Chapter Twelve



Catwoman stood with her back against the bathroom wall, contorting herself while keeping one eye on the medicine-cabinet door where the apartment's only mirror was hung. The inspection was not a normal part of her routine, but neither was keeping appointments or bringing a companion along on a prowl, both of which was going to happen in the next few hours. With a final tug on the mask to cover her eyebrows, the black-costumed woman decided that enough was good enough and reached for the pull chain attached to the light.

"I don't believe you're doing this," she told her reflection just before it disappeared.

For several days now Selina had found herself in the unaccustomed position of playing follower to someone else's leader. Bonnie possessed the uncanny ability to think about one thing while she talked about something else. Since Bonnie was always talking, she was always thinking, always one step ahead of her own mouth and the rest of the world. Selina, who could barely think while Bonnie chattered, never had a chance to make her own plans for the expedition to Eddie Lobb's apartment. Once Bonnie got rolling, Selina had the sense that she was a lap behind.

Of course, she could have said no, or Catwoman could simply fail to show up outside Bonnie's apartment at the appointed time. She could have seized control anywhere along the way. She could have ignored the torrent of words and taken her own action. Bonnie was a steamroller, not a tank; the differences were significant. But Selina had not seized control, and Catwoman was going to visit that tiny uptown apartment before she visited the Keystone Condominiums.

Because Bonnie was good. Her plan for dealing with Eddie's collection was better than anything Catwoman would have come up with on her own. And her photography---

Catwoman paused to look at the Lucite-mounted photograph dominating the corner where she did her exercises: a sleek black panther drinking warily from an autumn forest stream. The panther reminded Selina of Catwoman. The forest reminded her of the woods not far from her parents' house where she'd hide when things got unbearable. Of course, black panthers weren't native to North American forests. Bonnie described---at great length---how she'd photographed the stream while hiking in Canada and the panther at a zoo, and then combined the two.

"It's not real," Bonnie had explained when she noticed Selina staring at it that first night while they sat on the floor eating take-out food. "The camera can't lie. It's not like your eye or your brain. It sees exactly what's there. Bars on the cages, garbage on the banks of the stream, telephone poles growing out of your grandmother's head. I think like a camera when I'm holding the camera, then I go behind closed doors and mess around with reality."

Selina wanted the picture. She was trying to think how Catwoman could get it, when Bonnie yanked it off the wall.

"Here, take it---it's yours."

Selina had held her hands tightly against her sides. Accepting a gift was not her style. Gifts made debts and obligations. She preferred to live without debts or obligations. But life did not always go the way one preferred. In costume, poised on the windowsill and looking back at the picture, Catwoman recalled how her hands had tingled. "It's just a photograph," she'd said, working herself up to take the gift. "I bet you made a lot of them."

Motormouth Bonnie had been taken aback. "No. I only make one. I even destroy the negatives. One's a dream; more than one would be cheating. But this is your dream. I saw it in your face when you looked at it."

Now the picture hung in Selina's room---very nearly the only thing not stolen, scrounged, scavenged, or purchased secondhand---and Catwoman had a partner. She descended the fire-escape ladder that went past Bonnie's apartment and scratched the glass with her claws. Bonnie came running out of the chipboard enclosure that united her kitchen and bathroom into a single, well-equipped darkroom. She was dressed in baggy, dark clothing with an army-surplus web belt slung low around her hips and well-used hiking boots.

Both women were surprised. Catwoman had expected to find Bonnie in L.L. Bean pastels. When Catwoman was surprised, she was quiet, but Bonnie started talking before she got the window unlocked and opened.

"The fire escape. I should have known. I mean, I shouldn't've expected Catwoman to ring the bell. That was silly. Standing there, listening for the doorbell and nearly jumping out of my skin when I heard scratching at the window. I'm almost ready. Do I look all right?" She retreated from the window and spun around like a little girl at her first ballet recital.

Catwoman nodded.

"I thought: surveillance, urban guerilla spy versus spy stuff---I'd better dress appropriately. I've got real camouflage for photography, but it's all orange blaze. Great in the outback, but silly here in the big city. So I just went dark, and matte, on account of light. Do you have any idea how much ambient light there is at night in this city, Selina? It's never really dark---well, maybe in the back of alleys and places like that, but on the sidewalks, you don't even need to use flash. I've got my flash guns, though. No telling what sort of light we're going to find, right? Two cameras, extra film, extra flash, extra batteries. It's all right there." She pointed at a dark nylon backpack on the sofa. "Check it out---tell me if you think there's anything I've forgotten. Like a tripod. You've been there. Do you think I'll need a tripod?" She reentered the jury-rigged darkroom. "I'm almost ready."

