Death Trance

Nine

I left No.7 and walked out into the drizzling night again. I turned right, to make my way back up Quaker Lane; but then I stopped, and hesitated, and looked downhill, towards the main highway, and the house where Mrs Edgar Simons lived. It was only a little before 10 o'clock, and I doubted if she would mind if I paid her a visit. She couldn't have too many friends these days; and there were few neighbours on the main Granitehead-Salem highway. Most of the big old houses had been sold now, and demolished, to make way for gas stations and food markets and shops selling live bait and tricksy souvenirs. The old Granitehead people had gone with them, too old and too tired and not nearly wealthy enough to be able to relocate themselves to one of the fashionable waterfront houses that bordered Salem Bay.

It was a good ten minutes' walk, but I reached the house at last — a large Federal mansion, foursquare but graceful, with rows of shuttered windows and a curved porch with Doric pillars. The gardens which surrounded it had once been formal and well-kept, but now they were wild and hideously overgrown. The trees which surrounded the mansion itself had remained unpruned for nearly five years, and they clung around the house like spidery creatures hanging onto the ankles of a brave and exquisite princess. This princess, however, had long ago faded: as I walked up the weedy shingle path, I saw that the decorative balconies had corroded, the brickwork had cracked in long diagonal zigzags, and even the decorative basket of fruit over the front porch, a design especially favoured by Samuel Mclntire, was chipped and stained with bird droppings.

The Atlantic wind whined across the gardens, and around the corners of the house, and chilled my already-soaking back.

I went up the stone steps into the porch. The marble flooring was crazed and broken, and the paint was flaking from the front door as if the woodwork were suffering from a leprous disease. I pulled the bell-handle, and I heard a muffled jangling somewhere within the house. I rubbed my hands briskly together to try to keep myself warm, but with that wind whipping around the corner it wasn't easy.

There was no answer, so I rang again, and knocked, too. The knocker was fashioned in the shape of a gargoyle's head, with curved horns and a glaring face. It was enough to scare off anybody, even in daylight. What was more, it made a dead, flat, sepulchral sound, like nails being driven into the lids of solid mahogany caskets.

'Come on, Mrs Simons,' I urged her, under my breath. ‘I’m not standing out here all night.'

I decided to give it one last try. I slammed the knocker and jangled the bell, and even shouted out, 'Mrs Simons? Mrs Edgar Simons? You there, Mrs Simons?'

There was no reply. I stepped away from the door, and back down the porch steps. Maybe she had gone out visiting, although I couldn't think who she would want to visit at this time of night, in the middle of a furious gale. Still, there didn't appear to be any lights in the house, and although it was hard to tell in the darkness, the upstairs drapes didn't appear to be drawn. So she wasn't downstairs, watching television or anything; and it didn't look as if she were upstairs, asleep.

I walked around the side of the house just to make sure there were no lights on at the back. It was then that I saw Mrs Edgar Simons' Buick, parked just outside her open garage doors. The garage doors were trembling and rattling in the wind, but there was nobody around, no lights, no sounds, nothing but the rain sprinkling against the car's hood.

Well, I thought, uncertainly — maybe somebody's called by and taken her out. It's none of my business anyway. I turned to retrace my steps around the house, but suddenly, out of the corner of my eye, I thought I saw a white light flash in one of the upstairs rooms.

I stopped, and squinted up against the rain. There was nothing for a while, then the light flashed again, so briefly that it could have been anything at all — the reflected headlamps from some faraway car, a distant flash of lightning, mirrored in the glass. Then it flashed again, and again, and for a moment there was a long sustained flicker, and I could have sworn that I caught sight of a man's face, looking down at me as I stood in the garden.

My first inclination was to run like hell. I had tried to be calm and collected after I had seen that flickering hallucination of Jane, but after I had got back to the cottage, I had immediately been seized by a terrified panic, and I had wrenched open the front door and cantered down Quaker Lane as fast as I could humanly go.

