Cuba Libre

SIX

The first time Neely Tucker and Amelia met-it happened to be right here at the hotel cigar countermNeely said, "I have never bought a lady a cigar before, but if I may…?" Amelia said, "You're sweet, but I prefer cigarettes." And Neely said, "Whatever pleases you gives me pleasure."

This evening when Neely, leaning on the glass counter, said he'd never bought a lady cigarettes before, Amelia turned to him saying, "You were waiting for me, weren't you?" giving him her famous smile. Eyes twinkling mischievously, her countenance aglow, would be the way he'd write it, rather than say her smile showed in her eyes and made her seem so, well, alive. Amelia, when she wanted, could express all sorts of emotions with her eyes. Neely told her one time she could've been an actress, caught himself right away and said, "What am I talking about, could have been."

He watched her turn to the young man behind the cigar counter.

"You know what I like, Tony, Sweet Caporals, por favor."

Neely struck a match and held it ready as she tore open the pack of cigarettes.

"Rollie sees me smoking in public he has a fit."

Neely watched her light the cigarette now, puffing away, her delicate little nostrils dilating, her pile of auburn hair shining in the lobby's electric lights.

"You do everything he tells you?"

"Just about. He's in there with his sugar buddies." "What're they up to now?" "The usual, making money."

"You must know Rollie's not your type."

"But I'm his, and that's what counts, isn't it?"

Neely and Amelia Brown were good friends from the moment they'd started talking early last fall and would meet whenever both were in Havana at the same time. Neely loved Amelia. He thought of her as the most adorable, the most unusual-bizarre, really-and intelligent girl he'd ever met in his life. Talking to her wasn't like talking to a girl. She knew things, what was going on in the world. You could say anything you wanted to her, even slip and use curse words and she never acted shocked. Hell, she used them herself. It rankled him a little that the time he spent with her didn't seem to bother Boudreaux. The way Amelia explained it, "Well, he knows I'm discreet, and he doesn't see you otherwise as a threat."

Neely said, "Why not?" Naturally a little hurt.

She said, "I don't know. Maybe if you were taller."

This evening he was curious to know what she thought of Ben Tyler.

"Did you meet the cowboy?"

"Ben? Yes, indeed."

"Rollie introduced you?" "Hardly. I spoke to him though." "Uh-oh."

"I have a new theory," Amelia said. "It isn't that Rollie gets jealous if he thinks I'm flirting… Well, he does, yeah. But he also likes to see people grovel, and if I acknowledge them, even by saying a few words, it raises their status so to speak, puts us all on the same level and then Rollie has trouble feeling superior."

Neely loved her theories.

"I've never seen you grovel." "No, that's why he respects me." Amelia paused as though she might explain this, but said, "You know what I mean."

She had always been candid with Neely about her role as Boudreaux's mistress, saying it was like a free lunch, she could have anything she wanted as long as it was Cuban. Amelia lived here year-round, on the sugar estate or at the summerhouse, on the beach not far from Matanzas. They'd met on a steamer, Amelia coming to Havana on holiday with her friend Lorraine… What Neely couldn't understand was why a girl from a respectable New Orleans family, good-looking, convent-educated, would ever consider being a kept woman. Amelia told him respectability was not an issue here, not with a mother who lived on cocaine toothache drops and KocaNola and a daddy who practically lived with his quadroon when he wasn't at the Cotton Exchange. She said, "I'm less kept than if I were married to Rollie; I can walk away any time I want." Neely said, "Are you sure?" Another time he said, "But you don't love him. Do you?" She said, "Rollie's fun." "Oh, come on."

"I mean fun to watch, the way nothing seems to bother him. And nothing does, because whatever he believes, he considers fact, and what he doesn't believe isn't worth talking about. He speaks, Neely, and no one questions or interrupts him. But is he confident because he's rich or because he's also kind of dumb, unaware? Would you ask him that, Neely?" He did try to interview the man one time.

"Mr. Boudreaux, sir, how can you sympathize with a regime that puts entire villages in concentration camps and is responsible for the annihilation of several hundred thousand innocent people?"

Boudreaux's answer: he asked Neely if he was aware of the raw sewage in the residential streets of Havana; if he realized there was no ordinance requiring a householder to empty his privy vault. "No, they use it until it overflows and then hire a night-scavenger to dip the filth into barrels. But then the honey wagon bumps along the street, the plugs in the underside of the barrels come out, and before the wagon's gone a block the street's full of raw sewage."

