Closing Time

32 Wedding

The four thousand pounds of best-grade caviar were divided by automated machines into portions of one eighth of an ounce for the five hundred and twelve thousand canapes that, with flutes of imported champagne, were on hand for distribution by the twelve hundred waiters to the thirty-five hundred very close friends of Regina and Milo Minderbinder and Olivia and Christopher Maxon, as well as to a handful of acquaintances of the bride and the groom. The excess was premeditated for the attention of the media. Some of the surplus was reserved for the staff. The remainder was transported that same night by refrigerated trucks to the outlying shelters in the suburbs and New Jersey into which the homeless and other denizens of the bus terminal had been rounded up and concentrated temporarily for that day and night. The bedraggled beggars and prostitutes and drug dealers thus dislodged were replaced by trained performers representing them whose impersonations were judged more authentic and tolerable than the originals they were supplanting.

The caviar arrived at the workshops of the Commercial Catering division of Milo Minderbinder Enterprises amp;Associates in eighty designer-colored canisters of fifty pounds each. These were photographed for publication in vibrant high-style periodicals devoted to good taste and to majestic social occasions of the scope of the Minderbinder-Maxon wedding.

Sharpshooters in black tie from the Commercial Killings division of M amp; M were positioned discreetly behind draperies in the galleries and arcades on the various balconies of the bus terminal, watching most specially for illegal actions by the sharpshooters from the city police department and from the several federal agencies charged with the safety of the President and First Lady and other government officials.

Accompanying the caviar and champagne were tea sandwiches, chilled shrimp, clams, oysters, crudites with a mild curry dip, and foie gras.

There must be no vulgarity, Olivia Maxon had insisted from the beginning.

In this, her anxiety was allayed by the self-assured young man at the console of the computer model of the wedding to come, now taking place as having already occurred, on the monitors in the Communications Control Center of the PABT building, in which the equipment for the computer model had been installed for display and previewing. He flashed ahead to another of the sixty video screens there.

On that one, after the event that had not yet occurred was over, the socialite master of a media conglomerate was answering questions that had not yet been asked.

"There was nothing vulgar about it," he was asserting, before he even had attended. "I was at the wedding. I thought it was fantastic."

Olivia Maxon, her fears for the moment assuaged by this reassuring demonstration of what was projected as inevitable to occur, squeezed Yossarian's arm in a gesture of restored confidence and began fishing for another cigarette while extinguishing the butt of the one she'd been smoking. Olivia Maxon, a smallish, dark woman, wrinkled, smiling, and fashionably emaciated, had been anything but joyous at the unforeseen withdrawal from active cooperation by Frances Beach because of the serious stroke suffered by her husband, and by the need to rely more extensively than she wanted to on John Yossarian, with whom she had never felt altogether secure. Frances stayed much at home with Patrick, forbidding casual visitors.

The equipment in the command bubble in the South Wing of the terminal, between the main and second floors, was the property of the Gaffney Real Estate Agency, and the breezy young computer expert elucidating now for only Yossarian, Gaffney, and Olivia Maxon was an employee of Gaffney's. He had introduced himself as Warren Hacker. Gaffney's burgundy tie was in a Windsor knot. The shoulders of his worsted jacket today were tailored square.

Christopher Maxon was absent, having been told by his wife he could be no use there. Milo, bored by this replay of the event taking place in the future, had wandered outside to the surrounding balcony. Anything but at ease so near transvestites at the railing above looking with shining iniquity on the figures below, of which he understood he was one, he had coasted down the escalator to the main level below, to wait and go with Yossarian on the tour of the terminal that now was authorized for all of them and which some in his family thought he should make. With the income from his plane now assured, he had skyscrapers in mind. He liked his M amp; M Building and wanted more. He was perplexed as well by a nagging enigma: upstairs on a screen, he'd been disoriented to observe himself at the wedding in white tie and tails delivering a short speech he had not yet seen, and then dancing with that dark-haired woman Olivia Maxon, whom he'd only just met, when he still did not know how to dance. He was not sure where he was in time.

Before drifting down, he had taken Yossarian outside for a word in private. "What is the fucking problem," he had wondered absently, "with the fucking caviar?"

"It's not the money," Yossarian informed him. "It's the fucking fish. But now they think they've caught enough."

"Thank God," said Olivia, hearing that news again.

In the social archives of the Metropolitan Museum of Art were precedents with guidelines and milestones to be emulated and exceeded. The Minderbinder-Maxon affair would surpass them all. Even in a recession, the country was awash in money. Even amid poverty, there was room for much waste.

Although it was spring, the florist in charge had installed eighty Christmas trees in the five banquet halls and had surrounded them with thousands of pots of white narcissus. There were two sections with dance floors and bandstands on the main and second floors of the South Wing, and one on the main floor of the North Wing. From midafternoon on, spotlights illuminated the entrance:; on Eighth Avenue and Ninth Avenue and the lesser, more secluded doorways along the side streets. The effect inside through the smoked plate-glass windows of the major outside wall for two whole city blocks was of lots of sunlight on stained glass. Rolling buses seen through the panes were acclaimed as a clever approximation of the real world. Lauded equivalently as an impression of reality was the occasional wafting scent of diesel fumes filtering in through the natural clouds of perfumes from the women and emitted by fragrances infused into the central ventilating system. All of the subcaterers, florists, and other workers contracting with M amp; M Commercial Catering, Inc. were required to sign confidentiality agreements with the Commercial Killings division of M amp; M E amp; A, and the secrecy of these confidentiality agreements was publicized widely.

The bottom floor of the North Wing, which was separated from the South Wing by a city street that the bride with her procession would have to cross, was converted into a chapel and select banquet area. Effecting this renovation had required the removal of massive staircases leading to the floor below, together with an information booth and the enormous activated sculpture of moving colored balls that normally occupied much of the floor space. The staircases, information booth, and work of sculpture were put on exhibition under a temporary canopy at the Metropolitan Museum of Art at the place where the Great Hall of the museum normally stood, and these attracted respectable attendance and decent reviews from art critics. The Great Hall of the museum had itself been transferred into the bus terminal, on loan for the occasion for a consideration of ten million dollars. Uprooting the staircases and sculpture from the North Wing made room for pews and rows of walnut benches, and, of more moment, for the installation there in the bus terminal of the Temple of Dendur from the same Metropolitan Museum of Art, which, through the peaceful application of much persuasive pressure and a fee of another ten million dollars, was also lent out temporarily by the museum for the evening. It was in the North Wing of PABT that those now watching in the Communications Control Center would soon observe the wedding ceremony enacted. There was space left as well in that area for a small head table for the principal participants in the ceremony and their two guests from the White House, and for six round tables, each with seats for ten people who were most closely connected with the proceedings and with those eminences at the oblong table in front of the columns of the Temple. The altar inside the Temple of Dendur was banked with flowers and blowing candelabra.

