Chapter 21

For policing purposes, the Communaute Urbatne De Montreal is divided into four sections, each with a headquarters housing intervention, analysis and investigation divisions, and a detention center. Suspects arrested for murder or sexual assault are held at a facility near place Versailles, in the far eastern end of the city All others await arraignment at one of the four sectional jails. For possession of methamphetamine, Dorsey went to his local facility, Op South.

The Op South headquarters is located at rue Guy and boulevard René Lévesque, on the outskirts of Centre-ville. This section is predominantly French and English, but it is also Mandarin, Estonian, Arabic, and Greek. It is separatist and federalist. It holds the vagrant and the affluent, the student and the stockbroker, the immigrant and the "pta Liner québecois.

The Op South is churches and bars, boutiques and sex shops, sprawling homes and walk-up flats. The murders of Emily Anne Toussaint and Yves Cherokee Desjardins had taken place within its borders.

As I turned off Guy into the lot, I passed through a group carrying placards and wearing signs. They'd spread down the sidewalk from the building next door, blue-coliar workers picketing for higher pay. Good luck, I thought. Perhaps it was the political instability, perhaps the Canadian economy in general, but Quebec Province was in a financial squeeze. Budgets were being cut, services curtailed. I hadn't had a raise in seven years.

I entered at the main door and stepped to a counter to my right.

"I'm here to see George Dorsey," I said to the guard on duty. She put down her snack cake and eyed me with boredom.

"Are you on the list?"

"Temperance Brennan. The prisoner asked to see me.

She brushed chubby hands together, checked for crumbs, then entered something into a keyboard. Light reflected off her glasses as she leaned forward to read the monitor. Text scrolled down each lens, froze, then she spoke again without raising her eyes.

"Carcajou?" Ralph Nader couldn't have sounded more dubious.

"Mm." LeJournal thought so.

"Got an ID?"

She looked up and I showed her my security pass for the SQ building.

"No badge?"

"This was handy."

"You'll have to sign in and leave your things here."

She flipped pages in a ledger, wrote something, then handed me the pen. I scribbled the time and my name. Then I slipped my purse off my shoulder and handed it across the counter.

"It'll be a minute."

Ms. Cupcake secured my bag in a metal locker, then picked up a phone and spoke a few words. Ten minutes later a key turned in a green metal door to my left, then it opened and a guard waved me in. He was skelatal, his uniform drooping from his bones like clothes on a hanger

Guard number two swept me with a handheld metal detector, then indicated I should follow. Keys jangled on his belt as we turned right and headed down a corridor lighted by fluorescents and surveilicd by wall and ceiling cameras. Straight ahead I could see a large holding cell, with a window facing the hall I was in, green bars facing the other. Inside, a half-dozen men lounged on wooden benches, sat or slept on the floor, or clung to the bars like captive primates.

Beyond the drunk tank was another green metal door, the words Bloc Celltilaire in bold white to its right, beside that another counter A guard was placing a bundle in one of a grid of cubicles, this one marked XYZ. I suspected a Mr. Xavier was arnvtng. He would not see his belt, shoelaces, jewelry, glasses, or other personal possessions until checkout.

"Man's in here," said the guard, thrusting his chin toward a door marked Entrevzte avocat, the door attorneys used. I knew Dorsey would pass through an identical door marked Entrevue detenu, for the prisoners.

I thanked him and brushed past into a small room not designed to lift prisoner or visitor morale. The walls were yellow, the trim green, the only furnishings a red vinyl counter, a wooden stool fixed to the floor, and a wall phone.

George Dorsey sat on the opposite side of a large rectangular window, back rounded, hands dangling between his knees.

"Push the button when you're done," said the guard.

With that he closed the door and we were alone.

Dorsey didn't move but his eyes locked on me as I crossed to the counter and picked up the handset.

I flashed on Gran's painting. Jesus, skull circled with thorns, forehead covered with droplets of blood. No matter where I went the gaze followed. Look, the eyes were open. Blink, they were closed. The picture was so unnerving I avoided my grandmother's bedroom my entire childhood. Dorsey had the same eyes.

Inwardly trembling, I sat and folded my hands on the countertop. The man across from me was thin and wiry with a hump nose and razor-blade lips. A scar started at his left temple, loopcd his cheek, and disappeared into a circle of plumage around his mouth. His head was shaved, his only hair a dark bolt of lightning that touched down just above the scar's terminus.

