Double Dexter

EIGHTEEN

It was a hot and humid afternoon at around three o clock, and I had just gotten back to my office from a routine appearance at a rather dull crime scene. A man had shot his neighbor s dog, and the neighbor had shot him. The results were typical of the unfortunate mess that results so often nowadays from our modern obsession with large-caliber weapons. I tried to maintain a professional interest in separating the dog s blood from the man s, but there was so much of both I gave up. We had a confession, so it was clear who our killer was, and there didn t seem like much point in getting terribly worked up about it. Nobody else on the scene was having much luck staying focused, either. We had all seen this sort of thing many times before, cops and forensics wonks alike, and after all the recent hammer excitement, a normal garden-variety shooting homicide seemed irrelevant and a little bit dull.

So I wrapped up my part of the work rather quickly, and as I strolled into my office and slumped into my chair I was not thinking about the outraged dog owner who was now sitting in a cell at the detention center, nor even about the poor disemboweled pit bull he had avenged. Idiotically enough, I even stopped thinking about my Shadow, since I was in the safety of my own little nook, surrounded by the might of Miami-Dade s fearless police force. Instead, I was pondering a vastly more important question: how to persuade Rita to take one small evening off from working at home and cook us a real dinner. It was a touchy problem, and it would call for a rare and difficult combination of flattery and firmness, mixed with just the right touch of compassionate understanding, and I was certain it would be a real challenge to my skill as a Human Impersonator.

I practiced a couple of facial expressions that blended all the right things into a believable mask until I thought I had them right, and in one of those weird moments of self-awareness, I suddenly saw myself from the outside, and I had to stop. I mean, here I was, with a relentless invisible enemy laying siege to Castle Dexter, and instead of sharpening my sword and piling boulders on the battlements I was playing with my face in the hopes of getting Rita to make me a decent last meal. And I had to ask myself did that really make sense? Was it truly the best way to prepare for what was certainly coming at me? And I had to admit that the answer was a very definite, Probably not.

But what actually was the best way to get ready? I thought about what I knew, which was almost nothing, and realized that once again I had let the uncertainty push me away from what I do best. I needed to drop my passive waiting and get back to being proactive. I had to circle back downwind, find something that told me more about my Shadow, and somehow track him back to his lair and let Dark Nature take its course once more. Thinking coldly, rationally, realistically, I knew that he was no match for me. I had been hunting people like him my entire adult life, and he was no more than a wannabe, a sheep in wolf s clothing, a poor sad clown trying to turn himself into a knockoff of the Very Real Deal that was Me. And I could oh-so-easily make that overwhelming truth very clear to him all I had to do was find him.

But how? I no longer knew what kind of car he drove. I couldn t even be sure he was still living in the same area, down in South Miami near my house. It was very likely that he had gone somewhere else where? I didn t know enough about him to guess where he might go to ground, and that was a problem. The first rule of being a successful hunter is to understand your prey, and I did not. I needed to get a better sense of how he thought, what made him tick, even if it was only background and not actually an address or a passport number. And the only window into his world I knew about was Shadowblog. I had read and reread that tedious, self-involved drivel a dozen times already, and I had not learned anything worth repeating. But I read through it once more anyway, and this time I tried to build a profile of the person behind the rant.

The biggest building block, of course, was his anger. At the moment it seemed to be directed mostly at me, but there was more than enough to go around. It started with the unfairness of the game of baseball that never gave him a fair shot at the majors, even though he did everything they asked and always played by the rules. It rambled on endlessly about Assholes who cut corners, cheated, committed crimes without punishment, and even more Assholes who thought hacking a Web site was funny. He certainly wasn t happy with his ex-wife,

A, either, or with the typical Miami drivers he encountered.

