17

On a rocky point just at the south edge of the village, Marlin Dorriss's villa rose among giant boulders that had been tumbled there eons before by the earth's angry upheaval. Its montage of angles and converging planes reflected moving light from the sea's crashing waves. The pale structure seemed, to some, harsh and ungiving. Others, including Dorriss himself, admired the play of light across its pristine surfaces, the shifting shadows always changing beneath swiftly blowing skies.

Few windows faced the street. Those slim openings, like gun slits, glinted now in the morning sun as Joe Grey slunk among the boulders. Studying the house, he prayed that he hadn't left Dulcie in danger as she went to investigate Consuela's rented house. He had made her promise that if she heard any noise from within, any small hint of a human presence, she'd get the hell out of there fast.

"What can happen? So I'm hunting mice. If a mouse ran in through an open window, why wouldn't I follow?"

"Not everyone loves a prowling cat. Just be careful."

"You're feeling guilty because you suggested this gig and you're not coming with me. I think it's a blast. Who knows what I'll find?"

"I had hoped the kit-"

Dulcie had flashed him a look of green-eyed impatience. "I don't know where she is. And you know she'd only make trouble. She'd be into everything, and I'm always afraid she'll start talking a mile a minute."

But Joe had parted from Dulcie with an unaccustomed fear tickling along his spine, a taut wariness that almost made him turn back. Only the urgency of Marlin Dorriss's personal papers led him on, calling to him like the sound of mice scurrying in the walls.

It would set him up big time to lay his claws on the precise evidence that Max Harper would so like to obtain, papers that Harper's officers couldn't legally search for, and without which they might never have the lead they needed-if indeed Dorriss was involved in these high-class thefts.

And if Dorriss wasn't the thief, nothing lost. A few hours' adventure.

"You're courting trouble," Dulcie had told him. "Getting too bold. That place is huge, and built like a fort. Let me come…"

"We really need to know where the stolen clothes are hidden," he'd said, and had bullied until he sent her away; and now he couldn't stop worrying about her. She had left him, scowling, her ears back, her tail lashing, her parting words, "You're going to trip on your own claws if you're not careful," ringing in his ears as he crossed the village.

But what was life for, if not to balance on the edge? He just didn't want to put Dulcie in that danger. Consuela's small house led itself to quicker escape. Anyway, he had not the faintest notion that he would fail. With sufficient tenacity and clever paw work, why should he fail? Every human had bills to pay; every human kept his paid bills stashed in some drawer or cubbyhole.

"And how," Dulcie had said, "are you going to keep from implicating Detectives Garza and Davis? You daren't make it look like one of them broke into Dorriss's. They both were there in Harper's office when he talked about the bills."

Joe had been worrying about that. He'd told Dulcie, "No problem. I'll think about that after the deed." If he could find evidence that Dorriss had been in those towns at the time of the burglaries, Harper would have something to work on. It had to be frustrating to have a multimillion-dollar case like this and not a useful bit of evidence. Harper and Dallas Garza's strong cop-sense that Dorriss could be involved was good enough, anytime, for Joe Grey.

A granite-paved parking area curved before the front of the house, between the huge pale boulders and the natural, informal gardens. Granite flagstones led to the heavily carved front door that was recessed beneath a white slab. Above the door at either side, surveillance cameras looked down on Joe. To a master of break-and-enter, the place looked like Fort Knox. He hoped to hell those cameras weren't running at the moment, closely monitoring him. Even if he was only an innocent feline, electronic surveillance made him nervous-though Dorriss ought to be happy to have a stray cat wandering the property ridding the area of unwanted moles and gophers.

Passing the entry he trotted along the side of the house to the back, into a fine mist of sea spray. Crossing the stone patio he stood looking back at the house. Only here facing the sea were there wide expanses of glass looking out at the boulders and the crashing surf. The huge windows would, from within, afford an unbroken view of the Pacific.

The patio was protected from the wind by a six-foot glass wall, its panels skillfully fitted around the mountains of granite. From this sunny shelter a stone walk led down the cliff to the sea, doubling back and forth in comfortable angles until it reached the sand far below. For a few moments Joe crouched at the edge of the cliff rocked by the sea wind, caught in the timeless dance of the violent sea; then he turned away, approaching the house through the glassed patio.

