East is East

Small Matters

He was swimming, rotating from front to back, thrashing his arms and legs and puffing out his cheeks, and it seemed as if he’d been swimming forever. He did the crawl, the breaststroke, the Yokohama kick. Tiring, he clung to the cork life ring like some shapeless creature of the depths, a pale certificate of flesh. Sometime during the fifth hour, he began to think of soup. Miso-shiru, rice chowder, the thin sea-stinking broth his grandmother would make of fish heads and eel. And then he thought of beer—bottles like amber jewels in a bed of ice—and finally he thought of water, only water.

When the sun went down, taking all the color with it and leaving behind a surface as hard and cold as hammered pewter, his tongue was swollen in his throat and the deepest yearnings of his gut gnawed at him like imperious little animals. His hands were bloated and raw, the life ring chafed at his arms, gulls swooped close to appraise him with their professional eyes. He might have given up. Might have eased into the dream of bed and supper and home, slipping into the broth of the sea centimeter by centimeter until the ring floated free and the anonymous waves closed over him. But he resisted. He thought of Mishima and Jōchō and the book he’d taped round his chest, beneath the now limp and sodden turtleneck. Enfolded in a panoply of Ziploc bags, bound to him with black electrical tape and repository of four odd green little American bills, it tugged at the place where his heart beat.

One should take important considerations lightly, Jōchō said. Small matters should be taken seriously. Yes. Of course. What did it matter if he lived or died, if he washed ashore and discovered a simmering pot of noodles with pork and green onion or if the sharks nibbled his toes, his feet, his shins and thighs? What mattered was, was … the moon. Yes: the small slip of a perfect moon cut like a parenthesis into the darkening horizon. It was rising, white and pristine, delicate as a fingernail paring. He forgot his hunger, his thirst, forgot the teeming teeth of the sea, and made the moon his own.

Of course, at the same time, he knew he would make it, which made Jōchō’s advice a lot easier to stomach. It wasn’t only the birds—the pelicans and cormorants and gulls beating west to their roosts—but the smell of the shore that told him as much. Sailors talk of the sweet wafting odor of the landfall that awakens them thirty miles out to sea, but on this, his maiden voyage, he’d never noticed it. Not on board the Tokachi-maru, anyway. It was here, fixed to the surface, the twenty short years of his life raveling out like the threads of a frayed cord, that it struck him. Suddenly his nose was an instrument of vigorous and minutely calibrated sensitivity, houndlike and true: he could discern the individual blades of grass on the black shore that lay somewhere ahead of him, and he knew that there were people there, Americans, with their butter-stink and their pots of ketchup and mayonnaise and all the rest, and that beneath them there was dead dry sand and mud seething with crabs and nematodes and all the unseeable particles of decay that it comprises. And more, much more: the musk of wild animals, the healthy domestic stench of dogs and cats and parrots, the metallic odor of spray paint and fuel oil, the faintly sweet scent of the exhaust of outboard engines, the perfume—so rich and potent it made him want to sob—of night-blooming flowers, of jasmine and honeysuckle and a thousand things he’d never smelled before.

He’d been ready to die, and now he was going to make it.

He was close. He knew it. He stirred his legs in the darkening waters.

“Shouldn’t we have a light or something?”

“Hm?” His voice was a warm murmur at her throat. He was half asleep.

“Running lights,” Ruth said, her own voice pitched low, almost a whisper. “Isn’t that what they call them?”

The boat rocked softly on the swells, serene and stable, rocked like a cradle, like the big lumpy bed with the Magic Fingers massage in the motel they’d stumbled across her first night in Georgia. There was a breeze too, salt and sweet at the same time, gentle, but just strong enough to keep the mosquitoes at bay. The only sound was of the water caressing the hull, soothing, rhythmic, a run and trickle that played in her head with the strains of a folk song she’d forgotten ten years ago. The stars were alive and conscious. The champagne was cold. He didn’t answer.

Ruth Dershowitz was lying naked in the bow of Saxby Lights’s eighteen-foot runabout. (Actually, the boat belonged to his mother, as did everything else in and attached to the big house on Tupelo Island.) Saxby was stretched out beside her, the drowsy flat of his cheek pressed to the swell of her breast. Each time the boat dipped beneath her, the friction of his fashionable stubble sent small fires burning all the way down to her toes. Five minutes earlier Saxby had knelt before her, adjusted her hips on the broad, flat plank of the seat, stroked open her thighs and moved himself into her. Ten minutes before that she’d watched him grow hard in the dimming light as he sat across from her and tried, unsuccessfully, to inflate a plastic air mattress to cushion them. She’d watched him, bemused and excited, until finally she’d whispered, “Forget it, Sax—just come over here.” Now he was asleep.

For a while she listened to the water and thought nothing. And then the image of Jane Shine, her enemy, rose up before her and she banished it with a vision of her own inevitable triumph, her own inchoate stories jelling into art, conquering magazines and astonishing the world, and then she was thinking about the big house, thinking about her fellow writers, the sculptors and painters and the single walleyed composer whose music sounded like slow death in the metronome factory. She’d been among them for a week now, one week of an indefinite stay—a succession of months that came alive in her mind, months with little gremlin faces and hunched shoulders, leapfrogging into the glorious, limitless, sunlit and rent-free future. No more waitressing, no more hack work, no more restaurant reviews, Parade banalities or Cosmo dreck on safe sex, sex in the shower or waking up at his house. She could stay as long as she pleased. Stay forever.

She had connections.

The thought lulled her, and before she knew it she was drifting off, drawn down into the murk of the unconscious by the champagne, the blanket of the night and the luxurious undulations of the boat, and soon the streaking white forms of sea creatures moved through her dream. She was in the water, floating, and a dozen pallid shapes rushed at her like torpedoes and she cried out … but it was all right, she was in Saxby’s boat and the stars were alive and she was awake—for an instant—before she fell back into her dream. Porpoises, they were only porpoises, she saw now, and they frolicked with her, poked their bottle snouts between her legs and hoisted her onto their slick and streamlined shoulders … but then something went wrong and she was alone in the water again and there was something else there, a shadow rising from the depths, sinister and quick, and it hit her, hard, with a thump that woke her. “Sax?” she said, and at first she thought a boat had run into them because of the lights, because of the lack of lights—she wasn’t thinking clearly—“Sax? Did you feel that?”

Saxby was a heavy sleeper. She’d been with him once in California when he slept through three blasts of the clock radio, an earthquake severe enough to knock the pictures off the wall and a practice session the university marching band had held on the field behind his apartment. “Wha’?” he said, “huh?” and his head slowly lifted itself from her chest. “Feel what?”

And then all at once Saxby froze. She was lying back, watching him, when she felt his muscles go tense and heard his grunt of surprise—“What in hell?”—and then she looked up and locked eyes with an apparition. A face, ghostly and astonishing in the blanched light of the moon, hovered over the stern; beneath it, a pair of impossible hands clung to the engine mount. It took her a moment, but then she understood: there was a man there. Clinging to their boat, at night, in the middle of Peagler Sound. She saw him, yes, hair in his eyes, something odd about his features, saw the look of fuddlement and exhaustion on his face, and watched as it turned, as if in slow motion, to one of horror. He gave a yelp—a yelp that transcended the puny limitations of language and culture—and then, before she had time even to recollect her own nakedness, he was gone.

In the next instant she and Saxby were on their feet, fumbling to get into their clothes and tangling their limbs as the boat lurched and heaved beneath them. “Goddamn it!” Saxby cursed, clutching his shorts in one hand and tearing at the anchor rope with the other, “you sorry son of a bitch! Come back here!”

Whoever he was—ghost, voyeur, prankster, errant surfer or castaway—he had no intention of doing anything of the kind. Just the opposite: he was in full flight. Ruth could hear him flailing in the water, and now, sitting heavily and groping for her T-shirt, she could just barely make him out: the dark wedge of his head driving against the black water, a flash of something white—a life jacket? a boogie board?—and the foam, phosphorescent with plankton, trailing behind him like a chimerical tail.

Cursing, Saxby raked the anchor over the side and flung it to the bottom of the boat. The smell of the mud, fecal and corrupt, rose to her nostrils. “What’s with this jerk, anyway?” Saxby muttered, and his hands were shaking as he pulled the starter cord. “Is he some kind of pervert, or what?”

Ruth was seated in front, still watching the shadow of the distant swimmer. “He looked”—she didn’t yet know what she wanted to say, didn’t yet realize what it was about him that had struck her—“he looked different somehow.”

“Yeah,” Saxby grunted as the engine whined to life, “Chinese or something.” And then he goosed the throttle, the boat swung round on its axis and they shot off in the swimmer’s wake.

The breeze caught Ruth’s hair as she wriggled into her shorts. Her heart was pounding. She was confused. What had happened? What were they doing? There was no time to think. The waves thumped under her, she clutched at the seat and felt the spray in her face. They were closing fast on the thrashing swimmer when she twisted round and cried out to Saxby.

She was afraid suddenly, afraid of Saxby for the first time in all the months she’d known him. He was decent, kind, easy-going, she knew that, a guy who drank Campari and soda and felt self-conscious about the size of his feet, and yet there was no telling what he’d do in a situation like this. “Son of a bitch,” he spat, and she could see him gritting his teeth in the cold light, and for an instant she pictured the hapless swimmer pounded flat beneath the smooth glistening fist of the hull. “No!” she cried, but he cut the throttle just as they pulled even with the dark twisting shape in the water.

“Let me get a look at this shithead,” Saxby said, and the beam of his flashlight came to life.

For the first time she saw the intruder clearly. There he was, struggling in the wash of the boat, no more than five feet from her. She saw a drift of reddish hair, his odd distorted features, the unfathomable eyes that threw back the light in alarm, and then he was kicking away from the boat, frantic, as Saxby swung the tiller to stay with him. He was panicking, this man in the water, flailing and gasping, fighting at the life buoy under his arm, and all at once she knew he was going to drown. “He’s drowning, Sax,” she cried, “he fell off a ship or something.” The engine sang, throttle up, throttle down. The waves slapped at the hull. “We’ve got to save him.”

She turned to Saxby. His anger was gone now, his face composed, contrite even. “Yeah,” he said, “you’re right. Yeah, of course,” and he rose to his feet, rocking back and forth with the motion of the boat, holding his flashlight as if the strength of its beam could hoist the drowning man aboard.

“Throw him a line,” she urged. “Hurry.”

The man in the water, thrashing and blind, reminded her of the little two-foot alligator Saxby had gigged one night in the beam of a flashlight on the pond out back of the big house. The thing was floating, inert, no more animate than a stick or a clump of weed but for the fire its eyes gave back in the light, and then Saxby struck and it folded up like a pocketknife, gone, sucked down into the matted depths, only to come back at them like a switchblade, mad and stung and toothy and dying. “You grab him, grab his arm,” Saxby said, forcing the boat in tight.

But the drowning man didn’t want his arm grabbed. He stopped dead, flung the life buoy from him and shouted up at her, shouted in her face, shouted till she could see the glint of gold in his teeth. “Go ’way!” he cried. “Go ’way!” And then he vanished beneath the boat.

And then there was nothing. No sound, no movement. The motor sputtered, the boat drifted. Exhaust washed over them, bitter and metallic.

“He’s a nutcase,” Saxby said. “Must of broke out of Milledgeville or something.”

She didn’t respond. Her knuckles were drained of blood, her fingers seared into the pale chipped wood of the gunwale. She’d never seen anyone die before, never seen anyone dead, not even her grandmother, who’d had the good sense to pass on while she was in Europe. Something rose in her throat, a deep wad of sorrow and regret. The world was crazy. A moment ago she’d been wrapped in her lover’s arms, still and serene, the night spread over them like a blanket … and now someone was dead. “Sax,” she turned to him, pleading, “can’t you do something? Can’t you dive in and save him?”

Saxby’s face was inscrutable. She knew every fiber of him, knew where to hurt him and where to make him feel good, knew how to snip out his soul, wring it in her hands and hang it out like a hankie to dry. But this was something new. She’d never seen him like this before. “Shit,” he said finally, and he looked scared now, that was all right, that was a mode she recognized, “I can’t see a damn thing. How can I dive in if I can’t see him?”

She watched the beam of the flashlight play dully over the surface, and then she heard something, a faint splash, the sweet allision of breaking water. “Over there!” she shouted and Saxby swung the light. For a moment they saw nothing, and then the shore, with its close dark beard of Spartina grass, leaped into view like a slide clapped into a projector. “There!” she cried, and it was him, the swimmer, standing now, the sea lapping at his belt loops, a limp white shirt hanging from him like a rag.

“Hey!” Saxby bellowed, angry again, enraged. “Hey, you! I’m talking to you, you jackass. What are you trying—?”

“Hush,” Ruth warned him, but it was too late: the intruder was gone again, already enveloped in vegetation, thrashing through the reeds like a gutshot deer, already anonymous. The sea lay flat beneath the beam of the flashlight. The picture was empty. It was then that the life buoy drifted into view, just beyond her reach, in a wash of reeds and plastic refuse. “Let me—” she grunted, stretching for it, but Saxby anticipated her and powered the boat forward. And then she had it, a prize fished out of the water and dripping in her lap.

She turned it over and there they were, the bold red ideographs that spelled out the name of the Tokachi-maru. She couldn’t read them, of course, but they were a revelation nonetheless. Saxby hovered over her, peering down at the thing as if it were treasure. The light was in her lap, the breeze gave her a scent of the shore. “Yes,” she said finally, “Chinese.”

The Tokachi-maru

Hiro tanaka was no more chinese than she was. he was a Japanese, of the Yamato race—or at least on his mother’s side he was, no one would question that—and he’d left the Tokachi-maru amid strained circumstances. The fact is, he jumped ship. Literally. This wasn’t a case of cozying up to a barmaid or falling down dead drunk in some back alley while the ship weighed anchor; this was deliberate, death-defying, a leap into the infinite. Like his idol Yukio Mishima, and Mishima’s idol before him, Jōchō Yamamoto, Hiro Tanaka was a man of decision. When be jumped ship, he didn’t entangle himself in verbal niceties: no, he just jumped.

On the day in question, the Tokachi-maru was steaming north along the coast of Georgia, bound for Savannah with a load of tractor parts, DAT recorders and microwave ovens. It was a day like any other, the wind brisk, the sun baked into the sky, the 12,000-ton freighter ironing the waves as if they were wrinkles in a shirt. All but six of the forty-member crew sat straight-backed over their western-style lunches (corned beef hash, sardines in oil, scrambled eggs and home fries, all wedded in a single pot and seasoned with A. 1. sauce and Gulden’s mustard). Captain Nishizawa was in his cabin, sleeping off his preprandial sake; Chief Mate Wakabayashi and Able Bodied Seaman Kuma were in the chart room and at the helm, respectively; Ordinaries Uetto and Dorai were on watch; and Hiro was in the brig.

Actually, Hiro was in a storage closet on the third deck. It was sixty-four feet square, or about the size of the apartment he had occupied with his grandmother prior to signing on the Tokachi-maru, and it was illuminated by a single jittery 40-watt bulb. Hiro had been given a wooden bowl and a pair of chopsticks for his alimentary needs, a bucket in which to relieve himself and a futon to spread on the cold steel floor. There was no ventilation, and the little room stank of fumigant and the Bunker C fuel the huge steam turbines burned day and night. Twenty mops, twenty buckets and sixteen flat-headed brooms hung from hooks screwed into the walls. A scatter of odds and ends—paint scrapers, empty Sapporo boxes, a single Nike tennis shoe spattered with tar—lay where the last storm had strewn them. The door locked from the outside.

Though he was conscientious, well mannered and inoffensive, and so silent and circumspect as to be nearly invisible among his shipmates, Hiro found himself confined to this hateful steel room, his diet limited to two balls of white rice and one tin cup of water daily, because of an uncharacteristic act of defiance: he had disobeyed the direct order of an officer. The officer was Chief Mate Wakabayashi, a survivor of the Battle of Rarotonga who carried shrapnel in his lower back, legs, arms, feet and at the base of his skull, and whose temper consequently tended to be short. He had issued a direct order to Hiro to cease and desist constricting the windpipe of First Cook Hideo Chiba, who at the time lay thrashing on the galley floor beneath Hiro’s full and outraged weight. And that was a good deal of weight: at five foot ten, Hiro, who was inordinately fond of eating, weighed close to two hundred pounds. Chiba, who was inordinately fond of drinking, weighed less than a wet mop.

The moment was chaotic. Second Cook Moronobu Unagi, who had once parboiled the face of an OS in a dispute over a bottle of Suntory, was screeching like a parrot: “He’s killing him! Murder, murder, murder!”; the Chief Engineer, an intense silent man in his seventies, with bad feet and ill-fitting dentures, tugged ineffectively at Hiro’s shoulders; and half a dozen deckhands stood around jeering. Chief Mate Wakabayashi, in his pristine white uniform, scurried up to where the combatants lay entangled on the galley floor, delivered his stentorian order, and was immediately flung into a pot of clear broth as the ship chose that moment to plunge into a trough. Soup—it was a twenty-gallon pot—cascaded onto the floor, searing Hiro’s back and permeating Chiba, who already stank enough for three men, with the essence of reduced fish. Through it all, Hiro held his grip.

And what had driven so mild a man to so desperate a pass?

The immediate cause was a pan of hard-cooked eggs. Hiro, who’d signed on the Tokachi-maru as Third Cook, beneath the drunken and foul-smelling Chiba and the drunken, leering and unctuous Unagi, was preparing a dish of nishiki tamago as an appetizer for the evening meal. The task consisted of shelling a hundred hard-boiled eggs, carefully separating the yolks from the whites, very finely chopping and seasoning each, and finally reuniting them—tenderly—in half-inch layers in a succession of stainless-steel pans. Hiro had learned the recipe from his grandmother—and he knew some thirty others by heart—and yet this was the first time in the six weeks since the ship had left Yokohama that he’d been allowed to prepare the dish himself. More usually, he acted as sous chef, errand boy and galley slave, scrubbing pans, polishing the gas ranges, cleaning mountains of defrosted squid, cuttlefish and bonito, chopping seaweed and peeling grapes till his fingers went numb. On this particular afternoon, however, Chiba and Unagi were indisposed. They had been drinking sake since breakfast in celebration of O-bon, the Buddhist festival of ancestral spirits, and Hiro had been left to himself while they strove to commune with the shades of the departed. He worked hard. Worked with pride and concentration. Eight trays lay before him, exquisitely prepared. As a finishing touch, he sprinkled the dishes with black sesame seed, just as his grandmother had taught him.

It was a mistake. Because at that moment, just as he held the shaker inverted over the last tray, Chiba and Unagi staggered into the galley. “Idiot!” Chiba screeched, slapping the shaker from his hand. The shaker clattered off the gas range. Hiro averted his face and hung his head. Through his sandals, deep in the soles of his feet, he could feel the ta-dum, ta-dum, ta-dum of the screws churning through the sour green waves beneath them. “Never,” Chiba seethed, his sunken chest and fleshless arms trembling, “never use black sesame on nishiki tamago.” He turned to Unagi. “Did you ever hear of such a thing?”

Unagi’s eyes were slits. He rubbed his hands together as if in anticipation of some rare treat, and he bowed his head with a quick snap. “Never,” he breathed, waiting, waiting, “except maybe among foreigners. Among gaijin.”

Now Hiro looked up. The underlying cause of his explosion, the cause of all his torment in life, was about to surface.

Chiba leaned into him, his monkey face twisted with hatred, flecks of spittle on his upper lip. “Gaijin” he spat. “Long-nose. Ketō. Bata-kusai.” And then he unfolded his clenched fist, studied the palm of his hand for an instant, and without warning struck a savage blow to the bridge of Hiro’s nose. Then he turned to the pans of nishiki tamago. Raging, in a mad flurry of skinny wrists and snapping elbows, he overturned them on the floor, one after another. “Offal!” he shouted. “Dog shit! Fit for pigs!” Through it all, Unagi regarded Hiro through half-closed eyes, grinning.

This is the point at which Hiro lost control. Or rather, he didn’t lose control exactly, but attacked his tormentor in what Mishima would call “an explosion of pure action.” The nishiki tamago was on the floor, the twenty-gallon kettle rattling its lid, Unagi grinning and Chiba spouting invective, the moment suspended as the tintinnabulation of the last pan hung in the air, and then the First Cook was swimming in chopped egg and Hiro’s fingers were locked on his throat. Chiba gasped, the turkey flesh of his neck turning red under Hiro’s white, white fingers. Unagi screamed: “Murder! Murder! Murder!” And all the while Hiro hung on, ignoring the jeers, the scalding soup, Chiba’s hot foul breath and the face that swelled beneath him like a blood blister, oblivious to Wakabayashi and the Chief Engineer, fighting like a rabid dog against the pull of the eight men it took to separate him from his tormentor. He was beyond caring, beyond pain, the words of Jōchō pounding in his head: One cannot accomplish feats of greatness in a normal frame of mind. One must turn fanatic and develop a mania for dying.

But he didn’t die. He wound up instead in the makeshift brig, staring at the walls and breathing Bunker C fumes, awaiting the Port of Savannah and the Japan Air flight that would take him home in disgrace.

Gaijin. Long-nose. Butter-stinker. These were the epithets he’d endured all his life, crying to his grandmother on the playground, harassed in elementary school and transformed into a punching bag in junior high, singled out and bullied till he was driven from the merchant marine high school his grandmother had chosen for him. Foreigner, that’s what they called him. For while his mother was a Japanese—a firm-legged beauty with round eyes and a fetching buck-toothed smile—his father was not.

No. His father was an American. A hippie. A young man in a cracked and rubbed-soft photo, hair to his shoulders, the beard of a monk, eyes like a cat’s. Hiro didn’t even know his name. Obāsan, he pestered his grandmother, what was he like, what was his name, how tall was he? “Doggu,” she said, but that wasn’t his real name, it was a nickname—Doggo—after a character in an American comic book. “Tall,” she said sometimes, “with little colored glasses and a long nose. Hairy and dirty.” Other times she said he was short, skinny, fat, broad-shouldered, or that his hair was white and he walked with a cane, or that he wore denims and an earring and was so dirty and hairy (he was always dirty and hairy, no matter the version) that he could have grown turnips behind his ears. Hiro didn’t know what to believe—his father was like a chimera out of a children’s tale, larger than life in the morning, smaller than a thimble in the evening. He might have asked his mother, but his mother was dead.

This much he knew: the American had come to Kyoto in his hippie rags, with his granny glasses and his rings, to devote himself to Zen and find someone to teach him to play the koto. Like all Americans, he was lazy, stoned and undisciplined, and he soon lost interest in the Zen regimen of prayer and contemplation, but still he haunted the streets of Kyoto, vaguely hoping to learn the rudiments of the koto and bring it back to America with him, as the Beatles had brought the sitar from India. He was in a band, of course—or at least he had been—and it was the oddness of the instrument that appealed to him. Five feet long, with thirteen strings and movable bridges, it was like nothing he’d ever heard, humming and strange, a zither the size of an alligator. He would electrify it, naturally, and lay it flat on a table like a pedal steel guitar and then he would rotate his shoulders and flail his unshorn head, plucking frenziedly at the strings and astonishing the audiences back home. But it was the devil to play, and he needed a teacher. And a job. He was out of work, out of money, and-his student visa was about to expire.

That was where Sakurako Tanaka came in.

Hiro’s mother was bright, very bright, a high school graduate whose test scores were among the best in her class—a girl for whom even the august Tokyo University was not an impossibility—charming, pretty, ebullient and, at nineteen, a failure. She didn’t want Todai or Kyoto University or any of them. She didn’t want a career with Suzuki or Kubota or Mitsubishi and she most emphatically didn’t want to bury herself in the kitchen or the nursery. What she wanted, desperately, with an ache that ate at her like the gnawings of hunger, like the insomnia that hollowed out her nights and drained her mornings, was to play American rock and roll. Onstage. With her own band. “I want to play Buffalo Springfield, Doors, Grateful Dead and Iron Butterfly,” she told her mother. “I want to play Janis Joplin and Grace Slick.” Her mother, a housewife in a nation of housewives, was firmly opposed to it. The music was foreign, devil’s music, grating, sensual and impure, and the proper place for a young woman was in the home with her husband and children. Sakurako’s father, a salaryman who’d worked all his life for Kubota Tractor, who dined, golfed and vacationed with his colleagues and had a plot reserved in the company cemetery, exploded at the mere mention of rock and roll.

The upshot was that Sakurako left home. She took her bleached jeans and her guitar and went to Tokyo, where she made the rounds of the clubs in the Shibuya, Roppongi and Shinjuku districts. It was 1969. Female guitarists in Japan were as rare as loquats in Siberia. Within a month she was back in Kyoto, working as a bar hostess. When Doggo stepped through the door, yenless, with his hair and beads and jeans, with his boots and tie-dyed shirt, his fingertips callused from the friction of the cold steel strings of his guitar, she was lost.

He allowed her to feed him and buy him drinks, and he told her about L.A. and San Francisco, about the Sunset Strip and the Haight and Jim Morrison. She found him a sensei who taught shamisen and koto to the geisha of Pontochō, the ancient district of Kyoto, and in his gratitude he moved in with her. The apartment was small. They slept on a mat and smoked hippie drugs and made love while listening to scratchy records of hippie bands. Hiro had no illusions about it. His mother was a bar hostess—she knew a hundred men, coquetry was her business—and the picture of her life played like a grim documentary in his head. She became pregnant, the room shrank, rice suddenly tasted odd and the odor of cooking saturated the walls, and then one day Doggo was gone, leaving behind the cracked photo and a sound of plucked strings that chimed through the interstices of her solitude. Six months later, Hiro was born. Six months after that, his mother was dead.

And so, Hiro was a half-breed, a happa, a high-nose and butter-stinker—and an orphan to boot—forever a foreigner in his own society. But if the Japanese were a pure race, intolerant of miscegenation to the point of fanaticism, the Americans, he knew, were a polyglot tribe, mutts and mulattoes and worse—or better, depending on your point of view. In America you could be one part Negro, two parts Serbo-Croatian and three parts Eskimo and walk down the street with your head held high. If his own society was closed, the American was wide open—he knew it, he’d seen the films, read the books, listened to the LPs—and anyone could do anything he pleased there. America was dangerous, yes. Seething with crime and degeneracy and individualism. But they’d driven him out of school in Japan—he was lower than the Burakumin, who collected the garbage; lower than the Koreans, who’d been brought over as slaves during the war.

And so, Hiro went to sea on the Tokachi-maru, the most decrepit, rust-eaten hulk to fly the Japanese flag, went because the ship was bound for the U.S.A. and he could go ashore and see the place for himself, see the cowboys and hookers and wild Indians, maybe even discover his father in some gleaming, spacious ranch house and sit down to cheeseburgers with him. And so, Hiro became Third Cook rather than the officer he might have been had they let him finish merchant marine high school, suffering the abuse of Chiba and Unagi and all the rest—even here, even at sea he wasn’t free of it—and so, he consulted Mishima and Jōchō and struck down his enemies and wound up in the brig, humiliated, living with the groans and pleas of his attenuated gut and two balls of rice a day.

In his extremity, he thought of food, day and night, dwelled on it, dreamed of it, apotheosized it. On the day of his escape, he dreamed of breakfast: miso soup with eggplant and bean curd, steamed white radishes, raw onions, mustard with rice. And lunch—not the western-style slop Chiba concocted to show off the fact that he’d once shipped on a freighter out of Tacoma, Washington—but the rice and egg dish—tamago meishi—his grandmother would make him when he came in from school, or the sweet bean and barley cakes she’d buy him at the confectioner’s or the delicate sōmen noodles she stirred in great swirling mounds in her iron kettle. He was dreaming of those noodles, staring morosely at the mops lining the walls, when he heard the heavy footfall of his warder on the companionway steps.

They were approaching the Port of Savannah and Hiro knew he’d have to make his move soon. He’d read deeply in The Way of the Samurai for days, getting Mishima’s and Jōchō’s words by heart, and now he was ready. The book—in its plastic womb and with the odd little green bills and his father’s picture nestled safely between its leaves—clung to him with tentacles of black electrician’s tape, the tape his friend Ajioka-san had slipped him in the night. In his hands he held a stout oaken mop, its head soaked heavy with the water they’d given him for washing.

The footsteps, the weary, dragging, footsore steps of Noboru Kuroda, the slug who mopped up the officers’ quarters and served them at table, halted outside the door. Hiro stood back, envisioning the slumped shoulders and concave chest, the hopeless hands and perpetually bewildered expression of old “Just-a-Minute” Kuroda, as they called him behind his back, and he waited breathlessly as the key turned in the lock. In a sort of fever he watched as the handle rotated and the door pulled back, and then he charged, the mop thrust before him like a lance. It was over in an instant. Kuroda’s tired old jowls seized with surprise, the wet mop speared him in the solar plexus and he went down on the worn linoleum, gasping and floundering like a yellowfin jerked from the somnolent depths. Hiro was briefly sorry for the loss of the rice balls, which were now mashed into Kuroda’s shirt, but this was no time for regrets. He stepped nimbly over the wheezing old man and darted up the companionway, his feet quick, liberty pounding in his veins.

Below him, on the second deck, the crew was at lunch, puzzling over their plates and struggling to pluck the odd bit of sardine out of the mélange of hash, eggs and potatoes Chiba had inflicted on them. Above him was the superstructure, and its ascending decks: the ship’s office and main electrical and gyroscope rooms on the fourth deck; the radio room on the fifth; the captain’s cabin, where even now Captain Nishizawa lay in a sake-induced stupor, on the sixth; and, finally, the bridge. From the bridge, high-flown and airy, a pair of observation decks protruded, hanging out over the water on either side of the ship like extended wings. They were catwalks, actually, supported from beneath by steel struts, and from them you could see ten miles on a clear day. It was for these that Hiro was heading.

He rattled up the steps past the ship’s office and on up past the radio room and the captain’s cabin, moving quickly but with resolution. He wasn’t fleeing blindly, not at all: he had a plan, as Mishima, in his gloss on Jōchō, had advised. One may choose a course of action, Mishima said, but one may not always choose the time. The moment of decision looms in the distance and then overtakes you. Then is to live not to prepare for that moment of decision? It was. And he was prepared.

On up the steps he raced, past the chart room where Chief Mate Wakabayashi glared savagely at him and lurched out the door in pursuit, past the helm where Able Bodied Seaman Kuma stood fixed at the wheel, and out onto the port wingdeck, where OS Dorai gaped at his advancing form as if he’d never before seen a man moving upright on his own two legs. And then, with Wakabayashi raging behind him and Dorai immobile before him, Hiro paused to draw his penknife. Thoughts of all those American movies with their tattooed gangs and the feints and thrusts of their knife fights must have shot through Dorai’s head, and he stepped back a pace or two, but the knife wasn’t a weapon at all. It was a tool. In two quick strokes Hiro slashed the cord binding the white life ring to the rail, and while Wakabayashi thundered along the deck and Dorai cringed, Hiro became airborne.

