Darkest Fear

Chapter 18

Cross River Condos was one of those complexes that looked like a movie facade, like whole buildings might topple over if you pushed against any one wall. The development was sprawlingly cramped, with every building looking exactly the same. Walking through it was like something out of Alice in Wonderland, all avenues mirroring the others, until you got dizzy. Have too much drink and you're bound to stick your key in the wrong lock.

Myron parked near the complex pool. The place was nice but too close to Route 80, the major artery that ran from, well, here in New Jersey to California. The traffic sounds sloshed over the fence. Myron located the door to 24 Acre Drive and then tried to figure out which windows belonged to it. If he had it right, the lights were on. So was the television. He knocked on the door. Myron saw a face peer through the window next to the door. The face did not speak.

"Mr. Gibbs?"

Through the glass, the face said, "Who are you?"

"My name is Myron Bolitar."

A brief pause. "The basketball player?"

"At one time, yes."

The face looked through the window for a few more seconds before opening the door. The odor of too many cigarettes wafted through the opening and happily nested inside Myron's nostrils. Not surprisingly, Stan Gibbs had a cigarette in his mouth. He had a gray stubble-to-beard going, too far gone for retro Miami Vice. He wore a yellow Bart Simpson sweatshirt, dark green sweatpants, socks, sneakers, and a Colorado Rockies baseball cap — the standard fashion fare shared with equal fervor by joggers and couch potatoes. Myron suspected the latter here.

"How did you find me?" Stan Gibbs asked.

"It wasn't difficult."

"That's not an answer."

Myron shrugged.

"It doesn't matter," Stan said. "I have no comment."

"I'm not a reporter."

"So what are you?"

"A sports agent."

Stan took a puff of the cigarette, didn't remove it from his mouth. "Sorry to disappoint you, but I haven't played competitive football since high school."

"May I come in?"

"No, I don't think so. What do you want?"

"I need to find the kidnapper you wrote about in your article," Myron said.

Stan smiled with very white teeth, especially when you considered the smoking. His skin was sort of clumpy and winter-colorless, his hair thin and tired, but he had those bright eyes, superbright eyes, the kind that look like supernatural beacons are shining out from within. "Don't you read the papers?" he asked. "I made the whole thing up."

"Made it up or copied it from a book?"

"I stand corrected."

"Or maybe you were telling the truth. In fact, maybe the subject of your articles called me on the phone last night."

Stan shook his head, the growing ash on the cigarette holding on like a kid on an amusement park ride. "This is not something I want to revisit."

"Did you plagiarize the story?"

"I already said I wouldn't comment—"

"This isn't for public consumption. If you did — if the story was a fake — just tell me now and I'll go away. I don't have time to waste on false leads."

"Nothing personal," Stan said, "but you're not making a whole lot of sense here."

"Does the name Davis Taylor mean anything to you?"

"No comment."

"How about Dennis Lex?"

That threw him. The dangling cigarette started to slip from Stan's lips, but he caught it with his right hand. He dropped it on the walkway and watched it sizzle for a moment.

"Maybe you better come in."

The condo was a duplex centered with that staple of new American contruction, the cathedral ceiling. Plenty of light came in from the big windows, splashing down on a decor straight out of a Sunday circular. A blond-wood entertainment center took up one wall, a matching coffee table not far from it. There was also a white-and-blue-striped couch — Myron would bet his lunch money it was a Serta Sleeper — and matching love seat. The carpeting was the same neutral as the exterior, a sort of inoffensive tan, and the place was clean yet disorderly in a divorce way, newspapers and magazines and books piled here and there, nothing really put in a specific place.

He had Myron sit on the couch. "Want something to drink?"

"Sure, whatever," Myron said. The coffee table had one photograph on it. A man had his arms around two boys. All three were smiling too hard, like they'd just come in second place and didn't want to appear disappointed. They were standing in a garden of some sort. Behind them loomed a marble statue of a woman with a bow and arrow over her shoulder. Myron picked up the frame and studied it. "This you?"

Gibbs lifted his head while scooping a handful of ice into a glass. "I'm on the right," he said. "With my brother and my father."

"Who's that a statue of?"

"Diana the Huntress. You familiar with her?"

"Didn't she turn into Wonder Woman?"

Stan chuckled. "Sprite okay?"

