Down And Dirty

CLOSED.

The way the joker's eyes kept moving gave Tom a queasy feeling in the pit of his stomach. "Are you Dutton?"

One by one the eyes turned, stilled, until every last one of them was fixed on him, studying him. "Dutton expecting you?" the joker asked. Tom nodded. "All right, c'mon round the side." He turned and left the booth, but two or three of his eyes stared back at Tom, curious and unblinking, until the door shut.

The side entrance was a heavy metal fire door opening on an alley. Tom waited nervously while locks were unlocked and bolts lifted inside. You heard stories about Jokertown alleys, and this one seemed to him especially dark and gloomy. "This way," eye-stalks said when the door finally opened.

The museum was windowless, its interior hallways even gloomier than the alley. Tom looked around curiously as they passed down several long corridors, with dusty brass railings and waxwork dioramas to either side of them. He had floated over the Dime Museum thousands of time as the Turtle, but he'd never set foot inside.

With the lights out, the figures in the shadows seemed remarkably lifelike. Dr. Tachyon stood on a mound of white sand, his spaceship painted on the backdrop behind him, while nervous soldiers climbed from a jeep. Jetboy clutched his chest as steel-faced Dr. Tod pumped bullets into him. A blond in a torn teddy struggled in the grasp of the Great Ape as he scaled a model of the Empire State Building. A dozen jokers, each more twisted than the last, writhed suggestively in some dank basement, clothing strewn all around them.

His guide vanished around a corner. Tom followed, and found himself face-to-face with a roomful of monsters. Drenched in shadow, the creatures looked so real that they brought him up short. Spiders the size of minivans, flying things that dripped acid, gigantic worms with rings of serrated teeth, humanoid monstrosities whose skin quivered like gelatin; they filled the room behind the curving glass, surrounding him on three sides, crowding each other, slavering to break out.

"Our newest diorama," a quiet voice said behind him. "Earth versus the Swarm. Try the buttons."

Tom looked down. A half dozen large red buttons were set into a panel by the railing. He pressed one. Inside the diorama a spotlight picked out a wax simulacrum of Modular Man suspended from the ceiling, as twin beams of scarlet light flashed down from his shoulder-mounted guns. The lasers struck one of the swarmlings; thin tendrils of smoke rose, and a long hiss of pain issued from unseen speakers.

Tom pushed a second button. Modular Man vanished back into the shadows, and the lights found the Howler in his yellow fighting togs, outlined against a plume of smoke from a burning tank. The simulacrum opened its mouth; the speakers shrieked. A swarmling quivered in agony.

"The children love it," the voice said. "This is a generation raised on special effects. I'm afraid they demand more than simple waxworks. One must adapt to one's times."

A tall man in a dark suit of old-fashioned cut stood in a doorway to one side of the diorama, the joker with the eyestalks hunched over beside him. "I'm Charles Dutton," he said, offering a gloved hand. A heavy black cape was thrown over his shoulders. He looked as though he'd just stepped from a hansom cab in Victorian London, except for the cowl drawn up over his head that kept his face in shadow. "We'll be more comfortable in the office," Dutton said. "If you'll step this way."

Tom was suddenly very uneasy. He found himself wondering, once again, what the hell he was doing here. It was one thing to float over Jokertown as the Turtle, secure in a steel shell, and quite another to venture into its streets in his own all-too-vulnerable flesh. But he'd come this far. There was no backing out now. He followed his host through a door marked EMPLOYEES ONLY and down a narrow flight of steps. They passed through a second door, through a cavernous basement workshop, into a small but comfortably furnished office.

"Can I get you a drink?" the cowled man asked. He went to a wet bar in the corner of the office and poured himself a brandy.

"No," Tom said. He was -a cheap drunk, too easily affected by booze, and he needed all his wits about him today. Besides, drinking through the damned frog mask would be a bitch.

"Let me know if you change your mind." Cradling the snifter, Dutton crossed the room and seated himself behind an antique clawfoot desk. "Please, sit down. You look terribly uncomfortable standing there like that."

Tom wasn't listening. Something else had caught his eye. There was a head on the desk.

Dutton noticed his interest and turned the head around. The face was remarkably handsome, but the oh-so-perfect features were frozen in a rictus of surprise. Instead of hair, the top of the skull was a plastic dome with a radar dish beneath. The plastic was cracked. Severed cables, blackened and half-melted, dangled from the jagged stump of its neck.

"That's Modular Man," Tom said, shocked. Numbly he eased himself down onto the edge of a ladderback chair. "Only his head," Dutton said.

It had to be a wax replica, Tom told himself. He reached out and touched it. "It's not wax."

"Of course not," Dutton said. "This is authentic. We bought it from one of the busboys at Aces High. I don't mind telling you, it cost us quite a tidy sum. Our new diorama will dramatize the Astronomer's attack on Aces High. You'll recall that Modular Man was destroyed during that fracas. His head will give a certain verisimilitude to the display, don't you think?"

The whole notion made Tom ill. "You planning to put Kid Dinosaur's body on display too?" he said testily.

"The boy was cremated," Dutton replied in a matter-offact tone. "We have it on good authority that the mortuary substituted a John Doe, cleaned his bones with carpet beetles, and sold the skeleton to Michael Jackson."

Tom found himself at a loss for words.

"You're shocked," Dutton said. "You wouldn't be, if you were a joker beneath that mask. This is Jokertown." He reached up, pulled back the cowl that covered his face. A death's head grinned at Tom across the desk; dark eyes sunk deep beneath a heavy brow ridge, leathery yellow skin stretched taut across a noseless, lipless, hairless face, teeth bared in a rictus of a smile. "When you've lived here long enough, nothing shocks you," Dutton said. Mercifully he yanked up the cowl again to conceal the living skullface, but Tom could feel the weight of his eyes. "Now," he said. "Xavier Desmond gave me to understand that you have a proposition for me. A major new exhibit."

Tom had seen thousands of jokers in his long years as the Turtle, but always at a distance, on his TV screens, with layers of armor plate between them. Sitting alone in a gloomy basement with a cowled man whose face was a yellowed skull was a little different. "Yeah," he said uncertainly.

"We are always in the market for new exhibits, the more spectacular the better. Des is not normally given to hyperbole, so when he tells me you're offering us something truly unique, I'm interested. Exactly what- is the nature of this exhibit?"

"The Turtle's shells," said Tom.

Dutton was silent for a moment. "Not a replica?"

"The real thing," Tom told him.

"The Turtle's shell was destroyed last Wild Card Day," Dutton said. "They dredged up pieces of it from the bottom of the Hudson."

"That was one shell. There were earlier models. I've got three of them, including the very first. Armor plate over a Volkswagen frame. It's got some burned-out tubes, but otherwise it's pretty much intact. You could clean it up, rig the TV screens for closed circuit, make a real ride out of it. Charge extra for people to crawl inside. The other two shells are just empty hulls, but they'd still make quite a draw. If you have a big enough hall, you could hang 'em from the ceiling, like the airplanes in the Smithsonian." Tom leaned forward. "If you want to make this place into a real museum instead of just a tacky freak show for nat tourists, you need real exhibits."

Dutton nodded. "Intriguing. I'll admit I'm tempted. But anyone could build a shell. We'd need some kind of authentication. If you don't mind my asking, how did they chance to come into your possession?"

Tom hesitated. Xavier Desmond said Dutton could be trusted, but it was not easy to set aside twenty-four years of caution. "They're mine," he said. "I'm the Turtle."

This time Dutton's silence was even longer. "There are those who say the Turtle is dead."

"They're wrong."

"I see. I don't suppose you'd care to give me proof." Tom took a deep breath. His hands curled around the armrests of his chair. He stared across the desk, concentrated. Modular Man's head rose a foot into the air and turned slowly until its eyes were fixed on Dutton.

"Telekinesis is a relatively common power," Dutton said, unimpressed. "The Turtle is distinguished not by the mere fact of his teke, but by its strength. Lift the desk and you'll convince me."

Tom hesitated. He didn't want to queer the deal by admitting that he couldn't lift the desk, not when he was out of his shell. All of a sudden, without thinking, he heard himself say, "Buy the shells, and I'll fly them here. All three of them." The words slipped out glib and easy; it wasn't until they were there hanging in the air that Tom realized what he'd said.

Dutton paused thoughtfully. "We could videotape the arrival, run the loop as part of the exhibit. Yes, I'd think that would be all the authentication we'd need. How much are you asking?"

Tom felt a moment of blind panic. Modular Man's head thumped back onto Dutton's desk. "One hundred thousand dollars," he blurted. It was twice what he'd intended to ask. "Too much. I'll offer you forty thousand."

"Fuck that," Tom said. "This is a one-of-a-kind exhibit."

"Three-of-a-kind, actually," Dutton pointed out. "I might be able to go to fifty thousand."

"The historical value alone is more than that. This is going to give this fucking place respectability. You'll have lines going around the block."

"Sixty-five thousand," Dutton said. "I'm afraid that's my final offer."

Tom stood up, relieved but somehow disappointed as well. "Okay. Thanks for your time. You don't happen to have a number for Michael Jackson, do you?" When Dutton didn't answer, he started for the door.