I waited for him to pick up the phone and break the silence. Outside our little room I heard voices and the clang of steel against steel. Despite the intensity of his stare, Dorsey looked as though he hadn't slept in a while.

After several birthdays Dorsey smiled. The lips disappeared and small, yellow teeth took their place. But there was no mirth in his eyes. With a jerky motion he yanked the receiver from its cradle and placed it to his ear.

"You've got balls coming here, lady."

I shrugged.

"Got cigarettes?"

"Don't smoke."

He drew both feet in, flexed his toes, and jiggled one leg up and down on the ball of his foot. Again he went mute. Then, "I had nothing to do with that piece of work in Pointe-St-Charles."

"So you said." I pictured the gruesome scene at Les Appartements du Soleil.

"This asshole Claudel is trying to cut my dick off. Figures if he sweats me hard enough I'll cop to burning Cherokee."

The jiggling intensified.

"Sergeant-Detective Claudel is simply doing his job." "Sergeant-Detective Claudel couldn't blow a fart and get it right." There were times I agreed with that assessment.

"Did you know Cherokee Desjardins?"

"I've heard of him."

He ran a finger back and forth along a groove on the countertop. "Did you know he was dealing?"

Now Dorsey shrugged. I waited.

"Maybe the stuff was for personal use. You know, medicinal. I heard he had health problems."

He ran the finger through the hair on his chin, then went back to working the groove.

"You were seen at Desjardins' building around the time he was shot. They found a bloody jacket in your apartment.

"The jacket am' t mine.

'And O.J. never owned the gloves."

"What kind of moron is gonna keep souvenirs after a hit?" He had a point.

"Why were you in that neighborhood?"

"That's my business.

He shot forward and spread his elbows on the counter. My heart did a hop, but I didn't flinch.

"And it had nothing to do with wasting Cherokee."

I noticed a tightening around his eyes, and wondered what scenario he was constructing for my consumption.

More silence.

"Do you know who killed him, George?"

Mistake.

"Ohh, whee!" He curled his fingers and rested his chin on the back of one hand. 'And can I call you Tempe?"

"This isn't a social call. You asked to meet.

Dorsey turned sideways and stretched a leg toward the wall. One hand played with the phone cord as he kicked at the baseboard with a laceless boot. Outside the door a man's voice called to someone named Marc. I waited. Finally. "Look, I'm telling you. That hit was Amateur Hour. The only thing missing was Ted Mack."

Dorsey swiveled back and tried to stare me down. Then his gaze dropped and he opened and closed his fingers several times. I watched the letters F.T.W change shape across his knuckles,

"And?"

"That show was not four star, that's all I'll give up right now.

"Then I can't help you. We've already determined it was a sloppy hit."

Dorsey lunged forward again and spread his forearms on the counter.

"Your boy Claudel may think I'm just some Heathens coolie ass wipe, but he's got one thing wrong. I'm not stupid. And neither are they."

I didn't point out that he'd listed two points of error

"He likes you for this one."

Dorsey leaned so close to the glass I could see dirt in the pores on his nose.

"It's a goddam lie. I didn't kill Cherokee."

I looked into the face that was inches from mine, and for one heartbeat the mask slipped. In that fraction of an instant I saw fear and uncertainty. And something else in those bitter, dark eyes. I saw candor

Then the lids narrowed and the bravado was back.

"I'm going to cut right to it. You don't like the way my friends and me do business. Fair enough. I don't like your righteous bullshit. But know this. Keep grinding me and whoever did Cherokee is going to walk."

"Is that all you can tell me, Mr. Dorsey?"

The eyes bored into mine and I could almost smell his hatred.

"I might be privy to additional knowledge," he said, inspecting his fingernails with feigned nonchalance.

'About what?"

"I'm not telling you nothing. But Cherokee's not the only stiff in the news lately."

My mind raced. Was he talking about Spider Marcotte? Did he know the identity of Emily Toussaint's killers?

Before I could ask, Dorsey slumped back again, an amused expression curling the corners of his mouth.

"Is there something funny you'd like to share?"

Dorsey ran a hand under his chin and the goatee curled around his fingers. He shifted the receiver to the other ear

"Tell pus butt to ease off my case.

