CHAPTER 6

I WOKE UP WITH A HEADACHE, A FEELING OF TREMENDOUS self-loathing, and a sense of disorientation. There was a rose-colored sheet against my cheek. My sheets-the sheets I woke up to every day in my little bed-were not rose-colored, and they did not smell like this. The mattress seemed too spacious to be my modest trundle bed, and really-I was quite sure this was not my headache either.

“Good morning, handsome,” said a voice somewhere over my feet. I turned my head and saw Rita standing at the foot of the bed, looking down at me with a happy little smile.

“Ung,” I said in a voice that sounded like a toad’s croak and hurt my head even more. But apparently it was an amusing kind of pain, because Rita’s smile widened.

“That’s what I thought,” she said. “I’ll get you some aspirin.” She leaned over and rubbed my leg. “Mmm,” she said, and then turned and went into the bathroom.

I sat up. This may have been a strategic mistake, as it made my head pound a great deal more. I closed my eyes, breathed deeply, and waited for my aspirin.

This normal life was going to take a little getting used to.


But oddly enough it didn’t, not really. I found that if I limited myself to one or two beers, I could relax just enough to blend in with the slipcover on the couch. And so several nights a week, with ever-faithful Sergeant Doakes in my rearview mirror, I would stop over at Rita’s house after work, play with Cody and Astor, and sit with Rita after the kids were in bed. Around ten I would head for the door. Rita seemed to expect to be kissed when I left, so I generally arranged to kiss her standing in the open front door where Doakes could see me. I used all the technique I could muster from the many movies I have seen, and Rita responded happily.

I do like routine, and I settled into this new one to a point where I almost began to believe in it myself. It was so boring that I was putting my real self to sleep. From far away in the backseat of the deepest darkest corner of Dexterland I could even hear the Dark Passenger starting to snore gently, which was a little scary and made me feel a tiny bit lonesome for the first time. But I stayed the course, making a small game of my visits to Rita to see how far I could push it, knowing that Doakes was watching and, hopefully, beginning to wonder just a little bit. I brought flowers, candy, and pizza. I kissed Rita ever more outlandishly, framed in the open front door to give Doakes the best possible picture. I knew it was a ridiculous display, but it was the only weapon I had.

For days on end Doakes stayed with me. His appearances were unpredictable, which made him seem even more threatening. I never knew when or where he might turn up, and that made me feel like he was always there. If I went into the grocery store, Doakes was waiting by the broccoli. If I rode my bicycle out Old Cutler Road, somewhere along the way I would see the maroon Taurus parked under a banyan tree. A day might go by without a Doakes sighting, but I could feel him out there, circling downwind and waiting, and I did not dare hope that he had given up; if I could not see him, he was either well hidden or waiting to spring another surprise appearance on me.

I was forced into being Daytime Dexter on a full-time basis, like an actor trapped in a movie, knowing that the real world was right there, just beyond the screen, but as unreachable as the moon. And like the moon, the thought of Reiker pulled at me. The thought of him clomping through his unworried life in those absurd red boots was almost more than I could stand.

Of course I knew that even Doakes could not keep this up forever. He was, after all, receiving a handsome salary from the people of Miami for performing a job, and every now and then he had to perform it. But Doakes understood the rising interior tide that battered at me, and he knew that if he kept the pressure on long enough, the disguise would slip, HAD to slip, as the cool whispers from the backseat became more urgent.

And so there we were, balanced on a knife edge that was unfortunately only metaphorical. Sooner or later, I had to be me. But until then I would see an awful lot of Rita. She couldn’t hold a candle to my old flame, the Dark Passenger, but I did need my secret identity. And until I escaped Doakes, Rita was my cape, red tights, and utility belt-almost the entire costume.

Very well: I would sit on the couch, can of beer in hand, watching Survivor and thinking of an interesting variation of the game that would never make it to the network. If you simply add Dexter to the castaways and interpret the title a bit more literally…

It was not all dismal, bleak, and wretched. Several times a week I got to play kick the can with Cody and Astor and the other assorted wild creatures of the neighborhood, which brings us back to where we began: Dexter Dismasted, unable to sail through his normal life, anchored instead to a gaggle of kids and a ravioli can. And on evenings when it was raining, we stayed inside around the dining table, while Rita bustled about doing laundry, washing dishes, and otherwise perfecting the domestic bliss of her little nest.

There are only so many indoor games one can play with two children of such tender ages and damaged spirits as Cody and Astor; most of the board games were uninteresting or incomprehensible to them, and too many of the card games seemed to require a lighthearted simplemindedness that even I could not fake convincingly. But we finally hit on hangman; it was educational, creative, and mildly homicidal, which made everyone happy, even Rita.

If you had asked me pre-Doakes if a life of hangman and Miller Lite sounded like my cup of tea, I would have been forced to confess that Dexter Oolong was somewhat darker. But as the days piled up and I slipped further into the reality of my disguise, I had to ask myself: Was I enjoying the life of Mr. Suburban Householder just a little too much?

Still, it was very comforting somehow to see the predatory zest Cody and Astor brought to something as harmless as hangman. Their enthusiasm for hanging the little stick figures made me feel a bit more like we might all be part of the same general species. As they happily murdered their anonymous hanged men, I felt a certain kinship.

Astor quickly learned to draw the gallows and the lines for the letters. She was, of course, much more verbal about it. “Seven letters,” she would say, then tucking her upper lip between her teeth add, “Wait. Six.” As Cody and I missed on our guesses she would pounce and call out, “An ARM! Ha!” Cody would stare at her without expression, and then look down to the doodled figure hanging from its noose. When it was his turn and we missed a guess, he would say in his soft voice, “Leg,” and look up at us with something that might almost have been triumph in someone who showed emotion. And when the line of dashes under the gallows was finally filled in with the spelled-out word, they would both look at the dangling man with satisfaction, and once or twice Cody even said, “Dead,” before Astor bounced up and down and said, “Again, Dexter! My turn!”

All very idyllic. Our perfect little family of Rita, the kids, and Monster makes four. But no matter how many stick figures we executed, it did nothing to kill my worry that time was gurgling rapidly down the drain and soon I would be a white-haired old man, too feeble to lift a carving knife, tottering through my horrifyingly ordinary days, shadowed by an ancient Sergeant Doakes and a sense of missed opportunity.

As long as I couldn’t think of a way out, I was in the noose as surely as Cody and Astor’s stick figures. Very depressing, and I am ashamed to admit that I almost lost hope, which I never would have done if I had remembered one important thing.

This was Miami.

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