Cat On The Edge. Cat Under Fire. Cat Raise The Dead

But the thought of Dulcie’s going up there alone was less acceptable. He glanced at her sideways. “Come by the house for me. But you’d better hope we find something to make it worth the trip.”

She gave him a sweet smile, and they moved on down through the tangled gardens, between comfortable little cottages, down across winding, residential streets. They crossed the narrow park that ran above Highway One where the road burrowed through its eight-block tunnel, then turned south two blocks to the wide green strip that divided Ocean Avenue. The parklike median marked the center of the village, running tree-shaded and cool along between the village shops toward the beach. Trotting down the springy, soft turf, they rustled through fallen leaves, scattering them with quick paws.

The shops weren’t open yet, but Joe and Dulcie could smell raw meat from the butcher’s, could smell fresh bread and cinnamon buns from the bakery. They basked in the aroma of fresh fish, where a truck was unloading cardboard boxes of halibut and salmon. The workmen saw them looking and hissed at them to chasethem away. The cats hissed back and turned their tails. They didn’t pause until they reached Joe’s street.

There they touched noses, and Dulcie rubbed her face against his.“I’ll come by later,” she said, her green eyes catching the light. He watched her trot away toward the jail and courthouse, moving lightly as a little dancer, her tail waving, her curving stripes flashing dark and rich against the pale walls of the galleries and shops.

Glancing across at the bookstore, he could see the clock in its window. Seven-thirty. She’d go to the jail first, climb the big oak tree to the third-floor windowsill, and lie looking in at Rob Lake, maybe share his breakfast-he liked to feed her little bits of sausage and egg through the wide-mesh barrier. She’d hang around listening to him play on her sympathy until court convened at nine.

Turning away to his left, toward home, he raced across the grassy median to the northbound lane, gauged the slow-moving cars, and leaped across between them.

At least if Dulcie had to solve puzzles, the murder of Janet Jeannot was better than agonizing over the mystery of their own pasts. They’d done enough of that this summer. Their sudden onslaught of uncatlike thoughts, and their ability to speak human words had been a shocker. When Joe had first experienced his new and alarming talent, he had tried to remain cool and laidback. Scared as he was, he’d attempted to handle the matter with some restraint. But not Dulcie. She had exploded into her new life with wild eagerness, embracing her sudden new talents with hot feline passion. Wanting to learn everything about the world all at once, trying to make sense of the entire universe, she’d just about driven him crazy. Even watching TV had become a challenge as she soaked up information

Ever since she had been a kitten, Dulcie had watched TV with her elderly housemate. Curled cozily on Wilma Getz’s lap, she had basked in the music and motion of the programs, and in the incomprehensible but fascinating voices. Then suddenly this summer, when she had begun to understand human words, she’d fixed her attention on the programs, eagerly lapping up the smallest detail. Sitting rigid on Wilma’s lap, like a little furry scholar, she had soaked up the daunting new experiences and ideas as if, her entire life, she had been waiting for this moment to learn and discover.

Good thing Wilma has some taste in what she watches.Though even Dulcie had better sense than to shape her total view of the world from TV.

Leaving Ocean behind him, Joe sped down the sidewalk the three blocks to his own front yard, to the small white Cape Cod that he shared with his own human housemate. Joe and Clyde’s cottage, snuggled comfortably beneath the sheltering oaks, was a somewhat decrepit structure, mossy around the foundation, and with a green-tinged, mossy roof, the shingles loose where a reaching branch had been at them. Clyde grumbled hugely about having to replace a few shingles, though he wouldn’t dream of trimming the trees. Nor did he do much else to pretty up the property, except mow the ragged grass. But the worn old place was home, cozy and safe.

Clyde Damen was thirty-eight, once married, before Joe’s time. He was stocky and dark-haired. He liked professional boxing, liked all competitive sports. He worked out with weights regularly, an activity which he performed with much grunting in the spare bedroom, lying sandwiched between his battered desk and the guest bed. He loved his beer and hiswomen; though he had grown far more selective, these last couple of years, in choosing the latter. Joe never could figure what women saw in Clyde, but they were always there, laughing, drinking beer with him, cooking his suppers.

Clyde had rescued Joe from the gutter as a half-grown kitten, where he lay fevered from a broken, infected tail. That was in San Francisco, and not in the best section of the city. One might say that Joe had been born on the wrong side of Market Street. Clyde had been driving up Mission when he saw Joe lying in the gutter. He said later Joe had looked like a bit of trash, and then like maybe a dead rat, but something had made him stop short, squealing his brakes.

Getting out, he had crouched over Joe, had touched him tentatively, then carefully examined him for broken bones.

When he found only the tail broken, he had gathered Joe up and taken him to the vet, then home to his small Sutter Street apartment. There Clyde had cared for him like a baby, had doctored him, spoonfed him, and given him pills, talking baby talk to him. They had not been parted since.

They had moved from San Francisco to Molena Point a year later, and it was in the village, back in the summer, that Joe’s strange metamorphosis occurred. Clyde had been surprisingly stoic about the matter.

Trotting across the ragged grass that Clyde euphemistically called a lawn, Joe leaped up the concrete steps and slid in through his cat door, wincing, as he always did, when the plastic flap dropped against his backIf humans can go to the moon, can’t they invent a more comfortable cat door? What’swithhuman priorities?

He crossed the living room, passing the dining room that Clyde seldom used. The instant he pawed open the kitchen door, the menagerie hit him like a kamikaze attack, thetwobig dogs pranced around, stepping on his toes, slobbering in his face, the three cats preening and pushing at him, inanely waving their tails.

The scent of fresh coffee filled the kitchen, and he could hear Clyde in the shower. Fending off the friendly, stupid dogs, he leaped up to the kitchen table. The old Lab and the elderly golden stood on their hind legs, staring at him, then at last resumed their pacing, waiting for Clyde to come out and fix their breakfasts. The three cats wound around the table legs, mewling as if Joe himself might open their cat food. The cats had treated him with great deference since the change in his life.

He gave them a patronizing stare and turned his back. They knew they weren’t allowed on the table. And, while they didn’t often mind Clyde, they minded him. The poor things never had figured out why, suddenly, he was so alarmingly different, but they respected that difference.Well hell, I hardly know, myself, what’s happened to me and Dulcie.

All he and Dulcie knew was that their species seemed to go very far back into history, into Egypt and into the medieval Celtic villages. Clyde and Wilma had done enough research to turn up some spectacular and unsettling implications. In the Molena Point Library, they had found references to Irish burial mounds with doors opening down into them, doors carved with pictures of cats. Had found, in Egyptian and Celtic and Italian history, tales of people vanishing and cats suddenly appearing instead, tales that made Joe’s whiskers bristle with unease.

He liked his new talents fine; he didn’t need to go into some elusive background. He was what he was. A talking cat. Brighter than many humans, clever and talented. He didn’t need all the hyperbole.

But Dulcie seemed fascinated that somewhere there were others like themselves, and she was intrigued by the further talents that they might yet discover in themselves-matters on which he would rather not speculate.

Now, atop the kitchen table, he sat down on the morning paper, reading quickly. The whole front page was given over to Rob Lake’s trial. There might be famine, flood, and war in the rest of the world, millions dying, but you’d never see it in the Molena PointGazette,not until this trial was resolved and Rob Lake was either convicted or released.

DAY THREE. AMES CALLS FOR DELAY. EVIDENCE SHAKY.

So the evidence was shaky. So, big deal. Couldn’t the local reporters find anything else to write about?

But,he thought uneasily,what if Dulcie’s right? What if Lake didn’t kill Janet? Could be, if Dulcie keeps poking around looking for the real killer, she’s going to get herself hurt.

Despite Dulcie’s human perceptions, she was still a cat, small and delicate, heartbreakingly vulnerable. If she made too many waves, if she exhibited her strange talents too openly, she could end up in deep trouble.

Already one man in Molena Point had realized they weren’t normal cats and had tried to kill them. And maybe other people knew.

Worrying about Dulcie, wishing she’d come to her senses, he sighed and stretched full-length across the newspaper.So who can reason with her? She’s going to keep on pressing until someone hurts her-or until she solves the damned murder.

2 [????????: pic_3.jpg]

The Molena Point jail stood across a narrow alley from the police department and courthouse. Its ancient brick structure was well past its prime but solid as the proverbial brick outhouse, and Police Captain Harper fought each attempt to condemn the jail and tear it down. Its proximity to the station was convenient for new bookings and court case confinements, so his officers did not have to transport prisoners to and from the county lockup. The property, however, in the center of the village, was so valuable for commercial purposes that every year there was a battle. So far, Harper had prevailed. The back of the jail faced the police parking lot behind the station, and was shaded by a gnarled oak, its branches caressing the barred jailhouse windows.

Three stories above the alley, Dulcie crouched in the knotted, twisted tree, gazing intently across empty space to the window of Rob Lake’s cell. On the brick windowsill two dozen pigeons strutted, dirtying the bars, eyeing her, and cooing inanely in their conviction that no cat could reach them across empty space.Peabrains. Can’t they remember I’ve leaped that chasm every day for a week?

Gathering herself, fixing her attention on the narrow brick sill, she tightened down, flexed her haunches, lashed her tail, and sailed across. Pigeons exploded away loud as a clap of thunder.

Moving along the sill between pigeon droppings, she pressed against the bars and wire mesh. The high degree of security amused her. Max Harper took no chances with his prisoners. Below her in the dim cell, Rob sat hunched on his unmade bunk, his head in his hands, unaware of her. Hadn’t even glanced up at the explosion of pigeon wings. He’d made no effort to clean himself up for the day, his brown hair was rumpled from sleep, his face stubbly, his prison blues wrinkled. His bedsheet and dingy blanket were in a tangle, his pillow fallen to the floor.

He was a young man, nice enough looking, though his soft face was perhaps a bit weak, a bit sullen. Maybe his very weakness drew her, stirred her pity-my maternal instincts, Joe says-and kept her coming back. He always seemed so happy to see her, as if she was perhaps the only visitor he had, besides his attorney.

And who could warm to that attorney? Deonne Baron might be a good defense lawyer, but she was abrupt and cold, and spoke with a harsh, precise voice that gave Dulcie a cat-sized headache. She could hardly bear to listen to Baron in court, had developed a deep, snarling dislike of the woman.

Now, she stared down into the cell at Rob’s bent head, and mewled softly.

He looked up and grinned. The desolation, which showed for only an instant, left his face. He rose and came to the window, reaching up to press his fingers through the wire mesh and pet her.“Glad you’re here, cat. I was getting the sweats real bad; the walls were closing in.” He looked her over, reached a finger to rub her ear. “I don’t know why, cat, but you always make me feel better. Somehow you take away the trapped feeling.”

He frowned, scratched his stubbled cheek.“Another day in court. More endless testimony. And for what? They all think I killed her.”

He looked at her deeply.“Why do you come here, cat? I’m sure glad you do, but hell, I don’t even feed you, except a few scraps, sometimes. And I can’t really pet you very well through all this metal. What brings you here, kitty? My sweet jailhouse smell?” He pressed his hand harder against the wire, seeking her warmth. She pressed back, rubbing her face against the cold wire, then winding back and forth on the narrow ledge, looking in at him inquiringly. Usually an inquiring look would get him to talk; this was how she had gotten him to tell her how he felt about Janet. He had sworn to her that he didn’tkill Janet. And why would he lie to a cat?

Joe said maybe Rob was a pathological liar, maybe he’d rather lie than tell the truth, even to a cat, that maybe he lied to himself, too. Or maybe he liked to practice his lies on her, polishing them for his next court appearance.

But Joe was wrong. Rob Lake did not kill Janet.

She knew he felt trapped, trapped in the tiny cell, and trapped most of all by a legal system that should have protected him. Rob seemed, as the trial progressed, to grow more and more despondent. As if the whole world was against him, as if he didn’t have a chance. And when he talked about Janet, Dulcie knew he had loved her, that he couldn’t have hurt her.

Janet’s death had shaken the whole village. The young artist had been such a bright part of Molena Point life, and so beautiful, her long pale hair, her slim build and easy stride, her cheerful, unassuming presence. She didn’t fuss over her looks-she never wore makeup, and she usually dressed in old, worn jeans, which often had a welding burn or a paint stain. Of all their local artists, Molena Point had loved Janet best, and had loved her paintings best. Her big, splashy interpretations of the wind-driven rocky coves, her tiny cottages tucked between the huge and windy hills, were subjects which, treated by a lesser painter, would have been trite, but to which Janet brought a powerful vibrancy and magic. Dulcie had been deeply touched by her work. The transition Janet accomplished, turning an ordinary bit of the world into something new and wondrous, seemed to mirror exactly the transition in Dulcie’s own life-from ordinary cat self into a world exploding with vistas and possibilities she’d never before guessed at.

She missed Janet, missed seeing her around the village, missed her casual visits to Wilma’s when she would pop by for a cup of coffee and a few minutes of comfortable talk. The day of the fire, after Janet’s body had been taken away, Dulcie came home and crept under the couch into the quiet dark and curled down into a little ball, her nose pressed to her flank, her tail tight around herself. No one but Wilma or Joe could understand how a cat could grieve for a human.

The night before Janet was killed, she had driven home alone from a long weekend in San Francisco, from the opening of the de Young Museum Annual, where she had accepted first prize for oils and second prize for sculpture. That was a heady night for any artist, to receive two top awards in one major show. That was Sunday night. She had left the reception around ten, driving south along the coast, the only direct route, arriving home near midnight. She had pulled the van into her hillside garage-studio, and in a few minutes, a neighbor said, her lights came on in her downstairs apartment. Half an hour later the lights went out, as if she had gone to bed.

She rose early Monday morning as was her habit-she was up by five. A neighbor leaving for his job on the Baytowne wharves saw her lights. She must have dressed, gone directly upstairs, and made coffee in the studio as she usually did. The newspaper said she was under a tight schedule, finishing up the last small touches on a metal sculpture commission to be delivered that week. The county fire investigators weren’t sure whether, when she turned on her oxygen gauge, the tank exploded, or whether fire broke out first and caused the tank’s explosion. She was hit in the head by flying metal.

The Molena Point police found a liberal smearing of oil on Janet’s oxygen gauge and in the lines. Oil which, when the tank was turned on, could have caused the explosion. But that wasn’t what killed her.

Traces of aspirin were found in her blood, and Janet was deathly allergic to the medication; even a small dose would have dangerously slowed her breathing. The police had found traces of aspirin in the metal of the melted coffeemaker. The combination of aspirin and smoke inhalation had been sufficient to end Janet’s life. And perhaps the explosion of her van had prevented her dazed escape.

Normally she did not weld with her van inside the studio complex, but she only had to do a little touch-up to the sculpture. When flames reached the van’s gas tank the resulting explosion turned the fire into an inferno that leveled her studio and swept on across the hills. Fanned by the early-morning wind, it burned a wide swath of the residential hills, igniting a half-mile corridor of trees and houses to the south, but leaving Janet’s apartment below the studio’s concrete slab nearly untouched. The evidence soon pointed to Rob Lake. His old Chevy Suburban was seen in the drive just before the fire and his prints were recovered from the scene. Dulcie watched him now as he paced the cell, returning to her, reaching up again, then moving away. He could not be still.

Janet had broken up with Rob nearly a year before she died. They were not on good terms. They had parted when Lake began a professional relationship with Janet’s ex-husband.

Onetime art critic Kendrick Mahl, now a gallery owner, had made a big name of Lake, though Lake’s work wasn’t much. Village gossip had it that Mahl took Lake into his stable to spite Janet. And who could blame Lake for jumping at the chance? Mahl was a big name in California art circles.

Mahl promoted one-man shows for Lake, pressed for articles in art publications, ran full-page, full-color ads in those same journals. Until the murder, Lake had been well on his way to becoming a big name. Now, except for the attention of sensation seekers, Lake’s career was on hold. Rob Lake’s world had shrunk overnight to the size of his jail cell.

Lake didn’t have a solid alibi for the night Janet died. There was no witness to his movements once he left San Francisco. After the reception at the de Young, he had parried with friends. He returned home to Molena Point about 4 A.M. and went to bed. Two witnesses testified that he left San Francisco shortly after two in the morning. Lake had had keys to Janet’s studio from the days when they were dating, as well as keys to her four-year-old Chevy van. He testified that for sentimental reasons he hadn’t returned them, that he kept them in his dresser drawer.

But Janet’s agent, Sicily Aronson, also had a set of keys, to both the studio and the van. And so had Kendrick Mahl at one time. Mahl, in court testimony, said he’d given them back and that he hadn’t made copies.

Rob stroked Dulcie through the wire.“You know, cat, I never had pets. I always laughed at people with pets. I thought it was stupid, dogs fawning and whining, that having an animal was just a big bother.

“I figured cats were totally aloof, that cats just used a person. But you’re not like that.”

He looked at her intently.“I give you nothing, I can’t even pet you properly, and still you come to see me. Why?”

Dulcie purred.

“Sometimes, cat, I don’t think even my attorney gives a damn. I wish? But what the hell. Maybe all attorneys are like that.” He was silent for a few moments, his gaze boyish and innocent. “Maybe if I could paint in here, if they’d let me have paints and some canvas, maybe I could relax.” He pressed both hands against the mesh, his palms flat.

“But what good would it be to paint? Truth is, I’m not sure if I want to go on painting when I-if I get out of here.”

She gave him a surprised look, then quickly she nibbled at her paw.

He studied her, frowning.“I’m not like Janet; I’m not a passionate painter like Janet was.” He grinned at the word. “But it’s true. Janet painted because she had to, she was driven to paint. But me-I never had that kind of passion.

“And ever since she died, cat, I really don’t give a damn.”

He leaned his forehead against the concrete.“I envied her talent, cat. But you know I couldn’t have killed her.” He looked up at her searchingly. “I hope you know it. I guess you’re the only one who does know it.” He looked sheepish suddenly, then he laughed.

“I’ve really lost it, telling my troubles to a cat. But, I don’t know?” He frowned, shook his head. “I feel like you really do care. Like you know I didn’t kill her.”

She purred louder, wishing she could speak to him, could comfort him.

That would really tear it-send Joe into complete orbit.

“Even when Mahl took me into his gallery, cat, when he made me a part of that exclusive stable, I knew I wasn’t in the same league as Janet.

“Right from the start, I knew that Mahl did it to hurt her. I was ashamed of that,” he said softly. “But not ashamed enough to stop him. I let him do it, and I didn’t complain, I didn’t have the guts. All I wanted was to be famous.”

Lake turned away again to pace the cell, then whirled to Dulcie so suddenly she started and nearly fell off the narrow ledge.

“I wasn’t ashamed enough to stop,” he shouted. “Not ashamed enough to turn away from one big ego trip.”

She stared at him until he calmed down. This guy could, without too much effort, become a real basket case.

“If I hadn’t let Mahl build me into a big name, hadn’t let him use me to hurt her, maybe she’d still be alive. Maybe we would never have broken up, maybe we’d still be together.” He sat down on the rumpled bunk, looked up at Dulcie.

“Maybe we would have been together that night, and I might have prevented what happened.” He stared up at her bleakly. “I didn’t kill her, cat. But maybe it’s my fault she died.”

Dulcie was stricken with pity for him, but she was irritated, too. Right from the start he had stirred every ounce of her sympathy, yet his total lack of hope enraged her. He seemed to have given up already. Sometimes he was so negative she wondered why she bothered.

Maybe shewassuffering from misguided mothering instincts, but one thing she knew for sure-Lake was innocent. He was in there because of Marritt’s sloppy investigation. Captain Harper wouldn’t keep Marritt on the force for a minute if the mayor and city council hadn’t threatened Harper’s own job. She thought Harper was biding his time, waiting for a good way to dump Marritt, one the city couldn’t argue with.

And as for the prosecuting attorney, what could you say? The county attorney wanted a conviction.

But it was her dreams that had really convinced her of Rob’s innocence. Three times she had dreamed of Janet’s white cat, and he was trying to tell her something, show her something important.

Before the fire she and Joe had occasionally seen the white cat as they hunted the hills, and had glimpsed him leaping out through Janet’s studio window, which the artist had kept open for him. They didn’t see him often, and Dulcie thought he must have spent a lot of time in the house, sleeping. He was not a young cat.