The anger clearly came from a rigid and overdeveloped sense of morality, and it had been there for a long time, burbling under the surface and waiting for some reason to boil over and become about something specific. He raged against everybody who didn t follow the rules as he saw them, and spoke longingly of the Priest and his teachings. Wonderful news, a real clue: I was looking for an angry Catholic, which narrowed it down to only about seventy-five percent of Miami s population. I closed my eyes and tried to concentrate, but it was no good. All I could think of was how badly I wanted to tape him down and teach him about True Penance, the kind that comes in the Dark Confession Booth at the Cathedral of Our Lady of Dexter s Knife. I could almost see him squirming, fighting helplessly against the duct tape that held him down, and I had just begun to savor the picture when Vince Masuoka stumbled into the room in a complete dither.

Holy shit, he said. Oh, my God, holy shit.

Vince, I said, irritated because he had interrupted the first happy thoughts I d had in days. In traditional Western culture, we like to separate deity and feces.

He lurched to a halt and blinked at me and then, with truly annoying single-mindedness, he said, Holy shit, again.

All right, fine, holy shit, I said. Can we move on to the next syllable, please?

It s Camilla, he said. Camilla Figg?

I know who Camilla is, I said, still peeved and then I heard a distant rustle of dark wings and I realized I was sitting up straighter in my chair and feeling a soft tendril of interest from the Passenger slide up my spine.

She s dead, Vince said, and he gulped and shook his head. Camilla is dead, and it s Jesus it s the same thing, with the hammer.

I felt my head move in an involuntary twitch of denial. Um, I said. Didn t everybody agree that Deborah caught the hammer guy?

Wrong, Vince said. Your sister fucked up big-time and got the wrong guy, cause it happened again, the exact same, and now they won t let her near this one. He shook his head. She fucked up huge, cause what happened to Camilla is the same damn thing that happened to the others. He blinked and swallowed, and looked at me with the most solemn and frightened expression I had ever seen from him.

She was hammered to death, Dexter. Just like the other guys.

My mouth went dry and a small tickle of electricity ran from the back of my neck straight down my spine, and although it is not terribly flattering to me, I was not thinking of Deborah and her apparent fall from grace. Instead, I was simply sitting, hardly breathing, as several waves of hot intangible wind fluttered across my face and sent dry leaves scuttering through the gutters of Castle Dexter. The Dark Passenger was up on point, hissing with more than casual concern, and I barely heard Vince as he stuttered on stupidly about what an awful thing this was and how terrible everybody felt.

I am sure that if I could feel at all I would have felt terrible, too, since Camilla was a coworker and I had labored beside her for many years. We had not really been close, and she had often behaved in ways that I found puzzling, but I was quite well aware that when Death visits a colleague, one must display the proper feelings of shock and awfulness. That was elementary, clearly stated in one of the first chapters of The Olde Booke of Human Behavioure, and I was sure that eventually I would work my way around to playing the part with my usual dramatic excellence. But not now, not yet. Right now I had far too many things to think about.

My first thought was that somehow, this was the work of my Shadow; he had written in his blog that he was going to do something, and now Camilla turned up dead, battered into jelly. But how did that affect me? Aside from forcing me to make grieving faces and mouth clich s about Tragic Loss, it didn t touch me at all.

So this was something else, something unconnected to my own personal conflict and yet, something about it had caught the Passenger s attention, and that meant more than all the fake standardized emotions in the world. It meant that something was very off center here, wrong in a way that a Certain Shadowy Someone found extremely provocative, and that meant that whatever had happened to Camilla was far from being what it seemed to be which in turn was an indication that, for some reason that was not at all clear at the moment, Dexter needed to pay attention.

But why? Aside from the fact that Camilla was a coworker and Deborah was in disgrace, why should this cause more than a mild flutter of passing interest from the Passenger?

I tried to shut out the blather of Vince and his annoying outpouring of emotion, and concentrate for just a moment on the facts. Deborah had been certain that she caught the right man. Deborah was very good at what she did. Therefore, either Deborah had made a huge and uncharacteristic mistake, or else

It s a copycat, I said, interrupting the flow of meaningless sound that was pouring out of Vince.