Catwoman let out the breath she'd been holding. Had she heard Selina's name, or had she imagined it? She'd told Bonnie outright, whenever she had the opportunity, that Selina, who'd come to the Wilderness Warriors, and Catwoman, who would get Bonnie and her cameras inside Eddie Lobb's apartment, were not the same person. Catwoman was one of Gotham's costumed characters, and Selina Kyle simply knew how to get in touch with her.

The laws of the universe affirmed that adult human beings tended to believe whatever they were told, but Bonnie had some distinctly un-adult characteristics. Maybe the laws of the universe didn't apply to her.

Catwoman shrugged and gave the contents of the backpack a cursory glance. Professionally she recognized a couple thousand dollars' worth of equipment, but she already knew that Bonnie's family had money and that they lavished it unstintingly, along with love and optimism, on their only child. Bonnie wasn't spoiled, not in the way Selina thought rich kids were spoiled; she simply assumed she was going to succeed.

When the world slapped Selina down, she felt shame and humiliation. When it slapped Bonnie around, Bonnie blithely assumed that the world had made a mistake and would correct itself at the earliest opportunity.

Leaving the backpack alone, Catwoman moved stealthily to the doorway to see what Bonnie was doing. She was standing in front of a mirror wrapping her hair in a dark print scarf. When that was completed, she began smearing black goo across her face.

"It's the stuff football players use---you know, those warpaint lines they make on their faces. Especially the quarterbacks. Do you realize that war paint and camouflage are essentially the same thing? Anyway, I got it from my roommate's boyfriend. He thought it was funny that I'd want to use it while I was hiking, so he stole a whole thing of it from the locker room. Wow---that's special! He stole it from the locker room, now I'm using it to steal from this Eddie-guy---"

"We're not going to steal anything," Catwoman heard herself say. "We're just going to take a few pictures and get out."

Bonnie gave a final swipe to her cheek and turned around. "We're stealing his secrets, Selina. What more could we take? Things can be replaced, but not secrets."

They stared at each other. Catwoman blinked first.

"Why do you keep calling me Selina? I'm not Selina Kyle. She's just someone... someone I know."

A long silent moment passed while Bonnie examined the black-clad woman facing her. Except for her eyes, no part of her moved. But the green eyes took everything in, slowly, methodically, and when they were done Catwoman had an entirely different opinion of innocence.

Bonnie swallowed everything she had seen. "Yeah, I understand now." She nodded several times, affirming something to herself. "Catwoman. Not Selina. My mistake. We don't have people like you out in Indiana, you know," she said, as if that explained something important. "I mean, we see the news on television and all, but nothing interesting enough happens in Bloomington to make it worth your while. So I had no idea how you do what you do. I thought it was like acting, playing a part---but I see I was wrong. You're not anything like Selina Kyle. You're Catwoman, pure and simple, right? And I better not forget it if I know what's good for me, also right?"

Catwoman stepped aside. Her mask was no better at hiding things than that guileless shrug and smile. Bonnie was, after all, the young woman who had spliced a black panther into a forest of pine trees and sugar maples.

"I'm ready if you are," Bonnie called from the window.

Catwoman led the way. She had to help her companion in the more difficult passages, but Bonnie understood---without being told---that this was a time for obedience, not conversation. She carried the heavy backpack without complaining, she did exactly what she was told to do, and she didn't say a word until Selina had them inside Eddie's apartment.

"You?" she asked, pointed at the gouges in the door and frame.

With a quick nod of her head, Catwoman bent down and went to work on the lock. It was a delicate chore; she'd damaged the mechanism on her previous visit. Hadn't Eddie been back since then? Finally the tumblers fell into place and the bolt could be drawn. She flipped the light switch and, despite knowing what was there, her heart skipped a beat. Everything was as she remembered it. In the pit of her heart, she believed that no one had been in the room since she'd left it.