Myron put the photograph down. "Sure."

Stan Gibbs poured the drink, brought it out to Myron, handed it to him. "What do you know about Dennis Lex?"

"Just that he exists," Myron said.

"So why mention his name to me?"

Myron shrugged. "Why did you react so strongly to hearing it?"

Gibbs took out another cigarette, lit it. "You're the one who came to me."

"True."

"Why?"

No secret. "I'm looking for a man named Davis Taylor. He's a bone marrow donor who matched a kid and then vanished. I traced him to an address in Connecticut, but he's not there. So I dug a little more and found out that Davis Taylor is a name change. His real name is Dennis Lex."

"I still don't see what this has to do with me."

"This might sound a little nutty," Myron said. "But I left a voice mail message for Davis Taylor ne Dennis Lex. When he called back, he made little sense. But he kept telling me to 'sow the seeds.'"

A small quake ran through Stan Gibbs. It passed quickly. "What else did he say?"

"That was pretty much it. I should sow the seeds. I should say good-bye to the child. Stuff like that."

"It's probably nothing," Gibbs said. "He probably just read my article and decided to have a little fun at your expense."

"Probably," Myron said. "Except that wouldn't really explain your reaction to Dennis Lex's name."

Stan shrugged, but there wasn't much behind it. "The family is famous."

"If I said Ivana Trump, would you have reacted the same?"

Gibbs stood. "I need some time to think about this."

"Think out loud," Myron said.

Stan just shook his head.

"Did you make up the story, Stan?"

"Another time."

"Not good enough," Myron said. "You owe me something here. Did you plagiarize the story?"

"How do you expect me to answer that?"

"Stan?"

"What?"

"I don't care about your situation. I'm not here to judge you or tell on you. I don't give a rat's ass if you made up the story or not. All I care about is finding the bone marrow donor. Period. End of story. El Fin."

Stan's eyes started to well up. He took another puff of the cigarette. "No," he said. "I never plagiarized. I never saw that book in my life."

It was like the room had been holding its breath and finally let go.

"How do you explain the similarities between your article and that novel?"

He opened his mouth, stopped, shook his head.

"Your silence makes you look guilty."

"I don't have to explain anything to you."

"Yeah, you do. I'm trying to save a kid's life here. You're not that wrapped up in your problems, are you, Stan?"

Stan moved back into the kitchen. Myron stood and followed him. "Talk to me," Myron said. "Maybe I can help."

"No," he said. "You can't."

"How do you explain the similarities, Stan? Just tell me that, okay? You must have thought about it."

"I don't need to think about it."

"Meaning?"

He opened the refrigerator and grabbed another can of Sprite. "Do you think all psychotics are original?"

"I'm not following you."

"You received a call from a guy who told you about sowing the seeds."

"Right."

"There are two possibilities that explain why he did that," Stan said. "One, he is the same killer I wrote about. Or two?" Stan looked at Myron.

"He just repeated what he'd read in the article," Myron said.

Stan snapped and pointed at Myron.

"So you're saying that the kidnapper you interviewed read this novel and it, what, influenced him somehow? That he copied it?"

Stan took a swig from the can. "That's a theory," he said.

And a damn good one, Myron thought. "So why didn't you say that to the press? Why didn't you defend yourself?"

"None of your goddamn business."

"Some people say it's because you were afraid they'd look closer at your work. That they'd find other fabrications."

"And some people are morons," he finished.

"So why didn't you fight?"

"I spent my whole life being a journalist," Stan said. "Do you know what it means for a journalist to be called a plagiarist? It's like a daycare worker being called a child molester. I'm done. No words can change that. I've lost everything to this scandal. My wife, my kids, my job, my reputation—"

"Your mistress?"

He shut his eyes suddenly, tightly, like a child trying to make the bogeyman go away.

"The police think you killed Melina," Myron said.

"I'm well aware of that."

"Tell me what's going on here, Stan."

He opened his eyes and shook his head. "I have to make some calls, check out some leads."

"You can't just cut me loose."

"I have to," he said.

"Let me help."

"I don't need your help."

"But I need yours."

"Not right now," Stan said. "You'll have to trust me on this."

"I'm not big on trust," Myron said.

Stan smiled. "Neither am I," he said. "Neither am I."