One million, one hundred and twenty-two thousand champagne tulips had been procured as door prizes and souvenirs. A massive variety of fabulous hanging chandeliers from different epochs was installed throughout all five banquet sections, and these were wrapped in curly willow branches. Wisps of raffia were added to the willow branches, and there were tiny twinkling lights in all of the leaves and in the boughs of all eighty Christmas trees. Ravishing tapestries for tablecloths, masses of staggered candles, antique cages full of live birds, and rare books and silver plate from different periods were in abundance everywhere. Thickets of summer asters in the twenty-two hundred Malaysian pots flanking all of the entrances into the principal terminal halls helped turn half the South Wing of the main floor of PABT into a miniature Versailles, with thousands of flickering lights in the terra-cotta pots simulating millions of candles. In one hundred and four vitrines along the sides of all banquet areas were living actors in poses and activities re-creating the hustlers, whores, drug dealers, child runaways, panhandlers, drug addicts, and other derelicts who regularly inhabited the terminal. Shops still surviving profitably in the terminal were paid to remain open all night, enhancing the novelty of the surroundings and setting, and many of the guests enjoyed spending time in the intervals buying things. Sixty-one sets of attractive female identical twins, all that could be found in the world for that work, posed as mermaids in the fifty or so artificial pools and fountains created, and thirty-eight pairs of male identical twins performed as heralds and banner wavers and offered humorous responses to questions.

Port Authority Patron Aides in red jackets were on duty everywhere to assist with instructions and directions. The AirTransCenter of the terminal was held open to transport to the city's three major airports those guests rushing directly from the lavish Minderbinder-Maxon affair to lavish parties in Morocco and Venice, music festivals in Salzburg or Bayreuth, and the Chelsea Flower Show or Wimbledon tennis matches in England.

Sophisticated managerial headhunters had ensured through intensive interview procedures that only well-bred models and thespians from good families, with degrees from good colleges, were hired for the parts of the male and female whores and other penurious, degenerate inhabitants of the premises who normally made their residences and livelihoods there, and they threw themselves into these roles with a wholesome waggery and an endearing enthusiasm for good, clean sport that won the hearts of all in the several audiences. Toward party's end, as those observing on the video screens could see, these mingled with the guests in their costumes and feigned vocations, and this was another innovation contributing much to the general hilarity.

Other actors and actresses and male and female models outfitted to resemble figures in famous paintings and motion pictures strolled through the several galleries, striking the characteristic poses of the characters they were aping. There were a number of Marilyn Monroes, a couple of Marlon Brandos playing Stanley Kowalski, a Humphrey Bogart here and there, a pair of dying Dantons, and at least two Mona Lisas, whom everyone recognized. Waiters wore flowing white blouses and embroidered tunics of different periods. The Off-Track Betting parlor and Arby's restaurant on the second floor and the Lindy's Restaurant and Bar below were reconstructed to resemble seventeenth-century Flemish eating-drinking houses, with bric-a-brac and artifacts of that time filling the taverns appropriately. In one of these tableaux, smoking a cigarette rather than a pipe and scrutinizing everything shrewdly, was a lean man with milky skin, pink eyes, and copper hair. He wore Bavarian lederhosen and had a hiking staff and green rucksack, and Yossarian, who was vaguely sure he had seen him somewhere else, could not tell whether he was there at work or as an outfitted element in the decor. There were several Rembrandt self-portrait look-alikes and one Jane Avril. There were no Jesus Christs.

After dinner, the guests would find themselves free to dance or drift past Greek and Roman antiques to buy Zaro's bread at Zato's Bread Basket, Fanny Farmer candy, or New York State Lottery tickets, or peer into a Drago shoe repair shop or one of the Tropica Juice Bars, where the pyramids of oranges were decorated in French Directoire, with swags, rosettes, and tassels. Many had never laid eyes on pyramids of oranges before. The centerpieces of their dining tables were of gilded magnolia leaves and spring branches, and the upright columns supporting the Communications Control Center were majestic in silver floodlights, with fountains tumbling whitely around them, and with the multitude of hoisted sail-like corporate banners and pennants luffing and snapping in the artificial breezes. One hall leading to gates outside to long-distance buses heading west to Kenosha, Wisconsin, and north to the Pole was decorated in the Greek Renaissance style and furnished with Italian tapestries, Japanese lanterns, medieval armors, and carved-walnut wainscoting from a French chateau. Opposite this was another passageway for departures; this one featured Regency furniture, overstuffed chintz cushions, and mahogany woodwork, all just inside the wrought-iron gates of a medieval court. The Charles Engelhard Court, also on loan from the Metropolitan Museum of Art, was ablaze with pink and gold light and featured fifty thousand French roses, with almost as many gold-dipped magnolia leaves, and a dance floor hand-painted for just that evening in harlequin blocks of green, yellow, red, and black.

Forty-seven chiefs of protocol from the Foreign Service had assisted with the sensitive matter of seating arrangements, making sure the thirty-five hundred guests were properly, though not always contentedly, placed. The basic seating attack ultimately agreed to left many of the thirty-five hundred unfulfilled and displeased, but propitiated to an extent by the disappointment evident in others.

There was no head table anywhere other than the privileged small one facing outward from the Temple of Dendur in the North Wing for the principals and, of course, the President and his First Lady, with Noodles Cook sitting in already for the chief executive until he made his entrance.

The First Lady had arrived early to collect autographs from celebrities.

"I wonder where the President is," said Olivia Maxon, watching with impatient expectation. "I wish he'd come."