"Eighty thousand," Dutton said behind him. Tom turned. Dutton coughed apologetically. "That's it. Really. I couldn't do better if I wanted to. Not without liquidating some of my other investments, which I'm not prepared to do."

Tom paused in the doorway. He'd almost escaped. Now he was stuck again. He didn't see any way out that wouldn't make him look like a fool. "I'll need cash."

Dutton chuckled. "I don't imagine a check made out to the Great and Powerful Turtle would be very easy to negotiate. It will take me a few weeks to raise that much cash, but I imagine I can work it out." The cowled man unfolded from his chair and came around the desk. "Are we agreed, then?"

"Yeah," Tom said. "If you'll throw in the head."

"The head?" Dutton sounded surprised, and a little amused. "Sentimental, aren't we?" He picked up Modular Man's head and stared into the blind, unfocused eyes. "It's just a machine, you know. A broken machine."

"He was one of us," Tom said with a passion that surprised even him. "It doesn't feel right, leaving him here."

"Aces," Dutton sighed. "Well, I suppose we can do up a wax replica for the Aces High diorama. It's yours, as soon as we can take delivery on the shells."

"You get the shells when I get my money," Tom said. "Fair enough," Dutton replied.

Jesus, Tom thought, what the fuck have I gone and done? Then he got a grip on himself. Eighty thousand dollars was one hell of a lot of money.

Enough money to make it worth turning turtle one last time.

Concerto for Siren and Serotonin

V

After running a small favor for Veronica, reporting his progress to Theotocopolos, and phoning Latham, Strauss for an appointment, Croyd met Veronica for dinner. As he told her of the day's doings, she shook her head when he told her about St. John Latham.

"You're crazy," she told him. "If he's that well-connected, what do you want to fool around with him for, anyway?"

"Somebody wanted to know about something he was up to."

She frowned. "I find a guy I like, I don't want to lose him so quick."

"I won't get hurt."

She sighed, put a hand on his arm. "I mean it," she said.

"So do I. I can take care of myself."

"What does that mean? How dangerous is it?"

"I've got a job to finish, and I think I'm almost there. I'll probably wrap it up soon without any sweat, get the rest of my money, and maybe take a little vacation before I sleep again. Thought we might go someplace real nice togethersay, the Caribbean."

"Aw, Croyd," she said, taking his hand, "you've been thinking of me."

"Of course I've been thinking of you. Now, I've got an appointment with Latham for Thursday. Maybe I can finish this thing by the weekend. Then we'll have some time for just the two of us."

"You be careful, then."

"Hell, I'm almost done. Haven't had any problems yet."

After stopping at one of his banks for additional funds, Croyd took a taxi to the building that held the law offices of Latham, Strauss. He had made the appointment by describing a fictitious case designed to sound expensive, and he arrived fifteen minutes ahead of time. On entering the waiting room he suppressed a sudden desire for medication. Hanging out with Veronica seemed to have him thinking about it ahead of schedule.

He identified himself to the receptionist, sat and read a magazine till she told him, "Mr. Latham will see you now, Mr. Smith."

Croyd nodded, rose, and entered the inner office. Latham rose from his seat behind his desk, displaying an elegantly cut gray suit, and he offered his hand. He was somewhat shorter than Croyd, and his refined features remained expressionless.

"Mr. Smith," he acknowledged. "Won't you have a seat?"

Croyd remained standing. "No."

Latham raised an eyebrow, then seated himself. "As you would," he said. "Why don't you tell me about your case now?"

"Because there isn't one. What I really need is some information."

"Oh? That being?"

Instead of replying Croyd looked away, casting his gaze about the office. Then his hand moved forward, to pick up an orange and green stone paperweight from Latham's desk. He held it directly before him and squeezed. A cracking, grinding sound followed. When he opened his hand, a shower of gravel fell upon the desk.

Latham remained expressionless. "What sort of information are you seekng?"

"You have done work for the new mob," Croyd said, "the one trying to move in on the Mafia."

"Are you with the justice Department?"

"No."

"DAs office?"

"I'm not a cop," Croyd responded, "and I'm not an attorney either. I'm just someone who needs an answer."

"What is the question?"

"Who is the head of this new family? That's all I want to know."

"Why?"

"Perhaps someone wishes to arrange a meeting with that person."

"Interesting," Latham said. "You wish to retain me to arrange such a meeting."

"No, I only want to know who the person in charge is."

"Quid-pro-quo," Latham observed. "What are you offering for this?"

"I am prepared to save you," Croyd said, "some very large bills from orthopedic surgeons and physiotherapists. You lawyers know all about such matters, don't you?"

Latham smiled a totally artificial smile. "Kill me and you're a dead man, hurt me and you're a dead man, threaten me and you're a dead man. Your little trick with the stone means nothing. There are aces with fancier powers than that on call. Now, was that a threat you just made?"

Croyd smiled back. " I will die before too long, Mr. Latham, to be born again in a completely different form. I am not going to kill you. But supposing I were to cause you to talk, to stop the pain, and supposing that later your friends were to put out a contract on the man you see before you. It wouldn't matter. He would no longer exist. I am a series of biological ephemera."

"You are the Sleeper."

"Yes."

"I see. And if I give you this information, what do you think will happen to me?"

"Nothing. Who's to know?"

Latham sighed. "You place me in an extremely awkward position."

"That was my intention,-Croyd glanced at his watch., and I'm on a tight schedule. I should have begun beating the shit out of you about a minute and a half ago, but I'm trying to be a nice guy about this. What should we do, counselor?"

"I will cooperate with you," Latham said, "because I don't think it will make an iota of difference in what is going on right now."

"Why not?"

"I can give you a name, but not an address. I do not know from where they do business. We have always met in noman's-land or spoken over the telephone. I cannot even give you a telephone number, however, for they have always gotten in touch with me. And I say that it will make no difference because I do not believe that the interests you represent are capable of doing them harm. This group is too well staffed with aces. Also, I am fully convinced that they are going to manage what we might refer to as a 'corporate takeover' very soon. Should your employer wish to save lives and perhaps even settle for a bit of pocket money as something of a retirement bonus, I would be happy to try to arrange the terms for such an agreement."

"Naw," Croyd said, " I don 7t have any instructions for that kind of deal."'

"I'd be surprised if you did." Latham glanced at his telephone. "But if you would like to relay the suggestion, be my guest."

Croyd did not move. "I'll pass the word along, with the name you're going to give me."

Latham nodded. "As you would. My offer to negotiate does not assure the acceptance of any particular terms, though, and I feel obliged to advise you that it may not be acceptable at all to the other side."

"I'll tell them that, too," Croyd said. "What's the name?"

"Also, to be completely scrupulous, I ought to tell you that if you force me to divulge the name, I have a duty to inform my client that this information has been given out, and to whom. I cannot take responsibility for any actions this might precipitate.",

"The name of my client has not been stated either."

"As with so much else in life, we must be guided by certain suppositions.", "Stop beating around the bush and give me the name."

"Very well," Latham told him. "Siu Ma."

"Say again."

Latham repeated the name. "Write it down."

He jotted the name on a pad, tore off the sheet, and handed it to Croyd.

"Oriental," Croyd mused. " I take it this guy is head of a tong or a triad or a yakuza-one of those Asian culture clubs?"

"Not a guy."

"A woman?"

The attorney nodded. "Can't give you a description either. She's probably short, though."

Croyd looked fast, but he could not decide whether the residue of a smile lay upon the other's lips.

"And I'll bet she's not in the Manhattan directory either," Croyd suggested.

"Safe bet. So I've given you what you came for. Take it home, for all the good it will do you." He rose then, turned away from his desk, moved to a window, and stared down into traffic. "Wouldn't it be great," he said after a time, "if there were a way for you wild card freaks to bring a class action suit against the Takisians?"

Croyd let himself out, not totally pleased with what he had let himself in for.

Croyd required a restaurant with a table within shooting distance of a pay phone. He found what he was looking for on his third try, was seated, placed his order, and hurried to make his first call. It was answered on the fourth ring.

"Vito's Italian."

"This is Croyd Crenson. I want to talk to Theo."

"Hold on a minute. Hey, Theo!" Then, "He's coming." Half a minute. A minute.

"Yeah?"

"This Theo?"

"Yeah."

"Tell Chris Mazzucchelli that Croyd Crenson's got a name for him and needs to know where he wants to hear it."

"Right. Call me back in half an hour, forty-five minutes, okay?"

"Sure."

Croyd phoned Tavern-on-the-Green then and was able to make reservations for two at eight-fifteen. Then he phoned Veronica. It was answered on the sixth ring.

"Hello?" Her voice sounded weak, distant.

"Veronica, love, it's Croyd. Not to be carried away, but I think I'm just about done with this job and I want to celebrate. What say we cut out about seven-thirty and start doing it?"

"Oh, Croyd, I really feel shitty. I ache all over, I can't keep anything down, and I'm so weak I can hardly hold the phone up. It's gotta be flu. All I'm good for is sleeping."

"I'm sorry. You need anything? Aspirins? Ice cream? Horse? Snow? Bombitas? You name it and I'll pick it up."

"Aw, that's sweet, lover. But no. I'll be okay, and I don't want to expose you to this thing. I just want to sleep. Okay?"

"All right."

