My dog is half beagle," he said, "and half Irish setter."

Nailles ordered a martini, which marked him as a traveler and a stranger.

"I had this girl who used to say hello," one of the men said. "You ever know a girl like that?" There was no answer and he went on. "She used to say hello all the time. I used to go over there on Thursday nights after supper. Her husband bowled on Thursdays. She was usually in a bathrobe or something like that and she'd give me a big kiss and start saying hello. So then when I was getting undressed she'd kiss my ears and everything and keep saying hello, hello, hello. She'd keep saying hello all through the preliminaries and then when we came to the main feature she'd keep on saying hello only louder and louder and finally she'd sort of yell hello, hello. Then afterwards she'd light me a cigarette and get me a drink of whiskey-she always did that-and she'd keep kissing me and saying hello. Then when I got dressed and kissed her good night she'd keep on saying hello. I suppose she must have said something else but I honestly can't remember her saying anything but hello."

"The things my wife used to say," the fourth man said, "I wouldn't want to repeat. She was very gentle-spoken and everything but when she got into bed she'd say anything. Worse than a whore. I used to wonder who taught her to speak like that. I mean it wasn't me. It used to make me jealous and I have a very jealous nature. She was a beautiful woman and she loved to put it out and if she wanted to two-time me she had every chance. I mean I was away from seven in the morning until half past six and when she wouldn't put it out I figured she must be getting it somewheres else. I suffered awfully from jealousy. I wouldn't hire a detective or follow her around or anything like that but I just wanted to be sure, if you know what I mean. So then I hit on this idea. The Thing. Has she got the Thing on. If she's got the Thing on she's planning to put it out. She kept the Thing in the medicine cabinet and it was very easy for me to find out where it was. So, one night I came home and washed my face and I chanced to look in the medicine cabinet and I saw that the Thing wasn't there. I thought I had her. So I went downstairs, very angry, and I asked her what kind of a day she'd had and she said she went shopping. She didn't buy anything but she spent the afternoon looking at dresses. So then I said it struck me she was looking at something else. She went on cooking and I asked her where the Thing was, why did she have to wear the Thing in order to go shopping. So then I hollered at her and called her names and she cried and cried and said she had the Thing on because we did it in the morning and you know she had me there because I couldn't remember whether or not we did it in the morning. So then I apologized and she stopped crying and we had dinner but she wouldn't let me touch her and I was still suspicious. Jealous, I mean. So about a week later she was going to visit her sister in Detroit. Her sister is very immoral. I drove her out to the airport and kissed her goodbye and when I got home that night I opened the medicine cabinet and there was the Thing. So I met her at the airport when she came home and everything was fine but that night while I was brushing my teeth I opened the medicine cabinet and I saw two Things. I figured she'd left one Thing at home to deceive me and bought another Thing in Detroit. So then I asked her why she had to buy a Thing in Detroit and she began to cry and said she'd bought a new Thing that afternoon because there was a hole in the old Thing. So then I asked her if she'd bought it at the drug store and she said yes and I said I'm going to find out the truth and I called the drug store and asked them if she'd bought a Thing that afternoon. They told me they didn't keep a record of those purchases and that the afternoon clerk had gone home so I asked for his telephone number, the number of the clerk, and they gave it to me and I called him and he said he couldn't remember, it was a busy afternoon and he couldn't remember every purchase that was made. She was still crying and naturally I felt a little cheap but I still wasn't sure about what was going on. Well, about a week later she was sleeping late and I was getting dressed to go to work and a button pulled off my jacket and I went to this box where she keeps needles and threads and I opened it up and there was another Thing. So I took it into the bedroom and I showed it to her and I asked her how the hell many Things did she have to have and she pulled the blankets up over her face and didn't say anything and I went to work with a button off my jacket. About a week after that they put the pill on the market and she threw away all her Things and started taking the pill and so, of course, I never knew. We got divorced six, seven months later."

Nailles had a second drink and went back to the road. The conversation at the bar had disconcerted more than it had amused him. What about the man on the bowling team? Did he know or care how his wife spent her Thursday nights? Nailles was monogamous-incurably so-and the existence of promiscuity bewildered him. He had fallen in love with Nellie the first time he met her and the success of his marriage was not an affair of the heart-it was a matter of life and death. He remembered a recent Saturday afternoon when she had fallen asleep in his arms. Holding her he had experienced a sense of being fused as heady as total drunkenness-a sense of their indivisibility for better or for worse, an exalting sense of their oneness. Her breathing was a little harsh and he was supremely at peace. She was his child, his goddess, the mother of his only son. When she woke she asked: "Did I snore?" "Oh, terribly," he said, "you sounded like a chain saw." "It was a nice sleep," she said. "It was nice to have you in my arms," he said, "that was very nice…" When he got home that afternoon he mixed them both a drink and going upstairs to wash his face he opened the medicine cabinet for the same obscene and detestable purpose as had the stranger in the bar. Then he went downstairs and asked Nellie what sort of a day she'd had. "I went shopping," she said. "I didn't buy anything. I just looked at dresses. Everything was the wrong size or the wrong color."

"Would you come into the living room for a minute. There's something I want to ask you." She followed him into the living room and he shut the double doors into the hall so their voices wouldn't be heard by Tony.