"Omygod. Omygod." Bonnie hesitated before crossing the threshold. "Omygod. They won't believe it. Wide-angle won't be enough. I should've brought the camcorder. This needs movement, a slow pan across the entire room to make the eye see everything that's here. And slow freezes starting there... or there... or... Omygod. I don't know where to start."

"Just point and shoot. You're sure to get something illegal. There's a piece, a Siberian tiger box, in the room where we came in. Save a shot for that. I'll take a look in the other rooms to see if there's anything else we should have."

"Just point and shoot," Bonnie repeated. "Point and shoot. Omygod."

She unbuckled the backpack and opened it. When Catwoman left the room, she had both cameras on the floor beside her and was pulling on a pair of lightweight kid gloves. A moderately thorough search of the rest of the apartment assured Catwoman that except for the jewelry box in the bedroom there was nothing outside the now-unlocked room worth photographing. She was also positive that Eddie Lobb had not been back. This made her irrationally uneasy. If Eddie had been gone this long, there was no reason to think he'd be coming through the door any time soon. But reason had no effect on the acid churning in her stomach. She returned to the cat room to tell Bonnie to hurry up. Bonnie was standing on the tiger-bone chair, removing one of the trophy heads from the wall.

"Stop that!"

Catwoman was much stronger than Bonnie. She effortlessly wrenched the head from the other woman's hand and slapped it back on the wall.

"Don't touch things like that! What else have you touched?" Glancing around, Catwoman could answer her own question: everything on the right side of the room was subtly out of place.

"I've done the wide-angle shots in high-speed color; now I'm going for the close-ups in low-speed black-and-white. I'll get great enlargements. I've got to move things if I'm going to get good pictures. I'm wearing gloves. It's not like I'm leaving fingerprints around. Besides, I've never been arrested. There wouldn't be a match on file."

"But he'll know someone's been here."

Bonnie grimaced. "One look at the door and he's gonna know somebody was here, don't you think? 'Course, he won't know who, and he won't dare call the police---'cause if they came and saw this stuff, he'd be in heaps of trouble. Look, I know you said we shouldn't take anything, the proof's all got to be in the pictures, but it seems to me that---since you've already done a number on his door---we should go ahead and shake him up a bit. Move things around. I mean, a guy who has a room like this, he's got to be an animist. I'll bet he thinks these things have mana. You know, he sits here in his tiger-bone chair, works at his tiger-bone table, surrounds himself with tiger stuff. I'll bet he thinks he is a cat. Well, not like you're a cat, of course. But, anyway, he'll go loony tunes if he thinks somebody's messed with his stuff. I mean, I bet he'll really freak. He'll start thinking all these cats are turning against him."

"You think so?" Catwoman said slowly, chewing on a steel claw. Bonnie had a habit of saying things and using words that didn't make a lot of sense to someone who hadn't paid attention in school. Animation? What did cartoons have to do with Eddie Lobb? But, as had happened before, Catwoman liked the conclusions Bonnie reached. "You think he'll get real upset if we move things around?"

"Yeah. Wait. I've got a better idea. Instead of just moving them around, we'll move them around in a pattern. See how he's got everything so it's looking down at his desk here? Well, let's make them look someplace else---the door. The door where you made those scratches. Like all the tigers turned their heads to see you walk in. Oh, it'll be great. I wish I could see his face! I mean, we will see his face eventually, 'cause these pictures are going to make everybody at WW weep blood. I promise you. They'll call lawyers, judges, all kinds of people. This Eddie Lobb guy---by the time we're done with him, he's gonna wish he'd never been born."

Catwoman wasn't listening. She was busy following Bonnie's suggestions, turning all the heads toward the mutilated door once Bonnie had photographed them. It was taking a long time, but it would be worth it. Then Catwoman heard sounds coming from the front door.

Mother of midnight---Eddie Lobb was coming home!

Bonnie was already packing her cameras. The midwesterner's eyes showed white all around and her breath was coming in panicked little gasps, but she managed to keep moving. Catwoman knelt beside her, passing lenses and film canisters in rapid succession.

"I'm scared," Bonnie whispered in the smallest possible voice.

"You'll be fine," Catwoman hissed as the apartment echoed with the sound of a metal bolt withdrawing from a metal socket. "Go down the hall, get out the window. Go to the fire escape and climb to the roof---just the opposite of how we got in here. Can you do that?"