Croyd headed back to his table. His food arrived moments later. When he finished it, he ordered again and rolled a pair of pills between his thumb and forefinger. Finally he took them with a swallow of iced tea. Then he ordered again and checked various of his personal phones for messages till his next order arrived. He went back and took care of it, then buzzed Theo again.

"So what'd he say?"

"I haven't been able to get hold of him, Croyd. I'm still trying. Get back to me in maybe an hour."

"I will," Croyd said, and he called Tavern-on-the-Green and canceled his reservation, then returned to his table to order a few desserts.

He phoned before the hour had run as there were a number of matters he was anxious to attend to. Fortunately Theo had made a connection in the meantime, and he gave him an apartment address on the upper East Side. "Be there nine o'clock tonight. Chris wants you to make a full report to the management.",

"It's just a lousy name I could give him over the phone," Croyd said.

"I am only a message service, and that is the message." Croyd hung up and paid his tab, the afternoon open before him.

As he stepped outside, a short, broad-shouldered man with an Oriental cast to his features emerged from a doorway perhaps ten feet to the left, hands within his blue satin jacket, gaze focused on the ground. As he turned toward Croyd, he raised his head and their eyes met for a moment. Croyd felt later that he had known in that instant what was to occur. Whatever the case, he knew for certain a moment later when the man's right hand emerged from his jacket, fingers wrapped in an unusual grip about the hilt of a long, slightly curved knife, its blade extending back along the mans forearm, edge outward. Then his left hand emerged as he moved forward, and it held a matching blade in an identical grip. Both weapons moved in unison as his pace accelerated. Croyd's abnormal reflexes took over. As he moved forward to meek the attack, it seemed as if the other had suddenly dropped into slow motion. Turning to match the doublebladed pass, Croyd reached across a line of gleaming metal, caught a hand, and twisted it inward. The weapon's edge was rotated back toward the attacker's abdomen. Its point entered there, moved diagonally upward, and was followed by a rush of blood and innards. As the man doubled, Croyd beheld the white egret that decorated the jacket's back.

Then the window at his side shattered and the sound of a gunshot rang in his ears. Turning, drawing his collapsed assailant before him, he saw a dark, late-model car moving slowly along the curbside, almost parallel to him. There were two men in the vehicle, the driver and a passenger in the rear seat who was pointing a pistol in his direction through the opened window.

Croyd moved forward and stuffed the man he held into the car. He did not fit through the window easily, but Croyd pushed hard and he went in nevertheless, losing only a few pieces along the way. His final screams were mixed with the roar of the engine as the car jumped forward and raced off.

It had been, he realized, a kind of proof that Latham had told him the truth and nothing but, though not necessarily the whole truth; and by this he was pleased with his work, after a fashion. Now, though, he had to start looking over his shoulder and keep it up till he had his money. And this was aggravating.

He stepped over some of his attacker's odds and ends and felt in his pocket for one of his pillboxes. Aggravating.

As Croyd approached the apartment building that evening, he noted that the man in the car parked before it appeared to be speaking into a small walkie-talkie and staring at him. He'd grown very conscious of parked cars following the second attempt on his life, a little earlier. Massaging his knuckles, he turned suddenly and stepped toward the car.

"Croyd," the man said softly.

"That's right. We'd better be on the same side."

The man nodded and shifted a wad of chewing gum into his left cheek. "You can go on up," he said. "Third floor, apartment thirty-two. Don't have to ring. Guy by the door'll let you in."

"Chris Mazzucchelli's there?"

"No, but everyone else is. Chris couldn't make it, but it don't matter. You tell those people what they want to know. It's the same as telling him."

Croyd shook his head. "Chris hired me. Chris pays me. I talk to Chris."

"Wait a minute." The man pressed the button on his walkie-talkie and began speaking into it in Italian. He glanced at Croyd after a few moments, raised his index finger, and nodded.

"What's comin' down?" Croyd asked when the conversation was concluded. "You find him all of a sudden?"

"No," the guard answered, shifting his wad of gum. "But we can satisfy you everything's okay in just a minute."

"Okay," Croyd said. "Satisfy me."

They waited. Several minutes later a man in a dark suit emerged from the building. For a moment Croyd thought it was Chris, but on closer inspection he realized the man to be thinner and somewhat taller. The newcomer approached and nodded to the guard, who nodded at Croyd and said, "There he is."

"I'm Chris's brother," the man said, smiling faintly, "and that's as close as we can get at the moment. I can speak for him, and it's okay for you to tell the gentlemen upstairs what you've learned."

"Okay," Croyd said. "That's good. But I was thinking about collecting the rest of my money from him too."

"I don't know about that. Maybe you better ask Vince about it. Schiaparelli. He sometimes does payroll. Maybe you shouldn't, though."

Croyd turned toward the guard. "You've got the bitchbox. You call the guy and ask him. The other side's already hit on me today for what I got. If my money's not here, I'm walking."

"Wait a minute," Chris's brother said. "No reason to get upset. Hang on."

He pointed at the walkie-talkie with his thumb and the guard spoke into it, listened, waited, glanced at Croyd. "They're getting Schiaparelli," the guard said. After a longer while he listened to a low squawking, spoke, listened again, looked at Croyd again. "Yeah, he's got it," he told Croyd.

"Good," Croyd said. "Have him bring it down."

"No, you go up and get it."

Croyd shook his head.

The man stared at him and licked his lips, as if loathe to relay the message. "This does not make a very good impression, for it is as if you had no trust."

Croyd smiled. "It is also correct. Make the call."

This was done, and after a time a heavyset man with graying hair emerged from the building and stared at Croyd. Croyd stared back.

The man approached. "You are Mr. Crenson?"

"That is correct."

"And you want your money now?"

"That's the picture."

"Of course I have it here," the other told him, reaching into his jacket. "Chris sent it along. It will grieve him that you are so suspicious."

Croyd held out his hand. When the envelope was placed in it, he opened it and counted. Then he nodded. "Let's go," he said, and he followed Schiaparelli and Chris's brother into the building. The man with the walkie-talkie was. shaking his head.

Upstairs, Croyd was introduced to a group of old and middle-aged men and their bodyguards. He declined a drink, just wanting to give them the name and get out. But it occurred to him that giving them the money's worth might entail stretching the story out a bit to show that he'd earned it. So he explained things, step by step, from Demise to Loophole. Then he told them of the attempt to take him out following that interview, before he finally got around to giving them Siu Ma's name.

The expected question followed: Where could she be found?

"This I do not know," Croyd replied. "Chris asked me for a name, not for an address. You want to hire me to get that for you, too, I suppose I could do it, though it would be cheaper to use your own talent."

This drew some surly responses, and Croyd shrugged, said goodnight, and walked out, stepping up his pace to the blur level as the muscle near the door looked about, as if for orders.

It was not until a couple of blocks later that a pair of such street troops caught up and attempted to brace him for a refund. He tore out a sewer grating, stuffed their bodies down through the opening and replaced it, for his final bit of subtlety before closing the books on this one.

The Hue of a Mind by Stephen Leigh

Wednesday, 9:15 A.M.

For seven days, since Misha had arrived in New York, she had met nightly with the joker Gimli and the abominations he had gathered around him.

For seven days she had lived in a festering sore called Jokertown, waiting.

For seven days there had been no visions. And that was most important.

Visions had always ruled Misha's life. She was Kahina, the Seeress: Allah's dreams had shown her Hartmann, the Satan who danced puppets from his clawed hands. The visions had shown her Gimli and Sara Morgenstern. Allah's visions had led her back to the desert mosque the day after she'd slit her brother's throat, there to be given by one of the faithful the thing that would give her revenge and bring Hartmann down: Allah's gift.

Today was the day of the new moon. Misha took that as an omen that there would be a vision. She had prayed to Allah for well over an hour this morning, the gift He had bestowed upon her cradled in her arms.

He had granted her nothing.

When she rose from the floor at last, she opened the lacquered clothes trunk sitting beside the rickety bed. Misha took off her chador and veils, changing into a long skirt and blouse again. She hated the light, brightly colored cloth and the sinful nakedness she felt. The bared arms and face made her feel vulnerable.

Misha covered Allah's gift with the folds of the chador she didn't dare wear here. She had just hidden it under the black cotton when she heard the scrape of a footstep behind her.

Mingled fear and anger made her gasp. She slammed down the lid of the clothes trunk and straightened.

"What are you doing in here?" She whirled around, not even realizing she was shouting in Arabic. "Get out of my room-"

She'd never felt safe in Jokertown, not once in the week she'd been here. Always before there had been her husband, Sayyid, her brother, the Nur. There had been servants and bodyguards.

Now Misha was in a country illegally, living alone in a city full of violence, and the only people she knew were jokers. Only two nights before, someone had been shot and killed in the street outside these ramshackle sleeping rooms near the East River. She told herself that it had only been a joker, that the death didn't matter.

Jokers were cursed. The abominations of Allah.

It was a joker standing at the door of her dingy room, staring at her. "Get out," she said in shaky, accented English. " I have a gun."

"It's my room," the joker said. "It's my room and I'm taking it back. You're just a nat. You shouldn't be here." The thin, scrawny shape took a step forward into the light from the room's one window. Misha recognized the joker immediately.