In the natural course of events and in a society whose sexual morals were empirical, Nellie, as an attractive woman, had been approached by a number of men. The following things had happened. One Saturday night at the club the Fallows had introduced her to a young house guest named Ballard. He asked her to dance and when he took her in his arms she felt a galvanic flash of sexuality, much stronger than anything she had ever felt for Nailles. She could tell that he was equally disturbed. They moved absentmindedly over the floor. If he asked her to go out with him to his car she could not have refused and why should she? She was in the throes of the most profound sexual attraction of her life. He didn't ask her to go out. He didn't have to. They were both pale. He simply gave her his arm and they walked off the floor but as they passed the bar someone shouted: "Fire, fire, fire!" The bar began to fill up with smoke and the drinkers poured out into the corridor, jostling the lovers. Then down the hall came Nailles, carrying a brass fire extinguisher, and plunged into the smoke-filled room. The band went on playing but all of the dancers left the floor and crowded in the doorways. The fire department was there in a few minutes and the bartenders, coughing and weeping, began to carry the bottles out into the hallway, two by two. A white canvas firehose was dragged along the crimson carpet but they got the fire under control without having to inundate the place. When Nailles finally came out of the gutted room, smeared with soot, Nellie ran to his side and said: "Oh, my darling. I was worried about you." Then they went home and she never saw or thought of Ballard again.

Among the village libertines was a man named Peter Spratt although he was naturally known as Jack. His wife was a heavy drinker and there was endless speculation about whether his philandering had begun with her drinking or vice versa. At parties he often took Nellie aside and spoke about what he would do if they were ever left alone. She was not offended and was sometimes provoked. He borrowed Nailles's hedge clipper on Saturday. At Monday noon he rang the bell. Nellie answered the door. He stepped into the hall, put the hedge clipper onto a chair and giving Nellie an amorous and penetrating look that made her head swim said: "Now I've got you alone." Whether or not Nellie could have resisted him will never be known because Nailles was upstairs in bed with a bad cold. "Who's there, dear," he asked, "who's there, sweetheart." He appeared at the head of the stairs in his bathrobe and pajamas. "Why Jack," he said, "why aren't you working."

"I thought I'd take a day off," Jack said.

"Well have a drink, come in and have a drink." Nellie got the ice and the two men had a drink. Spratt never tried again.

Another philanderer in the neighborhood-Bob Harmon-had several times asked Nellie to lunch with him and at a time when she was bored with Nailles and his worries about mouthwash, she accepted. She was thirty-eight years old and what harm could there be in flirting over a restaurant table with a good-looking man? They met in a midtown bar and instead of taking her to a restaurant he took her to an apartment. Here was all the paraphernalia for a seduction, including champagne and caviar. She ate a caviar sandwich and drank a glass of wine while he began to tell her how barren his life had been until he met her. He had still not moved towards her when either the caviar sandwich or something she had eaten for breakfast started a volcanic disturbance in her in-sides. She asked the way to the bathroom, where she remained for the next fifteen minutes, racked with cramps. When she reappeared she was quite pale and shaken and said that she would have to go home. He seemed, if anything, glad to see her go. So her chasteness, preserved by a fire, a runny nose and some spoiled sturgeon eggs was still intact, although she carried herself as if her virtue was a jewel-an emblem-of character, discipline and intelligence.

When the extremely shabby scene in the living room ended, Nellie went upstairs and washed away her tears. Then she served dinner so that Tony would not suspect there was anything wrong. At the end of dinner Nailles asked: "Have you done your homework?"

"It's all done," Tony said. "I had two study halls."

"Shall we play some golf?"

"Sure"

Nailles got some putters and balls out of the hall closet and they drove to a miniature golf links off Route 64. The links, Nailles guessed, had been built in the thirties. There were deep water traps, bridges and a windmill. The place had long ago gone to seed and had then been abandoned. The water traps were dry, the windmill had lost its sails and the greens were bare concrete but most of the obstacles were intact and on summer nights men and boys still played the course although there were no-trespassing signs all over the place. There were no lights, of course, but that was a summer night and there was light in the sky. A little wind was blowing from the west and there was thunder across the river. When Nailles described the scene to himself, as he would a hundred times or more, his description followed these lines.

"I was ashamed of having quarreled with Nellie and I kept blaming the whole thing on psychological motives and mouthwash. If I hadn't gone to Westfield none of this would have happened. Tony led off and I remember feeling very happy to be with him. I taught him how to putt and he has a nice stance. I gave up golf four years ago but I thought I might take it up again. We would play together. I know he isn't handsome-his nose is too big and he has a bad color-but he's my son and I love him. Well, it was windy and there was some thunder on the other side of the river. I remember the thunder because I remember thinking how much I liked the noise of thunder. It seems to me a very human sound, much more human than the sound of jet planes, and thunder always reminds me of what it felt like to be young. We used to belong to the country club when I was a kid and I went to all the dances-assemblies-and when I hear the music we used to dance to-'Rain' and The Red, Red Robin'-and so forth I remember what it felt like going to dances when you're seventeen and eighteen, but thunder refreshes my memory much better. It isn't that I feel young when I hear thunder, it's just that I can remember what it felt like to be young. We shot the second hole at par and on the third hole you're supposed to make your ball loop the loop through an old automobile tire. I had some trouble with this. Tony made it in par but I was two over and still trying when Tony said: "You know what, Dad?' and I said, "What?' and he said I'm going to leave school.'