It was a sixty-eight-foot drop from the bridge to the water, and from that height it seemed a hundred and sixty-eight. Hiro never hesitated. He fell into the empyrean like a skydiver running before the chute, like an eagle plunging from its aerie, but there was nothing to sustain him in that indifferent element, and the sea rushed up at him like a bed of concrete. He hit feet first, letting the life ring fly, and still the force of the concussion nearly ripped Jōchō from his body. By the time he bobbed to the surface, his lungs heaving for the sweet, sweet air, the Tokachi-maru had passed him by, sliding across the horizon like a liquid mountain.

Under full steam, it would take the ship nearly two miles and three and a half minutes to come to a full stop. She would come back for him, Hiro knew that, as he knew that even now all hands were scrambling across the decks shouting “Man overboard!,” but he also knew that the tightest turn she could make was almost a mile across. He stroked hard, his feet churning in the brine, arms hammering at the chop. He had no thought of heading west toward the distant shore—they’d expect that of him—but instead he watched the sun and pushed himself due south, the way they’d come.

The water was warm, tropical, gleaming with a thousand jewels. He watched the birds overhead, watched the clouds. He clung to the life ring and kicked his legs. And the sea sustained him, embraced him, wrapped him up like the arms of a long-lost father.

Thanatopsis House

Ruth had watched the storm gather all morning. It was so dark at 6:30 she nearly slept through her wake-up call, and she pulled on her shorts and top in the gloom. She came down for breakfast at 7:00, taking her place as usual at the silent table, and even then it seemed as if the night had never ended. Owen Birks-head, the colony’s director, had lit the lamps in the corners, but everything beyond the windows was flat and without definition. Inside, it was muggy and close, the air so thick you could almost pat it into place like a down comforter. There was no rumble of thunder, no flash of lightning or streak of rain, but she could feel the storm coming with a deep physical intuition that connected her with the newt beneath the rock and the spider drawn up in the funnel of its web. Of course, she couldn’t mention it to anyone, couldn’t say, “It feels like rain” or “We’re really in for it now.” No. She was, by choice, sitting at the silent table.

When Saxby’s mother, Septima, now in her early seventies and snoring raucously from the master suite behind the breakfast parlor, had set up the trust for Thanatopsis House on the death of her husband some twenty years earlier, she’d followed the lead of other, more established artists’ colonies like Yaddo, MacDowell and Cum-mington. One of the traditions she’d adopted—and particularly adhered to—was that of the silent table. At breakfast, it was thought, artists of a certain temperament required an absolute and meditative silence, broken only perhaps by the discreet tap of a demitasse spoon on the rim of a saucer—in order to make a fruitful transition from the realm of dreams to that exalted state in which the deep stuff of aesthetic response rises to the surface. Others, of course, needed just the opposite—conviviality, uproar, crippling gossip, lame jokes and a whiff of the sour morning breath of their fellow artists—to settle brains fevered by dreams of grandeur, conquest and the utter annihilation of their enemies. For them, Septima had provided the convivial table, located in a second parlor separated from the first by a paneled corridor and two swinging doors of dark and heavy oak.

Even on this morning, when the turmoil of the storm was building inside her, when she felt light, almost weightless, when she felt giddy and excited for no good reason, Ruth chose the silent table. She’d been at the colony two weeks now—fourteen mornings—and in that space of time she’d never, even for an instant, thought of sitting anywhere else. Aside from Irving Thalamus, whose trade-in-stock—urban Jewish angst—throve on confusion, the name artists, the serious ones, all chose the silent table. Laura Grobian sat here, and Peter Anserine, and a celebrated punk sculptress with staved-in eyes and skin so pale she looked three days dead. Ruth reveled in it. She pretended to read the Savannah paper—delivered on the previous afternoon’s ferry and always a day out of date—while she watched Laura Grobian, with her concave cheeks and haunted eyes—her famous haunted eyes—to see how she spooned up her cold cereal and how the unflagging hours of the night had treated her. Or she’d study Peter Anserine, recently divorced, with his long nose and prominent nostrils, as he hacked and snorted surreptitiously over his food and the book—always European, and never in translation—that seemed attached to him like some sort of growth. And, too, she got to see who was breakfasting with whom at the convivial table, as they had to pass through the silent room on their way. Ruth watched and brooded and plotted, and when it got to be too much, when the table was deserted and she could put it off no longer, she pushed herself up from her chair and walked the quarter mile to her studio in the woods. Saxby, of course, slept till twelve.

It hadn’t yet started to rain when Ruth gathered up her things—the satchel with her notebooks, breath mints, her compact and hairbrush and one of the fat pulp romances she devoured in secret—folded the day-old newspaper under her arm, plucked an umbrella from the stand in the front hall and sallied out the door. This was her favorite part of the day. The path, set with flagstones and planted in some bygone era with jonquils and geraniums, took her through a stand of bearded oak and pine and within a good sniff of the marsh. The misery of writing was at hand, it was true, but the smell of the mudflats and the open ocean that drove in twice a day to swallow them stirred memories of her girlhood in Santa Monica—her simple, ingenuous and carefree girlhood, uncomplicated by the mania for fame (and its unfortunate concomitant, work) that had set in when she reached sixteen. And though at this time of year the heat and humidity were unrelenting—the entire state, as she often said, was like a shower stall in a dormitory—and she knew that the mosquitoes and deerflies lay in wait for her beneath the trees, she couldn’t help feeling exhilarated. Here she was, at Thanatopsis, writing—or trying to write; the colleague of Laura Grobian, Peter Anserine and Irving Thalamus—and yes, of the walleyed composer too, who, despite appearances, was the most famous of all the twenty-six artists now in residence.

Ruth, known to her intimates as La Dershowitz, was thirty-four, though she admitted only to twenty-nine. She’d been writing since her junior year in high school, when John Beard, her English teacher, as interested perhaps in her triumphant breasts and pouting smirk as in her adolescent poems and stories, encouraged her during the long hours of their late-night tutoring sessions. She’d put in time at most of the better summer workshops, courtesy of her father, and she held a shaky B.A. in anthropology from Sonoma State. She spent a year at Iowa and another at Irvine without managing to come away with a degree from either, and she’d published four intense and gloomy stories in the little magazines (two in Dichondra, the editor of which she’d met at Bread Loaf, and one each in Firefly and Precious Buttons). Money had become a problem, waitressing a terminal disease. When she met Saxby, who was flunking out of the oceanography program at Scripps, she fell in love with his dimples, his laugh, his shoulders and the idea of the big house on Tupelo Island. And now she was here. For good. Or at least for a good long while.

She came up the densely shaded path, already wet under the arms, the satchel jogging at her shoulder, and saw that she’d left the windows of her studio open. (Each of the artists at Thanatopsis ate, slept, bathed and relieved him- or herself in the big house, but was assigned workspace in one of the thirty studio-cottages scattered about the property, and each was strictly enjoined from visiting any of the other cottages during the hours of the workday—that is, from breakfast at 7:00 till cocktails at 5:00. The cottages ranged in size from Laura Grobian’s five-room Craftsman-style bungalow to the single-room structures afforded to lesser lights, and Septima had named each of them after a famous suicide in remembrance of her own husband’s untimely demise.) Ruth was in Hart Crane. It was a one-room affair, very rustic, with an old stone fireplace, a wicker loveseat, two bent-cane rockers and a single capricious electrical outlet. It was also the farthest from the main house of any of the colony’s studios. And that was all right with Ruth. In fact, she preferred it that way.

At first the open windows took her by surprise—she’d always been careful to lock up behind her, not only for fear of an overnight deluge, but out of respect for the depredations of raccoons, snakes, squirrels and adolescents. For an instant she imagined her typewriter stolen, manuscript gutted, graffiti on the walls. But then she remembered the previous afternoon and how utterly disgusted and sick at heart she was over the whole business—typewriters, manuscripts, art, work, love, pride, accomplishment, even the prospective adulation of the masses—and how she’d left the windows open to taunt the Fates. Go ahead, she’d said, impaled on the stake of a wasted afternoon and her own despair, tear it up, ransack the place, liberate me. Go ahead, I dare you.

Now she felt differently. Now the work fit was on her. Now it was morning and now she had to sit down to her desk like everybody else in America. She mounted the three time-worn steps to the porch, pushed through the unfastened door, dropped her satchel on the loveseat and confronted the ancient Olivetti portable that seemed to stare accusingly at her from the desk beneath the open window. It was still there. So too the page she’d been working on, still jammed in the machine and curled up like a wood shaving with the humidity. For a moment she fussed over the greedy, deep-throated pitcher plants she’d dug up in the swamp—they loved flies, the fat bluebottles that sizzled against the rusty grid of the screen and drove her to distraction—then heated herself a cup of coffee on the hot plate, stepped outside half a dozen times to check on the progress of the storm, and finally, when the boredom threatened to shut down her mind, she settled down to work.

She tried. She did. But she just couldn’t seem to concentrate. The story she was working on was a multiple point of view thing about a Japanese housewife who’d tried to drown herself and her two young children in Santa Monica Bay after her husband deserted her. It had been in all the papers. The children had drowned, while the woman, her lungs heavy, her throat raw and her eyes stung with salt, was pulled from the water and resuscitated by a seventeen-year-old surfer. Ruth had the surfer’s point of view down, no problem. But the children’s, that was harder. And the mother’s—what had been going through her head?

Ruth worked for an hour, or what seemed like an hour—she had no way of marking time and she was glad of it—retyping the first paragraph over and over till she could barely make sense of it. Her heart just wasn’t in it. She kept thinking of Saxby. The night before they’d taken the ferry to the mainland and driven into Darien for drinks and dinner. On the way back he’d pulled off the road and they’d made love on the hood of the car. He lay back against the windshield, hard all the way, in his cock, his thighs, the washboard muscles of his abdomen, and she’d climbed atop him, soft and flowering. And then she thought of the storm. And then of the big house, thirty-seven rooms and servants’ quarters, once the centerpiece of a cotton plantation, slaves beading sweat in the fields, mules and factors and all the rest, Saxby’s forefathers astride their buggies, whips in hand. She thought of Gone With the Wind, Roots, The Confessions of Nat Turner, and then she went back to her story, straining to focus on her character, the distraught woman cut off from her culture, her heavy-lidded eyes, fine hands and fingers, and all at once the face of Hiro Tanaka—frozen with fear in the cold crepuscular light of Peagler Sound—rose up before her.

Chinese. She’d thought he was Chinese. But then she’d never traveled any farther east than the sushi bars of Little Japan or the chop suey houses of Chinatown, and to this point in her life she’d never had any need to differentiate one nationality from another. If the sign outside said Vietnamese, then they were Vietnamese; if it said Thai, then they were Thai. She knew Asians only as people who served dishes with rice. Chinese. How stupid of her. Here she was, trying to conjure up a Japanese housewife from a newspaper account, and a real living breathing Japanese—a desperado, a ship jumper and fugitive—practically throws himself in her naked lap and she thinks he’s a waiter from Chow Foo Luck.

It was strange. She couldn’t get the image of him out of her head. Where was he? What was he eating? What was he thinking? He’d been ashore a week now and he was still at large, hiding out, buried somewhere in the weeds. There were reports of him everywhere—Saxby swore he’d seen him running for the bushes out back of Cribbs’ Handi-Mart—but where was he? The whole island was in an uproar, from the blacks at Hog Hammock to the veiny retirees of Tupelo Shores Estates. The newspaper account had made him out to be something of a desperate character, a violent and reckless sort who’d broken out of the ship’s brig, assaulted several of his shipmates and taken a suicidal plunge over the side. The Coast Guard had given up its search after two eyewitnesses from the artists’ colony—Ruth couldn’t help feeling a little stab of disappointment when she wasn’t mentioned by name—had seen him come ashore on the southeast tip of Tupelo Island. The authorities were pursuing the matter. He was believed to be armed and dangerous.

Ruth had had to fight for the paper—this was the biggest thing to hit Tupelo Island since the swine flu epidemic, and everybody wanted to be in on the action. The paper arrived, a day late as usual, two mornings after the encounter on the bay. In the interim she and Saxby had spoken by phone with reporters from the Atlanta Constitution, the Savannah Star and the bi-monthly Tupelo Island Breeze; a special agent of the INS from Savannah who identified himself as Detlef Abercorn; the county sheriff (or “shurf,” as the locals had it); and a Mr. Shikuma, president of the Japan-America Society in New York. Mr. Shikuma, in a flurry of thank-yous and apologies, had wanted to congratulate them on identifying Seaman Tanaka and to assure them that the young sailor, though mentally deranged, would cause no one any irreparable harm.

Actually, Ruth liked the attention. She hadn’t been herself since she and Saxby had arrived at Thanatopsis House. Perhaps she’d felt intimidated by the Peter Anserines and Laura Grobians, perhaps she’d felt threatened by her contemporaries, as she had at Iowa and Irvine. Certainly she felt awkward about her special relationship with Saxby and the sort of gossip and backbiting it was sure to provoke: Ruth Dershowitz? Who is she anyway? I mean, what has she written? Or does she even have to write—isn’t she the son’s latest squeeze, isn’t that it? In any case, she’d held her peace with the others—she hadn’t said much of anything to anyone. Oh, she’d exchanged banalities over cocktails or dinner with whoever sat to her left or right, but she hadn’t committed herself at all—the ground was shaky yet and she was still learning to walk. But on the night they came in off the bay, she couldn’t help herself.

It was late, past two, and the only light in the big house came from the billiard room on the second floor. They took the stairs two at a time, Ruth struggling to match Saxby’s long strides. She was out of breath when he flung open the door and tugged her into the room. She saw wainscoting, a chandelier, lamps in the corners. It took her a moment, blinking like someone roused from a sound sleep, to identify the usual crowd of insomniacs.

Irving Thalamus was there, sitting at the card table, his fingers fidgeting as he tried to fight down the impulse to look up and give away his hand. A poet named Bob sat across from him. Bob had a book out from Wesleyan and he was very serious, though he looked more like a beer distributor than an assistant professor at Emory, which he was. Next to Bob, hunched over a Diet Coke and scratching herself unconsciously, was Ina Soderbord, a square-faced, big-shouldered blonde from Minnesota who wrote as if she were in the throes of delirium tremens. In the corner, enfolded in her metronomic silence, the walleyed composer nodded over a book, while the punk sculptress, in leather shorts and a T-shirt the size of a pup tent, leaned over the billiard table in a blaze of light.

Before anyone could greet them, before anyone could glance up with a casual “hello” or “what’s up?,” Saxby was spewing out the story in his usual hyperbolic style, the encounter on the bay no less stupefying than an encounter with outerspace aliens. But they all loved Saxby. Loved him for his wit and the square of his shoulders and his utter lack of interest in things artistic. Ruth clung to his arm.

“No, I swear it,” he was saying, “ the guy looked like Elmer Fudd, except with hair, and Ruth and I were getting romantic—or we’d already got romantic and were thinking about getting romantic again—I mean, I’m naked, for Christ’s sake—don’t blush, Ruth; is she blushing? Anyway, it’s a little disconcerting. We’re out there on the water, and if it was a seal or a tuna or even a whale, I could understand it, but a Chinese Elmer Fudd? And with hair?”

Ruth stepped aside, two steps back and one to the left, and watched their faces as Saxby waved his arms and mugged and ran his voice up and down the register. They were spellbound. When Sax was finished, when he’d left the frightened interloper thrashing through the Spartina grass like a spooked buffalo, Irving Thalamus set down his cards and looked up. “You want to take order now?” he said in falsetto, his face expressionless. “You like egg loal or Chinese wegetable?”

“Maybe he was trying out for the Olympics or something,” Bob said, and he was about to expand on this notion when the punk sculptress cut him off. “You people are really fucked,” she snarled, slamming down the cue stick. She stood glaring at them from the center of the room. “You’re as bad as the crackers. Worse.” She drew herself up, as if to spit on the floor, and stalked out of the room.

“What’s with her?” Saxby said, helping himself to a handful of peanuts from the bowl in the middle of the card table. “I mean, it’s not like we’re in the East Village here or something. This is Georgia”—and he thickened his accent—“the sweet ol’ downhome Peach State, and I’d say finding a Chinaman in the middle of Peagler Sound is pretty damned incredible—I’d say, for a fact, that the Chinese population of the Sea Islands just soared from zero to one.”

Irving Thalamus broke open a peanut with an authoritative crack, and everyone turned to watch him as he bent over it to extract the dicotyledonous kernel from the shell. “No sense of humor,” he observed in his smoker’s rasp, and Bob began to snicker.

It was then that Ruth felt herself letting go. She was overwrought, desolate, flooded with conflicting emotions: How could they be so blasé? There’d been a shipwreck. She’d watched an exhausted, half-hysterical survivor flounder to shore and flail through the bushes in a panic. And all they could do was make Chinese jokes. How many others were out there even now, crying out for help, the black unforgiving waters closing over them? “We’ve got to call the police,” she said suddenly. “And the Coast Guard. A ship went down, I know it, it’s obvious. Did anyone listen to the radio tonight?”

They were all watching her—even the walleyed composer, who jolted awake with a snort at the mention of radio. “Radio?” she echoed, and then they were all talking at once. “Did anyone?” Ruth repeated.

Peter Anserine had. Ina Soderbord, who had the room next to his, had heard him listening to some news program around eight. But he’d been asleep for hours now, and who wanted to wake him?

Suddenly Ruth was furious, the whole thing—Thanatopsis House, the cynicism, the pressure, the backbiting—too much for her. In an instant, the carefully constructed edifice of her reserve fell to pieces. She was part of it now, centerstage. “I don’t believe it,” she blurted, and she felt light-headed with the intensity of her emotion. Saxby was there, his arm around her shoulder. “It’s okay,” he said, but she wasn’t through yet. “People could be drowning out there and you, you—you make jokes!”

Tears had started up in her eyes, but she fought them down. She was angry, hurt, confused—she really was—and yet, in some unassailable pocket of her psyche, she was play-acting too, and she knew it. If they’d only listen, she thought, if they only knew … Standing there at Saxby’s side, her legs tanned and long and slim, her whole body trembling with her daring and anger and hurt over the way they’d ignored her as if she were nobody, as if she were nothing, she knew she had them. She’d got their attention now, oh yes indeed. The smirk was gone from Bob’s face, the walleyed composer looked freshly slapped, and even Irving Thalamus, he of the poker face and deadpan eyes, had changed his expression. If he’d been catty before, now he was an old tom catching a whiff—faint and distant, a molecule on the breeze—of sexual advertisement. “Do something,” she demanded. “Will somebody please do something?”

The next thing she knew she was sitting at the card table, hunched beside Thalamus, spent, while Saxby and Bob went off to phone the Coast Guard, the sheriff, the local VFW post and the volunteer fire department. “Hey, it’s all right,” he said, and she gazed at the lizard’s flesh that sank his eyes, watched him brush back the black morass of his pompadour. He was fifty-two. He was an institution. His lips were dry and hard, his teeth compact, sharp, white. “You did the right thing. Sometimes we all need a swift kick in the ass, right?”

She looked up at him, miserable, but not so miserable, and he took her hand and shook it, his face composed again in its mask of irony.

But now she was in Hart Crane, writing, or trying to write, and all at once the Japanese woman came back to her, the sad doomed heroine drinking in death, the surf yellow in the sick light, her babies lost and gone forever. She had it, the whole scene, and the words were on her lips, at her fingertips, when the first flash of lightning snatched at the trees. At the same moment she became aware of the breeze. Pregnant and cool, it shook the screens and toyed with the papers on her desk. Ruth couldn’t resist it. She pushed back the typewriter and got up to stand at the window and watch the sky deepen overhead. For a long moment she stood there, watching the branches heave and the leaves fan from green to gray and back again, and then something stirred in the deepest recess of her stomach and she thought of lunch.

That stirring was her internal clock. Each day between twelve and one, Owen Birkshead, the inveterate Boy Scout, would slip up on each of the cottages, his tread as light as a Mohican’s, a cat’s, a ghost’s, and hang a lunch pail on the hook beside the door. He played a little game, striving for silence and invisibility so as not to disturb the artists at work, and Ruth played her own little game with him. She waited till her stomach informed her of the hour and then she sat frozen over her typewriter, her ears perked, waiting for the telltale creak of the lunch bucket on its hook or the odd crunch of leaf or twig. And then she would turn, smiling radiantly, and call out “Hello, Owen!” with all the forced cheer of a sitcom housewife. Sometimes she caught him, sometimes she didn’t.

Yesterday had been odd. Not only hadn’t she caught him, but there was no lunch. From the first warning rumble of her digestive tract to its increasingly outraged burbles and yelps, she got up every ten minutes throughout the long afternoon to check the hook, only to find it hanging empty and forlorn. At dinner Owen insisted he’d delivered her lunch—and where was the insulated container, he wanted to know. Had an animal taken it perhaps? Had she looked in the bushes round the place? She’d wagged a finger at him, conscious that Peter Anserine, nose in book, book in hand, was listening. “Don’t give me that, Owen,” she’d said, teasing him, “you screwed up. Admit it. In twenty years no artist has gone hungry at Thanatopsis House—and now this!” She held a good long hiss on the final syllable and then laughed.

Owen reddened. He was forty, looked like Samuel Beckett, right down to the combative nose and stiff brush cut, and he was as meticulous as a drill sergeant—a gay drill sergeant, if such a combination exists. “I delivered it,” he insisted. “I distinctly remember it. Distinctly.”

It was no big deal. But she ordered her day around that lunch—and it was a good lunch too, pâté, crab salad, sandwiches of smoked turkey or provolone with roasted peppers, homegrown tomatoes, fruit, a Thermos of iced tea, real silver and a linen napkin. Before it was the Calvary of the morning; after, the naked cross of the afternoon, winding down to the resurrection and ascension of cocktail hour. Now she wondered, with a sharp pang, if the storm would keep him away, if there was some arcane and venerable rule that forbade cottage lunches during electrical storms, and she had a vision of her fellow artists gathered over a sumptuous spread in the big house and lifting their glasses to the storm that crashed romantically at the windows.

It was at that moment, the moment in which she saw the lifted glasses and glowing faces, that the storm broke. Lightning lit the room; the ground shifted beneath her feet. And then the rain came, combing through the treetops with a whoosh, a sharp smell of the earth and wet rank vegetation running before it, the roof and eaves and screens suddenly alive with it. A second concussion shook the cottage, then a third, and her papers were tumbled to the floor. She rushed for the windows, first the one before the desk, then the one in the corner by the fireplace, and then—she stopped dead.

There was someone on the porch.

A shadow flew across the screen door, there was the dull glint of a lunch bucket, and she cried out. He stopped then and she saw him as he was that night on Peagler Sound, his face splotched with welts and scratches, the red clay of his wet hair, his eyes startled and rinsed out. He saw her. Their eyes met. And then he started back, the lunch bucket cradled in his arms, as slick and wet and glistening as a newborn baby.

Hog Hammock

On day after he’d jumped ship and contemplated the small matter of his own extinction on the breast of the black heaving Atlantic, Hiro Tanaka awoke in a matted tangle of marsh grass. The sun was high, and while he’d slept, exhausted, it had burned his face and hands and the soles of his feet. He was lying on his back in several inches of salt water, suspended above the muck by a pale white tapestry of roots. These were the roots of the marsh grass, Spartina alterniflora. If he had cut through them with the penknife he’d thought to shove back in his pocket prior to taking the plunge from the wingdeck of the Tokachi-maru, he would have found himself up to his neck in the ooze. But he wasn’t thinking about the roots or the ooze or the penknife or the myriad thin seamless cuts the razor-edged blades of the grass had inflicted on him as he staggered ashore in the night. His thoughts, after the initial surprise of waking to birdsong and mudstink instead of rolling decks and Bunker C fumes, focused solely on his alimentary needs.

First off, he was thirsty. Or not merely thirsty, but maddened with the kind of implacable thirst that shrivels Joshua trees and lays waste to whole villages in Africa. He hadn’t had so much as a sip of sweet water since old Kuroda had brought him the tin cup and his balls of rice two days earlier. Salt clung to the hairs of his nostrils and eyelashes, encrusted his tonsils and adenoids, choked off his throat like a pair of strangling hands. He felt as if he were gagging, choking to death, and a wave of panic broke over him. Suddenly he was on his hands and knees, the water cool on his wrists, the sun burning, and he was bringing up stomach acid and bile. The taste of it, astringent and sour, set his throat afire, and though he knew he shouldn’t do it—he’d seen the movies, seen Lifeboat and Mutiny on the Bounty, knew that sea water made you go stark raving mad and was a prelude to cannibalism and auto-phagia and worse—he bent to the water and drank, drank till he felt bloated and sick. Then he flopped over on his back and lay flat and volitionless on his bed of roots, as the stirrings of his second vital need began to gnaw at him.

He’d been in the brig a week, and in that time he’d lost twenty pounds or more. The turtleneck swam on him, his wrists were like the knucklebones of a pig, his eyes had sunk into his head and his jowls had evaporated. Two balls of rice a day. It was inhuman, medieval, barbaric. And it had been, what—two days?—since he’d got even that. Lying there in the stinking grass beneath the alien sun of a wild and alien country, wet and exhausted and starving, he felt his consciousness pull apart like a piece of taffy, till he was thinking with his brain and his stomach both. While his brain took note of the vacancy of the sky and squared off the boundaries of his distress, his stomach spoke to him in the terms of sharpest denunciation. Cavernous and hollow, rumbling, gurgling and raging, it accused him with each futile contraction. He was a fool, an idiot, a shit-for-brains. Why, even at that moment he could be tucking in his napkin on the Japan Air flight to Narita, asking the flight attendant for a bit more rice, another morsel of Norwegian salmon, just a drop more sake, courtesy of the Japanese embassy. Of course, they’d be waiting for him at the airport with a set of handcuffs, half a dozen charges ranging from assault and battery to dereliction of duty, and a humiliation that knew no bounds—but could it be worse than this? His stomach spoke to him: What joy in dignity, in life even, without food?

Like most Japanese, Hiro regarded his stomach—his hara —as the center of his being, the source of all his physical and spiritual strength. If a westerner were to talk of people who are kindhearted or coldhearted, of heartbreak or heartease, a Japanese would modify the conceit to feature the stomach—in his eyes, a far more vital organ. A heart-to-heart talk would be conducted stomach to stomach, hara o awaseru, while a blackhearted cad would be blackstomached, a hara ga Kuroi hito. Two inches beneath the navel lies the kikai tanden, the spiritual center of one’s body. To release the ki or spirit in the act of hara-kiri is to release it from the belly, the guts, the only organ that counts.

For Hiro, though, the hara took on an even more exaggerated importance, for he lived to eat. Harassed at school, tormented on the playground, he took solace in the pastry shop, the noodle emporium and ice cream stand, feeding his strength and determination even as he quieted the cravings of his gut. In time, eating became his sole sensual expression. Oh, he’d had the odd carnal encounter with bar hostesses and prostitutes, but he’d never enjoyed it much, never been in love—he was only twenty, after all—and life offered only work, sleep and food. And food was what he needed now. Desperately. But what could he do? He’d been in the water for eight hours, thrashing at the waves like a marathon swimmer, and now he was too exhausted even to hold his head up. He thought vaguely of chewing a bit of marsh grass to assuage the storm in his gut, and then he closed his eyes on the image of old Kuroda’s shirt and the lingering loss of his last two balls of rice.

When he awoke again the sun was dipping into the treetops behind him. At first he was disoriented, the erasure of sleep giving way to color, movement and the reek of mud, but the water brought him back: he was in America, in the U.S. of A., starving to death, and the tide was coming in. He felt it warm against his chin, his shoulders, the swell of his abdomen. With an effort, he pushed himself up on his elbows. He was feeling dizzy. The girdle of black tape cut at his flesh and he felt a sharp throb in the shin of his left leg—had he banged it against the underside of the boat when those butter-stinkers attacked him in the dark?

He didn’t know. He didn’t care. All he knew was that he had to get up. Had to move. Had to find a human habitation, slip through the window like a ghost and locate one of the towering ubiquitous refrigerators in which Americans keep the things they like to eat. He was conjuring up the image of that generic refrigerator stuffed with the dill pickles, Cracker Jack and sweating sacks of meat the Americans seemed to thrive on, when he became aware of a subtle but persistent pressure on the inside of his right thigh. He froze. There, perched on his torn pantleg and studying the sunburned flesh of his inner thigh with a gourmand’s interest, was a small glistening purple-backed crab. It was, he saw, about the size of a mashed ball of rice.

He was going to eat that crab, he knew it.

For a long moment he watched it, afraid to move, his hand tensed at his side. The crab hunched there, unaware, water burbling through its lips—were those its lips?—and combing the stalks of its eyes with a single outsize claw. Hiro thought of the crab rolls his grandmother used to make, white flaking meat and rice and cucumber, and before he knew it he had the thing, a frenzy of snapping claws and kicking legs, and it was in his mouth. The shell was hard and unpleasant—it was like chewing plastic or the brittle opaque skin of fluorescent tubes—but there was moisture inside and there was the thin salty pulp of the flesh, and it invigorated him. He sucked the bits of shell, ground them between his teeth and swallowed them. Then he looked for another crab.

There was none in sight. But a grasshopper, green of back and with a fat yellow abdomen, made the mistake of alighting on his shirt. In a single motion he snatched it to his mouth and swallowed it, and even as he swallowed it, his hara screamed for more. Suddenly he was moving, stumbling through the stiff high grass, oblivious to the slashing blades that cut at his feet and shins, his hands and arms and face. He moved as if in a trance, the olfactory genius that had visited him at sea come back again with a vengeance. Dictatorial and keen, it led him by the nose, led him across a snaking inlet and into the shadow of the moss-hung trees at the edge of the marsh. He smelled water there—old water, stale and dirty water, the standing water of swamps and drains and ditches—but water all the same … and way beyond it, at the periphery of his senses, he caught a single faint electrifying whiff of fat sizzling in the pan.

It was the golden hour of the day, the sun gone soft as A big dab of butter, and Olmstead White, the grandson of the son of a slave who was the son of a slave who was a free man of the Ibo tribe in West Africa, was fixing supper. He was sixty-eight years old, his limbs as dry and sinewy as jerky, his face baked hard by the morning sun flashing off the sea. He’d been born, raised and schooled on Tupelo Island, and in all his life he hadn’t been to the mainland more than two dozen times. His garden stood tall with corn and staked tomato plants, he raised hogs, fished and crabbed and shrimped and oystered, and he did odd jobs for the white people at Tupelo Shores Estates when he needed a bit of pocket money for a chew or a drink or a new battery for the vanilla-colored transistor radio that brought him the Braves games in the cool of the evening. His brother, Wheeler, with whom he’d lived through all the mornings, afternoons and evenings of all his bachelor days, lay six months buried in the family plot out back of the garden.