Gray-white rags of torn cloth were wrapped around his forehead, and the grimy bandages were clotted and brown with old blood. His hair was stiff with it. His hands were similarly covered, and thick red drops oozed through the soaked wrappings to fall on the floor. The clothing he wore over his emaciated body bunched here and there with hidden knots, and she knew that there were other seeping, unclosing wounds on the rest of his body.

She'd seen him every day, staring at her, watching. He would be in the hallways outside her door, on the street outside the tenement, walking behind her. He'd never spoken, but his rancor was obvious. "Stigmata," Gimli had told her when she'd confessed his fear of him the first day. "That's his name. Bleeds all the fucking time. Have some goddamn compassion. Stig's no trouble to anyone."

Yet Stigmata's sallow, drawn stare frightened her. He was always there, always scowling when she met his gaze. He was a joker, that was enough. One of Satan's children, devilmarked by the wild card. "Get out," Misha told him again.

"It's my room," he insisted like a petulant child. He shuffled his feet nervously.

"You are mistaken. I paid for it."

"It was mine first. I've always lived here, ever since-" His lips tightened. He drew his right hand into a fist; the sopping bandages rained scarlet as he brandished it before her. His voice was a thin screech. "Ever since this. Came here the night I got the wild card. Nine years ago, and they kick me out 'cause I don't pay the last couple months. I told em I was gonna pay, but they wouldn't wait. They'll take nat money instead."

"The room's mine," Misha repeated.

"You got my things. I left everything here."

"The owner took them, not me they're locked in the basement."

Stigmata's face twisted. He spat out the words as if they burned his tongue, almost screaming them. "He's a nat. You're a nat. You're not wanted here. We hate you."

His accusations caused Misha's masked frustrations to boil over. A cold fury claimed her, and she drew herself up, pointing at the joker. "You're the outcasts," she shouted back at Stigmata, at Jokertown itself. She might have been back in Syria, lecturing the jokers begging at the gates of Damascus. "God hates you. Repent of your sins and maybe you'll be forgiven. But don't waste your poison on me."

In the midst of her tirade there was suddenly a whirling, familiar disorientation. "No," Misha cried against the onslaught of the vision, and then, because she knew there was no escape from hikma, divine wisdom: "In sha'Allah." Allah would come as He wished, when He wished.

The room and Stigmata wavered in her sight. Allah's hand touched her. Her eyes became His. A waking nightmare burst upon her, melting away the gritty reality of Jokertown, her filthy room, and Stigmata's threats.

She was in Badiyat Ash-sham again, the desert. She stood in her brother's mosque.

The Nur al-Allah stood in front of her, the emerald glow of his skin lost beneath impossibly thick streams of blood that trailed down the front of his djellaba. His trembling hand pointed at her accusingly; his chin lifted to show the gaping, puckered, bone-white edges of the wound across his throat. He tried to speak, and his voice, which had once been compelling and resonant, was now all gravel and dust, choked. She could understand nothing but the hatred in his eyes. Misha gasped under that baleful, accusing gaze.

"It wasn't me!" she sobbed, falling to her knees before him in supplication. "Satan's hand moved mine. He used my hatred and my jealousy. Please…"

She tried to explain her innocence to her brother, but when she looked up, it was no longer Nur al-Allah standing before her but Hartmann.

And he laughed.

"I'm the beast who rips away the veils of the mind," he said. His hand lashed out, clawing for her as she recoiled belatedly. Like talons his nails dug into her eyesockets, slashed the soft skin of her face. Blinded, she screamed, her head arced back in torment, writhing but unable to get away from Hartmann as his fingers tore and gouged.

"We don't wear veils here. We don't wear masks. Let me show the truth underneath. Let me show you the color of the joker below," He clenched harder, ripping and tearing. Ribbons of flesh peeled away as he clawed at her, and she felt hot blood pouring down her ruined features. She moaned, sobbing, her hands trying to beat him away as he raked again and again, shearing flesh from muscle and muscle from bone.

"Your face will be naked," Hartmann said. "And they will run in horror from you. Look, look at the colors inside your head-you're just a joker, a sinner like the rest. I car, see your mind, I can taste it. You're the same as the rest. You're the same."

Through the streaming blood she looked up. Though the apparition was still Hartmann, he now had the face of a young man, and the whine of a thousand angry wasps seemed to surround him. Yet in the midst of her torment, Misha felt a comforting hand on her shoulder and turned to see Sara Morgenstern beside her. "I'm sorry," Sara told her. "It's my fault. Let me send him away."

And then Allah's vision withdrew, leaving her gasping on the floor. Trembling, sweating, she raised her hands to her face. Marveling, she touched the unbroken flesh there.

Stigmata stared at the woman sobbing on the splintery pine boards.

"You ain't no damn nat," he said, and his voice was touched with a gruding sympathy. "You're just one of us." He sighed. Slow droplets of blood welled, fell. "It's still my room and I want it," he added, but the bitter edge was gone from his voice. "I'll wait. I'll wait."

He walked softly to the door. "One of us," he said again, shaking his gory, swaddled head, and went out.

Friday 6:10 P.M.

"So all the rumors are true. You are back again."

The voice came from behind him, in the shadow of an overflowing trash container. Gimli whirled, scowling. His feet kicked up oil-filmed water pooled in the alleyway, the remnants of the afternoon's showers. "Who the fuck are you?" The dwarfs left hand was fisted at his side; his right stayed very close to the open flap of the windbreaker he wore despite the warm night, where the weight of a silenced. 38 hung. "You've got about two seconds before you become gossip yourself."

"Well, and as temperamental as ever, aren't we?" It was a young man's voice, Gimli decided. Streetlight flowed over a figure beside the trash. "It's me, Gimli," the man said. "Croyd. Move that damn hand from the gun. I ain't no cop."

"Croyd?" Gimli squinted. He relaxed slightly, though his squat, muscular body stayed low. "Your ace sure screwed up this time. I've never seen you look like that."

The man chuckled without mirth. His face and arms were a shocking porcelain white, his pupils dull pink; the tousled dark brown hair only accentuated the pallor of the skin. "Shit, yeah. Gotta stay out of the sun, but then I've always been a night person. Dyed the hair and started wearing sunglasses, but I lost the shades. Still got the strength this time, though. It's a damn good thing too," he added reflectively.

Gimli waited. If this guy was Croyd, fine; if he wasn't, Gimli didn't intend to give him a chance to do anything. Being in New York again made him edgy. Polyakov wouldn't meet with them until Monday, when Hartmann was rumored to be making his bid; the fucking Arab woman was a jokerhater who spouted religious nonsense half the time and had 'visions' the other; his old JJS people had lost their fire while he'd been in Europe and Russia; and with the Shadow Fist/Mafia wars and Barnett's rabble-rousing, no one felt safe.

Yet staying cooped up in the warehouse made him edgy.

He had told himself that taking a brief night walk would take some of the edge off.

Another fucking bad idea.

"Gimli was seeing enemies in every shadow-that was the only way to stay alive and free. It was bad enough that Hartmann had the federal and state authorities digging up the old JJS network and hassling everyone. With the jokernat underground skirmishes, it seemed like every fucking cop in New York was in Jokertown and Gimli was too recognizable to feel comfortable on the streets, no matter what precautions he took. He wasn't going to pretend that Hartmann wouldn't prefer Gimli was shot "resisting arrest, than jailed-he wasn't that damned stupid.

Better to be cautious. Better to be furtive. Better to make a mistake and leave someone else dead than to be noticed. "Look, Croyd, I'm just a little paranoid at the moment. I'm real uneasy about people I don't know seeing me…"

Croyd took a step closer. Crooked teeth snagged his lower lip-the albino's gums were a startling bright red. Gimli was reminded of a B-movie zombie. "You got any speed, Gimli? Your connections were always good."

"I've been away. Things change."

"No speed? Shit."

Gimli shook his head. That, at least, sounded like Croyd. The man frowned, shuffling from foot to foot.

"So it goes," he said. "I've got other sources, though they're drying up or dying on me. Listen, the talk on the streets is that the JJS is reforming. Let me give you some free advice. After Berlin, you should give up on Hartmann; he's a good guy, anyway, no matter what you think. Take out that s.o.b. Barnett instead. I might have considered it myself, if I'd woken up with the right power. Everyone in Jokertown'd thank you for it."

"I'll think about it."

The albino laughed again, the same dry cackle. "You don't believe it's me, do you?"

Gimli shrugged. His hand moved significantly back toward the windbreaker; he saw the man watching the movement carefully. "You're still alive, aren't you? That's something."

The albino who might or might not be Croyd sidled closer until Gimli could smell his breath. "Yeah," he said. "And maybe next time around I'll just pound you a lot closer to the pavement than you already are. Croyd remembers things, Miller."

Croyd coughed, sniffed, and wiped his nose on his sleeve. With a bloodshot, overdone leer, he moved off. Gimli watched him, wondering if he was making a mistake. If he wasn't Croyd…

He let him go. Gimli waited in the alley until he'd turned the corner back onto the street and then headed off again, taking a few extra turns just to see if he was being followed.

In time he came to the back door of a dilapidated warehouse near the East River.