"Well this got me off-guard. It really spilled me. The idea had never crossed my mind. The first thing I figured out was that I mustn't lose my temper. I must be reasonable and patient and so forth. He was only seventeen. I worked out a reasonable and a patient character like a character in a play. Then I tried to act the part. What it really felt like was that patience was this big woolly blanket and I was wrapping myself up in it but it kept slipping. So I said very patiently, 'Why, Tony?" and he said because he wasn't learning anything. He said that French was all grief and English was even worse because he read more than the teacher. Then he said that astronomy was just a gut course and that his teacher was senile. He said that whenever the teacher turned off the lights for a film strip everybody took naps and threw spitballs and that once the teacher cried when they piled out of the class in the middle of a sentence. He said that when he got to the door he looked back and saw the teacher crying. So he went up to him and explained that they didn't mean to be rude, they just didn't want to be late for the next class, and then he said that the teacher said that nobody understood him, that he loved his students, he loved them all. Then Tony said he didn't think too much of a teacher who cried. Well, then we played the fifth hole where you have to get your ball through a gate. I did this in par but he was three over and we went on talking. I said that he had to get his diploma. I asked him what he was planning to do without a diploma and he said he thought he might do some social work in the slums. He said there was this place for children with disturbed parents and he thought he might work there. Well, I was having trouble with my patience, my woolly blanket. It kept slipping. I said that if he wanted to do social work that was all right with me and I felt sure it would be all right with his mother but first he had to get his diploma. I said I guessed that social work like everything else needed training and preparation and that after he got his diploma I and his mother would be happy to send him on to some college where he could get training as a social worker. So then he said he couldn't see what was the good of a diploma if he wasn't learning anything. He said it was just a phony, just a phony scrap of paper like a phony treaty. Then I said that phony or not you had to observe some of the rules of the game. I said that trousers, for instance, weren't perhaps the most comfortable form of clothing but it was one of the rules of the game that you wear trousers. I asked him what would happen if I went to the train bare-ass and he said he didn't care if I went to the train bare-ass. He said I could go to the train bare-ass as far as he was concerned. By this time we'd stopped playing and that was when these other men, men or boys, asked if they could play through and we said yes and stood aside.

It was windy, as I say, and there was more thunder and it looked like rain and the light on the course was failing so you really couldn't see the faces of the men who played through. They were high school kids, I guess, slum kids, hoods, whatever, wearing tight pants and trick shirts and hair grease. They had spooky voices, they seemed to pitch them in a way that made them sound spooky, and when one of them was addressing the ball another gave him a big goose and he backed right into it, making groaning noises. It isn't that I dislike boys like that really, it's just that they mystify me, they frighten me because I don't know where they come from and I don't know where they're going and if you don't know anything about people it's like a terrible kind of darkness. I'm not afraid of the dark but there are some kinds of human ignorance that frighten me. When I feel this I've noticed that if I can look into the face of the stranger and get some clue to the kind of person he is I feel better but, as I say, it was getting dark and you couldn't see the faces of any of these strangers as they played through. So they played through and we went on talking about his diploma and the rules of the game. I said that whatever he wanted to do he had to train himself for it, he had to prepare himself. I said that even if he wanted to be a poet he had to prepare himself to be a poet. So then I said to him what I've never said before. I said: 'I love you, Tony.'

"So then he said, The only reason you love me, the only reason you think you love me is because you can give me things.' Then I said this wasn't true, that the only reason I was a generous father was because my own father hadn't given me very much. I said that because my own father had been so tight was why I wanted to be generous. So then he said: 'Generous, generous, generous, generous.' He said he knew I was very generous. He said that he heard about how generous I was practically every day in the year. So then he said, 'Maybe I don't want to get married. I wouldn't be the first man in the world who didn't want to get married, would I? Maybe I'm queer. Maybe I want to live with some nice, clean faggot. Maybe I want to be promiscuous and screw hundreds and hundreds of women. There are other ways of doing it besides being joined in holy matrimony and filling up the cradle. If having babies is so great why did you only have one? Why just one?" I told him then that his mother had nearly died when he was born. 'I'm sorry,' he said. 1 didn't know that.' So then he said that I had got to understand that he might not want to come home at dusk to a pretty woman and play softball with a bunch of straight-limbed sons. He said he might want to be a thief or a saint or a drunkard or a garbage man or a gas pumper or a traffic cop or a hermit. Then I lost my patience, my woolly blanket, and said that he had to get off his ass and do something useful and he said: "What? Like pushing mouthwash.' Then I lifted up my putter and I would have split his skull in two but he ducked and threw down his club and ran off the links into the dark.

"So there I was on this ruined miniature golf course having practically murdered my son but what I wanted to do then was to chase after him and take another crack at him with the putter. I was very angry. I couldn't understand how my only son, whom I love more than anything in the world, could make me want to kill him. So then I picked up his putter and walked back to the car. When I got home I told Nellie that I'd had a fight with Tony but she sympathized with him, of course, because I'd already had a fight with her. Then I had a drink and looked at television-there wasn't anything else to do. I sat there in front of the set until about midnight when he came in. He didn't speak to me and I didn't speak to him. He went upstairs to bed and I went up a little later.

"He's been in bed ever since."

IX

When Tony had been in bed twenty-two days Nellie received a letter from a cleaning woman named Mary Ashton who had once worked for her. Mary had been intelligent and industrious but she had been a thief. She had first stolen two small diamond rings that had belonged to Nellie's mother. Nellie never wore the rings and she did not accuse the maid of the theft. Good cleaning women were hard to find, Mary was poor and deserving, and Nellie thought of the diamonds as a bonus. A month or so later a pair of gold cufflinks vanished and Nellie fired the maid. She did not mention the cufflinks. The letter she received was neatly typed (had she stolen the typewriter?) on good stationery (stolen?). The letter read: "Dear Mrs. Nailles: I know that your son is sick and I am very sorry to hear this. He is one of the nicest boys I have ever known. In the village there is a guru or faith-healer who calls himself Swami Rutuola. He cured my sister of arthritis last year. He works part time for Percham, the carpenter, but he's usually at home in the afternoons. He doesn't have any telephone but he lives upstairs over Peyton's funeral parlor on Hill Street."