He would journey, some knew, by speedy special train to PABT directly from the secret MASSPOB underground terminal in Washington. And he would, of course, be among the last to appear, materializing only in time to wave with a broad smile and shake but few hands before giving the bride away while simultaneously taking his stand beside the groom as M2's best man. This was another first in matrimonial procedure and promised to set a standard for wedding ceremonies, perhaps even for royal families with traditions centuries old.

All of the other tables were round, in order that no one person be in a dominant place, and the chairs, ostensibly, were democratically equal. And each of the remaining three hundred and forty-four round tables outside the North Wing featured an important public figure and a multimillionaire, or a woman married to one. The multimillionaires were not entirely happy, for all would have preferred the President himself, or failing that, one of the eight billionaires invited, who well understood their metaphorical dimensions as deities, trophies, inspirations, and ornaments. A few of the billionaires had bought hotels in Manhattan that same week merely to possess facilities for private parties for friends.

The cardinal had requested the President or, if not him, the governor and the mayor, one owner of a major metropolitan newspaper, at least two of the eight billionaires, and one Nobel physicist to convert. Yossarian gave him Dennis Teemer instead, to teach him the facts of biological life, one newspaper publisher, and one dejected multimillionaire who had hoped for tete-a-tete access to a billionaire. He set them at a table with a good view of the bride on the Ninth Avenue side of the South Wing, not far from the police station and the table with Larry McBride and his new wife, and Michael Yossarian and his old girlfriend Marlene, between the Sport Spot Lingerie Shop outside the doors of the police station and Jo-Ann's Nut House. McMahon was there too, emerging from his cell to honor McBride and his new missus, on duty in his police captain's dress uniform instead of a dinner jacket.

McBride was in line for a presidential commendation for his masterful achievement in finding space for the three hundred and fifty-one tables for the thirty-five hundred closest friends of Regina and Milo Minderbinder and Olivia and Christopher Maxon, who had no close friends and did not want any, and for the Temple of Dendur and other monumental structures in the five refulgent halls, along with sites for the bandstands and dance floors. He was responsible as well for the coordination of activities by others in disciplines with which he had no previous experience.

Of crucial priority in the planning was the need for a clear passage for the bridal procession to move from the Ninth Avenue side of the South Wing almost all the way through to the Eighth Avenue side as far as the Walgreen's drugstore, around which corner the party then turned uptown through exits to cross Forty-first Street beneath an overhead shelter and advance into the chapel and dining hall in the North Wing to the altar set up just inside the Temple of Dendur. The Temple of Dendur, the Blumenthal Patio, the Engelhard Court, and the Great Hall of the famed Metropolitan Museum of Art, the four hallowed areas of the museum consecrated to parties and other social and promotional events, had all been relocated to the bus terminal for the evening and allocated in a way that afforded all guests their own celebrated monument with a history of glorious catering.

As laid out by McBride, all guests could obtain at least a partial view of the bride and her retinue as they rose to the top of the escalators from the Subway Level on the Ninth Avenue side of the terminal and made their dignified way toward Eighth Avenue and eventually into the North Wing. This route of some duration allowed for an unusual program of music to aggrandize the occasion as unique. Yossarian listened with amazement to the first familiar notes.

The opening piece for the matrimonial celebration was the prelude to the opera Die Meistersinger. w: And it was to the first, blaring, jubilant chords of this that Yossarian watched the bride come levitating up into sight, as though over a horizon, at the head of an escalator. The music, which was of adequate span for the long walk, was handclapping perfect in bouncy spirit. The flower girls and ring bearers were especially stimulated by the quickening and changing tempos and came into their own when the "Dance of the Apprentices" was added for the two minutes and six seconds needed for the last in the bridal party to turn into the passageway to the side exit to the North Wing. There, after the bride had completed her turn outside and crossed the street into the North Wing, the music changed to a ceremonious orchestral rendition of the "Prize Song" from that same Wagnerian opera, which ended on a soft, palpitating note when the bride was in the chapel and came at last to a stop where the cardinal, a Reform rabbi, and six other prelates from different faiths stood waiting with the groom and their primary attendants. Here, while the recitations were made, the music diminished to underlying refrains of the Liebesnacht duet from Tristan, while the cardinal tried to ignore that the music was both heavenly and carnal, and the rabbi tried to forget that it was composed by Wagner. In that part of the ceremony, the lucky couple was pronounced man and wife nine times, by the eight clergymen and Noodles Cook, who was still standing in for the overdue President. When they turned from the altar to kiss chastely before moving to the dance floor, the soaring melodies chosen, Hacker announced before they began, were those of the closing measures of Gotterdammerung, with their soulful, soaring strains of the "Redemption Through Love" theme.; "Do you know it?" asked Hacker.

"I know it," said Yossarian, in surprised appreciation, and was tempted to whistle along with the peaceful violins and somnolent brass now rising and softening into so holy a conclusion. "I was about to suggest it."

"Was he really?" the kid asked Gaffney, and with a button put a pause to the activities.

"No, I wasn't," recanted Yossarian before Gaffney could answer. "But I think it's perfect. It's peaceful, sweet, melodic, erotic, and certainly climactic and final." He gave no voice to his shifty and vindictive presentiment that he was seeing on the video monitors another Götterdämmerung, that it was almost closing time for all of the people he was watching in oblivious revelry on the Video screens, including himself and Frances Beach as he watched himself dance with her, maybe for Melissa too and McBride and his new wife, for the bride and M2. "Your guests will love it, Olivia. They'll walk out to the dance floor humming that Götterdämmerung tune."

"No, sir," corrected smugly the patronizing young man. "No, sirree. Because we come up with something better as they break away. Wait till you hear it."

Gaffney nodded. "I think you said you already have."

"It's a children's chorus," said the computer technician. "As the Wagner fades, softly underneath it and rising steadily we introduce a chorus of children that most people have never heard. It's angelic. And just when it's most moving, we blast in comedy, a chorus of musical laughter, to set the new mood we want for the rest of the evening. It's a chorus of laughing men that overpowers and drowns out the kids, and we're off. They're both by a German composer named Adrian Leverkuhn. Do you know him?"

"I've heard of him," said Yossarian, wary, feeling strangely as though he were wobbling about in time again. "He's a character in a work of fiction," he added nastily.

"I didn't know that," said the young man Hacker. "Then you know how great he was. Both these choruses are from his cantata called The Lamentations of Faust, but we don't have to tell people that."