After the fire, crews of villagers and SPCA volunteers had searched the hills for all the missing animals. They had found most of the dogs and cats, but they had found no trace of Janet’s cat. Joe said he probably died in the fire; but no remains were found. It was a terrible thing to die in a fire; Dulcie was sickened to imagine such a death.

It was a week after the fire when she began to dream of the white cat. He was a longhaired torn, very elegant, with deep blue eyes. Her dreams were so clear that she could see the rabies tag fixed to his blue collar, and the small brass plate with Janet’s name. In each dream he wanted her to follow him, he would turn looking back at her, giving a switch of his tail and a flick of his ears. But each time, when she tried to follow, she woke.

Rob stood looking out into the hall through his barred door, then returned to the window.“The police are going up to Janet’s this morning; they’re going to look for her diary. God knows what’s in it, cat. God knows what she said about me.”

She stared at him, puzzled, galvanized with interest. She’d heard nothing about a diary.

“Late yesterday a witness testified about the diary. That skinny old lady who said she saw my Suburban at Janet’s the morning she was killed. She testified again, told the court that Janet had a diary.”

The witness was Elisa Trest. Dulcie had thought Elisa wasn’t going on the stand until this morning. If she’d known that, she would have stayed later yesterday afternoon.

“That Trest woman used to clean for Janet. I remember her up there poking around. Dried-up, nosy old biddy. She couldn’t have seen my car. Why would she lie about it? She’s saying Janet kept her diary on the shelf in the bedroom, but I never saw it. If there was a diary, I bet the old woman read every word, the way her face turned pink.”

He sighed.“After we broke up, and I went with Mahl, I can imagine what Janet must have written about me. Well, it’s out of my hands. But if the cops find it, that could mean another delay. Sometimes I think the delays are worse than a conviction; it’s the delays that drain you, drag you down.

“But what do you care?” he said crossly. “What would a dumb cat care?”

Dulcie blinked.

He was like this sometimes, sweet and needing one minute, and angry the next. Well, the young man hurt; and he was afraid. And she was the only one available to yell at. She narrowed her eyes, thinking about the diary, wondering if such evidence would help Rob or would strengthen the case against him. Wondering, if Detective Marritt found the journal, what he would do. And if Deonne Baron got hold of the diary, if she thought it would win the case, she was the kind of woman who would spread Janet’s personal life all over the papers. Ms. Baron didn’t care about Rob, Dulcie was convinced of that, but she was boldly aggressive about winning.

Dulcie lashed her tail, dunking. She wanted to see Janet’s journal; she wanted a look at it before the police found it.

She turned, looking down into the police parking area. The officers’ private cars were damp with overnight dew, the windshields fogged over. The shift hadn’t changed. It wasn’t yet eight o’clock, when the day watch came on, when Marritt would arrive at work and maybe head right up to Janet’s to look for the diary.

She gave Rob a long look and left him, leaping across the three-story drop into the oak tree, scattering pigeons. Clinging to the branches, digging her claws deep into the rough bark, she backed down and took off, running.

3 [????????: pic_4.jpg]

A slash of morning sun careened across the kitchen table, warming Joe’s fur where he lay sprawled on the morning paper. Below him Barney, the golden, and Rube, the Lab, fussed and paced waiting for their breakfasts. The cats had settled down, hunched, hungry, pretending patience. He glanced across through the wide window above the kitchen sink. A hummingbird flitted at the glass, then was gone. The neighborhood rooftops gleamed with slanting light as the sun lifted above the hills and far mountains. When he heard Clyde coming down the hall he stretched out more fully across the sports page, though he had already pretty much trashed it with his muddy feet, leaving long, satisfying streaks of soil and wet grass that obliterated portions of the text.

Clyde pushed open the kitchen door, carrying his empty coffee mug and a clean white lab coat. The dogs leaped at him, whining, and the three cats wound around his ankles, preening and purring. He dropped the lab coat over the back of a chair and knelt, hugging and baby talking the fawning beasts as if he hadn’t seen them in months. Dressed in faded jeans and a red polo shirt, he was well scrubbed, freshly shaven, his cheeks still faintly damp. His black hair, handsomely blow-dried, would within an hour be wild as a squirrel’s first try at nest building. Rising from his kneeling position, he straightened the pristine lab coat until it hung without a wrinkle. The starched white coat was a gross affectation-it would look fine on a doctor. Clyde had taken to wearing these garments only recently: Clyde Damen, Physician of Foreign Engines, resident M.D. to Molena Point’s ailing Rolls Royces and Mercedeses. He even had the damned coats commercially laundered and starched.

Clyde acknowledged Joe with a soft shove to the shoulder and stood studying Joe’s sprawled form draped across the sports page. “You have mud on your paws. Can’t you wash before you come in the house? And why the hell do you always have to lie on the sports page? What’s wrong with the editorials? You’ve left half the yard on it.”

“Why should I lie on the editorials? You don’t read the editorials. Your life would be incredibly dull without my little homey touches.”

“My breakfast table would be cleaner, too.” Clyde gave him a long look and set about opening cans of dog food and cat food and boxes of kibble. He filled five separate bowls, setting them down on the linoleum far enough apart to maintain a semblance of peace among the three cats and two dogs, to avoid unnecessary snapping. As the beasts ate, he propped open the door to the backyard so they could have a run when they were finished. He filled his coffee cup, pulled a box of cereal from the cupboard, dumped some into a bowl, and poured on milk Every morning, watching him do this, Joe wondered what would happen if he absently dumped in dog kibble. But hey, add a little sugar, who would know? Clyde set the bowl on the table. “What do you want to eat?”

“Thanks, I’ve had breakfast.”

“I can imagine. Blood and intestines.” He sucked at his coffee, reaching for the front page. ” ‘Baron’s call for delay denied.’ Damned lawyers would string it out forever.” He looked up at Joe. “I suppose Dulcie’s down there again this morning. Tell me why she’s so determined. Where did she get this fixation that Lake’s innocent?”

Joe sighed and rolled over, then sat up irritably, biting at a flea.“It’s her dreams,” he said uneasily. “Those dreams about Janet’s white cat. I told you, she’s convinced the cat is still alive, that he’s trying to tell her something.” He licked a whisker. “I wish those searchers had found the cat either dead or alive, then maybe she wouldn’t be dreaming about him.”

“The white cat’s dead. He’s dead or he’d have gone home-what’s left of home. The neighbors would have seen him.”

Joe preferred to think the cat was alive, that Dulcie was at least dreaming of a live cat and not a ghost.

The white cat’s picture had been in the papers, as reporters dredged up every detail of Janet’s life. If anyone in Molena Point had seen him, they would have taken him in, or notified the animal shelter, or called theGazette.

“I find it interesting.” Joe said, “that Janet’s sister Beverly didn’t make a fuss about the cat, that she didn’t go out herself to look for him.”

“The cat’s dead,” Clyde repeated.

“Maybe,” Joe said uncomfortably.

“Dulcie’s lost her head over this. Look at the evidence. Lake’s Suburban was seen that morning in Janet’s driveway-who could mistake that old heap. And after Janet and Lake broke up, Lake was so vindictive that Janet refused to talk to him. Don’t you think that made him mad? These days, people kill for less.”

Joe snorted.“If you murdered every woman you broke up with, Molena Point would be half-empty.” He licked mud off his leg. “Anyway, the car is circumstantial. The witness only said it looked like Lake’s Suburban-there are plenty of those old Chevys around. It was still dark, how much could she see?”

Clyde spooned more sugar onto his cereal.“Anyway the grand jury had to think there was sufficient evidence to indict Lake. They don’t take a man to trial for nothing.”

Joe shrugged.“Grand jury thinks he could be guilty. Dulcie swears he’s not. What am I supposed to say to her? She won’t listen.”

“Just because she’s gotten friendly with Lake, hanging out in his cell-just because Lake is a cat lover?”

“She doesn’t go into the jail. She watches from his window,” he said, hissing. He might be critical of Dulcie, but when Clyde started trashing her he got angry. “She doesn’t think he’s a cat lover; she just thinks he’s innocent. And it’s not only from listening to Lake,” he said defensively. “It’s from other stuff she’s heard.”

“Like what?”

Joe shrugged.“Like there might be another witness, who hasn’t come forward.”

“Who said?”

“Talk around the village.”

“Well of course that’s reliable. Village gossip is always?”

“Maybe it’s not gossip. Maybe there’s something to it. You can pick up a lot of information hanging around the restaurants and shops.”

Clyde stopped eating.“What, exactly, do you mean by hanging around? Is that like the morning I caught you two cadging scraps under the table at Mollie’s?” He fixed Joe with a hard look. “Have you two been in the shops again? Sneaking around into the restaurants? Don’t you know there’s a health law?”

“Dulcie and I are healthy. We won’t catch anything.”

Clyde sighed.“You two are lucky you live in Molena Point. Anywhere else, the shopkeepers would call the pound.”

“Give it a rest. I’ve heard it a million times. ‘Molena Point residents are good to you, you ought to return their thoughtfulness, try to act decent, remember your manners. Molena Point is cat heaven. You two don’t know how lucky you are.’ You tell me that every time I complain about any little thing. ‘You live anywhere else, Joe, you wouldn’t have half the freedom or half the perks.’”

“You better believe it. And you’d better stay out of the cafes.”

“I thought we were talking about the trial.”

“We were talking about the trial.” Clyde’s voice had risen. “And doesn’t it mean anything to Dulcie that of the four suspects, Lake is the one the police arrested and charged with murder? And are you forgetting that Lake had a key to Janet’s place?”

Joe licked a spill of milk from the table.“So he had a key. Kendrick Mahl had a key. And so did Sicily. Anyway, Janet had to be killed by someone who knew about welding equipment, and Kendrick Mahl gets the vote for that. Mahl has to know about gas welding-he handles the work of four metal sculptors.”

“That doesn’t make him a welder. And Mahl was questioned and released.”

“Besides,” Joe said, “everyone knows he hated Janet.” It was common knowledge in the village that Mahl had never forgiven Janet for leaving him. “And what about sister Beverly? From the way people-including you-describe her, she sounds like a real piece of work. She didn’t waste any love on Janet.” Joe twitched an ear, flicked a whisker. “No, I wouldn’t rule out Beverly.”

“That doesn’t make sense. If sister Beverly killed her, she wouldn’t burn Janet’s paintings. BeverlyinheritedJanet’s work. Would have been over a million bucks’ worth. Why would she set fire to a fortune?

“And why,” Clyde continued, “would Sicily Aronson kill her? She made a bundle of money as Janet’s agent. Now, with Janet dead, that’s dried up. She’ll sell the last few paintings, probably for huge prices, but that will finish it.”

He looked at Joe bleakly.“Not only Janet, but most of her work is gone. Everything she hoped-that she cared about, gone.

“She said-told me once, if she never had children, at least her work would live after her. That generations down the line, maybe something of what she saw and loved might still have meaning for someone.”

Joe said nothing. He’d seen villagers slip into the Aronson Gallery to spend a few minutes looking at Janet’s paintings as if that pleasure turned a simple shopping trip into a special morning. He had seen villagers wave to Janet on the street and turn away smiling deeply, as if they were warmed just by the sight of her. Janet’s death had generated such intense anger in the village that for a while the county had considered moving the trial to a more neutral town.

Before Lake was indicted, Detective Marritt and the Molena Point police and the county investigators had spent weeks sifting the ashes and debris of her burned studio, sorting and photographing bits of burned cloth, sorting through pieces of blackened metal and wood, bagging the charred debris for the county lab.

And the police had gone over Janet’s apartment just as carefully. Sheltered beneath the concrete slab floor of the studio, the apartment had been left untouched by the fire. The police had fingerprinted, photographed, taken lint samples from every inch of Janet’s home.

Clyde added more cereal to his bowl, and more milk.“Just suppose for a minute that Lakedidn’tkill her.”

“So, suppose.”

“So the killer’s still free, Joe.” Clyde gave him a long look. “So, is he going to take kindly to Dulcie snooping around looking for new evidence?”

Joe smirked.“I’m not sure I understand you. You’re saying Janet’s killer is going to be afraid of a kitty cat?”

Clyde didn’t say a word. They both knew what he was thinking. At last Joe cut the bravado, his expression sobered. “You think someone besides you and Wilma knows about Dulcie and me-the way Lee Wark knew?”

“Wark was after you and Dulcie like a butcher after a side of beef. So why not someone else?”

“But Wark was a fluke. A Welshman who grew up knowing some pretty strange history. That won’t happen again. How many Welshmen can there be in Molena Point.”

Clyde rose and refilled his coffee mug.“I’m only saying, you and Dulcie keep nosing around, and there’s going to be trouble.”

My sentiments exactly,Joe thought. But he wasn’t taking sides against Dulcie. Shrugging, he began to clean his claws, stretching them wide and licking between, scattering dirt on the table.

“Do you always have to wash when you don’t want to listen! Face it, Joe. Ever since you two got involved in Samuel Beckwhite’s murder, you think you’re some kind of detectives-feline Sam Spades.” He sat down, digging fiercely at his cereal. “Don’t you understand that cats don’t solve murders, that cats?”

Joe leaped from the table to the kitchen sink, turning his back, staring sullenly out the window.“Who solved Beckwhite’s murder? Who led the police to the auto agency, to where the money was hidden?”

“The police came because gunshots were reported.”

“Sure gunshots were reported.” He spun around staring at Clyde. “That nut nearly killed me and Dulcie before the cops got there. And who do you think saw Wark and Osborne change the VIN plates on the stolen cars? Who do you think saw them take the money out of the cars and stash it? Who made sure the cops found it?”

“All I’m saying is, you and Dulcie are?”

Joe flexed his claws, fixing Clyde with a narrow yellow gaze, his ears flat to his head.

Clyde sucked up coffee.“I know you two broke the Beckwhite murder, but that doesn’t mean you need to spend the rest of your lives trying to solve murders that are already-that are? Why can’t you just be happy? Why can’t you two just enjoy life and leave this alone?” He got up and rinsed out his cereal bowl, brushing against Joe. “I understand why you and Dulcie were interested in Beckwhite-you saw Wark kill him. But this? Neither you nor Dulcie has any direct interest in Janet’s murder.”

Joe had said exactly the same thing to Dulcie, but he didn’t like Clyde saying it. “Dulcie knew her just as well as I did. Dulcie was fond of Janet, and she loved Janet’s work. That painting Janet traded to Wilma-Dulcie lies on the couch for hours, sprawled on her back, staring up at that painting.”

Clyde set his bowl to drain on the counter.“The point is, if Lake didn’t kill her, and if you two keep prodding at this, the real killer is going to find you just the way Wark did.”

Joe examined his back claws.

“Oh hell. It’s no good talking to you. Wait until Dulcie gets caught sneaking into the courtroom, and then see?”

“She doesn’t sneak into the courtroom. She listens from the ledge-that ledge that runs along under the clerestory windows. It’s October, Clyde. Balmy. All the windows are open. All she has to do is skin up one of the oak trees behind the courthouse and there she is, exclusive box seat.” He grinned. “Box seat she has to share with about a hundred pigeons. The first day, it took her two hours to clean the pigeon crap off her paws and her behind. She said it tasted gross.”

“Didn’t you help her?”

Joe stared at him coldly.“I’m not licking pigeon crap off her. Now she carries a hand towel up with her, to sit on.”

“That’s cute. And when someone sees her going back there into the alley carrying a hand towel, what then? Sees her climb up the tree carrying the towel in her teeth, or sitting on the ledge on the damned towel. Don’t you think they might wonder?”

“Cats do strange things. Everyone knows cats are weird. Read the cat magazines, they’re full of stuff like that. Anyway, Dulcie says the trial is a farce. If she believed before that Lake was innocent, the shaky testimony has really convinced her.” He lay down on the cool white tile of the countertop and patted at the tiny, intermittent drops of water falling from the leaky tap.

Clyde scowled at him and reached across him to turn off the tap. The dripping stopped.“What shaky evidence?”

“Lake’s fingerprints in Janet’s bedroom, for one thing.” He lifted his head, staring at Clyde. “The guy lived with her for six months. Of course his prints were all over. Don’t you suppose the prints of every woman you ever dated are plastered all over your bedroom?”

“I don’t go to bed with them all.”

“Name one.”

“I didn’t go to bed with Janet. I dated her but we never?”

“Only because she wouldn’t.”

Clyde sighed.“You’re off the subject. When Dulcie didn’t even know Lake, until after the murder, why is she so hot to help him?”

Female passions-feline passions-dreams of white cats-who knows what runs Dulcie?“You ever hear of justice? Of wanting to see justice done?”

“Come off it.”

Joe smoothed the fur on his chest with a rough tongue.“She thinks Lake was set up. She thinks the evidence was planted, that Lake’s car was driven to the scene by someone else.”

“Don’t you think the cops checked that? Detective Marritt?”

“You know what Captain Harper thinks of Marritt. And sure they checked it out. That’s the point-they don’t have any proof it was Lake’s car, don’t even have a plate number.” He sat up, admiring his muddy pawprints on the clean tile. “All the witness said was, it was an old, dark Suburban like Lake’s. What could that old woman see, with her lousy eyesight?”

But as he watched Clyde, he was ashamed of arguing. He knew perfectly well that much of Clyde’s irritation came from his pain over Janet. He seldom saw Clyde hurting; it was a new experience. He told himself he ought to be gender. Clyde and Janet had been good friends. They had dated heavily for a while, then had remained friends afterward, casual and comfortable.

Feeling contrite, he rubbed his ear against Clyde’s hand, filled with an unaccustomed sympathy and tenderness. “Janet was special,” he said quietly, pressing his face against Clyde’s knuckles. “She was a special lady.”

They were silent for a moment, Clyde absently scratching Joe’s head, both of them thinking about Janet.

At first, after Joe learned he could speak, he’d been uncomfortable about being petted. He and Clyde were equals now. He found himself weighing their relationship in a new light, and he hadn’t been sure about this petting business. But then he’d decided.It’s okay; a little closeness is okay.

Clyde had been shy about petting him, too. As if petting was no longer proper. But they were still pals, weren’t they? Still human and cat, still crusty old bachelor housemates.

The faint sound of scratching from the front door brought him to sudden alert. He ducked out from under Clyde’s hand, giving him a wide stare. “Gotta go.” He leaped off the counter and trotted out through the living room.

Through the translucent cat door, he could see Dulcie’s dark shadow pacing, could see her impatience in every quick line of her body. He pushed under the limber plastic, hating the feel of it.If I live to be a hundred, I won’t get used to that stupid door sliding down my spine.

Before he was completely through, Dulcie pressed close to him, purring. Her green eyes were so huge they made him shiver. Every time he looked at her he fell deeper into joy. Just to be near her, just to know they were together, that was all he wanted from life.“What are you doing here so early? Has Elisa Trest already testified?”

She was strung tight, so wired, she couldn’t be still. She wound around him, pacing, fidgeting.

“There’s a diary, Joe. A journal. Janet kept a journal.” She pressed against him, all green-eyed eagerness. “Mrs. Trest testified yesterday afternoon after I left. She said Janet kept a diary-Rob told me. The police are going up there this morning to look for it.” She switched her tail impatiently, shifting from paw to paw.

He just stared at her.

“Well come on, before the police get there.” And she whirled away, leaping down the steps.

“Hold it.” He sat down on the porch, immobile as a stone. “You plan to snatch evidence out from under the cops’ noses?”

“Just to have a look at it,” she said innocently. “We don’t have totakeit.”

Joe sighed.“Clyde’s right. You’re going to get into trouble. Besides, they’ve already searched her apartment. Why would?”

“Come on, Joe. Hurry.” She spun around and ran, racing away up the sidewalk, her peach-colored paws hitting just the high spots, flashing above the concrete.

He remained sitting, looking after her.The lady’s nuts. No way we can reach Janet’s place before the cops do.

Or maybe she meant to go right on in, sniff out clues between the cops feet.

The fact that they had already pulled that kind of stuff, after the Beckwhite murder, didn’t seem to matter. The fact that they had been right there under Captain Harper’s boots, so much in the way that Harper had given them more than one puzzled look, didn’t faze her.

Dulcie, you’re crazy if you think we’re going to push into the middle of another police investigation.

She stopped, up at the corner, looking back. He made no move to follow. Impatiently she raced back, leaped up the steps, and licked his nose.“We could just go up and see. If the police are there, we’ll leave. Imagine it, imagine if Rob Lake is convicted and even put to death, and he’s innocent and we could have helped and we didn’t. Then how would you feel?”