This combination of theft and magic disturbed Nellie. She and Nailles gave a cocktail party that afternoon and she didn't have a chance to show him the letter. The party was excellent. It is difficult to praise a cocktail party but as a hostess Nellie deserved praise. There was no fatuity in the pride she took in her house. The pleasant rooms seemed to be partly illuminated by her graces. The sixteen or seventeen guests were people whose company she unreservedly enjoyed. The food and liquor were splendid and nothing banal, boring or asinine was said. Charlie Wentworth, sitting close to Martha Tuckerman on the sofa, shared with Martha a flash of immortal longing. Looking into one another's eyes it suddenly seemed to them both that a life together would be paradise. They would laugh at one another's jokes, warm one another's bones, travel to Japan. Martha left the sofa then and joined her husband at the bar. This was the closest anyone came to adulterous passion. The only difficulty was that Nailles had a circular driveway and without Tony-who was, of course, in bed-to direct traffic, the parking was haphazard. Nailles spent the last half hour of the party either moving cars or asking people to move them. Everyone had gone by eight. They had some scrambled eggs and sausage in the kitchen and Nellie showed Nailles the letter.

"Oh, my God," he said, "she was the one who stole, wasn't she? Maybe it's a ring of thieves. Maybe the Swami's an accomplice. Magic is the only thing we haven't tried but I'm not up to it."

Nailles's struggle to get into the city on the train had become so acute that he finally had gone to Dr. Mullin, who prescribed a massive tranquilizer. He took this each morning with his coffee, telling Nellie that it was a vitamin pill. The tranquilizer gave him the illusion that he floated upon a cloud like Zeus in some allegorical painting. Standing on the platform waiting for the 7:46 he seemed surrounded by his cloud. When the train came in he picked up his cloud and settled himself in a window seat. If the day was dark, the landscape wintry, the little towns they passed shabby and depressing, none of this reached to where he lay in his rosy nimbus. He seemed to float down the tracks into Grand Central, beaming a vast and slightly absentminded smile at poverty, sickness, wealth, the beauty of strange women, the rain and the snow.

On the morning after the party Nellie was waked by the sound of gunfire.

There had been riots in the slums and she wondered for a moment if the militants had decided to march out of the ghetto and take the white houses of Chestnut Lane by force. Nailles was not in bed and she went to the window. What she saw was Nailles in his underpants on their broad lawn, firing his shotgun at an immense snapping turtle. The sun had not risen but the sky was light and in this pure and subtle light the undressed man and the prehistoric turtle seemed engaged in some primordial and comical battle. Nailles raised his gun and fired at the turtle. The turtle recoiled, collapsed and then slowly raised itself up like a sea tortoise and began to lumber towards her husband. She had never seen, outside a zoo, so big a reptile, but it was Nailles, not the reptile, who seemed out of place in the early light. It was the turtle's lawn, the turtle's sky, the turtle's creation, and Nailles seemed to have wandered mistakenly onto the scene. He fired again and missed. He fired again and she saw the turtle's huge head swung to one side by the charge of buckshot. He fired again, put his gun on the grass and picked the turtle up by its jagged tail.

"Oh darling, are you sure it's dead," she called down from the window.

"Yes," he said. He seemed surprised to see her at the window. "It's dead. Its neck is broken."

"Where do you suppose it came from?"

"The bog, I guess. It must be a hundred years old. I got up to go to the bathroom and I saw it crossing the lawn. At first I thought I was dreaming. The shell must be three feet long. It could hurt a child or kill a dog. I'll bury it later."

In the bedroom Nailles, his right ear ringing from the gun and his right hand shaking a little, knocked a tranquilizer, his last, into his hand but his hand was trembling so that the tranquilizer fell to the floor and rolled under a piece of furniture. Nailles waited until Nellie had left the room. He bent a metal coathanger into the shape of a hook and lying on the floor he tried to recapture the pill. The piece of furniture-a dressing table-was flush to the floor and darkness concealed his pill. He hooked two pennies and a button. He then took the lamps off the top of the dressing table and moved it away from the wall. It was a heavy piece of furniture with loaded drawers and was a struggle to move, and when he got it away from the wall there was no pill but there was a crack in the flooring into which it must have fallen. He ran his coathanger along the crack but his only catch was dirt.

The thought of taking the train without a pill gave him all the symptoms of panic. His breathing was quick and his lips swollen. The place pain took in his memory was curious-he thought he had no memory for pain-but now the agony, confusion and humiliation of getting off at Greenacres and again at Lascalles, of getting off at Clear Haven and again at Turandot-returned to him with nearly the intensity of fact. He could not do it. Courage had nothing to do with his suffering. If he forced himself to go to the station he knew he would be unable to board the 7:46. Cold baths, self-discipline, prayer, all seemed like the moral paraphernalia of his first year in the Boy Scouts. He had to get into the city to fend for Nellie and his son. If he could not get into the city they would be defenseless and he imagined them as besieged by enemies -cold, hunger and fear-refugees from a burned city. He took a cold shower on the chance that this might help, but water had no calming effect on his image of the 7:46 as a portable abyss. He didn't know what hours the doctor kept but he knew that he had to get a new prescription before he did anything else.