"Good," snapped Yossarian. "Because they're not. They're from his oratorio called Apocalypse."

The computer whiz smiled up at Yossarian pityingly. "Mr. Gaffney?"

"He's wrong, Hacker," Jerry Gaffney said, shrugging at Yossarian with a shade of courteous apology. "Yo-Yo, you keep making that mistake. It's not the Apocalypse. It's from his Lamentations of Faust."

"God damn it, Gaffney, you're wrong again. And I ought to know. I've been thinking of writing a novel about that work for something like fifteen years."

"How quaint, Yo-Yo. But not thinking seriously, and not a serious novel."

"Cut the Yo-Yo, Gaffney. We're in an argument again. I did the research."

"You were going to have Thomas Mann and Leverkühn in, scenes together, weren't you? And put that Gustav Aschenbach in with Leverkühn as one of his contemporaries. You call that, research?"

"Who's Gustav Aschenbach?" said Hacker.

"A dead man in Venice, Warren.": "Gentlemen, I can settle it easily for both of you, right here on; my computer. Hold on three ten-thousandths of a second. Ah-ha, i come see. There, Mr. Yossarian, Lamentations of Faust. You are mistaken."

"Your computer is wrong." j "Yo-Yo," said Gaffney, "this is a model. It can't be wrong. Go ahead with the wedding. Let them see how it went."

On the largest screens the sun turned black, the moon turned the color of blood, and the ships in the rivers and the harbor were overturned.

" Warren, stop kidding." Gaffney was displeased.

"It's not me, Jerry. I swear. I keep deleting that. And it keeps coming back. Here we go."

The Leverkühn music, Yossarian saw, went over well. As the dying harmonies ending Götterdämmerung neared conclusion, a tender children's chorus Yossarian could not remember having heard before came stealing in ethereally, at first a breath, a hint, then rose gradually into an essence of its own, into a celestial premonition of pathetic heartbreak. And next, when the sweet, painful, and saddening foreshadowing was almost unbearable there smashed in, with no warning, the shattering, unfamiliar, toneless scales of unrelenting masculine voices in crashing choirs of ruthless laughter, of laughter, laughter, laughter, and this produced in the listeners a reaction of amazed relief and tremendous, mounting jollity. The audience quickly joined in with laughter of its own to the barbaric cacophonous ensemble of rollicking jubilation that rebounded from speakers everywhere, and the festal mood for the gala evening was ready to commence gleefully, with food, and drink, and music, and with more ingenious displays and aesthetic delicacies.

Yossarian was there and laughing too, he saw with a shock. He frowned at himself in reproach, while Olivia Maxon, at his side there in the Communications Control Center of the terminal, saw herself laughing with him in the chapel of the North Wing and said it was divine. Yossarian now looked contrite in both places. He was scowling, in this place and that place, in peevish detachment. Staring into this future, Yossarian was mesmerized to find himself in white tie and tails he had never in his life worn white tie and tails, the costume prescribed for all males in that elite group of insiders in the North Wing. Soon he was dancing a restrained two-step with Frances Beach, then in succession with Melissa, the bride, and Olivia. What displeased Yossarian often about himself, he remembered now, seeing these pictures of himself looking silent, acquiescent, and accommodating at that wedding awaiting him, was that he did not truly dislike Milo Minderbinder and never had, that he thought Christopher Maxon congenial and unselfish, and found Olivia Maxon, though unoriginal and unchanging, grating only when expressing strong opinions. He had an abstract belief that he ought to be ashamed, and another abstract idea he should be more ashamed he was not.

He was seated with Melissa and Frances Beach at a table close enough to communicate with the Minderbinders and Maxons, near Noodles Cook and the First Lady, awaiting the arrival of the President. The chair reserved for Noodles at the table adjacent to Yossarian's was vacant. Angela, who wanted desperately to come, was not there, because Frances Beach would not allow her to be.

"I don't like myself for feeling that way," Frances confessed to him. "I just can't help it. God knows, I did that same thing myself, more than once. I did it with Patrick too."

Dancing with Frances, for whom he preserved that special shared friendship some might call love, he felt only bone, rib cage, elbow, and shoulder blade, no fleshly thrill, and was uncomfortable holding her. Dancing equally inexpertly with pregnant Melissa, whose plight, stubbornness, and irresolution were agitating him at present into an almost ceaseless fury, he was aroused by the first contact with her belly in her sea-green gown and lusting to lead her away into a bedroom once more. Yossarian peered now at that belly to ascertain if the plumpness was fuller or whether the corrective measures restoring her to normal had already been taken. Gaffney regarded him with humor, as though again reading his mind. Frances Beach at the wedding spied his difference in response and ruminated dolefully on her sad facts of life.

"We're unhappy with ourselves when we're young, and unhappy with ourselves when we're old, and those of us who refuse to be are abominably overbearing."

"That's pretty good dialogue you give her," Yossarian challenged Hacker, with belligerence.

"I like that too. I got it from Mr. Gaffney here. It sounds pretty real."

"It should sound real." Yossarian glowered at Gaffney. "She and I already had that conversation."

"I know," said Gaffney.: "I thought so, you fuck," Yossarian said without anger. "Excuse me, Olivia. We say things like that. Gaffney, you still keep monitoring me. Why?"

"I can't help doing it, Yossarian. It's my business, you know. I don't make information. I just collect it. It's not really my fault that I seem to know everything."

"What's going to happen to Patrick Beach? He isn't getting better."

"Oh, dear," said Olivia, shuddering.

I'd say," answered Gaffney, "he's going to die."

"Before my wedding?"

"After, Mrs. Maxon. But, Yo-Yo, I would say that about you also. I would say that about everyone."

"About yourself too?"

"Sure. Why not?"

"You aren't God?"

"I'm in real estate. Isn't God dead? Do I look dead? By the way, Yossarian, I've been thinking of writing a book too."

"About real estate?"

"No, a novel. Maybe you can help. It begins on the sixth day of creation. I'll tell you about it later."

"I'm busy later."

"You'll have time. You're not meeting your fiancee until two."

"Are you getting married again?" Olivia looked pleased.

"No," said Yossarian. "And I have no fiancee."

"Yes, he is," answered Gaffney.

"Don't listen to him."