Now, however, I was a little braver. Maybe Keith and George had been right, and all that I had been witnessing around Quaker Hill tonight was St Elmo's Fire, or some other kind of scientific phenomenon. Keith had said that he had witnessed it hundreds of times, so what was so unusual about my seeing it twice?

There was another reason why I didn't run away, a deeper reason, a reason tied up with the sad and complicated feelings I had about Jane. If Jane had really appeared to me as an electrical ghost, then I wanted to know as much about these manifestations as I possibly could. Even if she couldn't be brought back physically, maybe there was a way of communicating with her, even talking to her. Maybe all this séance stuff was true after all; maybe people's souls were nothing more extraordinary than all the electrical impulses which had made up their brain-pattern in life, released from their fleshly body but still integrated, still functioning as a human spirit. And since the brain contained the sensory matrix for the body as well, wouldn't it make sense if occasionally the body was able to appear as a flickering illusion of electrical discharges?

All these kind of thoughts had been teeming around in my brain during my walk down to Mrs Edgar Simons' place, and that was why I didn't run off when I saw the face at the upstairs window. If ghosts were nothing more than formations of electricity, then how could they hurt me? The worst I could suffer would be a mild shock.

I went back to the front door to see if I could force it open. I even tried wangling my Bank AmeriCard into the latch, the way that thieves do in the movies, but I couldn't make it budge. Early 19th-century locks were probably impervious to late 20th-century plastic. I walked around to the other side of the house, skirting the twisted and briar-infested trunks of the trees which clung around the brickwork, until I found a small cellar window. It had once been screened by mesh, but the salt ocean air had corroded the wire, and it took only two or three hard tugs to pull the meshing loose.

Close by, on the overgrown garden path, lay the blind and broken head of a stone cupid. I picked it up, carried it quickly over to the window, and tossed it like a bowling-ball through the glass. There was a splintering smash, and then a heavy thud as the head hit the floor down below. I kicked out the remaining splinters, and then put my own head through to see what was inside.

It was utterly black, and it smelled of damp, and mould, and the peculiar fustiness of hundred-year-old buildings, as if the accumulated experiences of all those decades of time had permeated the timbers, and dried out, leaving a saltpeter of sadness, and passion, and evaporated joys.

I withdrew my head, and re-entered the cellar window feet first. I tore the knee of my pants on a glazier's nail on the window-frame, and said, 'Shit,' in the stuffy stillness of the cellar; but it turned out to be quite easy to lower myself down to the floor. There was a sudden scurrying noise in the far corner of the cellar, and a flurry of squeaks. Rats, and vicious ones, too, if they ran true to the tradition of Granitehead rodents, most of whom had jumped from ships. I groped my way across the floor, hands out in front of me, feeling like Blind Pew for the cellar steps.

I went around three walls before I eventually found the wooden banister rail, and the first stone step, and everywhere I shuffled around the rats would squeak and scamper and jump.

Inch by inch, I worked my way up the cellar steps to the cellar door itself, and turned the knob. Mercifully, the door was unlocked. I eased it open, and stepped out into the hall.

Mrs Simons' house had been built when Salem was the fifth most prosperous seaport in the world, and the sixth city in the United States, collecting one-twentieth of the entire Federal revenue in import duties. Its hallway ran all the way from the front door to the back garden door, and a magnificent suspended staircase came curving down one wall. Even though I was wearing soft-soled shoes, my footsteps set up a murmuring of echoes as I walked across the black-and-white marble floor, echoes that came back to me from the darkened living-rooms, the empty kitchens, and the galleried landing upstairs.

'Mrs Edgar Simons?' I called; too quietly for anyone to have heard. And my voice whispered back to me, from quite close by, 'Mrs Edgar Simons?'

I walked into the main living-room. It was high-ceilinged, and smelled of lavender and dust. The furniture was old-fashioned but not antique, the kind of traditional furniture that had been popular in the middle of the 1950s, clumsy and expensive, Jacobite by way of Grand Rapids. I saw my own pale face across the room in the looking-glass over the fireplace, and I looked quickly away, before I started getting the wind up again.