The doctor's office was in a development of two-story apartments called garden apartments although there were no gardens to be seen. He rang and a man in pajamas opened the door.

"I must have the wrong address," Nailles said.

"You looking for the doctor?"

"Yes. It's terribly important. It's an emergency. It's a matter of life and death."

"You got the right place but he's not in practice any more," the stranger said. "The county medical society closed him down three weeks ago. He's doing laboratory work in the city."

"What happened?"

"Pills. He was giving out all sorts of illegal pills. But I'm right in the middle of my breakfast…"

"I'm sorry," Nailles said. He could drive into the city, or could he? He could take a bus. He could take a taxi. A man spoke to him from a car parked beside his. "You looking for the doctor?"

"God yes," Nailles said, "God yes."

"What was he giving you?"

"I don't know the name of it. It was for the train."

"What color?"

"Gray and yellow. It was a capsule, half gray and half yellow."

"I know what it was. You want some?"

"God yes, God yes."

"I'll meet you in the Catholic cemetery, out on Laurel Avenue. You know the one I mean. There's a statue of a soldier."

Nailles got to the cemetery before the stranger. It was an old-fashioned place with many statues, but the monument to the soldier stood a head taller than the host of stone angels and was easy to find. Gravediggers worked in the distance. Nailles had guessed that graves were dug by engines, but these men worked with a shovel and pickax. He passed an array of motley angels-some of them life-sized, some of them dwarfs. Some of them stood on the tombs they blessed with half-furled wings, some of them clung with furled wings to the cross. The soldier wore the uniform of 1918-a soup-plate helmet, puttees, baggy pants, and he held in his right hand, butt to the ground, a Springfield, bolt-action, 1912. He had been carved from a white stone that had not discolored at all but it had eroded, obscuring his features and his insignia so that he looked like a ghost. The stranger joined Nailles, holding a few tulips that he must have stolen somewhere. He put these into a container in front of the ghostly infantryman and said: "Twenty-five dollars."

"I've been getting a big prescription for ten," Nailles said.

"Look," the stranger said, "I can get ten years in jail for this and a ten-thousand-dollar fine."

Nailles gave him the money in exchange for five-pills. "You'll need some more on Monday," the man said. "Meet me at the railroad-station toilet at half past seven." Nailles put a pill into his mouth but he needed water. Rainwater had collected in one of the commemorative urns or ewers and he scooped enough up with his hand to get the pill down. Driving to the train he waited for the pill to take hold, for his cloud to gather1, and by the time he got to the parking lot it had begun its wonderful work. He was moderate, calm, a little bored and absentminded. He forgot to put a quarter in the parking meter but when he had completed his painless journey into the city he telephoned Nellie and asked her to try the guru.

X

After lunch Nellie poured herself a whiskey. I should go to a shrink, she thought, until she remembered the doctor circling his invisible dentist's chair. She hated him, not for his real-estate business, but because she had always felt vaguely that in any crisis psychiatry could be counted on to work a cure, and he had taken this solace out the door with him. She remembered that the cleaning woman-the thief-had false teeth. Her favorite disinfectant had been a chemical, advertised to smell of mountain pine woods, but this imitation of the sweet mountain air was so crude, flagrant and repulsive that it amounted to an irony. Snowcapped toilet seats. Eliot had asked her to see the guru and so she went.

The slums, the oldest part of the village, were down along the banks of the river. She never had any reason to go there. She had read in the paper that women were mugged and robbed in broad daylight. There were knife fights in saloons. The rain was heavy that afternoon; the light narrow. All rain tastes the same and yet rain fell for Nellie from a diversity of skies. Some rains seemed let down like a net from the guileless heavens of her childhood, some rains were stormy and bitter, some fell like a force of memory. The rain that day tasted as salty as blood. So down into the slums went Nellie, down to Peyton's funeral parlor. This was a shabby frame building with a peaked door- a stab at holiness under which the dead (murdered in knife fights) entered and departed for the black cemetery at the edge of everything. There was a door on the left leading, she guessed, to the rooms upstairs, and she opened this onto a bare hallway with a staircase.

The strangeness of this environment disturbed her deeply as if she inhaled, in the rooms of her own house, not only the buttressed proprieties but an essence that conditioned her chromosomes and lights. The alien reek of the hallway-the immemorial reek of such places-seemed to strip her of any moral reliability. She looked around for something familiar-a fire extinguisher would have served-but there was nothing in the hallway that belonged to her. Had one of the legendary rapists she read about in the evening paper approached her she would have been helpless. She was lost. She was frightened. Her instinct was to turn and go; her duty was to climb the stairs; and the division between these two forces seemed like a broad river without bridges-seemed to give her some insight into the force of separateness in her life. She seemed to be saying goodbye to herself at a railroad station; standing among the mourners at the edge of a grave. Goodbye Nellie.

