D is for Deadbeat

Chapter 22

It's a fact of life that when a case won't break, you have to go through the motions anyway, stirring up the waters, rattling all the cages at the zoo. To that end, on my way into town I did a long detour that included a stop at the trailer park, in hopes that Lovella would still be there. It was obvious to me, as I'm not a fool, that toting a green wool skirt and a pair of black suede heels all over town was a pointless enterprise. No one was going to claim them and if someone did, so what? The articles proved nothing. No one was going to break down sobbing and confess at the mere sight of them. The pop quiz was simply my way of putting them all on notice, making the rounds one more time to announce that I was still on the job and making progress, however insignificant it might appear.

I knocked at the trailer door, but got no response. I jotted a note on the back of a business card, indicating that Lovella should call. I tucked it in the doorjam, went back to my car, and headed for town.

Wayne Smith's office was located on the seventh floor of the Granger Building in downtown Santa Teresa. Aside from the clock tower on the courthouse, the Granger is just about the only structure on State Street that's more than two stories high. Part of the charm of the downtown area is its low-slung look. The flavor, for the most part, is Spanish. Even the trash containers are faced with stucco and rimmed with decorative tile. The telephone booths look like small adobe huts and if you can ignore the fact that the bums use them for urinals, the effect is quaint. There are flowering shrubs along the walk, jacaranda trees, and palms. Low ornamental stucco walls widen in places to form benches for weary shoppers. Everything is clean, well kept, pleasing to the eye.

The Granger Building looks just like hundreds of office buildings constructed in the twenties-yellow brick, symmetrical narrow windows banded with granite friezes, topped by a steeply pitched roof with matching gables. Along the roofline, just below the cornice, there are decorative marble torches affixed to the wall with inexplicable half shells mounted underneath. The style is an anomaly in this town, falling as it does between the Spanish, the Victorian, and the pointless. Still, the building is a landmark, housing a movie theater, a jeweler's, and seven stories of office space.

I checked the wall directory in the marble foyer for Wayne Smith's suite number, which turned out to be 702. Two elevators serviced the building and one was out of order, the doors standing open, the housing mechanism in plain view. It's not a good idea to scrutinize such things. When you see how elevators actually work, you realize how improbable the whole scheme is… raising and lowering a roomful of people on a few long wires. Ridiculous.

A fellow in coveralls stood there, mopping his face with a red bandanna.

"How's it going?" I asked, while I waited for the other elevator doors to open.

He shook his head. "Always something, isn't it? Last week it was that one wouldn't work."

The doors slid open and I stepped in, pressing seven. The doors closed and nothing happened for a while. Finally, with a jolt, the elevator began its ascent, Stopping at the seventh floor. There was another interminable delay. I pressed the "DOOR OPEN" button. No dice. I tried to guess how long I could survive on just that one ratty piece of chewing gum at the bottom of my handbag. I banged the button with the flat of my hand and the doors slid open.

The corridor was narrow and dimly illuminated, as there was only one exterior window, located at the far end of the hall. Four dark, wood-paneled doors opened off each side, with the names of the professional tenants in gold-leaf lettering that looked as if it had been there since the building went up. There was no activity that I could perceive, no sounds, no muffled telephones ringing. Wayne Smith, C.P.A., was the first door on the right. I pictured a receptionist in a small waiting area, so I simply turned the knob and walked in without knocking. There was only one large room, tawny daylight filtering in through drawn window shades. Wayne Smith was lying on the floor with his legs propped up on the seat of his swivel chair. He turned and looked at me.

"Oh sorry! I thought there'd be a waiting room," I said. "Are you okay?"

"Sure. Come on in," he said. "I was resting my back." He removed his legs from the chair, apparently in some pain. He rolled over on his side and eased himself into an upright position, wincing as he did. "You're Kinsey Millhone. Marilyn pointed you out at the funeral yesterday."

I watched him, wondering if I should lend him a hand. "What'd you do to yourself?"

