ENA STRATTON was quite dead. There was no doubt about that
With a hurried injunction to Williamson not to alarm the company for the moment, Roger had called Ronald Stratton out as normally as he could and rushed up to the roof with him, breaking the news as he went. There Ronald had held the dangling body up to take its weight off the rope round its neck, while Roger had quickly felt its hands. They were icy cold.
"I'm afraid she's dead," he said, "but we must make quite sure. Run and get a sharp knife, Ronald, and we'll cut her down. And bring Colin back with you; he knows something about first aid. I'll hold her up."
Ronald went and returned with the knife and Colin Nicolson, and Williamson, too, for safety. Between them they cut the cord, which was too thick and stiff to have buried itself in the dead woman's neck, and laid her flat on the roof a little way from the gallows. Nicolson at once set about trying artificial respiration.
Mr. Williamson took one horrified look at the distorted face and then retired to the railing and was sick. Mrs. Stratton was not a soothing sight for a queasy stomach.
After five minutes' strenuous work, Nicolson sat back on his heels. "I'm afraid it's no good. She's gone."
Roger nodded. "I was sure. But we had to try. No one's telephoned for the police, Ronald? You'd better do that at once."
"Yes," Ronald said soberly.
"And your brother hasn't gone yet? Tell him."
"And hadn't we better get her into the house?" Ronald asked doubtfully. "I know one isn't supposed to disturb things, but we had to cut her down, so it can't matter. I don't think we ought to leave her out here. Just in case, you know . . ."
"Well . . ." said Roger.
"It can't matter moving her, in such an obvious case of suicide, man," urged Nicolson. "Ronald's right."
"No," Roger acquiesced. "It can't matter. Well, will you go along, Colin, and get the women somehow into the ballroom? They'd better not see her. Then we'll get her down as soon as Ronald's telephoned."
"We'll get her down before I telephone," said Ronald. "I'll go and fetch David." He made for the door into the house.
Roger raised his eyebrows slightly at Colin. "By rights the police ought to be told the very first thing."
"Ach, what does that matter? Ronald's right. Let's get the poor body comfortable first. It's too cold out here altogether."
"Well, I don't suppose it matters, in this case. And Ronald will have to break the news to the women."
"I'll go down and get them out of the way," said Colin.
Left alone, Roger walked over to comfort Mr. Williamson. "She's quite gone?" asked that gentleman, now somewhat restored and impeccably sober.
"I'm afraid so. But we're going to get her downstairs into the warmth, just in case there's any hope."
"Ah!" said Mr. Williamson profoundly.
Roger looked at him. "What?"
"I was just wondering how many people would thank you, if you did bring her to life again; that's all."
"After the first shock," said Roger, "probably not very many."
"No, that's what I was thinking. Eh? Well, it's no good pretending, is it? Eh? Don't you agree?"
"I think," Roger said gently, "that those same people will have to put up a decent pretence to the police, however thankful they may feel privately."
"Eh? Oh, yes, of course. Yes, they will, won't they? Well, I," said Mr. Williamson nobly, "won't drop any hints."
"Any hints about what?" Roger asked, a little sharply.
"Why, that they aren't as sorry as they make out. If you like, that they're jolly thankful she strung herself up. Suicide during temporary insanity, eh? Well I remember asking Ronald if she were mad, hours ago. I thought she was, then. You agree, eh? She was mad, wasn't she? Eh?"
"Perfectly mad," Roger agreed. "The police will have to be told that, of course. It will help them."
"Will it? Oh, I see what you mean. Yes, it will, won't it? Yes."
The arrival of Ronald Stratton and his brother put an end to this somewhat laboured conversation. In the moonlight David's face showed no change of colour, and it was almost without expression that he stood for a few moments staring down at the body of his wife. It was impossible to say what emotion he was feeling, or even whether he was feeling any at all. Finally Ronald touched him gently on the arm. "All right, David. Don't look at her any more. Roger and I will take her downstairs."
As if he had become an automaton, David stood obediently aside. Nor did he attempt to help in any way as his brother and Roger between them picked the body up and carried it, past the closed door of the ballroom, down to the floor below, leaving Mr. Williamson to look after the roof alone.
"Have to put her in my room," Ronald muttered. "There isn't an empty one."
They laid her on the bed, and Ronald, with a shudder he could not suppress, spread a little towel across her face. From the doorway David watched them lifelessly.