He blinked at me with eyes that seemed suddenly much too large and wet. Dexter, he said. There s never in history been anybody who did something like this hammer thing, not once ever before and now you think there re two of them?

Yes, I said. Has to be.

He shook his head vigorously. No. No way. Can t be it just can t. I mean, I know it s your sister; you gotta stick up for her, but hey, he said.

But once again his pointless drivel was contradicted by the far more compelling purr of reptile logic slithering out from the deep and shadowed stronghold of the Passenger s certainty, and I knew I was right. I still did not know why that should make the alarm bells ring where was the threat to precious irreplaceable me? But the Passenger was almost never wrong, and the warning was clear. Someone had duplicated the Hammer Killer s technique, and aside from petty moral questions and copyright issues, something about that was wrong; some new threat was marching in too close for comfort, right up to the battlements of the Dark Lair, and I was suddenly deeply uneasy over what should have been no more than a routine opportunity to give another solid performance of Artificial Human Grief. Was the whole world out to get me? Was this really the new Model of how Things were going to be?

Nothing that happened in the next few hours made me feel any easier. Camilla s body had been found in a car parked in the far corner of the lot at a giant superstore located very close to headquarters. A lot of cops stopped at the store on their way home from work, and quite probably Camilla had, too. There were three plastic shopping bags with the store s logo scattered across the floor in the backseat of the car, and Camilla s body had been poured onto the seat above them. Just like the other two victims, she had been savagely hammered on every bone and joint until her body had lost its original shape.

But the car was not an official police vehicle, and apparently it was not even Camilla s, either. It was a five-year-old Chevy Impala, registered to a store employee named Natalie Bromberg. Ms. Bromberg had not had a great deal to say to the detectives so far, possibly because, since finding Camilla in her car, her time had been filled with screaming, crying, and finally accepting a large syringe filled with sedative.

Vince and I worked slowly through the area around the Impala, and inside it as well, and my sense that this was the work of a different hand grew steadily. Camilla s body was slumped half-on, half-off the seat, while the other two had been arranged a little more carefully. A small thing, but once again, it didn t fit the previous pattern, and it made me look a little closer.

I am not really an expert on blunt-force trauma, but the places on Camilla s body where she had been hit looked different from what I had seen in the two previous cases; Gunther s and Klein s impact points had visibly been made by the flat surface on the end of the hammer. These had a slight curve to them, a faint concave contour, as if the weapon had been rounded rather than flat, something like a pole, or a dowel, or or maybe a baseball bat? The kind a former minor-league baseball player with anger-management problems might have lying around?

I thought about it hard, and it seemed like it fit except for one small thing: Why would Bernie Elan want to kill Camilla Figg? And if for some reason he did want to kill her, why choose this difficult and repulsive method? It didn t add up, not at all. I was leaping to paranoid conclusions. Merely because somebody was after me, that didn t mean he would do this. Ridiculous.

I worked around the outside of the car, spraying Bluestar in the hopes of finding some telltale blood spatter. I found a very faint bloody impression from the toe of a running shoe on the white line separating the Impala s parking spot from the one next to it. And there were no taco wrappers inside the car, either, which was hardly conclusive. But there was a large patch of blood on the seat under the body that had leaked out from a savage wound on the left side of Camilla s head. Head wounds are notorious gushers but this one had merely trickled onto the seat, meaning that she had been killed somewhere else and then dumped here soon after. The killer had probably parked close to the Impala and quickly slid the body out of his vehicle and into the Chevy s backseat, and it was my guess that blood from the head injury had made the partial footprint.

There was another smaller wound on Camilla s arm, where the bone of the forearm was actually poking up through the skin. It had not leaked nearly as much as the head wound, but to me it was significant. Neither of the other victims bodies had bled at all, and this one had been thumped open twice. It was not quite enough evidence to swear out a warrant and arrest somebody, but to me it was a very important point, and in keeping with my position as a responsible adult in the law enforcement community, I immediately brought it to the attention of the detective in charge, a man named Hood.