"He doesn't know yet what he's doing. But I do. On with this wedding, Warren."

"He still hasn't come," reported Hacker, puzzled, "and no ond knows why."

Thus far there had been no hitch, except for the absence of the President.

McBride, dutifully, tirelessly, had seen to parking space for the automobiles and coordinated their comings with the arrivals and departures of the commercial buses, routing many in both groups to the ramps and gates on the third and fourth floors. The one thousand and eighty parking places in the garages overhead provided room for most of the nearly seventeen hundred and seventy-five limousines expected. Most were black and the rest were pearl gray. Other cars were diverted to the parking lot across the avenue, where the sidewalk was lined with shish kebob and peanut vendors and clusters of shoeshine stands with convivial old black and brown men who sometimes spent the balmy nights sleeping at their stands beneath beach, umbrellas. They made use of the basins and toilets of the terminal, ignoring the enduring artwork of Michael Yossarian explicitly banning "Smoking, Loitering, Shaving, Bathing, Laundering, Begging, Soliciting," oral sex, and copulation. The shabby street scenes were amusing to many crossing the avenue to enter beneath the block-long metal-and-smoked-glass canopy, who assumed they had been staged expressly for them.

Photographers covered every access on all streets of the landmark, as though the structure were under siege, and journalists had come from foreign countries. A total of seventy-two hundred and three press passes had been issued to accredited newsmen. This was a record for an American wedding. Forty-six owners of foreign publications had come as guests.

Invitations to the gala occasion had been delivered in envelopes that were stiff and square, for they were on platinum, and only Sammy Singer on the primary list of thirty-five hundred invited declined to come, courteously pleading prior commitment to a trip to Australia. Yossarian thought better of Sam Singer than ever before. The secret agents Raul and carrot-topped Bob and their wives were on hand as guards as well as guests. Yossarian had exiled them deliberately to distant tables far apart from each other; now he saw with indignant surprise at the wedding ahead taking place just then that both were nevertheless seated right there with him at his own table in the inner sanctum of the North Wing, close enough to keep watch while taking in the epic spectacle of which they themselves were a part, and that Jerry Gaffney, who'd not been invited, was there with his wife at his table too!

Someone somewhere had countermanded orders without letting him know.

As expected, the limousine crush began to form earlier than expected. By 6:00 P.M. many arrived who did not wish to waste an opportunity to be photographed before the thicker crush of people more important began. And many of those coming soonest, the First Lady among them, were eager to be there to ogle everything.; It was a feast for fashion editors.; Women were aided beforehand by a proclamation from Olivia Maxon that "no dress would be too dressy." They were grateful as well for a tip sheet from leading fashion stylists of trends in their forthcoming collections. The result was a glorious extravaganza of up-to-the-minute dress designing recaptured on camera with exceptional brilliance, in which the ladies took part confidently as both spectators and spectacles. While numerous tastes in fashion were displayed by the nearly two thousand women there, none of the women were out of style.

They wore everything from cocktail dresses to ball gowns, arriving in a blissful and iridescent shimmering of unlined linen with gold pinstripes and with fringes of Indian beadwork, in palettes that were pale, ranging in the main from ivory to peach and sea green. Leopard spots were a favorite pattern in chiffon skirts, or in organdy dresses with fringed hems, and on silk jackets. There were women in long evening dresses who were thrilled to see many other women there in long evening dresses, especially in dresses with fragile embroidery on crisp, pale silks. Short skirts were of prismatic chiffon too. Jackets were in pink, orange, and chartreuse satin decorated with rhinestones instead of nailheads, while sweeping black point d'esprit overskirts showed the knees in front and dripped to the floor in back, and those bold enough to have guessed right were especially proud of their sexy matte jersey evening clothes.

After champagne, caviar, and cocktails, and well before the bride and M2 had appeared, the lights in all wings of the bus terminal were lowered sacramentally and everyone took a seat; around one of the five stages closest at hand to listen to a gifted violinist the age of a young Midori and four clones play Paganini caprices in each of the places. It was not possible to tell the original from the clones, and no prizes were awarded for correct guesses, Christopher and Olivia Maxon could be seen in the flesh and also larger than life on the closed-circuit television screens as huge as those in a cinema house. They were in the front row on the far right on the main floor of the North Wing, and all guests there and elsewhere suddenly noticed that a single spotlight seemed to have been positioned to shine directly down upon Olivia, who sat with her hands clasped together and a look of poised rapture on her illustrious face. As those in the Communications Control Center could see on the screens flashing to newsstands, she was already being described in a current future issue of U.S. News amp; World Report as "the queen of nouvelle society." And Time, The Weekly Newsmagazine would write, as they saw displayed at the newsstands inside the terminal kept open just for them, that "Olivia Maxon is a princess in the new social order, and the bus terminal is her palace."

The fantasy quintessence of the wedding joining two billionaire families was accentuated by a candlelight ceremony in stylish white-on-white, with all the dresses of the dozens of women and little girls in the bridal party designed by Arnold Scaasi. The bride herself wore an off-white taffeta dress, delicately embroidered in gold, with a twenty-seven-foot train. Her tulle veil was held in place by a diamond-and-pearl tiara. Her maid of honor was a former Miss Universe she had not met before. She had twenty auburn-haired and forty flaxen-haired attendants taller and more stunning than herself in her entourage of bridesmaids, and all were dressed in off-white moire shot with gold. One hundred and twenty children under twelve recruited from friends and members of both families were done up as flower girls and ring bearers. The bridegroom's mother, Regina Minderbinder, was nervous in designer beige, while Olivia Maxon, in peach satin with overlapping ruffles beaded with tens of thousands of seed pearls, looked simply stunning with her huge, dark eyes and retrousse nose, and in the glistening cabochon emeralds that adorned her white throat.

The bridal congregation assembled in privacy below in the Greyhound Bus Company package express area on the subway level. There, the silent girl and her complete retinue, which consisted of her Miss Universe, sixty gorgeous bridesmaids, and one hundred and twenty flower girls and ring bearers, were bathed, groomed, and otherwise made ready for the grand event by personal couturiers and makeup artists. On time, they took their places in very long lines at the base of the matched escalators and, on musical cue timed to a fraction of a second, stepped aboard the rising staircase to be borne upward into the expectant assembly awaiting them. An exultant, heartwarming fanfare of imperious Wagnerian chords gave notice of their ascent onto the main floor of the South Wing, and the bride, on the arm of her stepuncle, Christopher Maxon, emerged and stepped forward to a ceremonious tribute of respectful applause from those seeing them first from the tables outside the police station near the Sport Spot Lingerie Shop and Jo-Ann's Nut House.