She had no role in this place and she felt it keenly. Census taker? Relief worker? An advocate for planned parenthood, distributing free pills? An adviser to unwed mothers? Lady bountiful dividing the proceeds from the church bazaar? She was none of these. She was a woman with a sick son, looking (at the advice of a thief) for a magician. I am a good woman, she thought. This foolishness was unintentional-compulsive-she seemed helplessly to ridicule herself. I've never once run over a squirrel on the highway. I've always kept seed in the bird-feeding station. She climbed the stairs. There was a window at the head of the stairs where someone had written on the dirty glass: "Sid Greenberg chews and smokes." There were two doors off the hall. One had a sign saying: "The Temple of Light." There was music beyond the door-singing-the voices compressed and funneled through a radio. She knocked and when there was no answer she called: "Swami Rutuola, Swami Rutuola…"

From behind the second door there was a loud sound of giggling-lewd or alcoholic-and then a woman imitated Nellie's accent. "Oh Swermi Rutaholah, Oh Swermi Rutaholah…" A man joined in the giggling. They must have been in bed. "Oh Swermi…" the woman said. She was nearly helpless with laughter. Nellie knocked again and a man asked her to come in. She stepped into a room where a light-colored Negro was tacking upholstery webbing onto a chair frame. There was a smell of shavings. Which came first, Christ the carpenter or the holy smell of new wood? There was an altar in the corner. A votive candle burned in a display of wax flowers. Wax flowers meant death-death and Chinese restaurants. "Welcome to the Temple of Light," he said. The voice was high, definitely accented. Jamaican, she thought. The face was slender and one of the eyes was injured and cast. A war, an arrow, a stone? This eye, immovable, was raised to heaven in a permanent attitude of religious hysteria. The other eye was lively, bright and communicative. "I'm Mrs. Eliot Nailles," she said. "Mary Ashton gave me your name. My son is sick."

"Would you like me to come with you now?" he asked. The voice was a very light singsong.

"Oh yes," she said, "if you could, if you think you can help him."

"I can try," he said. "I'll just wash my hands. I don't have a car and it's most difficult to find a taxi in the rain."

She described Tony's trouble and some of its history as they drove back to her house. The accent, she decided, was not Jamaican. It was a rootless speech, aimed at fastidiousness or elegance. She took him up to Tony's room and asked if he'd like a drink. "Oh no thank you," he said, "I have something within me that's much more stimulating than alcohol."

"Is there anything I can do?"

"I would like to be sure that we won't be disturbed."

"I'll make sure of that," said Nellie and went down and poured herself another drink.

"My name is Swami Rutuola," he said to Tony, "and I've come here to help you, or that's what I hope to do. First I will tell you about my eye. When I was fifteen years old I had a most unfortunate impulse to steal a bicycle. It was a bright-red English Schwinn with three-speed gears. It was irresistible. I hid it in the cellar. When my father found it he beat me most severely and then went with me when I returned it. The father of the boy who owned the bicycle had no wish to prosecute me but my own father and mother insisted that I be taken to court. They were afraid I would become a thief if I were not punished. They were gentle people and I think I have finally come to understand them but they were very frightened of everything. I was sentenced to six months in the reform school in Livertown. Among the prisoners, as is so often the case, were some gangsters who operated a government within the prison government. They were exceedingly brutal and in order to protect myself I developed a limp. I thought that if I limped they would not subject me to their brutality but one day in the mess hall I forgot to limp and when they saw how I had deceived them they beat me up. I was two weeks in the infirmary and as a consequence of their savagery I lost the use of my left eye. I mention all of this because I have observed that when men and women talk with one another they count on communicating with their eyes almost as much as they do with their voices and since one of my eyes has no means of communication some people find it very disconcerting. I will hold my head in the shadow while we talk so that you will not be perplexed by my bad eye, but before we do anything else I would like to tidy up your room. Godliness is next to cleanliness-is that what they say-or is it the other way around?"

"I think it's the other way around," Tony said.

The swami began to gather the clothing that hung on chairs and doorknobs. He found a laundry bag in the closet and stuffed the soiled linen into this. He hung a jacket on a hanger, treed Tony's shoes, closed the closet door, and gave the chair cushions a shake. "Well that looks a little better, doesn't it," he said. "Another thing I would like to do is to burn some incense if you don't object."

"I'd like you to do everything you want to do," Tony said, "but I don't really like incense. Any kind of perfume. I never use after-shave lotion. I like to smell perfume on girls but I don't like it when it's all over the place. I don't like the way department stores smell."

"I think I know what you mean," the swami said, "but this isn't sweet or strong. It's sandalwood. It has a clean smell." He took a narrow stick of incense from his pocket and lighted it.

"That's all right," Tony said.

"I was born in Baltimore," Rutuola said, "to poor people, but the hardships of my race are well known so I won't bother you with them. I went to school until the eighth grade and I can read very well but I cannot do much arithmetic. My father was a carpenter and when I was paroled from reform school I went to work for him. It was much later that I went to New York where I found a position with the New York Central. It was not a distinguished position. What I did was to clean the toilets in Grand Central Station eight hours a night, five nights a week. I mopped the floors and so forth but what I spent most of my time doing was wiping off the walls the writing people had put there. The walls are white and you can write on them easily and after a Saturday night those walls would absolutely be covered with writing. At first I was troubled by this and then I realized that these people wrote on the walls because they had to. They hated to have the writing erased as if it seemed to be some part of them. They'd carve their messages in the wooden doors with a knife. You couldn't put them down as freaks because there were thousands of them and it gave me a very deep insight into how, lonely and horny mankind is. So then one night-one morning, really-it was after three o'clock, it was closer to four-I was mopping the floor when this man came up to me and said help me, help me, help me, I think I am going to die. He was a well-dressed man but his face was very gray. So then I said a patrolman came through the concourse about now and I could go upstairs and get him and he could call an ambulance. But then he said don't leave me, I don't want to die alone, so then I said let's go up to the concourse together then, I'll help you. So then I took his arm and we went up to the concourse very slowly-he was groaning-but when we got there there wasn't any patrolman around, there wasn't anybody around, and he said that he had to sit down and we sat down on some stairs. It was very gloomy and cold and bare and empty there but that great big colored picture that advertises cameras was lighted. It was a picture of a man and a woman and two children on a beach-a lake I guess-and behind them, way off in the distance, were all these mountains covered with snow. It was a beautiful happy picture but it seemed more beautiful because the concourse was so cold and bare and had nothing happy about it. So then I told him to look at the mountain to see if he could get his mind off his troubles. So then I said let us pray and he said he couldn't remember any prayers and I realized I couldn't remember many prayers myself so I said let's make up a prayer and then I began to say valor, valor, valor, valor, over and over again and in a little while he joined me. So then I said some other words and he said them along with me and then he said that he felt better and after a little while he said he thought he'd take a cab to a hotel and get some sleep and he said goodbye and I never saw him again. A few weeks later I came out here to work with Mr. Percham who is my cousin and a carpenter."