On this evening, while the Braves game whispered huskily through the tinny speaker, Olmstead White sliced a cucumber and tomato, fixed a side dish of poke greens and was deep-frying a dozen sweet fresh oysters, shucked and floured and dipped in corn-meal and cayenne pepper. He wasn’t thinking of Wheeler particularly, or of his nephew Royal, Eulonia’s boy, with whom he sometimes watched the hilarious antics of MTV late into the night—oh, the haircuts, he loved the haircuts—nor was he paying much attention to the announcer’s dead and buried voice as the Braves blew yet another one. He was thinking nothing, really, his mind in a state of suspended animation as the grease crackled, the birds called in the trees and the screens glowed with the sun. As usual, and without thinking, he prepared a small plate for Wheeler. Later, in the twilight, when Gant and Murphy and Thomas and the rest of the bush leaguers had rolled over and played dead against the indestructible New York Mets, he would set the dish on his brother’s grave and retrieve the empty one from the night before.

Like his friends and neighbors at Hog Hammock, Olmstead White spoke in the Gullah dialect of his ancestors, a dialect rich in borrowings from the Hausa, Wolof, Kimbundu and Ibo of West Africa. Along with the dialect came the dim linguistic memory of that faraway continent and the tribal rites and superstitions that had bloomed there in the eternal days. Olmstead White was deeply superstitious, as who wouldn’t be in a world without reason or explanation, a world seething with spirits and hexes and voices in the night? He believed in haunts and specters, believed in hoodoo and juju and spells and curses and hags who put the mouth on you and made you wilt like a stalk of celery left out in the sun. He did his best to placate Wheeler’s spirit with gifts of clothing, a deck of cards, the odd magazine and a choice bit of his evening meal, each and every night. The plate was always on the ground the next morning, and it was always licked clean. Was it the raccoons, the opossums, the hogs, the hounds, the crows that gorged on that food? Maybe so. But only Wheeler knew for sure.

Well, the bacon fat sizzled and popped and the sweet oyster smell made a fancy Charleston kind of potted-palm restaurant out of the two-room clapboard shack—painted blue and with a blue pyramid slashed on the chimney to ward off hags—and Olmstead White thought nothing and the stirring fork moved in his hand as if by its own volition. The room was hushed. A fly buzzed at the screen. It was then, as the fly struggled and the world slowed down like a worn old carousel, that he came to himself and sensed another presence inhabiting the hazy space of the room. His back was to the door, his hand stirring, the radio whispering and Dale Murphy going down on strikes and nothing had changed, nothing at all, but as sure as he knew he was alive and breathing he knew there was someone—or something—there with him.

He moved like a man coming out of a coma, like Br’er Rabbit stuck to the tarbaby, his hands trembling as he remembered Varner Arms and how he was found dead in his own kitchen, blood spattered on the walls and hag’s hair—wild black hanks of it—scattered across the linoleum like a greeting from the darkest pit. His shoulders were rigid, his neck like a flagpole planted deep in the earth. But slowly, ever so slowly, he swiveled his gray-bristling chin till he presented his profile and one wild eye to whatever or whoever stood in the doorway behind him.

What he saw there, through the contracting lens of that one wild eye, froze his heart. What he saw was Wheeler, his brother Wheeler, risen from the grave and with his skin gone the color of leaf mulch, Wheeler, wearing the red cotton button-up shirt and denim overalls he’d left draped over the hard slab of the tombstone not three days ago. “Wheeler!” he cried, jerking around awkwardly and throwing up his arms in extenuation, “I didden mean it, I didden, I never should of called you them low mizzable things on the day you done pass on, but I—” and then he stopped cold. This wasn’t Wheeler standing there in his kitchen with a look on his face like he’d just gone and taken a dump in his own pants … this wasn’t Wheeler with the overalls pinched round the gut and stuck halfway up his shins and the slanting eyes and iron-straight hair hanging in his face … this was, this was some kind of Chinaman or something. But what was a Chinaman doing in Olmstead White’s kitchen in Hog Hammock on Tupelo Island? It mystified him. It baffled him. In the end, it upset him more than any six hags and apparitions could ever have. “Who you be?” he roared.

For his part, Hiro was no less shocked than the black man who stood twitching and jerking before him. In a delirium he’d staggered out of the salt marsh and up onto solid ground, his dead mother and his lost father dancing round him like fairies, root beer floats and slurpies and stone jugs of cold sake in their fluttering hands, and he’d found a rain puddle there, nothing more than diluted mud really, and he’d buried his face in it. By then the smell of cooking fat was overpowering and near and he pushed himself up and went for it at a trot. That was when he’d found the gravestones—crude rock slabs poking up out of the weeds like something he’d seen in a spaghetti Western. The first of the markers caught him in the shin; the second grazed the side of his face as he went down. When he untangled his feet and pushed himself up, he saw the shirt and pants, an overturned plate, a string of dried peppers and a weathered deck of cards. He didn’t think, couldn’t think, the smell of deep-fried fish—oysters, yes, oysters—driving all else before it, and in half a minute he’d exchanged his torn and filthy clothes for the shirt and overalls. He was hopping, actually hopping as if in some child’s game, as if he were in a sack race, as he shrugged into the overalls and slashed through the garden toward that supreme and dictatorial smell.

But now, here he was, in strange stolen clothes in a stranger’s house and the stranger was shouting at him. Worse: the stranger was a black man, a Negro, and he knew, as every Japanese does, that Negroes were depraved and vicious, hairier, sweatier and even more potent than their white counterparts, the hakujin. They were violent and physical, they were addicted to drugs and they thought only with their sexual organs. He’d seen one once, in the streets of Tokyo, a bēsubōru player named Clarence Hawkins, first baseman for the Hiroshima Carp. An awesome man, like a walking statue. But he had no heart—no hara—and he wasn’t a team player. Here was a man who could have hit a home run with every swing of the bat and yet he refused to take practice with the others, refused the calisthenics and the drill of the thousand fungoes and running in the outfield and the cold baths that demonstrated team spirit and a will to win and guts and determination. The pitchers gave him nothing to hit and the umpires called everything a strike, even if it bounced, and within the year he was back in America. That was a Negro. And here was another, shouting at him in his incomprehensible gibberish.

“Shipwreck!” Hiro shouted back, waving his arms in imitation of the gaijin. “I am starving. Please, I beg you, give me something to eat!”

Olmstead White heard him, but for all the good it did, Hiro might as well have been talking Japanese. “Somesing eat” was all that came through, and even that didn’t register, so alien was Hiro’s accent—and even if it had, the sequel would have been no different. Feeling trapped in his own kitchen, feeling scared and embarrassed and angry, delivered from the haunts and hags and into the hands of a stranger—an Asiotic Chinaman, no less—Olmstead White reacted in the only way he could. Before him, on the table, lay the butcher knife, the one he kept honed for punching through the stiff bristle of his Christmas hog and the soft underbelly of opossum and deer. He looked at Hiro, looked at the knife, and snatched it up.

Hiro could sense that the situation had deteriorated. The veins stood out in the Negro’s neck and the whites of his eyes were swollen. He kept shouting and there were flecks of spittle on his lips. It was obvious that he hadn’t understood a word. And now he had a knife in his hand, the blade ugly with use. Behind him, the oysters sent up their ambrosial aroma.

It looked bad. It did. Hiro should have turned and fled, he knew that, and he knew too that the blade was sharp and the old man tenacious, a wild beast surprised in its lair. But the oysters exerted their influence, and he recalled the words of Jōchō: A true samurai must never seem to flag or lose heart. He must push on courageously as though sure to come out on top. Otherwise he is utterly useless. “Somesing eat,” he repeated.

What happened next came as a surprise to them both. Untended, the oysters smoldered, calcified, approached critical mass; in the next instant they burst into flame with a sudden startling rush of air while a thick black plume of smoke billowed up from the pan, growing thicker and blacker even as it rose. Instinctively, both antagonists went for the pan. In the process, Hiro, who despite the loss of twenty pounds was still a broad-beamed young man, jostled the elderly Olmstead White, and Olmstead White, suffering from a touch of arthritis in his right hip, lost his balance, and in losing his balance, thrust out a hand to brace himself. Unfortunately, that hand didn’t make contact with the tabletop or the corner of the stove. Instead, it came down squarely in the center of the pan of flaming grease and incinerated oysters, and Olmstead White let out a howl that would have unraveled the topknot of even the staunchest of samurai. The pan tottered a moment on the edge of the stove and then slammed to the floor in an explosion of flame.

In an instant, the shack was ablaze. Jaws of flame chewed at the floorboards, the walls, devoured the dirty yellow curtains. Hiro took to his feet. He was out the door, across the porch and into the crude graveyard before he caught himself. What was he doing? Had he gone mad? He couldn’t leave the old Negro in there to burn to death, could he? He turned, Jōchō’s injunction on his lips—you had to act, without hesitation, or you were lost, disgraced, a coward—and started back for the house. It was then that the Negro appeared in the smoke-shrouded doorway, his hair singed, his right hand the color of steamed lobster. Hiro stopped again. What stopped him this time, what deflated the balloon of his resolve and rendered Jōchō meaningless, was the object cradled in the old man’s good arm. For Olmstead White stood there on the porch, the shack an inferno behind him, fumbling with a double-barreled shotgun and a box of bright yellow shells.

And then Hiro was running again, running from the thunder of the shotgun and the hiss of the flames and the shouts and cries of the aroused neighborhood. All at once there were people everywhere, screaming, running, crying, scrambling over one another like ants pouring out of an anthill. He dodged a fat old woman with a face like a Nō mask and veered away from a pair of startled boys in dirty shorts, and then he was cutting through a dusty yard, scattering chickens and hogs and howling brown babies in white plastic diapers. Running, he glanced over his shoulder and saw the flaming shack in the distance above a sea of black faces and gyrating limbs. It was a scene that made him catch his breath, a scene of utter horror and depravity, dusky faces and sharp white teeth, the cannibals of his boyhood picture books dancing round their hideous cookfire. Hiro ran, no hunger worth this, ran into the deepening shadows and through the muck and puddles and the strange tropical vegetation, ran till at long last the shouts and the curses and the barking of the dogs fell away from him like so much sloughed skin.

All the next day he crouched in the bushes, chewing roots and leaves and the odd handful of sour berries, while voices flared round him and dogs whined and grunted at the leash. Vicious, vengeful, outraged, they were hunting him, these black men of the bush, looking to flush him out, settle the score, lynch him as they were lynched by the hakujin. At daybreak a grim-looking Negro with red-flecked eyes came within five paces of where he lay trembling in a thicket of holly and palmetto. The man had a gun, and he was so close Hiro could have reached out and unlaced his shoes. He was terrified. He was miserable. He was hungry. Day bled into night and he fumbled through the dark bush, putting as much distance as he could between himself and the porch lights and barking dogs.

The truth is, he didn’t know where he was or where he was going. All he knew was that he was starving and that the gaijin authorities would be after him and that if they caught him he’d be imprisoned and sent home in disgrace. He wandered aimlessly, his feet battered and bleeding, mosquitoes and ticks and chiggers and gnats drawing yet more blood, venomous reptiles lying in wait for him. He was a city kid, an urban dweller, raised by his grandmother in the serried flats of Yokohama. Of the forests and mountains of Japan he knew little, and he knew even less about the wilderness of America. He knew only that it was vast and untamed and seething with bear, lion, wolf and crocodile. Unseen wings beat round his head in the darkness. Shrill voices screeched through the hollows of the night. Something bellowed in the swamp.

On the third day—or was it the fourth?; he’d lost count—he staggered out of the woods in a swirl of mosquitoes, the too-tight shirt and overalls tattered and stiff with dried mud, and found himself on a blacktop road. It was a miracle. Pavement. The smell of it alone reassured him. If he followed it, he reasoned, the road would lead him to civilization, to some tidy little farmhouse where he could risk showing himself and beg for food in exchange for doing odd jobs, maybe sleep in the barn like in those black-and-white movies with the clanking jalopies and the smiling long-nosed old ladies in bonnets and dresses that hung to the floor. Or he could find a diner or a McDonald’s like the ones in Tokyo—he thought of the little green bills he’d tucked away in Jōchō’s book, buried deep now in the deep pocket of the Negro’s overalls—and he could purchase a meal, fries and a Big Mac, Chicken McNuggets and a shake. But he couldn’t just stroll on down the road as if he were shopping for shoes in the Ginza. They’d catch him in a minute, the Negroes, the police, and how could he explain what had happened in that shack and what the smell of those oysters could do to a desperate man?

The sun arced over the road before him. He looked to his left, expecting barns and silos, rowhouses, streetlights, taxicabs, and there was nothing but blacktop and trees; he looked to his right and saw more blacktop and more trees. For a long moment he stood there, rooted to the spot with indecision. And then he flipped an imaginary coin and began working his way up the road to the right, not daring to walk along the blacktop itself, but tearing through the brambles and kudzu in the ditch that paralleled it. He had no plan, really, had never had one, not since he’d run afoul of Chiba and Unagi, anyway. He thought vaguely of heading inland, to New York or Miami or San Francisco, where he could lose himself among the mobs of gaijin mutts, where he could be, for the first time in his life, like anyone else. But geography—the geography of the West, at any rate—was not one of his strong suits. He did know that the Port of Savannah was in Georgia and that Georgia was in the South where the Negroes harvested cotton and the hakujin made them use separate toilets and drinking fountains, but he had no idea where he was in relation to Beantown or the Windy City, and he didn’t have even a clue that he was stranded on an island and that the only way off it was via Ray Manzanar’s ferry and that Ray Manzanar was related to half the people on the island and knew the other half as well as he knew his own kith and kin. Mercifully oblivious, faint with hunger and too weak even to lift a hand to brush away the horde of mosquitoes that settled on him like a second skin, Hiro forged on.

After a time, the thicket ahead began to brighten with sun, and the tangle of branches became noticeably thinner. He paused, up to his ankles in the standing water of the ditch, and peered through a chink in the wall of vegetation. There was something unnatural, something red, just ahead of him and to the left, something bright and comforting and familiar. He moved closer. What he saw made his heart leap up. There, in the window of a freshly painted clapboard building just off the road, a bewitching and seductive red neon sign spoke to him in a universal tongue: COCA-COLA, it announced, COCA-COLA, and he went faint with gastric epiphany.

He lurched forward, as overcome as he’d been by the scent of the Negro’s fateful oysters, beyond all sense and caring, till at the last moment he caught himself. All at once he dropped down with a grunt and hunkered low in the water. He was a mess. The stolen clothes were in tatters, he reeked as if he’d been dead a week, he was filthy and cut and torn in a hundred places. And his face—he was a Japanese, or half a Japanese—and they’d see that in a second and they’d know who he was and what he’d done and then the police would come and he’d be thrown in jail and brutalized by the half-breeds and child molesters and patricides that infested the dark gaijin cells like mold, COCA-COLA, flashed the sign, COCA-COLA. But what could he do?

Cautiously, he emerged from the ditch and sat heavily in a clump of waist-high grass. There was no one in sight, not a car in the gravel lot, and from this angle he could see that the door of the shop stood wide open. He had to get cleaned up, had to disguise himself somehow, had to get in there and buy out the store before someone showed up. Yes. All right. He would wash the mud from his clothes as best he could, and from his feet too. But when he glanced down at his feet and calves he saw that they were nearly black with some sort of clinging shapeless things—sea slugs, they looked like. He had never encountered leeches and didn’t know that they were sucking his blood—or rather that they secreted an anticoagulant so that his heart pumped blood into them, as if they were extensions of his own veins and arteries—nor did he realize that in casually peeling them off he risked dislodging their mouth parts and causing an infection that could suppurate, turn gangrenous and threaten the limb itself. No, he merely pulled them off, wistfully regarding the plump writhing morsels of their compact bodies—he’d always had a weakness for sea slugs—before dropping them back into the ditch. He didn’t need them. Food—real food—was in sight.

Next, he stripped off his clothing and attempted to wash the overalls in the ditch. The red shirt was beyond hope, and so he tore off a strip of it and wrapped it around his head, Ninja style, hoping it would help disguise him. Then he wrung the overalls out, shrugged back into them (no mean feat—it was like pulling on a wetsuit six sizes too small), and turned to the pages of Jōchō. The bills were still there, along with the cracked and bleached photo of his father. He smoothed them out, wondering at the arcane codes and symbols—a pyramid? wasn’t that supposed to be Egyptian?—only half believing that this was the real article. It was so—so whimsical, like the play money of a children’s game. There was a picture of a man in a wig on three of the notes, and he was wearing a high collar and a benign expression, THIS NOTE IS LEGAL TENDER FOR ALL DEBTS, PUBLIC AND PRIVATE, Hiro read. FEDERAL RESERVE NOTE. THE UNITED STATUS OF AMARICA.

He shrugged. Akio Ajioka, the BR aboard ship and his only friend in the world, had traded him the bills in exchange for two bottles of Suntory whiskey and a stack of thumbed-over manga. “This is the real thing, mate,” Akio had said with a grin, “this is what they use in Times Square, Broadway and Miami Beach.” Akio wouldn’t lie to him, he knew that. After a moment he stood and smoothed out the wrinkles in his pants. Clutching the bills in one hand and Jōchō in the other, he crossed the gravel lot to the store.

Inside, it was cool and fresh-smelling, lit only by the sunlight filtering through the windows. Hiro saw racks of food, junk food mostly, in garish plastic packages and brightly colored cans. There was a freezer, and against the back wall, two glowing huge coolers full of beer and soda, a shrine to thirst. Behind the cash register, a young woman—very young, sixteen, seventeen maybe—sat nursing a baby and watching him out of a pair of wide green eyes. “Kin Ah help y’all?” she said.

Food. Hiro wanted food. And drink. But he didn’t know how to respond. Kinahhelpyall didn’t compute, not at all, but he wanted desperately to ingratiate himself, get through the exchange and then bow his way out the door, vanish into the bushes and gorge himself till he burst. He knew he had to have his wits about him, had to demonstrate his savoir-faire, convince her that he was all right, that he belonged and knew the ways of the gaijin as well as they knew them themselves. Already the pressure was killing him. He was sweating. He couldn’t seem to control his facial muscles. “Somesing eat,” he said, trying to sound casual, and he snatched a loaf of bread and a bag of nacho chips from the shelf, all the while bowing and bowing again.

The girl took the baby from her breast—he saw the little fists clench, the feet kick, caught a glimpse of the pink wet nipple and the pink wet puckered mouth. “Bobby,” she called toward the back, “we got a customer.”

Hiro cradled the bread and nacho chips to his chest. He moved ponderously down the aisle, the wet overalls pinching his crotch, bowing automatically. He was moving toward the cooler, his tongue dry as chalk. Be cool, he told himself. Act natural.

The girl had set the baby down in its crib behind the counter and was leaning lazily over the cash register. “Y’all must be a toor-ist?” she said with rising inflection.

Toor-ist, toor-ist, Hiro thought, swinging open the door of the cooler, the miraculous refrigerated draft on his face, the six-pack of Coke in hand. What was she saying? He hadn’t a clue, but he knew he had to answer, knew he had to say something or he was doomed.

It was then that Bobby stepped out of the back room, wiping his hands on an apron. Bobby was nineteen, as fair and beautifully proportioned as an archangel, but with an IQ so low it prevented him from unfurling his wings. He had trouble with simple sums and he couldn’t read the newspaper or punch the cash register. His job was to stock the shelves and watch Bobby Jr. whenever Cara Mae had a customer. He stood there in the doorway, blinking at Hiro.

Say something, Hiro told himself, say something, and all at once he had an inspiration. Burt Reynolds, Clint Eastwood—what would they say? Americans began any exchange of pleasantries with a string of curses, anyone knew that—and even if he hadn’t known it, even if he were an innocent, he’d seen Eastwood in action. “Mothafucka,” he said, bowing to the girl as he shuffled forward to dump his booty on the counter. And to the bewildered boy, in the most amenable tone he could summon, he observed: “Cock-sucka, huh?”

The girl said nothing. She remained motionless behind the cash register, her jaws poised over a tiny pink wad of chewing gum. The boy blinked twice, then scurried across the room and snatched up the baby as if it were in danger. All the while, Hiro grabbed for Slim Jims, Twinkies, anything, and built a mound of cans and bottles and bright shiny packages on the counter before him.

The girl rang up the purchases. “Ten seventy-three,” she said, and her tone was icy.

“Shitcan,” Hiro said, grinning now and bowing again, as he produced the four bills and laid them out on the counter. “Toilet. Make my day, huh?”

The girl crushed the gum between her teeth. Her eyes had narrowed. Her voice hit him like a slap in the face. “This is only eight.”

“Only eight?” he repeated. He was bewildered.

She let an exasperated hiss of breath escape her. The baby, pressed to his father’s shoulder, began to fuss. From outside came the sound of squealing brakes, and Hiro glanced up to see a gleaming new oversized pickup nosing its way up to the store.

“Ah need two seventy-three,” she said, “more.”

All at once Hiro understood. The little green gaijin bills were insufficient. He’d have to part with something and he needed it all, needed everything in the store and more. Didn’t they realize? Couldn’t they see he was starving? Outside, the engine coughed and died. “Some,” he said, pushing away a package or two.

“Jesus,” the girl said. “Ah’ll be goddamned.”

And then the boy spoke for the first time. “You a foreigner or somethin’?” he said.

Someone had come into the store. Hiro could feel the heavy tread on the floorboards and he watched the girl’s face brighten. “Hi ya, Sax,” she said.

Hiro didn’t dare look up. It could have been the chief of police, the Coast Guard, one of the long-noses from Immigration Akio had told him about. Heart pounding, he concentrated on the girl’s hands as she separated his things, put some of them in a brown paper sack and held out three small coins to him. He took the coins and bowed again. “Thank you, thank you,” he said, and in his gratitude, his relief, his joy at the prospect of the feast awaiting him and his redemption from the slow death of the swamps, he slipped into Japanese. “Dōmo,” he said. “Dōmo sumimasen.”

The girl gaped at him. And then he turned, hurrying, and saw the tall gaijin with the colorless hair and cold ceramic eyes, the one who’d tried to run him down with his boat, and in the next instant he was out the door, tucking the package under his arm like a football and bolting for the woods in a mad desperate headlong flight. He never paused, never hesitated, though the butter-stinker was out in the lot behind him shouting, “Hey! Wait a minute! Come back here, will you? I don’t … I-just-want-to-help-you!”

Help me, Hiro thought, the blood singing in his ears as he flung himself into the ditch and staggered through the scum and into the waist-deep quagmire and the cover of the trees beyond, yes, sure, help me. He knew them. Americans. They killed each other over dinner, shot one another for sport, mugged old ladies in the street.

Help like that he didn’t need.

The Squarest People in the World

There were no two ways about it: he was going to have to go down there. Not that he wanted to. Anything but. The thought of driving to Tupelo Island in this heat—and with a broken-down air conditioner no less—so he could stand around in the haze interrogating a bunch of snuff-dipping inbred cracker morons who could barely wheeze “uh-huh” or “naw” without growing roots and bark, was enough to make him wish he was back in L. A. Or almost.

Detlef Abercorn stood at the window gazing out at the flat dead sky that hung over Savannah like an old dishrag. It was a gray humid high-summer morning, sunless but stifling. He hadn’t read the paper yet, had barely blown the steam off his first cup of coffee, and already his shirt was wet through. Ten minutes earlier he’d breezed into the office, blown a kiss to Ginger, the new receptionist with the freckled cleavage and congenitally parted lips, switched on his monitor, taken a perfectly innocent sip of coffee—and watched an IAADA alert claw its way across the screen.

An IAADA—Illegal Alien, Armed, Dangerous and Amok—was the highest priority designation in the INS electronic mail file. In Los Angeles, the innermost circle of INS hell, IAADAs went out routinely, what with Guatemalans shooting at Salvadorans, Hmong tribesmen microwaving dogs, Turks and Iranians setting fire to carpet stores and the like—but here, in the mossy old somnolent backwater of Savannah, they were unheard of. The place wasn’t exactly a hotbed of international intrigue or even a semi-major port. Nothing ever happened here. Ever. That’s why he’d transferred.

It was the Nip, of course—he corrected himself: the Japanese—who’d jumped ship the week before. He’d been monitoring the situation from the beginning—he’d interviewed the ship’s captain over the phone and obtained and filed a copy of the Coast Guard report—but it was no big deal. They’d classified the AWOL sailor as IA—Illegal Alien—and left it at that. If he made it to shore, the yokels would have him in the county jail before he could shit twice, and if he gave them any trouble they’d string him up and skin him like a rabbit. But then the report came in that he had made it to shore—there were eyewitnesses, a couple from the artists’ colony he’d attacked in Peagler Sound—and Abercorn had dug deeper. From the Chief Engineer of the Japanese ship—a desiccated old fart about a hundred and twelve years old who looked as if he’d been hatched from an egg—he learned that the man at large was armed with a knife and had attacked half the ship’s crew before throwing himself over the rail, and so he’d had the regional head upgrade the designation to IAAD, Armed and Dangerous. Still, it was no big deal. A Nip in Georgia? These people ate weasel, picked their teeth with their feet, grew right up out of the ground like weeds, like kudzu; the poor dumb Nip—Japanese—wouldn’t last a day, six hours even. Abercorn was sure of it. And then the weekend had intervened and he made the rounds of the discos, drank too much, got lucky, learned most of everything about a girl named Brenda who used blusher on her breasts, and forgot all about the AWOL Nip on Tupelo Island.

But now things had gotten out of hand. An IAADA. He sighed. He’d been looking forward to a long quiet morning with the new le Carré and a pot of fresh-dripped Folgers, with nothing, absolutely nothing to do, except listen to the girls in the main office type up the odd student visa and whisper about the scandalous sex lives of people they barely knew. Yes. And now this. He turned wearily to his desk, lit a cigarette and typed in a request for more information. The screen immediately began to fill:

Jesus, was he setting fire to houses now? This was bad news. Worse than bad. The guy must be a psychopath, he thought, a terrorist, a Japanese Manson. And it got worse: he’d been at large a week and already the list of sightings filled the screen. He was everywhere, from Peagler Sound to Hog Hammock and Tupelo Shores Estates and back again, popping up out of the bushes like a jack-in-the-box, terrifying old ladies and stirring up the war veterans and coon hunters till gunfire crackled across the island in an unholy storm from morning till night. He’d cursed a bunch of people at the local grocery, filched three pairs of ladies’ undergarments from a clothesline at the artists’ colony and made off with a tin dish of dogfood the sheriff himself had set out on his back porch. It had to stop. Detlef Abercorn knew what was expected of him.

The thing was, he’d had no experience with anything like this. He’d spent his twelve years in L.A. raiding sweatshops in Eagle Rock and chasing skinny busboys around tofu-spattered kitchens in Chinatown. What did he know about swamps and hollows—what did he know about Georgia, for that matter? Sure, it was up to the local authorities to make the nab, but he was supposed to be the expert, he was supposed to cast the net, advise them—advise them, what a joke: he could barely make out a word they said down here. Even worse, he’d never had a problem, not that he could remember, with the Japanese. Tongans, yes. Ecuadorians, Tibetans and Liberians, Bantu, Pakistanis and Sea Dyak, everybody and anybody. But not Japanese. They never entered the country illegally. Didn’t want to. They figured they had it all and more over there, so why bother? Plenty of them came in to run factories and open banks and whatnot, but all that was done at the highest levels. And Detlef Abercorn didn’t work at the highest levels.

No matter. An illegal was an illegal, and it would be his ass if he didn’t catch him.

It was raining by the time he reached the parking lot. Of course, he thought, what else? The tires on his old battered turd-brown Datsun were bald as melons and the wipers were so frayed they might as well have been bottle brushes for all the good they did. It was going to be a rough trip.

Before it began, though, he had to swing by the apartment, cram his overnight bag with underwear, dental floss, SPF 30 maximum protection sunscreen, calamine lotion and a snakebite kit, dig his hip waders and rain slicker out of the trunk in the storage cage downstairs, and then find a Vietnamese grocery—the Vietnamese grocery, probably the only Vietnamese grocery in the whole slow-talking, tobacco-spitting, godforsaken state—on De Lesseps off Skidaway. He was going to rendezvous there with Lewis Turco, an ex-LURP and part-time special agent who’d lived in Borneo, Okinawa and the Pribilof Islands, and he was going to take Turco with him to help sniff out the amok Nip on Tupelo Island. Or rather, he would let Turco do the sniffing while he sequestered himself in the local motel with a couple six packs, John le Carré and the prospect of the upcoming four-game series between the Dodgers and the Braves.

The shirt didn’t matter—it was sweat-soaked anyway—but still he wasn’t prepared for the typhoon that hit him as he dashed across the lot to the car. By the time he got the door open he was wet right on through to the elastic band of his BVDs. There was no sense in even starting the car—he couldn’t go anywhere till it eased up, not with these wipers—and he didn’t relish the idea of bolting back to the office, where he’d just look ridiculous in front of Ginger and the other girls, not to mention the button-down types who saw to the main business of the place. They’d always looked at him as if he were a freak anyway, a kind of subspecies not much higher on the social scale than the odd refugee applying for a green card. So he just sat there, not daring even to turn on the radio for fear of running down the battery, fuming over this crazed, inconsiderate, raging pain in the ass of a Japanese Nip—he hated the son of a bitch already, hoped they tarred and feathered him and sent him home to Nagasaki or wherever in a box—and listening to the thousand tiny frustrated fists of the rain as they beat at the roof of the car.

In the end, he was over an hour late to pick up Turco, whom he’d never met and had only that morning spoken to for the first time on the phone. What complicated matters, after the rain had eased up and he’d gone home to pack his bag and dig out his waders, tape recorder, notebooks and the rest, was that he couldn’t find the place. He’d only been in Savannah six months and he’d always been lousy with maps. There were all these one-way streets and this endless succession of old squares that you had to drive all the way around, each one, one after another, and they all looked alike. He finally found De Lesseps, but he couldn’t locate the store, which, as it turned out, was stuck up in the ass end of an alley anyway. After he’d gone up and down the street twenty times he finally pulled up alongside a red-faced yokel at a stoplight and motioned for him to crank down his window. There was a strong, faintly astringent smell of freshly shucked oysters on the air, of sea sludge and fish scales and worse; the rain pattered down. “Tran Van Due’s Grocery,” he shouted, “you have any idea where it is?”

The red-faced man leaned toward him. He was wearing a suit and his wispy blond hair was parted in the middle. He was fat, Abercorn saw now, bulbous, an elephant seal heaved up out of the sea and wedged, as a joke, into the impossibly narrow confines of the cab of his mini-truck. He mumbled something in a heavy accent that sounded like “Roy’s hair” or “rye chair.”

“I’m sorry,” Abercorn said, trying his best to control his winning smile, the smile he wore like a necktie when he needed to, “but I didn’t—rye chair?”

The man looked away in exasperation. Mist rose from the pavement. “Rye chair,” the man repeated, turning back to Abercorn and pointing a thick finger to the towering, unmistakable, aniline red-on-yellow sign—TRAN VAN DUC—that hovered over the alley not fifteen paces from them. Then the light changed, and the man was gone.

The store was tiny, a central aisle of loosely stacked cans and two low wall-length freezers, and it smelled worse than the fish-stinking pavement outside. Abercorn pulled the door shut behind him and took in the entire place at a glance: a pair of shrunken ageless Asian faces staring up at him in horror, the cans of pickled this and salted that, the strange little fishes in frozen plastic envelopes, the dried spices and chilies and sauces no one would ever buy. He’d raided a hundred places just like it in Arcadia and Pacoima and San Pedro, and he knew that the two behind the counter had residence permits but the twenty in the basement didn’t and he knew too that they had to be bringing in more than fish sauce to survive, but that was somebody else’s problem. “I’m looking for Lewis Turco,” he said.