Joe looked at her for a long moment, then laughed.“Oh, what the hell.” He rose and followed her. “Who says we can’t outsmart a few cops?”

And they ran, their paws pounding the pavement. Careening against her, he wished she wasn’t so persuasive, so damned impetuous and stormy.

And he loved her stormy ways.

4 [????????: pic_5.jpg]

Clyde stood at the living room window watching the cats gallop away toward Ocean Avenue. He had to laugh at Joe’s short tail, at his sturdy rear loping up and down in strong, muscular rhythm. Beside him, Dulcie ran as light as a low-flying bird. He watched them worriedly. Their swift departure did not telegraph a casual, “let’s go hunt.” Crossing Ocean, zigzagging insanely between cars, they nearly made his heart stop.

When they were safely across, into the tree-shaded median, they turned north. Running through the lacy tree shadows, they were headed straight for the hills. And where else would they be going in such a hurry but to Janet’s, to the burned remains of her studio. There was nothing else up in that direction to cause this degree of excitement. When they set out together simply to hunt, they stalked along, carefully looking around them, absorbing scents and sounds, working up slowly, he supposed, to the required intensity of concentration. But now they were all fire, scorching away toward the hills like two little rockets.

They’d been up at Janet’s before, returning with cinders on their coats and secretive but dissatisfied looks on their sly little faces.

Stepping out onto the porch, he watched them race out of sight, wishing they’d leave this alone.

So what was he going to do, follow them? Fetch them home?

Life had been simpler when Joe was just an ordinary tomcat, when Joe Grey had nothing to say but a demanding meow. When he had nothing on his mind but killing birds and screwing every female cat in Molena Point. Sometimes Clyde longed mightily for those days, when he had at least some control over the gray tomcat.

Now, face it, Joe and Dulcie were no longer little dough-headed beasties to be bossed and subjugated. Nor were they children to be guided and directed toward some faraway future when they could function on their own.

These two were already functioning in what, for them, was an entirely normal manner. The two cats were adult members of their own peculiar race: thinking creatures with free wills-though he didn’t dare dwell on the historical convergences that had produced those two devious felines. The power of their heritage clung around the cats, the breath of dead civilizations shadowed them like phantom reflections, darkly. If he let himself think about it, he got shaky. When he dwelled too long onthe subject, he experienced unsettling dreams and night sweats.

Whatever the cats’ alarming background, the fact was that now he had little jurisdiction over Joe Grey. He could argue with Joe, but he was awed by the tomcat, too, and he was obliged to leave Joe pretty much to his own decisions.

And the tomcat, wallowing in his new powers, had grown far more hardheaded than ever he was before.

Joe Grey’s own theory about his sudden new abilities was that the trauma of seeing Samuel Beckwhite murdered had triggered the change. That the shock had stirred his latent condition-much as shock might bring on latent diabetes, or propel a patient with high blood pressure to a stroke.

Whatever the cause, Joe’s new persona was unsettling for them both. Clyde had to admit, Joe had had a lot to deal with, a lot to learn. He supposed the tomcat was still getting it sorted out. And as for himself, living with a talking cat demanded all the understanding a man could muster.

Wilma said much the same. That sometimes she wished Dulcie would just go back to her earlier vices of stealing the neighbors’ clothes. Wilma had been used to Dulcie slipping in through the neighbors’ windows, turning the knobs of their unlocked doors, trotting through neighbors’ houses dragging away stockings, bed jackets, silk teddies.

He had known Wilma since he was eight, when she moved next door, a tall beautiful blond who soon was the object of his first pre-adolescent crush. She broke his heart each time she left to return to graduate school. She had not only been his first love, but his friend. She was fun, she was tolerant and good-natured, a gorgeous young woman who knew how to throw a baseball and when to keep her mouth shut.

Wilma was gray-haired now, and wrinkled, but she was still slim, a lithe and active woman. They had remained friends even after she finished her graduate degree, never losing touch, through his failed marriage and through Wilma’s career as a parole officer, first in San Francisco, and then in Denver. She had retired, from the Denver office of Federal Probation five years ago. When she returned to Molena Point shortly after, they celebrated her retirement with dinner at the Windborne, lobster and champagne, sitting at awindow table looking down the cliffs to the rolling sea.

Now, standing on his porch staring up the street where the cats had disappeared, he realized he was late for work. Maybe he’d go in at noon. How long since he’d given himself a half day off? He didn’t have anything special this morning. In memory he could hear Janet saying, “Let the men run it for a day. Why bother with the headache of your own business if you can’t play hooky?” She had loved to goad him into taking time off, though it meant that she had to abandon her own heavy schedule of sculpture commissions. Locking her studio, she had acted as if she were playing hooky. They would pick up a picnic basket at the deli and drive down to Otter Point, spend the day walking the sea cliffs, laughing, acting silly, getting sunburned.

He sat down on the steps, cold suddenly, hollow and used up. He saw Janet laughing at him, her blue eyes so alive, saw her standing on the wet black rocks of Otter Point, her pale hair whipping in the wind, saw the waves crashing up. Saw her at a little table at Mindy’s, the candlelight sending shifting shadows across her golden hair, across her thin face and bare throat and shoulders in a low-cut summer dress.

He saw her burned studio, saw the fire trucks and police cars crowding the upper street behind the house and the street below.

Saw the tarp covering her body among the smoldering ashes.

They had started dating shortly after she left Kendrick Mahl. She was twenty-seven, slim, blond, with a devilish smile that drew him. They had hiked, gone to movies, gone swimming, spent days at the aquarium, driven up to the city just to go to the zoo. They both liked the outdoors, and Janet loved animals. But there the mutual interests ended. Janet’s life lay in the world of art, a world that meant little to him.

He loved her paintings, but he had no interest in the art world, in the tangle of exhibits and awards and reviews, in the gallery gossip that occupied Janet. And she had no use for sports or for cars. She rated cars by how many paintings or how many tons of metal a vehicle could haul. Even though she was an artist, she had no interest in the skill that went into the design and manufacture of a fine Bughatti, an antique Rolls. He had taken her to one car show, and no more. She said she didn’t have time to spend her day gawking at machine-made sex symbols. That was the only time they had fought. He didn’t know why they had, over such a small thing.

During the months they had gone out she was dating several men, but she was committed to none. After they stopped dating they had dinner now and then, in between several heady romances for each of them. Janet had spent life as eagerly as if joy came in endless supply.

And maybe it did, if you knew how to look for it.

Or maybe, if you spent joy so brazenly, you died early. The thought shamed him. But the sense of waste, the knowledge of a vibrant life gone so suddenly, by someone’s deliberate hand, the knowledge that Janet was no longer a part of the world, had left him perplexed, strangely weakened.

The morning of the fire he had waked at five-thirty, hearing sirens screaming. The room was filled with sweeps of red light and with the heavy rumbling of the village’s four big fire trucks thundering up toward the hills. He had run for the kitchen to look out the back, had stood at the kitchen window watching the trucks’ spiraling red lights sweeping up the hills, had seen the hills ablaze exactly where Janet’s house stood, had seen the fire trucks converge, followed by an ambulance. He watched for a moment as the wind-fanned flames spread, licking at the dry hills, leaping toward the scattered houses, fingering roofs and walls. He heard the distant crack of a tree exploding, all this in an instant, and then he ran to the bedroom and pulled on pants and shoes and a sweatshirt.

He had propped the back door open, fearing for the animals, not wanting them to be trapped if the fire spread this far. He didn’t know where Joe was. He knew the tomcat hunted up in those hills. He had grabbed a shovel from the carport and was just getting in the car when he saw Joe on the roof of their own house, watching the fire. He had wanted to tell Joe to stay away from the hills. But his motherly admonitions wouldonly enrage the tomcat, goad him to do just the opposite. He had turned away, headed away up into the burning hills toward Janet’s.

He had worked all morning in a line of volunteers, cutting breaks to keep the fire from spreading; trying not to think. When at nightfall he returned home, he was filled with despair, unable to stop seeing Janet covered by the police tarp.

He got up from the steps and went back in the house. Maybe he’d go on to work. Snatching up his lab coat, he let the animals in, kneeling to stroke them, giving the old dogs a hug.

But then in the car he didn’t turn up Ocean toward the automotive shop; he drove on across the divided street, on through the village. This was Wilma’s late day at the library, she didn’t go in until one. Maybe she had the coffeepot on; maybe she was baking something. He was possessed by a sudden muzzy domestic craving, a yearning for company, for a warm, safe kitchen and the smells of something good cooking, yearning for the warm security he had known in his childhood.

He stopped at the cleaners and the grocers, the drugstore, took his time with his errands, then headed up San Carlos between the little cafes and galleries, between houses and shops pleasantly mixed, along with inconspicuous motels, all shaded by eucalyptus trees and sprawling oaks. The morning air was cool, smelled of the sea. The sidewalks were busy with people walking to work, jogging, walking their dogs. A few tourists were out, their walk more hesitant as they browsed, their clothes tourist-bright. The locals lived in jeans and faded sweatshirts, or, if business required, in easy, muted sport clothes.

He told himself he hadn’t seen Wilma all week, that it would be nice to visit for a few minutes, but, watching for her stone house beneath its steeply peaked roof, he watched more intently the sidewalk in front, looking for a green van and a flash of red hair.

Wilma’s niece had arrived from San Francisco three weeks ago, another disenchanted art school graduate who had found that she couldn’t make a living at her chosen profession. Charlie had given herself two years to try, he had to hand her that. When she’d finally had enough she launched herself, noholds barred, into a hardheaded new venture.

Charleston Getz was an interesting mix, tall and lean like Wilma, but with big square hands, big joints despite her slim build. She wore no makeup-her redhead’s delicate complexion and prominent bone structure didn’t seem to require additional coloring. Her red hair, wild as a bird’s nest, became her. He couldn’t picture Charlie dressed up, had never seen her in anything but jeans.

But she knew how to behave in a nice restaurant. And, more to the point, she knew how to work. The day she arrived in Molena Point she had filed for a business permit and had bought a used van with most of her savings. By the end of the week she’d had business cards printed, had put an ad in the paper, and hired two employees. CHARLIE’s FIX-IT, CLEAN-IT was off to a running start, and now three weeks later she had completed two jobs and taken on two more. It was just a small start, but she’d thrown herself wholeheartedly into a viable venture. The village badly needed the kinds of services she was providing.

It took, usually, about two years to get a business off the ground and established, turn it into a paying operation. But he thought Charlie would do fine. She liked the work, liked grubbing around spiffing up other people’s houses and property, liked bringing beauty to something dull and faded.

Turning down Wilma’s street, his spirits lifted. The van was there, the old green Chevy sitting at the curb. He parked behind it, smiling at the sight of Charlie’s Levi-clad legs sticking out from underneath beside six cans of motor oil, a funnel, and a wad of dirty rags. Looked like the van was already giving her trouble. He hoped she wasn’t dating him because he was a good mechanic. He swung out of the car, studying her dirty tennis shoes and her bony, bare ankles.

5 [????????: pic_6.jpg]

Where Charlie’s ancient van stood two feet from the curb, Charlie’s thin, denim-clad legs protruded from beneath, her feet in the dirty tennis shoes pressed against the curb to brace her as she worked. The six unopened cans of motor oil that stood on the curb beside a pile of clean rags were of a local discount brand, and the oil was fifty weight in deference to the vehicle’s worn and floppy rings, oil thick enough to give those ragged rings something they could carry. Anything thinner would run right on through without ever touching the pistons. Clyde stood on the curb studying Charlie’s bare, greasy ankles. He could smell coffee from the kitchen, and when he turned, Wilma waved at him from the kitchen window, framed by a tangle of red bougainvillea, which climbed the stone cottage wall, fingering toward the steeply peaked roof.

The cottage’s angled dormers and bay windows gave it an intimate, cozy ambience. Because the house was tucked against a hill at the back, both the front and rear porches opened to the front garden, the porch leading to the kitchen set deep beneath the steep roof, the front porch sheltered by its own dormer.The house was surrounded not by lawn but by a lush English garden of varied textures and shades, deep green ajuga, pale gray dusty miller, orange gazanias. Wilma had taught him the names hoping he might be inspired to improve his own landscaping, but so far, it hadn’t taken. He didn’t like getting down on his hands and knees, didn’t like grubbing in the dirt.

A muffled four-letter word exploded from beneath the van, and Charlie’s legs changed position as she eased herself partially out, one hand groping for the rags.

He snatched up a rag and dropped it in her fingers.“Spill oil in your eye?” Kneeling beside the vehicle, he peered under.

She lifted her head from the asphalt, the rag pressed to her face. Beside her stood a bucket into which dripped heavy, sludgy motor oil.“Why aren’t you at work? Run out of customers? They find out you’re ripping them off?”

“I thought you had an appointment with Beverly Jeannot.”

“I have. Thirty minutes to get up there.” She took the rag away, selected a relatively clean corner, and dabbed at her eye again. “I didn’t have to do this now, but the oil was way down, and I didn’t want to add-oh you know.”

“No, I don’t know. All my cars run on thirty weight and are clean as a whistle. How’s the Harder job going?”

“I have my two people working up there.” She tossed out the oily rag, narrowly missing his face. “Thought I’d wash this heap, but I won’t have time.”

“What difference? Is clean rust better?”

Under the van she watched the last drops of oil ooze down into the bucket. Replacing the plug into the oil pan, she slid out from under, pulling the bucket with her. Kneeling on the curb, she opened a can of oil, stuck the spout in, then rose and inserted the spout beneath the open hood into the engine’s oil receptacle.

“Better get a hustle on. Beverly Jeannot doesn’t like the help to be late.”

“Plenty of time. She’s formidable, isn’t she? How do you know her? I thought she lived in Seattle-came down just to settle the estate.”

“I don’t know her, I know of her. From what Janet told me.”

She removed the can, punched another, and set it to emptying into the van’s hungry maw.

“Like a suggestion?”

She looked up, her wild red hair catching the light, bright as if it could shoot sparks.

“Ride up to the shop with me, and take that old ‘61 Mercedes. It looks better than this thing, and it needs the exercise.”

“You’re being patronizing.”

“Not at all. This is entirely in the interest of free enterprise-it will help your image. Beverly Jeannot’s a prime snob. And I don’t drive that car enough.”

“And what’s the tariff? How much?”

“You’re so suspicious. It really needs driving. Scout’s honor, no strings. Not even dinner-unless you do the asking.” He watched her open the third can of oil, admiring her slim legs and her slim, denim-clad posterior. He liked Charlie, liked her bony face and her fierce green eyes, liked her unruly attitude. He was at one with her general distrust of the world; they were alike in that.

But beneath her brazen, redheaded shell she was amazingly tender and gentle. He’d seen her with the cats, kind and understanding, seen her playing with a shy neighborhood pup who usually didn’t trust strangers.

Charlie had had a heavy crisis in her life when she realized she had wasted four years on a college degree that wouldn’t help her make a living. He thought she was handling it all right. She would, when she met with Beverly Jeannot this morning up at Janet’s burned studio, give Beverly a bid on the cleanup, the work to begin as soon as the police had released the premises. He thought that removing the burned debris, alone, would be a big job.

As she turned, he brushed dry leaves off the back of her sweatshirt.“There’s a lot to do up there, cleaning up the burn rubble.”

“I wouldn’t bid on the job if I couldn’t do it,” she said irritably. Then she softened. “I’m going to have to hustle. All I have is Mavity Flowers, and James Stamps.” She removed the last oil can and slammed the hood. “I wish I could get a better fix on Stamps. But he’ll do until I can get someone I trust.”

“Mavity, of course, is a whiz.”

“Mavity has some years on her, but she’s a hard worker. She’ll do just fine on the cleaning, and maybe the painting. It’s the other stuff, the repairs, that she can’t handle. That’s my work.” She picked up the oil cans. “Beverly’s in a big hurry, wants the work done pronto, soon as the house is released.” She tossed the empty cans in a barrel inside the van. The Chevy’s bleached and oxidizing green paint was cracked, dimpled with small rusty dents. The accordioned front fender was shedding paint, rust spreading underneath.

She looked the vehicle over as if really seeing it for the first time, stood comparing it with Clyde’s gleaming red 1938 Packard Twelve. “You serious about the Mercedes?”

“Sure I’m serious.”

She grinned.“I’ll just wash and change. Come on in, Wilma’s in the kitchen.”

He followed her in, wondering why Beverly Jeannot was in such a hurry to have the fire debris cleaned up. Maybe she needed the money. He’d heard that she meant to rebuild the upstairs and put the house on the market. He thought she could make just as much profit by selling the building in its present condition, with just a good cleanup. Let the buyer design a new structure to suit himself. He went on into the kitchen and sat downat the table, where Wilma stood beating egg whites, whipping the mixture to a white froth.

“Angel cake,” she said.

He waited for the automatic coffeemaker to stop dripping and poured himself a cup. From the kitchen he could see through the dining room into the living room, where Janet’s landscape dominated the fireplace wall, a big, splashy oil of the village and treetops as seen from higher up the hills, lots of red rooftops and rich greens.

Wilma had paid for the painting in part by designing and planting Janet’s hillside garden-she’d had some huge decorative boulders hauled in, and planted daylilies, poppies, ice plant, perennials she said were drought-resistant. She had done the garden the same week Janet moved in.

The house had suited Janet exactly. She had designed and had it built for the way she wanted to live. The big studio-garage space upstairs was connected to the upper, back street by a short drive. The studio was big enough for both a painting area and a welding shop, the east wall fitted with floor-to-ceiling storage racks for paintings and a few pieces of sculpture. And there was room to pull her van in, to load up work for exhibits. Wilma had admired Janet’s planning and had loved the downstairs apartment. Both stories looked down over the village hills. The area Wilma had landscaped was below the house, between the apartment and the lower street.

He watched Wilma select an angel cake pan and pour in the batter.“Why don’t you buy Janet’s place? You’ve always liked it. It would be just right for you and Dulcie. You could build a great rental upstairs, where the studio was.”

She looked at him, surprised.“I’ve thought about it.” She set the cake in the oven. “But I’d feel too uncomfortable, living in the house where she died.”

She poured coffee for herself, and sat down.“And it’s too far from the village, I like being close to work.” Wilma’s cottage was only a few blocks from the library, where, since her retirement, she had served as a reference assistant. “I like being near the shops and galleries, I like walking down a few blocks for breakfast or dinner when I take the notion, and I like being near the shore.

“If I lived up there, it would be a mile climb home after work. Face it, the time will come when I couldn’t even do that uphill mile.”

“That’ll never happen.” He rose and refilled his coffee cup. He didn’t like to think about Wilma getting old, she was all the family he had. His mother had died of cancer eight years ago, his father was killed a year later in a wreck on the Santa Ana Freeway. He and Wilma were as close as brother and sister, always there for each other.

“Even though I still work out, and walk a lot, that climb up to Janet’s can be a real artery buster.

“Besides, I enjoy my garden. Janet’s hillside doesn’t suit me. That was a landscape challenge, a minimum-care project, not a garden to potter around in. No, this place fits me better.” She grinned. “It took me too long to dig out all that lawn, put in the flower beds. Now I want to enjoy it-I can potter around when I feel like it, leave it alone when I choose. I about wore out my knees planting ground cover and laying the stone walks.

“And Dulcie loves the garden. You know how she rolls among the flowers.” She set a plate of warm chocolate cookies on the table. “I miss her, when she’s not here for our midmorning snack. Lately, she’s taken to eating a small piece of cake and a bowl of milk at midmorning-when she’s home at that time of day.

“But this morning, she was gone when I got up. I wish I didn’t worry so about her.”

He restrained himself from eating half a dozen cookies at one gulp.“She came poking at Joe’s cat door around nine. Looked like they were headed for Janet’s.”

“I wish she’d just torment the neighborhood dogs the way she used to. Spend her time stealing, and enjoy life.” She gave him that puzzled look he had seen too often lately.

“But who can talk to cats? No matter how bizarre those two are, they’re still feline. Still just as stubborn, still have the same maddening feline attitude.”

He belched delicately.

She sampled a cookie.“Beverly Jeannot is meeting Charlie up at Janet’s. If she finds those two in the apartment?”

“They’ll stay out of her way. Do them good to get booted out. Though I doubt they can get in-Harper boarded up the burned door with plywood.”

“You don’t think Beverly would hurt them?”