The rain lets up. Nailles comes home. Swallows and blackbirds hunt in the early dark. The wind is out of the northeast and coming up the steps he can distinguish the sounds made by the different trees as the wind fills them: maple, birch, tulip and oak. What good is this knowledge for his son or himself? Someone has to observe the world. The steady twilight seems like a sustained note, perfect in pitch. Nellie tells him that the guru is upstairs but that he cannot be disturbed. Nailles drinks heavily and after dinner Nellie says she is going upstairs to lie down. She makes Nailles promise not to disturb the guru. He gives her a kiss and picks up a novel to bolster his self-control. "In the little town of Ostervogen in northern Denmark," he reads, "the following events took place in 1869. One morning in January a young man could be seen walking down the main street. The polish and elegance of his boots and the cut of his clothing suggested that they had been bought in Copenhagen or Paris. He was bareheaded and wore on his left hand an enormous signet ring, engraved with the crest of the Von Hendreichs. It had snowed during the night and the roofs of the little village were white. Maidservants were sweeping the dry snow off the walks with brooms made of twigs. The young man-it was Count-Eric von Hendreichs- stopped in front of the largest residence and consulted a heavy, golden pocket watch. A moment later the bells of St. Michael's church rang eleven. As the last vibration of the bronze bells died on the cold air the young man ran lightly up the steps of the house and rang the bell. A maid wearing the apron and ribbons prescribed for servants at that time answered his ring, gave him a shy smile and dropped a deep curtsy. She was a pretty young woman but even the voluminousness of her costume could not conceal the fact that she was pregnant. He followed her down a dark hall to a large drawing room where an old lady sat by a samovar. The young count greeted his hostess affectionately in French and accepted a cup of tea. 'I can only stay a moment,' he said. Tm taking the stage to Copenhagen and the evening packet to Ostend.' 'Quel dommage,' said the old woman. At her side was an embroidery frame and below this a gilded basket heaped with hanks of colored yarn. She reached into the basket, extracted a small ivory-handled pistol and shot the young count through the heart…"

Nailles slams this book down on a table and picks up another called Rainy Summer. He reads the first sentence: "It was a very rainy summer and the ashtrays on the tables around the swimming pool were always filled with rainwater and cigarette butts…" He throws this book across the room. The doorbell rings. Nailles opens it and sees his neighbor Mrs. Harvey. Why is her face wet, he wonders. Beyond her shoulder he can see stars in the sky. Can she be crying and why is she crying? It is his turn to cry. "Please come in," Nailles says. "Please come in."

"I don't think I've been here since I solicited for the mutual fund," she says. She is crying. 'I'm soliciting again." Red Cross, thinks Nailles, Muscular Dystrophy, Heart Trouble? "What is your cause tonight," Nailles asks.

"The Harvey family," she says. "I'm soliciting for Dads." She laughs; she sobs.

"Please come in and sit down," says Nailles. "Let me get you a drink."

"Well it's a long story," she says, "but I guess I'd better tell it if I expect your help. I guess you know that Charlie's a junior in Amherst. He went down to Boston and took part in a demonstration. He was arrested and spent a couple of nights in jail but they let him off with a fine and suspended sentence. Then two weeks ago the draft board changed his classification from student deferment to 1A. He was ordered to report for induction the day before yesterday. I mentioned the fact that he was going to be inducted when I was at the beauty parlor and the woman beside me-I don't really know her-told me there was a psychiatrist in the village who makes a specialty in drilling young men in how to disqualify themselves for the army. He charges five hundred dollars. I thought of speaking to Dads about this but it seemed dishonest. Charlie doesn't want to be a soldier but he doesn't want to be a liar either. I mean it seems like killing yourself in order to avoid getting killed. Anyhow I didn't mention this. He was supposed to report for induction on Thursday and on Wednesday Dads went to the savings bank and took out three thousand. It was all we had. He gave Charlie five hundred in cash and the rest in a certified check. We never once discussed his plans. After supper he went upstairs and packed a suitcase and came down and Dads drove him to the station. They didn't say anything, they didn't even say goodbye. Dads said he didn't dare say goodbye because he would start crying. I suppose he's in Canada or Sweden but we haven't heard from him. Well a day later a man came to Dads's office- a man from the government-and said that he knew Dads had taken three thousand out of the bank in order to enable his son to emigrate. Dads and I thought our bank accounts were private but evidently not. He said that he wanted to see Dads at home so Dads took an early train today and the man drove over-the government man-from the county seat where his office is. He first accused Dads of assisting a draft evader and then he said he was going to make it short and sweet and he took a cigarette out of his pocket and put it on the table and said that Dads was under arrest for the possession of dangerous drugs. The cigarette was a marijuana but it was the first one Dads had ever seen. The man explained that he was after draft evaders because he had spent a year and a half in a POW camp in Germany, eating rats and mice. He wanted the younger generation to learn what it was all about. So then Dads called the lawyer here-Harry Marchand-and they all drove over to the county seat and Dads was arrested for the possession of drugs and put into jail. They set the bail at two thousand and because this is the end of the month we simply don't have it so I'm going from house to house trying to raise it."