He paused, startled.

Either luck was with him, or a trap had been laid.

Of the four pairs of sliding glass doors that opened to the seaward patio, the one at the far end stood open perhaps four inches, just wide enough for a cat to slip through.

Looking along the bottom of the glass he saw where it was locked in place so no one larger could enter. Higher up where the glass door joined the wall, he saw the tiny red lights of an activated security system, a strip of lights that rose from six inches above the floor to about six feet, a barrier impossible for a human to circumvent unless he was circus-thin and agile enough to slide in on his belly, or was a skilled high jumper. Sniffing all around the open glass he could catch no animal scent, cat or otherwise, could smell only salty residue from the sea spray. He could see no one inside the room beyond the glass, but the place was huge, with angles and niches that might conceal an army.

Slipping beneath the electronic barrier ready to spin and run, he eased beyond the beam. Once inside, he expected his every move to trigger an interior beam, but no alarm sounded. Uneasily he rose to his full height, his gray ears pricked, his short stub tail erect, his yellow eyes searching every angle of the furniture, dissecting every shadow. Still no alarm-and talk about architectural bravado!

The walls of the soaring, two-story great room were hung with large and vivid action paintings from the mid-1950s. Thanks to Dulcie's coaching, he recognized several Diebenkorns, two Bischoffs, half a dozen Braden Wests. Opening from this soaring gallery were a dozen low, cavelike seating niches, cozy conversation alcoves that were tucked beneath the floor above. Each little retreat was furnished in a different style designed around some esoteric collection. One conversation area featured miniature landscapes. One was designed to set off a group of steel sculptures. In another, couch and chairs were tucked among huge six-foot-tall chess pieces. An array of carved wooden chests and small cupboards was arranged among soft velvet seating. Joe could imagine Dulcie and Kit prowling here for hours, riven with delight at every new discovery, rolling on every velvet settee and hand-woven cushion.

Keeping to the shadows, scanning every niche to make sure he was alone, he expected any second to see someone sitting among the exhibits, silent and still, watching him. Or to come face to face with whatever animal, most likely a cat, enjoyed access through the open glass door. At the back of the room, behind a vast, two-sided fireplace, was a dining room with dark blue-gray walls. The huge carved table and chairs were rubbed with white, the chair seats upholstered in white. He would not have noticed these niceties if he had not spent so many hours with Dulcie. At every break-and-enter, she had to admire, examine, and comment upon the decor.

In the left-hand wall of the dining room, a door stood open to the kitchen. Far to the left of the kitchen an entry hall led to the carved front door, and here rose a broad and angled stairway. Was Dorriss's office up there on the second floor, his desk and files? Or did Dorriss have a secretary hidden away in some village office to take care of business matters? Likely he relied on a broker in some large firm to tend to his investments, but he had to have letters, personal bills. Wouldn't a house of this size and quality have a safe? Did Dorriss keep his stocks and bonds at home, along with the valuable pieces of antique silver and jewelry that he was known to collect?

Skilled as he was with his paws, Joe's expertise did not, as yet, include safecracking. Anyway he was here for bills, not silver. Who kept their Visa bills in a locked safe? Contemplating the possible extent of Dorriss's security arrangements, and his skin rippling with nerves, he made for the wide stairway.

Leaping up the carpeted stair, he gained the top step and stood listening, sniffing the soft flow of air from open windows somewhere on this floor, seeking any waft of human or cat scent. The house was meticulously clean; peering into a bedroom, he could see that the spaces under the chairs had all been freshly vacuumed. He could smell the faint afterbreath of the vacuum cleaner, that dusty aroma ejected through the dust bag even in the most expensive of models-though this dust-scented air was perfumed, as well, with cinnamon. Likely the housekeeper added powdered cinnamon to the fresh dust bags. Joe knew that trick- both Clyde and Wilma did it, to delicately perfume the house. Surely Clyde had learned the habit from Wilma, he'd never have thought of it on his own. The spice was far superior to air fresheners, which made Joe and Dulcie sneeze.