Mrs Simons was nowhere to be found, not downstairs. I went into the dining-room, which smelled of snuffed-out candles and stale pecan nuts; the pantry, which would have been an innovation when this house was first built; the old-fashioned kitchen, with its white marble working surfaces. Then I took a deep breath, and went back out into the hallway, to mount the stairs.

I was halfway up the stairs when I saw the blue-white flickering again, from one of the bedroom doors that led off the landing. I stopped for a moment, with my hand on the banister rail, but I knew that it was no use hesitating. Either I was going to find out what this electrical flickering was, or else I was going to run away and forget about Mrs Edgar Simons and Neil Manzi and everything, including Jane.

'John,' said a familiar whisper, close to my ear. I felt that tightness in my scalp again, that prickle of slowly-sinking fear. The light flashed again, from under the bedroom door. It was quite silent, unlike the buzzing, crackling flash you usually get from a heavy electrical discharge; and there was a coldness about it which unnerved me.

'John,' whispered the voice again, but more blurrily this time, as if it were two voices whispering in chorus.

I reached the top of the stairs. The landing was covered in carpet, once thick but now threadbare. There were very few pictures on the walls, and it was so dark in the house that it was impossible to tell what they were. An occasional wan face peered out of the blackness of the oil paint but that was all; and I didn't want to turn on the lights in case I frightened away whatever it was that flickered and flashed in the bedroom.

I stood outside that bedroom door for a very long time. What are you frightened of? I asked myself. Electricity? Is that it? You're frightened of electricity? Come on, you've just invented a really neat explanation for the appearance of ghosts, electrical matrices and discharge impulses and all that garbage, and now you're scared to open the door and take a look at a few sparks going off? Do you believe your own theory or not? Because if you don't, you shouldn't be here at all, you should be hightailing it down that highway to the nearest Ramada Inn, which is the only place where you certainly won't be disturbed by ghosts.

I took hold of the bedroom doorhandle, and, as I did so, I heard the singing. Faint, fainter than faint, but clear enough to freeze me where I stood.

'O the men they sail'd from Granitehead To fish the foreign shores…'

I closed my eyes, and then immediately opened them again in case something or somebody appeared when I wasn't looking.

'But the fish they caught were nought but bones With hearts crush'd in their jaws.'

I found myself clearing my throat, as if I were about to propose a toast. Then I turned the doorhandle, and cautiously started to push open the door.

There was a fierce crackle, and a blinding flash of light, and the door was banged wide open, the knob wrenched right out of my grasp. I stood in the doorway terrified, staring into the room, and the sight that I encountered left me open-mouthed, unable to speak, unable to move.

It was one of the huge master bedrooms, with a wide curtained window and a draped four-poster bed. In the far corner, dazzling and flickering, stood the figure of a man, his arms spread wide. All around him, in the air, there was a living, crawling, aura of electrical power, rising up from the floor with a jerking motion that put me horribly in mind of incandescent maggots. The man's face was long and thin, strangely distorted, and his eyes were impenetrable sockets. But I could see that his eyes were raised towards the ceiling, and with an inexplicable feeling of dread I raised my own eyes up towards the ceiling, too.

A vast glass chandelier was suspended there, with tier upon tier of crystal droplets, and a dozen gilded candle-holders. To my alarm, the chandelier was swaying from side to side, and as the crackling of electricity died down, I could hear the crystal pendants tinkling and ringing, not musically, but frantically, as if someone were trying to shake them down, like apples from a tree.

There was something spreadeagled on the chandelier. No, worse than that, there was somebody impaled on it. I took two or three mechanical steps into the bedroom, and stared up at the chandelier in complete horror, unable to believe what was suspended in front of my eyes.

It was Mrs Edgar Simons. Somehow, unbelievably, the chain which held up the chandelier had penetrated right through her stomach, and now she was lying face down on top of its twelve spreading branches, writhing and shuddering like a hooked fish, clutching at the candle-holders and the crystal droplets, twisting herself in the agonizing impossibility of her torturous situation.