Amelia's interpretation: "He's saying this indicates the Cuban people are lazy and irresponsible, therefore harsh measures are sometimes required to govern them."

Neely tried another approach. "Mr. Boudreaux, you represent the main reason the United States could shortly be at war with Spain, and that is to protect American interests here in Cuba." It was meant as a question even though it didn't sound like one.

Boudreaux said, "Mr. Tucker," in that soft way he spoke, "if what you say is true and you were a soldier in the army of the United States, you think I would expect you to be willing to give your life for my personal interests?"

Amelia's comment: "You bet he would. Except Rollie wouldn't care who wins, Spain or us. Either way he'll still be sitting on top. Rollie's fear is the Cubans will end up running their own country, the Creoles and all those black people who used to be slaves. He knows they wouldn't put up with him."

Neely had interviewed people on both sides of the insurrection. Mlximo Gomez, the leader of the insurgents, the "Chocolate-colored, withered old man" the New York Herald said looked like an Egyptian mummy. During the two months Neely spent with Gomez's troops his camera, his razor and a pair of lace-up boots disappeared.

He had interviewed Calixto Garcia, the insurgent field commander with the bullet hole in the middle of his forehead, put there years ago when he shot himself in an attempt to avoid capture. A Spanish surgeon saved his life and Garcia wore the wound stuffed with cotton.

He had interviewed a British military observer, a young subaltern named Churchill who had high praise for Cuban cigars but not much to say about the tactics of this war: "If the Cubans wish to convince the world that they have a real army, they must fight a real battle."

Neely had interviewed Spanish generals and naval officers. Most recently he'd interviewed Captain Sigsbee and survivors of the Maine disaster and had told Amelia about the marine at San Ambrosio who stared without moving or speaking, in total shock from the blast. He was arranging to have a chat with Clara Barton, here representing the American Red Cross on behalf of the reconcentrados. But the person he'd rather talk to than Bill McKinley or the queen regent of Spain was Amelia Brown.

She'd say, "Why? I'm not news."

No, but she had met just about everyone in Cuba who was and her air of insouciance talking about them was fascinating. He asked her, "What do you think of Fitz?"

General Fitzhugh Lee, American consul here in Havana, former Civil War hero and nephew of Robert E. "He's fat," Amelia said. "That's all?"

"He told me he thinks the Maine was blown up by a mine that was the work of a few, quote, 'malicious individuals." Interesting? Not unlike saying some naughty boys did it. He also believes that nearly every person born on this island is instilled with a dislike of the Spaniards and their methods. Even, he said, those born of Spanish parents."

Interesting.

Another one. What about the former captain-general, Weyler, known to one and all as "the Butcher"?

"He has rather soft blue eyes for a Spaniard."

"Really."

"He asked me to leave Rollie and go to Madrid with him. I thought about it-I've never been to Europe."

"Amelia, the man's a monster, the most bloodthirsty military leader in recent history."

"I didn't go, did I?"

Neely would tell her that one of these days she actually would become tired of Rollie and leave him. "Then what will you do?"

"I haven't thought about it."

"When you were a girl, what did you want to be when you grew up?"

"I'm still a girl, Neely. I'm only twenty."

"How old?"

"Does it matter? What you're trying to say is, didn't I dream of becoming something more respectable than a courtesan, a rich man's girlfriend? Well, yes, I could see myself married to someone like him, but would I be better off?"

"Could you see yourself married to an ordinary working man?"

"Well, not if he's just ordinary. What would be wrong with his having money? The question is, do I want to marry someday and have babies? I don't know. I guess I've never thought about it."

The feeling Neely had, he wouldn't be surprised to see Amelia step out of some type of cause clbre incident and become world-famous overnight.

"In the company of a visiting dignitary," Amelia said, "when he's assassinated, shot through the heart by an anarchist, and in the photograph you see his blood all over my white organdy tea dress."

Neely said he had in mind something more on the order of what Mr. William Randolph Hearst did with Evangelina Cisneros in the Journal.

"Invented her," Amelia said.