The wide upstairs hall was lit from above by a row of angled skylights. Paintings were spaced along both walls, again work by Diebenkorn, Bischoff, West, and James Weeks. Each piece had to be worth enough to keep Joe in caviar for ninety-nine cat lives. Five bedrooms opened from the hall. Each was handsomely designed, but none looked or smelled lived in. Only the last room, on his left, smelled of recent occupancy and looked as if it were regularly occupied; the shelves were cluttered with books and papers and several small pieces of sculpture, the smell of aftershave mixed with the scent of leather, and of charred wood from the fireplace. The fireplace was laid with fresh logs over a gas starter. The paneled wall on either side looked hand-carved, the oak slabs thick and heavy.

The master bedroom joined Dorriss's study through an inner hall, which also opened to the master bath and dressing room. This suite occupied the entire south end of the second floor. Around Joe the house was silent, the only sound the dulled crashing of the sea and the whispering insistence of the sea wind. Intently listening he trotted into Dorriss's office and leaped to the desk.

The desk faced a wall of glass; one of the three panels was cracked open a few inches. Crouching on the blotter with his nose to the window, Joe had the sensation of floating untethered above the cliff and the sea.

A fax machine stood beside a phone. Dorriss's computer occupied an adjacent worktable of boldly carved African design. The monitor was the newest model, flat, slim of line, dark gray in color. There were no file cabinets, but the desk had one file drawer. How would all of Dorriss's various business and charity pursuits be conducted with no more file space than that one drawer? At home, Clyde's automotive interests overflowed four file cabinets and all the bookshelves, plus six more file cabinets at the automotive shop. Did Dorriss keep all his business records in the computer? For the first time Joe wished he'd brought Dulcie; she could get into that computer like a snatching paw into a mouse hole.

With her official position as Molena Point library cat, Dulcie's access to the library computers, and her interest in such matters, had allowed her to become more than conversant with the daunting world of megabytes and hard drives. That, plus her female-feline stubbornness, assured that no computer program would outsmart this sweet tabby.

Joe stared at the computer wishing that he'd paid attention. Instead, he tackled the desk drawers, surprised to find them unlocked. Clawing the top drawer open, he wondered if, any second, he'd trigger a screaming alarm. Or a silent alarm that would alert some private security company? Because why would Dorriss leave his desk unlocked unless he had it cleverly wired?

Or unless he kept nothing of value here.

The smaller drawers contained only office supplies: pencils, pens, paperclips, various-size labels, and thick cream-colored stationery embossed with Dorriss's elegant letterhead. Joe tackled the file drawer. As he clawed the drawer out, a noise above him brought him up rigid, ready to scorch out of there.

But it was only a bird careening against the window and gone, leaving a long smear of feathery dust. He scowled, annoyed at himself. He was a bundle of rigid fur, rotating ears, nervously twitching whiskers.

Why did he do this to himself? Why wasn't he out napping in the sunshine like a sensible, normal cat?

The drawer was neatly arranged with a row of hanging files-and talk about luck. Dorriss's paid bills were right there in front, in one of six color-coded files that were tucked into a hanging box folder. The packets of paid bills were each held together by a large clip: utility and phone, automotive and gas, Visa and American Express. Other receipts and documentation were filed behind these, the entire box folder marked "current year taxes." When income tax time came, Dorriss had only to haul this stuff out and add up the numbers.

How strange that he would keep his credit card bills in plain sight. Or were these fake bills? Decoys meant for prowlers, and not the real thing?

But that was so dumb, that was really reaching. How would Dorriss even make that kind of fake bill?

Glancing over his shoulder toward the empty hall, he lifted out the packets with his teeth and spread them across the blotter. As he pawed carefully through, his ears went up and his whiskers stiffened-he was looking at hotel and restaurant charges in cities where the thefts had occurred.

He was pretty sure of the dates, though who could keep every burglary and every date in his head? The more he looked, the more he thought that the numbers did indeed match. The excitement made his skin ripple and his tomcat heart pound.

So what was he going to do now? Haul all the bills away with him, down the stairs, out the glass door, and around the house in the snatching wind, then drag them across the village in broad daylight?

Well, of course he was.