I stood to leave, but his next words froze me in place.

"Work with me and I'll give you the girl."

"What girl?" I asked, forcing calm into my voice.

"That sweet little thing you dug up."

I stared at him, so angry my heart pounded.

"Tell me what you know," I hissed.

'Are we dealing?" Though the little rat teeth were out, the eyes were dark as Dante's ninth ring.

"You're lying."

He raised his eyebrows and the palm of his free hand.

"But truth is the cornerstone of my life."

"Peddle it elsewhere, Dorsey.

Trembling with anger, I slammed home the phone, whirled and hit the button. I couldn't hear Dorsey's last mocking addendum, but I saw his face as I stormed past the guard. His lips were clear

He'd be in touch.

The drive back took almost an hour. An accident had closed all but one of the eastbound lanes of 720, and traffic in the Ville-Marie Tunnel was backed up for miles. By the time I realized the situation, reversing up the ramp was not an option, and there was nothing to do but creep along with the other frustrated motorists. The concrete tunnel blocked radio reception so there were no diver. sions. Dorsey had the floor in my head.

He'd been jumpy as cold water on a hot griddle, but could the man be innocent?

I remembered the eyes, and that moment the veil dropped.

I palmed the gearshift, inched forward, dropped back to neutral.

Was Claudel on the wrong track?

Wouldn't be the first time.

I watched an ambulance squeeze past along the right shoulder, its light pulsing red against the tunnel walls.

What would Claudel say when he learned I'd been to the jail?

That one was easy.

I drummed my fingers on the wheel.

Did Dorsey really know something about Savannah Osprey?

I shifted and advanced a car length.

Was he just another con scamming a deal to save his ass?

No answer.

I saw Dorsey's face, a study in macho contempt and antisocial scorn.

The man was repulsive. Yet, in that single nanosecond, I was certain I saw truth. Could I believe him? Did I need to believe him? If he would provide verifiable information on Savannah Osprey in return for the police casting a wider investigative net around the Cherokee murder, what was lost? But could that be done? Certainly not through Claudel.

After forty minutes I drew abreast of the accident. One car lay on its side, another rested against the tunnel wall, headlights pointed in the wrong direction. The pavement glistened with shattered glass, and police and rescue vehicles had circled the wreckage like a wagon train. As I watched workers position the laws of life over the upturned car I wondered if its occupant would be heading for the same place as I.

I finally broke free, raced down the tunnel, exited at de Lortmier, and drove the last few blocks to the lab. When I got off the elevator on the twelfth floor I knew something was wrong.

The front desk was unattended, the phone clamoring for attention. I counted as I crossed the lobby. Five. A pause, then the ringing started again.

I inserted my security pass and the glass doors opened. Inside, the receptionist stood near the women's lavatory, eyes red, Kleenex bunched into a tight ball. A secretary comforted her, one arm draped around her shoulders.

Along the hall people in clumps spoke to one another, voices muted, faces tense. The scene was like a surgical waiting area.

Another flashback.

Fifteen years ago. I'd left Katy in the care of my sister while I ran errands. Rounding the corner to my street, the same hair-trigger fear, the same adrenaline rush.

Fragmented memory bytes. Harry and the neighbors standing on the drive. So wrong together They didn't know each other My sister's face, mascara running down blanched cheeks. Hands twisting.

Where was Katy?

Bargaining.

Dear God. Not Katy. Anything. Not my baby.

The neighbors' eyes, wide with sympathy, watching as I climbed from the car.

McDuff had bolted and run in front of a Buick. The dog was dead. Relief, later sorrow Bad, but I'll take it. My poodle was dead but my daughter was not.

I felt that same dread as I looked at my colleagues.

What had happened here?

Through the second set of glass doors I could see Marcel Morin in conversation with Jean Pelletier I keyed in and hurried down the hall.

At the sound of my footsteps they fell silent and looked in my direction.

"What is it?" I asked.

"Dr LaManche." Morin's eyes shone with emotion. "He collapsed while doing the Cherokee Desjardins autopsy."

"When?"

"He was working alone during the lunch hour. When Lisa returned she found him on the floor. He was unconscious and barely breathing."

"Is it bad?"

Pelletier made a sound i.n his throat.

Morin shook his head.

"It is in God's hands."

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