The idea surprised him and he thought about it.“I don’t think she’d hurt an animal. And with Charlie there, she won’t.”

“Well, if the cats want to? “

They heard Charlie coming down the hall.

Wilma rose uneasily, turned her back, and busied herself at the stove. She had to be more careful. It was hard enough dealing with her own feelings about Dulcie’s new talents. But having a houseguest, even if Charlie was her niece, didn’t help. She’d barely recovered from the shock of Dulcie’s eloquence when Charlie arrived. With Charlie in the house, she was terrified she’d say something to Dulcie and that Dulcie, in her boundless enthusiasm, would shoot back a sharp observation, come right out with it.

She’d talked to Dulcie ever since she’d brought her home as a small kitten. Cats were to talk to. She’d always talked to her cats. When Dulcie’s replies had been a rub against her ankle, a purr, and a soft mewl, life was simple. But the first time Dulcie answered back in words, both their worlds had changed.

Now, of course, their conversations were hardly remarkable. Just relaxed remarks between friends.

Does the vacuum cleaner really bother you??

Only when it jerks me out of a sound sleep; if you’ll wake me up before you start it, that will help? I do love the scent of lavender in the sheets? Is there any more of that lovely canned albacore??

Do you want to watchLassie??

No, Wilma. We both knowLassieis stupid?

You are a cat of impeccable taste. How about aMagnumrerun?? Oh, I would much rather watchMagnum.And could we have a little snack of sardines??

Charlie swept into the kitchen, dressed in fresh jeans and a pale yellow sweatshirt. She had tied back her hair with a yellow scarf, the curly red tendrils already escaping around her face, the effect fresh and electric. Snatching up a handful of cookies, she hugged Wilma and punched Clyde’s shoulder to move him along.

Wilma stood at the kitchen window watching as they drove away in the Packard.

She had to be more careful around Charlie. In spite of her wariness, she had caught Charlie several times studying Dulcie too intently.

She told herself that was only the gaze of the artist. Charlie did have an artist’s disturbing way of staring at a person or an animal as she memorized line and shadow, as she absorbed the bone structure and muscle, committing to memory some rhythm of line.

She hoped that was all Charlie was seeing when she studied Dulcie. She hoped Charlie wasn’t observing something about the little tabby cat that would best go unnoticed.

6 [????????: pic_7.jpg]

The cats careened uphill streaking through blowing grass, racing against time. Tangles of heavy stems whipped above their heads wild as a storming sea. Racing blindly up, the wind deafened them. Then, gaining the hill’s crest, they paused to look back.

Far down the falling land, the houses were toy-sized, and along the winding streets they still saw no police unit heading up from the village. They could not, from this vantage, see up across the black, burned hills to the streets that flanked Janet’s house, to see if a police unit was already parked there. The buffeting wind tore at their fur, and they hunched down, flattening their ears against its onslaught.

But suddenly, below, something moved in the grass, a huge dark shape slipping upward, a quick, heavy animal shouldering closer. The wind picked up its scent as it lunged into a run.

They spun around, exploded apart, leaped away in opposite directions-the dog couldn’t chase them both.

He chased Dulcie. She could feel the beast’s heat on her backside, could hear it snapping at her hindquarters. She thought it had her, when she heard it yelp. She dodged to look, saw Joe riding its neck-he had doubled back. The dog bellowed with pain and rage, twisted to grab him, and she flew at its head, clawed its ears, clinging to its face, digging in. It ran blindly, bucking. They rode it uphill, twisting, and she could smell its blood.

Riding the beast, she began to laugh, heard Joe laughing, felt the dog tremble beneath them confused, terrified. It had never heard a cat laugh.

When it couldn’t shake them and couldn’t grab them, it bolted into a tangle of broom, trying to scrape them off. The rough branches tore at them, they were scraped and slapped by branches, hanging onto the beast, hunching low, ears down, eyes squeezed shut.

“Now!” Joe shouted.

They leaped clear, down through tangles of dark thorny limbs dense as basket weave. The dog thrashed after them, snapping branches, lunging, sniffing. They crouched below the dark tangles, creeping away, pulsing like the terrified rabbits they hunted. Listening.

He thrashed in circles, searching.

They fled away through the thorny forest, then again they went to ground, straining to hear, to feel his vibrations coursing beneath them through the earth. Maybe he would scent them and follow, maybe not. They dared not go into the open. Dulcie, hiding and frightened, knew he was the dog that had followed her down among the houses. He was the hunter now, and she the prey, and she didn’t like the feeling.

He was quiet a long time, only a little hush of movement, as if he were trying to lick his wounds.

They heard him move again, hesitantly. They dared not rear up to look.

Then, poised to run, they heard him crashing away.

He was leaving. Joe reared up, watching, then laughed, dropped down, and strolled out of the bushes, lay down on the grass, grinned at her.“You raked him good.”

“So did you.” She stood up on her hind legs, to see the dog amble away downhill, making for the houses below, where, perhaps, he could find a friendlier world.

They lay down in the windy sun.“We should have stayed on his back,” Joe said. “He would have carried us clear up to Janet’s.”

She spit out dog hair.“I smell like a dog, and I taste like a dog.”

Far below, the dog had stopped in the yard of a scruffy gray house with a leaning picket fence. An added-on room jutted from the back, with a small, dirty window beneath the sloped roof.

The mutt lifted its leg against the picket fence, then began to twist in circles, trying to lick its wounded back while pawing at its face. But after a while it gave up, wandered to the curb, and leaped into the bed of an old black pickup.

That truck had been in the neighborhood for some time. Several weeks ago they had watched a thin, unkempt man moving into the back room, carrying in two scruffy suitcases and several paper bags. They had watched him, inside the lit room, moving around as if he was unpacking. They had not, then, seen the dog.

“Maybe it was in the cab of the truck,” Joe said. “Or already in the room.” He looked at her worriedly. “The mutt ought to be chained.” He licked her ear. “That beast running loose really screws up the hunting.”

“Maybe he’ll lie low for a while, after the raking we gave him.”

“Sure he will-about as long as it takes the blood to dry.”

She smiled, rolled over in the warm sun. But a little ripple of fear touched her, thinking of the white cat somewhere among the hills, maybe hurt. If that dog found him?

She had dreamed about him again last night, but she hadn’t told Joe-the dreams upset him. Joe Grey might be a big bruiser tomcat who could whip ten times his weight in bulldogs, but some things did scare him. The idea of prophetic dreams was a scenario he did not like to contemplate. When it came to spiritual matters, the tomcat grew defiant and short-tempered.

But her dreams were so real, every smell so intense, every sound so sharply defined. In the first dreams, when the white cat trotted away, wanting her to follow, he had vanished before she could follow. But in one dream, he stood on the surface of the sea. It was a painted sea, blue and green paint, and he had sunk into the painted waves, and the paint faded to white canvas so nothing remained but canvas.

And in her dream last night she had seen him wandering through twilight, walking with his head down as if burdened by a great sadness. He stepped delicately, lifting each paw hesitantly and with care, stepping among tangles of small white bones: the white cat walked among animal bones, little animal skulls.

But again when she tried to follow, he vanished.

He had been so real; he had even smelled stridently male. She longed to tell Joe the dream, but now, heading uphill again, running beside him, she still said nothing. Soon they had left the healthy wild grass and padded across burned grass, across the black waste, crossing the path of the fire, crossing its stink.

This was the shortest way to Janet’s, but they trod with care through the gritty charcoal, watching for sharp fragments, for protruding nails and torn, ragged metal, for broken glass to cut an unwary paw. Skirting around fallen, burned walls, they crept beneath fire-gnawed timbers that stood like gigantic black ribs, angling overthem.

A child’s bedroom wall rose alone, like the remains of some dismantled stage set, its pink kangaroo wallpaper darkened from smoke. A baby crib stood broken, one rail crushed, its paint deeply scorched, blistered into a mass of brown bubbles. A sodden couch smelled of mildew, its springs and cotton stuffing spilling out. A burned license plate lay atop a heap of broken dishes and twisted silverware, a warped metal sink leaned against a bent and blackened car wheel. They trotted between melted cookpots lying whitened and twisted, between blobs of glass melted into bubbling new forms like artifacts from alien worlds.

The smell of wet ashes clung in their mouths and to their fur. They stopped frequently to clean their paws, to lick away the grit embedded in their tender skin and stuck between their claws. A cat’s pads are delicate sensors in their own right, an important adjunct to his ears and eyes. His pads relay urgent messages of sharp or soft, of hot or cold. The feel of grit was as unwelcome as sand in one’s eyes.

Higher up the hill, black trees stood naked, reaching to the sky in mute plea. And one lone, blackened chimney thrust up, an old solitary sentinel. The fire, after burning the top floor of Janet’s house, had careened southward, leveling nearly all the dwellings within its half-mile swath.

But above Janet’s burned house, on up the hill, the blaze had missed eight houses. They marched prim and untouched along the rising hill, along their narrow street. And, strangely, nearer to Janet’s two houses had been spared, one up the hill behind her burned studio, one across the side street. And though Janet’s studio was gone, flattened to ashes, the apartment beneath stood nearly untouched, held safe beneath the concrete slab which formed its roof, which had formed the studio floor. From the blackened slab rose three black girders, twisted against the clouds.

The garden below the house was largely undamaged, though its lush greens were dulled by ashes. The daylilies were blooming, their orange and yellow blossoms brilliant against the burn.

The front of Janet’s apartment was all glass, the five huge windows dirtied by smoke, but unbroken. Behind the smoky glass, long white shutters had been closed across four of the windows, effectively blocking the view of the interior. The last wide window, down at the end, was uncovered-almost as if someone was there, as if someone had not been able to bear closing the house entirely. The sight of that window made Dulcie shiver-as if some presence within wanted sunshine, wanted to look out at the hills for a little while, look out at the village nestled below.

There was no police car parked below the apartment, and none above on the street behind, or in the drive which led to the studio slab. The little side street was empty, too, beyond the blackened vacant lot. There was no car at all parked along the side street before that untouched house. Strange that that ancient brown dwelling, among all the newer houses, would be left standing.

Steps ran up the hill. Halfway up, Janet’s deck gave access to the front door. The cats avoided the steps, where charcoal and rubble had lodged. Trotting uphill they stirred clouds of ashes. Their eyes and noses were already gritty with ash, their coats thick with ash, Dulcie’s stripes dulled, Joe’s white markings nearly as dark ashis coat. If they needed a disguise, they had it ready-made.

A fallen, burned oak tree lay across the entry deck. The front door was covered by plywood nailed across, affixed with yellow police notices warning against entry. They could see, beneath the plywood, the remains of the door, hanging ragged and charred. Dulcie dug at it, rasping deep into the burned wood, ripping away flakes and chunks of wood. She was nearly through when Joe hissed.

“Someone’s watching-the house across the street.”

She drew back tried to look like she was searching for mice. Glancing across the empty lot she could see within the lone house a woman peering out, the lace curtain pulled aside, her face nearly flattened against the glass.

“Hope she gets an eyeful.” Dulcie waited until the woman drew back and disappeared before she dug again, tearing at the charred wood. She had made a hole nearly two inches wide when a patrol car came up the side street.

The cats backed away as it parked directly below. Slipping up the hill to the concrete roof, they crouched at its edge among heaps of ashes, watching a lone officer emerge. Detective Marritt came quickly up the steps, carrying a crowbar and a hammer, his tightly lined face seeming far older than his shock of yellow hair and his lean, muscular body.

Metal screeched against wood as he pulled nails and pried away the barrier. Leaning the two sheets of plywood against the house, he unlocked the burned door, disappeared inside. Dulcie moved to follow, but Joe nipped her shoulder.

She turned back, her green eyes blazing.“What? Come on, can’t you?”

“You’re not going to push right in under his feet.”

“Why not? He won’t know what we’re doing.”

“Wait until he’s finished.”

“We can’t. We won’t know if he finds the diary. If he puts it in his pocket?” She started down the hill again, but Joe moved swiftly, blocking her, shouldering her into a heap of ashes and rubble.

She hissed and swatted him, but still he drove her back, snarling, his yellow glare fierce. She subsided unwillingly, ears back, tail lashing.

“The cops saw too much of us, Dulcie, when Beckwhite was killed. Captain Harper has too many questions.”

“So?”

“Think about it. We’ve already made Harper plenty nervous. He’s a cop, he’s not given to believing weird stuff. This stuff upsets him. You force yourself on him, and you blow your cover.”

She turned her back on him, lay down in the ashes at the edge of the roof, looking over the metal roof gutter watching the door below, sulking.

Joe growled softly“We can’t find out anything if every time we show our faces around the police, they smell trouble and boot us out.”

She sighed.

He lay down beside her.“We do fine when they don’t know we’re snooping. Don’t push it.”

She said nothing. She was not in a mood to admit he was right.

“We make Harper nervous, Dulcie. Give the man some slack.” He moved closer, licked her ear. And they lay side by side, watching for Marritt to come out and waiting for their own turn to search the house. Hoping, if the diary was there, that Marritt came through in his typical sloppy style and missed it.

7 [????????: pic_8.jpg]

The cats could hear from the apartment below a series of thumps, as if Detective Marritt was opening and closing cupboard doors. They heard crockery clash-perhaps he was moving dinner plates, looking behind them-then a metallic crash as if he’d dropped the saucepans. Dulcie smiled. “He’s really good at this, very smooth.” She shifted impatiently from paw to paw, then rose and began to pace, her ears swiveling with nerves.

“Settle down. He’ll be gone soon.” “If he finds the diary, we’ll never see it.” “It’ll make a bulge in his pocket. So what’s the alternative, go down there, snatch it out of his hand?”

She cut her eyes at him.“If I were alone, I’d charm him until he laid it down to pet me, then grab it and run like hell.”

She shook herself, scattering ashes. Curving round, she tried to lick ashes off her coat, but that was like eating out of the fireplace. She spit out flecks of ashes and cinder. Beyond the heaps of ashes that had been raked up by the police, the charred garage door lay across the drive. The police had hauled away the remains of Janet’s van.

“I wonder if her diary will have anything about the museum opening,” Dulcie said softly. “I wonder if she wrote in it that night when she got home from San Francisco. It would be interesting to know her version of the weekend, after the testimony her friend Jeanne Kale gave.”

Janet’s friend from San Francisco had testified that Janet arrived in the city around seven Saturday morning, checked into the St. Francis, leaving her van in the underground garage, and the two women had breakfast in the hotel dining room.

“Imagine,” Dulcie said, “breakfast at the St. Francis. White tablecloths, cut glass bowls, lovely things to eat, maybe French pancakes. And to have a beautiful hotel room all to yourself, with a view of the city. Probably a turn-down at night, with chocolates on the pillow.”

He nuzzled her neck.“Maybe someday we’ll figure out how to do that.”

She opened her mouth in a wide cat laugh.“Sure we will. And figure out how to go to the moon.”

Ms. Kale told the court that she and Janet had shopped all day Saturday, using public transportation, had ridden the cable car out to Fisherman’s Wharf for lunch. “Cracked crab,” Dulcie said, “or maybe lobster Thermidor.” Her pink tongue licked delicately.

“I get the feeling your major interest here, is in the gourmet aspects of the case.”

“Doesn’t hurt to dream. They must have had a lovely weekend.”

Late in the afternoon the two women had stopped at an art supply store, where Janet bought oil paints, four rolls of linen canvas, and a large supply of stretcher bars. She had had the supplies delivered to the St. Francis, where she gave a bellman her car keys, directing him to put the supplies in her van, in the underground garage. That night, Jeanne said, Janet had dinner with Jeanne and her husband and with the couple for whom Janet was doing a huge sculpture of leaping fish, the sculpture she had meant to finish the morning she died. They had eaten at an East Indian restaurant on Grant, walking from the hotel, taking a cab back to the St. Francis afterward.

Nancy and Tim Duncan had been friends of Janet and Kendrick Mahl before the divorce. Over dinner they talked primarily about the sculpture; Janet meant to deliver it to San Francisco early the following week. The Duncans owned a popular San Francisco restaurant, for which the ten-foot sculpture was commissioned. Janet had not taken her van from the parking garage that night, as far as Jeanne knew. After dinner she said she was tired, and had gone directly to her room.

Jeanne said that she and Janet spent Sunday sketching around San Francisco. Sunday night was the opening at the de Young, and Janet had dinner with three artist friends, not Jeanne. Jeanne had given their names. She said that Janet and her friends went directly from dinner to the de Young, in one car. There Janet received her two awards. They stayed at the reception until about ten, then drove back to the St. Francis. Janet changed clothes and checked out, put her suitcase in the van, and headed back to Molena Point. Jeanne said she saw Janet just before she left. That part of Jeanne’s testimony was corroborated by the bell captain and several hotel employees. There was nothing in any of the testimonies to implicate Jeanne, or to imply that Janet had been worried about any aspect of her personal life, or that she was afraid to return home.

Dulcie tried again to wash off the ashes, but gave it up. The sounds from below were faint now-they could hear only an occasional thud, as if Marritt had retreated to the far end of the house.“We could slip in now, he’d never see us.”

“Cops see everything.”

“He’s not a cop, he’s a fraud. He shouldn’t?”

“He’s a cop. Good or bad. Cool it until he leaves.”

She moved away among the burned rubble, pawing irritably at the ashes, nosing at pieces of burned wood and twisted metal. The police had gone over every inch of the site, had bagged every scrap that looked promising, even straining some of it through cheesecloth. They had taken Janet’s burned welding tanks and gauges, Dulcie supposed those went to the police lab, too. TheGazettesaid the Molena Point police used the county lab for most of their work. The police had taken prints from the sculpture of leaping fish before Janet’s agent took the piece away for safekeeping; it had been badly warped by the fire. The police photographer had shot at least a dozen rolls of film, must have recorded everything bigger than a cat hair.

Warily, she approached the hole in the center of the rubble-strewn slab, where the stairwell led down to the apartment. The steps, beneath fallen ashes and debris, were charred and eaten away, and the upper portions of the concrete wall were black. The lower part of the stair was relatively untouched, the door at the bottom hardly smoke-stained. She had investigated down there days before, finding nothing of interest. Now as she turned away, something sharp jabbed into her paw, causing a quick, burning pain. Mewling, she shook her hurt foot.

A blackened thumbtack protruded from her pad, with a bit of burned canvas clinging, the tack stuck so deep that when she pulled it out with her teeth, blood oozed.

She licked her pad, staring down at the tack and at the half-inch strip of blackened canvas, at all that was left of one of Janet’s paintings, a pitiful fragment of burned metal and cloth. Dropping it, she crept back to Joe, to press forlornly against him, mourning Janet.

This summer, when she became aware for the first time of the riches of the human world, of music, painting, drama, and then when she discovered the Aronson Gallery, she had been so intrigued that she trotted right on in, and there were Janet’s landscapes, a dozen huge works as exciting as the canvas that hung in Wilma’s living room.

There had been only a few patrons in the gallery, and they were fully occupied looking at the exhibit and talking with Sicily, so no one noticed her. She prowled among the maze of angled walls, keeping out of sight, staring up at Janet’s rich, windy scenes. She was thus occupied when a patron saw her. “Look at the little cat, why the cat’s an art lover?” And the gallery had filled with rude laughter as others turned to stare. She had fled, frightened and embarrassed.

She didn’t go into the gallery again for a long time, but she would slip up onto the low windowsill and lie looking in, pretending to be napping, but fascinated with the rich paintings. Strange, they gave her the same high as did the bright silks and velvets that she liked to steal. Until this summer, stealing had been her only indulgence; she’d had no notion that anything else in the world would so excite her.

She wasn’t the only cat who stole; Wilma had saved a whole sheaf of clippings about thieving cats. Some cats stole objects inside their own homes-fountain pens, hair clasps-but others stole from the neighbors just as she did. Their owners said that stealing was a sign of intelligence. Maybe-all she knew was that from kittenhood she lovedthings,and she stole them. Before she was six months old she had taught herself to leap up at a clothesline and slap off the clothespins, taking the brightest, silkiest garment, had taught herself to open the neighbors’ unlocked screen doors, and she could turn almost any door knob. Once inside a house she headed directly for the master bedroom-unless there was a teenage daughter, then that room got top billing. Oh, the satin nighties and silk stockings and little lacy bras. Carrying her treasures home, she hid them beneath the furniture, where she could lie on them, purring. When Wilma found and returned the purloined items Dulcie felt incredibly sad, but she hadn’t let Wilma know that.