Tears dribbled out of Bonnie's eyes as she nodded solemnly.

"Go. You'll be fine. Wait for me."

Catwoman turned off the lights, pulled the door shut, and guarded the hall. A second lock chinked free. They still had time. Nobody, not even Eddie himself, could get into this apartment quickly. She heard the drapes rustle and an involuntary yelp as Bonnie went out the window. Neither sound was loud enough to penetrate the living room. Catwoman held her breath, waiting for another sound, hoping it wasn't the sound of something heavy hitting something hard. It wasn't. She started moving backward down the corridor. She was in Rose's bedroom---damn, they hadn't gotten a picture of the Siberian tiger box that started it all---when the front door opened. She was scuttling along the ledge below the window when it shut.

She caught up with Bonnie on the roof. The neophyte was slumped against the wall, quivering with terror.

"Hey---it's over. It's all done." Catwoman tried to pull her to her feet, but it was like pulling lead. "You did good, Bonnie. I know you got enough pictures to---what did you call it?---make them weep blood." Still no response. "Can't you see him---he's standing right in front of the door. He sees the scratches. He tries to open the lock. He's having trouble, getting nervous, he drops the key---"

Bonnie raised her head and grinned weakly. "Sure would be something to see his face when he turns on the light, wouldn't it? Zap him with a flash. Gotcha, Eddie Lobb!"

It was tempting. Very tempting. With Bonnie safe up here, Catwoman could easily slip back down with one of the cameras.

"They're not that hard to work, right? Just point and shoot?"

"Not quite, but almost. Here, I'll show you. Let me put a new roll of film in, too... ."

Moments later, Catwoman was headed back down the fire escape.

"Good luck!" Bonnie whispered after her.

It was a strange, warm feeling to have someone wishing her luck. Catwoman squelched it quickly. Luck was not something she liked to rely on.

Eddie was in the cat room. Catwoman could hear him yelling before she climbed through the window.

"Well, cancel it, I'm telling you. Screw the damn Bess-arabs and their dirty pictures! I'm telling you, somebody broke into my place while I was gone."

Catwoman crept to the bedroom door and peeked out. She could hear him pacing as he talked, and she remembered that there had been a cordless phone on the table that Bonnie had moved to the floor.

"Well, let 'em stand there. It'll do 'em good to get a little nervous. I already heard that they've been lightin' up the town and getting everyone nervous. Do the greasy little sheepherders good---"

There was silence; the pacing stopped. Catwoman understood that Eddie was getting reamed out by his boss. The warm feeling bloomed under her heart again, and this time she let it simmer.

"Yeah, right." The voice was subdued, the pacing slower. "208 Broad, off Tenth, in an hour. Yeah, I'll be there." Another pause, not as long as the previous one. "No, I don't know if they took anything. That's not the point. The point is some sick-o, punk bastard got into my place and messed around with my things, you know, boss, my personal things... No, no---not the front door... Shit, I don't know how--- Rose... ? Shit, no. Maybe. I didn't look."

Catwoman hurried down the hall. She wanted his picture with the tiger skins in the background. She held the camera in front of her like a weapon or a shield, her finger poised above the button Bonnie told her to push and hold.

"Gotcha, Eddie Lobb," she snarled from the doorway. He was at least five feet away; Bonnie said the camera needed five feet if Eddie and the background were both going to be in focus. She pushed the button. Strobe-light flashes burst from her hand. Eddie was transfixed. His mouth gaped, the phone fell from his hand.

"A cat. Jesus H. Christ, it's a giant freaking black cat."

But he didn't move. Catwoman had no trouble making her retreat.

"He's one ugly dude," she said, giving the camera back to Bonnie. "He's got scars like the ones I put on the--- Well, you'll see them when you get the pictures developed."

Zippers zipped and buckles buckled, Bonnie announced that she was ready to go home. They could look at the black-and-white pictures in an hour, when she had them developed. The color shots would have to wait until morning.

"Can you get home by yourself, kid? I'll help you get down to the street, but, there's someplace else I've got to go... ." 208 Broad off Tenth in an hour, but there was no need to tell Bonnie that.

Bonnie wilted, but she didn't whine. "Yeah, I think I'll take the bus, though. You'll---you'll tell Selina to get in touch with me, so I can show her the pictures?"

"Yeah, kid. C'mon."



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