"Well, she did exist," Neely said. "They found her in prison awaiting trial for rebellious actions against the state." "Or was it for not going to bed with the alcalde?" "Amelia, there was a worldwide petition to get her out, 'the beautiful seventeen-year-old daughter of the revolution languishing in Death's Shadow," Casa de Recogidas, the vilest prison in all Cuba. Julia Ward Howe said, "How can we think of this pure flower of maidenhood condemned to live with felons and outcasts, without succor, without protection'… something about 'under a torrid sky, suffering privation, indignity"

"How do you remember all that?"

"It didn't do Evangelina any good at all. Spain wanted to send her to an even worse prison, in Africa. So one of Mr. Hearst's boys helped her escape."

"You mean," Amelia said, "he paid off the guards and she walked out."

"They made it look like an escape-it's the same thing. The beautiful Evangelina was escorted to Washington, where she was received by President McKinley…"

"Julia Ward Howe singing "The Battle Hymn of the Republic'?"

"Possibly. The president, anyway, and one hundred thousand cheering Americans."

Amelia said she never thought Evangelina Cisneros was that good-looking. Neely said, well, she wasn't bad.

This evening at the hotel cigar counter Neely said, "You know something? I would rather write about you than Julia Ward Howe."

"And Clara Barton?"

"Even Clara Barton, and there's a good story there. The Red Cross has brought in so much condensed milk for the starving children, some of the Cubans are selling it to buy cigars. Oh, and before too long I want to interview that insurgent leader they call Islero, I'm told a very colorful character." "Colorful meaning colored?"

"That's right, Islero is pure Negro, a slave at one time, before he ran away to become a bloodthirsty bandit and evolved, finally, into a moderately famous insurrectionist. He's known as the Black Death. Or it might be the Black Plague; now I'm not sure."

"What about the cowboy? He might be interesting," Amelia said. She turned from the cigar counter. "He's right over there as we speak."

By the dining room talking to his partner and Rollie's man, Victor Fuentes, the cowboy looking this way as Fuentes said something to him. Amelia smiled and watched him touch his new panama.

"I already know a few things about him," Neely said. "One, he was born and raised in your hometown, New Orleans."

"You made that up."

"Lives in Arizona now. He's been to prison." "Really. What did he do?" "Robbed banks."

Amelia said, "Oh my," her eyes shining.

It wasn't more than moments later Lionel Tavalera, in civilian clothes, a black suit, walked past them from the hotel entrance and started across the lobby. Neely saw him first. He said, "Well, look who's here," fairly sure Boudreaux knew him, and maybe Amelia did too.

She said, "The major himself," sounding surprised. Because of the way he was dressed, or being in this hotel, or what? They watched Tavalera walk up to Ben Tyler and begin talking to him.

Neely said, "You do know Lionel, I take it."

Amelia, staring across the lobby, said, "I watched him kill two men."

"My God-where was this?"

"I'll tell you about it sometime."

"Lionel and some hussar officers," Neely said, "had a set to with the cowboy this afternoon. According to Charlie Burke one of them was interested in buying a horse. He asked the cowboy to saddle it for him and Tyler refused. What he said was, "I'm not your mozo."

Amelia drew on her cigarette, inhaled and blew out a slow stream of smoke. She said, " "I'm not your mozo," huh?" watching Lionel Tavalera coming back this way now with a set expression, walking past them toward the street entrance.

"It doesn't appear," Amelia said, "anything was settled, does it?"

"Meanwhile," Neely said, "Tyler and his friends are repairing to the bar. Did I notice him looking this way? Certainly not at me. I'm going to San Ambrosio tomorrow to check on the marine, see if he's regained his speech. If you'd like to come…" He let it hang and said, "You're right, it's not settled," as Tavalera came back past them accompanied now by a young man with a pointy mustache, also in a black business suit. They crossed the lobby toward the bar.

When Amelia didn't comment, Neely said, "That, speak of the devil, is the hussar officer, Lieutenant Teobaldo Barban, who asked Tyler to saddle the horse for him. Tyler is said to have replied, "What's the matter, you helpless?"

"Well, naturally," Amelia said, "since he isn't his mozo."

"You like that, don't you? Remember last month I did an essay, "For Honor's Sake: The Rites of Duello'?"

"I recall your working on it."

"That's what I mean; it hasn't run yet. But Teo Barban was my main source. I asked him what it was like to call a man out, point pistols at each other and, under quite formal conditions, shoot the man through the heart."

Amelia said, "Why don't you accompany me into the bar."