Gimli could see Video on the roof. He waved to her and nodded to Shroud, who materialized from the shadows of the entrance. Gimli grimaced. He could hear the argument inside the frame building-twined voices snarling like a rumbling thunderstorm heard just over the horizon. "Fuck, not again," he muttered.

Shroud adjusted the strap of his machine pistol and shrugged. "We need some entertainment," he said. "It's almost as good as Berlin."

Gimli shoved open the door. Muffled words coalesced into intelligibility.

File was shouting at Misha, who stood with arms folded and a righteous expression on her face as Peanut tried to hold back the rasp-skinned joker. File waved a fist at Misha, shoving at Peanut. ". .. your self-centered, blind fanaticism! You and the Nur are just Barnetts in Arabian drag. You have the identical hatred in your pompous souls. Let me show you hatred, bitch! Let me show you what it feels like."

As the rusty hinges of the door screeched, Peanut glanced over, his arms still wrapped around File. Peanut was scraped from the effort of holding the joker, his forearms scored with long, bloody scratches. A nat's skin would have been scoured entirely off, but Peanut's chitinous flesh was more durable. "Gimli," he said pleadingly.

File spun in Peanut's grip, tearing a pained screech from Peanut. He pointed at Misha as he glanced at the dwarf. "Get rid of her!" he shouted. " I won't put up with this crap much longer." Twisting, he tore himself away from Peanut, who let him go this time.

"Just what the fuck's going on?" Gimli slammed the door shut behind him and glared. "I could hear you people halfway down the alley."

"I won't tolerate any more insults." File stalked toward Misha threateningly, and Gimli planted himself between the two.

"She said Father Squid's going to hell when he dies," Peanut added, dabbing at his cuts with a handkerchief. " I told File she just don't understand, but-"

"I told the truth." Misha sounded bewildered, as if she failed to believe their lack of comprehension. Her head shook, her hands were spread wide as if to absolve herself of guilt. "God showed His displeasure with the priest when He made him a joker. Yes, this Father Squid might be sent to hell, but Allah is infinitely merciful."

"See?" Peanut smiled at File tentatively. "It's okay, huh?"

"Yeah, and I'm a joker and Gimli and you are jokers and we're all being punished too. Right? Well, that's bullshit and I'm not gonna listen to it. Screw you, cunt." File flipped a finger in Misha's direction and spun on the balls of his feet. The slamming of the door reverberated for several seconds after his exit.

Gimli looked over his shoulder at Misha. To him she was quite remarkably good-looking out of the frigging black funeral dress, but she never seemed at ease in Western clothing. Her mysticism and bluntness unsettled his people. File, Shroud, Marigold, and Video absolutely loathed her, while Peanut-oddly enough-seemed utterly infatuated even though she gave the half-witted joker nothing but scorn.

Gimli had already decided he hated her. He regretted the impulse that had led him to meet with her after the Berlin fiasco; he wished he'd never steered her toward Polyakov. If it weren't for the evidence she claimed to have against Hartmann and the fact that they were still waiting for the Russian's information, the justice Department would have received an anonymous tip. He'd like to see what fucking Hartmann would have them do with her.

She was a damn ace. Aces only cared about themselves. Aces were worse than nats.

"You got remarkable tact, you know that?" he said.

"He asked. I only told him what Allah told me. How can truth be wrong?"

"You want to live very much longer in Jokertown, you'd better learn when to keep your fucking mouth shut. And that is the truth."

"I'm not afraid to be a martyr for Allah," she answered haughtily, her accent blurring the hard consonants. " I would welcome it. I'm tired of this waiting; I would rather attack the beast Hartmann openly."

"Hartmann's done a lot for the jokers…" Peanut began, but Gimli cut him off.

"It'll be soon enough. I talked to Jube tonight, and the word is Hartmann's going to speak at the rally in Roosevelt Park on Monday. Everyone thinks he'll make his announcement then. Polyakov said he'd contact us as soon as Hartmann made things official. We'll move then."

"We must contact Sara Morgenstern. The visions-"

"-don't mean anything," Gimli interrupted. "We'll make plans when Polyakov's finally here."

"I will go to this park, then. I want to see Hartmann again. I want to hear him." Her face was dark and savage, almost comically fierce.

"You'll stay away, goddammit," Gimli said loudly. "With all the shit going down in this city, the place'll be crawling with security."

She stared at him, and her gaze was more intense then he had thought it could be. He blinked. "You are not my father or my brother," she told him as if speaking to a slow child. "You are not my husband, you are not the Nur. You can't order me as you do the others."

Gimli could feel a blind, useless rage coming. He forced it down. Not much longer. Only a few more days. He stared back at her, each reading the other's dislike.

"Hartmann might make a good president…" Peanut's voice was almost a whisper as he glanced from one to the other. They ignored him. The scratches on his arms oozed blood.

"I hate this place," Misha said. " I look forward to leaving." She shuddered, breaking eye contact with Gimli. "Yeah, there's a lot of fucking people about here who feel the same way." Misha's eyes narrowed at that; Gimli smiled innocently.

"A few more days. Be patient," Gimli continued. And after that, all bets are off. I'll let File and the rest do whatever they damn well please with you.

"Until then, keep your goddamn opinions to yourself," he added.

Monday, 2:30 P.M.

Misha, who had once been known as Kahina, remembered the sermons. Her brother, Nur al-Allah, had been at his most eloquent describing the torment of the afterlife. His compelling, resonant voice hammered the faithful from the minbar while noontime heat swirled in the mosque of Badiyat Ashsham, and it had seemed that the pits of hell gaped open before them.

Nur al-Allah's hell had been full of capering, loathsome jokers, those sinners Allah had cursed with the affliction of the wild card virus. They were an earthly image of the eternal torment that awaited all sinners: the vile underworld was slathered with twisted bodies that were a mockery of the human form; slick with puss oozing from scabrous faces; full of the stench of hatred and revulsion and sin.

The Nur had not known, but Misha did: Hell was New York. Hell was Jokertown. Hell was Roosevelt Park on a June afternoon. And the Great Satan himself capered there, before all his adoring followers: Hartmann, the devil with strings lacing his fingertips, the phantom who haunted her waking dreams. The one who had with Misha's own hands destroyed her brother's voice.

She'd seen the papers, the headlines praising Hartmann and extolling his coolness in crisis, his compassion, his work to end the sufferings of jokers. She knew that the thousands in the park were there to see him, and she knew what they hoped he would say. She knew that most considered Hartmann to be the one voice of sanity against the pious, hate-filled ravings of Leo Barnett and the others like him.

Yet Allah's dreams had shown her the real Hartmann, and Allah had placed in her very hands the gift that would bring him down. For just a moment the reality of the gathering in the park shimmered and threatened to give way to the nightmare again, and Misha nearly cried out.

"You okay? You shivered."

Peanut touched her on the arm, and Misha felt herself draw away involuntarily from contact with his hornlike, inflexible fingers. She saw hurt in his eyes, nearly lost in the scaly shell of his face.

"You're not supposed to be here," she told him. "Gimli said-"

"It's all right, Misha," he whispered. The joker could barely move his lips; the voice was a poor ventriloquist's rasp. " I hate the way I look too. A lot of us do-like Stigmata, y'know. I understand."

Misha turned from the guilty pain that the sympathy in his ruined voice gave her. Her hands ached to pull the veils over her face and hide herself from Peanut. But the chador and veils were locked away in the trunk in her room. Her hair was unbound and loose around her shoulders.

"When you are in New York, you can't wear black, not on a summer day. They'll already suspect that you're there. If you must go out, at least take care that you blend in if you intend to stay free. Be glad you can at least go walking in daylight; Gimli won't dare show his face at all." Polyakov had told her that before she'd left Europe. It seemed small consolation.

Here in Roosevelt Park, despite what Gimli had said the night before, there was no chance she would be conspicuous. The place was packed and chaotic. Jokertown had spilled its vibrant, strange life onto the grass. It was '76 again, the masks of Jokertown placed gleefully aside. They walked unashamed of Allah's curse, flaunting the visible signs of their sins, mixing unchecked with the one they called nats. They stood shoulder to misshapen shoulder around the stage set at the north end of the park closest to Jokertown, cheering the speakers who preached solidarity and friendship. Misha listened, she watched, and she shivered again, as if the afternoon heat was a chimera, a dream-phantom like the rest.

"You really hate jokers, don't you?" Peanut whispered as they moved closer to the stage. The grass was torn and muddy under their feet, littered with newspapers and political tracts. It was another thing she detested about this hell; it was always crowded, always filthy. "Shroud, he told me what your brother preached. The Nur don't sound awful different from Barnett."

"We… the Qur'an teaches that God directly affects the world. He rewards the good and punishes the wicked. I don't find that horrible. Do you believe in God?"

"Sure. But God don't punish people by giving them no damn virus."

Kahina nodded, her dark eyes solemn. "Then yours is either an incredibly cruel God, who would inflict a life of pain and suffering on so many innocents; or a poor, weak one who cannot stop such a thing from happening. Either way, how can you worship such a deity?"

The sharp rebuttal confused Peanut-in the days since she'd been here, Misha had found the joker to be friendly but extraordinarily simple. He tried to shrug, his whole upper body lifting, and tears welled in his eyes. "It ain't our fault-" he began.

