Cold Vengeance

CHAPTER 34

Savannah, Georgia

THE ELEGANT TOWN HOUSE DOZED IN THE FRAGRANT cool of a fall evening. Outside, in Habersham Street, and beyond in Whitfield Square, passersby chatted animatedly and tourists snapped pictures of the park’s gingerbread cupola and the historic brick structures surrounding it. But within the town house, all was still.

Until, with a faint rustle of metal against metal, the lock turned and the back door was teased open.

Special Agent Pendergast slipped into the kitchen, barely a shadow in the fading light. He closed and locked the door behind him, then turned and leaned against it, listening. The house was vacant, but he paused in the silence anyway. The air smelled stale and the blinds were all drawn. This was a building that had not been entered in some time.

He recalled the last time he had been in this house, several months before, under very different circumstances. Esterhazy had since gone to ground, and done it very well. But there would be traces. Clues. And of any place, this house was the most likely to contain that information — because nobody could disappear without a trace.

Except perhaps Helen.

Pendergast raked the kitchen with his pale eyes. It was almost obsessively neat and, like the rest of the house, decidedly masculine in its choice of furnishings: the heavy oak breakfast table, the oversize slab of butcher block studded with massive knives, the dark cherry cabinets and black granite countertops.

He made his way out of the kitchen, through the hall, and up the stairs to the second floor. The doors off the landing were closed, and he opened each one in turn. One led to an attic staircase, which he climbed to an unfinished, peaked-ceilinged space smelling of mothballs and dust. He pulled a string hanging beside a bare bulb, bathing the room in harsh light. There were a number of boxes and trunks here, neatly arranged against the walls, all locked. In one corner stood a full-length mirror, dull and cobwebbed.

Pendergast withdrew a pearl-handled switchblade from his jacket pocket and flicked it open. Methodically, without hurry, he slit open the boxes and sorted through them, resealing them with fresh packing tape when he was done. The steamer trunks came next: locks picked, searched, and relocked, everything left as before.

As he moved toward the stairs, he paused before the mirror, and then, with the sleeve of his black suit, polished the mirror clean in one area and gazed into it. The face that looked back at him seemed almost alien; he turned away.

Turning off the light, he descended to the second floor, which consisted of two bathrooms, Esterhazy’s bedroom, a study, and a guest bedroom. Pendergast went to the bathrooms first, opening the medicine cabinets and examining the contents. He squirted tubes of toothpaste, cans of shaving cream, and containers of talcum into the toilets to make sure they were genuine and not containers for hiding valuables, returning the flattened and emptied containers to their proper places. The guest bedroom came next. Nothing of interest.

Pendergast’s breathing quickened slightly.

He then passed into Esterhazy’s own bedroom. It was as meticulously neat as the rest of the house: hardcover novels and biographies were carefully stacked on their shelves, antique Wedgwood and Quimper ceramics arranged in small niches.

Pendergast pulled the covers from the bed and examined the mattress, sliding it off the bed and palpating it, pulling the fabric aside and examining the springs. He felt the pillows and examined the bed frame, and then remade the bed. Opening the clothes closet, he systematically felt through every item of clothing, looking for anything concealed within. He pulled every drawer from the old Duncan Phyfe armoire and examined the contents, no longer being overly careful to replace them in order. He plucked the books off the shelves one at a time, flipped through them, and shoved them back out of order. His movements became more rapid, verging on the brusque.

Next came the study. Pendergast walked over to the lone filing cabinet, jimmied the lock with a savage twist of the switchblade, and opened each drawer, removing the folders inside, examining them closely, and then dropping them back in place. It took almost an hour to go through all the bills, tax forms, correspondence, financial ledgers, and other documents — interesting in the light they threw on Esterhazy but of no obvious significance. Next came the heavy shelves of reference books and medical texts. The contents of the desk followed. A laptop sat atop the desk; taking a screwdriver from his pocket, Pendergast opened its base, plucked out the hard disk, and slipped it into his pocket. The walls were covered with framed commendations and awards; these were removed, their backs inspected, then rehung indifferently.

He paused in the doorway before proceeding downstairs. The contents of the study — and indeed the house — remained more or less neat and regular; no one would know that every millimeter had been invaded, scrutinized, violated… except Judson. He would know.

Gliding down the stairs, Pendergast examined the dining room just as thoroughly as he had the upstairs, followed by the den. There he noted a safe in the wall, hidden behind a diploma. This was saved for later exploration. He opened and searched the gun case, finding nothing of note.

He finally moved into the living room, the most exquisite room in the house, with burnished mahogany wainscoting, antique wallpaper, and a number of lovely eighteenth- and nineteenth-century paintings. But the pièce de résistance sat against one wall: a heavy Louis XV breakfront displaying a collection of ancient Greek red-figure pottery.

He searched the room, ending at the breakfront. A quick twist and the lock was broken. He swung open the doors and examined the contents. He had long known of the collection, but once again he was struck by just how extraordinary it was, perhaps the finest small collection of its kind in the world. It consisted of only six pieces, each one a priceless, irreplaceable example of the work of an ancient Greek artist: Exekias; the Brygos Painter; Euphronios; the Meidias Painter; Makron; the Achilles Painter. His eye traveled over the vases, bowls, kylixes, and kraters, each an incomparable masterpiece, a testament to the highest and most rarefied artistic genius. This was not a collection assembled for show or prestige: these pieces had been painstakingly collected at astonishing cost by a person with a faultless eye and a profound appreciation. Only someone who truly and deeply loved the work could have amassed a collection so perfect, the loss of which would impoverish the world.