Ronald turned to Roger. "Look here, once I telephone the police, things are taken out of our hands. They'll be here in less than a quarter of an hour, I should think. Are we quite sure there's nothing we want to do first?"
Roger hid a slight start. "What kind of thing?"
"Well . . ." Ronald hesitated. "I mean, about the party. It's bound to look rather bad, isn't it? Well - known murderers and victims, and here's one of the party hangs herself. They're bound to raise the question of suggestion. The coroner could make himself quite unpleasant about it."
"I don't see how you can very well hide it up. The women are all in fancy dress; and so are you."
"We could change."
"Much too risky," said Roger decidedly. "It would only look as if you were trying to keep something back."
Ronald glanced down at his own velvet suit. "Well, I'm going to change, anyhow, whatever it looks like. I don't feel like facing the police like this. David's changed, too, you see. And you and Williamson are in your dinner jackets. Colin's only got to take his paper frill out. As for the women, why not just say they were in fancy dress and leave it at that?"
"I suppose you could, if you really think it's important."
"I do, rather. Otherwise the newspapers will probably get hold of us, and heaven knows what."
"Yes, that's true enough. And Mrs. Stratton herself?"
"Ena? Well, she was in fancy dress too, wasn't she? As a charwoman."
"Yes, and that's an important point. It's just because she was in that nondescript, shapeless black dress that no one found her earlier. If she'd been in an ordinary evening frock, Mrs. Williamson and I, and anyone else who went on the roof, could hardly have failed to notice her. So there's point in the fancy - dress situation."
"Yes, I see that. Well, I'll go up and tell the women and warn them that we're not saying anything about murderers and victims. They can easily find historical characters to fit their costumes, if necessary."
"And don't forget the doctors. I don't think it matters much about the people who left early, but both Chalmers and Mitchell were on the premises after Mrs. Stratton left the ballroom, so the police are bound to interview them. In fact the best thing you can do is to ring one or both of them up at once and ask them to come round here, even before you ring up the police. A doctor ought to examine her immediately, you see. And really, you'd better hurry, Ronald."
"Yes, I will. But do you know it's only eight minutes since you called me up on the roof?" said Ronald, glancing at his wrist watch. "So we can't be said to have lost any time. In the meantime, take David upstairs and give him a stiff drink, will you?" he added in an undertone. Roger nodded.
David Stratton could hardly have had much affection left for his wife, and when the sudden shock of her death was over he could hardly have any regrets; but at the moment he seemed quite dazed. "Coming upstairs, Stratton?" Roger said to him. David did not answer.
Ronald, passing him in the doorway, gave his arm a brotherly squeeze. "Buck up, David, old lad. Come upstairs and let me get you a drink," Roger repeated.
David looked at him. "Yes, I could do with a drink," he said, in a perfectly normal voice.
He followed Roger upstairs like a child.
"And so," said Roger thoughtfully, "she really did do it, after all."
"Why 'after all'?" asked Mrs. Lefroy. They were standing, alone in the barroom, in front of the fire. After breaking the news to the women, Ronald had telephoned to the two doctors and the police and was now downstairs, changing his clothes. Celia Stratton had taken charge of her younger brother, whom even the stiff drink administered by Roger did not seem to have shaken quite out of his trance of amazement, or incredulity, or concealed relief, or whatever it was that had temporarily numbed him. Colin Nicolson and the Williamsons were in the ballroom, debating whether Lilian Williamson should change out of her husband's trousers or whether this action would look suspicious to the local police force.
"Why 'after all'?" Roger repeated. "Because she was telling me herself earlier in the evening how much she would have liked to commit suicide, if only she could find 'an easy way out.'"
"I believe she said as much to Osbert, too," nodded Mrs. Lefroy.
"She did. He told me so."
There was a little pause. "That," said Mrs. Lefroy, as if speaking rather carefully, "will be a useful piece of information for the police."
"Yes. And yet," Roger meditated, with a vivid remembrance of that distorted face, "I shouldn't have said that hanging was a very easy way out, would you?"
"I suppose it depends," said Mrs. Lefroy vaguely. Her hands smoothed over the white satin on her waist in a series of nervous little jerks. Roger noticed that she had very pretty hands, white and small.
"As a matter of fact," he pursued, "I never thought for a single moment that she meant a word of what she was saying. Of course I didn't. I imagined she was just talking for silly effect, as usual. Well, that seems to dispose of the good old cliche, doesn't it?"