His pain touched Misha, stopping her even as she started to interrupt. Again she wished for the veil to hide her empathy. Haven't you listened to what Tachyon and the others have hinted at between the lines? she wanted to rage at him. Don't you see what they don't dare say, that the virus amplifies your own foibles and weaknesses, that it only takes what it finds inside the infected person? "I'm sorry," she breathed. "I'm very sorry, Peanut." She reached out and brushed her shoulder with her hand; she hoped he didn't notice how the fingers trembled, how fleeting the touch was. "Forget what I said. My brother was cruel and harsh; sometimes I'm too much like him."

Peanut sniffed. A smile dawned on his sharp-edged face. "S'okay, Misha," he said, and the instant forgiveness in his voice hurt more than the rest. He glanced at the stage, and the valleys deepened in his craggy skin. "Look, there's Hartmann. I don't know why you and Gimli got such a beef against him. He's the only one who helps…"

Peanut's observation trailed off at that moment the packed masses around them shoved fists toward the sky and cheered. And Satan strode onto the stage.

Misha recognized some of those around him: Dr. Tachyon, dressed in outrageous colors; Hiram Worchester, rotund and bloated; the one called Carnifex, staring at the crowd so that she wanted to hide herself. A woman stood beside the senator, but it wasn't Sara, who had also been in her dreams so often, with whom she'd talked in Damascus-Ellen, his wife, then.

Hartmann shook his head, grinning helplessly at the adulation that swept through the crowd. He raised his hands, and the cheering redoubled, a roaring crowd-voice echoing from the skyscrapers to the west. A chant began somewhere near the stage, rippling back until the entire park resonated. "Hartmann! Hartmann!" they shouted to the stage. "Hartmann! Hartmann!"

He smiled then, his head still shaking as if in disbelief, and then he stepped to the battery of microphones. His voice was deep and plain and full of caring for those before him. That voice reminded Misha of her brother's; when he spoke, the very sound was truth. "You people are wonderful," he said.

They howled then, a hurricane of sound that nearly deafened Misha. The jokers pressed around the stage, Misha and Peanut thrust forward helplessly in the tidal flow. The cheering and chanting went on for a long minute before Hartmann raised his hands again and a restless, anticipatory hush came over the crowd.

"I'm not going to stand up here and feed you the lines you've come to expect of politicians like me," he said at last. "I've been a long time away and what I've seen of the world has, frankly, made me feel very frightened. I'm especially frightened when I return and find that same bigotry, that same intolerance, that same inhumanity here. It's time to quit playing politics and taking a safe, polite course. These aren't safe, polite times; these are dangerous times."

He paused, taking a breath that shuddered in the sound system. Almost exactly eleven years ago, I stood in the grass of Roosevelt Park and made a "political mistake.' I've thought about that day many times in the past years, and I swear to God that I've yet to understand why I should feel sorry for it. What I saw before me on that day was senseless, raw violence. I saw hatred and prejudice boiling over, and I lost my temper. I. Got. Mad:"

Hartmann shouted the last words, and the jokers shouted back to him in affirmation. He waited until they had settled into silence again, and this time his voice was dark and sad. "There are other masks than those which Jokertown has made famous. There is a mask which hides a greater ugliness than anything the wild card might produce. Behind that mask is an infection that's all too human, and I have heard its voice in the tenements of Rio, in the kraals of South Africa, in the deserts of Syria, in Asia and Europe and America. Its voice is rich and confident and soothing, and it tells those who hate that they are right to hate. It preaches that anyone who is different is also less. Maybe they're black, maybe they're Jewish or Hindu, or maybe they're just jokers."

With the emphasis on the last word the crowd-beast howled again, a wall of anguish that made Misha shiver. His words echoed the visions uncomfortably. She could almost feel his fingernails clawing at her face. Misha looked to her right and saw that Peanut was craning forward with the rest, his mouth open in a cry of agreement.

"I can't let that happen," Hartmann continued, and now his voice was louder, faster, rising with the emotions of the audience. " I can't simply watch, not when I see that there's more I can do. I've seen too much. I've listened to that insidious hatred, and I can no longer abide its voice. I find myself becoming angry all over again. I want to rip the mask off and expose the true ugliness behind, the ugliness of hatred. The state of this nation and the world frightens me, and there's only one way that I can do something to ease that feeling." He paused again, and this time waited until the entire park seemed to be holding its collective breath. Misha shuddered. Allah's dream. He speaks Allah's dream.

"Effective today, I have resigned my seat in the Senate and my position as chairman of SCARE. I've done that to give full attention to a new task, one that will need your help as well. I am now announcing my intention to be the Democratic candidate for president in 1988."

His last words were lost, buried under the titanic clamor of screaming applause. Misha could no longer see Hartmann, lost in the rippling sea of arms and banners. She had not thought that anything could be so loud. The acclamation deafened her, made her clap hands to ears. The chant of Hartmann! Hartmann! began once more, joker fists pumping in time with the beat.

Hartmann! Hartmann!

Hell was noisy and chaotic, and her own hatred was lost in the joyous celebration. Beside her, Peanut chanted with the rest, and she looked at him with revulsion and despair.

He is so strong, Allah, stronger than the Nur. Show me that this is the right path. Tell me that my faith is to be rewarded.

But there was no answering dream. There was only the beast-voice of the jokers and Satan basking in their praise. At least now it would begin. Tonight. Tonight they would meet and decide how to best destroy the devil.

Monday, 7:32 P.M.

Polyakov was the last one to arrive at the warehouse.

That pissed Gimli off. It was bad enough that he wasn't sure he could trust any of the old New York JJS organization. It was enough that he'd been dealing with Misha for nearly two weeks now, putting up with her contempt for jokers. It was enough that Hartmann's Justice Department aces were prowling all over Jokertown after him; that Barnett's rabblerousing had made any joker fair game for the nat gangs; that the continuing battles between the underworld organizations had made the streets a gamble for all.

On top of everything else, he could feel a cold coming on. Gimli sneezed and blew his nose into a large red handkerchief.

It was shit time in Jokertown.

Polyakov's arrival only made Gimli's temper more vile. The Russian stamped into the place without a knock, throwing the door back loudly. "The joker on the roof is standing against streetlight," he proclaimed loudly. "Any fool can see her. What if I'd been police? You would all be under arrest or dead. Amateurs!" Dilettante!

Gimli wiped his bulbous, tender nostrils and glanced at the handkerchief. "The joker on the roofs Video. She threw an image of you in the room to let us know you were on the way-she needs the light to project. Peanut and File would have taken you out at the door if I hadn't recognized you." Gimli stuffed the damp handkerchief back in his pocket and pounded on the wall twice with his fist. "Video," he shouted to the ceiling. "Give our guest a replay, huh?"

In the center of the warehouse the air shimmered and went dark. For a moment they were all looking at the alleyway outside the warehouse, where a portly man stood in shadow. The darkness coalesced, pulsed, and they were seeing a head-and-shoulders view of the man: Polyakov, grimacing as he looked toward Video. Then the image faded to Gimli's laughter.

"And you never fucking saw Shroud behind you, did you?" he said.

A slender figure materialized out of the shadow behind Polyakov. He poked a forefinger in Polyakov's back. "Bang," Shroud whispered. "You're dead. Just like a Russian joker." Alongside the door Peanut and File grinned.

Gimli had to admit that Polyakov took it gracefully enough for a nat. The burly man just nodded without looking at Shroud at all. "My apologies. You obviously know your people better than L"

"Yeah. Don't I." Gimli sniffed; his sinuses were dripping like an old faucet. He waved to Shroud. "Make sure nobody else gets in-there's no more invitations." The thin, dark joker nodded. "Dead meat time," Shroud said-another whisper. A grin came from the vaporous form, and then he dissolved into shadow.

"We have aces with us, then," Polyakov said.

Gimli laughed without amusement. "Get Video near an electrical device and her nervous system overloads. Put her in front of a damn television and her heart will go into arrhythmia. Too close and she'll die. And Shroud loses substance every day, like he's evaporating. Another year and he'll be dead or permanently immaterial. Aces, shit, Polyakovthey're jokers, just like the rest. You know, the ones you cull out in the Russian labs."

Polyakov merely grunted at the insult; Gimli felt disappointed. The man brushed his fingers through stubbly gray hair and nodded. "Russia had made her mistakes, as has America. There are many things I wish had never happened, but we're here to change what we can, are we not?" He fixed Gimli with an unblinking stare. "The Syrian ace has arrived?"

"I'm here." Misha came from the rear of the warehouse. Gimli saw her glance sharply at Peanut and File. Her attitude was sour and condescending. She walked as if she expected to be catered to. Gimli might find her Arabian darkness extremely attractive, but-except in late-night fantasies-he didn't delude himself that anything might come of it. He knew what he looked like: "a warty, noxious little toadstool feeding on the decaying log of ego,-Wilde's phrase."

Gimli was a -joker; that was the bottom line for the bitch. Misha had made certain that Gimli knew he was tolerated only to gain revenge on Hartmann. She didn't see him as a person at all; he was just a tool, something to use because nothing else would do. The realization gigged him every time he looked at her. Just seeing the woman was enough to make him want to shout at her.

I'll make you a fucking tool of my own one day.