The sound of ragged breathing gradually filled the room.

With a sudden, violent movement of his arm, Pendergast swept the collection off the shelves, the heavy ceramics tumbling to the oak floor and shattering into hundreds of pieces, the fragments skittering and bouncing everywhere. Gasping with effort, possessed by an explosion of fury, he smashed the pieces underfoot into smaller and smaller ones, eventually grinding them into grit.

And then, except for the sound of heavy breathing, all was silent once more. Pendergast was still weak from his ordeal in Scotland, and it took some time for his breathing to return to normal. After a long while, he brushed some pottery dust off his suit and moved stiffly toward the basement door. Forcing it open, he descended and conducted a careful inspection of the cellar.

It was mostly empty save for a furnace and plumbing. But off in an alcove stood a door that, when forced, revealed a large wine cellar, lined in cork, with temperature and humidity controls mounted on one wall. He stepped inside and examined the bottles. Esterhazy had an exceptional cellar, mostly French, and favoring the Pauillacs. Pendergast ran his eye over the long columns of bottles: Lafite Rothschild, Lynch-Bages, Pichon-Longueville Comtesse de Lalande, Romanée-Conti. He noted that — while his own wine holdings at the Dakota and Penumbra were far more extensive — Esterhazy had a first-class collection of Château Latour, including several bottles from the very greatest vintages that were missing from his own cellars.

Pendergast frowned.

Selecting the best vintages — the 1892, 1923, 1934, the fabled 1945, 1955, 1961, half a dozen others — he pulled them from their niches and placed them carefully on the floor. He chose no wine younger than thirty years. It took four trips to gently carry them all up to the den.

Leaving them on a side table, he fetched a corkscrew, decanter, and oversize wineglass from the kitchen. Back in the den he opened each bottle of wine in turn, letting them air upon the sideboard while he rested from his exertions. It was dark outside now, a pale moon hanging over the palmetto trees of the square. He glanced at the moon for a moment, recalling — almost against his will — that other moon: the first moonrise he and Helen had shared. It had been only two weeks after they’d first met. It was the night on which their love for each other had been so passionately revealed. Fifteen years ago — and yet so vivid was the memory that it could have been yesterday.

Pendergast held the memory briefly, like a precious jewel, then let it fade away. Turning from the window, he let his eye roam around the room, taking in the African sculptures, the beautiful mahogany furniture, the jades, and the bookshelves laden with gold-stamped tomes. He did not know when Esterhazy would return, but he wished he could be there to appreciate the homecoming.

He let the wines rest for half an hour — a longer rest would be risky with the older vintages — and then began his tasting. Starting with the 1892, he poured no more than a mouthful into the decanter and swirled it slowly, examining the color in the light. Then he poured it into the glass, inhaled the aroma, and — eventually — took a generous sip. Placing the bottle on the windowsill, uncorked, he moved on to the next younger.

The entire process took another hour, and by the end his equanimity was fully restored.

At last, he put the decanter and glass aside and rose from the chair. He finally addressed his attention to the small safe he had earlier discovered behind one of the diplomas hanging on the wall. It resisted Pendergast’s advances quite valiantly, yielding only after ten minutes of delicate work.

Just as he was opening its door, Pendergast’s cell phone rang. He examined the incoming number before answering. “Yes?”

“Aloysius? It’s Peter Beaufort. I hope I’m not interrupting anything.”

A sudden silence, and then Pendergast said, “I was just enjoying a quiet glass of wine.”

“The results are in.”

“And?”

“I think I’d rather tell you in person.”

“I would like to know now.”

“I won’t tell you over the phone. Get here as quickly as you can.”

“I’m in Savannah. I’ll catch a late-night flight and meet you in your office tomorrow morning. At nine.”

Pendergast returned the phone to his pocket and returned his attention to the safe. It contained the usual items: jewelry, some stock certificates, the deed to the house, a last will and testament, and a variety of miscellaneous papers including what appeared to be some old bills from a nursing home in Camden, Maine, concerning a patient named Emma Grolier. Pendergast swept up the documents and put them in his pocket for later examination. Then he sat down at the roll-top desk, took a sheet of blank linen paper, and wrote a short note.

My dear Judson,

I thought you’d be interested in the results of my vertical wine tasting of your Latours. I found the 1918 sadly faded, and the 1949 was to my mind overrated: it ended worse than it started, with tannic overtones. The 1958 was, alas, corked. But the rest were quite delightful. And the ’45 was superlative — still rich and surpassingly elegant, with an aroma of currants and mushrooms and a long, sweet finish. Pity you only had a single bottle.

My apologies for what happened to your collection of old pots. I’ve left you a little something to compensate.

P.

Pendergast placed the letter on top of the desk. Reaching into his pocket, he extracted a five-dollar bill from his wallet and put it alongside.

He had reached the doorway before a thought struck him. Turning back, he walked over to the windowsill and picked up the 1945 bottle of Château Latour. Corking it carefully, he took it with him, making his way from the den to the kitchen and out into the fragrant night air.