"What good old cliche?"
"That people who talk about committing suicide never do it. And yet," Roger ruminated, "I could have sworn that it applied in her case more forcibly than it could in any other. The more I think of it, the more certain I'd have been that she was just talking poppycock. I suppose it couldn't possibly have been an accident?"
"Is this the celebrated detective's brain working for our benefit?" asked Mrs. Lefroy, with a laugh that sounded a little forced.
"Hardly," Roger smiled. "But if you'd like to hear the celebrated novelist's opinion, it is that such a situation simply couldn't be entrusted to fiction. One has to go to real life for such boldness."
"What do you mean?"
"The coincidence of it all. Here is a woman whose existence is a source of annoyance, and perhaps a good deal more than annoyance, to several different people, and that for several different reasons. And just at the moment when those people are resenting it perhaps more intensely than ever before, she very obligingly, and most unexpectedly, kills herself. You must admit that the coincidence is far too violent to be stomached in fiction."
"Is it?" Mrs. Lefroy asked reluctantly. "I don't think really it's as strong as all that."
"Don't you?"
"Well - it is just a coincidence, of course, and nothing else."
"Oh, of course," said Roger.
They looked into the fire for a few moments. Mrs. Lefroy leaned her bare arm on the beam that formed the rough mantelpiece and fidgeted with the toe of her white satin slipper among the dead ashes on the edge of the fire.
"I wish the police would hurry up and come," she burst out suddenly.
"I thought you said just now you were dreading them?"
"Did I? How foolish of me. Of course I'm not," said Mrs. Lefroy, with an unnatural little laugh.
Roger said nothing. Apparently Mrs. Lefroy read into his silence a mild expostulation, for she added: "Yes, you're quite right. I am dreading them. It was ridiculous to pretend that I'm not."
"Why are you dreading them?"
Mrs. Lefroy looked at him bravely. "Because there isn't a single person connected with this family who won't be absolutely delighted to hear that Ena's dead. It's no good beating about the bush: there won't be. And I'm so afraid that the police may guess it."
"Is there any particular reason why they shouldn't guess it? I mean, as you say, Mrs. Stratton wasn't a very pleasant person: and not to beat about the bush myself, I should say that she's a lot more use to the community dead than alive. But does it matter that the police should know that too?"
"Well, it's not very - nice, is it?" Mrs. Lefroy hedged.
"Sudden death never is very nice," Roger said solemnly.
Mrs. Lefroy moved impatiently. "Oh, don't talk platitudes."
"Weren't you rather talking platitudes yourself, Mrs. Lefroy?"
"Well, you know perfectly well what's in my mind. It's in your own, too. If you want me to put it into plain words, I'm terribly afraid that if the police do guess that, they may suspect something absolutely preposterous."
"Yes," Roger agreed, with a little sigh, "you're right; that was in my own mind, too."
Dr. Chalmers arrived before the police. He came up the stairs alone. Roger looked round from where he was standing by the fireplace and saw him ascending the last short flight of the well staircase. "Ah, Chalmers. You've been very quick."
"I hadn't got to bed. This is a terrible business, Sheringham."
"Yes. Have you seen Ronald?"
"No, I came straight in; the front door's still unlocked. Where is he?"
"In his bathroom, I think, changing."
"And - Mrs. Stratton?"
"On Ronald's bed. Shall I tell him you've come?"
"Oh, it's all right, thanks. I'll find him myself."
Dr. Chalmers turned and went down the stairs again.
"Did you notice?" Roger said conversationally to Mrs. Lefroy. "Did you notice how his manner had changed? Meeting him before, one couldn't possibly have told that he was a doctor, except for the very faint smell of ether that always hangs about a doctor. But just then he couldn't have been anything else. Even his voice was a bedside voice."
"Yes," said Mrs. Lefroy.
Colin Nicolson appeared in the ballroom door. "Was that the police?" he asked.
"No, Chalmers."
"Lilian's decided to change at last. Cut along, Lilian. It wasn't the police. Agatha, you haven't forgotten who you are now, have you?"
Mrs. Lefroy looked at him vacantly for a moment before her face resumed its normal expression. "Oh! Yes, of course, Henrietta of France, wasn't it? I don't think it matters much, in any case."
Lilian Williamson hurried off to change, and her husband followed her out of the ballroom to join the group in the other room. Nicolson began to forecast the questions which the police would probably ask.