"I'm ready to begin. The visions,"-she smiled, making Gimli scowl in response "have been optimistic today." Gimli scoffed. "Your goddamn dreams ain't gonna worry the senator, are they?"

Misha whirled around, eyes flaring. "You mock Allah's gift. Maybe your scorn is why He made you a squashed mockery of a man."

That was enough to shatter what little restraint he had. A quick, molten rage filled Gimli. "You fucking bitch!" he screeched. The dwarfs stance widened on muscular legs, his barrel chest expanded. A finger stabbed from the fist he cocked at her. "I won't take that shit, not from you, not from anyone!"

"STOP THIS!" The shout came from Polyakov as Gimli took a step toward Misha. The roar brought Gimli's head around; the movement made his stuffy head throb. "Amateurs!" Polyakov spat out. "This is the stupidity that Molniya said destroyed you in Berlin, Tom Miller. I believe him now. This petty bickering must end. We have a common purpose; focus your anger on that."

"Pretty speeches don't mean shit," Gimli scoffed, but he stopped. The fist lowered, the fingers loosened. "We're a damn unlikely conspiracy, ain't we?-a joker, an ace, and a nat. Maybe this was a mistake, huh? I'm not so certain anymore that we share much of a common purpose." He glared at Misha.

Polyakov shrugged. "None of us want Hartmann to gain political power. We have our separate reasons, but on this we agree. I would not care to see an ace with unknown powers as president of the nation that opposes my own. I know the Kahina would like to exact revenge for her brother. You have a long-standing grudge of your own against the senator. And as little as you may care for this woman, she has brought hard evidence against Hartmann."

"So she claims. We ain't seen it yet, have we?" Polyakov grunted. "Everything else is circumstantial: hearsay and speculations. So let us begin. I, for one, would like to see Misha's 'gift."'

"Let's talk reality first. Then we can indulge in religious fantasies," Gimli argued. He could feel control of the meeting slipping from him; the Russian had presence, charisma. Already the others were watching Polyakov as if he were the head of the group. Forget how lousy you're feeling. You've got to watch him or he'll take over.

"Nevertheless," the Russian insisted.

Gimli cocked his head at Polyakov. Polyakov stared back at him blandly. Finally Gimli cleared his throat noisily and sniffed. "All right," he grumbled. "The stage is yours, Kahina."

When Gimli glanced at her, she gave a quick, triumphant smile. That decided Gimli. When this was over, the bill would come due for Misha's arrogance. He'd exact the payment himself if he had to.

Misha went to the rear of the warehouse again and came back with a rolled bundle of cloth. "When the aces attacked us in the mosque, Hartmann was wounded," she said. "His people examined him there, quickly, but they retreated immediately afterward. I"-she stopped, and a look of remembered pain darkened her face "I had already fled. My brother and Sayyid, both horribly wounded, gathered their followers and went deep in the desert. The next day a vision told me to return to the mosque. There, I was given this: It is the jacket Hartmann was wearing when he was shot."

She unrolled her package on the cement floor.

The jacket wasn't all that impressive-a gray-checked sports coat, dusty and bedraggled. The cloth held a faint stench of mildew. At the right shoulder a frayed hole was surrounded by an irregular splotch of brown-red, spreading as it crept down the chest. Packed inside were a sheaf of papers in a manila envelope. Misha riffled through them.

"I went to four doctors in Damascus with the jacket," she continued. "I had them examine the bloodstains independently, and each gave me a report that said the blood had definitely come from someone infected with the wild card virus. The blood type matches Hartmann-A positive. I have verification from the man who gave it to me that this is Hartmann's jacket-he picked it up after the fighting, thinking to keep it as a relic of the Nur."

"A verification letter from a terrorist, and blood that could have come from fucking anyone." Gimli snorted. "Look, all of us here might believe it's Hartmann's blood, but alone it's nothing. The bastard's got his blood test on record. You think he can't produce another negative one with the people he knows?"

Polyakov nodded ponderously. "He can. He would."

"Then attack him physically," Misha said, wondering at these people. "If you don't want my gift, kill him. I will help." The look on her face made Gimli laugh and the laughter brought on a hacking, phlegm-filled cough. "Christ, all I need is a cold," he muttered, then: "Awfully fucking bloodthirsty, ain't we?"

Misha folded her arms beneath her breasts, defiant. "I'm not afraid. Are you?"

"No, goddammit. Just realistic. Look, your brother had him surrounded by guards with Uzis and he got away, didn't he? I had the fucker tied to a chair, all of us armed, and one by one most of us left, a decision we can't believe we made an hour later. Then Mackie Messer-who was a loaded gun with no safety anyway-goes fucking berserk and slices up everyone that's left, yet somehow doesn't hurt the good senator at all." Gimli spat. "He can make people do things-that's got to be his power. He's got aces all around him. We ain't gonna get to the man, not that way."

Polyakov nodded. "Unfortunately, I must agree. Misha, you don't know Molniya, the ace who was with Gimli in Berlin," he said. "He could have killed Hartmann with a simple touch. I spoke to him at length. He did things there that were sloppy and senseless for a man of his loyalty and experience. His performance was utterly inconsistent with his past record. He was manipulated: part of the evidence I have is his deposition."

File elbowed Peanut. "'Seventy-six," he said to Gimli. " I remember. You talked to Hartmann when we were all ready to march. Suddenly, you were telling us to turn around and go back into the park."

The memory was as sour now as it had been eleven years ago. Gimli had brooded on it many times. In '76 the JJS had been on the verge of becoming a legitimate joker voice, yet somehow he'd lost it all. The JjS and Gimli's power had fallen apart in the aftermath of the rioting. Since Berlin, since his meeting with Misha, that brooding had taken a different turn.

Now he knew who was to blame for his failure.

"Damn right. The son-of-a-bitch. That's why I want him taken down. With Barnett or any of the other nat politicians we know what we're dealing with. They're all known quantities. Hartmann's not. And that's why he's more dangerous than any of the rest. You remember Aardvark, Peanut? Aardvark died in Berlin, along with a lot of others-his death and all the fucking rest are ultimately Hartmann's fault."

Peanut's entire body moved as he tried to shake his head. "That ain't right, Gimli. Really. Hartmann does work for the jokers. He got rid of the Acts, he talks nice to us, he comes to Jokertown…"

"Yeah. And I'd do the same damn thing if I wanted to lull everyone's suspicions. I tell you, we know where Barnett stands. We can deal with him anytime. I'm more afraid of Hartmann."

"Then do something about him," Misha interjected. "We have his jacket. We have your story and Polyakov's. Take it to your press and let them remove Hartmann."

"Because we still ain't got shit. He'll deny it. He'll produce another blood test. He'll point out that the `evidence' was produced by a joker who kidnapped him in Berlin, a Russian who has connections with the KGB, and you-who says that her dreams tell her Hartmann's an ace and who's suffering under the lunatic delusion that she was made to attack her terrorist brother. A fucking classic example of guilt transference."

Gimli enjoyed the flush that climbed Misha's neck. Yeah, that one hit home, didn't it, bitch? "We've circumstantial evidence, sure," Gimli continued, "but if we bring it forward, he'll just laugh it off and so will the press. We have to link with someone else. Let them be the front."

"I take it you have someone in mind?" Polyakov commented. Gimli thought he heard a faint challenge in the man's voice. "Yeah, I do," he told Polyakov. " I say we take what we have to Chrysalis. From what I hear, she's awfully damn interested in Hartmann herself, and she doesn't have any grudges. No one knows more about anything in Jokertown than Chrysalis."

"Know one knows more about Hartmann than Sara Morgenstern." Misha waved away Gimli's suggestion. "Allah's dreams have shown me her face. She is the one who will destroy Hartmann, not Chrysalis."

"Right. She's Hartmann's lover. We think Hartmann's got mind powers-so who's he most likely to control?" The headache was slamming at Gimli's temples now, and his head felt packed full of mucus. "We have to go to Chrysalis."

"We don't know that Chrysalis would have any interest in helping us. Maybe Hartmann controls her as well. My visions-"

"Your visions are crap, lady, and I'm getting fucking tired of hearing about them."

"They are Allah's gift."

"They're a gift from the wild card, and every last joker knows what's in that package." Gimli heard the door to the warehouse open. His gaze spun away from Misha to see Polyakov standing there. "Where the hell are you going?"

Polyakov exhaled sharply. "I've heard enough. I won't be caught with fools. Go to Chrysalis or go to Morgenstern-I don't care which. I even wish you luck; it may work. But I won't be associated with it."

"You're walking?" Gimli said in disbelief.

"We have a common interest, as I've said. That seems to be all. You do as you like; you don't need me for that. I will pursue this my own way. If I uncover anything of interest, I will contact you."

"You try something on your own and you're more likely to get caught. You'll alert Hartmann that people are after him." Polyakov shrugged. "If Hartmann is the threat you think he is, he already knows that." He nodded to Gimli, to Misha, to File and Peanut. He stepped outside and closed the door softly behind himself.

Gimli could feel the gazes of the others on him. He gestured obscenely at the door. "To hell with him," he said loudly. "We don't need him."

"Then I go to Sara," Misha insisted. "She will help." You don't have a choice. Not now.