Nothing. No reaction. He might just as well have been talking to himself, humming, singing, gargling, he might as well have been a dog or a monkey. The couple behind the counter—a man and a woman, he saw now—didn’t flinch. They were holding their breath, controlling their heartbeat—their eyes didn’t even blink. “Lewis Turco,” he repeated, lingering over the syllables, “I-look-for-Lew-is-Tur-co.”

“Yo,” said a voice behind him, and a man in fatigues stepped out from behind the bead curtain at the back of the store. He was short—five-five or so, Abercorn guessed—and he wore a noncommital expression. His shoulders were too wide for his height and he had a weight lifter’s build, strong in the chest and upper arms. He wore a beard and his long flat greasy blond hair was tied back with a leather thong. “Abercorn, right?” he said.

Detlef Abercorn was six-five, he wore his hair short, and at thirty-four he preserved the same lanky narrow-hipped build he’d grown into as the pitching ace of his high-school baseball team in Thousand Oaks, California. “Yes,” he said, smiling, “and you’re Lewis Turco.”

Turco wasn’t smiling. He sauntered up the aisle like a cowboy, each stride too long, too wide, sauntered as if he were sprinting up the side of a hill in slow motion, and then he halted abruptly at the counter, wheeled on the wooden couple and said something in a burst of what Abercorn took to be Vietnamese. They came to sudden life, as if they were wired, and the man ducked behind the counter to produce a tightly bound and visibly swollen Army-issue backpack, from the frame of which dangled an entrenching tool, a baton, a pair of handcuffs and several esoteric-looking devices Abercorn didn’t recognize, while the woman handed over a cellophane package that appeared to contain some sort of foodstuff—dried meat or roots or something.

Just to hear himself, Abercorn said, “It’s a bitch, huh?”—meaning the rain, Georgia, the INS and the rat-crazy, house-burning, Japanese son of a bitch holed up with the slugs and centipedes on funky, dripping, hopeless Tupelo Island.

Turco didn’t respond. He’d shouldered the pack and taken the parcel of food from the woman, and now he was studying Abercorn with a cagey look. “Jesus,” he said finally, “what happened to you, man—napalm, car wreck or what? Don’t tell me you were born with that?”

Abercorn stiffened. He’d heard it all his life and all his life he’d been touchy about it—who wouldn’t be? He was a good-looking guy, good bone structure, strong nose and chin, hair as thick as a teenager’s. But he knew what Turco meant, knew what he’d had the bad grace to bring up—most people, anybody with any sensitivity, anyway, would have left it alone. What Turco was referring to were the white patches on his face and hands—a lot of people thought it was scar tissue or eczema or something, but it wasn’t. There was nothing wrong with him, nothing at all, just that he had less pigment than normal, less melanin in his skin and hair. He’d been born an albino. Or part albino. His coloring was fair to begin with, but the albinism—or vitiligo, as the doctors called it—manifested itself in dead-white patches that mottled his entire body—even his hair. He’d been able to dye his hair, of course, but there was nothing he could do about his skin. And even that wouldn’t have been so bad, but for his face. He’d got used to it now, but as a kid it used to drive him crazy—he looked as if he’d been splashed with paint. A rough oval, two inches across, framed his right eye and six paper-white blotches dribbled across his jaw, bleached the bridge of his nose and made his left ear glow in the dark. And his eyes, his eyes weren’t blue or gray or green or brown: they were pink, like the eyes of a white rat or a guinea pig. “Beagle Boy,” they called him in elementary school, and later, when he got taller and stronger and knocked them down with his big-league curveball, they called him “Whitey.” But now he was an adult, and no one, ever, called him anything but Detlef.

He felt the eyes of the Vietnamese on him and the blood rose to his face. “What’s it to you,” he said, holding Turco’s eyes, “I’m part albino, okay?”

Turco stood his ground, smiling now, smiling up at him with the serenity of a man who’s never made a mistake in his life. He was taking his time. “Hey, no offense intended, man. It’s like I’ve seen a couple dudes over there that caught it, their own people dropping the shit on them—typical fuck-up—it’s like this jellied gasoline, right? Sticks to you like glue. But hey, if I’d known you were so sensitive about it—”

“I am not sensitive,” Abercorn said, but even as he said it his voice rose to give him away.

In the car, while the wipers beat uselessly at the smear of rain and they settled in for the seventy-minute drive down to Tupelo Island, Abercorn, not yet realizing that they’d have to wait three hours for the next ferry and that there were no motels on the island and never had been, began to soften a bit. He had to work with this guy, after all. And Turco was going to do all the grunt work while he, Abercorn, sat in the motel and coordinated things. “Listen,” he said after a while, the tinny strains of some moronic country song whining through the speakers, “this Japanese guy. I mean, in L.A. we never had to deal with the Japanese. What do you think?”

Turco was chewing a stick of whatever it was the woman had given him. It was black and hard and had a forbidding alien smell to it. “Piece of cake,” he said, chewing. “What you got to realize about the Nips is they’re the squarest people in the world, I mean the hokiest, bar none. Shit, even the paddy Burmese are downtown compared to the Japs. They’re all part of this big team, this like Eagle Scout thing where everybody fits in and works real hard and makes this perfect and totally unique society. Because they’re superior to everybody else, they’re purer—that’s what they think. Nobody but Japanese in Japan. You fuck up, you let the whole race down.”

Rain beat at the windshield. Turco gestured with the pungent black stick of whatever it was. “Even the far-out types, the rebels, the punks with the orange hair and the leather jackets—and there are precious few of them, believe me—even they can’t break the mold. You know how they get down, you know how they really thumb their nose at society and show what bad characters they are?”

Abercorn didn’t know.

“They all go down to Yoyogi Park in Tokyo on Saturday afternoon from one to three and turn up their boom boxes and dance. That’s it. They dance. All of them. Squarest people in the world.”

Abercorn digested this information a moment, wondering how it applied to the case at hand, the case that had put him in this car, in this storm, with this root-chewing ex-LURP beside him. The whole thing was a real shame. Ninety-nine percent of the illegals just came in and disappeared—they got a tourist visa and vanished, rode in underneath a bus, breezed in for a semester of college and wound up collecting Social Security. It was a joke. The borders were sieves, colanders, picket fences without the pickets. But when somebody came in and made a lot of noise and started raising hell with the people who bought new cars and registered to vote, red lights started flashing all the way on up the line to Washington, and that’s where the Detlef Abercorns came in. “So, uh, what do you think we ought to do?” he said. “The Nips—the Japanese, I mean—tend to be pretty fanatical too, don’t they? Hara-kiri, kamikazes, the human wave and all of that?”

“Yeah, I’ve been to the movies too. But the fact is, like I told you, they’re just plain square. You know how you catch this clown?”

Abercorn didn’t have a clue. But he figured if the barefoot crackers and their hound dogs couldn’t bring him in, they were in for a real ordeal. He thought of the soldier they’d found in a cave in the Philippines, still fighting World War II thirty years later. “No,” he said softly.

Turco gestured at the pack on the seat beside him. “You know what I got in there? A boom box. Sanyo. Biggest shitkicker you ever saw, puts out enough amps to kill every woodpecker out there stone dead in two minutes flat. I’ve got a couple disco tapes, Michael Jackson, Donna Summer, that kind of shit, you follow me? I’m going to track the fucker, no different than if this was 1966 in the la Drang Valley, cross a trail, any trail. Then I’m going to set this thing on a stump and crank it up.”

Was he kidding? Abercorn couldn’t tell.

Turco turned to him with a grin that showed off all his teeth, black now with the stuff he was eating. “Hey,” he said, reaching back to pat a conspicuous bulge in the pack, “I’m Br’er Fox and this here is my tarbaby.”

Queen Bee

Owen’s wake-up call—three sharp but reverential knocks accompanied by a gently insinuating whisper—startled her from a dreamless sleep. “Es la hora,” he whispered through the door, and Ruth forced open her eyes. “Despiértese, señorita.” It was one of his Spanish days—that much registered, though she was groggy and hungover and it didn’t much matter whether she was summoned in Spanish, Norwegian or Navajo: all she wanted was to go back to sleep.

At 6:30 each weekday morning Owen Birkshead made the rounds of the still and shadowy halls of Thanatopsis House, performing the delicate task of rousing the slumbering artists without compromising their dreams. Depending on his whim, he would summon them in one of the Romance languages, sweet on the early-morning tongue, or in crisp and businesslike German or even Russian. One morning it would be “Guten Morgen, Fräulein; ihre Arbeit erwartet Sie,” and the next, “Bum giorno, signorina, che bella giornata!” Once, he’d even tried Japanese—“Ohayō gozaimasu!”—but he was afraid that the harshness of his accent would scuff the glossy patina of the artists’ dreams, and so he gave it up.

“Yes,” Ruth gasped, “I’m up,” too fuddled to throw back her usual “Sί, señor, muchas gracias; yo me despierto.” She’d been up late, too late, and she’d drunk too many bourbons. She listened as the faint shuffle of Owen’s footsteps retreated down the hallway, and she heard his knock and the whisper of his voice at the next door: “Es la hora, es la hora.” She closed her eyes and felt the pain hovering there on the underside of her eyelids. Her throat was parched, her temples felt as if twin spikes had been driven into them, and she had to pee. Urgently. But even as she lay there she knew that the walleyed composer—Clara Kleinschmidt—had beaten her to the communal bathroom round the corner and that the half bath at the far end of the hall would at any moment resound with the thunder of Irving Thalamus’s potent morning micturition.

But it wasn’t the urgency of her need or the pain either that ultimately drove her from her bed: it was guilt. Wholesome, fruitful, old-fashioned, gut-wrenching guilt. She had to get up. She was a writer, after all, and writers got up and wrote. Her enemies—and here the specter of Jane Shine, in all her phony, scheming, hateful and shy-smiling beauty, seized her like a pair of hot tongs—would already be up and at their typewriters and monitors, already out of the blocks and hurtling down the inside track to usurp her rightful place in Harper’s or Esquire, at Knopf or Viking or Random House. Besides which, it was so much easier to make use of the guilt if you were working well—and she was, finally, working well.

The transformation had begun on the night she’d flared up in front of the little group gathered in the billiard room, though she hadn’t realized it at the time. In fact, the ensuing week had been worse than the first. At least during the first week she had the excuse of disorientation, but as the second week dragged on, she felt increasingly bored and out of touch. She continued to sit at the silent table, brooding and defensive, the evenings with Saxby her sole release. But something had happened, some subtle alteration had taken place among the fixed stars of the Thanatopsis firmament, and Ruth’s was on the rise. For one thing, she had the patronage of Irving Thalamus. He’d noticed her that night, oh yes indeed, and his attentions—the ironic glances, the little jokes and nudges—became her safety net. By the third week he’d lured her from the silent room to establish her as his chief ally at the raucous, gossipy and sacrilegious table in the convivial room. Together they would pass through the doleful, dingy corridor of the silent room—smirking, always smirking, a joke on their lips—while Laura Grobian dwelt in the trembling deeps of her hollow-eyed middle-aged beauty and Peter Anserine and his young disciples frowned ascetically over their incomprehensible texts. And at night—and this was the root and cause of this morning’s hangover and the hangover she’d had two mornings ago and the one she’d have tomorrow morning too—he brought her into his after-hours circle, where she could really shine, where she could thrust and parry, charm, ridicule, demolish and redeem, where she could become her old self—La Dershowitz—once again.

In a way, she almost felt sorry for her rivals. In the aftermath of that fateful night on Peagler Sound, none of them was really in the running. Ina Soderbord was attractive, she guessed, in a big, blocky, heavy-breasted, white-eyebrowed sort of way, but she inhabited her own little corner of interplanetary space and spoke in the breathless, lisping pant of the brain-numb ingénue. Gravity had not been kind to Clara Kleinschmidt and she had a sad sour smell to her, the smell of inherited lace, hope chests and the lingering loveless death of the game show and rocking chair. And the punk sculptress—Regina Mclntyre, a product of Ladycliff and Mount Holyoke, Ruth learned after some probing—was too consumed in self-loathing to speak, but for the occasional vitriolic outburst, and her personal style was strictly for the leather crowd. Neither Irving Thalamus nor Bob the poet was the type, not to mention Sandy De Haven, a late and supremely interesting addition to the group, twenty-six, bleached locks dangling in his eyes as he bent over the billiard table, his first novel due out in the fall from Farrar, Straus and Giroux. No. Ruth was supreme here, queen of the hive.

As her confidence improved, so did her work. She revised an old story and sent it off to The New Yorker with Irving Thalamus’s blessings, and her Japanese piece suddenly began to take off, to blossom, to feel like something bigger than a mere short story. That’s where the second thing came in, the other factor that turned Ruth’s life around at Thanatopsis, as serendipitous in its way as Irving Thalamus’s tutelage—the appearance, on her studio porch, of Hiro Tanaka. Hiro Tanaka, the outlaw, the renegade, the terror of Tupelo Island, filcher of Clara Kleinschmidt’s panties, castigator of Bobby and Cara Mae Cribbs, eluder of the sheriff and the INS, Hiro Tanaka, lunch bucket thief. He was her secret, her pet, her own, and it gave her an edge on all of them.

She’d caught him in the act, caught him there on her porch on that rainy afternoon ten days back, caught him with the evidence in his hands while the trees strained their backs and the earth shook and the stink of sulfur fell like a blanket over the trapped and stifling air. Lightning flashed, rain raked the trees. He hesitated—she could see it in his eyes, recognition and confusion both: he’d seen her naked, her breasts, her navel, her secret hair—and for a moment the dull shock of animal surprise left his face. Food was one thing, the first thing, yes, and this was the second.

She wasn’t afraid, not a bit. He was just a boy, scared and dirty, his eyes feverish, clothes torn, a scrap of frayed red cloth knotted round his head. He didn’t even look Japanese, with his tan irises and dull reddish hair, or did he? There were the epicanthic folds she remembered from anthropology, the round face and stutter nose, the bow legs and the too-deep tan of his scraped and bitten limbs. Blink once and he was Toshiro Mifune; blink again, and he was something else.

He stirred something in her, he did. It all happened so fast that first day, so adventitiously, she didn’t have time to think it out: she just saw him there, hungry and scared, and she wanted to fold him in her arms. He was the motherless fawn she’d found as a girl out back of the cabin at Lake Arrowhead, the squirrel the cat had got, the sunken-eyed orphan in a nameless village crying out to her from the black and white ad in the glossy magazine. She had no other motive but sympathy, no other desire but to help—or if she did have, it was buried deep, in the deep soil of the unconscious where plots and schemes and counterschemes have their first quiescent life. And if he was a fawn, and if he was pitiable, and if the lunch bucket was his salvation, she didn’t want to scare him off.

The rain lashed him. His hair was knotted with burrs, his nostrils crusted over, his lips cracked. He cradled the lunch bucket and took a step back. What could she do to convince him, what could she say? Take it, and welcome to it, I’m on a diet anyway, my bed is dry and warm, there’s plenty more where that came from, I want to help you, I want to keep you, I want to make you my own. She said nothing. He said nothing. But her expression must have told him all that and more, and as he backed off and the rain sobbed from his face and fed the green of the world around him till it threatened to swallow him up, she slowly, gradually, breathlessly lifted her hands to the level of her waist and spread her palms. And then he was gone.

The next morning Ruth was awake and washed and dressed by the time Owen made his rounds. “Bonjour, mademoiselle,” he whispered, tapping at her door. She answered him before the words were out of his mouth—“Merci, je suis réveillée”—and in the next moment she pulled open the door and regaled him with a dizzy wide-lipped parody of a vamp’s smile. Humbled, he could only gape as she flipped her bag over one shoulder and sashayed down the hall to breakfast. She was excited, so excited she’d barely been able to sleep. Not only over the Japanese sailor and the expectation that he’d be back again and that she’d aid and abet him, hide and nurture him, her own breathing secret, but over the new factor—or rather, factors—in the equation: Detlef Abercorn, the tall young square-jawed agent from the Immigration and Naturalization Service, and his comical little henchman, Turco.

They’d arrived the previous evening, bedraggled and wet, at the height of the storm’s second assault. The rain had tapered to a drizzle through the long festering afternoon, and fell off altogether as Ruth made her way back to the big house for cocktails. The colonists were all gathered in the parlor—even Septima, in her shimmering silver chemise and antediluvian pearls—when the storm broke loose again with a gush of rain that rattled the windows and for a long scintillating moment cut the electricity. “Oh, we must have the candles lit,” Septima cried, clapping her hands together like a child. Her voice floated over the sudden crepuscular hush of the room, warbling and authentic, the stately breathless voice of refinement and Southern breeding. If the colonists, immersed in the generic gabble of the convivial room and cocktail parlor, ever forgot for a moment where they were, Septima’s caressing and unimpeachable accent brought them back.

Saxby had left that morning for Savannah to collect the equipment for a new fish study he was contemplating—Ruth didn’t know any more about it than that: it was a fish study, plain and simple—and it was Bob or maybe Owen who appeared a moment later with a candelabrum in full festive blaze. A cheer went up, another round of cocktails was drunk, and when the lights were restored it was unanimously decided to forgo them in favor of candlelight and the romance of the storm, which beat now at the darkening windows with all the fury of the Atlantic in turmoil.

Just as Owen stepped into the room to announce dinner, there came a knock at the outer door. The front parlor, where cocktails were served, gave onto the foyer and the regal front entrance. No one ever knocked—all had free entrée—and the thunderous, rude, impatient booming at the front door took them all by surprise. The noise level dropped off to zero, conversations died; all heads turned to peer through the parlor doorway to the foyer, to which Owen, his shoulders thrust forward and with an officious look on his face, was proceeding. Ruth, who was then in the first stages of the metamorphosis that would make her the cynosure of Irving Thalamus’s clique and rescue her forever from the oblivion of the silent table, followed him.

Owen threw back the door, a wild busy smell of drizzling nature flooded the vestibule, and Abercorn and Turco, the one too tall, the other too short, stomped dripping into the room. “Hello,” Abercorn said, extending his hand to the bewildered Owen and flashing a flawless smile, “I’m Detlef Abercorn, Special Agent of the INS, and this”—indicating Turco, who glared round him suspiciously—“is my, uh, assistant, Lewis Turco.”

Ruth felt her heart catch. This was the man she’d spoken to on the phone a week ago—spoken to blithely, pleased with the attention—the man to whom she’d divulged every relevant detail of her encounter with Hiro Tanaka on Peagler Sound. And now here he was, horning in on her secret. She wasn’t calculating, not yet anyway, had no dream of Hiro as anything more than a creature that needed to be stroked and appeased and comforted—an exotic and fascinating creature, yes, but not yet her own, not yet her sword and wedge and bludgeon to lay all of Thanatopsis House at her feet. She wasn’t calculating, but she knew that she wouldn’t—couldn’t—cooperate with this tall and very wet man in the cheap detective’s overcoat.

Owen gaped at them, for once at a loss for words.

“I wonder if you could help us,” Abercorn began, and as the murmur of conversation started up again behind her, Ruth lingered there in the doorway, watching and listening, as Abercorn poured out his tale of woe and Owen blinked in confusion. As it turned out, Abercorn and Turco had waited three hours for the last ferry, and on finally arriving discovered to their regret and embarrassment that there were no accommodations available on the island. They needed a place to spend the night before going off in pursuit of the armed and dangerous alien who’d been terrorizing folks hereabouts—Abercorn actually said “folks hereabouts,” though it was obvious to anyone he was a sweaty-palmed city-bred Yankee who was about as folksy as Bernhard Goetz. Sheriff—he pronounced it “sheriff,” not “shurf,” though he was trying hard—Sheriff Peagler had told him that there might be a bed or two available here, and he’d be more than happy to pay whatever they liked—he was on official government business, after all, and the alternative was, well, flashing his smile and wincing comically at a peal of thunder, the alternative was to go on out there and drown.

And so Ruth was up early, the first one at breakfast and the first to trot off to work, up before Abercorn could pin her down with any more questions. The woods were still, the morning fragrant with the previous night’s rain. The sun had risen golden and glorious from the chop of the cold Atlantic, and as she walked the path to her studio it seemed to melt into the hard unyielding posts of the slash pines. She walked slowly, breathing it all in, but still she arrived at her studio nearly an hour and a half earlier than usual. It was just past seven, and as she sat down at her desk and stared numbly at the curling page in the typewriter, she could think of nothing but lunch. Would he show up? And if he did, what would she do and what would it lead to? She envisioned her Japanese in bed, envisioned herself in Japan, a country of office buildings, claustrophobic streets and tiny feet, and then finally, to pass the time, she settled down to work.

Hiro didn’t show up that day. Perversely. It was almost as if he knew she wanted to reach out to him but that he had some kind of cultural thing—some kind of weird Japanese machismo or whatever—that kept him from her. And that evening, since Saxby was still in Savannah and she was just beginning to flex her wings in the billiard room, and because she was bored too and felt like it—the secret, her secret making it all the more delicious—she sat down in the parlor over cocktails and chatted with Abercorn. He’d spent a fruitless day interviewing the blacks at Hog Hammock—“I couldn’t understand a word they said, I mean not a single word,” he said, “and after a while it was embarrassing”—while his assistant had snooped around in the woods with a boom box. She shared a good laugh with him over that, over Turco’s boom box. “Yes,” she said—she couldn’t help it, couldn’t help fooling around with him, just a little bit, just for practice—“I thought I heard Donna Summer out there somewhere today.”

And where was Turco that evening? Was he tracking down the criminal even as they spoke? “Oh, no,” Abercorn had said, “he’s not that fanatical. No, he just doesn’t like roofs.” “Roofs?” she echoed, her lips drawn tight in an incipient smile. “You’re not going to believe this,” he said, and he lifted a can of warm Coke to his mouth and then put it down again, “but last night, when it was raining?” She nodded. “He takes off out of the room with his backpack and pitches his tent out there in the bushes someplace.” And then they had a good laugh over that one, and Ruth looked into Abercorn’s pink eyes and thought he was kind of cute in a way.

Two days passed. Abercorn mooned around Thanatopsis House and some of the artists—Regina Mclntyre, in particular—began to grumble. Turco was invisible, out there in his tent, creeping through the marsh, putting his loathsome all into deracinating Ruth’s secret before it had a chance to bear fruit. In the lull of the afternoon, she heard disco music, distant, faint, deadly. The lunch bucket remained on its hook.

And then, on the third day, Hiro appeared again. It must have been an hour at least after Owen had crept up to the porch and hung the aluminum container on its hook—she’d heard him, heard the groan of the second step, the loose one, but she hadn’t turned, hadn’t moved, and she covered herself with a furious burst of typing. A line of x’s marched across the page, and then another, before she glanced over her shoulder to catch the back of Owen’s bristling head receding down the trail to Diane Arbus, where the precocious Sandy was hard at work on his second novel. Ruth lost track of the time, though her stomach grumbled and she got Hiro’s face confused with that of her failed and hopeless heroine, and she was in another world, the cries of the doomed children echoing around her, the tide pulling at her feet, when the stair creaked again.

She froze. Slowly, she told herself, slowly. She gave him her profile and held it, and then she looked full-face over her shoulder. He was there, in the doorway, derealized behind the grid of the screen. The red headband was gone—he was wearing something else now, something tan and twisted—and he was naked to the waist, both straps of the coveralls dangling forlornly behind him. He made no move toward the lunch pail.

“I want to help you,” Ruth whispered.

He didn’t move, didn’t speak, just stood there. His face seemed softer somehow, as if he were exhausted or about to cry … and she had a sudden leap of intuition: he was just an overgrown child, scared, hurt and hungry.

“Take the food. I left it for you. Take it,” she whispered, afraid to raise her voice, afraid he’d bolt.

She saw him swallow hard. He shuffled his feet. And then he lifted the lunch bucket from the hook and cradled it to him.

“Listen,” she said, whispering still, whispering like a hunter in a blind, “they’re after you, do you understand? Two men, they’re in the big house.”

He said nothing, but his face looked softer still. He was finished, she could see it. He’d had it. He was ready to give up, throw in the towel, slip the handcuffs over his wrists.

“I won’t let them take you,” she said. “I’ll get you clothes, food, you can stay here, out of sight.” She lifted one leg and very slowly swung the chair round to face him. She’d made do with an ordinary face and figure all her life, had triumphed with it, had left a legion of men stunned in her wake, because she had the indefinable something they all wanted and because she knew it. Now, at thirty-four, she had all that and twenty years of experience too, and she was irresistible. “Come in here,” she said, and she was still whispering, but her voice had an edge to it now, peremptory and sharp. “Open the door. Sit and eat”—she made the motions with her hands and mouth—“and then you can rest there on the couch. I won’t hurt you. I give you my word.”

For a long moment he stood there, his eyes riveted on her. He was bigger than she’d remembered, sadder, his eyes gone hollow and cheeks sunk in on themselves, but when he reached for the door she froze again. Maybe he was dangerous, she thought. Maybe the reports were true. He was a foreigner, after all. He had different values. He could be a fanatic. A maniac. A killer.

The door swung open and he took a tentative step into the room. He clung desperately to the lunch pail. His eyes were wild. He nearly cried out when the door slammed shut behind him.

Then she saw what it was knotted round his head: shiny nylon, a thin band of white elastic: Clara Kleinschmidt’s panties. She couldn’t help herself, couldn’t hold it any longer—the armed and dangerous alien was an overgrown kid with Clara Kleinschmidt’s panties wound round his head—and suddenly she was laughing, laughing so hard she thought she’d choke.

Later, after he’d devoured the lunch, a box of saltines, two apples and a string of Medjool dates her mother had sent her, he fell face forward on the white wicker settee and slept the sleep of the dead. For a long while she just watched him, studying him as a medical student might have studied a corpse or an artist a model. She examined his limbs, his blistered back and scarred feet, the snarl of his knotted hair, the dimensions of his face, even the string of saliva that dangled from his half-open mouth. He was a mess. A real mess. A week and a half of crouching in the swamps hadn’t done him much good. His flesh—every visible inch of it—was a crusted quilt of bites and scabs and pustules; an infected contusion had swollen the lobe of his right ear—the upward one—to twice its normal size; and a long hyphenated slash trailed away from his eyebrow like the exaggerated makeup of a clown or whore. His face was puffy, his skin sallow and sunburned. The only article of clothing he wore—a pair of ill-fitting overalls—was torn, seam-split, pinched in the rear and stiff with filth. Worst of all was the odor he brought with him, rank and elemental, the stink of rotting meat, of something dead along the road.

She didn’t know how long she sat there watching him—he never moved, but for the rise and fall of his breathing, and the sun slid imperceptibly across the sky. It was cocktail hour (or thereabout: the angle of the sun as it struck the western window and illuminated her pitcher plants told her that much) when she finally made up her mind to get him some clothes, soap, hydrogen peroxide—she was afraid he’d decompose without it. She thought of a piece of fruit—a pear or banana—its skin speckled, jaundiced, blackening finally and collapsing on itself. She pushed herself up, eased out the door and made her way back to the big house.

If she’d hoped to slip in unnoticed, luck was against her. It was a day of unadulterated sunshine and sweet wafting ocean breezes, and her fellow colonists had taken the cocktail hour outside. They were gathered on the patio, glasses glinting in the sun, as she came up the walk. “Ruthie!” Irving Thalamus called, his face lit with chardonnay. “La Dershowitz,” raising his glass high, “fictioneer extraordinaire, come and drink some vin ordinaire!”

She had no choice, really: she needed him, and he’d begun, in a big way, to notice her. She crossed the sunstruck lawn, aware of the turned heads and the lull in the chatter, moving in her inevitable way, the heroine of her own movie, picturing herself in that dazzle of sunlight, in her tight jeans and clingy blouse. “Irving,” she said, moving into his embrace and exchanging a salutatory kiss that lingered half a beat too long, and then she was nodding to Ina Soderbord and Sandy De Haven and Regina Mclntyre and chattering nonstop until someone stuck a glass of wine in her hand and she could pause, for a second, to drink. She let the moment subside and then she was pleading the need to bathe and change for dinner—she’d been working so well she’d missed the time—and her empty glass was on the serving cart and the oaks leapt up at the edge of the two-acre lawn and the sun sat in the windows of the great gabled three-story house and she was up the steps and in.

She was thinking she could get the Band-Aids and antiseptic in the communal bathroom—nobody in the foyer, three quick steps and up the stairs—but what about pants, shoes and socks, a clean shirt? She could rifle Saxby’s room—he’d never notice—but Saxby had the washboard front and fall-away hips of the athlete, and she knew his pants would never fit. Ditto Sandy and the austere and long-shanked Peter Anserine. There was Bob the poet, but he was too short, and Detlef Abercorn, who’d been given a back room on the third floor, but he was too tall. She could always buy something in Darien, but she’d have to wait for Saxby and the ferry and she’d have to make explanations—and she didn’t want to make explanations, not even to Saxby.

In the bathroom she found iodine, hydrogen peroxide, Vaseline, a box of flesh-colored Band-Aid strips, two bars of lilac-scented soap molded in the shape of gaping alligators, and a hand towel. She was bundling everything up in the towel, listening for footsteps, when she thought of Irving Thalamus. He’d be perfect—not that he was as paunchy as her Japanese, but he was about the same height and he did carry a comfortable little middle-aged spread. A flutter of laughter rose to her from the patio below. She’d have to hurry—no telling when one of them would be up to evacuate a bladderful of wine or gin or repair their makeup. She opened the door slowly, the towel tucked under her arm, and she looked both ways before stepping out into the hall.

She could feel her heart going. There were no locks on the doors—not even an inside latch for nighttime privacy. It was Septima’s belief that her artists were to be trusted implicitly with mere material things, and given the freedom to roam about and exercise their libidos with no more restraint than mutual consent. “There are no marriages at Thanatopsis,” she’d explained to Ruth on welcoming her to the colony, “we don’t recognize the institution. Here,” and she’d beamed at Saxby, who stood behind Ruth, rubbing the inside of her wrist, “here we believe in lettin’ the artist express him or herself, in whatever way he or she pleases.” Yes. And now Ruth was alone on the second floor, the appropriated toilet articles tucked under her arm, expressing herself in a stealthy and antisocial way.

Her own room was on her left, but she passed it, passed Clara Kleinschmidt’s room and Peter Anserine’s—if anyone asked her what she was doing, she was going to the bathroom, the little one at the end of the hall, to wash up, not wanting to monopolize the full bath in case anyone might want to shower before dinner. And then she passed Owen’s room and ducked round the corner. Ahead of her was the door to the back stairway; to her left, the bathroom. And to her right, the door to Irving Thalamus’s inner sanctum. She hesitated, heard the laughter and tinkle of glass again, and then she was in.

