Eve of Destruction
Max Kinsella was the Man in the Moon.
Here at the Neon Nightmare club, he was part of the dark, neon-lit dreamscape. A hybrid of magician, acrobat, and superhero, he hung high above everybody else, a nightly phenomenon easily taken for granted. Anonymous. Easily over- or underestimated.
Sometimes he was a star swinging down on a bungee cord into the mosh pit on Neon Nightmare’s black Plexiglas floor, sprinkling firework tricks on the well-oiled crowd dancing the night away.
Beyond one perfectly safe confederate, no one knew he was the Phantom Mage, not even the love of his life, Temple Barr. It was a little bit of knowledge that was really too dangerous to have and to hold, especially for anyone he cared about deeply.
But he was playing double solitaire this time. No one knew that hidden rooms honeycombed the pyramid-shaped nightclub’s inside walls. There, he came and went using his real persona: Max Kinsella, who had performed as the Mystifying Max until forced out of Vegas. Now, for a select audience of conspirators, he played the disgruntled ex-magician. He was consorting with the group of aggrieved old-time magicians who called themselves the Synth, magicians who might be behind high stakes Las Vegas villainy like murder and money laundering and even international terrorism. His real role was infiltration, investigation. His purpose was exposing and bringing the Synth down. That sole act might save innumerable lives. But the Synth did not run on blind trust.
So, to his nightly role at Neon Nightmare, he had added a Synth-demanded assignment: playing high-flying technician in the “heavens” over the New Millennium Hotel’s extravagant soon-to-open exhibition of White Russian nineteenth-century treasures. Ripping off the exhibition was Max’s entry fee for membership in the Synth. They’d always suspected his motives. If he committed a high-profile crime in their service, they controlled him.
So, here he stood at midnight on a dark pinnacle inside Neon Nightmare, timing the first of many risky plunges to the abyss below. In the morning’s wee hours, he’d be moonlighting at the New Millennium, planning a daring art heist.
And sometime in between, he should be making a few personal appearances before an audience of one. Temple. He’d been forced to neglect her, and them. She was feeling it and saying so.
He remembered the overpowering plunge of falling for her more than two years earlier when they’d met in Minneapolis. He’d lured her to follow him to Vegas where they’d settled like newlyweds into a co-owned condo at the Circle Ritz. That was when he’d first started to investigate the possibility of slipping out of his undercover counterterrorist role that had been forced on him as a teenager. He could retire at the ripe age of thirty-four and become a magician, pure and simple.
It hadn’t worked out that way. Someone had tumbled to him. Someone hounded him out of Las Vegas and into hiding for a year.
He’d come back to find that Temple, smart and spirited and cute as a kitten, had stood her ground like a tiger when the police came sniffing around about his past and present whereabouts.
He’d known female assassins who were stone killers, but Temple had her own brand of toughness all the more lovable for being so unexpected in such a petite package.
Now he couldn’t even manage regular appearances in her bedroom, and his promises of finally breaking free of his past had become as empty as an old-time magician’s top hat.
He had so many roles to play, public and hidden, professional and personal, that even an expert juggler like himself couldn’t keep them all up in the air.
Max had become the man in the mirror, the middle, the mirage. He was the magician, the mechanic, the pawn, and the power player . . . depending on whose casting card you read.
For the first time, this position seemed untenable. Undoable. Doomed. He had split himself into too many personas. Some would not, could not, survive. That was the curse of the double agent. He had acted that role for many years. Now, all aspects of his various personas dueled each other. He wore the three faces of . . . not Eve, but Eventual destruction.
He had the sinking feeling that he stood on the Eve of Destruction.
He swung off his high, invisible perch into the darkness eighty feet below, into the laser lights and neon, losing his misgivings in the sudden enthralling swoop of risk and danger.
Flying, falling, flying while people below gasped and cheered and some few hoped, in the darkest corner of their too human hearts, that he would fall for real and truly thrill them.