There was no question in Neely's mind, Teo Barban was going to walk up to Tyler and demand satisfaction, lay down the challenge to meet him in the morning with pistols. It was what this young hussar officer had done successfully three times since arriving in Cuba. There was a story told about a New York correspondent who offended or insulted Teo in some way. When Teo's second presented the challenge the correspondent said, "I'll fight the don if he can prove he's white and has at least two clean shirts." But when Teo sought out the correspondent he was told the gentleman had been called back to America.

Teo did have the shirts and was obviously white. He could be French, for that matter, or even English. His appearance was not what the correspondents considered typically Spanish. Tavalera, on the other hand, was dark, no doubt from Andalusia in the south of Spain and was, they said, very likely part Gypsy.

Teo, in his dark suit and vest, slender, poised, standing now at the bar with Tavalera, removed his gloves as he stared at Tyler. Tyler and Charlie Burke at the same table they'd occupied earlier with Neely. Victor Fuentes did not appear eager to join them; he stood by the table telling them something. But what? Leave? It was too late for that. Lionel Tavalera, a few minutes ago in the lobby, had evidently asked Tyler to step outside to meet with Teo, and Tyler, it seemed, had refused. Why wouldn't he? If Teo had something to say to him… Sure, let him put his prejudices aside-the Spaniard's reluctance to enter this hotel and associate with so many Americans in one place-come in here and say it.

Which seemed about to happen.

Neely's view was from the entrance, standing with Amelia Brown, who was getting looks from all over the room. The correspondents openly appraised Amelia whenever she made an appearance and were free with their comments. That's Rollie Boudreaux's baby doll. Isn't she a dish? Imagine taking that to bed whenever you feel like it. But she looked so sweet and innocent. Oh, is that so?

What they needed was a table. They couldn't stand at the bar with Teo and Lionel Tavalera. Ladies didn't stand at the bar. And they couldn't very well join Tyler and his partner. What if Boudreaux came in looking for her? The only available tables were here by the door, away from what was about to happen. If words were exchanged they wouldn't be able to hear what was said. Neely turned to Amelia.

"There aren't any good seats left."

Amelia said, "What are you talking about?" and led the way to center stage, where else but to the table where Tyler and Charlie Burke rose to their feet, surprised, naturally, but immediately asked the two to join them, please. Amelia said, "Are you sure we won't be in the way?" taking the chair Neely pulled out for her.

Tyler said, "In the way of what?"

At this moment Amelia looked away from him to see the Guardia, Tavalera, coming over to the table and that seemed to answer the question. Tyler was now the only one still on his feet. He said, "Lionel, I thought you were gonna have a talk with the boy."

Neely took that to mean with Teo, still at the bar waiting, looking this way.

Tavalera said, "My name is not Ly-nel, what you call me. It's Leyonel."

Tyler said, "I'll try to remember that, Lionel."

"You just call me that again."

Neely noticed that something about Tyler had changed, along with his tone as he said, "Why don't we get to it? Tell me what's on your mind."

"All right. Teo wants to speak to you. At the bar."

"Tell me why I'm suppose to go to him." "Man, he isn't ordering you." "I hope to tell you he isn't."

"It's for privacy. No one else's business."

"He has something to say, Lionel, he can come over here. We're all friends."

Neely watched Tavalera hesitate, trying to decide-it looked like-if he wanted to make any more out of the way Tyler pronounced his name, Neely wondering if Tyler was doing it on purpose, to be irksome. Tavalera made up his mind, evidently not to say any more about it. He turned in kind of a military about-face and went back to the bar, exchanged a few words with Teo and now Teo was on his way over.

He brought a card from his vest pocket with the tips of two fingers, a calling card, it looked like, and with a very solemn expression on his face offered it to Tyler-Tyler, still on his feet, one might say waiting for him. Neely noticed Teo holding his black kid gloves in his left hand. He also noticed Tyler was the taller of the two and possibly ten years older. He'd have to check on that, Neely pretty sure he had a story here he'd be writing as a feature. He watched Tyler look at the card and then at the young hussar officer, more a dandy than a fop, with his neat little waxed mustache. Tyler said, "Teobaldo," and glanced at the card again. "Teniente. What can I do for you?" As easy about it as you please.