Joe nudged her.“He’s leaving. He doesn’t have the diary. Not a lump in that tight uniform.” Marritt’s jacket and trousers fitted him as snugly as a second skin.

Bang, bang, bang.The concrete vibrated under their paws as Marritt nailed up the plywood. The moment he was gone they fled down the hill and clawed their way underneath, ripping off hunks of the burned door, widening the hole Dulcie had started. She slipped under, flicking her tail through in a hurry though there was no one to grab her; her sense of helplessness at leaving her tail vulnerable was basic and powerful. Joe’s short stub was not a problem.

Despite the bright sun outside, most of the room was dark. Blazing stripes of sunlight shone through the closed shutters, sharply illuminating a frosting of dust and ashes which coated the Mexican tile floor. The large living room must have been handsome before smoke and drenching water dirtied the white couch and white leather chairs, the white walls and white rugs. The floor was cold beneath their paws, but when Joe stepped onto a thick rug expecting a warm respite, he backed off fast; the rug was soaked with sour, stale water.

Marritt’s footprints were everywhere incised into the dust, back and forth across the kitchen, and between the couch and chairs, as if he must have searched for the journal beneath the upholstered cushions. Six rectangles of clean white wall shone where Janet’s paintings had been removed after the fire, the bare picture hooks clinging like dark grasshoppers.

The newspaper had said the paintings were being restored, that Janet’s agent had taken them. Joe wasn’t into the art scene, but he knew the monetary value of Janet’s work. According to the Molena PointGazetteeach of the forty-six paintings destroyed by fire was worth twenty to thirty thousand dollars. That added up to a nice, easy million.

He watched Dulcie sniff at the sodden chairs and couch, then leap to the counters of the open kitchen cube to paw at the cupboard doors. On the kitchen floor stood a bowl of cat kibble and a bowl of water, both scummed over with ashes and dust. Surely they hadn’t been touched since the fire. And how could they be, unless Janet had had a cat door.

The stairwell door, just beyond the kitchen, had been boarded up though it did not seem burned. From beneath it came the smell of wet ashes, and a chill breeze sucked down. Beyond the stairwell, the door on the far wall was closed but not boarded over. Marritt’s intrusive footprints led to it, ripe with his scent, a combination of shoe polish and cigarette smoke. The crack beneath the door was bright with sunlight. The smell from within was not of ashes but of a woman’s delicate perfume. Dulcie sniffed deeply at the bright space, then leaped up, grasping the knob between her paws. Swinging, scrabbling with her hind feet against the molding, she turned the knob, kicked against the doorframe. The door swung in. They were struck in the face by glaring sunlight, blinding them.

8 [????????: pic_9.jpg]

The cats narrowed their eyes, bombarded by sunlight. Sun blazed through treetops and bounced off burnished clouds. They stood at the edge of a terrace high above the hills, a tile expanse furnished with white wicker chairs, white wicker desk? a bed? bookcases?

Their eyes adjusted, their response focused, they saw clearly. They stood not on a terrace but on the threshold of Janet’s bedroom, its two glass walls filled with trees and sky. To the left of the wide corner windows Janet’s bed was tucked cozily into a wall of books. The white sheets had been tossed back in a tangle, the brightly flowered quilt lay half on the floor, as if Janet had just stepped away from the bed, had perhaps gone into the kitchen to make coffee; the sense of her presence was powerful. Her blue sweatshirt lay tossed across the wicker chair with a pair of jeans and a red windbreaker; beneath the chair lay a pair of jogging shoes leaning one atop the other, her white socks tucked neatly inside. Dulcie sniffed at the clothes of the dead woman and shivered; these would be the clothes she wore driving home from San Francisco that night after the opening at the de Young. The next morning she would have put on welding clothes, old scorched jeans, heavy leather boots, clothes that an accidental welding burn wouldn’t hurt.

Three big white rugs softened the expanse of tile, thick and inviting and quite dry; the cats’ paws sank deep, inscribing sooty prints. Dulcie sat down to clean her pink pads, but Joe stood, absorbing the warmth of the room, heat from the sun pressing in through the glass, absorbing the powerful sense of the dead woman. The feel of her presence was so strong he felt his fur tingle.

Beneath the white wicker desk was a tennis ball, and clinging to the desk legs and to the legs of the chair were fine white cat hairs. As Joe scented the tomcat, an involuntary growl rose in his throat; but it was an old scent, flat and faded.

He leaped to the bed, onto the rumpled sheets, leaving sooty pawprints, then belatedly he licked clean his own pads. The sun-warmed sheets smelled of human female, and of Janet’s light perfume. He flopped down and rolled, purring.

The bookshelves above the bed had been recessed into the wall. The bottom shelf, at bed level, was bare. When he reared up to study the books, he could see the names of writers that Clyde liked to read, Cussler, Koontz, Steinbeck, Tolkien, Pasternak, an interesting mix. Half a dozen scrapbooks and photo albums were sandwiched between these, but he saw nothing that looked like a diary-unless Janet had made her journal in one of the big albums. As he clawed one down, Dulcie leaped up beside him.

“Strange that there’s no nightstand. Where did she keep her night cream? Her facial tissues and clock? And Wilma keeps a bowl of mints by the bed. They’re nice late at night.”

Pawing open the album, they found newspaper clippings neatly taped to the pages, reviews of Janet’s work and articles about awards she had won. Many had her picture, fuzzed and grainy, taken beside a painting or a piece of sculpture. There was a quarter-page article from theL. A. Timesabout Janet’s top award in the Los Angeles Museum Annual, and anotherTimesarticle gave her a big spread for a one-woman show at the Biltmore. Northern California papers supplied clippings about an award at the Richmond Annual, and the San Francisco papers listed awards in Reno, San Diego, Sacramento. There seemed to be clippings for all the major exhibits, as well as for Janet’s one-woman shows, many at the major museums.

“She’s done-she did all right,” Joe said. “It wasn’t easy. She put herself through school working as a welder in San Francisco, lived in a cheap room in the commercial district. That’s a rough part of the city. I was born in an alley just off Mission. That’s where I got my tail broken, that’s where Clyde found me.

“She didn’t have any furniture at first, just an easel, and she slept on a mattress on the floor. She kept everything in cardboard boxes.”

“How do you know all this?”

“From napping in the living room while she and Clyde drank beer and listened to Clyde’s collection of old forties records.” Joe grinned. “She liked the big bands as much as Clyde does.” He’d loved those nights, just the three of them. He’d been comfortable with Janet, and, long beforehe’d discovered his super-cat talents, he had shared with Janet and Clyde a cat’s normal pleasure in music. That heady forties beat seemed to get right under his skin, right in to where the purrs started.

“She was the only woman he ever dated who didn’t pitch a fit about Clyde keeping my ratty, clawed-up chair in the living room. Janet called it a work of art.” The covering of his personal chair, he had long ago shredded to ribbons. The chair was his alone: no cat, no dog, no human had better mess with it.

After graduation Janet had moved to Molena Point, to another cheap room, had picked up welding jobs around the docks to support herself. Every penny went into paint and canvas, into oxygen and acetylene for her sculpture, and into sheets of milled steel. She had taken her work to every juried show in the state, and in only two years she was picked up by the Aronson Gallery.

She had lived better then, had bought some used furniture and a used van. She had been in Molena Point less than a year when she started dating Kendrick Mahl. Mahl was the art critic for theSan Francisco Chroniclethen; he kept a weekend place in Molena Point. When they married, Janet moved in there, but she kept her old room for studio space. After the wedding, Mahl’s reviews of her work were favorable but understandably restrained. After the divorce he called her paintings cheap trash. Months after she left Mahl, she started dating Clyde. Joe thought she’d needed that comfortable relationship.

He clawed down a second album, this one was filled with eight-by-ten glossies, publicity photos of Janet and of her work. In the first shot she stood turned away from a splashy landscape, a painting of the rocky sea cliff as seen from the level of the white, crashing waves. At the very top of the painting, just a hint of rooftops shone against a thin strip of sky. Janet stood before the painting looking directly at the camera, her grin mischievous, her hands paint-stained, her smock streaked with paint; her eyes were fixed directly on them, filled with power and life.

Shivering, Dulcie wrapped her tail close around herself and sat looking at the room where Janet had lived. Where Janet had waked that Monday morning with no idea that, within an hour, she would be dead.

Dead,Dulcie thought,and with nothing else afterward?Ever since Janet died, that question had troubled her.

They found in this album dated photographs of Janet’s recent paintings, and at the back was a picture of the white cat, an eight-by-ten color shot. He sat on a blue backdrop, a carefully chosen fabric the color of his blue eyes and blue collar. His fur was long, well groomed, his tail a huge fluffed plume. His expression was intelligent and watchful, but imperious, too, coolly demanding.

There were shots of the white cat with Janet, one where he sat in her lap, and one where he lay across her shoulder, his eyes slitted half-closed.

“Canhe still be alive? Maybe he’s hurt. Is that why I dream of him, because he needs our help?”

“The volunteers looked everywhere, Dulcie. There must have been twenty people combing the hills. Don’t you think if he were alive, they would have found him? Don’t you think that, even hurt, he would have tried to come home?”

“Maybe he’s too badly hurt. Or maybe he did come home, maybe he found the studio gone, flattened, nothing but ashes-and Janet gone, no fresh scent of her. He would have been terrified. He might have just gone away again, frightened and confused. The fire itself must have been terrible for him. Maybe he was afraid even to come near the house.”

“No matter how scared, if he were hungry, he’d go to the neighbors, at least to cadge a meal.”

“There’s some reason I dream of him.” She gave him a clear green look. “The dreams have some purpose. They have to come from somewhere, not just from my own head. Before I dreamed of him, I didn’t even know what he looked like, except from seeing him blocks away. I didn’t know his eyes were blue, I didn’t know that he wore a blue collar with a brass tag.” She looked at him a long time. “Where did those bits of knowledge come from?”

“Maybe you saw his collar some time, saw him close up and don’t remember.”

“I didn’t. Iwouldremember.”

But he didn’t answer, and she let it drop. Maybe there was something in the male genes that wouldn’t let him think about such mysteries.

The rest of the album contained snapshots of Janet at a picnic, and at a party, and several shots of her beside an overweight, overdressed woman.“Beverly,” Dulcie said. “That has to be her sister Beverly-she’s just the way Wilma described her. Looks like an overfed pug dog.”

There were three shots of Janet in a wet suit beside a rocky shore, then pictures of a baseball game, where Janet stood tanned and grinning, ready to pitch, and there was a shot of her at bat.

They went through all the albums, pulling them off the shelves until the big, leather-bound books covered the rumpled bed. They found no diary. Dulcie prowled beneath the bed, under the fallen sheets and comforter, then searched the bookshelves again, thrusting her nose behind the disarranged books. When, balancing on the bottom shelf, she felt it shift beneath her paws she dropped down and dug at it.

They worried at the shelf, wiggling and clawing until it moved, then slid back.

The space beneath contained a box of tissues, face cream, a jar of hand cream, two small sketch pads, pencils, pens, and a small folding clock. Half-hidden beneath the jumble lay a small, leather-bound book.

Dulcie touched it with a hesitant paw. The scent of leather was mixed with Janet’s scent. She took it in her teeth, dragged it out, dropped it on the bed. Gently she pawed it open.

The cats glanced at each other and smiled. This was it, this was Janet’s diary.

Janet’s handwriting was small and neat. She had written as much as she could on each page, leaving only thin margins, squeezing the lines close together as if she had felt frugal about the space, as if she had wanted to make the journal last over as many years as possible.

The last half of the diary was empty.

She had begun the journal during art school days, but had made only occasional entries then, mostly random notes of scenes she wanted to paint?Corner Jones and Lombard, white Victorian towering behind shops? The top of Chestnut Street when the storm sky is low and dark, and the East Bay seems so close you could touch it? The light against Russian Hill when clouds break the sun. Who can put that light on canvas?

She had made brief notes about her move to Molena Point, and some memos as to moving costs. There was a page of notes about apartment hunting, then a lapse of time. Then later, during her stormy marriage to Kendrick Mahl, the entries were long and painful, a montage of hurts from Mahl, his sarcasm about her work-and his involvement with other women, the details meant for no one else’s eyes, as Janet set down her painful disappointment in Mahl, and then at last her resolve to leave him. Her notes about the divorce were raw and ugly, filled with her growing hatred.

Joe hadn’t thought of Janet as one to hold on to hurts, but she had held on, clinging to her anger, and who could blame her? Kendrick Mahl was a vindictive man, hurtful and cold. Joe had no reason not to believe Janet; he thought Janet didn’t lie easily. She had not talked to Clyde much about Mahl.

The journal entries were all tangled together, her personal life, her painting notes, brief reminders of when and where each painting was hung and if it had received an award, all the fragments of her life jumbled into one entity like the pieces of a jigsaw puzzle. In the occasional stilted notes about her sister Beverly, it was apparent that the two sisters did not get along. A year before Janet’s death, Beverly had wanted to open a gallery and take Janet’s work from Sicily, a proposal Janet had rejected. The entry reflected her anger with bold, dark handwriting. Not even when she was the most hurt by Mahl had she written in this little book with such obvious rage.

“How can they be sisters?” Dulcie said. “There’s no love, there’s no closeness at all between them.” She stared at Joe with widening eyes. “I had three sisters and two brothers, and I never saw them again after Wilma took me away.”

“And you’re sorry she took you?”

She licked her whiskers.“If Wilma hadn’t taken me, I probably would have died. I was the runt, they kept pushing me away from the milk. I didn’t know what it felt like to be really, beautifully full of supper until I went to live with Wilma.

“But I do wonder what it would have been like to have someone to play with, when I was little.”

“Maybe that’s why you steal. You had a maladjusted kittenhood.”

She gave him a gentle swat, and returned to Janet’s diary. Scattered through the journal were brief passages that did not seem to be painting notes but were simply written for pleasure, little pleasing word pictures, a drift of clouds over the darkening hills, the sea heaving green against the rocks, vignettes more detailed than her painting notes. The entries where Janet broke off with Rob Lake were written shortly after Mahl became Rob’s agent.

Anyone’s head would be turned, Kendrick was the most powerful critic in Northern California before he left theChronicleto open his own gallery. He can make Rob’s reputation, or prevent Rob from ever getting anywhere. Of course Rob’s being used. Can’t he see that? Or is he so eager that he doesn’t care, that our relationship means nothing? I can’t see him anymore, not when he belongs to Kendrick, I can’t be comfortable with him now.

Joe withheld comment. His remarks about Rob Lake only angered Dulcie. She would have to admit in her own time that Lake wasn’t as pure as she’d imagined.

Near the end of the journal was a note about a Mrs. Blankenship, who seemed to be a neighbor. Janet described her as a harmless old dear who had nothing to do but watch other people from her bedroom window.

She has sent word by her daughter that she doesn’t like me welding so near their house, that it isn’t safe, and that the flashing light bothers her. I’ve put up heavy shutters in the studio, and started pulling my kitchen shade, too. Poor old woman doesn’t have anything else to do with her time. Maybe she should get a dog.

“That’s the woman we saw staring out the window across the street,” Dulcie said. “It’s the only house that looks right over to the studio.” The houses on the street above were higher, farther away, and positioned so that probably no one cared what Janet did. But the house across the side street had a clear view. “I wonder,” she said softly, “what that old woman saw, the morning of the fire. There hasn’t been any witness named Blankenship.”

“It was five in the morning. Why would an old woman be looking out her window at five in the morning?”

“Old people don’t sleep well, they’re up at all hours. Wilma wakes up in the middle of the night and reads. I have to burrow under the covers.”

Her green eyes widened.“Maybe I can find out; maybe I can hang out there for a while. Play up to the old lady.”

“Why not? You could do that. Get her to confide in you-tell her you’re a talking cat, that you’d like to interview her. Like to ask her a few questions. Maybe you could borrow a press card, say you work for theGazette.”

“I could play lost kitty. Hungry lost kitty. Little old ladies are suckers for that stuff.”

Silently he looked at her.

“It’s worth a try. What harm?”

“That old woman might hate cats. Maybe she poisons cats.”

“If she hates cats, I’ll leave. If she puts poison out, I won’t eat it. Do you think I can’t smell poison?”

“Sometimes, Dulcie?” But he sighed. What was the use?

She smiled and returned to the journal.“Why does Janet say this about Sicily Aronson, that Sicily is admirably calculating? What does she??”

A sudden noise from the street startled them, the sound of a car door opening. They sprang to the window, looking down at the street.

A black Cadillac had parked at the curb. The driver’s door was open, and, as they watched, a large woman began to extricate herself from beneath the steering wheel. Dulcie’s eyes widened. “Beverly. That’s Beverly Jeannot, has to be. Why would she come up here?”

“Why not? It’s her house now. You know Janet left her the house.”

“But the police tape is still up. I thought no one was supposed to come inside. I wonder if Captain Harper knows she’s up here.”

“Dulcie, it’s her house. Don’t you think she has a right to come in?”

Behind the Cadillac a pale cream Mercedes of antique vintage pulled up. Dulcie stared, her tail twitching with surprise. They could see the driver’s red hair massed like a flame. “Where did Charlie get a pretty car like that? She can hardly afford a cup of coffee.”

“That’s Clyde’s old Mercedes, the one he rebuilt. He must have loaned it to her. Maybe her old bus died. It wouldn’t take much.”

Charlie swung out of the Mercedes as Beverly emerged from the Cadillac. Beverly Jeannot was an overstuffed, soft-looking woman with large jowls, a wide stubby nose, and short brown hair set into such perfect marcel waves she might just have come from a 1920s beauty salon.

She was done up in something long and floating and color coordinated, all in shades of pink and burgundy, with high-heeled burgundy shoes and a natty little burgundy handbag. Her overdone outfit made a sharp contrast to Charlie’s skinny jeans and faded yellow sweatshirt. The two women were as different as a jelly donut and a gnawed chicken bone. Charlie carried a clipboard, a claw hammer, and a wrecking bar.

As the mismatched pair started up the hill, moving out of sight along the far side of the house, Dulcie stared at the books scattered on the bed. There was no way to get them back on the shelves-that would take forever. She leaped to the bed, pawed the cubbyhole closed, and nosed Janet’s diary to the floor; leaping down she pushed it under the bed. They slid under behind it, dragging it deeper beneath the fallen sheets as footsteps rang on the entry deck. They could hear the soft mumble of voices, then a wrenching screech as Charlie began to pull nails, releasing the boarded-over front door.

There were two thuds as Charlie leaned the plywood sheets against the house, then the soft, metallic click of the lock turning.

As Beverly Jeannot’s high heels struck across the living room tiles, the cats backed into the far corner, pulling Janet’s diary with them, shoving it under a fold of quilt. And, tucked warm beneath the quilt beside the leather-bound book, Joe found himself listening intently, surprised at his own sharp curiosity.

For the first time since Janet’s death, his interest in her killer was intense, predatory. Determined. Now, suddenly, he meant to find out who killed Janet.

Maybe it was his immediate, instinctive dislike of Beverly Jeannot.

Or maybe his concern grew from the strong sense of Janet surrounding them, her scent, her pictures, her words-her deepest feelings shared.

9 [????????: pic_10.jpg]

Beverly stepped up onto Janet’s deck, pulling her skirts around her, staying well away from the fallen, burned oak tree that had smashed half the deck and the rail. Looking helplessly at the plywood that had been nailed over the front door, she waited for Charlie to provide access.

Hiding an irritated smile, Charlie began to pull nails, wondering what Beverly would do if she had to get into Janet’s apartment without assistance. She hoped she could work for this woman without, somewhere along the way, losing control of her temper. Their first meeting, three days before, had been strained.

Because she didn’t yet have an office in which to talk with Beverly, she’d suggested meeting for coffee at the Bakery. Beverly kept the appointment, but let her know right off that meeting in a public restaurant was not the way in which she liked to conduct business. Charlie didn’t know how much privacy Beverly required to discuss repair and janitorial services. Beverly had looked a mile down her nose at the little tables on the Bakery’s charming covered porch; though when their tea was served she tied right into the pastries, devouring the apricot crescent rolls greedily.