"I think I have two hundred upstairs," says Nail-les, "if that would help."

"Oh it would help."

In the dark bedroom Nellie asks who is downstairs. "It's Grace Harvey," Nailles says. "I'll tell you about it later." When he opens the wall safe and takes out the money she asks: "Is the swami finished? Are you paying him?"

"No," Nailles says. "I'll tell you about it later."

"Would you like me to write a receipt," Grace asks.

"No. Of course not."

"I've done the mutual fund for five years," she says, "but I never thought I'd be going from door to door collecting bail for Dads."

By now Tony's room smells strongly of sandal-wood. "Ever since my experience in the station," says the swami, "I have believed in prayer. As I am not a member of any organized religion you might well ask to whom it is that I pray and I would not be able to answer you. I believe in prayer as a force and not as a conversation with God and when my prayers are answered, as they sometimes are, I honestly do not know where to direct my expressions of gratitude. I have cured several cases of arthritis but my methods don't always work. I pray they will work for you.

Your mother has informed me that you were an athlete and played football. I would like you to think of me as a spiritual cheerleader. Cheers don't make touchdowns, do they, but they sometimes help. I have all kinds of cheers. I have love cheers and compassionate cheers and hopeful cheers and then I have the cheers of place. In the place cheers I just think of someplace where I would like to be and then I keep repeating to myself a description of the place. For instance, in a place cheer I'll say that I'm in a house by the sea. Then I pick the time of day and the weather I like. I'll say that I'm in a house by the sea at four in the afternoon and it's raining. Then I'll say that I'm sitting in a kind of chair, a ladderback chair, and I have a book in my lap. Then I'll say that I have a girl I love who has gone on an errand but who will return. I say this all over and over again. I say that I'm in a house by the sea at four in the afternoon and it's raining and I'm sitting in a ladderback chair with a book in my lap and I'm waiting for a girl I love who has gone on an errand but who will return. There are all kinds of place cheers. If you have a special city you like-I like Baltimore-then you pick the time of day and the weather and the circumstances and you repeat all of this. Now will you do what I say?"

"Yes," says Tony, "I'll do anything."

"I want you to repeat after me whatever I say."

"Sure," says Tony.

"I am in a house by the sea."

"I am in a house by the sea."

"It is four o'clock and raining."

"It is four o'clock and raining."

"I am sitting in a ladderback chair with a book in my lap."

"I am sitting in a ladderback chair with a book in my lap."

"I have a girl I love who has gone on an errand but who will return."

"I have a girl I love who has gone on an errand but who will return."

"I am sitting under an apple tree in clean clothes. I am content."

"I am sitting under an apple tree in clean clothes. I am content."

"That was very good," the swami says. "Now let's try the love cheer. Repeat Love a hundred times. You don't really have to count. Just say Love, Love, Love until you get tired of saying it. We'll do it together."

"Love, Love, Love, Love, Love…"

"That was fine," the swami says. "That was very good. I could tell that you meant it. Let's see if you can sit up."

"It's crazy," Tony says, "I know it's crazy but I do feel much better. I'd like to try another prayer."

When Nailles hears them chanting HOPE, HOPE, HOPE, he has another whiskey. Was he a voodoo priest? Would he put a spell over Tony? Since Nailles claimed not to believe in magic why should magic have the power to frighten him? Out of the window he can see his lawns in the starlight, HOPE, HOPE, HOPE, HOPE. Their voices sound like drums. His lawns and the incantations came from different kingdoms. Nothing made any sense.

"Now try and sit up," the swami tells Tony. "Sit up and see if you can put your feet on the floor?"

Tony stands. He has lost all weight and muscle. His ribcage shows. His buttocks are wasted and there are red sores on his back.

"Take a few steps," the swami says. "Not many. Just two or three."

Tony does. Then he begins to laugh. "Oh I feel like myself," he says. "I feel like myself again. I'm weak of course but I'm not sad any more. That terrible feeling has gone."

"Well why don't you put on some clothes and we'll go down and see your parents," the swami says.

Tony dresses and they go down together. "I'm all better, Daddy," Tony says. "I'm still weak but that terrible sadness has gone. I don't feel sad any more and the house doesn't seem to be made of cards. I feel as though I'd been dead and now I'm alive."

Nellie comes down the stairs in a wrapper and stands in the hall. She is crying.

"How can we thank you," Nailles asks. "Can we get you a drink?"

"Oh no thank you," says the swami in his thin singsong voice. "I have something within me that is much more stimulating than alcohol."

"You must let me pay you."

"Oh no thank you," the swami says. "You see whatever I have is a gift and I must give it away. You can however drive me home. It is sometimes most difficult to get a taxicab."

So that was it. Tony went back to school ten days later and everything was as wonderful as it had been, although Nailles, each Monday morning, continued to meet his pusher in the supermarket parking lot, the public toilet, the laundromat, and a variety of cemeteries.