Gimli nodded reluctantly. "All right," he sighed. "Peanut will get you a plane ticket to Washington. And I'll see Chrysalis." He touched his hand to his forehead; it felt suspiciously warm. "In the meantime, I'm going to bed."

Tuesday, 10:50 P. m.

Gimli had told her that she must be careful that no one was watching Sara's apartment. Misha thought the dwarf paranoid, but she waited several moments before crossing the street, watching. There was never a way to be sure Sayyid, her husband, who had been in charge of all aspects of the Nur sect's security, would have agreed.

"No amateur will ever see a professional unless he wants to be seen," she remembered his saying once. Thoughts of Sayyid brought back painful memories: his scornful voice, his overbearing manner, his monstrous body. She'd felt relief mingled with horror when he'd been struck down in front of her, his bones snapping like dry twigs, a low animal moaning coming from his crumpled body…

Misha shuddered and crossed the street.

She pressed the intercom button at the front door, marveling again at the American obsession with ineffectual securitythe door was beveled glass. It would hardly stop anyone desperate to enter. The voice that answered sounded tired and cautious. "Yes? Who's there?"

"This is Misha. Kahina. Please, I must talk with you…" There was a long silence. Misha thought that perhaps Sara wasn't going to answer when the intercom's speaker gave a dry click. "You may come up," the voice said. "Second floor. Straight ahead."

The door buzzer shrilled. For a moment Misha hesitated, not certain what to do, then pushed the door open. She entered the air-conditioned foyer and went up the stairs. The door was cracked open; in the space between the door and jamb, an eye stared at her as she approached. It withdrew, and Misha heard a chain rattling. The door opened wider, but only enough to let her pass. "Come in," Sara said.

Sara was thinner than Misha remembered, almost gaunt. Her face was sallow and drawn; there were pouchy dark bags under the eyes. Her hair looked as if it hadn't been washed in days, lying limp and lusterless around her shoulders. She locked the door behind Misha, then leaned back against it.

"You look different, Kahina," Sara said. "No chador, no veils, no bodyguards. But I remembered the voice, and your eyes."

"We've both been changed," Misha said softly, and saw pain flicker in Sara's dark-rimmed pupils.

"I guess we have. Life's a bitch, huh?" Sara pushed away from the door, knuckling at her eyes.

"You wrote about me, after… after the desert. I read it. You understood me. You have a kind soul, Sara."

"I don't write much lately." She went to the center of the living room. Only one lamp was on; Sara turned in dim shadow. "Listen, why don't you sit down? I'll get something to drink. What would you like?"

"Water."

Sara shrugged. She went into the kitchen, came out a few minutes later with two tumblers. She handed one to Misha; Misha could smell alcohol in the other. Sara sat on the couch across from Misha and took a long swallow. "I've never been more frightened than the day in the desert," she said. " I thought your brother-" She hesitated, glancing at Misha over the rim of the glass. " I thought he was utterly mad. I knew we were all going to die. And then…" She took a long sip.

"Then I cut his throat," Misha finished. The words hurt; they always did. Neither one of them looked at the other. Misha put her tumbler on the table beside the couch. The chiming of ice against glass seemed impossibly loud.

"That must have been a very hard decision."

"Harder than you could believe," Misha answered. "The Nur was-and still is-Allah's prophet. He is my brother. He is the person my husband followed. I love him for Allah, for my family, for my husband. You've never been a woman in my society; you don't know the culture. You can't see the centuries of conditioning. What I did was impossible. I would rather have cut off my hand than allow it to do that."

"Yet you did."

"I don't think so," Misha said softly. "I don't think you believe it, either."

Sara's face was in darkness, haloed by backlit hair. Misha could see only the gleam of her eyes, the shimmer of water on her lips as she raised her glass again. "Kahina's dreams again?" Sara mocked, but Misha could hear the words tremble. " I came to you in Damascus because of Allah's visions."

"I remember."

"Then you remember that in that vision Allah told me you and the senator were lovers. You remember that I saw a knife, and Sayyid struggling to take it from me. You remember that I saw how Hartmann had taken your distrust and transformed it, and how he would take my feelings and use them against me."

"You said lots of things," Sara protested. She huddled back deeper in the couch, hugging her knees to her chest. "It was all symbols and odd images. It could have meant anything."

"The dwarf was in that vision, too," Misha insisted. "You must remember-I told you. The dwarf was Gimli, in Berlin. Hartmann did the same thing there."

Sara's breath was harsh. "Berlin-" she breathed.' Then: "It's all coincidence. Gregg's a compassionate and warm man. I know that, better than you or anyone. I've seen him. I've been with him."

"Is it coincidence? We both know what he is. He is an ace, a hidden one."

"And I tell you that's impossible. There's a blood test. And even if it were true, how does that change things? He's still working for the rights and dignity of all people unlike Barnett or your brother or terrorists like the JJS. You've given me nothing but innuendo against Gregg."

"Allah's dreams-"

"They're not Allah's dreams," Sara interrupted angrily. "It's just the damned wild card. Flashes of precognition. There are half a dozen aces with the same ability. You see glimpses of the possible futures, that's all: useless little previews that have nothing to do with any god."

Sara's voice had risen. Misha could see her hand trembling as she took another drink. "What did you think he'd done, Sara?" she asked. "Why did you once hate him?"

Misha had thought that Sara might deny it; she didn't. "I was wrong. I thought… I thought he might have killed my sister. There were coincidences, yes, but I was wrong, Misha."

"Yet I can see that you're frightened because you might have been right, because what I'm saying might be the truth. My dreams tell me-they tell me you've been wondering since Berlin. They tell me you're frightened because you remember one other thing I told you in Damascus: that what he did to me, he would also do to you. Don't you notice how your feelings for him change when he's with you, and doesn't that also make you wonder?"

"Damn you!" Sara shouted. She flung the tumbler aside.

It thudded against the wall as she rose to her feet. "You have no right!"

"I have proof." Misha spoke softly into Sara's rage. She looked calmly upward into the woman's glare.

"Dreams," Sara spat.

"More than dreams. At the mosque, during the fighting, the senator was shot. I have his jacket. I had the blood analyzed. The infection is thereyour wild card virus."

Sara shook her head wildly. "No. That's what you want the tests to show."

"Or Hartmann had his own blood test falsified. That would be easy for him, wouldn't it?" Misha persisted. The wild agony in Sara tore at Misha, yet she persisted. Sara was the key-the visions all said that she was. "And it would mean that perhaps you were right about your sister. It would explain what happened with me. It would explain what happened in Berlin. It would explain everything, all the questions you've had."

"Then go to the press with this proof."

"I am. Right now."

Sara's head swayed back and forth in dogged refusal. "It's not enough."

"Maybe not by itself. We need all that you can tell us. You must know more-other strange incidents, other deaths…" Sara was still shaking her head, but her shoulders slumped and the anger had drained away. She turned from Misha. "I can't trust you," she said. "Please. Just go away."

"Look at me, Sara. We're sisters in this. We've both been hurt, and I want justice for that, as you want justice for your sister. We cry and bleed and there's no healing for us until we know. Sara, I know how we can mix love and hate. We're related in that strange, awful way. We've both allowed love to blind us. I love my brother, but I also hate what he's done. You love Hartmann, and yet here's a darker Hartmann underneath. You can't move against him because to do so would prove that giving yourself was a mistake, because when he's here all you can think about is the Hartmann you love. You'd have to admit that you were wrong. You'd have to admit that you let yourself love someone who was using you. So you wait."

There was no answer. Misha sighed and nodded. She couldn't say any more, not when each word tore a visible wound in Sara. She moved toward the door, touching Sara gently on the back as she passed. Misha could feel Sara's shoulders moving with silent tears. Misha's hand was on the knob when Sara spoke behind her, her voice choked.

"You swear it's his jacket? You have it?"

Misha kept her hand on the knob, not daring to turn, not allowing herself to feel hope. "Yes."

"Do you trust Tachyon?"

"The alien? I don't know him. Gimli doesn't seem to like him. But I will trust him if you do."

"I have to be in New York later this week. Meet me in front of the Jokertown Clinic Thursday evening at six-thirty. Bring the jacket. We'll have Tachyon examine it, and then we'll see. We'll see, that's all. Is it enough?"

Misha almost gasped with the relief. She wanted to laugh, wanted to hug Sara and cry with her. But she only nodded. "I'll be there. I promise you, Sara. I want the truth, that's all."

"And if Tachyon says it proves nothing?"

"Then I'll learn to accept the guilt for what I did myself," Misha started to turn the knob, stopped. "If I'm not there, know that it's because he stopped me. You'll have to decide what to do then."

"Which gives you a convenient out," Sara said derisively. "All you have to do is not show."

"You don't believe that. Do you?" Silence.

Misha turned the knob and went out.

Tuesday, 10:00 P.M.

Chrysalis swung open the door to her office. She paid very little attention to the dwarf who sat in her chair, his bare feet propped up on her desk. She shut the door-the sounds of another busy night at the Crystal Palace dropped to a distant tidal soughing. "Good evening, Gimli."

Gimli was feeling rotten. The lack of surprise in Chrysalis's startling eyes only made him feel worse. " I should learn that you're never caught off guard."

She gave him a tight-lipped smile that floated over a webbing of muscles and tendons. "I've known you were back for weeks. That's old news. So how's your cold?"