Charlie pulled the last nails, slipped the two sheets of plywood out from under the police tape, and leaned them against the house. She didn’t have to like Beverly Jeannot in order to work for her, and this was the biggest cleaning and repair job she’d bid on. Following Beverly up along the side of the house from the street below, she had hastily assessed the exterior damage. The smoke-stained siding would need pressure scrubbing, and that would mean covering the windows. She’d have to rent a pressure washer. It was too early on in the game to buy one-that would put her in debt for a year. The pump alone ran around eleven hundred, and the spray washer was probably more. A total of two to three thousand bucks.

Her profit from this job would go a long way toward paying for that kind of equipment-if she didn’t lose her temper and blow it. Though it was more than Beverly’s attitude that made her uncomfortable about this bid. She wasn’t looking forward to cleaning the house where Janet Jeannot had been killed so brutally. She’d been a fan of Janet’s, had admired Janet’s work for years. She wasn’t sure how she was going to feel, working there, where Janet had been murdered.

But that was childish, she was being childish. She couldn’t help Janet; she couldn’t change anything.

When she was still in art school, she had sometimes seen Janet at a gallery opening or a museum reception among a group of well-known painters. She had never had the nerve to approach the artist. Why should Janet Jeannot care that some gangling art student idolized her work?

But now she wished she had spoken to her. She hadn’t learned until she moved to Molena Point three weeks ago, what a down-to-earth person Janet had been. Maybe a word of admiration, even from an art student, would have meant a little something.

Of course when she told Beverly, over coffee that day, how much she had admired Janet, she received only a haughty sniff. As if a common cleaning and repair person couldn’t possibly distinguish an exciting painting from the Sunday comics. Now, following Beverly inside, she wondered if Beverly herself had appreciated Janet’s work. Stepping over the burned threshold, Beverly gathered her skirts around her giving a little disgusted huff at the sour smell.

What did she expect, attar of lilies? There’d been a fire there: the white walls, the white rugs and furniture were dark from smoke, the rooms smelled of smoke and dampness, and strongly of mildew. There were drip lines running down the smoke-darkened paint where water had leaked in from the fire hoses.

“I will want all the food removed from the cupboards, and that cat stuff thrown out.” Beverly directed her glance to the dusty water and food bowls on the floor by the kitchen sink. “She kept a cat, but I suppose it’s dead or has found somewhere else to live.

“I want you to clean the refrigerator thoroughly, and pack up all the dishes and cookware. Those will go to the Goodwill-there’s nothing here worth keeping. I want the house completely emptied except for the rugs and furniture. You will see to having those properly cleaned, so that I can sell them.” Beverly stood waiting, as if to be sure that Charlie understood.

Charlie dutifully noted the details on the pad inserted in her clipboard, then picked up the wet throw rugs and carried them out to the deck. Wringing them out, she hung them over the undamaged portion of rail. She’d drop them off later for cleaning-a good professional would do a better job than she ever could with a rented steam cleaner. Straightening the rugs, looking down the hill, she admired the view. Maybe someday she’d have a place like this. She wondered where the cat was, the one that belonged to the dusty water and food bowls. That would be the white cat that Wilma had helped to search for. Wilma thought the poor thing had died in the fire; they’d found no sign of him.

She stood in the big living room for a few moments, assessing the smoke-stained walls. They’d need a heavy scrubbing before she painted. The floors would be fine with a good mopping; nothing could hurt that Mexican clay tile.

“I’m in here,” Beverly called imperiously.

Out of sight, Charlie stuck out her tongue, then moved obediently toward the bedroom.

This room was huge, too, and so bright it took her breath. It would make a wonderful studio. She’d kill for that view down the hills. Beverly stood beside the unmade bed, shuffling through a tangle of scrapbooks scattered across the rumpled sheets. The sheets were streaked with black dirt, too, and when she looked more closely she realized they were pawprints.

So Janet’s cat had survived, had been in the house-or some cat had. Must have slipped in through the charred hole under the front door. Beverly seemed not to see the prints or was ignoring them, caring nothing about the cat.

Before she left, Charlie thought, she’d put out fresh water, food if she could find any, maybe leave the bowls under the entry deck where Beverly wouldn’t notice.

“I’ll want her clothes boxed up for charity. She had no valuable jewelry, only junk. Please look through the closet and dresser now, so you will know how many containers you will require. I will want a complete and detailed list for tax purposes.” Beverly flipped through each album, left themin an untidy pile, and turned to inspecting the bookshelves, moving books and glancing behind them. It occurred to Charlie to wonder if Beverly Jeannot really ought to be in there. Maybe she hadn’t any more right to be in this house than the general public, until the police cordon was removed andthe trial was finished.

Opening the dresser drawers, she found them half-empty. Not as if Janet’s clothes had been removed, rather as if Janet hadn’t had much, as if perhaps the artist saw no need for an abundance of clothing. Her few jeans and sweatshirts lay neatly folded. There was one nice sweater, in a plastic storage bag, a dozen pairs of socks, two pairs of panty hose. Janet had worn plain cotton panties. She didn’t seem overly fond of brassieres-she had only one.

Beverly, preoccupied and intent, moved from the bookshelves to the desk, opening drawers, shuffling through the contents. Charlie watched her, then checked the closet It was half-empty, too. Janet must have unpacked from her San Francisco trip before she went to bed. There was a small, empty suitcase on the top shelf beside a folded garment bag. The clothes on the chair must be what she took off that night, as if she’d been too tired to put them away. The closet contained a wide, transparent storage bag with three dress-up outfits: a beige silk suit, a print dress, and a gold, low-cut cocktail dress. Two more pairs of jeans hung neatly beside a second windbreaker and some cotton shirts. This completed the wardrobe. She heard Beverly pick up the phone and punch in a number, listened to her asking for Police Captain Harper.

She could imagine how that imperious tone would go over if she used it on Harper.

She had met Max Harper only once, but she knew enough about him from Clyde to know the dry, lean man didn’t tolerate being patronized. What cop did? Listening, she returned to the dresser and pretended to inventory jeans and sweatshirts.

Beverly must have pull, in spite of her rudeness, because within seconds she had Harper on the line.

Though likely it wasn’t pull at all but Beverly’s connection to Janet. For all she knew, Beverly herself might be suspect in some way.

“Captain Harper, the man you sent up here to search this house has left an unacceptable mess. I can’t imagine why he would do this-he has pulled nearly all the books off the shelves for no apparent reason, has, in fact, trashed the entire bedroom.”

Charlie didn’t see anything trashed. She could imagine the chief of police raising an amused eyebrow, puffing away on a cigarette while Beverly ranted.

“What do you mean, I’m not allowed in the house? This is my house now. Have you forgotten that Janet left the house to me? Surely your police rules apply simply to the general public. I don’t?”

Abruptly Beverly stopped talking, was quiet for some minutes, then,“Captain Harper, I came up here on legitimate business. I would remind you that I don’t live in Molena Point, and that my time here is limited. I came up here to assess the interior damage and to arrange for much-needed repairs-once you have released the premises. I’m sure you know that much of the damage was caused by your police officers and city firemen. I am, in fact, facing monumental cleaning and repair costs, thanks to you city workers.”

There was another long silence, then Beverly gave a sharp huff of exasperation and hung up, banging the receiver. Charlie pretended to be absorbed in noting the number of moving boxes she’d want. She paced off the size of the rooms in preparation for ordering paint, then went down to the Mercedes to retrieve a box of paint chips from her canvas tote. Beverly wanted a perfect match to the existing white walls. This seemed a needless expense, to have the paint specially mixed, whenthe woman was going to sell the house. Particularly when she was in such a hurry.

But what does a simple cleaning person know?

Returning from the car, she looked up at the house with a stab of longing, dreaming how it would be to have that lovely apartment. The studio above could be rebuilt, with plenty of space for tool storage and building supplies, maybe room left over for a small rental.

Sure, just whip out the checkbook and plunk down half a million or maybe more, and it’s mine.Molena Point property was incredibly expensive.

Back in the house again, she sorted through paint chips,India Ivory, Rich Almond, Pagan White, Winter Snow, Narcissus.She chosePale Bone,matching it to a little patch of wall down behind the couch that seemed to have escaped smoke damage.

But when she checked the color with Beverly, Beverly huffed and had to try a dozen samples. She returned to thePale Boneas if she had just discovered it. In a few minutes she was back in the bedroom. Charlie could hear her still rummaging, heard her open the closet door, heard the hangers slide, heard her unzip the suitcase, zip it up again. Whatever the woman was looking for, she hadn’t found it yet.

Well at least the police knew she was there. If Harper didn’t want her nosing around, he’d send a squad car.

In the kitchen cupboard she found a supply of cat kibble and a dozen small cans of gourmet cat food. Reluctant to move the bowls on the floor and generate questions, she dug out an aluminum pie tin and a chipped china bowl. Filling the bowl with water, she carried it all outside, poured kibble into the pie tin, placed it and the kibble box and bowl of water just under the deck. She could see, down the hill, the house she was now working on, just a few blocks south. She could run up to this house easily to replenish the food and water. If the cat did come back, she could see if it was hurt and take care of it.

Returning to the bedroom, she startled Beverly. The woman turned abruptly from the empty bookshelves. Having pulled off all the remaining books, she looked cross and frustrated.

“When you get Janet’s clothes packed, get them off at once to the Junior League or the Goodwill, then take these albums and scrapbooks to her agent. It is the Aronson Gallery, on San Carlos.”

Charlie nodded and held her tongue.

“Any of Janet’s sketches, or sketchbooks-or any journals, are to be given to me. Pack them carefully in a large, suitably flat box. Don’t fold the sketches, please. Anything drawn or written by Janet’s hand must come to me. Bring them to my motel. Don’t leave them in the house while you are working.

“The bedding and towels can go with the clothes and kitchen things. In short, everything to charity except albums, scrapbooks, diaries, or journals, and any remaining artwork. And of course the rugs and furniture, which I will sell.”

For a woman whose sister had died so recently, and so horribly, Beverly Jeannot was maintaining a remarkable strength of spirit. Charlie pretended to take notes, but they weren’t needed. Beverly’s sharp instructions had etched themselves on each individual brain cell.

“You understand that you cannot start any work until the police legally remove the barrier,” Beverly said. “I have no idea how long this trial will take. Once it ends, beginning the day it ends, when the premises are released, I want the work started immediately and done with dispatch. The living room cleaned and painted, the outside of the house scrubbed, the windows washed. The remains of the studio fire must be removed and the area swept clean so the builders can start, and the entire yard must be cleaned and raked.” She looked Charlie over. “How long will that require? I hope nomore than two or three days. Can you assure me that you have sufficient crew to handle the job expeditiously? If you cannot, I would like to know at once.”

“My crews will be on the job the moment the police allow us to enter. I’ll do the bid this evening, fax it to your motel. Will that be satisfactory?”

No other repair and cleaning service would put their jobs on hold in this way-a customer waited his turn. She wouldn’t make this arrangement either, to be available at any time without notice, if she wasn’t just getting started.

She hadn’t told Beverly how short a time she’d been in business, and Beverly hadn’t asked. She reminded herself again that she had better not lose her sense of humor. She prayed that she’d be able to find additional help for the job. One fifty-year-old, addle-brained cleaning lady and one male handyman of questionable skills were not going to cut it.

Under the bed, the cats glanced at each other. There was only one place Beverly hadn’t searched. Her footsteps tapping across the tile were bold and solid.

She stopped beside the bed, her shoes inches from Dulcie’s nose. Thick ankles in thick, pale stockings, burgundy high heels with wide straps across the instep. The springs squeaked and one burgundy foot disappeared upward, then the other, as Beverly climbed to kneel on the bed.

She had already pulled all the books out. Now a dry, sliding sound suggested that she was running her hand down the wall, maybe pressing along the moving shelf beneath which Janet had kept her tissues and clock and the missing journal. The springs complained as she shifted her weight.

They heard the movable panel rattle. Heard her suck in her breath, heard the shelf slide open.

They listened to her rummaging among the contents, but soon she closed the little niche again and eased herself down and off the bed.

When Beverly began to pull the sheets off, Dulcie snatched the diary in her teeth and they slipped out behind her, staying between the comforter and the wall. As she tugged at the bedding, jerking sheets and comforter onto the rug, they fled, streaking for the closet.

They peered out, ready to run again.

But she didn’t turn, hadn’t seen them. They watched her shake the bedclothes, drop them on the rug, then roll the bed away from the wall. As she searched behind it, her posterior bulged in the plum-colored skirt. At last she straightened up, brushed dust from her suit, and returned empty-handed to the living room.

The cats did not leave their shelter until they heard the front door close, heard the lock slide home, heard Charlie nailing up the plywood.

When an engine started down below they left the closet, trotted to the window, and watched Beverly drive away. Charlie left directly behind her, the Mercedes softly purring.

The apartment was still again, empty.

Crouching together on the rug with the diary lying between them, they pawed it open to the last pages.

Here were entries about the de Young opening, notes which Janet must have made only days before she died.Ironic that Kendrick is on the museum board which is giving me two awards. A jury with Kendrick on it wouldn’t even have hung my work, so I guess he didn’t have any say in the matter, it’s the jury that decides, bless them.

She had tucked a clipping between the pages, a group photo of the board, taken a week before the opening. She had drawn beside Mahl’s picture an owl that looked so like Mahl, Dulcie rolled over laughing. The dowdy bird had Mahl’s hunched shoulders, Mahl’s beaklike nose. Its eyes closely resembled Mahl’s round, rimless glasses.

In the photo Mahl had his suit coat off and was holding a piece of clay sculpture, his white shirt cuff revealing, where it had pulled back, an expensive-looking watch, heavy and ostentatious.

Joe stared at it.“What kind of man would wear a watch decorated with cupids and those heavy wings sticking out. Pretty pretentious, for someone who’s supposed to have the tastes of an artist.”

“Where did you learn about the tastes of an artist?”

“Not from Clyde, you can bet.”

The last entry in Janet’s diary had been made the night before she died, a oneline comment which perhaps she had written just before she went to sleep.

Lovely night at the de Young. Two awards. Euphoria. All perfect. Except K. was there.

Behind that page she had tucked a newspaper review of the exhibit, her hotel bill, a charge slip for gas, and a plain slip of paper with some numbers jotted on it.

“Could be the van’s mileage,” Joe said. “For her tax records. Mileage when she left, and again when she got home.” Janet had crossed out the beginning mileage and penciled in a new one, two hundred miles larger.

“Guess she wrote the original number wrong, then corrected it-put a three hundred where she should have had a five.”

“She must have been in a hurry,” Dulcie said. “What should we do with the diary? We can’t let Beverly-or the police-come back and find it.”

“We have to get it to the police, Dulcie. It could be evidence.”

“But there are personal things in here. She wouldn’t want this read in court.”

“We don’t have any choice, if it’s evidence. And there are things in here about Rob Lake.”

She laid a soft paw on the pages, on Janet’s small, neat handwriting. “Would they read it out loud in court? If the papers get hold of this, they’ll print everything-all the things she said about Mahl.” She licked her chest, smoothing her fur. “Janet wouldn’t want this made public, plastered all over the newspaper.”

“It belongs with the police. Max Harper won’t let the papers have it.”

“Detective Marritt would, behind Harper’s back.”

“You think Harper would let anything happen behind his back?”

“Marritt messed up the investigation, didn’t he?”

Joe sighed.“You’re not really sure of that. We’ll hide it for tonight, until we decide what to do.” He rose and headed for the kitchen.

Pawing open the lower cupboard doors, he prowled among the pans until he found a supply of plastic grocery bags rolled neatly and stuffed in an empty coffee can.

Within minutes they had bagged the diary to protect it from the damp and rain, and had dragged it outside and hidden it beneath the deck, pushing it deeper under than the bowls which Charlie had left for the white cat.

“That was nice of her,” Dulcie said. “I guessCharliebelieves in the white cat.”

“I didn’t say I don’t believe in him. I just think he’s-Oh, what the hell. Maybe he’ll show up and eat the damned kibble.”

She gave him a long green stare, but then she snuggled close.“Come on, let’s go con that old Mrs. Blankenship, see what we can find out.”

10 [????????: pic_11.jpg]

“Suck in your stomach, try to look hungry.” “I am sucking it in, I can hardly breathe.” She let her ears go limp and forlorn, let her tail droop until it dragged the ground.

“Yeah. That’s better, that’s pitiful. You really look like hell.”

“Thanks so much.”

“A starving stray, not a friend in the world.”

The plan was, she’d approach the old woman alone as this was definitely a one-cat job. One starving, pitiful little kitty could turn the hardest heart, while two cats tramping the neighborhood would give the impression of mutual support, of perhaps greater hunting options. A pair of cats could never achieve the same high degree of helplessness and neglect, elicit the same pity.

“She’s still watching,” Joe said, peering out at the old woman. “And even if she didn’t see us come into the bushes, she’s already seen us together, up at Janet’s house. She knows you’re not alone. I don’t think this is going to work.”

“It’ll work.” Dulcie studied Mrs. Blankenship. The soft, elderly woman looked a perfect mark, like some old grandmother there behind the curtain, her nose pressed to the glass. “But before I go into my half-starved act, we need a little drama, a little pathos. How about a cat fight? Before you nip out of here, how about you beat the stuffings out of me.”

Joe smiled.“A screaming frenzy of a fight.”

“Exactly. Poor little kitty torn apart by the big ugly bully.”

“So who’s ugly!” He lit into her, kicking and clawing, knocking her out onto the lawn. She screamed, yowled. He was all over her, they rolled clear of the bushes tearing at each other, raking and kicking, tearing divots from the grass-but not a bit of fur flew. They didn’t lay a claw on each other. Dulcie’s screams were loud enough to have drowned out all the fire engines in Molena Point, her voice ululating in crescendos of terror and rage.

Mrs. Blankenship’s troubled face remained pressed against the glass for only an instant, then the old woman’s window banged open. “Stop it! Stop it! Leave her alone!”

They gave it a few more licks for good measure, then Dulcie escaped into the bushes. The old woman yelled again, and Joe fled, hissing and snarling.

He paused behind a rhododendron bush out of sight.I’m pretty good at this acting stuff, a regular Robert Redford-or maybe Charles Branson.He pictured himself bashing skulls, leaping atop runaway cars.

Mrs. Blankenship had opened the screen and was leaning out, beckoning to Dulcie.“Kitty? Oh you poor, poor kitty.” She reached out as if Dulcie would come to her outstretched hand. She was dressed in a flowered bathrobe, her gray hair confined beneath a thick, old-fashioned net.

Dulcie crept out from her shelter, staring up.

“Come on, kitty. Oh you poor, pretty kitty.”

Dulcie mewled pitifully, her voice unsteady and weak.

“Oh, you poor little thing. Come on, kitty. Are you hurt? Did the bad tomcat hurt you?”

At least,Joe thought,the woman knows how to tell a tomcat. Broad shoulders, thick neck. It doesn’t take a look at your private parts, necessarily, to know you’re a stud.He watched Dulcie creep across the lawn, walking slowly, managing to limp. Shyly, warily, she approached the window. This cat was no slouch, either, as an actor-she could play Scarlett to his Rhett.

“Oh, you poor, poor kitty. Come on up here to Mama. Can you jump? Are you hurt too bad, or can you jump up?” The old woman tapped on the sill with a shaky finger.

But Dulcie lay down on the grass, trying for the wan, coy effect. Lying upside down, widening her green eyes with longing, she let her little peach-colored paws fold over her poor empty tummy.

Yes, that did it. Mrs. Blankenship leaned farther, her lumpy bosom pressed down over the sill. Her body in the flowered robe was round and soft, the robe bleached out from numerous washings, baggy and wrinkled. Her eyes were a faded brown. And her hair was not gray, but the color of old, dried summer grass.

“Oh, you poor, sweet little girl. That terrible tomcat. Come on, sweet kitty. Come on, dear. I’ll take care of you.”

Dulcie remained shy and frightened.

“I can’t come out to get you, dear, Frances will see me, she’ll have a fit.” Her face wrinkled up, petulant and cross. “She doesn’t like animals-doesn’t like much of anything. Come on, kitty, you’ll have to come up on the sill-if you’re not too hurt to jump. Oh, dear?”

Dulcie played coy for another few minutes, wondering about this Frances, thinking maybe she ought to cut out of there while she had the chance. But at last she rose haltingly and approached the window.

“Come on, poor baby. Poor sweet baby, I won’t hurt you.”

She stood looking up, then gathered herself both in spirit and in body, and leaped, exploding onto the sill, their faces inches from each other.