To the prelude to Die Meistersinger and the "Dance of the Apprentices," the bride and Christopher Maxon, to everyone's tremendous relief, led the one hundred and eighty-one others faultlessly down the center of the South Wing to the Walgreen's drugstore and the turn toward the exit to the street outside, on which motor and pedestrian traffic had been detoured-even the buses were rerouted-and then, to a sentimental orchestral rendition of the "Prize Song," into the North Wing and finally to the chapel and the Temple of Dendur.

The rites of ceremony discharged, and the Leverkühn interlude of children's lament and heinous laughter from the Apocalypse over-it was the Apocalypse, Gaffney's absurd insistence to the contrary-the multiple areas transformed into banquet halls filled gently with music. Much sedate dancing of a bygone day ensued while people found their places and prepared for their first dinner -the second dinner was planned as a dumbfounding surprise!! The thirty-five hundred close friends of the Minderbinders and the Maxons twirled and dipped to ballads between courses of poached salmon with champagne aspic, trio of veal, lamb, and chicken, orzo with porcini, and spring vegetables. The wines for this main meal were Cordon Charlemagne La tour 1986 and Louis Roederer Cristal Champagne 1978.

Sets of music were timed to twenty minutes. In the ten-minute breaks between, there was the lively performance of the musicians in each group transferring to a different bandstand in the five different locations to play for a different audience. They moved singly up and down the escalators without missing a beat noticed by anyone but themselves. The waiters riding up and down behind them carrying trays kept time with their hips and their shoulders, and the busboys went flitting about like spirits of the wind to clear the tables noiselessly and rush the remains outside to the mammoth garbage trucks ready on the ramps, which tore away when fully loaded from their reserved parking spaces between the refrigerator vehicles discharging new edible treats at top speed. A number of old-timers in high fettle took to following the musicians up and down the escalators in a dance of their own, singing a tune of their own they called "The Hully-Gully." Soon all the bands were playing "The Hully-Gully" every time they rotated. Satellite video reruns of this part of the affair accelerated the tempos to simulate the effect in silent movies of people moving in jerky haste, and Milo Minderbinder, in tails, with his mustache and pained smile, looked to many who did not know him like Charlie Chaplin.

Immediately following the poached salmon with champagne aspic, trio of veal, lamb, and chicken, orzo with porcini, and spring vegetables, before the coffee and any dessert, there came to eath table three frozen moids of mango-orange sorbet, each in the shape of the big sphinx in Egypt, except that one had the face of Milo Minderbinder and the other wore the face of Christopher Maxon, even to the unlit cigar. The third Egyptian sphinx-everyone jumped erroneously to the guess that it would be the President -wore the unknown face of a man later identified as someone named Mortimer Sackler. Not many knew who Mortimer Sackler was anymore, and this ruse was received as another of the zesty jokes of the evening. With no warning, the voice of a woman on the public-address system announced: "Due to congestion on Route 3, all bus departures and arrivals are subject to delay."

The gathering roared with laughter and clapped again.

Hardly had the reveling crowds recovered from their titillation over this one when there commenced to their shocked delight the serving of the first course of another full meal a second dinner, or surprise supper. This one consisted of lobster, followed by pheasant bouillon, followed by quail, followed by poached pear with spun sugar. And this meal, said the rousing voice of an anonymous, hooraying master of ceremonies on the speaker system, was "on the house." That is, it was provided at no cost to the Maxons by the parents of the groom, Regina and Milo Minderbinder, to express their love for their new daughter-in-law, their undying friendship for her stepuncle and stepaunt, Christopher and Olivia Maxon, and their deep gratitude to every single person present who had taken the trouble to come. After the poached pear and spun sugar, when the time was at hand for Milo's brief speech that had not yet been written for him at the time those in the Communications Control Center watched him deliver it, he recited, stiffly, this tribute to his wife: "I have a wonderful woman and we're very much in love. I've never done this into a microphone before, but there is only one way to say it. Yahoo."

He repeated this three more times for three more sets of video cameras and microphones and had difficulty each time with the word Yahoo. Christopher Maxon, his round face wreathed into a smile, was more to the point, orating: "My mother always said, 'Don't tell people you love them, show them. And this is my way of saying 'I love youw to my wife, Olivia, who tonight has done so much for the economy. Anyone who is talking about a recession-well, forget it."

At a distant table in the South Wing outside, the mayor of New York City rose to a smattering of applause to announce that Olivia and Christopher Maxon had just donated ten million dollars to the bus terminal to construct kitchen facilities for use for future events, and another ten million dollars to the Metropolitan Museum of Art for their generous cooperation in supplying for the occasion the Temple of Dendur, the Blumenthal Patio, the Engelhard Court, and the Great Hall.

Olivia Maxon sprang up to announce: "No wonder-after this! I've never seen my husband so excited about making a gift to any institution."

Then came the wedding cake, on which legions of master bakers and apprentices had toiled for months at the Cup Cake Cafe just down the block on Ninth Avenue at Thirty-ninth Street. The earlier applause was as nothing compared to the spontaneous effusion of shrieking veneration when the wedding cake was wheeled in on a hoist, lowered, and unveiled to an applauding audience in the large bandstand area in the South Wing in front of Au Bor Pain, where a bank had been formerly and the ceiling was high. The cake was a wondrous monument of whipped cream, spun sugar, innumerable icings, and airy platforms of layers of weightless, buttery angel food with ice cream and liqueur-flavored chocolate fillings on a scale no one had witnessed before. The wedding cake stood forty-four feet high, weighed fifteen hundred pounds, and had cost one million, one hundred and seventeen thousand dollars.

Everyone thought it a pity it could not be preserved in the Metropolitan Museum.

The bride herself could not cut this cake, for she was not tall enough.