Hurry, she told herself, hurry, and she fought down her resentment over the size and appointments of the room—her room was like a shoebox—and went directly to the cherrywood armoire. Hurry, screamed a voice inside her and her hand trembled with nervous excitement—this was like the movies when the hero breaks into the killer’s apartment and the killer always, always comes back to surprise him—as she fumbled through the jackets and shirts and pants still wrapped in plastic from the dry cleaner. Nothing noticeable, she thought, nothing he’ll miss. In the drawer below she discovered his underwear—briefs, silk from the feel of them, in pink and red and royal blue. She thought about that for the fleet-ingest instant, about his hairy abdomen and the tight band those skimpy briefs would make, about his cock and balls swollen against the material, and then she had what she wanted—a pair of Bermudas she’d never seen him wear—so what if they featured flaming yellow parrots and chartreuse palm trees?—and a plain white V-necked T-shirt. She slid the drawer back in, closed up the armoire and reached under the bed for a pair of battered tennis shoes. He’d never miss them.

And then suddenly a roar went up from the patio below and her heart froze. There was a shriek and the sound of shattering glass and then a burst of laughter. She thought she heard a door slam. She had to get out. But what to do with the evidence? She couldn’t just … the pillowcase. But no, he’d be sure to miss that. And then her eyes fell on the wastebasket, a cheap straw thing lined with the generic black plastic bag. Breathlessly, she bent to lift out the bag and dump its contents back into the naked straw basket, hurry, hurry, starting at every sound, the seconds ticking off and what if he caught her and what would she say? Still, even under duress, she did manage to notice the discarded letter from his agent and the card, neatly torn in two, from—who was it from?—his son. She stuffed them into the black plastic bag along with the rest of her booty, and tentatively cracked the door.

It was a shock: someone was coming. A dark form, movement: someone was coming.

Ruth snapped the door shut, heart pounding, wild excuses on her lips—she was looking for the laundry room and blundered in here by mistake; she was helping Owen’s Puerto Rican slave—what was his name, Rico?—with the trash, yes, his mother was sick and … she could hear footsteps approaching, a heavy tread, relentless, coming nearer … and then they paused—stopped, halted, pulled up short—just outside the door. She was dead. This was it. She pictured Irving Thalamus’s cold lizard look of surprise, Septima’s intransigent nose and Owen’s hard censorious eyes, instant justice, the only artist ever drummed out of Thanatopsis House for petty thievery—but wait: she could throw herself into his arms, yes, yes, pretend she’d come for that—and then she heard the sudden sharp wheeze of the bathroom door opposite and knew she was saved. She took a deep breath, waited for the sound of the bathroom latch and cracked the door again. No one in sight. She stepped into the hall and closed the door behind her.

It was at that precise moment that Detlef Abercorn rounded the corner. He was wearing a set of earphones attached to the Walkman in his shirt pocket, and he was on her before she could react. “Oh, hey, hi,” he said, too loudly, and he slipped the phones from his ears in a motion so automatic it might have been a tic.

Ruth clutched the garbage bag to her chest and gave him a terrified grin.

He grinned back at her, casually leaning into the doorframe with one long arm. She saw that he was looking down her blouse. “Did I tell you I really enjoyed talking to you the other night? I find you a very”—he hesitated, and she could hear a faint metallic voice whispering through the earphones—“a very sexy woman. Really. And I wondered if—I’ve got a car and all—I wondered if you might like to get off the island for an evening—tonight maybe—and have dinner or something?”

Ruth was on familiar terrain now, and as the shock of discovery wore off, she recovered her equilibrium. “I’d like that,” she said, bending to relieve an imaginary itch just behind her left knee, “sometime. Sometime soon. But tonight I’m afraid I already have plans.”

Abercorn didn’t seem put off. He leaned closer and gave her a long meaningful look. “Hey,” he said, putting some gravel into his voice, “I don’t know if I’ll be around that much longer.”

Ruth saw her chance. “Oh? No luck?”

He shot his eyes in disgust. “The guy disappeared. He could be dead for all we know. Either that or he left the island.”

“And your assistant? With the ghetto blaster?”

Abercorn’s laugh was quick and musical. “Yeah, well, that’s another story.” He paused. She couldn’t seem to help staring into his eyes—she’d never seen anyone with eyes that color before. “So this is your room, huh?” he said. “I was kind of hoping you might, uh—”

She put her hand on his arm. “You’re sweet,” she said, “but listen, I’ve got to run. Really. I just realized I don’t think I shut off the hot plate in my studio and—”

“All that genius up in ashes, huh?”

“Something like that,” she said, ducking out from under his arm and hurrying down the hall.

But it wasn’t over yet.

She came down the stairs two at a time, the black plastic bag tucked under her arm, and her only thought was of Hiro, her pet, her secret, face down on the wicker loveseat in the shady studio in the woods. Would he be there when she got back? Would he wake and think she’d gone for the police? Would Turco boogie through the screen door and conk him with his boom box? The furthest thing from her mind was Saxby. But there he was at the foot of the stairs, crabwalking beneath one precarious end of a six-foot-long aquarium. “Ruthie,” he grunted. “I’m … back!”

She saw now that Owen was attached to the far end of the thing and that they were trying to maneuver it round the butt of the staircase and down the narrow hallway to Saxby’s room. The whole operation halted a minute while Ruth descended the stairs to brush Saxby’s lips with a kiss and whisper, “I missed you,” and then, flashing light, the aquarium moved on, and Ruth was out the door, down the steps and across the lawn. As soon as she hit the woods, she broke into a run.

She was out of breath when she reached the cottage, knitting needles embedded in her sides. She wanted him to be there, wanted to talk to him, wash and bind his wounds, watch him eat and sleep and recover the lost light in his eyes—but somehow, as she came up the path, she knew he’d be gone. The cottage was unchanged. She saw the familiar porch, the windows rich with sun, the pine, palmetto and oak, and she heard the birds in the trees and smelled the sweet rich breath of the ocean, and nothing had changed. She mounted the steps, breathing hard, and gingerly swung open the screen door: the cottage was empty.

Angry with herself—she should have told him where she was going, should have brushed off Abercorn, should have run both ways—she threw the bag down and fell into the rocker by the window. He was gone. He’d never trust her now. But then so what? What did she care? Let him starve. For a long while she sat there rocking as the shadows lengthened and the calm of evening fell over her books, her typewriter, the hot plate and pitcher plants, all the familiar objects of her little life in this temporary outpost. And then, at long last, it occurred to her—and the thought was as sharp as a pinprick—that he might be testing her. Even now he might be crouched in the tangle out there, watching and waiting. All right, she thought, and got up from the chair, poured some water from the jug into a basin and carried it out onto the porch. She made a separate trip for the jug, and left it beside the basin. Then she fished through the bag and arranged the soap and Band-Aids, the towel and clothing and the rest of it on the rail, stuffed the two letters in her hip pocket and started back, through the cloistral deeps of evening, to Thanatopsis House.

In the morning, the things were gone. He’d returned the basin to its hook beside the fireplace, and she found the rag of the overalls and Clara Kleinschmidt’s violated panties neatly folded in the corner. He didn’t come for the lunch pail that afternoon, but she left it there on its hook—she joked to herself that she could stand to lose a few pounds anyway—and in the morning it was empty. The same thing happened the following day and she thought they’d established a pattern, a rhythm, but she was wrong. A day passed, and then another, and there was no sign that he’d been there. Lunches spoiled. Owen was perplexed. Abercorn packed up his suitcase and Turco his boom box, and, assuring the colonists that the Japanese was no longer a threat, they climbed into their battered Datsun and drove off to the ferry. Saxby filled his aquarium with rocks, water and plants, and in the small hours of the long thick endless nights made Ruth’s blood rush with his lips and his fingers and all the rest of him too. And Ruth established herself in the billiard room and at the convivial table and sat down to her typewriter with a new purpose and a delicious lingering thrill of expectation: he’d be back, her Japanese, any moment now. She knew he would. After all, she thought, how could he resist?

But now, now she had a headache and she was hungover and Owen’s wake-up call had taken her by surprise. The morning was stifling, a blanket thrown over her face, and it was August already, the first week nearly gone, and there’d been no sign of Hiro for three days now. She forced herself to get up. She had work to do—she’d never worked so well in her life—and she was anxious to get down to breakfast, reign over the table and clear her head with lukewarm coffee and scalding gossip.

She ran a brush through her hair and pulled it back in a ponytail, made up her eyes and brushed her teeth, then slipped into a pair of shorts and a halter top, no brassiere, and dug her white cork-heeled canvas sandals out from under the bed. As she passed through the silent room, Laura Grobian looked up from her soft-boiled egg and acknowledged her with a dip of the head and a blink of the famous haunted eyes, and Ruth felt a quick little surge of triumph. Then it was through the oak doors and on into the convivial room, where she was greeted by laughter, cigarette smoke and shouts of “La Dershowitz!” and “Up so soon?” and “She’s feeling it now!”

Bob, Sandy, Irving Thalamus, Ina Soderbord and half a dozen others were gathered at the long dark table, a rubble of thrice-read newspapers, books, manuscripts, egg-stained plates, mugs and ashtrays scattered about them. The big silver rocket of a coffee pot sat on the sideboard, along with a serving pan of waffles and a bowl of fruit compote. Rico was in the kitchen, making toast, eggs and Canadian bacon to order. Ruth ducked her head through the swinging door to the kitchen and caught him flipping an omelet behind his back. “Pretty fancy,” she said, tailing it with a low whistle.

Rico gave her a gold-capped smile. He was twenty-two, six inches shorter than any man ought reasonably to be, and his big black circular eyes devoured his face in sadness. “No sweat,” he said.

“Could you make me a poached egg when you get a chance?” she asked, leaning in and balancing on one leg. The kitchen smelled rich and potent. “And maybe some dry wheat toast, two slices?”

“No sweat,” Rico said, and he flipped the omelet again, just to show off.

Ruth poured herself a cup of coffee, laced it with Sweet’n Low and hovered over the table till Irving Thalamus cleared a spot for her. “Sleep tight?” he said, giving her a lascivious look as she sat down beside him and crossed her legs. His eyes were hooded, the lids puckered and dark. He looked as if he should be wearing a burnoose and sandals, counting camels and harem girls somewhere out in the Negev.

Ruth gave him a rueful smile. “Too much booze,” she said, “but Sax and I took a little stroll after we left you.” She paused. “That revived me, all right. And I slept like a stone.”

He dropped his eyes and began to fiddle with his fork, building a little pyramid of scrambled egg in the center of his plate. The card from his son—a freshman at Yale—had been bitter stuff. The son was planning to spend the holidays with the estranged wife in Mount Kisco; Irving Thalamus had apparently written to offer him a room in the house he was renting on Key West. The son had written back to say no, unequivocally, and to add that he considered his father a hypocrite, a narcissistic overpraised hack and a moral dwarf who couldn’t keep the patriarchal penis in his pants. The letter from the agent was worse. So bad Ruth had experienced a momentary pang of guilt while reading it—but it was only momentary, because, after all, she was an artist, an intellectual, and she made her own rules. The agent—one of the most venerable in New York—had written to say that Irving Thalamus’s publisher, the publisher who’d done his last six books, was advising him against coming out with the new novel. Dog Days was an embarrassment. Misguided. Incoherent. The publisher—and the agent concurred, gently and at length—knew that he would see the light. In six months’ time, with a little distance, he’d repudiate the work himself. He would. And he had his career to think about now, his future in the pantheon of American letters, and why spoil it with an ill-considered move at this juncture? The agent signed off by trusting that the rest cure in the bucolic atmosphere of Thanatopsis House was doing him a world of good.

“So how’s your new story coming?” he said, swinging his hard jaw back to her.

She knew he didn’t want to hear the truth, knew that the only answer to that question was to grumble, denigrate herself, whine about the blank page and how useless she was and wonder, awe in her eyes, how he managed to produce one astonishing book after another. She took another sip of coffee, set her mug down and leaned in close to him. “I’ve never worked better in my life,” she said.

“Hey, terrific,” he said, “that’s great, it really is.” His eyes looked wounded.

Bob shouted something about poker that night and then rose to leave the table. Ina Soderbord, wearing a pink sweat suit though it must have been ninety already, got up to leave with him and Ruth raised her eyebrows. Irving Thalamus nodded in affirmation. Then Rico cha-cha’d out of the kitchen, a muted blast of salsa music coming with him, and set down Ruth’s plate of egg and toast. She took a moment to upend the egg on the toast and dose it with salt and pepper before she turned back to Thalamus and asked the question that had, by all rules of writerly etiquette, to follow from his: “And how about you? Dog Days going well?”

He gave her a strange look, the look of a man who’s had his shorts stolen and his mail rifled. But no, how could he know? He’d talked about nothing but Dog Days since she’d got here—she wasn’t giving anything away. “Oh, that,” he said, shrugging. “Fine. Okay.” He paused. “I’m on to something new now anyway, something totally different for me, a real departure. I’m excited about it.” He didn’t look excited. Or he looked about as excited as a middle-aged legend contemplating moving his bowels in the communal bathroom, which is exactly what he was.

She was going to say something banal, like “I’m really happy for you” or “It’s the least we can expect from you, Irving,” but he turned to her suddenly and his face lit up. “Hey,” he said, “you hear the news?”

She hadn’t. She pursed her mouth and folded her hands in her lap. She was expecting something juicy, something to chew over and digest and laugh about till lunch, the thrilling little kernel of gossip that would make her whole billiard-room routine for the next week. The last thing he’d given her—and it was too much, she couldn’t have invented anything better—was the news that Peter Anserine had climbed the stairs to his room one night only to find Clara Kleinschmidt, lumps and all, reclining across his bed like the naked Maja—and the best part of it was, she didn’t leave till the morning. “No,” Ruth said, arching her back and darting a quick glance round the room, “tell me.”

“I can’t believe it,” he said. “Guess who’s coming—for a six-weeks’ residency?”

She couldn’t guess.

Plates rattled in the kitchen, Bob took Ina’s hand and sauntered out the door, Sandy yawned, stretched and stood up. Irving Thalamus leaned toward her, his eyes bright, his grin as sharp as a watchdog’s. “Jane Shine,” he said. “Jane Shine’s coming. Can you believe it?

Fea Purē

I want to help you, she whispered as he stood there in the doorway, the lunch bucket clutched in his hand. They all wanted to help him. That’s why they blasted their shotguns at him and hunted him with their dogs, that’s why they played Donna Summer in the swamps and tried to run him down in their speedboats. It was this one’s lover, her bōifurendo, the beef-eater and butter-stinker, naked and hairy and with his big dog’s prick hanging down like a sausage, who’d run the boat at him when he was half drowned and chased him out of the store when he was starving. He’d wanted to help too.

Still, there was something about her—he couldn’t say what it was, couldn’t find the word for it in English or in Japanese either. She was sitting at her desk, her back to him, and when she turned he saw her silken legs, long and slim, American legs, and he saw the movement of her breasts and the weight of them. He remembered those breasts from his night in the water, though he was terrified and exhausted and fighting for his life at the time. He was drowning, he was dying, and there were her breasts, naked and appealing under the pale glaze of moon and stars. The whiteness, that’s what he remembered, the whiteness of her there and below, skin like milk in a porcelain bowl. He stepped through the door.

He was terrified, though he had Jōchō and Mishima to sustain him—he was sure she’d betray him, screech till her tonsils fell out, rouse up every sweating hakujin cowboy and kinky-haired Negro in the county—but then he caught the look in her eyes and saw that she was afraid of him. For a long moment he just stood there inside the door, watching her eyes. And then, when he saw them soften, when he watched the smile play across her lips and heard her laugh, he shuffled into the room and squatted in the corner. “Arigatō,” he whispered, “sank you, sank you so much.” And then he opened up the lunch bucket and he ate.

She offered him more—apples, dates, crackers—and he took it, took it greedily, though he was humiliated. He crouched there like an animal, filthier than he’d ever been in his life, bleeding in a hundred places, stinking like a hog. And in rags. Stolen rags. Negro rags. Jōchō would have despised him; Mishima would have turned his back. He recalled the words of Jōchō on the importance of grooming and personal appearance—life was a dress rehearsal for death, and you always had to be prepared for it, right down to the smallest detail of your toilet, your underwear, your pedicure, your hands and teeth and the color in your cheeks—and he felt humiliated to the depths of his being. He was polluted. Degraded. Impure. Lower than a dog.

“I’ll get you clothes,” she said.

He was nothing. He stank. He loathed himself. “Dōmo arigatō,” he said, and though he was already squatting, he bowed from the waist.

Then she stood. Stood on those lovely slim ghostly white legs and crossed the room to him. She didn’t speak. She hovered over him, her eyes lush and consolatory, and held out her hand. “Here,” she said, the voice caught low in her throat, and when he took her hand she pulled him to his feet. “Come, lie down,” and she offered him the couch. He gave up then and let her lead him like a child, let her tuck the pillow beneath his head and whisper to him in her sacramental tones until his muscles went loose and he felt himself tumble through the wicker, the wood, the earth itself, and into a realm where nothing mattered, nothing at all.

His dream was of baseball—bēsubōru—the game that was his whole life until he discovered Jōchō. He was with his grandmother, his obāsan, and she was having a sake and he a hotto dogu and the players on the field were swinging their bats and the pitcher was pounding the ball into the dark secret pocket of the catcher’s mitt. And then suddenly he was down there amongst them, standing at the plate and swinging … not a bat, but the hotto dogu, chili, mustard and all… swinging it till it began to swell and grow and he felt he could do anything, clout a homer with every swing, soar into the air like a bird or rocket. He turned to wave at his obāsan, but she was gone, replaced by a girl with a baby at her breast… but no, it wasn’t just a single girl, there were hundreds, thousands of them, and every one with a suckling infant and every one with breasts as pure and white as … breasts … an avalanche of breasts …

He woke slowly, gradually, a diver rising to the surface of a murky lagoon, and the sleep clung to him like water. It took him a moment, disoriented by his exhaustion and all that had happened to him—he was home in bed, safe in his bunk on the Tokachi-maru, nodding off over a lecture at the maritime academy—and then all at once he knew where he was and his eyes locked open. He saw the crosshatching of the wicker, shellacked and faded, and he saw the flowered pillowcase and his own filthy and battered hand. He heard nothing, not a sound. In the next instant he was up and off the couch, cursing himself, cursing her, and then he tore open the door and ran for the woods, his breath coming in torn ragged gasps. How could he have trusted her, he thought, oblivious to slash of palmetto and tug of briar, his adrenaline surging, expecting at any moment to hear the first startled bellow of the sheriff’s hounds at his back. The bitch, the false deceptive white-legged hakujin bitch: how could he have been so stupid?

This wasn’t fair play—fea purē—not at all. This wasn’t how the game was played. This was cheating. She’d caught him with his defenses down, caught him when he was ready to pack it all in, to give up and die of shame and ignominy, and she’d seduced him with her voice and eyes and her pure white body and then stabbed him in the back. But he’d escaped her. Oh, yes. And he would never yield again, never—he would be as ruthless and crafty as the high-noses themselves. No more fea purē for him. Nice guys finish last—Leo Durocher, the great Amerikajin manager of the Brooklyn Dodgers had said that, and Jōchō had said it too.

He tore at creeper and twig, splashed through a scum-coated channel and startled something in the shallows. Finally, winded, he threw himself down in the red muck to consider the situation. For a long moment he held his breath, listening—they came at you with dogs, bloodhounds, he knew that. Give them a sock, a sandal, a cigarette butt, and they could track you to the ends of the earth. He was too frightened yet to be miserable, too exhausted to think straight. But when he calmed down, when the sun dropped below the rim of the world and left the trees in haunted gloom and the birds of the night screeched overhead, he was fully miserable once again, and he began to wonder if he hadn’t been just a bit rash.

Perhaps she had meant to help him after all. She said she was going to get him clothes. He couldn’t very well expect her to have a suit of men’s clothes in her cabin, could he? She didn’t live there, he knew that much. She came in the morning and left in the evening. He supposed she was a secretary of some sort and that the cabin was her office—and if that was the case, well then perhaps she had gone to get him clothes … and food, more food, the meat paste sandwiches and hard vegetables and fruit he’d discovered in the lunch pail, the little cheeses wrapped in foil and a wedge of frosted cake. His hara announced itself then and he rose itching from the muck, a lingering sour troubled taste in his mouth, and struggled back in the direction from which he’d come.

It wasn’t easy. The shadows deepened; the trees stood in ranks, linked arm to arm, as alike as blades of grass; things swift and unseen whipped through the scrub at his feet. Twice he toppled headlong into the bushes, the dirty gauze of cobweb and spider silk caught in his mouth and nostrils, mosquitoes harassing him in all their legions. He’d almost given up hope when the tangle of trees released him to the brief remission of the yard.

He froze. It was full dark now, the night clear and moonless. Not twenty feet away stood the cabin, an absence of definition, a shadow that drew in all the shadows around it. Nothing moved. He listened to the chirr of crickets, the hum of mosquitoes, the violent thump and wheeze of his own internal machinery as it went about the business of keeping him alive. What if they were waiting in there for him? What if they were watching him even now, their dogs at heel, guns drawn, fingers twitching over their searchlights?

Step by tottering step, he approached the mass of shadow that was the cabin. Going to school, living with his obāsan, swabbing the galley of the Tokachi-maru, he’d almost forgotten his own physicality, and here he was, playing another children’s game: red light, green light. He took a step and then froze. Two steps. And then another. When he was close, when he could distinguish the horizontal bar of the porch railing from the clot of shadows behind it, he felt a surge of joy. The clothes: there they were! He reached out to the material, the white T-shirt palely glowing. She’d been true to him after all—she was his ally, his friend, his comfort and support, and she did play by the rules, she did, though he must have been as strange to her as she was to him. In that moment, he loved her.

In the next, he was crestfallen. She’d brought him antiseptic and bandages, water and soap and clothing that smelled of scented detergent and the tumble-dryer—but she’d forgotten the most important thing, the thing that made his gut seize and cry out in peristaltic anguish: she’d forgotten food. The apples, dates and crackers, the box lunch, they were nothing, a distant memory, and a great howling inconquerable hunger took hold of him like rage. The bitch, the stupid bitch, she’d forgotten to bring him food!

All right. But he had the clothes, the soap, he had clear clean potable water. Or at least he assumed it was clear, clean and potable—he could barely make out the basin in the black of the night. He bent his face tentatively to the basin and drank, and to his joy he found the water sweet and fresh, with no taint of the swamp—had water ever tasted so good? Then he stripped off his rags, fumbled for the washcloth and soap and began a long slow luxurious lathering which he interrupted only long enough to stave off the mosquitoes.

When he’d finished, he stood and upended the basin over his head and then filled it again—at least she’d thought to leave the water jug on the porch, he muttered to himself, his gratitude drowned in outrage: no food—Band-Aid strips, but no food! He wet his hair, soaped and rinsed it and wet it again. Then he sat on the front steps, still naked, and cut the burrs and thistles and twigs out of it with his penknife. He didn’t have much of a beard—a few sparse hairs curling from his chin and darkening his upper lip—and these he tried to cut too, but with less success. Finally, he reached for the shorts and slipped into them with all the satisfaction of a half-grown boy slipping into his yukata after a long hot soak.

He carried the T-shirt and the tennis shoes, Jōchō and his penknife into the dark cabin with him. For a moment he stood there in the darkness, smelling her, a sweetness of the flesh and a hint of western perfume that lingered like spice on the air. The cabin was deserted. He remembered the hot plate and the tin of crackers. She must have something here, he thought, anything. And then he took a risk: he fumbled round the place, lost in utter blackness, till he found her desk lamp and switched it on.

The room sprang to life, a dazzle of color and dimension—a room, habitable space, four walls and a roof. He was inside. He’d spent his whole life inside, and now he was inside again. The windows glared at him, opaque with light, and he knew he was visible to anyone standing out there in the night… but he didn’t care. Not now. Not anymore. All he cared about now was food. And where was it? Where did she keep it? He scanned the room—the rows of books, the typewriter with its curling page, the fireplace, the chairs and loveseat—finally settling on the flimsy little table that held the hot plate. There were coffee things there: a mug, a spoon, a ceramic container with packets of Sweet’n Low and non-dairy creamer, a boldly labeled jar of decaf. And that was it. Nothing else. Nothing to eat.

For the next half hour he sat there in a pool of golden light, treating his wounds and sipping decaffeinated coffee—one cup after another. There wasn’t much nutrition in it, he knew—some soya protein in the creamer, maybe—but he loaded his cup with the artificial sweetener and the packets of dry yellowish powder and told himself he was having a rich and satisfying meal. He dabbed gingerly at his torn flesh, examined his poor battered feet like a pensioner in his garret. He squeezed the pus and flecks of dirt from the infected cuts and abrasions that striped him from head to toe, treated them with stinging iodine and soothing peroxide, and applied the Band-Aids one atop the other till his legs and arms and chest were a pale wheeling collage of plastic strips. He took his time, and his heart beat like a clock, strong and steady. To be here, to be inside, in this space separated from the hard ground and naked sky, was a quiet miracle. That it was her space, that she was here during the gathering hours of the day, made it all the sweeter. He felt, at long last, that he’d been rescued.

When he was done—when he’d used all the Band-Aids, drunk all the creamer and emptied all the packets of Sweet’n Low—he flicked off the lamp and stretched out on the wicker loveseat. He would spend the night—this one, at least—under a roof, instead of scrabbling around in the mud like an animal. God, how he hated nature. Hated the festering stink and the wet and the gnats in his eyes and ears and nostrils. The wicker was hard beneath him, but it didn’t matter. He closed his eyes and settled himself, the obscene drama of the night, with all its comings and goings, its little deaths and devourings, its spiders and snakes and chiggers, out there where it belonged.

The problem was, he couldn’t sleep. He was exhausted, worn-out, as weary and heartsick as any human being on the planet, and he couldn’t sleep. He kept seeing her, the woman, the Amerikajin, rehearsing her face and her body over and over again: the moment she turned to him, the rustled silk of her voice. And then he was thinking of his obāsan and how when he was small and couldn’t sleep she would read to him in the glowing little circle of the tensor lamp beside his bed. She hadn’t liked Mishima, hadn’t liked it when he gave up baseball for Jōchō and his Hagakure. And then he remembered the nights he couldn’t sleep because of the clenching in his gut over the ijime—the bullying—they put him through in high school, and how Jōchō had been his hope and solace.

Hiro was seventeen when he discovered Hagakure—or rather, Yukio Mishima’s appreciation of it, The Way of the Samurai. He was a boy in school, a bēsubōru player—there, on the field, he was the equal of anyone—and he’d never heard the name of Jōchō or of Mishima either. He played ball with savage devotion, the harsh unpronounceable names of the gaijin stars like an incantation on his lips: Jim Paciorek, Matt Keough, Ty Van Burkelo. They were his inspiration, his hope. You could be a mongrel, a half-breed, you could be anything, and all that mattered was that you got a hit when you stepped up to the plate. That was democracy. That was fea purē. That was revenge. Fujima, Morita, Kawakami, the very insects who’d blackened his eyes and broken his nose, the ones who hissed bata-kusai at his back as he made his way down the corridor, these were the ones he silenced with his bat. They squinted at him from the pitcher’s mound, from shortstop and centerfield, chanting their obscenities and waving their mitts to distract him, till his bat met the ball and their legs fell out from under them. Bēsubōru, that was his life.

And then one day, walking home from school and attracting the usual stares on the street—everyone knew at a glance that he wasn’t Japanese, that he was something else, something alien, and their eyes flew to him and then dropped away as if he were dead, inanimate, a post, a tree, a smear on the sidewalk—he found himself gawking at a poster in a bookstore window. The poster—it was a blown-up photo, in black and white—showed a nearly naked man in the throes of death. He’d been lashed to a tree, his hands bound over his head, and three stark black arrows protruded from his flesh. One penetrated his lower abdomen, just above the folds of his crude breechcloth, another radiated from his side, while the third was thrust nearly to the hilt in the dark clot of hair beneath his arm. His eyes were half open, staring off toward the heavens in glazed rapture, and his mouth was a fierce dark slash of agony and release. He had the musculature of a hero.

Too shy to go in, Hiro only gaped at the window that first day, fascinated, wondering if the photo was real—there was blood, after all, perfect black streaks of blood dribbling from the wounds like grisly brushstrokes. But then, maybe they were too perfect, maybe the whole thing had been staged—a still from a movie or a play—maybe they were brushstrokes. And where would anyone come by such a picture if it was real? People weren’t tortured to death these days, were they? And with arrows? He wondered if the man might not be an explorer, captured and executed by some big-lipped tribe in New Guinea or South America. If he was, and there was a book about it, Hiro wanted it.

The next day, he steeled himself and went into the shop. It was a cramped and dark place, row upon row of books on metal shelves affixed to the walls, a smell of newsprint and mold and a fruity false air freshener. Fifteen or twenty customers browsed through the stacks of foreign newspapers or waddled up and down the aisles, arms laden with books. Aside from the rustle of lovingly turned pages, the place was as quiet as a shrine. Hiro approached the desk, where a big-shouldered man in smoked glasses with western-style frames sat behind a cash register. Hiro cleared his throat. The man, who’d been staring out the window at nothing, gave him an indifferent glance.

“The poster in the window, sir,” Hiro said, so softly he could barely hear himself, “is that a book? I mean, is there a book about it?”

The man looked at him a moment, as if deciding something. Finally, in a weary voice, he said: “That’s Mishima.”

It was luck, it was fate, it was magic. Hiro stood bewildered before the rack the shop owner pointed him to—twenty, twenty-five, thirty Mishima titles in duplicate and triplicate and more taking a good slice out of the wall. It was as if his hand was guided: the first book he chose, the very first, was The Way of the Samurai. He slipped it off the shelf, pleased by its glossy cover and the drawing of dueling swordsmen that seemed to dance across it. He never even glanced inside: the cover was enough. That and the poster. He laid down his money for the laconic shopkeeper and ducked out the door with his treasure, one eye on the cruel photo of the martyred author.

Like most Japanese boys, Hiro knew the mythos of the samurai as thoroughly as his American counterpart knew that of the gun-slinger, the dance-hall girl and the cattle rustler. The wandering samurai, like the lone man on the horse, was a mainstay of network TV, the movie theater, cheap adventure novels and lurid comics, not to mention classics like The Forty-Seven Ronin that were on every school reading list. But after a period when he was eight or nine and ran around all day with a wooden sword and a hachimaki looped round his head, he’d outgrown his fascination with the whole business of topknots and swords: samurai, he could take them or leave them. Still, when he opened Mishima’s book, it brought him back. He didn’t know then of Mishima’s right-wing politics, of his homosexuality and grandstanding, or even of his ritual suicide—all he knew was that he’d entered another world.

The book puzzled him at first. It wasn’t a story. There were no swordfights, no hair-raising tales of samurai derring-do and acts of redemptive heroism. No. It was a study, a commentary actually, by this man, this Mishima with the arrows in his groin, on Jōchō Yamamoto’s ancient samurai code of ethics, Hagakure. Hiro didn’t know what to make of it. I discovered that the Way of the Samurai is death, he read. And: Human beings in this life are like marionettes … free will is an illusion. He read that it was acceptable for a samurai to apply rouge if he woke up with a hangover and that wetting the earlobes with spittle would control nervousness in any situation. It all felt faintly ridiculous.