“Come on, pretty kitty. Come and let me see. Did that old tomcat hurt you?” Old Mrs. Blankenship’s wrinkles were covered with a thick layer of powder. Her brown eyes were faded. She had fuzz on her face and little hairs in her ears.

Standing on the sill halfway in through the window, Dulcie let the old woman stroke her. Mrs. Blankenship’s hands were very fat, very wrinkled, laced with thick, dark veins like little wriggly garden snakes. But they were surprisingly strong-looking hands.

And the lady did know how to stroke a cat. She rubbed gently behind Dulcie’s ears, then held out her fingers so Dulcie could rub her whiskers against them. Next came a nice massage down the back, her strong hands rubbing in all the right places. With this, Dulcie abandoned her shyness, purred extravagantly, and padded right on in over the sill and onto the dressing table, stepping carefully to avoid the clutter of little china animals, small framed photographs, medicine bottles, and half-empty juice glasses. She could hardly find room to set a paw. She just hoped she was doing the right thing. Hoped this old lady didn’t turn out to be some kind of serial cat killer.

The table had been dusted without moving anything, so that around each little china dog and pill bottle shone a thick circle of grime. The stuffy, too-warm room smelled of Vicks VapoRub. Mrs. Blankenship did not close the window. The old lady seemed to understand that a cat with an escape route open behind her was far braver than a cat locked suddenly in a strange house. Dulcie smiled, giving her a dazzling green gaze and another loud purr.

“That’s it, pretty kitty. Come on, sweet kitty.” The old woman patted her lap by way of invitation. As Dulcie oozed down off the dressing table onto that ample resting place, Mrs. Blankenship’s round wrinkled face broke into a smile of delight. “Did that old tomcat hurt you? Let me see, kitty. Let me have a look.”

Dulcie lay limp and cooperative as the old woman examined her, her fingers exploring carefully for battle wounds inflicted by the tomcat, her mumbles of endearment meaningless and soothing, words which she had perhaps employed one time or another with countless other cats.

“I can’t find a scratch, kitty. Not a sign of blood.” She looked so puzzled that when she touched Dulcie’s shoulder, Dulcie deliberately flinched.

She examined Dulcie’s shoulder, but, “Nope, no blood. Maybe a bruise or two. Otherwise, you look just fine, kitty. I think you were only scared.” She settled back comfortably, with Dulcie curled in her lap, Dulcie taking care to keep her claws in. Mrs. Blankenship petted her, and dozed, and woke to mumble, thendozed again, seeming truly content to have a little cat in her lap.

But after some time in the hot room, pressed against Mrs. Blankenship’s round stomach, Dulcie began to pant. The room was not only hot, but the smell of Vicks made her nauseous. Maybe she should have encouraged Joe do the spying.

Not that he had volunteered.

Mrs. Blankenship’s sweet talk and little snoozes were interrupted only when a younger, dark-haired woman entered the room carrying a neatly folded stack of clean towels and sheets.

She stopped in the middle of the room, stared at Dulcie, stared at the open screen.“Oh, Mama. Not a cat. You haven’t brought a cat in here.”

“It’s hurt, Frances. And starving. Go get it something to eat.”

“Mama, this is a stray. Why would you let a stray cat in the house? It’ll be full of fleas. It could have rabies, ringworm, anything. Why did you let it inside?”

“Where else would I bring a hurt and starving cat but inside? The poor thing needs food. Go get it some of that steak from last night.”

“It doesn’t look starving. It looks like a mangy freeloader.”

Dulcie lifted a soft paw, gave Frances an innocent smile, her green eyes demure. The woman stared back at her with no change of expression.

Well the same to you, lady. Go stuff it.

Frances Blankenship was sleekly groomed, her short dark hair perfectly coiffed. She was dressed in tailored white pants and a pink silk blouse, and pale lizard pumps, probably Gucci’s, over sheer hose. Dulcie let her gaze travel down the woman’s length, and up again to that smooth, unsmiling face. Very sleek. But not likable. This was a woman who would throw a sick cat out in the freezing rain and laugh about it.

“Go get the steak, Frances.”

Sighing, Frances went. Dulcie watched her retreat, wondering what power the old woman had over that cold piece of work?

She could hear Frances in the kitchen, heard the refrigerator open, then athunk, thunk,as of a knife on a cutting board. In a few minutes Frances returned carrying a small portion of cold steak cut up on a paper napkin. Dulcie hoped she hadn’t seen fit to lace it with oven cleaner or some equally caustic substance. Frances put the little paper with its offering down on the floor, stood studying Dulcie with a new degree of interest.

“Give me the napkin, Frances. I’ll feed her. Couldn’t you have managed a plate?”

Frances passed over the napkin. Dulcie, in the old woman’s lap, sniffed at the meat but could smell only the rare steak and the scent of what was probably Frances’s hand cream.

Mama held out a little piece of good red steak.

Here goes nothing.Dulcie snatched it from her fingers as if she were truly starving. And as she wolfed the meat, Frances watched her with what Dulcie now read as a definite increase of attention.

The steak was lovely, nice and red in the middle. Obviously the Blankenships had a good butcher; probably the same meat market Wilma frequented, the small butcher shop up on Ocean. The little repast could only have been improved by privacy. She didn’t mind the old woman’s presence as she ate, but Frances’s intent stare made her nervous. When she had finished eating, Frances wadded the napkin, threw it in the wastebasket, and looked down benevolently at Dulcie. “I guess you can keep the cat, Mama. If it makes you happy.”

Dulcie watched her warily.

But maybe Frances was only considering what a nice diversion a cat would afford. If Frances was Mama’s only caregiver, maybe she was thinking that if Mama had a cat to entertain her, Frances herself could enjoy more freedom. Hoping that was the answer, Dulcie settled back again, against Mrs. Blankenship’s stomach.

She remained in the Blankenship household for four days, missed four days of the trial, and endured increasing claustrophobia in the hot, crowded dwelling. Four days can go by in a blink or they can drag interminably. She soon learned that Frances was Mrs. Blankenship’s daughter-in-law. The first thing she learned about the old woman’s son, Varnie, when he came shouldering in from work the first night, was that he did not like cats.

Varnie Blankenship was a short, square man, sandy-haired, with peculiarly dry, pale skin reminiscent of old yellowed newsprint. He worked at the nearby harbor, at a pleasure boat rental, tending the small craft. He arrived home smelling of grease, sweat, and gasoline.

Varnie was fond of a large, heavy supper. Frances cooked his meals, but she ate little. During the time Dulcie was in residence, Varnie read no books. He read only the daily newspaper, then folded it up into a small packet and stuffed it in the magazine stand. His spare time was taken up with television, with some activity which he performed out in the garage, and with submissively dusting his mother’s curio collection, his broad hands clumsy but patient.

The entire house was crammed full of bookcases and little shelves and tables, and every surface, shelf, and tabletop and cabinet top were crowded with china animals and other assorted knickknacks. The china shop atmosphere did not fit Frances, and certainly it didn’t fit Varnie. Yet Varnie seemed resigned to caring for the clutter, moving among his mother’s curios and dusting away like an uneasy and oversized servant. Maybe Frances and Varnie had moved in with his mother, not the other way around. Maybe the old woman had willed the house to them, provided they cared for her collection. Who knew? Maybe Varnie’s subservience was generated by some propensity in the old woman to abrupt changes of mind.

Whatever the Blankenship family arrangement, the crowded house made Dulcie feel increasingly trapped. She didn’t dare jump up onto any surface for fear of sending hundreds of little beasties shattering to the floor; she padded around the rooms as earthbound as any dog. She was unable even to rub her face against a table leg for fear of tipping it, of knocking down an armload of china and porcelain curiosin a huge landslide. The rooms were a fireman’s nightmare, and a mouse hunter’s paradise. There were a thousand places for mice to hide, and their scent was heavy and fresh.

But she didn’t dare. Who could chase a mouse in this maze without incurring major damage?Good thing Joe isn’t here, he’d lose patience and send the entire clutter crashing.

In the evenings, moving warily among the crowded rooms, trying to eavesdrop but stay out of Varnie’s way, listening to their every conversation and idle remark, she heard nothing about Janet, nothing about the murder or the fire. And so far, the old woman’s monologues were confined to baby talk. It would be really too bad if she’d gone to all this trouble for nothing.

But Mama did spend all day at her window, as Dulcie had guessed. And she did wake up well before dawn, often to draw on her robe and return to her window, to her unrewarding vigil over the neighborhood. It seemed to Dulcie a very good chance that the old woman had seen something that morning, the morning of the fire.It’s worth a try, worth a few more days of suffocation.

Varnie talked very little on any subject, except to say that he didn’t want a cat in the kitchen when he was eating, and didn’t want a cat in the living room while he was watching the news. And Varnie was inclined to throw things: cushions, his slippers, the hard, folded-up newspaper. She decided, if she was going to pull this off, she’d better leave Varnie alone and hang out with the old lady.

But she did follow Varnie out to the garage, on that first night, before he started throwing things. He had an old truck out there that he was working on, doing something to the engine. The truck and the garage smelled strongly of stale fish, and there were fishing poles slung across the rafters. She wanted to jump up on the fender and see what he was doing, and see if she could make friends. She approached him. He looked down at her. She rolled over on the garage floor, smiling up at him.

He reached down to pet her. For a moment she thought she’d made a conquest.

Then she saw the look in his eyes.

She flipped over and backed away.

Since that moment she had kept her distance. She investigated the unfamiliar parts of the house secretly, slipping behind tables and crouching in the dark corners and beneath the beds, ignoring the smell of mice. She was still convinced that it was Mama who would spill something of interest, but she was resolved to miss nothing from any source.

Though when she crept under Varnie’s easy chair to listen, or into the conjugal bedroom, she remained tense and wary. She had the distinct impression that Varnie wouldn’t hesitate to snuff a little cat-and that Frances would enjoy watching. She was in this house strictly under the sponsorship of Mama-and for whatever selfish reason Frances might entertain. She was there to find out what Mama knew, and she’d hang in there until she had an answer.

But in the end, it wasn’t Mama who supplied the telling clue. As it turned out, Dulcie would have learned nothing if it hadn’t been for Varnie and his love of beer and stud poker.

11 [????????: pic_12.jpg]

ART DEALER ON STAND

Defense attorney Deonne Baron today called three additional witnesses in the murder of artist Janet Jeannot. The first to take the stand was art dealer Sicily Aronson, owner of Molena Point’s Aronson Gallery, and victim Janet Jeannot’s agent? Aronson testified that there had been bitterness between Ms. Jeannot and the accused, Rob Lake. Under detailed questioning she told the court that Ms. Jeannot was not happy over Mr. Lake’s gallery association with her ex-husband KendrickMahl. Ms. Aronson also told the court that since Janet Jeannot’s death, and the destruction of most of the artist’s work in the fire that burned her studio, the remaining canvases have doubled in price. The Aronson Gallery?

Wilma scanned the lead story with mild interest, standing in her front garden. TheGazettearticles were getting tedious. Much of this story was a rehashing of Janet’s personal life, which the reporters seemed to find fascinating; newspaper reporters were not conditioned to let the dead rest, not as long as there was any hint of story to be milked from a tragedy. She folded the evening paper again, tucked it under her arm, and bent to pluck some spent bloomsfrom the daylilies. A cool little breeze played through the oak tree, rattling the leaves. Above her, above the neighbors’ rooftops, the sky flamed red, so blazing a sunset that she considered hurrying the five blocks to the shore to enjoy its full effect spreading like fire over the sea. But shehad dinner cooking, and she’d pulled that trick before, turning the stove low, nipping down to the beach for a few moments-and returning home to find her supper burned.

She wished Dulcie was home. She grew upset when the little cat was gone for more than a night and a day. Even with Clyde’s reassurances that the cats were all right, Dulcie’s absence was unsettling. Clyde would say little, only that they were perfectly safe. Turning from the daylilies she headed for the house, moved on through the kitchen, where she’d left the noodles boiling, and into the dining room to have another look at the drawings Charlie had left propped on the buffet.

She’d discovered them when she got home from work, had stood looking at the little exhibit, amazed. She’d had no idea that Charlie was drawing Dulcie, and she’d had no idea, no hint that Charlie could draw animals with such power. Until that moment she’d thought of Charlie’s artistic effortsas mediocre, dull and unremarkable. The work which she had watched over the years consisted mostly of uninspired landscapes bland as porridge, studies so lacking in passion that she was convinced an art career was not the best use of Charlie’s talents. She had felt a deep relief when Charlie gaveup on making a living in the field of either fine or commercial art. Had felt that Charlie, in making a break from the art world, could at last throw herself into something which would fit her far better.

But these drawings were totally different, very skilled and sure, it was obvious that Charlie loved doing animals; strange that she’d never seen anything like this before. Always it was the landscapes or Charlie’s hackneyed commercial assignments from class. But these showed real caring-the work was bold and commanding, revealing true delight in her feline subject.

The three portraits of Dulcie were life-size, done in a combination of charcoal and rust red Conte crayon on rough white paper. They brought Dulcie fully alive; the little cat shone out at her as insouciant and as filled with deviltry as Dulcie herself. In one drawing she lay stretched full-length, looking up and smiling, her dark, curving stripes gleaming, her expression bright and eager. In the second study she was leaping at a moth, her action so liquid and swift that Wilma could feel the weightless pull of Dulcie’s long, powerful muscles. The third drawing had caught Dulcie poised on the edge of the bookshelf ready to leap down, her four feet together, her eyes wild with play.

This work was, in fact, stronger and far more knowledgeable than any animal drawings Wilma could remember. The cat’s muscle and bone structure were well understood and clearly defined beneath her sleek fur, the little cat’s liquid movement balanced and true. There was nothing cute about this cat, nothing sentimental. These studies created for the viewer a living and complicated animal.

Leonardo da Vinci said the smallest feline is a masterpiece. These drawings certainly reflected that reverence. She couldn’t wait for Dulcie to see these.

To an ordinary cat, such drawings would read simply as paper with dark smudges smelling of charcoal and fixative. A drawing would communicate nothing alive to the ordinary feline, no smell of cat, no warmth or movement. A normal cat had no capacity to understand graphic images.

An ordinary cat could recognize animal life on TV primarily by sounds, such as barking, or birdsong, and by the uniqueness of movement: feline action sleek and lithe and deeply familiar, birds fluttering and hopping. Action was what most cats saw. She had no doubt about this, Dulcie had told her this was so.

But Dulcie would see every detail of these drawings of herself, and she would be thrilled.

Returning to the kitchen, dropping the eveningGazetteon the table, she turned to finishing up her dinner preparations. Her cheerful blue-and-white kitchen was warm from the oven, and smelled of the garlic and herbs and wine with which she’d basted the well-browned pot roast. Removing the noodles from the stove, she drained them in a colander then pulled the roaster from the oven, releasing a cloud of deliriously scented steam. She basted the roast, put the lid back, put the noodles in a bowl and buttered them, set them on the back of the stove to keep warm. It was nice having company; she was pleased to have Charlie staying with her. She deeply enjoyed her solitude, but a change was delightful, and Charlie was just about all the family she had since her younger brother, Charlie’s father, had died. There were a couple of second cousins on the East Coast but they seldom were in touch. Her niece was the closest thing she had to a child of her own, and she valued Charlie.

She laid silverware and napkins on the table, meaning to set them around later. Beyond the window the sunset had deepened to a shade as vivid as the red bougainvillea which clung outside the diamond panes, the red so penetrating it stained the blue tile counter to a ruddy glow, sent a rosy sheen over the blue-and-white floral wallpaper. She set out the salt and pepper, then returned to the dining room for another look. She couldn’t leave the drawings alone. Now, suddenly, it seemed to her a great waste for Charlie to be starting a cleaning and repair business. Why had she hidden such work?

Charlie had mentioned once there wasn’t any money in drawing animals, and maybe she was right. Certainly animal drawings weren’t big in juried shows; one would have to build a reputation in some other way than Janet had done. Charlie said Janet was truly talented, and that she herself was not. Wilma wondered how much of that came from the narrow view of the particular art school she had attended.

She returned to the kitchen, moving restlessly. She was tearing up endive and spinach leaves for a salad when Charlie’s van pulled up at the curb, parking up toward the neighbors’ to leave room behind. The red sky was darkening, streaked with gray, the wild kind of sky Dulcie loved. She tried to put away her worries about Dulcie; it did no good to worry. Clyde had said, on the phone, that the cats were fine.

So where are they?

At Janet’s. Joe is at Janet’s.

Then where is Dulcie?

She’s nearby-gathering some information, Joe said.

What does that mean? Snooping somewhere? She can’t? Those cats can’t?

Joe says not to worry, and what good does it do to worry? He’d let me know if anything-if they?

She had hung up, shaken, and no wiser.

She shook the salad dressing, fussed with the salad. Standing at the window, she watched Charlie come up the walk dragging, looking hot and irritable.

Charlie dropped her jacket in the entry and came on through the dining room into the kitchen, slumped into a chair. Her red hair was damp with sweat, curling around her face, her limp, sweaty shirt was streaked with white paint and rust.

“Not a good day,” Wilma said tentatively.

Charlie reached for a leaf of spinach to nibble.“Not too bad. Mavity got a lot done. She’s a good worker, and a dear person.” Mavity Flowers was an old school friend of Wilma’s. She had gone to work cleaning houses when the small pension left by her husband began to dwindle under rising prices. She’d be in fair financial shape if she’d sell her Molena Point cottage and move to a less expensive area, but Mavity loved Molena Point. She would rather stay in the village and scrub for a living.

Charlie rose and got two beers from the refrigerator.

“Cold glasses in the freezer,” Wilma said. “I guess Mavity can be a bit vague at times.”

“Aren’t we all?” Charlie fetched two iced glasses, opened the bottles, and poured the dark brew down the frosted sides with care. “Mavity works right along, she doesn’t grouse, and she doesn’t stop every five minutes for a smoke the way Stamps does. I don’t think James Stamps will be with me long.”

Charlie had hired Stamps from an ad she’d put in the paper. He hadn’t been in Molena Point for more than a week or two. He told Charlie he’d moved to the coast because Salinas was too dry. He was renting a room somewhere up in the hills, near to the house Charlie was cleaning, the Hansen house; she was getting it ready for new owners.

“I got all the little repairs done. Replaced the cabinet door hinges in the kitchen, fixed the leak in the garage roof. Fixed the gate latches.” She sighed and settled back, taking a long swallow of beer. “Mavity and I painted the bedroom, and Stamps picked up the shelving units for the closets.”

“Sounds like more than a full day.”

“I had to tell Stamps twice, no smoking in the house. He said, ‘What difference? They won’t be moving in for a week.’ I told him that stink stays in a house forever. But how can he smell anything when he reeks of smoke himself.”

“Did he do any work besides picking up the shelving?”

“Under my prodding. Got the front yard cleaned up, the lawn trimmed, and the new flowers planted. But my God, I have to tell him everything. Mix the manure and conditioner in before you plant, James. Treat the flowers tenderly, don’t jam them in the ground.

“It’s not that Stamps is dumb,” Charlie continued. “He’s bright enough, but he doesn’t keep his mind on the job. Who knows where his thoughts are. The cleaning and repair business is definitely not James Stamps’s line of work.”

Charlie glanced idly at the paper.“One day I’ll find the right people. Meantime I keep on baby-sitting him. I had to tell him twice to tie up his dog. It sleeps in his truck; I guess the people he rents from don’t want it in his room. I don’t blame them, the beast is a monster. I didn’t want it tramping around in the clean house, getting dog hairs stuck in the fresh paint.”

“I thought you loved dogs.”

“I can hardly wait to get a dog. A big dog. But not a beast like Stamps’s mutt. I want a nice, clean, well-mannered animal. That creature won’t mind, and it’s mean.” She grinned. “At least Stamps didn’t eat lunch with Mavity and me, that was a pleasure. It was real nice to be rid of him.

“But then he was twenty minutes late getting back, and when I made him work the extra twenty, he got mad.” She finished her beer and got up. “I’m heading for the shower; I smell like a locker room.”

Wilma hadn’t mentioned the drawings. She wanted to wait for Clyde-and wait until Charlie had cleaned up and didn’t feel so hot and irritable. Charlie could be testy-if she was in a bad mood, anything you said could be taken wrong. Patiently, sipping her beer, she sat reading the rest of the lead article and a second, longer story.