And of course Marlin Dorriss wouldn't miss the contents of these files. Particularly when, the minute he opened the drawer, there would be the empty file folder sagging like an abandoned mouse skin.

He studied the fax machine that stood beside the phone. Could he fax the bills to Harper, then put them back in the file?

But that operation, if he faxed all of them, could take hours. And were faxed bills adequate evidence for the judge to issue a search warrant?

Digging deeper back in the drawer he found files for previous years' taxes, each year carefully marked, each containing similar bills, credit card on top, phone bills at the back. Dorriss was so beautifully organized that Joe wanted to give him a medal.

Lifting a packet of paid bills from an earlier year, he dropped it into the front file in place of those he had removed. Voila. Who would know? Unless of course Dorriss had reason to refer to his recently paid bills. Digging a large brown envelope from the drawer of paper supplies, he pawed the bills into it, and worked the two-pronged fastener through its punched hole. Clawing the fastener closed, he tried not to think about possible tooth marks on envelope or bills. He was pushing the file drawer closed with his shoulder, bracing his claws in the carpet, when he heard a door open in the house below, and the breeze through the slightly open window accelerated as if in a wind tunnel.

Directly below, footsteps rang across the entry tiles, a man's heavy and hurried tread. Joe heard no voice. Dorriss didn't call out as if there was anyone else in the house-if it was Dorriss. The hard footsteps moved toward the stairs and started up, muffled suddenly by the thick runner to a faint brushing sound.

Gripping the heavy envelope in his teeth, lifting it free of the floor so as to make no sound, thus nearly dislocating his neck, he hiked the package across the hall to the nearest guest room. There on the thick antique rug he hastily dragged his burden under the bed; no dead rat or rabbit had ever been more cumbersome. Beneath the bed he paused, startled.

Now he smelled cat.

Tomcat? The scent of cinnamon was too strong to be certain. And the aroma was combined with the nose-twitching stink of a woman's perfume.

Helen Thurwell's perfume? But what kind of affair was this, if she occupied a guest room? Sniffing again at the expensive scent, he thought it was too heavy to be Helen's. Whose, then? Another of Dorriss's lovers, taking her turn when Helen wasn't available? He could hear Dorriss coming softly up the carpeted stairs. He hoped to hell the window above the bed was open. He could feel no movement of air, no breeze slipping in fingering under the bed.

This room would look down to the front entry, over the angles and juttings that faced the street, over descending roofs and ledges that should give him a quick passage to freedom-if he could get out. Listening to the approaching footsteps, he caught, over the numbing perfume, a whiff of Marlin Dorriss's distinctive aftershave, an aroma he had never smelled on any other human, that he had never encountered on the village streets; only those few times when he had happened on Dorriss in a patio or shop. Maybe Dorriss had it blended just for himself. The lawyer's soft footsteps on the thick carpet turned into the master bedroom.

Joe was about to slip out and check the window above him, when the sounds from the bedroom gave him pause. Stone sliding across stone? Wood scraping stone and wood? Dorriss coughed once, then Joe heard the heavy clunk of thick metal.

A safe? Was that why the desk wasn't locked? Whatever Dorriss wanted to keep private was locked away behind a wall of metal? Joe listened to papers being shuffled, then the scrape, again, of stone on wood. Then Dorriss moved into the dressing room; Joe heard the unmistakable snap of a briefcase or suitcase, then the slide of a zipper.

Leaving the brown envelope under the bed, he slipped out and padded down the hall into the master bedroom, watching the partially open door to the dressing room where papers still rattled. He could see, on a luggage stand, a black leather suitcase lying open. Dorriss stood over it, putting in folded clothes. On the stand beside the suitcase lay a sheaf of papers, and atop the papers a black automatic. A clip and a box of bullets lay beside it, the sight of which sent ripples of alarm through the tomcat.

He'd had enough of guns. His hearing hadn't been the same since he and Dulcie played moving target in the attic above Clyde's shop, chased and shot at by counterfeiting car thieves, and Clyde tried to rescue them. That was three years ago, part of that little caper during which he and Dulcie discovered their powers of speech, and their lives had so dramatically changed. The shock of seeing one human murder another had brought out latent talents in them that they had never suspected. One of those thieves had been Kate Osborne's husband, Jimmie, who subsequently took up residence at San Quentin.