Detective Hood was a large guy with a low forehead and a lower IQ. He had a permanent leer and he liked put-downs, sexual innuendo, and hitting suspects to encourage them to speak. I found him standing a few feet away from the Impala s owner, waiting impatiently for the sedative to kick in a little so she could understand his questions without shrieking. He was watching her with his arms crossed and a very intimidating expression on his face, and Ms. Bromberg would probably need a second shot if she glanced up and saw him staring.

I knew Hood slightly from working with him in the past, so I approached him with chummy directness. Hey, Richard, I said; his head jerked around toward me and his expression darkened a notch.

What do you want? he said, and he made no attempt to match my cordial tone. In fact, he sounded almost hostile.

Every now and then I find that I have misjudged a situation and used an incorrect phrase or expression; clearly I had done so now. It always takes a moment to adjust and pick a new one, particularly if I am not sure what I did wrong. But a blank stare and a long pause seemed unsuitable, so I filled the gap as best I could. Um, I said. Just, you know

You know? he said, with a mean mimicking tone. You wanna hear what I know, dickless?

I didn t want to hear, of course; Hood couldn t possibly know anything beyond the third-grade level, except possibly about pornography, and that sort of thing is not really interesting to me. But it didn t seem politic to say so, and in any case he didn t wait for me to answer.

What I know is, your half-ass Hollywood sister shit the bed, he said, and, completely untroubled by the fact that this image did not really make sense, he repeated it. She shit the fucking bed, he said again.

Well, maybe, I said, trying to sound meek yet confident, but there s actually some evidence that this might be a copycat killer.

He glared at me, and his jaw bulged out on the sides. It was a very big jaw, and it looked quite able and willing to bite a large chunk of flesh out of me if it had to. Evidence, Hood said, as if the word tasted bad. Like what.

The, um, wounds, I said. The body is bleeding from two places, and on the other two the skin wasn t even broken at all.

Hood turned his head a quarter of an inch to the side and spit.

You re fulla shit, he said, and he turned away from me, back to facing Ms. Bromberg. He recrossed his arms, and his upper lip twitched. Just like your half-ass sister.

I looked down at my feet, just to be sure his glob of spit had really missed my shoe, and was very happy to see that it had. But it was clear that I would get nothing from Detective Hood except saliva and scatology, so I decided to leave him to his lowbrow musings and go back to looking at all that was left of Camilla Figg.

But as I began to turn away from Hood, I felt a dry, seismic rumble pushing up from a deep and shadowy corner inside, a sharp and urgent shock of warning from the Passenger that Dexter stood in the crosshairs of some hostile scope. Time slowed to a crawl as I froze midturn and searched around me for the threat, and as I looked to the side, off by the yellow tape guarding our perimeter, a bright flash went off and the Passenger hissed.

I blinked, bracing for a bullet, but none came. It was nothing but some gawker taking a photograph. I squinted through lingering blindness from the flash, and saw only the blur of a thick man in a gray T-shirt lowering a camera and turning away to blend back into the crowd. He was gone before I could see his face, or anything else about him, and there wasn t any visible reason why he had set off my silent alarm. He was not a sniper, not a terrorist with an exploding bicycle. He couldn t possibly be any real danger at all, nothing but another one of the many unwashed feeding a queasy curiosity about death. Now I was truly being stupid; I was seeing Shadows everywhere, even where they made no sense. Was I slipping completely out of the world of reason and into kaleidoscopic paranoia?

I watched the spot where the photographer had disappeared for a few more moments. He didn t come back, and nothing came roaring out to kill me. It was just nerves, nothing more, and not my Witness, and I had work to do.

I went back to the Impala, where Camilla s battered body lay in its final untidy heap. She was still dead, and I couldn t lose the feeling that somewhere, somebody was watching me, licking his lips, and planning to make me dead, too.