Ms. Aronson was unable to produce witnesses to her whereabouts the early morning of Ms. Jeannot’s death. She claimed that she was alone in her Molena Point condominium. Neighbors testified that lights were on that morning in her living room and bedroom, but no witness saw her white Dodge van parked on the street. Ms. Aronson told the court she had parked on a side street, that there had been no empty parking places in front of her building.

She testified that she did not leave her apartment until nearly7A.M., when police phoned to notify her that Janet’s studio had burned and that Janet had died in the fire. She said she dressed and drove directly to Ms. Jeannot’s studio. Under questioning, Ms. Aronson admitted that she had a set of keys for Jeannot’s studio and apartment. She claimed that Jeannot had given them to her so she could pick upand deliver work for exhibitions.

The second witness was Jeannot’s sister, Beverly Jeannot, who also admitted to having a set of keys. Police said that onthe day Janet was murdered they were not able to reach Ms. Jeannot at her home in Seattle until noon, though they made several attempts by phone to notify her of her sister’s death. Ms. Jeannot claimed shehad not been feeling well, and that she had unplugged her phone the night before. She said she slept until 11:45 the morning of the fire, that once she was notified she booked the next flight to San Francisco, with a commuter connection to Molena Point. She arrived in the village at three that afternoon.

Scheduled to testify later in the week is San Francisco art agent and former critic Kendrick Mahl, a name of national stature. Mahl is Janet Jeannot’s ex-husband and is also the representing art agent for the accused. A partial transcript of today’s court proceedings follows.

Wilma was scanning the transcript when Clyde knocked at the back door and pushed on in. He was well scrubbed, his dark hair neatly combed. He smelled faintly of Royal Lime, a nonsweet scent from Bermuda that Wilma liked, though she detested the heavy and too-sweet scents that most men applied. He was wearing a new shirt. The store creases spoiled only slightly the fresh look of the red madras plaid. He got a beer from the refrigerator and pulled out a chair, scowling at the headlines.“Don’t they have anything else to write about?”

“Good color on you. Don’t sit down. Go in the dining room.”

“What? Are we eating formal?”

“Just go.”

He gave her a puzzled look and swung away into the dining room, carrying his beer.

He was silent for a long time, she could hear the soft scuff of his loafers as he moved about the room, as if he were viewing the work from different angles and from a distance. When he returned to the kitchen he was grinning.“I thought, from the way you talked and from what Charlie said, that her work was really bad, that art school was a waste of time.”

“It was a bust,” Charlie said, coming in. She was dressed in a pale blue T-shirt with SAVE THE MALES stenciled across the front, and clean, faded jeans and sandals. She had blow-dried her sweaty hair and it blazed around her face as wild as the vanished sunset. “I should have gone to businessschool. Or maybe engineering, I’ve always been good at math. I’m sorry I didn’t do that, maybe civil engineering. It was a big waste of time, that four years in art school. Big waste of my folks’ money.”

Clyde shook his head.“Those drawings are strong. They’re damned good.”

Charlie shrugged.“I enjoy doing animals, but it’s nothing that will make me a living.”

Clyde raised an eyebrow.“Don’t put yourself down. Who told you that?”

“The fine arts department. My drawings-any animal drawings-are way too commercial, they have no real meaning. Just a waste of time.”

“But you took commercial art, too,” Clyde said. “You got a BS in both. So what did the commercial people say?”

Charlie gave him a twisted, humorless smile.“That there is no market for animal sketches, that this is not commercial art. That you have to use the computer, have to understand how to sell, have sales knowledge and a strong sense of layout. Have to be a real professional, understand the real world of advertising, bring yourself up into theelectronic age. That this-drawing animals-is hobby work”

“Rubbish,” Clyde said.

“Trouble is, I don’t give a damn about commercial work.” She got another beer from the refrigerator and picked up the silver flatware that Wilma had dropped in the center of the table. As she folded the paper napkins neatly in half, she gave Clyde a long look. “They know what they’re talking about. I can draw for my own pleasure, but as for making a living, right now my best bet is CHARLIE’S FIX-IT, CLEAN-IT. And I like that just fine.” She tossed back her hair and grinned. “I’m my own boss, no one telling me what to do.” Reaching across the table, she arranged the silver at their three places and set the napkins around. At Clyde’s angry look, she laughed. “My illustration instructor said I can draw kitties as a hobby.”

“Who the hell do they think they are?”

“They,” Wilma said, “are our rarefied and venerable art critics, those specially anointed among us with the intelligence to understand true art.”

Clyde made a rude noise.

Wilma studied Charlie.“I’ll admit I didn’t like your landscapes. But these-these are strong. More than strong, they’re knowledgeable, very sure. Do you have more?”

“Some horses,” Charlie said. “Lots of cats, all my friends in San Francisco had cats. A dog or two.”

“Did you bring them with you?”

“They’re in the storage locker with my cleaning stuff and tools.”

“Will you bring them home?” Wilma said patiently. “I’d like to see them all.”

Charlie shrugged and nodded.“The sketches of Dulcie are yours, if you want them.”

“You bet I want them. Dulcie will be? is immortalized,” Wilma stumbled. She caught Clyde’s eye, and felt her face heating. “I’ll take them down right away, to be framed.” She rose and began to fuss at the sink, her back to Charlie, and hastily began final preparations for dinner, again checking the roast, making sure the noodles were still warm.

She was going to have to be more careful what she said to Charlie, and in front of Charlie.

And, she’d have to get those drawings out of the house before Dulcie saw them. The little cat could be as careless as she. If Dulcie came on those drawings unprepared, she would be so pleased she’d very likely forget herself, let out a cry of astonishment and delight that, if Charlie heard her, would be difficult to explain.

12 [????????: pic_13.jpg]

It was poker night at the Blankenships’. Frances served an early supper of canned spaghetti and a limp salad, then hustled Mama off to bed. Returning to the kitchen, she made a stack of baloney and salami sandwiches, wiped the counters, and dutifully removed from the round kitchen table its collection of animal-shaped salt and peppershakers, pig-shaped sugar bowl, the cream pitcher made in the image of a cow, and the potted fern. Varnie slapped a new unopened deck of cards and a rack of poker chips on the table, and checked the refrigerator to assess once again his stock of cold beer. Dulcie watched the preparations from a dark little space between the end of the stove and the kitchen wall.

But, crouching in the shadows, she was tempted to nip out the open laundry window or return to Mama’s room before the kitchen filled up with boisterous jokes and cigarette smoke. She expected Frances would retire to her own secluded part of the house, to the pristine little lair at the back, which Dulcie had investigated just this morning.

When Frances had made a quick trip into the village for groceries, Dulcie had been able for the first time to inspect closely Frances’s small office. Heretofore she had only looked in from the hall. Certainly the room was off-limits to both Mama and Varnie; neither seemed welcome there. This morning she had slipped in quickly, padding across the bare wood floor, staring up at the unadorned white walls. The plain white desk wasbare, except for Frances’s computer. White desk chair, white worktable, low white file cabinets. No clutter anywhere. She could see nothing on any surface, certainly no china beastie or tatty fern plants. Leaping up onto the desk she paced its bare surface, brushing by the computer. And she couldnot resist the slick surface, it was perfect for tail chasing-she’d spun, snatching at her tail, whirling until she fell over the side, landing hard on the oak floor.

She tested the white leather typing chair, found it soft and inviting, and then atop the white filing cabinets she had investigated the copier. It was very like Wilma’s copier at the library. Next to it stood a state-of-the art white telephone with answering machine and fax.

A fax still unnerved her. Though she had watched the library’s fax, she couldn’t get used to it spitting out pages suddenly without any apparent human inputas if the messages were generated by nothing living.

But she had felt that way about the telephone, at first, shivering with fear. As Joe pushed the headset off, punched in a number, and talked into the little perforated speaker, she had deeply distrusted the disembodied voice which answered him.

She felt easier with a copier. She had played with Wilma’s copier, and that machine seemed to her more direct. You pressed a paw into the sand and created a pawprint. You put a page in the copier and got a copy. No invisible, offstage presences.

Even computers seemed more straightforward. You punch in CAT, you get CAT on the screen. She considered a computer to be a glorified typewriter-until you got into modems. Then the ghosts returned.

Frances had a modem; Dulcie had watched her from the doorway and knew that she received many pages via modem. These she edited, making changes, putting in appropriate punctuation, then sent the material away again to some mysterious, unnamed destination.

Mama, complaining that Frances neglected her for the computer, said Frances typed some kind of medical report. Mama had even less notion than Dulcie herself about the workings of a modem. And Dulcie had no idea whether Frances did this work to help support the household or to get away from the old woman. Maybe both. Whatever the reason, she spent a good part of the day in there. And who could blame her. Anything to get away from the oppressive clutter in the rest of the house-there was nowhere to go in this house that didn’t make Dulcie herself feel trapped.

Last night, her second as a secret agent, in the old woman’s lap she had waked in a panic of confinement, kicking and fighting, trying to free herself. In her dream, dark walls pressed in at her, threatening to crush her. She was with the white cat, pushing along beside him between damp, muddy walls that pressed in too close and dark, she was wild with fear; she woke with the old woman’s hands pressing against her, trying to calm her. “Kitty? Oh, dear, what a dream you must have had. Were you chasing mice-or was a bad dog chasing you?”

She had leaped off the old woman’s lap and raced away, totally frustrated.

She’d been with the Blankenships three days, waiting for some pearl of information about Janet’s murder, and all she got was bad dreams and cuddled to death by Mama and yelled at by Varnie.

She’d made herself as accommodating to Mama as she could, obligingly eating string beans and mashed potatoes and even Jell-O, whatever the old woman saved from her own meals. She should feel flattered that Mrs. Blankenship put aside part of her supper despite Varnie’s sarcastic comments.

Now, even the dark little space between the stove and wall was beginning to get to her, to give her the jitters. It was cramped, too warm, and smelled of grease. Peering out, she watched Varnie open a beer, stand looking out the window, then prowl the kitchen, opening cupboards, maybe looking for additional snacks. She longed to be with Joe out on the cool hills, running free. The brightest moments in her day were when she leaped to Mama’s window and looked across the street. If Joe was sitting in Janet’s window watching for her, immediately she felt free again and loved, didn’t feel like a prisoner anymore.

This morning when he saw her, he had stood up against the glass, his mouth open in a toothy laugh, then disappeared. In a moment he came slipping out beneath the burned door, grinned at her, and, assured that she was safe, trotted away up the hill to hunt, cocky and self-possessed. She had looked after him feeling painfully lonely. She didn’t remind herself that this little visit with the Blankenships had been her own idea. And she’d been tempted to go hunt with him; there was nothing to prevent her. The first night, Frances had propped open a window in the laundry and slid back the screen, leaving a six-inch opening through which she could come and go. Frances hadn’t done it out of thoughtfulness but was saving herself the trouble of letting the cat in and out, or of cleaning up a sand box.

But if she went to hunt with Joe, began nipping back and forth between the two houses, the old lady was going to get curious. And she would find it harder, each time, to return. No, she had come for information. She’d stay until she got it. When she went outdoors she remained close to the house, returning quickly. But by the third night she was ready to pitch a fit of boredom, wanted to claw the furniture and climb the drapes.

Yesterday, when she looked out Mama’s window, she’d seen Charlie’s van parked below Janet’s, and seen Charlie kneeling beside the porch checking the cat bowls. Strangely, that made her lonely, too.

The crackle of cellophane and cardboard echoed in the kitchen as Varnie opened chips and pretzels. He snatched up a handful and began to munch. She stiffened at the sound of footsteps on the back porch, then loud knocking. As Varnie headed for the door, she heard a dog bark.

She knew that bellowing. She slipped out from behind the stove and leaped to the counter, pressing against the window to look. Behind her, the two men’s voices thundered in jocular greeting. Staring into the night, she couldn’t see the dog, but she could smell him. It was the beast that had chased her and Joe, the dog with a mouth like a bear trap.

Looking across the street to Janet’s, she couldn’t see Joe at the window-the black glass was unbroken by the tomcat’s white markings. She prayed he hadn’t been outside when the dog came, prayed that he was safe.

“Get the hell down from there.” Varnie shoved her, knocked her off the counter, and she hit the linoleum with a thud, jarring all four paws. “Frances, get this cat out of here.”

She ran, fled into the hall. But when he turned his back she eased into the kitchen again and hid behind the stove. She didn’t want to miss anything. Varnie might talk more to his friends man he did to Mama or Frances.

The two men popped open beers and sat at the table spraddle-legged, eating pretzels, obviously waiting for the rest of the group. She studied the newcomer with interest. Varnie called him Stamps. There was a James Stamps who worked for Charlie, and this guy fit Charlie’s description, thin face, thin, round shoulders. Long sleazy brown hair and little, scraggly brown beard. Long, limp hands. And the same whiny voice that Charlie had mimicked.

The same sullen attitude, too. When he began to talk about his boss, he was not complimentary. Belching, stretching out his long skinny legs, he chomped a handful of pretzels.“Don’t know how long I can keep that job.”

“What’s so hard about it? It’s a dumb-head job. You didn’t blow it already?”

“Didn’t blow it. Don’t know how long I can stand that woman. Pick, pick, pick at a man. Redheaded women are so damn pushy, and who wants to work for a woman. This one is hard-nosed like you wouldn’t believe-worse than my parole officer, and that guy is a real hard-ass.”

Stamps aimed a belch into his beer can; it echoed hollowly.“Never saw a woman didn’t have a thing about getting to work right on the damn minute. And you don’t dare think about leaving early. You come back from lunch two minutes late, they want you to work overtime-for straight pay. Make up every friggin’ minute.”

Behind the stove, Dulcie smiled. Too bad she couldn’t repeat Stamps’s remarks to Charlie. Soon Stamps began talking about the trial.

“That art agent, the one that testified this morning. That’s another hard-assed woman. She had a set of keys to that place, did you know that? Had keys to the woman’s van, too.” Stamps settled back, tilting his chair, crossing his legs. “Made herself look bad, talking about those keys. But she don’t know nothing. And the dead woman’s sister, that Beverly Jeannot, they had her on the stand.”

“So?”

“So there’s a lot of action there, all these people testifying. We better get on with it.”

“I told you, James. Cool it. We get greedy now, we end up with mud on our faces.”

“But that just don’t make sense. Why would??”

The dog began to bark. Roaring deep and wildly agitated, it sounded like something had disturbed it. She felt her fur stand up, her heart quicken. Where was Joe?

Stamps rose, swearing, and went outside. She wanted to bolt out behind him, but then she heard him scolding the beast. It sounded like it was still there on the porch. Stamps muttered something angry, then a low growl cut the night, followed by a surprised yelp. She was bunched to bolt through the open door when Stamps returned.

“Tied him to the porch rail. Don’t know what he saw. Nothing out there now. He don’t like that rope; he snapped at me.” Stamps laughed.

Dulcie settled back against the faintly warm stove.

Varnie said,“Should’ve tied him up the other time. Damn dog barking was what woke the old woman. Frances is still trying to make her go to the cops, and who can shut Frances up?”

“That’s one more reason to get what we can, before those two women spill to the cops. Get it and get out. If we wait?”

“I said, no. You keep pushing, James, and you’ll blow it.”

Stamps ducked his head, cleared his throat, and took a swig of beer.“What about the other?”

“That’s all right. You still casing?”

“I don’t see why I have to make notes. I can remember that stuff.”

“Make the notes. You can’t remember your own name. Only way to get our timing right so we can hit all seven places the same morning. No one pays attention to the street in the morning, they’re too busy getting to work, getting their kids on the bus, but we got to have the timing right or we blow it. Piece of cake, if you keep good notes. Let me see the list.”

“It’s back in the room.”

“Very smart. So someone goes in there-the landlord.”

“They got no business in my room, I pay my rent. And those jerks wouldn’t know what that paper is-but I got it all down, times people leave for work, everything. It’s a damn bore, walking the dog there every morning.”

“Just keep doing it, James. And make sure you keep your mouth shut when Ed and Melvin get here.”

“What the hell. You think I? “

The dog barked again, then screamed a high yip-as if he had been scratched. This time when Stamps pushed open the door Dulcie streaked out past him. Pausing in the shadows, she couldn’t see Joe. But the dog was on the porch, it had got its rope wrapped around the post and around its ear-must pinch like hell. Stamps stood in the doorway, looking disgusted and yelling. And before she could slip back inside he turned away, slamming the door nearly in her face. She leaped back The dog wasn’t four feet from her, and, without warning, it lunged at her. She flew off the porch, running, terrified he’d break the rope.

She hit the street-and the dog hit the end of the rope. But he was jerked back-the rope held. He fought and roared as she bolted across, straight for Janet’s door.

She met Joe coming out. He grinned and licked her ear.“I thought he had you. That’s the dog that chased us, I can smell him clear over here.”

“It’s James Stamps’s dog, the Stamps who works for Charlie. He’s the one who rented that room down the hill, the room behind the gray house.”

He glanced down the hill.“Interesting. What are they doing in there?”

“Big poker night.”

“What did you find out from the old lady? Come on in, supper’s on.” He slid in under the door, and she followed. This was lovely, just the two of them. She’d missed him.

Inside, he grinned down at her from atop the kitchen counter. Leaping up beside him, she regarded his supper layout with amazement. He had a regular feast prepared.“Is this all for you?”

“It was until you got here. You don’t think I’m entertaining other ladies?”

She didn’t smell another cat in the house, only Joe. “You got the refrigerator open.”

“Just practicing what you taught me,” he said modestly. “Front paws in the handle, hind feet against the counter. Quick push, andvoila!Sorry, the Brie is gone. It was a bit old, it made me belch.”

He had found half a brick of Cheddar cheese and a tub of sour cream, rather ripe but still edible. Toothmarks dented the plastic where he’d pulled the lid off. He had unearthed a pack of stale crackers, too. Beside it lay a warm, freshly killed chipmunk.

They dined.

Chewing off a hunk of Cheddar, Dulcie dipped it in the sour cream.“Has Beverly been back? Or the police?”

“No one. The night you left I brought Janet’s diary in, read it again, then put it back. I thought maybe we’d missed something, some clue, but I guess not. Slept on her bed, that comforter’s nice and warm.”

“No sign of the white cat?”

“None. And what did you find out? What’s with the old woman? I’ve been watching Varnie come and go; he’s a real piece of work. I looked in their garage window. That old truck smells like a warehouse full of stale fish. What’s he doing to it?”

She shrugged.“Some kind of repairs. Varnie and this James Stamps-I’m wondering if they killed Janet.”

He stared at her.

“They’re into something. Somehow it has to do with the murder.” She licked sour cream from her whiskers. “They mean to make money from it, whatever it is. Varnie said, ‘If we get greedy now, we end up with mud on our faces.’ And Stamps said they should get all they can before Varnie’smother spills to the cops. I told you she knows something.”

She pushed a morsel of chipmunk onto a cracker.“And they’re into something else, too. Stamps is keeping a list, I think of when people are home and when they leave for work”

“Planning burglaries?”

“Sounds like it. Early-morning burglaries. Varnie said, ‘Hit and clear out.’”

“You think the burglaries, if that’s what they’re doing, are connected to Janet’s murder?”

“I don’t know. Those two seem to me like a couple of small-time hoods, just snatching at opportunities. I’m not sure they’re the kind to have killed Janet.”

They shared out the last of the chipmunk, Dulcie eating delicately.“I want to see Stamps’s list.” But she could see he was not receptive to the idea.

“If they’re planning burglaries, the police need to know.”

“But we don’t knowwhen,or where. What good is it to tell the police and not give them any facts? If we could get Stamps’s list?” But she could see he was not receptive to the idea.

“Anyway,” she said, “now I know Mama did see something, and that she’s afraid to testify. Frances is trying to get her to testify. And Varnie’s afraid she will.”

“If Varnie did kill Janet, why would Frances want his mother to testify against him?”

“Who knows what Frances wants? There’s more to Frances Blankenship than is apparent.”

She licked her paws and whiskers.“Frances and the old lady have midmorning coffee in the kitchen. They talk more then, when Varnie’s away at work.” She licked blood and cracker crumbs from the counter. “Most of their talk is about relatives, they have more cousins than the pound has dogs. But maybe I’ll get lucky-hear something.” She gave him a long look. “I’m getting stir-crazy over there.”

“Maybe I can help.”

“How?” Her eyes widened at his sly leer. “What are you thinking?”

“I’ll have to work it out. Just be ready.” He twitched an ear.