In a spectacle befitting the occasion, the cake was sliced from the top down by teams of gymnasts and trapeze artists in white tights with pink bodices from the Ringling Bros, and Barnum amp; Bailey Circus, then at Madison Square Garden just several blocks downtown. It was served on thirty-five hundred plates, each decorated with a spun-sugar sprig of sweet peas. The china was Spode, and the pieces of Spode were thrown out with the garbage to save time and comply with the tight schedule of catering trucks and commercial buses speeding in and out without collision. There was more than enough cake for the thirty-five hundred guests, and the eight hundred pounds left over were carved into blocks and sped to the shelters for the evacuated reprobates to gorge on before the whipped cream and the ice cream fillings could melt and putrefy.

Limousines and delivery and refuse trucks were making use of half the terminal's four hundred and sixty-five numbered gates, synchronizing precisely with the arrival and departure schedules of the forty bus companies with their two thousand daily trips and two hundred thousand daily passengers. Travelers going out were allowed to ride free as an inducement to leave fast. Passengers coming in were steered directly away to their sidewalks, subways, taxis, and local buses, and they also seemed to be calculated particles of movement in a clever dumb show.

While it was predictable that the President would delay arriving to avoid exchanging pleasantries with all of the thirty-five hundred other guests, it was not expected that he would be so late as to miss the nuptial ceremony itself and the start and finish of the two meals. Unprepared and unrehearsed, Noodles Cook, reluctantly, stood up for the groom as best man and also took the bride from Christopher Maxon to give to M2. He got it done but did not look presidential.

Yossarian, in the Communications Control Center, could see himself lucidly in white tie and tails watching Noodles Cook glancing more and more nervously up toward him at his table and then down at his wristwatch. Yossarian, in both places simultaneously at different hours on different days, began to reel in both places with bewilderment too. In both locations he could overhear the First Lady complaining to Noodles Cook that it was often hard to know what was in the President's mind. At last he understood Noodles and rose alone.

In the main ticketing area of the South Wing was the work of art by the famed sculptor George Segal of three life-sized human figures symbolizing bus passengers, two men and one woman, walking in toward a doorframe. Yossarian knew that in dead of night the three statues had been replaced by three armed Secret Service agents noted for tenacity and cold-blooded passivity, impersonating the statues. They carried concealed walkie-talkies and without moving had stood listening all day for intelligence from Washington as to the whereabouts and estimated time of arrival of the most honored guest.

Yossarian now eased himself alongside one of these men posing as a statue and asked, sotto voce: "Where the fuck is he?"

"How the fuck should I know?" the man shot back, hardly moving his lips. "Ask her."

"The cocksucker won't come out of his office," said the woman, without moving hers.

There was no information to account for the delay.

Meanwhile, the festivities progressed. Coordinating the multiple movements of equipment and supplies and the divisions of personnel was as exacting a procedure as a military invasion in the Arabian Gulf, with a lower margin for observable error. Experienced logistical experts from Washington were dispatched to work with McBride and executives on the Planning Committee of Milo Minderbinder's Commercial Catering, Inc.

Strategy was mapped out in the Operations Room of C. C. Inc. and put into action in the kitchens and shops there, as well as in the extensive food rooms of the Metropolitan Museum of Art and in the facilities of the numerous nearby food shops with storage room and processing machinery enlisted for the emergency. Because the designers of the PABT building had not anticipated a future in the catering business, they had failed to include kitchens, and it was necessary to effect alliances with numerous individual food establishments in the vicinity.

On the day of the event, the principal caterers would start, Yossarian saw, and did start, Yossarian also saw, arriving at the terminal hours before sunrise, and the inner areas of the floors to be utilized were occupied by armed men in civilian attire and sealed off to the public.

By 7:30 A.M. fifteen hundred workers were on station in assigned places and moving into action.

By 8:00 an assembly line constructed by a corps of engineers had been set up in C.C. Inc. to make the canapes and other small sandwiches, and for the trimming and slicing of the smoked salmon. Work there did not cease until four hundred dozen of these tea sandwiches had been completed and dispatched.

By 8:15 sixty cooks, seventy electricians, three hundred florists, and four hundred of the waiters and bartenders had reinforced the original landing parties in both places.

By 8:30 crews began scrubbing the fifty bushels of oysters and fifty bushels of clams, boiling two hundred pounds of shrimp, and making fifty-five gallons of cocktail sauce.

By 9:00 A.M. the tables, chairs, and furnishings were arriving at the terminal, and electricians and plumbers were on site for the extensive work required, while back at C.C. Inc. and the Metropolitan Museum of Art, the choppers were attacking and cutting up at record speed the vegetables for the crudites: a thousand bunches of celery, fifteen hundred pounds of carrots, one thousand and one heads of cauliflower, a hundred pounds of zucchini, and two hundred pounds of red peppers.

By 10:00 A.M. all one hundred and fifteen thousand red, white, and black balloons printed NEWLY WED were bobbing triumphantly over all the passageways of the bus ramps and the doorways of all the side and main entrances.

At noon the electricians had completed hanging the special chandeliers.

At 1:00 P.M. the portable toilets were delivered and set up unobtrusively in their designated places. There were over thirty-five hundred of these portable toilets, all in pastels of the season, more than one for each guest, behind the false fronts of millinery boutiques for women and haberdashery boutiques for men, and the guests took note with a frisson of enchanted awareness that no person would have contact with a toilet previously tainted through use by another. Each of the units was hurried away instantly and invisibly through egresses in the rear by stevedores, teamsters, and sanitary engineers to be trucked out, loaded on waiting barges in the Hudson River, and carried to sea with the ebbing tide to be thrown into the ocean, with no one any the wiser until a day or so later; the foresight with the individual Portosans was another hit of the genteel bacchanal, and many guests crept back twice, merely for the novelty of the experience, as though riding for a second time on a diversion at a germ-free amusement park. "Why didn't anybody else ever think of that?" was an expression repeated frequently.

Early in the afternoon, at 2:45 plus 10, five tons of ice were delivered as ordered, and as the clock struck 3:00, two hundred waiters, then two hundred more waiters, when the first contingent had advanced and cleared out of the way, then two hundred more when these latter two hundred had pushed into the area and fanned out, all began setting up tables, while the remaining six hundred held in reserve were icing down white wine, water, and champagne, and setting up supply posts of one hundred and twenty service bars on the main and second floors and on the spacious third floor too, where loud music and wild dancing were scheduled for the late hours.