"My back went out on me. Hurts like a son of a bitch," he said. Once he was on his feet, he dug a fist into the small of his back, twisting one shoulder slightly as if to ease a cramp. He had a runner's body-lean, stringy muscles, narrow through the chest. He looked older than his wife, maybe late forties while I pegged her in her early thirties. His hair was light, worn in a crewcut, like something out of a 1950s high school annual. I wondered if he'd been in the military at some point. The hairstyle suggested that he was hung up in the past, his persona fixed perhaps by some significant event. His eyes were pale and his face was very lined. He moved to the windows and raised all three shades. The room became unbearably bright.

"Have a seat," he said.

I had a choice between a daybed and a molded plastic chair with a bucket seat. I took the chair, doing a surreptitious visual survey while he lowered himself into his swivel chair as though into a steaming sitz bath. He had six metal bookcases that looked like they were made of Erector sets, loosely bolted and sagging slightly from the weight of all the manuals. Brown accordion file cases were stacked up everywhere, his desk top virtually invisible. Correspondence was piled on the floor near his chair, government pamphlets and tax law updates stacked on the window sill. This was not a man you'd want to depend on if you were facing an I.R.S. audit. He looked like the sort who might put you there.

"I just talked to Marilyn. She said you came by the house. We're puzzled by your interest in us."

"Barbara Daggett hired me to investigate her father's death. I'm interested in everyone."

"But why talk to us? We haven't seen the man in years."

"He didn't get in touch last week?"

"Why would he do that?"

"He was looking for Tony Gahan. I thought he might have tried to get a line on him through you."

The phone rang and he reached for it, conducting a business-related conversation while I studied him. He wore chinos, just a wee bit too short, and his socks were the clinging nylon sort that probably went up to his knees. He switched to his good-bye tone, trying to close out his conversation. "Uh-huh, uh-huh. Okay, great. That's fine. We'll do that. I got the forms right here. Deadline is the end of the month. Swell."

He hung up with an exasperated shake of his head.

"Anyway," he said, as a way of getting back to the subject at hand.

"Yeah, right. Anyway," I said, "I don't suppose you remember where you were Friday night."

"I was here, doing quarterly reports."

"And Marilyn was home with the kids?"

He sat and stared at me, a smile flickering off and on. "Are you implying that we might have had a hand in John Daggett's death?"

"Someone did," I said.

He laughed, running a hand across his crewcut as if checking to see if he needed a trim. "Miss Millhone, you've got a hell of a nerve," he said. "The newscast said it was an accident."

I smiled. "The cops still think so. I disagree. I think a lot of people wanted Daggett dead. You and Marilyn are among them."

"But we wouldn't do a thing like that. You can't be serious. I despised the man, no doubt about that, but we're not going to go out and track a man down and kill him. Good God."

I kept my tone light. "But you did have the motive and you had the opportunity."

"You can't hang anything on that. We're decent people. We don't even get parking tickets. John Daggett must have had a lot of enemies."

I shrugged by way of agreement. "The Westfalls," I said. "Billy Polo and his sister, Coral. Apparently, some prison thugs."

"What about that woman who set up such a howl at the funeral?" he said. "She looked like a pretty good candidate to me."

"I've talked to her."

"Well, you better go back and talk to her again. You're wasting time with us. Nobody's going to be arrested on the basis of 'motive' and 'opportunity.'"

"Then you don't have anything to worry about."

He shook his head, his skepticism evident. "Well. I can see you have your work cut out for you. I'd appreciate it if you'd lay off Marilyn in this. She's had trouble enough."

"I gathered as much." I got up. "Thanks for your time. I hope I won't have to bother you again." I moved toward the door.

"I hope so too/"

"You know, if you did kill him, or if you know who killed him, I'll find out. Another few days and I'm going to the cops anyway. They'll scrutinize that alibi of yours like you wouldn't believe."

He held his hands out, palms up. "We're innocent until proven otherwise," he said, smiling boyishly.