But he stuck with it, though it was like a textbook, a manual, like something he might read in a science or navigation class. He kept seeing the picture of the martyred author—only later did he realize it was a pose, Mishima’s masochistic homage to an Italian painting of a martyred saint—and he plowed through the book as if it were written in code, as if it were his personal initiation into the arcane rites and ancient secrets that would make their master the equal of anyone. It was a game, a puzzle, a conundrum. Hagakure—Hidden Among the Leaves—even its title was mysterious. In the following weeks he went back to the shop several times—the poster was gone, replaced by a life-size cutout of an old man with the face of a bird and a shock of white hair—to sample Mishima’s other books. They were novels, for the most part, and he enjoyed them, but none of them had the tug of the first. There was something there, and he didn’t know what it was. Over and over he read the cryptic passages, over and over. And then one day, in the way that the sun suddenly breaks through the clouds in the midst of a storm, he had it.

They’d ganged up on him at the ballfield—six or seven of them—and they’d slapped him around and flung his Yomiuri Giants cap into the sewer. He was in a rage, but the rage gave way to despair. When would it end, he asked himself, and the answer was never. He barely spoke to his grandparents that night, and he was restless: he didn’t want to watch the game shows, didn’t want to listen to tapes on his Walkman, he didn’t want to study or read. Finally, out of boredom, he picked up his dog-eared copy of Hagakure, opened it at random and began to read. The passage was about modern society, about how corrupt and weak it had become, and all at once, as if a switch had been flipped inside his head, Mishima’s words made perfect sense. All at once he understood: the book was about glory, and nothing less.

The society around him—the society into which he’d tried to fit himself all the years of his life—was corrupt, emasculated, obsessed with material things, with the pettiness of getting and taking, selling and buying—and where was the glory in that? Where was the glory in being a nation of salarymen in white shirts and western suits making VCRs for the rest of the world like a tribe of trained monkeys? Hiro saw it, saw it clearly: Fujima, Morita, Kawakami and all the rest of them, they were nothing, eunuchs, wimps, gutless and shameless, and they would grow up to chase after yen and dollars like all the other fools who made fun of him, who singled him out as the pariah. But he wasn’t the pariah, they were. To live by the code of Hagakure made him more Japanese than they, made him purer, better. It was the ultimate code of fea purē—or no, it went beyond fea purē and into another realm altogether, a realm of power and confidence—of purity—that transcended the material, the flesh, death itself. He’d been made to feel inferior all his life, and here was a way to conquer it—not only on the ballfield, but on the streets and in the restaurants and theaters and anywhere else he chose to go. He would fight back at Fujima and the rest of them with the oldest weapon in the Japanese arsenal. He would become a modern samurai.

But now, as he lay on the Amerikajiris cramped little couch, using Jōchō as his pillow, all that seemed an eternity away. To rely on Jōchō had become automatic with him, but now he was in America, where everyone was a gaijin and no one cared, and he would have to find a new code, a new way to live. His tormentors were back in Yokohama and in Tokyo, they were sailing for New York aboard the Tokachi-maru, and he was free—or he would be, if only he could get to Beantown or the City of Brotherly Love. The thought soothed him—he envisioned a city like Tokyo, with skyscrapers and elevated trains and a raucous snarl of traffic, but every face was different—they were white and black and yellow and everything in between—and they all glowed with the rapture of brotherly love. He held that image as he might have sucked a piece of candy. And then he shut his eyes and let the night fall in on him.

He woke to a parliament of birds and the trembling watery light of dawn. This time there was no confusion: the moment his eyes snapped open he knew who he was and where and why. He sat up with a long grudging adhesive groan of his Band-Aid plastic strips and examined his shorts and T-shirt and the ventilated tennis shoes that seemed to leer at him from the floor. He could see at a glance that the shoes were at least two sizes too big, designed as they were for the flapping gargantuan feet of hakujin giants. And the shorts! They fit, sure, but they were atrocious, ridiculous, a moronic blaze of color that made him doubt the manufacturer’s sanity. What did she think he was—a clown or something? Was she trying to make fun of him? His gaze fell on the little table with its clutter of Sweet’n Low packets and the coffee jar he’d scraped clean in his greed, and he felt ashamed of himself. Deeply ashamed. She’d sacrificed her lunch for him, given him a couch to sleep on, gone out and found him clothes and shoes and Band-Aid plastic strips, and here he was complaining. He was an ingrate. A criminal. His face burned with shame.

Already he owed her a debt—an on—that he could never begin to repay, not even if he were back in Japan and working in a factory and he saved every yen he made for the next six years. The thought humiliated him, made him feel even lower than he had the night before when he’d come to her in rags. In Japan, any favor, any gratuitous kindness, however small or altruistic, saddles its receiver with a debt of honor that can only be redeemed by repaying the favor many times over. It has become so ritualized, so onerous, in fact, that no matter what their extremity, people are terrified of being helped. You could be run down in the street and insist on crawling to the hospital rather than have a stranger lend a hand—and the stranger would no doubt run the other way, out of respect for your pain and the impossible burden he’d be laying on your shoulders were he to help.

Hiro had been inculcated with the subtleties and minute gradations of this system all his life, his grandmother the most rigorous on appraiser in all Japan—she could instantly translate any gift or favor into the precise material worth of its return, and she had nothing but contempt for anyone who fell short by even a yen. Help an old woman across the street and you got a hand-knitted sweater, a box of cherry chocolates and an invitation to tea. Accept the invitation and you owed the old woman a two-week vacation in Saipan, where she would sift for the bone fragments of her unburied sons; refuse it, and commit a crime second only to mass murder. The whole society was one vast web of obligation. Fail, break a strand of the web, and you’ve lost face, 120 million tongues clucking tsk-tsk-tsk.

Suddenly, he wanted to hide himself. She’d be coming any minute now, bobbing up the path on her long white legs. What would he say to her? And what if she wanted a cup of coffee? What then? Mortified, his ears stinging, he cleaned up the mess and left her his rags, neatly folded, in humble acknowledgment of what she’d done for him, and then he dashed out the door to hide himself in the bushes.

He was squatting over the battered sneakers in a dapple of sun, feeling every one of his hundred and seven oozing cuts, scratches and infected insect bites and thinking nothing, nothing at all—just existing—when she came up the path. Her hair was drawn back in a ponytail that bounced behind her as if it were alive, and she looked waif like in a pair of baggy white shorts and an oversized T-shirt. The T-shirt featured the silhouette of a racing scull, oars in motion, and the baffling legend CREW THANATOPSIS. Hiro held his breath, though she could have passed within a foot of him and never noticed, so thick was the vegetation along the path. As she approached the cabin, she slowed her pace, stealthy suddenly, as if she were stalking something. He watched her mount the steps on tiptoe, ease back the screen door and hold it open just a moment too long, and then glance shrewdly round the clearing before stepping inside. The door slammed behind her like a slap in the face.

All that day, Hiro crouched there in the undergrowth, drowsing, swatting mosquitoes, fighting down the importunities of his hara and listening to the tap-tap-tap, tapata-tapata, tap-tap of her typewriter. When the sun was directly overhead, he was briefly aroused by the sudden appearance of a deeply tanned hakujin who noiselessly separated himself from the trees and crept across the clearing, step by silent step. For one joyous instant Hiro thought he’d discovered a means to repay his debt and then some—the man was a rapist, a mutilator of women, an escaped maniac, and he, Hiro Tanaka, would fly into action and give his benefactress the great good gift of her life—when to his disappointment and gratification both, he noticed the familiar glittering treasure of the lunch bucket tucked under the man’s arm. The man was lithe and trim beneath the plane of his towering high flattop, and he sneaked up the steps and silently hung the lunch bucket on the hook beside the door. Then he stole away like a thief.

For most of the afternoon, Hiro contemplated that lunch bucket with mixed emotions—he couldn’t take it, no, he owed her too much already; but then she’d offered it to him, hadn’t she? At least she had yesterday. But who could speak for today? Maybe she was hungry, maybe she felt she had a right to her own lunch—or a cup of decaffeinated coffee with artificial sweetener and nondairy creamer. He couldn’t take that lunch away from her, couldn’t face her: what would she think of him? As it turned out, she never went near the lunch herself, but more times than he could count she got up from her desk to cross the room and peer through the mesh of the screen to see if it was still there. He felt terrible. He felt like a baited animal, a squirrel or fox lured to the trap. But most of all, he felt hungry.

When she left for the day—when he was sure she’d gone and had forced himself to count backward from a thousand just in case—he stole out of the bushes, snatched the bucket on the run and careened back to his hiding place, the fish-paste sandwich—was that tuna?—already in his mouth. After he’d eaten it, after he’d licked clean the wrapping paper and probed the crevices of the box for the last hidden crumbs, he felt tainted and polluted, like the alcoholic who succumbs to the temptation to take that first forbidden drink. Still, he was starving, getting along on a fraction of what he normally consumed, and though he fought it, the scenario repeated itself the following day. And that was when he reached his moment of crisis.

He could not, would not demean himself before her again. What did he think he was doing? Did he intend to crouch forever in the bushes outside the fly-speckled window of the only Amerikajin who’d shown him a ray of kindness? What was he going to do—grow a long black beard and eat dirt all his life, live like a caveman or a hippie or something? No, he had to get to Beantown, the Big Apple, to the City of Brotherly Love; he had to blend in with the masses, find himself a job, an apartment with western furniture and Japanese appliances, with toaster ovens and end tables and deep thick woolly carpets that climbed up the walls like a surging tide. Then he’d be safe, then he could play miniature golf and eat cheeseburgers or stroll down the street with an armload of groceries and no one would blink twice. The moment he finished the second lunch, the ultimate and final lunch, he started off down the path for the blacktop road that would lead him to a distant wide sun-streaked highway and all the glorious polyglot cities of the land of the free and the home of the brave.

Behind a Wall of Glass

“Now, Saxby, I’m warnin’ you—if you get one drop of water on that furniture …”

The aquarium had been in place for less than an hour, and already Saxby was filling it from the green plastic garden hose that snaked in through the open window. The tank was too long by half a foot, and when he and Owen hadn’t been able to negotiate the tricky corner in the hallway outside his bedroom, they’d set it up on the window seat in his mother’s sitting room. He’d covered the seat itself with a double sheet of visquine, but Septima was concerned for the Hepplewhite highboy that stood to its immediate left and the three-hundred-year-old mahogany sideboard that loomed up out of the grip of the wallpaper on the right. “Hush now,” he said, reassuring her, “I wouldn’t harm one little thing in this house, you know that,” and he manipulated the hose with one hand while with the other he arranged his aquatic furniture—the rocks he’d plucked from the Carruthers’ seawall and boiled for hours in the colony’s big stewpots to discourage unwanted algal and bacterial blooms, and the long wet strands of water lily, pickerel weed, bladderwort and redroot he’d brought back with him from the Okefenokee. “Hell, I’d be throwing away my own inheritance if I did.”

“Saxby, you stop that now,” she shot back with a grin that exposed the long fossilized roots of her teeth. She loved to hear him go on about his inheritance, even if he made a joke of it—what she wanted above all, what she planned to make him swear to on her deathbed, was that he would stay on in the house after her, overseeing the colony’s operations in her stead and living a long and fruitful life in the brilliant company that would call Thanatopsis home on into the limitless future.

“Seriously, though, Mama—it’ll be beautiful when I’m done. You’ll see.”

Septima was sunk in the vastness of a chintz-covered easy chair, her feet propped up on a matching ottoman, and her book—a bookclub selection on the history of rice-paper manufacture in Wu Chan Province during the twelfth century—spread face-down in her lap. “I know it will, honey,” she said, a faint distracted quaver working its way into her voice, as if, just for a moment, age and infirmity had caught up with her, “but that highboy is priceless, simply priceless, and I remember your grandmother Lights saying—”

He turned to her in that moment, water dribbling from his fingertips, sleeves rolled up past his elbows, and gave her a smile so rich it stopped her in midsentence.

“What?” she said, grinning. “What is it?”

“You,” he said. “Look at you: you’re treating me like I was six years old again—and believe me, I wouldn’t complain if you’d only go back to making me corn muffins and drizzled honey in the mornings and tucking me in at night.”

His mother said nothing, but he knew she was enjoying it, this vision of her hulking big sinewy twenty-nine-year-old son as a breathless pigeon-toed little boy who couldn’t stop eating corn muffins, who looked up into her eyes as if they contained all the answers to all the questions in the universe and followed her, step for step, through the days and weeks and months of her younger and less complicated life. After a moment he turned back to the tank, shifted the hose, adjusted the filter intake, patted a mound of gravel over the roots of the pickerelweed he’d planted in the near corner. There was the murmur of the water, the soft play of the fronds on his skin, the slow soothing pleasure of doing something, making something, of building a world with his own hands. A period of time was erased—five minutes? ten?—before he spoke again. “So how’s Ruth been keeping?” he said, glancing over his shoulder.

Septima set down her book and peered up at him over the wings of her reading glasses. Little ripples of surprise crested on the brittle white beach of her hairline. “You haven’t seen her yet?”

“Just for a second. I was bringing the tank in with Owen and she was on her way out the door—said she was going back out to the studio …”

“At this hour?”

Saxby shrugged. The water felt suddenly cold on his hands.

“She missed dinner? And cocktails?”

“I guess.” The tank was three-quarters full now, and its water seemed as gray as a field of stones. “I could always have Rico fix her something—or we could get a loaf of bread and a package of Swiss down at the Handi-Mart.”

His mother’s eyes had a faraway look. He imagined she was summoning up the hundreds of artists who’d passed through Thanatopsis House in her time—from the minor to the major, from the unknown and unknowable to the celebrated and great—and calculating just how many had ever missed cocktails. He lifted his hands from the cold tank and buried them in a towel. “It’s no big deal,” he said, “I was just—”

“You don’t have to worry about Ruth,” she said suddenly.

“Oh, I wasn’t worried”—he gestured with the towel—“it’s just that she’s new here and she feels a little out of her league, I guess—a little overawed, maybe—and I feel bad about it. I told her I was only going to be gone two days, but then two stretched into four and …” he trailed off.

“Saxby, honey,” she said, and her voice was cloudy again, shivered with age, “stop foolin’ with that thing and come on over here and sit with your mother a minute.”

The outside of the glass was beaded with condensation, the hose running liquid ice up out of the deep roots of the earth, and he realized it would be three or four days at least until the water warmed up enough to put the fish in. The thought was mildly depressing—the excitement was in the completion, six days of labor and one to kick back and see that it was good—and he took a step toward his mother and hesitated, giving the tank one last critical appraisal. He watched the plants nod and bow in the current generated by the hose and the big humming filtration system, saw the secret caves and hollows and piscine apartments he’d sculpted of rock, ever so briefly admired the scope and magnitude of the thing—six feet long and two hundred gallons!—and then sidled across the room to ease himself down at the foot of his mother’s chair. Immediately he felt her hand on his shoulder, the maternal fingers tugging gently at his ear.

“I want to tell you somethin’,” she said, her voice trembling still, but infused now with a bright contralto hint of playfulness, “and I want you to listen to me. We don’t ever disturb our artists at work, no matter what the hour or how anxious we are to”—she paused—“to show them how much we’ve missed them. Now do we, honey?”

He didn’t answer. He was listening to the slow, steady heartbeat of the pump circulating the dense atmosphere of the little world he’d brought to life behind a wall of glass, and all of a sudden he felt sleepy.

“Workin’ through dinner,” Septima sighed, and her cool lineal hand massaged the nape of his neck, “that girl must really be on to somethin’.”

It was late—past one—by the time he finally did get ruth to bed, and he was a little miffed—just a little; he’d been around too, after all—that she wasn’t a whole lot more anxious to leave the billiard room and fall into his arms. They’d had an omelet and a bottle of wine together in the kitchen about nine, and she’d been coy and sexy and he’d tugged at her blouse and pinned her up against the meat locker to rotate his hips against hers and feel his blood surge. “Let’s go fool around,” he said, and she said sure, but led him instead up the stairs to the billiard room.

The usual crowd was there—Thalamus, Bob Penick, Regina, Ina and Clara, the new guy, Sandy, and a couple of others—but there’d been a change in the interior weather since he’d been gone—that much was apparent the minute they stepped in the door. “Hey, Ruthie!” Thalamus cried, rising up out of his chair at the card table like a lizard skittering off a rock, and someone else shouted “La Dershowitz!” and only then did they acknowledge him, though he’d been gone four days.

Ruth poured herself a waterglass of bourbon—neat—and took a seat between Thalamus and Bob at the card table. Sandy and Ina were playing too—the usual, five-card stud—and so was a guy he’d never seen before, a gawky character with dyed hair and a splotched face who looked as if he’d been put together with spare parts. Regina was draped over the billiard table, rattling off one daunting and professional shot after another, and the two women in the far corner—he didn’t recall their names—were absorbed so deeply in conversation they might as well have put a Plexiglas wall up around themselves. And where did that leave him? To sit and listen to Clara Kleinschmidt go on about Schoenberg and the twelve-tone scale till his brain dissolved from boredom?

As the evening wore on, Ruth did get up and pay some attention to him—Why was he brooding? she wanted to know—but she skipped round the room like the Queen of May, and always found her place again at the poker table—beside Thalamus. Saxby drank vodka and brooded, though he denied he was brooding, and made small talk with Peter Anserine and one of his disciples, who’d paid a rare visit to the billiard room; discussed the fine points of bedding irises with Clara Kleinschmidt, who proved to him that she was more than just a composer; and finally, in desperation, challenged Regina Mclntyre to a game of eight ball, which he lost without taking a single shot. As he became progressively more inebriated, the elation he’d felt over setting up the aquarium and beginning a new project dissipated like a stain in water. And then it was late and Ruth fluttered up to squeeze his arm and give him a kiss with a lot of tongue in it, the guy with the splotched face shook his hand and introduced himself as the INS agent he’d spoken to on the phone, and Irving Thalamus cuffed him on the shoulder and told him a lewd story about Savannah and a whore he’d once had there. Ruth won thirteen dollars and fifty-two cents.

Later, in bed, after he’d stripped her garment by garment and run his fingers the length of her and showed her how much he’d missed her in the most essential ways, he lit a cigarette and wondered aloud about the sudden shift in billiard-room relations. They were in his room, the room he’d had since he was a boy, just down the wainscoted corridor from his mother’s room. The night was close, palpable, breathing in through the screen with a sharp wild whiff of the marsh and the tidal creeks and the slow wet burning death of vegetation. Ruth lay apart from him, her skin silvered with sweat in the light of the moon. And then she leaned into him, her breast flattening against his bicep as she lit a cigarette off his. Her face glowed in the flare of tobacco, she exhaled with a deep sweet luxurious breath, and told him that the billiard room was hers, no problem, and that now—finally—she was really starting to enjoy herself.

He reflected on this for a moment, leaning back against the headboard of his childhood bed, squeezed tight and sweltering against her, shoulder to shoulder and flank to flank. His cigarette glowed hot in the dark. “Miss me?” he murmured.

In answer, she took hold of his penis and smoothed it against her palm, a touch as soft and silken as a fluttering sail. “I’ll give you three guesses,” she said in her smokiest voice and leaned over to kiss him.

He felt that touch and flexed his thighs, tasted her lips and smelled the heat of her. “What about Thalamus?” he said.

She let her hand go slack. “What about him?”

“I don’t know,” he said, looking away though he knew she couldn’t have seen his eyes in that light, “it’s just that he seems awful friendly all of a sudden …”

Her hand started up again, proprietary, insinuating. “Jealous?” she breathed.

He set his cigarette down on the edge of the scarred night table and covered her rhythmic hand with his own. He held her there and rose up with a screech of the old bedsprings to kneel between her thighs and bring his face down to hers. Thalamus was nothing, a joke, dried up and juiceless, a string of jerky in a slick plastic wrapper. He could have run him down, could have denigrated him, but he didn’t. Instead, he answered her question. Plainly. Simply. Truthfully. “Yes,” he said.

She was there beneath him, sweat-slick and venereal, salt skin, breath hot on his face, whispering close. “Don’t be,” she murmured. “I’m just … playing the game. You should know that … you, Sax … you,” and she pulled him down into the place where words have no meaning.

Next morning—or rather, afternoon; it was half past twelve when he woke—Saxby took a cup of coffee, an egg sandwich and yesterday’s just-delivered newspaper into his mother’s sitting room. He had a vague recollection of Ruth stirring at first light and bending to kiss him as she hurried off to breakfast at the convivial table, but it was so vague as to dissolve instantly into the glow of the sitting room and the strong vertical shafts of light that penetrated the windows and made a theater of the aquarium. Overnight, the tank had been transformed. The water was clear now, absolutely limpid, filtered free of the detritus he’d stirred up in the act of creation, the plants stood tall and held a trembling virescent light, and the shelves of rock loomed against the deep matte background like reefs six fathoms down. He took a standing bite of the egg sandwich, a sip of coffee, and set his breakfast aside. He was too excited to eat. In the next moment he had his hands in the water, adjusting this rock or that, fanning out the gravel, moving a plant as a painter might adjust a still life. But what gave him the most satisfaction, what made him forget all about the congealing egg, cooling coffee and day-old newspaper, was the expectation that his perfect microcosmic world would soon be tenanted. If he was lucky. And luck would necessarily play a major role in the project unfolding beneath his wet cold hands.

For Saxby was no scientist—a committed, even passionate amateur, perhaps, but no scientist. Academic rigor, required courses in physics, biochemistry, geology and anatomy, these were things he could do without. He’d been to several colleges—his mother admired science, and was willing to support him in anything, though she herself, having been a poet in her youth, preferred the Arts—and he’d done decreasingly well at each of them. His love was animals—aquatic vertebrates in particular—and the curricula of these fine, leafy, heavily endowed and venerable schools just didn’t seem to meet his needs. Finally, in his midtwenties and after some six years of errant scholarship, he’d dropped out altogether, well short of the credits for a B.S. degree, and he’d done some traveling—Belize; the Amazon; lakes Nyasa and Tanganyika; Papua New Guinea—before settling down on the West Coast. There, drawing on his trust fund for support, he was able to work for minimum wages at Sea World and the Steinhart Aquarium and as mate on a sportfishing boat out of Marina Del Rey (his job to bait the hooks for pale bloodless jowly men in leisure suits). He’d gone back to school—at Scripps—the previous year, but not in the celebrated oceanography program, as he’d told his mother and, later, Ruth. He’d been more or less a hanger-on there, attending the odd lecture in holothurian morphology and allowing boredom and inertia to fix him in a perpetual late lingering boyhood. And then, at a party, he met Ruth, and Ruth brought him back home to Georgia.

When the sun had shifted in the sky and the egg of the egg sandwich had passed from inedible to emetic, the door behind him creaked open and his mother glided into the room. She was wearing an old painter’s cap pulled down over her eyes, a pair of jeans, sandals and an oversized blouse, and she fell into her easy chair as if she’d been shoved. “I swear I’ll never get used to this heat if I live a thousand years,” she sighed.

Saxby had been wandering. He’d been reprising all the aquariums he’d had as a child, all the guppies, swordtails, mollies and oscars he’d escorted through their brief passage of life, and dreaming of this new project, his inspiration, the one that would bridge his childhood love and the sort of seriousness of purpose expected of a man in his thirtieth year. Now he looked up sharply. “You haven’t been gardening again?”

There were telltale stains of earth on both the sagging knees of his mother’s sagging jeans. She didn’t attempt to deny it.

“Mama, in this heat? You’ll kill yourself yet.”

She waved him off as she might have waved off a fly. “Be a sweet,” she said, “and fetch me a glass of iced tea.”

He crossed the room without a word—angry at her; why, if she must poke around in the garden, couldn’t she do it in the evening?—and went through her bedroom to the back parlor and kitchen beyond it. This was the old core of the house, the original structure around which Saxby’s great-grandfather, DeTreville Lights, had built the house as it now stood. Septima had reserved it to herself, as her private living quarters, when she’d set up the colony twenty years earlier. The kitchen had a low beam ceiling and it was long and narrow, peg and groove floors, thick fieldstone walls over which generations of plaster had been smoothed. It was cool here, the windows shaded by the huge snaking moss-hung oaks that antedated the house. Eulonia White, Wheeler’s daughter, was shelling shrimp at the table. “She’s been gardening again,” he said, and went straight to the refrigerator.

Eulonia White was a well-built woman, fortyish, with bad teeth and a sweet faraway look behind the flashing lenses of her wire-rim glasses. She didn’t respond.

Saxby poured the iced tea from a stoneware pitcher, and as he sliced a round of lemon and the scent of it rose to his nostrils, he suddenly realized he was famished. “That shrimp salad you’re making there, Eulonia?” he asked.

She nodded, her lenses throwing fire. “She say she gone eat in here tonight.”

“How about a little sandwich for me, could you do that? Rye or wheat—check with Rico, I think he’s got both in the main kitchen—with some mayo, black pepper, squeeze of lemon. Okay? I’ll be in with my mother.”

Back in the sitting room, he slipped the cold glass into his mother’s hand, and then picked up the dead egg sandwich—famished, absolutely famished—and gave it a tentative sniff. “I just been sittin’ here watchin’ that aquarium, Saxby,” his mother said, sipping at her iced tea, “and I do swear it is the prettiest one you’ve ever gone and created, but I said to myself, Where are the fee-ish?”

It was closing in on cocktail hour when he pushed himself up and left the room. His mother, the empty glass cradled in her hands and her head thrown back so that the painter’s cap rode like a raft on the permed white swells of her hair, was snoring lightly from the depths of the chair as he eased the door shut behind him. He snatched a towel out of the bathroom, slipped into his swim trunks and dug his mask, snorkel and fins out of the closet. Then he headed out the back door and across the lawn for the boat, figuring to get some exercise in before drinks and dinner turned his limbs to dough.

The sun was so hot on his back it felt ladled on, but it felt good too. He waved to Ina Soderbord, who was sunning herself in one of the lawnchairs, caught a whiff of the ocean and a faint distant snatch of disco music, and then he was in the shadowy fastness of the trees. The smell of life was stronger here, primal, earthy. Butterflies fell like confetti through shafts of light, birds vanished and reappeared, a chameleon the color of astroturf clung to a mossy stump. He felt good. Felt connected. And he saw the remainder of the day opening up before him in a concatenation of simple pleasures: the plunge into the Atlantic, the drifting eternal silence of the ocean floor, the first fragrant sip of vodka, Ruth, crab cakes and endive salad, brandy, billiards, love. The misery of his long vodka-drenched evening in the billiard room was behind him now. It was nothing, an aberration, a misconception: Ruth was playing the game, that was all, she was networking. When he came up on the boat slip he was jubilant, elated, so full of the moment he found himself kicking up his heels and whistling like Uncle Remus himself, his shoulders alight with corny cartoon bluebirds.

But what was this?—there was someone in his boat. Someone long, lanky, the build of a basketball player, L.A. Dodgers cap, acid-washed face: Abercorn. His jubilation was gone, switched off like a light. “Hello,” he said, feeling the mud between his toes, feeling foolish, as if this weren’t his boat, his water, his trees, as if this weren’t the ground on which his ancestors had been born and breathed their last for two centuries and more.

Abercorn was hunched over a yellow notepad and writing furiously, oblivious to Saxby, the day, the drift and tug of the boat on its painter. He was wearing headphones. Saxby followed the connection past Abercorn’s blotched ears, spattered neck and wrinkled collar to the Walkman in his shirt pocket, and figured he was either writing a novel dictated by spirit guides or transcribing the tapes of his interviews with the various boneheads who populated the island. “Hello,” Saxby repeated, raising his voice.

When there was no reaction, he tossed his flippers into the boat, and that was all it took: Abercorn jumped as if he’d been attacked from within, betrayed by his own body. He gaped up—damn, if his eyes weren’t pink, like a bunny’s—and then flipped the ’phones from his ears with a confused wheeze of greeting. “Oh, hey,” he sputtered, looking as if he’d just come back from a long way off, “I’m just, uh—I hope you don’t mind the boat and all, I was just, it was such a nice day, I—” and then, as if the air had run out of his balloon, he fell silent.

“Sure,” Saxby said, hardly less embarrassed than the pink-eyed wonder before him, “no problem. I was just going to take the boat out. For a little swim. That’s all.”

Abercorn made no effort to rise. Instead, he fixed, his suddenly shrewd eyes on Saxby and said, “Mind if I ask you a couple of questions?”

Saxby sighed. The sun was like syrup and everything was drowning in it. “I’ve only got a minute,” he said, stepping into the water, gripping the boat to steady it and then swinging himself nimbly over the side.

Abercorn wanted to hear about the incident at the store—and he wanted more too on that first night on Peagler Sound: What did the Nip look like? how tall was he? did he attack without provocation?—and Saxby obliged him, all the while tinkering with the engine, checking the starter plug, the spare gas tank and the coil of the starter cord. Right in the middle of the store incident, just as Saxby was getting to the good part—how the Japanese guy bundled up his junk food and lowered his shoulder like a fullback and shot past him out the door—Abercorn interrupted him. “You know—could I ask you something?” he said.

Ask him something? Wasn’t that what he was doing?

“Something personal, I mean.”

Saxby fiddled with the engine. “Sure,” he said. “Go ahead.”

“It’s your accent. I mean, I’m from L.A., and everybody down here sounds like they just stepped out of Dogpatch or something—no offense—but you don’t have it. You are from around here, right?”

It was a question he’d been asked a thousand times, and the answer was equivocal: he was and he wasn’t. He’d been born in Savannah, yes, and he was heir to half the island, even if he did talk like a Yankee. But the reason he talked like a Yankee was that he’d spent half his life—the formative half—in New York and Massachusetts. That was his father’s doing. Grandfather Saxby wasn’t even cold yet in the grave when Marion Lights uprooted Septima and her year-old son and moved them up to Ossining, New York, on the Hudson River. The family had from time immemorial owned a controlling interest in a big antiquated factory there that produced yeast, margarine, gin, vodka and the callowest whiskey known to man. Till Marion came along, the family had been content to manage the place from afar, but he had different ideas. He gave over the administration of the Tupelo Island estate (which was then called Cardross, after Cardross Lights, founder of the original plantation that had managed to survive intact through six generations of Lights, drought, flood, capricious cotton prices, carpetbaggers, boll weevils and a host of ravenous developers from the mainland) to a wily old former overseer by the name of Crawford Sheepwater, and moved north to become a Captain of Industry.

Saxby was staring at Abercorn, who’d paused to glance up from his notebook and frame the question, but he was seeing his father, that willful and supremely depressed man. Or at least he became depressed as the years of his exile wore on and he didn’t exactly unseat the Rockefellers, Morgans and Harrimans. In the beginning he was almost manic with enthusiasm—when Saxby was six, seven, eight, he saw his father as a whirlwind, larger than life, a Pecos Bill or a Paul Bunyan. He was a flushed face over dinner, a set of tweed shoulders to ride on, a lover of trains and odd jokes. Saxby, he would say, in his rich deep Southern Gentleman’s tones, you see that dog out there?, and he’d point to a shepherd or beagle cavorting across the lawn and Saxby would nod. That dog’s from Ohio, Saxby, he would say, and no matter how many times he’d heard the joke—and he never got it, not till his father was long dead and gone—Saxby would say, How do you know?, and his father, in the tone of a professor addressing a room of veterinary students, would reply, Why, because he has an O under his tail.