'God, God, God,' she babbled, and strings of blood and saliva dangled from her mouth. 'God, get me free, God, get me free, God, God, God, get me free.'

I stared wide-eyed at the flickering apparition which still stood on the opposite side of the room, his arms raised. There was no smile on his face, no scowl, just dark and incomprehensible concentration.

'Let her down!' I screamed at him. 'For Christ's sake, let her down!' But the apparition only flared and crackled, and ignored me, if he could even hear me at all.

I looked up again at Mrs Edgar Simons, who stared back down at me through the sparkling crystal pendants with bulging eyes. Blood began to drip on to the carpet, a few patters at first, then more quickly, and then there was a sudden gouting gush of it. She clutched at the crystal, and it shattered in her hands, so that shards of it penetrated the flesh of her fingers and sliced right through her palms.

I took two or three steps back, and then rushed forward and jumped up to catch hold of the chandelier's branches, in an effort to pull it down from the ceiling. At the first try, I only managed to catch hold of the chandelier with one hand, dangled for a moment, and then had to let go. At the second try, I managed to get a better grip, and swung grimly backwards and forwards, while Mrs Edgar Simons shuddered and bled and wept for God to save her.

There was a cracking noise, and the chandelier dropped a few inches. Then, with a hideous jingling sound, like a thousand angry Christmases, the chandelier collapsed to the floor, bringing Mrs Edgar Simons down with it. The whole bedroom was scattered with blood and broken glass.

I got up off my knees, where I had awkwardly fallen when the chandelier began to drop. On the other side of the room, the apparition had flickered away almost to nothing now, a dim and fitful flame. I crunched through the glass to Mrs Edgar Simons, and crouched down beside her, resting my hand on her head. She felt deathly cold, although her eyes were still open, and she was murmuring under her breath.

'Help me,' she appealed, but there was no hope in her voice at all.

'Mrs Simons,' I told her, ‘I’ll call for an ambulance.'

She tried to lift her head a little, so that she could look at me. 'Too late for that,' she murmured. 'Just… take out this chain.'

'Mrs Simons, I'm not a qualified medic. I couldn't even begin to — '

'It's so cold,' she said. Her head dropped back against the broken glass. 'Oh, God, Mr Trenton, it's so cold. Don't leave me.'

I didn't know what to say to her. I held her hand for a moment, but she didn't seem to be able to feel it, so I let her go. 'Listen,' I insisted, 'I'm going to have to call an ambulance. Tell me where the phone is. Is there a phone upstairs?'

'Don't leave me. Please, whatever you do. He might come back.'

'Who might come back? Who was it, Mrs Simons?'

'Don't leave me,' she repeated. Her eyelids were beginning to flutter now. I could see the whites of her eyes in the darkness of the room, sending a few last hopeless signals to a dimming world. 'Don't leave me. Don't let him hurt me again.'

'Who was it, Mrs Simons?' I asked her. 'You have to tell me. It's important. Was it Edgar? Was it your husband? Will you nod if it was Edgar?'

Her eyes closed. Her breath rattled in her throat, slowly and laboriously. I knew that I ought to go call for the ambulance, but I also knew that it was useless, and that it was far too late.

I bent down close to her ear. There was drying blood in it, and blood on her diamond earring, too. 'Mrs Simons, you have to tell me. Was it Edgar?'

She died without saying anything more. The last breath came out of her lungs like a long regretful sigh. I stayed beside her for a while, and then stood up, my feet crunching on the broken glass.

It hadn't really been necessary for her to tell me whether it was Edgar who had appeared in this room tonight or not. I knew it had to be him. The same way that the apparition which had appeared on my swing had inevitably been Jane. The dead had returned to haunt the living who had once loved them.

I now knew something else, though, something terrifying. And that was that, far from being harmless flickers of cerebral electricity, these apparitions had the power to do strange and horrifying things. Not only the power, but the will.

I found a telephone on the hall table downstairs. I picked it up, and said unhappily, 'Get me the police department, please. Yes, it's an emergency.'