Now, looking at the gun, he considered leaving the Dorriss house at once, even without the evidence.

Oh, right. Marlin Dorriss was going to shoot an innocent cat that happened to wander in? Dorriss must like animals, if he'd left the glass door open for some household kitty.

The more specific implication of that open door Joe did not want to think about.

Worrying only briefly about his own gray hide, wondering only briefly which of his nine lives he was living at the moment, Joe waited until Dorriss turned away, then slipped past the dressing room door deeper into the bedroom.

Creamy, hand-rubbed walls greeted him; a pastel Persian rug over blackish stained hardwood floors; a seating alcove arranged with a charcoal leather love seat and chair before a dark marble coffee table.

At the other end of the room stood a king-size bed with a pale brocade spread and a dull, carved headboard and matching nightstands. On the wall opposite the fireplace, next to the double dresser, stood a huge armoire inlaid with ivory, an antique cupboard that would be large enough to hold both a small bar and a thirty-inch TV But it was the fireplace that held Joe's attention.

A portion of its ornate paneling stood open and a steel safe loomed within, its steel door also wide open.

Rearing up, Joe could see nothing inside. Before he could leap up for a better look he heard Dorriss coming. Diving under the bed he watched Dorriss's black oxfords cross the room, heard him slam the safe closed, heard the little clicks as he turned the dial to lock it.

Joe watched Dorriss return to the dressing room, then came out from under the bed again and began to check out the room.

The tops of the carved night tables were empty. These roughly made chests with their dull unpolished wood looked handmade and expensive, perhaps pieces that Dorriss had imported from South America.

Rearing up, he could see two dark, flat items on the dresser. Leaping up and miscalculating, he hit the small plastic folder, sliding so hard he nearly went over the edge. He froze, listening, sure that Dorriss had heard him.

When the sounds of packing continued, he guessed not. Examining the folder, he found it was a little loose-leaf booklet designed to hold a dozen or so photos of one's dog or cat or baby, depending on the holder's preference, each photo protected within a clear little pocket.

These pockets held credit cards.

Laying a silent paw on the slick plastic, Joe felt far more elated than if he'd discovered a warren of fat rabbits. Studying the cards, he found examples from half a dozen credit card companies, each card issued in a different name. Behind each card in the same little pocket was a white file card containing an address and phone number, social security number, birth dates, and a woman's name. A mother's maiden name, that universal code for certain identification? And, best of all, a driver's license issued to the cardholder, each one bearing Marlin Dorriss's photograph. Joe was so pumped he wanted to shout and yowl.

But even this prodigious find was not the most interesting.

Next to the credit card folder lay what might be the real kicker, the veritable gold mine. For a moment he just stared. Then he started to grin; he could feel his whiskers tickling his ears. Right here beneath his paw was the ringer. The first-prize trophy. He heard again Dulcie's description: a small notebook with a mottled reddish-brown cover and a black cloth binding.

The notebook still smelled faintly of gas, of whatever substance PG &E put into their natural gas supplies so users would know if there was a leak in the line. Joe was reaching a paw to flip through the pages when he heard Dorriss coming back again, the scuff of his shoes on the dark hardwood. Joe had only time to leap from the dresser to the top of the armoire, where he crouched as flat as a pancake hoping he was out of sight. But then when Doris approached the dresser, he couldn't resist, he slipped to the edge to watch.

Picking up the notebook, Dorriss flipped through it as if reading random passages; the expression on his face was one of deep rage. Glowering at the open notebook, he ripped it in half. Ripped it again, then tore each half straight through the offending pages.

Scooping up the stack of torn pages, he moved to the fireplace. From the top of the armoire Joe stared down at Dorriss, his heart doing flips. As sure as queens have kittens, he's going to burn those pages.

Dropping to the bed behind Dorriss and slipping silently to the rug, Joe began to stalk the man. He wanted that notebook, he wanted those little mysterious pages that could be, that his cop-sense told him were, hard and valuable evidence to the death of James Quinn.

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