And then later, just before he locked himself in the back pantry of the big gray-and-white Victorian overlooking the Hudson, he would wander in and out of rooms, an antic gleam in his eye, and announce, no matter the situation or the company or how many times he’d announced it already, that “cunt was cunt.” That was his formula. He’d look up from his soup, glance cannily round at the guests and clap his hands together. You know what I say, he’d announce, pausing to look Septima in the eye, cunt’s cunt, that’s what I say. And then he locked himself in the back pantry when Saxby and his mother were out shopping and the maid had gone home, locked himself up with a bottle of the cheap whiskey he manufactured for the cheap drunks of this great country and enough Seconal to put his board of directors to sleep for a month.

Saxby was nine at the time. Though his mother had been born in Macon and gone to college at Marietta, she stayed on in the big empty house in Ossining rather than return to the big empty house on Tupelo Island. In her grief and bewilderment, she turned back to poetry—the poetry that had been the romantic bulwark of her youth—and she found solace in it. Six months later, she returned to Tupelo Island and founded Thanatopsis House, “that mysterious realm, where each shall take/His chamber in the silent halls … ,” a palace of art sprung up from the ashes of her husband’s death. Saxby spent three years with her there, and then, because the local educational system was “nothing but white trash and niggers,” she sent him north again, to Groton. After Groton, it was the string of colleges that entangled him for years before finally setting him loose in California, another Yankee bastion. And so, Saxby had a foreign accent. He was a Southerner, all right, no doubt about that—but only part-time.

It was a long story. To make it short, he rolled his eyes for Abercorn and thickened his accent till it dripped: “Well, Massa Abacoan, Ah sweah Ah jest doan know—Ah’m jest folks like anybody else.”

Abercorn responded with a startled bray of a laugh. “That’s good. That’s really good.” Then he capped his Uni-Ball pen, stuck it in his shirt pocket and gave a little speech about how he’d never been out off the Georgia coast and how he was wondering if maybe Saxby’d mind if he tagged along—since he was in the boat already and everything.

Saxby studied him a moment—the long jaw and glistening teeth, the toneless skin and unnatural hair—and shrugged. “Why not?” he said, and fired up the engine.

The first week of august was as slow and silken and sweet as any Saxby could remember, and he fell into the embrace of it—of home, of Ruth, of his mother—with an inevitability that was like a force of nature. He was up late each night with Ruth—hoisting cocktails and dining with poets, painters and sculptors, letting his mind drift over the earnest declarations of the evening’s poetry or fiction reading, joining in the clubby chitchat of the billiard room till the close lingering heat gave way to something just a breath cooler coming in off the ocean. He slept late, through the relative cool of the morning, took his breakfast with Septima and contemplated the vacant perfection of his aquarium. In the afternoons, he fished, snorkeled, swam. In the evenings, there was Ruth, and the day started again.

She was something to watch, Ruth. She worked the cocktail hour, dinner and the ceaseless ebb and flow of billiard-room dynamics like a politician—or maybe a guerrilla. There was a little joke or routine for everyone, from the unapproachable Laura Grobian to the chummy Thalamus and the lesser lights too. She was amazing. Body signals, pursed lips, an arched eyebrow or nod of the head that meant worlds: every time he looked up she was holding a dialogue with somebody. One minute she’d be having a cocktail hour tête-à-tête with Peter Anserine and two of his skinny solemn attendants, and the next she’d be across the room, laughing with Clara Kleinschmidt till they both had tears in their eyes—and all the while mugging for Sandy or Regina or Bob Penick or for him—she never forgot him, no matter how wound up she got—and she would give him a look that passed like electricity between them.

And then she missed cocktails again one night and he stood around with a glass in his hand radiating his own brand of wit and charm, but all the while craning his neck to look for her. When she caught up with him—she slipped in beside him at the table halfway through dinner—she was out of breath and her eyes were big with excitement. “What’s up?” he’d asked, and she’d taken hold of his arm and pecked a kiss at him, all the while nodding and winking and grinning in asides to half the room. “Nothing,” she said, “just work, that’s all. This story I’m working on’s a killer. The best.” “Terrific,” he said, and meant it. She paused to slip a morsel of veal between her lips. “Listen,” she said, “can we drive into Darien tomorrow? I need to get some things.” “Sure,” he said, and she was eating, small quick bites, her teeth sharp and even. “Groceries. Crackers and cheese and whatnot—for my studio. You know,” she said, giving him a look, “a girl gets hungry out there.”

Hungry. All right. He whispered in her ear and when they kissed he tasted the meat on her lips and everyone was watching.

And then, at the end of the week—he couldn’t put it off any longer, didn’t want to—he had to make another collecting trip, this one in the hope of getting his project off the ground. He was going to collect the fish—the rare, almost legendary fish—that would make him his fortune—or rather, carve him his niche in the annals of the great aquarists: fortune he already had. Ruth didn’t want to come with him. Not this time. She was working too well, going with the flow, and she couldn’t risk it. She’d miss him—even if he’d only be gone overnight—and she’d come along with him next time. She promised.

He spent a full blazing bug-infested afternoon and the succeeding morning on the Okefenokee, casting nets, drawing seines, setting minnow traps, and he came up with a writhing grab bag of fascinating things—pirate perch, golden top minnow, needle-nosed gar, swamp darter and brook silverside—but not what he was looking for. It was a disappointment, but not a crushing one—certainly not a defeat. He’d hoped to get lucky, yes, but knew realistically that he might have to comb the swamp a hundred times before he scored. After all, Ahab hadn’t found the white whale in a day, either. Still, he enjoyed the drive, enjoyed the day out in the wilderness, even enjoyed his solitary night in a motel in Ciceroville, where he watched the Atlanta Braves on a color TV bolted to the wall. At noon on the second day he brought his rented boat in and dumped his catch over the side. (He was tempted, especially by the shimmering silver gar, to bring something back for the lifeless aquarium, but he resisted; he didn’t want his little world defiled by just any tawdry thing that happened to catch his eye.) Then he headed back for Tupelo Island, hoping to make the afternoon ferry and cocktail hour.

It was early evening when he rounded the bend of the long sweeping drive and the big house came into view. There was movement on the south lawn, and Saxby saw that the colonists had gathered there for a picnic supper, the women’s white summer dresses and men’s light jackets like so many pale flowers in a field of saturate green. He caught a glimpse of his mother, straw bonnet with a chiffon veil, erect and regal in a wooden lawnchair, and he waved. Ruth would be there somewhere, and he slowed the pickup ever so briefly, but didn’t see her, and then he was rumbling into the garage, a faint pink cloud of dust catching up with him as he killed the engine and swung open the driver’s door.

He hadn’t had a chance to clean up—his hands stank of perch and darter and of the rich fecal muck of the Okefenokee, and the thighs and backside of his jeans were stiff with the residue of his fish-handling—and Ruth took him by surprise. No sooner had he swung open the door and set his feet on the ground, than she was there, rushing into his arms in a strapless cocktail dress that showed off the flashing lines and tawny hollows of her throat and shoulders. “Sax,” she moaned, holding him, kissing him, fish-stink and all, “I’m so glad you’re back.”

He held her, pressed her to him, hot already, hot instantly, a gas grill gone from pilot to high at the merest touch, and he wondered if he should gently push her away, for the sake of her dress, and he was embarrassed and he didn’t know what to say. She didn’t speak either—just held him—and that was odd: she was never at a loss for words. And then he felt it, a tremor running through her, seismic, an emotional quake: she was crying. “What?” he said. “What is it?”

She wouldn’t lift her face.

“Is something wrong? Did something happen while I was away? What is it, babe?”

Her voice was buried, it was doleful and hoarse. “Oh, Sax,” she said, and she paused, and she squeezed him and he squeezed her back. “You’ve got to talk to your mother, you’ve got to—for me.”

Talk to his mother?

“It’s Jane Shine,” she said. She looked up at him now—lifted her head from his shoulder and showed him the tears on her face and the cold fierce glare in her eyes. “She can’t come here. She can’t. She’s a bitch. A snob. She’s—all her talent’s between her legs, Sax, that’s all. She’s not worth it, she isn’t.”

He said something, anything, a rumble of disconnected words to comfort her, but she wouldn’t be comforted.

Her hands tightened on his biceps and her eyes were hard. “No, Sax, I mean it,” she said. “She can’t come here.”

There was a sudden shout of laughter from across the lawn and Ruth didn’t flinch, didn’t hear it, didn’t care. “It would ruin everything,” she said.

Rusu

It was a steamy oppressive tropical day, flies everywhere, the reek of low tide settling in the nostrils like a kind of death, a day on which Ruth didn’t bother with breakfast at the convivial table. She didn’t feel even faintly convivial, and after greeting Owen with a stony face and wordlessly appropriating two hot buttered rolls from Rico, she started up the path for Hart Crane, though she didn’t feel much like working either. What she felt like doing was getting off the island, getting out of there altogether—she felt like dressing for two hours and lingering over an eight-course meal at the best French restaurant in New York and then insulting the waiter, the chef, the sommelier and the maître d’. She felt like kicking dogs, pulling teeth, stepping into one of the endless workshops she’d suffered through as a student and annihilating some starry-eyed fool with scarifying and hurtful words.

Gnats darted at her face. Her feet hurt. It was a rotten day. A cataclysmic day. A stinking deadly washed-out low-tide sort of day, the day on which Jane Shine, in all her cheap and overblown glory, was set to descend on Thanatopsis House.

Ruth worked through the morning on her Japanese story—she called it “Of Tears and the Tide”—though what she wrote wasn’t very good and she kept getting bogged down on individual phrases and the sorts of choices that are second nature when you’re working well and impossible when you’re not. At lunchtime, she was up from her desk the moment Owen stole away, and she lifted the bucket off the hook and ate greedily, hungrily, without a thought for Hiro. She hadn’t seen him in a week now, and there was no sign he’d been back. The fruit and cheeses she’d left for him were rotting, the canned goods were untouched, the crackers going soft with mold. And that rankled her too: he’d deserted her. He was a living story, a fiction come to life—she’d imagined him and there he was—and she needed him. Didn’t he realize that?

She was worried about him too, of course—that was part of it. He could have drowned, fallen into a bog, could have been treed and peppered with shot by one of the fired-up redneck coon hunters who haunted the porch out front of the VFW post. But no, if he’d been shot she would have heard about it before the gun was cool, no secrets on Tupelo Island. Maybe he’d got away altogether—maybe he’d swum to the mainland or stowed away on the ferry. Or—and the thought depressed her—maybe he’d taken up with someone else, some altruistic soul who even now was feeding him a hot bowl of steamed rice and chopped vegetables with a splash of Kikkoman soy sauce and a handful of crunchy noodles. Sure, that was it: he’d found a soft touch someplace else. Richer food. A better deal. Some old blue-nosed widow with trembling hands who fussed over him as if he were a wandering tomcat. Yes, that was it. For a moment the thought arrested her: he was a tomcat, a mercenary, and he didn’t give a damn for all the risk she’d taken to get him a clean change of clothes or the sacrifice of forgoing her lunch all this time. Suddenly she saw him in a new light: he’d been using her, that’s all, and he had no intention of coming back to her. She’d been fooling herself—there was no cross-cultural attraction there, no communication, no seduction. Damn him, she thought, and she went at her lunch as if she hadn’t eaten in a week.

Later, when her mind fell numb and she couldn’t stand it any longer, when she figured she’d given Jane Shine all the time in the world to settle in and clear out of her way, Ruth pushed herself up from the desk, glanced bitterly round the room—the blackened bananas, spotty pears, the dusty tins of sardines, anchovies and tuna—and slumped out the door. She was planning to skip cocktails and then have Saxby take her out to dinner on the mainland, putting off the inevitable—she just couldn’t face that hypocrite Jane Shine, not now, not today. But when she got to the big house and tried to duck up the stairs, Irving Thalamus shot out of the parlor, drink in hand, and caught her by the elbow. He wheeled her into his arms and dragged a quick kiss across her lips, and then he beamed at her, a little drunkenly, while she strained to look over his shoulder and scan the cocktail crowd for that ski-jump nose, that mass of dark iridescent flamenco-dancer’s hair, the extraterrestrial eyes and prim bosom, for that ethereal freak, Jane Shine.

Irving Thalamus squeezed her, smiling blearily and exhaling vodka fumes in her face. “Hey,” he said, his smile dissolving momentarily, “no Jane. She never showed.”

Ruth felt a surge of hope. She pictured the wreckage of the plane scattered across a rocky slope, twisted shards of steaming metal, flesh for the crows to pluck, the auto crushed like an accordion, the train flung from the rails. I’m sorry, Ruthie, very sorry, Septima had told her, but once the board has made its decision, I don’t presume to challenge it. If they feel Miss Shine is qualified—and I must say her reputation precedes her—then I can only welcome her and make her feel at borne, as I do hope I do with all our artists.

“I thought she was supposed to be here this morning?”

Thalamus shrugged.

“Has she called? Has anybody heard anything?”

“You know Jane,” he said.

Yes, she knew her. They’d been at Iowa together, the first year, before Ruth dropped out and tried her luck at Irvine. From the moment she walked into the classroom with her downcast eyes and bloodless pale skin beneath a bonnet of pinned-up hair, Jane was royalty—anointed and blessed—and Ruth was shit. She wrote about sex—nothing but—in a showy over-refined prose Ruth found affected, but which the faculty—the exclusively male faculty—discovered to be the true and scintillating voice of genius. Ruth fought it. She did. This was her arena, after all, and she did manage to captivate one of the instructors, a skinny bearded hyperkinetic visiting poet from Burundi. But he didn’t speak English very well, and perhaps for that reason—or perhaps because he was temporary and wore tribal tattoos on his lips and ears—he didn’t carry much weight. At the end of the year, when the second-year fellowships were announced, Jane Shine swept all before her.

In anger and frustration, Ruth had quit Iowa and gone home to California and Irvine, where she managed to produce the story that won her her first acceptance in Dichondra. But even that small triumph was soured for her—ruined, squashed, throttled in the cradle—when she came home after a modest celebration with two of her classmates to find that month’s Atlantic in the mailbox and Jane Shine’s story—the very same overwrought sexual saga she’d presented in class at Iowa—nestled there in that familiar hieratic print between a Very Important Article and a Very Important Poem. And then, in quick succession, Jane’s stories appeared in Esquire, The New Yorker and the Partisan Review, and then she had a collection out and her picture was everywhere and the critics—the exclusively male critics—fell over dead with the highest, most exquisite praise of their careers on their dying lips. Yes, Ruth knew her.

“What do you mean?” she said.

“She likes to make an entrance, is what I mean. Stir up a little drama, make us stew a bit. She’s a killer, she really is. One of the heavyweights.”

It was an awkward moment. Worse: it was a moment of grinding despair, of defeat and desolation. She couldn’t tear at the edifice of Jane Shine directly—Jane and Irving Thalamus had been at a writers’ conference in Puerto Vallarta together and they were soulmates and eternal buddies, if not something even more intimate than that—and to hear her praised, let alone even mentioned, was like having fishhooks jerked through her flesh. Ruth was racking her brain to think of how to say something devastating under the guise of being positive, supportive, unhateful and unjealous, as if she wished anything for Jane Shine but loss of hair, teeth, good looks and whatever trickle of talent she’d ever had, when someone shouted, “Hey, there’s a car coming up the drive!”

Ruth froze, a named and very specific dread rising inside her till she felt like the heroine of some cheap horror film being dragged down through a sudden rent in the earth. There, framed in the beveled oblong pane of the foyer window, was a silver Jaguar sports car, gliding to a graceful halt at the curb. The top was down. The wire wheels chopped at the light. There was a man in the driver’s seat—square-jawed, Nordic, a flash of blond hair, the fluorescent gleam of teeth—and beside him, glittering like a Christmas tree ornament, was Jane Shine, in a flaming silk scarf and oversized sunglasses. The miniature U-Haul trailer, symbol of all that was grubby and gauche, of hurried moves and tacky furniture, would have given Ruth universes of satisfaction in another context, but attached as it was to that gleaming low silver-flanked wonder of a car, it almost managed to look chic.

“It’s Jane!” Thalamus cried, and his voice was a sort of astonished yelp, as if he’d expected anyone else, and then his arm fell away from Ruth’s shoulder and he was jerking open the door and careening out onto the porch. At the same time, the square-jawed young man bounced athletically out of the car to swing open the door for Jane. In that moment, Ruth noticed with sinking resignation that the man, Jane’s man, was as tall and leanly muscled as a Viking conqueror, and that Jane, far from having sunk into the fat she was rumored to have succumbed to, was as trim and stunning and fresh-faced as a high-school twirler surprised by the miracle of her own flesh. “Welcome, welcome,” Thalamus boomed, striding down the steps with his arms spread wide as if he’d personally laid every stone of the big house, as if he’d been born and bred in it, the gentleman planter steeped in juleps and horseflesh, Colonel Thalamus himself. “Welcome to the heart of Dixie!”

Ruth didn’t wait to see the great swooping lewd Thalamus/Shine embrace, nor did she wait to see the Nordic slave bend to the U-Haul and unload more luggage than Queen Victoria took with her on her tour of the Empire, nor was she standing demurely in the foyer to greet her former workshop colleague and congratulate her on her success when Jane Shine, locked in the sweaty embrace of one of the legends of Jewish-American letters, swept up the steps in triumph. No. Not Ruth. The instant Thalamus passed through the door, she turned and fled up the stairs, down the corridor and into her room, where she flung herself face down on the bed as if someone had planted an arrow between her shoulder blades. And there she lay, as the shadows deepened and the cocktail chatter from below gave way to the merry clink of cutlery on china; there she lay, listening with hypersensitive ears and pounding heart to the furtive thump and rush of the Nordic slave as he installed Jane Shine in the very room next to hers—the spacious, sunny, antique-infested double room that had languished unoccupied during the whole of Ruth’s stay. She listened like a child playing at hide-and-seek—a child hidden so well that the others have begun to lose interest, to forget her, though they still creep by her hiding place—listened till the sounds of dinner faded away and the sports car coughed to life and rumbled off into oblivion.

She must have dozed. It was nearly eight when saxby came for her, and she had to dress in a hurry if they were going to catch the ferry to the mainland. On weekends in the summer there was a twelve o’clock ferry back, and that would give them two hours or so, after the ride out and the drive to the restaurant, to have a few cocktails, eat and unwind. Ruth felt she needed it. Through the first cocktail—a perfect Manhattan with a twist—she even thought of cajoling Saxby into booking a motel room along the coast somewhere, but then she shook off the notion. She’d have to face Jane Shine sooner or later, and it might as well be tonight, in the billiard room, where the footing was sure.

She had a second cocktail and half a dozen oysters, and her mood began to improve. The restaurant helped. It was a soothing, elegant, beautifully appointed place in a two-hundred-year-old building on Sea Island, very tony, three stars Michelin, with a wine list the size of a Russian novel. And Saxby—Saxby was a gem. He was sly and steady and good-looking, the candlelight playing softly off the golden nimbus of his hair, his eyes locked on hers; he was solicitous, sweet, sexy, worth any ten Nordic types in their Jaguars. The image of Jane Shine would rise before her over her soup, a crust of French bread or a morsel of écrevisse, and he would banish it with a joke, a kiss, a squeeze in just the right place. And then, midway through the meal, he proposed a toast.

Ruth was savoring the cleansing frisson of a glace of grapefruit and Meyer lemon, when a waiter appeared at her side with a bottle of champagne. She looked up at Saxby. He was beaming at her. She felt a flush of pleasure as they touched glasses—he was such a sentimentalist, forever reprising these ceremonial gestures, reminding her that they’d been together for eighteen weeks or twenty-two or whatever it was—but this time he took her by surprise. “To Elassoma okefenokee,” he said.

“To who?”

“Drink,” he said.

She drank.

“Elassoma okefenokee,” he repeated, “the Okefenokee pygmy sun-fish.” He refilled her glass. His grin was wild, alarming, the grin of a man who at any moment might bound up from the table and waltz with one of the waiters. “Not to be confused with Elassoma evergladei,” he added, dropping his voice in confidentiality.

An elderly gentleman seated at the next table blew his nose with authority. Ruth was aware in that moment of the gentle smack of mastication, the patter of muted laughter. She didn’t know what to say.

“My new project, Ruth,” Saxby said, elevating the tapered green neck of the bottle over her glass. “The pygmy sunfish. It’s rare enough as it is, the whole range occurring between the Altamaha and Choctowhatchee rivers, but I’m looking for something even rarer.” He paused, groped for her hand. His eyes sprang at her. His grin was demented. “The albino phase.”

Ruth was feeling the wine. She lifted her glass to his. “Here’s to albinos!” she whooped.

Saxby barely noticed. He was earnest now, his hands juggling out a series of gestures, rattling on about this pygmy fish and how So-and-so had first described the albino tendency and how the field biologists from State were occasionally turning the odd one up in their nets on the St. Mary’s and how he, Saxby, was going to collect and breed them and turn the reflecting pool at the big house into a breeding pond so he could ship them out to aquarists all over the world. “They all go to Africa or South America,” he said, “but there’s a gold mine right here in the Okefenokee and the St. Mary’s River. Think of it, Ruth. Just think of it.”

She had a hard time with that proposition. She wasn’t thinking of fish—as far as she was concerned, fish existed for the sole purpose of being broiled, poached or deep-fried—but she wasn’t thinking of Jane Shine either. Saxby’s voice was a soothing murmur, the wine good, the food even better, the sound of the waves plangent and lulling beyond the dark lacquered strips of the shutters. She drank to Saxby’s project, and gladly. When the first bottle was gone, they ordered another.

Later, standing at the bow of the Tupelo Queen and watching the low dark hump of the island emerge from the black fastness of Peagler Sound, she felt the strength rise in her. Jane Shine. What did she care if she was surrounded by Jane Shines—she had Saxby, she had Hiro (he’d be back, of course he would), she had the big house and the billiard room and she had her work. She felt powerful, expansive, generous, ready to bury the petty jealousies that had nagged at her all these years. Art wasn’t a foot race. There were no winners or losers. You became a writer for the sake of the work, for the satisfaction of creating a world, and if someone else—if Jane Shine—stepped in and won the prizes, usurped the pages of the magazines, took the best room at Thanatopsis House, well, so much the better for her. It wasn’t a contest. It wasn’t. There was room for everybody.

What with the wine and her revelation aboard the ferry, Ruth felt almost saintly—a Juliet of the Spirits, a Beatrice, a Mother Teresa herself—as she mounted the stairs to the billiard room, arm in arm with Saxby. The usual crew was there. Smoke hung in the air. Pool balls clattered. As they pushed through the door, laughter darted round the corners of the room and fell off to a wheeze, and then Ruth dropped Saxby’s arm and started across the floor for the card table. All eyes were on her. She was looking demure, she knew it, looking shy and sweet and gracious. “Ruthie,” Irving Thalamus said, glancing up from his cards.

That “Ruthie” should have alerted her—there was no joy in it, no verve; it was merely an announcement, pared down as if with a knife—but Ruth wasn’t listening. She was walking, crossing the room, the corners of her mouth turned up in a wide full-lipped airline hostess’s smile of greeting, all her attention focused on Jane Shine. She was vaguely aware of Sandy, off to her left, and of Bob the poet, but the only one she saw clearly was Jane, seated at the right hand of Thalamus, seated in her own spot.

No one said a word. Ruth’s feet were moving, her thighs brushing lightly beneath the new red tube dress she’d worn to the restaurant, but she didn’t seem to be getting anywhere, the floor was a treadmill, she was in the middle of a dream gone sour. And then, suddenly, too suddenly, she was standing over the card table and Jane Shine was glancing up at her. Jane was in white, in a high-collared linen dress with a thousand perfect pleats, though the room was as hot as Devil’s Island. Her Andalusian hair, blackly glittering, teetered over her face in thick loose coils, and her eyes—her icy violet eyes—were shrunk to pinpricks.

“Jane,” Ruth said, and her voice sounded strange in her own ears, as if she were shouting underwater, as if it were coming back at her from a tape recorder set on the wrong speed, “welcome to Thanatopsis.”

Jane didn’t move, didn’t speak, merely held her there in the silence that roared with the clatter of insects from the void beyond the windows. “I’m sorry,” she said finally, “but have we met?”

There was no breakfast for Ruth the next morning—she couldn’t have digested anything anyway. She was up before Owen, up before the birds stirred in the trees or the night gave way to the first thin gray wash of dawn. But then, she’d barely slept. She’d lain there in her narrow bed in her cramped and chintzy room, seething, raging, her mind pounding on like a machine out of control: God, how she loathed that bitch! Saxby had tried to console her, but she wouldn’t let him touch her—it was perverse, she knew it, but she had to sleep in her own room, right there on the other side of the wall from her, had to drink in her own hurts and distill them, purify them, turn them into something she could use.

The path to her studio, familiar in daylight, was a pit of shadow, blacker than the trees, blacker than the thicket that rose up on either side of her. She had no flashlight, and the names that came to her were the names of reptiles: cottonmouth, copperhead, diamond-back. During the drive out from Los Angeles, Saxby had fascinated her with his tales of unwitting tourists in open-toed shoes, of developers and real estate agents bitten in the lip, eyelid and ear, of moccasins thick as firehoses dropping from the trees. Each of these stories, in the most minute and horrific detail, came back to her now, but they didn’t deter her, not for a minute. She edged along that invisible path, hearing, smelling, tasting, all her taps open wide. The danger, the oddness of the hour, the thick simmering swelter of the air made her feel alive all over again.

By the time she rounded the final loop of the S curve that gave onto the cabin, the eastern sky was half lit and Jane Shine was receding, ever so gradually, from the front hallway of her consciousness. The place was still, the air soft. The first light in the windowpanes gave back the phantasmagoric shapes of the trees behind her. A cardinal shot across the clearing. As she mounted the steps, she was thinking of her story, her novella, of the woman in Santa Monica Bay, and of Hiro and his persecution and sufferings, and of how that was her story too. Yes: the woman’s husband, that was it. He’d deserted her and they were looking for him, the police were, and he’d run off into the—

She stopped cold. The food was gone—the blackened bananas and maculated pears, the tins of fish and moldy crackers and all the rest—and the table was a mess, and there was someone, a form, a shape, yes, huddled on the couch. A surge of pleasure shot through her—Someone’s been tasting my porridge, she thought, Someone’s been sleeping in my bed—and she eased through the door in silence, standing there with her back to the wall—just standing there—until the form on the couch became Hiro Tanaka. But he was different somehow. It took a moment before it came to her: he was clean. Free of Band-Aid flesh-colored strips, free of scratches and blotches and insect bites. And the soles of his feet, one set atop the other, were clean too—and unmarked. He was still wearing Irving Thalamus’s Bermudas, his haunches glowing in the half-light with all the inchoate colors of the tropical spectrum, but he was wearing a new shirt, a generic gray sweatshirt with what looked like a coat of arms emblazoned across the chest. She tilted her head to make out the legend: GEORGIA BULLDOGS. And then she spotted the shoes—not Thalamus’s worn-out tennies with their tears and perforations, but a gleaming new pair of Nike hightops. Ruth smiled. Tomcat, indeed.

She didn’t want to wake him, already picturing the startled eyes, the jaw slack with horror, Goldilocks up and out the window, but she couldn’t stand there all day and she did want a cup of coffee. After a while—five minutes, ten?—she tiptoed across the room, filled the kettle and set it on the hot plate to boil. Then she began to tidy up, sweeping the crumbs from the table into a cupped palm, dropping the empty tins into an old supermarket bag she’d stuffed behind her desk, dribbling water over the stiff pink funnels of her pitcher plants. The lid of the kettle had just begun to rattle when she turned and saw that Hiro’s eyes were open. He was lying there motionless, hunched like a lost soul on a park bench, but his eyes were open now, and he was watching her. “Good morning,” she said. “Welcome back.”

He sat up and mumbled a greeting. He looked groggy. He dug at his eyes with the blades of his knuckles. He yawned.

Ruth stirred a spoonful of the replenished instant coffee into a mug. “Coffee?” she offered, holding the mug out to him.

He took it from her with an elaborate half-body bow and sipped gratefully, his eyes reduced to slits. He watched her pour herself a cup and then he stood, rising awkwardly above her. “I want to sank you so very much,” he said, and then faltered.

Ruth held the steaming mug in both hands and looked up into his strange tan eyes. “My pleasure,” she said, and then, seeing his puzzled look, she gave him the textbook reply, enunciating each word as if she needed time to chew and digest it: “You-are-very-welcome.”

He seemed to brighten at this, and he held out his hand, smiling hugely. His front teeth were misaligned, overlapping, and the effect was just a little, well, goofy. Was this the first time she’d seen him smile? She couldn’t remember. But she smiled back, and she couldn’t imagine what all the uproar was about—Abercorn, Turco, Sheriff Peagler, all the old biddies of the island. He was harmless, maybe even a little pitiful—if she’d ever had any doubts, she was sure of that now.

The smile suddenly faded and he began to shift his feet and cast his gaze round the room. “I am called Hiro,” he suddenly blurted, and extended his hand. “Hiro Tanaka.”

Ruth took his hand and bowed with him, as if they were at the very beginning of a minuet. “I’m Ruth,” she said, “Ruth Dershowitz.”

“Yes,” he said, and the smile returned, blooming with teeth. “Rusu, I am very please to meet you.”

The Other Half

Seven days earlier, Hiro Tanaka had stood poised on the shoulder of the tar-bubbled blacktop road that promised him release, the road that would lead to the swift clean highway and all the anonymous cities beyond it. He hesitated, looking first to the right and then to the left, the road raveling out into emptiness in either direction. It looked pretty bleak, he had to admit it. The secretary and her lunchbox lay behind him now, buried in swamp and scrub, while directly across from him the waning sun pointed the way west, where a wild continent and a wilder ocean lay between him and the place he’d turned his back on forever—though he ached for it now. What he wouldn’t give for the yawning boredom of the corner noodle shop, where nothing ever happened, except to the noodles. Or the tranquillity of the tiny twenty-mat park across from his grandmother’s apartment, where nature consisted of pruned bushes and cultivated flowers, a trickle of water pumped over a glaze of cemented stones. He remembered sitting on the bench there as a boy, reading comics or the latest bēsubōru magazine, the murmur of the water lifting him out of himself for hours at a time.

But there was no sense in thinking that way—all that was lost to him now. Now he was in America, where nature was primeval, seething, a cauldron of snapping reptiles, insects and filth, where half-crazed Negroes and homicidal whites lurked behind every tree—now he was in America, and he had a new life ahead of him. And what he wanted was to turn right, to the north—that was where the great mongrel cities lay, that much he knew—but he’d traveled that road already, to the Coca-Cola store, with its subhuman proprietors and deranged customers, and he hadn’t thought much of the experience. And so he turned to his left, and headed south.