At four the musicians were setting up at their bandstands and dance floors.

By five, fifty dessert buffets had been erected securely and the twelve hundred or more security guards from the city, federal government, and M amp; M Commercial Killings, Inc. had taken up positions on the high ground of the terminal. Outside, trucks with units from the National Guard were on watch for disturbances from protest groups that might be in dissonance with the celebratory mood of the gala.

After the hoisting, lowering, and cutting of the wedding cake, there was more dancing and congratulations. For the several finales, everyone mingled together in the Great Hall from the Metropolitan Museum of Art, where still more tables were heaped with dessert confections of spun sugar.

There, before the party dispersed into smaller, friendlier, almost conspiratorial groups, a number of toasts were offered to the Minderbinders and Maxons and short speeches made. Greed was good, proclaimed one Wall Streeter in risk arbitrage. There was nothing wrong with waste, boasted another. As long as they had it, why not flaunt it? There was nothing tasteless about bad taste, roared another, and was cheered for his wit.

"This was the kind of event," crowed a spokesman for the homeless, "that makes one proud to be homeless in New York."

But he turned out to be fake, a spokesman from a public relations firm.: The formal end of activities was signaled by a sentimental repeat of the "Redemption Through Love" music played by all five of the bands for the evening, the violinist and her four clones, and the earlier orchestral recordings, and many there locked arms shamelessly and hummed the melody boisterously, as though in a wordless rendition of the newest replacement of "Auld Lang Syne" or that other immortal popular favorite, "Till We Meet Again."

For those madcaps and hell-raisers who had chosen to linger on to bowl in the alleys on the second floor or dance the night away or otherwise avail themselves of the fascinating attractions and facilities of the bus terminal, a third meal was provided at each of the auxiliary serving stations remaining open all night, and this, as displayed on all screens, was in store: ALTERNATE MENU Fricassee de Fruits de Mer Les trois Roti Primeurs Tarte aux Pomrnes de Terre Salade a Bleu de Bresse Gratinee Friandises et Desserts Espresso Yossarian, still musing on the Alternate Menu, was next startled to see himself speaking to the video cameras for a network television show in white tie and tails between Milo Minderbinder and Christopher Maxon and saying: "The wedding was the highlight of a lifetime. I don't think any of us here will live to see anything like it again."

"Holy shit," he said in the flesh, and hoped his laconic irony was obvious.

There was little doubt that Minderbinders and Maxons had that night boosted the Port Authority Bus Terminal into the forefront of great catering halls for the close of the century and the dawning of the new one. Everyone leaving was given a colorful brochure published jointly by PABT and the Metropolitan Museum of Art, with which PABT now had so many interests in common. For as little as $36,000, anyone in the world could engage space for a party in either place.

It was anticipated that most guests would depart at 1:00 A.M. They did, and the million, one hundred and twenty-two thousand champagne tulips there as souvenirs and door prizes were quickly depleted. A younger, livelier bunch stayed on to bowl, eat, and dance madly to the recorded music provided by an all-night disc jockey on the floors above. Eventually, those who still could not tear themselves away went to sleep on sturdy clean cabana lounges moved into the ticketing areas or bedded down in one of the emergency stairwells, where new, unused mattresses had been laid out on the landings and stairs. When they awoke, there was fresh orange juice for them at the juice bars and pancake-and-egg breakfasts in the coffee shops. The stairwells had been emptied and scoured thoroughly; instead of disinfectant, the odors in the air were of aftershave lotion and designer perfumes. For the stairwells, a one-legged woman with a crutch was hired to go wandering about mumbling she'd been raped, but she was a minor actress with a pretty face that had modeled cosmetics, and a shapely leg that had modeled panty hose. A large, gracious, maternal black woman with moles that looked cancerous and a rich contralto voice hummed spirituals.

By 4:30 in the morning, the twenty-eight Cosa Nostra carting companies subcontracting through the Washington Cosa Loro with the Commercial Catering division of M amp; M E amp; A had removed the rest of the trash, and by 6:00 A.M., when the first of the customary bus travelers appeared, all was back to normal, except for the absence of the hustlers and the homeless, who would remain in forced exile until all was secure.

"That was sly of you," Gaffney said, in praise of Yossarian's little speech.

"I can't believe I said that," Yossarian repented.

"You haven't, yet. Well?" added Gaffney with a wish to know, as they watched on the monitor the crowds in the terminal that had not yet gathered there thinning out sort of wanly and drifting back in pale reflections to the places from which they had not yet come. "Mrs. Maxon seemed satisfied."

"Then her husband will be too. I love all that Wagner music. And I also have to laugh. Do you think the end of Götterdämmerung is a tactful choice for that occasion?"

"Yes. Would you prefer a requiem?" Gaffney's dark eyes twinkled.

"It's turning black again, that God-damned sun," said Hacker lightly, and laughed. "I can't seem to get it out."

"It can't turn black," snapped Yossarian, annoyed by him once more. "If the sun turned black, the sky would be black too, and you wouldn't be able to see it."

"Yeah?" The young man sniggered. "Take a look."

Yossarian took a look and saw that on the central screens, the sun indeed was black in a sky that was blue, the moon had turned red again, and all of the ships in the harbor and the neighboring waters, the tugs, barges, tankers, freighters, commercial fishing vessels, and different varieties of pleasure craft, were again upside down.

"It's a glitch," said Hacker. "We call it a glitch. I'll have to keep working on it."

"I saw another glitch," said Yossarian.

"You mean the President?"

"He never showed up, did he? I didn't see him."

"We can't get him to come out of his office. Here-look." Yossarian recognized the antechamber of the Oval Office in Washington. "He's supposed to walk out, be driven to the MASSPOB building, and take the new supertrain here. Instead, he keeps going off the other way. He walks into his playroom."

"You'll have to reprogram your model."

Hacker snickered again in affected despair and left the answer to Gaffney.

"We can't reprogram the model, Yo-Yo. It's the model. You'll have to reprogram the presidency."

"Me?"

"In fact, he's in there right now," said Hacker. "What the hell's he got in that playroom anyway?"

"Ask Yossarian," said Gaffney. "He's been there."

"He has a video game," said Yossarian. "It's called Triage."