Roger stood for a moment uncertainly among them. Then he edged towards the stairs. A sudden wish had come to him to have another and closer look at the roof before the police arrived.
And yet there seemed very little to be seen on the roof. Literally very little. The heavy beams of the gallows, a chair or two here and there for those willing to brave the temperature of an April night, and a little arbour of trelliswork set in wooden troughs of earth, with the bare stems of Virginia creeper and polygonum baldschuanicum writhing in and out of it - there was nothing else at all.
Yet Roger felt that there ought to be something else. He did not know what, but he was not satisfied. It was too neat, too tidy altogether, too convenient that Ena Stratton should have committed suicide just at this juncture, when so many people desired it. Did Mrs. Lefroy suspect that perhaps her future sister - in - law had not committed suicide? Mrs. Lefroy was a shrewd woman as well as an intelligent one. She was worried about something. Was it only what she had voiced, or had she a deeper, untellable fear?
Yet of course Ena Stratton must have committed suicide. There was absolutely no evidence of anything else, not the smallest sign of it. And Roger very sincerely hoped that she had committed suicide. He would have been extremely sorry to see a decent person hang for such a worthless excrescence on humanity's surface.
And yet . . .
He stood in the middle of the gallows triangle, peering up at the crossbeams. They were high. There were three good feet of cord showing above the heads of the two life - size figures that remained, and the toes of their shoes were at least eighteen inches off the ground. Those crossbeams were ten feet high and more.
But that did not appear to have the least significance.
Roger fetched a chair which was standing somewhere between the gallows and the door into the house, set it beside one of the dangling figures, and mounted upon it. His body stood almost level with that of the figure, neck and neck practically on the same plane. Standing there, he could have unfastened the noose from the figure's neck and draped it around his own. It would have sagged a little on his shoulders, but not much when the noose was enlarged. Unquestionably Ena Stratton could have stood there and done the same.
He jumped down onto the roof again. The chair, spurned by his retreating foot, tumbled over with a crash, and Roger cursed. His nerves were upset, and that added to his sense of frustration.
Yet he did not know why he should be feeling frustrated at all. If there was nothing there to discover, he could discover nothing. And he wanted nothing there to be discovered. Why then feel frustrated if nothing presented itself for discovery?
He walked down into the sun parlour, switched on the light, and looked moodily round, found nothing, and walked back to the roof again. A thought pulled him up with a jerk. Where, after all, was the third straw dummy?
It took him twenty - five seconds to find it, in the shadow of the little arbour. It lay there, huddled grotesquely. The path from it to the gallows was unobstructed, so that it might have been carelessly tossed or kicked there. Roger knelt down to examine it and found that it was headless. It was a minute or two before he found the ball of plaited straw which had served as the head, lying in a gully on the way down to the sun parlour. He wondered how it had got there.
But chiefly he was wondering whether the figure had fallen down or had been torn down. The answer to that question might be quite significant; but Roger did not see how an answer could possibly be obtained. The few wisps at the top of the trunk were no indication either way.
Well, what did it matter? He was only wasting time playing at being a detective till the real police should arrive, trying to be cleverer with the facts than the facts themselves would allow. Coincidences, and far worse coincidences too, had occurred in the history of crime before now. Undoubtedly Ena Stratton had committed suicide - and a very good thing for all concerned, that hagridden lady herself included. And that was that, and he would go downstairs again and behave like a reasonable being and have another tankard of beer before the police came.
He walked quickly over to the house door. Nevertheless something caused him to stop there and turn back for a last look across the roof: some remnant that had refused to be stifled of that extra sense of his which automatically rejected the improbable in human nature, however plausibly probable argument might make it. His hands in his pockets, he stood still and let his eyes move very slowly over the whole space before him, as if to give them one last chance to pick out any detail to which they had been blind before.
It was then that Roger decided, with an incredulous shock, that his powers were waning. For the detail on which his eyes alighted was no insignificant one, but a glaring, enormous, whitewashed elephant of a detail. It was no less than the fallen chair off which he himself had stepped.
Not till then did he realize that where that chair now was, no chair had been before. And quite certainly Mrs. Stratton had not taken a flying and accurate leap upwards, straight into the noose. To hang oneself, it is necessary first to adjust the noose about one's neck and then step off an eminence into vacancy: and there had been no eminence.
The phantom pricking of Roger's mental thumbs had been justified. Murder had been committed.