It surprised Neely that Teo didn't acknowledge Amelia first, ask her pardon for interrupting, walking up to the table unannounced. Amelia's eyes were glued to the two men facing each other, Teo saying now in a very formal manner, "I request that you meet me tomorrow…" with an accent but the words clear enough: that Tyler meet him in the morning at first light in the Prado by the statue of Her Majesty Queen Isabella, Teo saying his second, Major Lionel Tavalera, would bring the pistols and Tyler would be given his choice of which one he would prefer to use.

Look at Amelia's eyes, big as saucers, the sweet thing hanging on every word.

Tyler said, "I thought you wanted to sword fight."

She loved it, looking at Tyler almost adoringly, her new hero, her lips slightly parted.

Tyler saying, "Now you want to shoot me. "Cause I wouldn't saddle a horse for you?"

Neely would tell her later her mouth was open and it distracted him, made it hard to concentrate on details, and he didn't want to take out his notebook-how would that look? He'd have to remember what was said.

Teo was saying now, "You insult me." Tyler asking him, "How do I do that?" "The way you speak. You show no respect." "Why should I respect you?" "There. You see?"

"What you need to do," Tyler said, "is get over your touchiness. You understand what I mean? You're too sensitive, got a thin skin on you. I'm not gonna stand out there by a statue and let you aim your pistol at me, not over something as piddling as you wanting your own way."

There was no missing the hussar officer's expression of hostility. Neely noted the narrowing of his eyes to slits; he glanced at Amelia to see the adorable creature completely absorbed.

Spellbound.

Tyler saying now to Teo, "You have a war going on. Doesn't it give you enough people to kill?"

Teo didn't waste a moment. Neely watched him shift his gloves from his left to his right hand and crack Tyler across the face, stinging him good with those kid gloves-harder in fact than need be, only the formality of a slap required and ordinarily accepted as a challenge. What was in no way part of duello rites was Tyler cocking his left fist and driving it hard into Teo's wide-eyed expression, sending him stumbling back off-balance all the way to the bar, where Lionel Tavalera caught him around the shoulders and kept him on his feet.

Neely could see that Teo, now the center of attention, wanted no help from anyone. He used his elbows to free himself of Tavalera, and Neely thought, Now what? Rant and rave?

Promise the American he'll kill him for sure on the morrow?

No, what Teo did, he drew a short-barrel pistol from in side his suit-a. 32, it looked like-extended the weapon in what must be a classic dueling pose in the direction of Tyler, barely more than six paces away, and while he was taking deliberate aim, intent on an immediate finish to this business, Tyler pulled a big. 44 revolver from inside his new alpaca coat and shot Teo Barban in the middle of his forehead. My Lord, the sound it made! And there, you could see the bullet hole like a small black spot, just for a moment before Teo fell to the floor.

Neely thought of Amelia.

In that moment, the sound of the shot still ringing in his head, he actually thought of Amelia.

Not a sound came from her. All eyes, her pretty mouth still open, her expression one of awe in the silence that followed, gun smoke hanging in the air… No, wait.

Neely got out his notebook, his pencil inside where he'd made his last entry, the one about Charlie Burke not able to find any chewing tobacco.

There.

Charlie Burke, old-time cowpoke who liked nothing better than a good "'chaw'" couldn't believe it. All the tobacco that was grown in Cuba, famous the world over for its fine cigars, not one pinch of it goes into the production of chewing tobacco, scrap or plug. Idea for a heading: See a Spittoon Anywhere?

Neely began to write:

As gun smoke hung heavily in the air and a young man lay dead (presumably) in the bar of the Hotel Inglaterra, on a sultry evening only three days following the destruction of the United States battleship Maine in Havana harbor… Or how about: As gun smoke hung heavily in the air and a young Spanish officer lay dead…?

He wished Teo had been smoking a cigarette. Like in "The Death of Rodriguez," the boy appears before the firing squad smoking his last cigarette. How did Harding Davis put it? "Not arrogantly nor with bravado," something about being nonchalant and so "shockingly young for such a sacrifice."

That idea, get some emotion into it, but not so the reader sympathizes with Teo, a Spaniard.

Remember the scene, Neely told himself, the tableau.

Tyler kneeling over Teo's prostrate form, Teo obviously gone from this world.

Tavalera standing, looking down.

Amelia not moving a muscle, her expression, though, fairly calm.

Tavalera looking toward the entrance. Nodding.

And now uniformed Guardia Civil, armed with carbines, were coming into the bar.