This time he strode along the shoulder of the road, defiant, angry. If they came for him, he’d fight. Screw them all, the long-nosed bastards. He was wearing clean clothes for the first time in weeks—hakujin clothes—and he’d be damned if he’d plunge into the cesspool alongside the road like a scared rabbit. He’d had it. He was fed up. He was going to walk all the way to the City of Brotherly Love. On his own two feet. And god help anyone who got in his way.

He walked, one foot in front of the other, the sun sinking, the mosquitoes massing, and the road never changed. Tree and bush, creeper and vine, stem and leaf and twig. Birds wheeled overhead; insects danced in his eyes. He looked down, and the corpses of lizards and snakes, wafer-thin and baked to leather, stained the surface of the road. He looked up, and something slithered across the pavement. Before long, the canvas of the tennis shoes began to chafe at his ankles.

And then he heard it, behind him: the ticking smooth suck of an automobile engine, the hiss of tires. He hunched his shoulders, set his teeth. Sons of bitches. Hakujin scum. He wouldn’t turn his head, wouldn’t look. The ticking of the engine drew nearer, the tires beating at the pavement, his heart in his mouth … and then it was past him, a whoosh of air, rusted bumper, children’s faces pressed to the rear window. Good, he thought, good, though he was slick with sweat and his hands were trembling.

He hadn’t gone a hundred yards when a second car appeared, this one hurtling out of the crotch of the horizon ahead of him. He watched his feet and the car came toward him. Dark and long, the teeth of the grille, the high wasteful whine of the Amerikajin engine, and then it too shot past him, the memory of the driver’s pale numb unblinking gaze already fading, already useless. But what the specter of that second car had done was to mask the presence of a third, and he realized with a sudden jolt that not only had another vehicle crept up behind him undetected, but that it was now braking alongside him, the huge demonic white thrust of its fender right there, right there in the corner of his eye. Be calm, he told himself, ignore it. The tires crunched gravel. The fender was undeniable, gleaming, ghostly, white, the long steel snout of the entire race, nosing at him. Every word of Jōchō shot through his head, but he couldn’t help himself. He looked up.

What he saw was a Cadillac, an old one, with fins and glittery molding, the kind of car TV personalities and rock stars maneuvered round the streets of Tokyo. In the driver’s seat, hunched so low she could barely see over the doorframe, was a wizened old hakujin lady with deeply tanned skin and hair the color of trampled snow. She slowed to nothing, a crawl, and her eyes searched his as if she knew him. Unnerved, he looked away and picked up his pace, but the car stayed with him, the big white fender floating there beside him as if magnetized. He was puzzled, tense, angry: What was she doing? Why didn’t she just go away and leave him alone? And then he heard the hum of the electric window and he looked up again. The old lady was smiling. “Seiji,” she said, and her voice was a jolt of cheer, strong and untethered, “Seiji—is that you?”

Astonished, Hiro stopped in his tracks. The car stopped with him. The old woman clung to the steering wheel, leaning toward him and gawking expectantly across the expanse of the passenger’s seat. He’d never laid eyes on this woman before, and he wasn’t Seiji, as far as he knew—though for the moment he couldn’t help wishing he were. He shot a quick glance up and down the road. Then he bent forward to peer in the window.

“It’s me, Seiji,” the old lady said, “Ambly Wooster. Don’t you remember? Four years ago—or was it five?—in Atlanta. You conducted beautifully. Ives, Copland and Barber.”

Hiro rubbed a hand over the hacked stubble of his hair.

“Oh, those choral voices,” she sighed. “And the shadings you brought to Billy the Kid! Sublime, simply sublime.”

Hiro studied her a moment—no more than a heartbeat, really—and then he smiled. “Yes, sure,” he said, “I remember.”

“You’re so clever, you japanese, what with your automobile factories and your Suzuki method and that exquisite Satsuma ware—busy as a hive of bees, aren’t you? You’ve even got whiskey now, so they tell me, and of course you’ve got your beers—your Kirin and your Suntory and your Sapporo—and they’re every bit as good anything our lackadaisical brewing giants have been able to produce, but sake, sake I could never understand, how do you drink that odious stuff? And your educational system, why, it’s the wonder of the world, engineers and scientists and chemists and what have you, and all because you’re not afraid of work, back to the basics and all of that. You know, sometimes I almost wish you had won the war—I just think it would shake this spineless society up, muggings in the street, millions of homeless, AIDS, but of course you have no crime whatsoever, do you? I’ve walked the streets of Tokyo myself, at the witching hour and past it, well past it”—and here the old lady gave him an exaggerated wink—“helpless as I am, and nothing, nothing did I find but courtesy, courtesy, courtesy—manners, that’s what you people are all about. It’s manners that make a society. But you must think me terribly unpatriotic to say things like this, and yet still, as a Southerner, I think I can appreciate how you must feel, a defeated nation, after all. What did you’ say your name was?”

Hiro was seated at the massive mahogany table in Ambly Wooster’s great towering barn of a house at Tupelo Shores Estates. He’d finished the soup course, cream of something or other, and he was gazing out on the gray lapping waves of the sea, nodding agreeably and praying silently that the Negro maid would emerge from the kitchen with a plate of meat or rice, something substantial, something with which he could stuff his cheeks like a squirrel before someone discovered his imposture and ran him out the door. The old woman sat across from him, talking. She’d never stopped talking, even to catch her breath, from the moment he’d slid into the passenger’s seat of her car. But now, as he watched the gathering dusk and fought down the impulse to attack the maid in the kitchen if she didn’t hurry and bring him meat, rice, vegetables, the old lady was asking his name. He panicked. The blood rushed to his eyes. What was his name—Shigeru? Shinbei? Seiji?

But then she went on without waiting for an answer, nattering about flower arrangements, the tea ceremony, geisha and robots (“… so unfair really of these yellow journalists, and that’s what they are, no one would deny that, least of all themselves, so unfair and irresponsible to characterize such a thrifty and hardworking, no-nonsense, nose-to-the-grindstone race as yours as robots living in rabbit hutches, shameful, simply shameful, and it just makes my blood boil …”), and Hiro relaxed. His function was to listen. Listen and eat. And at that moment, as if in confirmation of his thoughts, the kitchen doors flew open and the maid appeared, tray in hand, two intriguing wooden bowls perched atop it.

She was a big woman, the maid, big as a sumo wrestler, with nasty little red-flecked eyes and a wiry pelt of hair bound tight to her skull in rows that showed the naked black scalp beneath. Her nose was flattened to her face and she carried a sickening odor with her, the odor of the hakujin, the meat-eaters and butter-stinkers—only worse. From the moment he’d stepped in the door with his ragged shoes and dangling Band-Aids and thrown himself at the dish of nuts on the coffee table, she’d regarded him with loathing, as if he were vermin, as if he were something she’d squash beneath her foot if only he weren’t under the protection of her dotty old mistress. She saw through him. He knew it. And now, as she came through the doorway, she caught his eye with an incendiary look, a look that said his time was coming, and that when it did there would be no holds barred. Hiro dropped his eyes.

“There’s nothing more practical than a futon, that’s what I’ve always said, and I was just saying to Barton the other day—he’s my husband, Barton, he’s an invalid—oh, thank you, Verneda—I was just saying to Barton, ’You know, Barton, all this furniture, all these gloomy old antiques, they’re just such a clutter, so inefficient, I mean the Japanese don’t even have bedrooms—’ ” And then the old lady paused a moment, a look of bewilderment surprising her all but immobile features. “But then, where do your sick and elderly lie up when they’re ailing? … I suppose in those excellent hospitals, best in the world, our medical profession certainly can’t touch them, what with the AMA and all their infighting, our own students having to attend medical school in Puerto Rico and Mexico and all those filthy, horrid, Third World places—”

With an angry snap of her wrist, the maid set the wooden bowl down before Hiro, and he wondered in that moment if he’d come far enough, if she recognized him, if she’d called the authorities and they were even then bearing down on him, but the thought flitted in and out of his head, all his attention focused on the insuperable bowl before him. Meat. Rice. He couldn’t hide his disappointment: the bowl was filled with salad greens.

Later, though, with time and patience and the bleary, head-nodding endurance of the conscripted, he was rewarded with yams, several dishes of pale green vegetables boiled beyond recognition, and meat—fresh succulent meat, ribs and all. It was the first hot meal he’d had since his dispute with Chiba aboard the Tokachi-maru, and he lashed into it like the indigent he was. The maid had set great heavy ceramic bowls of the stuff on the table, and his hostess, pausing in her monologue only to take a birdlike peck at a scrap of meat or mashed greens, urged him on like a solicitous mother (“Oh, do have a bite more of the okra, won’t you, Seiji? Heaven knows Barton and I could never—and the pork too, please, please—”). He filled his plate time and again, scraping the depths of the serving bowls and sucking methodically at the naked sticks of the bones that littered his plate, while the old lady rattled on about kimonos, cherry blossoms, public baths and the hairy Ainu. By the time the glowering maid brought coffee and peach cobbler, he was in a daze.

He no longer cared what was happening to him, no longer cared where he was or what the authorities might do to him if they caught up with him—this was all that mattered. To be here, inside, with rugs on the floors and paintings on the walls, to be here at the center of all this wonderful immensity, all this living space—this was paradise, this was America. In a trance, he followed his hostess from the dining room to the library, and while the maid cleaned up they sipped a sweet and fiery liqueur and filled their coffee cups from a gleaming silver carafe that might well have been bottomless.

At some point, he found himself stifling a yawn, and noticed the clock on the mantelpiece. It was past one in the morning. The maid had long since seen to the needs of the invalid upstairs, taken leave of her employer and departed for the night—to her home on the mainland, as Ambly Wooster informed him, in detail and at length. He’d had no problem with the old lady’s accent, really—her speech was carefully enunciated and precise, not at all like the barbaric yawp of the girl in the Coca-Cola store—but this term, mainrand, was new to him. For the past hour or so he’d merely leaned back in his chair, letting the liqueur massage him, and he hadn’t caught more than a snatch or two of the old lady’s ceaseless rant. In fact, if it weren’t for his in-bred courtesy, his compulsion to avoid giving offense, his samurai’s discipline, he would have drifted off long ago. But now, suddenly, the idea of this mainrand sprang up in his head like a sapling disburdened of snow, and he cut her off in the midst of a paean to kabuki theater. “Mainrand,” he said, “what is this, sank you?”

Ambly Wooster looked startled, as if she’d wakened from a dream. Hiro saw now just how old she was, older than his obāsan, older than the bird that laid the thousand-year-old egg, older than anything. “Why, the shore,” she said, “the Georgia coast. This is an island we’re on. Tupelo Island.” She paused a moment, blinking at him out of her watery old eyes. “What did you say your name was?”

An island. All the warmth went out of him like air from a balloon. So he was trapped, and the highway went nowhere. He cleared his throat. “Seiji,” he said.

The old lady studied him a long moment, silent for the first time in the past six hours. “Seiji,” she repeated finally, regarding him with a cold eye, as if she’d never seen him before, as if she were wondering how he’d ever come to invade her house, her dining room, the sanctum of her library.

Was there a bridge? he wondered. A ferry? Could he swim to shore? He held her eyes, trying his best to look humble, thankful, needful, all the while certain that she was about to order him out of the house, call the police, have him bound and manacled and flung into that dark foul gaijin cell that was his destiny. But then an evil thought crept into his head: what could she do, after all, old as she was and alone in the house with an invalid husband and the deep pulsating silence of the night?

“You’ll need a towel,” she said suddenly, pushing herself up from the chair to gaze serenely on him, her blue-veined hands dangling at her sides. And then she smiled. “So rude of me—here I’ve kept you till all hours chattering away like an old mynah bird—what you must think of me, poor man.” Then she turned and started out of the room. “Well, come on, then,” she said, pausing at the threshold, “I’ll show you to your room.”

He followed her through the softly glowing house, up the stairs and down a long carpeted corridor, in the middle of which she paused to glance over her shoulder and put a finger to her lips. “Shhhh,” she whispered, pointing to a closed door, “Barton.” He nodded, vaguely aware of a smell of medication and the soft suck and rattle of labored breathing, and then they were moving again, noiselessly, the old woman’s narrow shoulder blades working beneath the thin fabric of her blouse. “Here,” she said, swinging back a varnished door at the end of the corridor and stepping aside for him.

At first he thought she was having a little joke—this couldn’t be the room; it was huge, the size of a dormitory, big enough for racquetball, gymnastics, a swimming pool. And for all her talk of futons, it was dominated by a huge canopied bed that seemed to float over the carpet like a ship under sail. There was an overstuffed couch too, and an armchair. He could see a bathroom beyond it, a TV, air conditioner, windows that gave onto the sea. Twin reading lamps on either side of the bed bathed the room in a rich golden light. He hesitated, but she took him by the arm and ushered him in. “Sleep tight,” she said, handing him a towel, “and if there’s anything you need, you just let me know. Nightie-night.” And the door clicked shut behind him.

He felt drunk. Exhilarated. So pleased with himself he laughed aloud. The bed—it was amazing, stupendous, big enough to sleep the entire crew of the Tokachi-maru and Captain Nishizawa too. He tumbled into it, kicking up his heels, bouncing high off the springs, all the while giggling like a child on a trampoline. In the next moment he was in the gleaming bathroom—as big itself as the entire apartment he’d shared with his obāsan—and he was rifling the drawers: soap, shampoo, cologne, an electric razor, aftershave. It was too much. He was dreaming. And then all at once he caught a glimpse of himself in the mirror and the elation went out of him.

It made him catch his breath. Made him look again.

But no, it couldn’t be. This wasn’t Hiro Tanaka staring back at him—not this raggedy bum, not this derelict with the matted hair and sunken cheeks, with the fingernails like a grave digger’s and a patchwork of filthy bandages hanging from him like so much sloughed skin. He was twenty years old and he looked sixty—this was what America had done for him. Suddenly he was frightened. He saw himself through the changeless weary succession of weeks and months and years to come, running, hiding, begging, living like a Burakumin—an untouchable—in the anonymous streets of an alien world, too hopeless to get a job, too degraded, too filthy. He’d fallen from grace, and the muddied earth had rushed up to engulf him.

He stared into the mirror and despair overwhelmed him, but then, after a period, he glanced at the shower. It was the first shower he’d seen in over a month. He paused a moment to examine it dispassionately, as if he were a student of showers. He slid back the glass door, studied the gleaming controls, the soap dish, the pale scented bar of French soap that made the whole room smell like an orchard. And he examined the tub beneath it, too—the tub in which you could soak a blistered, aching body for hours at a time. Before he knew what he was doing, he was stripping off the filthy bandages, the ludicrous shorts and sweat-stained T-shirt, and he began to feel better. When he turned the knobs experimentally, water thundered from the showerhead, and the sound of it, the smell of it, made him feel better still. And then, wholly converted, he stepped into the tub and let the water wash over him, and it was cleansing, pure, redemptive and sweet.

The day was terrifically hot, a real slap-in-the-face, dog-under-the-house sort of day, the sort of day when a man just wanted to kick back with a cold beer and a plate of crab and listen to the Braves sweat their sorry asses round the diamond. The thing was, he’d promised those Tupelo Shores people he’d do the lawn and trim the shrubs, and he needed the money. Not for himself—he had his chew, his garden, all the crab and oyster and fat pink mullet his traps could hold—but for his nephew. Royal wanted one of those spike-studded wristbands they all wore on MTV, and Olmstead White was planning to surprise him on his birthday. But then, on second thought, maybe he could use a little cash for himself too—he’d managed to save most of his things from the fire, the necessities anyway, and he’d been able to move into the reconverted chicken coop out back without any real hardship—but there were a few things he could use. Like some towels and toilet articles—he liked his eau de cologne and his bay rum, liked to smell nice for the ladies, and all those bottles had gone up like firecrackers on him. And so, heat or no heat, after a lunch of black beans and rice with a chopped onion and a dash of the hot sauce he’d made himself from dried cherry peppers and garlic, he looped his machete round the handlebars of his bicycle, swung a leg over, and started down the hard black frying-pan of the road for the big estates at the other end of the island.

It was a ten-mile ride, nearly all of it as flat as his kitchen table, and normally it was nothing for him—he could have gone twice as far and back again without even breathing hard. But he was a little out of sorts today—maybe it was the heat—and though he coasted whenever he could, each time he dug at the pedals he felt a tightness in his chest, as if somebody had slipped a noose under his arms. He’d start in pedaling and he could feel the noose cinch up on him, squeezing all the air out of his lungs, and he just couldn’t seem to draw his breath. His bad hip was acting up too, and his hand, blistered and raw beneath the clean white yard-and-a-half-long strip of gauze, burned as fiercely as it had the day that Chinaman had tried to deep-fry it. Three miles down the road, just past Cribbs’ store, he thought he’d turn around and go on back home, he was feeling that poorly, but then he thought of that helpless jabbering old white lady and her laid-up husband, and figured he was the better part of halfway there already, and he kept on going.

He felt better as he glided over the little bridge that spanned Pumpkin Hammock and saw the cooters and mud turtles lined up like dominoes on a log beneath him—he could have spit on them if he wanted to—and he thought of himself and Wheeler as boys spearing turtles with an old window hook and the taste of the soup and gumbo his mama would make and the way they nailed the hollow shells up along the south side of the house till the place was shingled with them. And then he was passing Hollieway’s Meadow, where the live oaks grew up in clusters out of the stumps of the old trees they’d taken down to build ships for the Confederate navy, his bony old knees pumping, and the noose eased up a notch or two.

He’d taken a pet screech owl out of one of those stumps when he was a boy, an unfledged chick, the runt out of a clutch of three. It was going to die anyway, trampled under by the spiky feet of its siblings, its head pecked till it was one big blister. He’d given it fish, which it didn’t like, and mice, which it did. He remembered his mama thinking he was crazy, dicing up a mouse with his daddy’s long knife, but he clipped that owl’s wings and it grew up to love him, till the dog got it, anyway. That must have been sixty years ago, and now, as he glided through the gates of Tupelo Shores Estates and turned left on Salt Air Drive, he wondered at the memory of it, at the power of human recollection that could take him off his bicycle and out of the heat and send him back through all those long worn-out years. But then he wobbled into the Woosters’ driveway and a swarm of greenhead flies came up on him out of nowhere and the noose tightened again and he was back in the here and now. He could taste the sweat at the corners of his mouth.

All right. He would squat and rest a minute in the shade where the grass was deep and cool, and then he’d have a long drink from the hose and get to work. No need to say anything to anybody. They’d see him outside the window, the machete flashing in the sun, and they’d hear him when he fired up the lawn machine, and they’d say, It’s Olmstead White out there working in this heat and maybe we’ll just get him a tall glass of lemonade with a finger of vodka in it the way he likes it.

He squatted, and the noose eased up a little. And then he bent to the hose and the cool water quickened him and he was ready for work, but there was that damn stab in the hip again, and the salt sweat was just like liquid fire on his hand. To hell with the doctor, he thought, and he held the bandage tight with his good hand and he let the water run over the burning one till the salt was gone and the sharpness of the pain fell off a bit. Then he unsheathed the machete and started nicking at the bushes with short quick drops of his wrist.

He must have been at it half an hour or more by the time he worked himself round to the ocean side of the house, where the pool stood behind a waist-high gate all overgrown with wisteria. There was somebody sitting out by the pool, and that surprised him—not just because of the heat, but because the old lady and her husband never paid any attention to the thing, except to let it go green as a duckpond between the pool man’s visits. It must be the grandson, he thought, visiting from college. He’d seen the boy now and again over the past few years, hanging round the house, waiting for the ferry, driving his red sports car hellbent-for-leather up and down the street to Cribbs’ store—a likable enough kid, even if his eyes were spaced too wide apart and he wore his hair as if it was 1950 still. Hell, and he had to chuckle at the thought, the kid wouldn’t know a MTV haircut if it grew up around his ears. The machete flicked and there was a splash and Olmstead White turned briefly to see the froth of the water, the slick kicking limbs, hair flattened out like an otter’s, but he thought no more about it.

He trimmed the holly bushes square against the house and then he turned to the pool. He hadn’t got to the wisteria last time he was here, and now it was sending out snaking arms every which way and generally looking pretty shabby all the way round. Coming across the lawn, the machete hanging loose in his good hand, he was thinking of his mother, another trick of recollection, as if the day was filtered out of his head and all the past came swarming back to him in its odd and essential details. He was thinking of just this, just one thing, a picture frozen there in his brain: his mama at the stove and himself and Wheeler and his daddy sitting at the table, the mad hag’s shriek of a hurricane wind in their ears, windows rattling, claws on the roof, and his mama jiggling the cast-iron pan and flipping corn cakes as if nothing in the world was the matter. He was thinking about that and the tightness was gone, and then he glanced up and caught the grandson’s eye, and saw, for the first time, that the grandson was staring back at him as if he’d seen a ghost.

And that was it, the beginning of the end: recognition. This was no grandson—and the noose bit into him with a sudden savage jerk—this was, was … there were no words to form the thought, only rage crackling like grease in a hot frying pan. He took three steps forward, the machete poised over his head, and he saw those Chinese eyes, that Chinese nose and mouth and ears come back to haunt him. “Son of a bitch!” he cried—or tried to, the words sticking in his throat, choking him, the noose like a garrote, like two nooses, two garrotes … and then something was giving way inside of him and he plunged forward as if into a vast body of water and knew he would never be short of breath again.

Hiro had awakened that morning—his sixth under the Wooster roof—to the smell of eggs, bacon and fried tomatoes, and to the strains of some vaguely familiar symphonic music, some Russian or European thing. He dressed in his freshly laundered shorts—Ambly Wooster, rambling on about textiles, Taiwan, Korea and Jordache, had tried to give him a pair of her grandson’s blue jeans, but they’d been too tight to zip up—and then he pulled on the gray sweatshirt, thick cotton socks and Nike hightops that fit as if they’d been made for him, and sauntered downstairs to breakfast.

The music swelled to greet him, and as he turned the corner into the sunstruck parlor, he caught a glimpse of the morning maid, Dolly, darting out of sight like an insect. If the other one, Verneda, was physical and suspicious, Dolly was her opposite: slight and neurasthenic, afraid to make eye contact, her hair a topiary marvel, her skin the buttery tan of the blazer Hiro had worn to school as a boy. She disappeared into the dining room, leaving Hiro to bow deeply to his host and hostess, who were seated at the breakfast table in the bay window overlooking the sea. The glass was pregnant with light. Gulls hung over their heads. Somewhere, beneath the rush of violins, the ocean pounded the shore.

“Seiji!” the old lady cried, giving him a cagey look, her head tilted to one side, a smear of lipstick blotting her crooked smile. He could see that she was holding back, biting her lip, fighting to dam up the torrent of banality that lashed her tongue like a whip across her palate, teeth and lips through her every waking moment. “Ohayō,” she said, greeting him in Japanese and struggling with her tongue, her very eyes bulging with the effort to hold it all in.

He bowed again. “Ohayō gozaimasu,” he returned, and bowed to the husband too. But the husband wouldn’t have known that, since he was blind and deaf, propped up in his wheelchair like a man of rags propped up on a broomstick.

On the table were rashers, eggs, toast, butter, coffee, fried tomatoes and marmalade. It wasn’t the sort of breakfast he preferred—he liked ochazuke himself, a bit of cold rice warmed with green tea—but he couldn’t complain. Not after his exile in the wilderness, not after the crabs and grasshoppers and the hopeless spoon-licking repast he’d made of coffee crystals, nondairy creamer and artificial sweetener. But still, the Americans made such a mess of their food—just served it in a heap, with no thought of grace or proportion, as if eating were a shameful thing—and if he weren’t starving, he would have turned up his nose at it. He pulled back the chair to sit down.

“Well, don’t you notice anything?” the old lady asked, trembling with the effort to contain all those slips of meaning, that rush of words and syllables and phrases.

He paused over the chair, bewildered.

“The music,” she said. “The music, Seiji—” and then she caught herself. She was grinning now, her teeth dead and gray, cracked, yellow, too big for her mouth.

And then he understood. The music. It was a routine she’d impressed on him. It meant nothing to him—he liked American music, personally, disco and soul, Michael Jackson, Donna Summer, Little Anthony and the Imperials—but he knew what she wanted. And he needed time here and she was kind to him and he didn’t mind, didn’t mind at all. He released the chair, stepped back a pace, composed himself, and began, as best he could and with the sweeping muscular movements of the long-distance swimmer, to conduct.

Later, after Barton had been fed and changed and wheeled out into the shade for some air; after Dolly had appeared and vanished again like a domestic ghost, only the faintest click of plate and cutlery giving her away; and after Ambly Wooster had spilled her continents, her oceans, her worlds of breath and gone up to take her afternoon nap, Hiro strolled out to sit beside the pool and grow strong again.

He felt safe here, the space enclosed and cultivated in a proper and proportionate way. And the water—it had been milky the first day, but he’d found the chemicals, the chlorine and acid, and stirred them in, and overnight it had become pellucid—the water soothed him. Throughout the afternoon, as the sun mounted in the sky and the heat rose, he plunged in and out of the pool in the swimming trunks Ambly Wooster had provided for him, frolicking like a seal. And each time he entered the pool, he felt that much cleaner, that much more human, that much further removed from the swamp. He lay back, drying in the sun, and watched the gulls sail across the sky, and when Dolly, eyes averted, slipped up on him with a plate of sandwiches and fruit, he ate with quiet satisfaction and with a deep and abiding gratitude.

America wasn’t so bad after all, he began to think. And he even entertained a brief fantasy of staying on here and becoming Seiji, whoever he was, and of looking up his father in the telephone directory and inviting him down. They could swim together, he and his father, and together, with concentration and patience, they could poke holes in Ambly Wooster’s breathless monologue and come up for air. But then he knew he was being unrealistic, dreaming, letting his mind drift, knew that they’d pin him down here sooner or later. He was on an island—an island, of all places—and he had to get off it. He thought of asking the old lady to drive him to the mainland in the back of her car, but of course there were problems with that. Just getting her to shut up long enough to put the proposition to her seemed an almost insurmountable obstacle, to begin with. And what would he tell her—that he was a criminal, an outlaw, a vandal? That he wasn’t Seiji after all? And where was this mainland? From the pool he could see only the open ocean, serene, endless, blue, ocean that rolled over the hump of the world and slapped the shores of Africa. And from the far side of the house he saw another house, and beyond that another house, and then the marsh.

A boat, he thought. Perhaps he could beg a rowboat or a little catamaran, a Sunfish, anything. How far could the mainland be? He was thinking about this theoretical boat, the chance of the waves and the stinking festering cesspool of a marsh that was sure to form a barrier round this elusive mainland, when he became aware that someone was staring at him. He looked up and there he was, the last man in the world he wanted to see.

But no: it was a bad dream. He was hallucinating. It couldn’t be. But then the hallucination moved, and he saw that he wasn’t dreaming at all, and that the Negro, the cannibal, the madman who’d fired on him with a gun when he was defenseless and hungry and half dead from drowning, was as palpable as the sun in the sky. And worse: that he had a weapon in his hand—a kendō sword—and that he was coming at him, eyes rolled back in his head, his mouth a black pit that drained his face. Hiro was awestruck. Terrified. The man didn’t look human—he was possessed, hellish—and he was writhing and gasping and choking out a curse in the thick wadded language of the shaman and the witch doctor.

Hiro shot to his feet. There was nothing in all the pages of Jōchō to prepare him for this. He took one look at the transmogrified Negro, raging and kicking and tearing at the earth now, and he had his clothes bundled in his arms and he was leaping the fence like a high-hurdler. He never looked back—as far as he knew his feet never touched the ground. Three bounds and he was out of the yard, over another fence and into the adjoining yard, where a woman whose nose was smeared with some sort of obscene plaster leaped up out of a lawnchair with a shriek that cut through him like a whirling tomahawk, and then he was in the next yard over, fighting off a swarm of dogs the size of stuffed toys. He kept going. Through a clutter of lawn furniture, across patios, leaping pickets, brickwork and chain-link as if he’d been born to it. People shouted at him, but he ignored them. Dogs tore out of the shadows to intercept him, their heads low, and the neighborhood suddenly resounded with their barks and snarls and their mad distracted howls. He kept going.

At some point, breathless, panicked, taking a landscaped slope and bursting headlong through a stand of ornamental pine, he heard the first distant chilling cry of the sirens. They were coming for him. Crouched low, staying with the cover of the trees, he gained the top of the slope and found his retreat cut off by the high rough plane of a stucco wall, an American wall, big but shoddy, the surface peeling in great skinlike patches. It must have been ten feet high, at least. He flattened himself to the abrasive surface, trying to catch his breath, the pandemonium of the neighborhood beating in his ears till it drowned out the distant roar of the surf. He felt naked. Vulnerable. Lost. There was nothing for it but to scale the wall and hope for the best.

It was a small matter. He scaled the wall. Dropping down on the far side, he found himself in a garden: luxurious, overgrown, deserted. There was a pool, and a cabana. In the distance: shouts, barking, the wail of sirens. Slyly, silently, with the stealthy sure athletic tread of the samurai, he crossed the flagstone border of the pool, eased open the door of the cabana, and hid himself in the slatted darkness within.

Later—much later—when the night was a presence and there was no sound but the susurrus of the crickets from beyond the walls and a drowsy hum from the house that commanded the yard, the garden, the pool and cabana, Hiro emerged. Noiselessly—not a ripple escaped him—he bathed himself in the pool, washing away the evidence of his flight, the grass stains, the smudges of dirt and grease. Then he sat in the dark till he was dry, the beat of his heart steady and slow. Carefully, fastidiously, as if it were a ritual, he pulled on the shorts, slipped the sweatshirt over his head, eased into the socks and leather hightops: he was in no hurry. He had a plan. A simple plan. A plan that began and ended with the cabin in the woods and his white-legged secretary. He saw her again—for the hundredth time—as she was that night in the boat, supine and unclothed, and he saw her at her desk, swiveling toward him, offering food and shelter. And then he pushed himself up, found the gate at the side of the house and stalked silently across the lawn. In the next moment, he smelled the tar and felt the hard flat surface of the road beneath his feet.

On an impulse, he bent to touch it. It was still warm.

Still at Large

There was no question about it now: he was going to stay there with her, under her protection, and he was going to stay indefinitely. Or at least until things cooled down. He’d got himself into some trouble on the other end of the island, at Tupelo Shores Estates, and the locals were in an uproar again. The day after he’d come back to her there was a story on page 6 of the Savannah paper—not much on detail, really, but they hadn’t forgotten him: TUPELO ALIEN STILL AT LARGE, the headline read—and a buzz of apocalyptic gossip went round the island. Two days later, the Tupelo Island Breeze devoted its entire front page to him.

Ruth might have missed the Breeze story altogether, but for Sandy De Haven. She’d spent the day with her exotic refugee—she hammering away at “Of Tears and the Tide,” he amusing himself with a paperback in Japanese hieroglyphs he’d produced from god knew where—and she’d come in just at the tail end of the cocktail hour. Sandy was behind the bar in the front parlor, mixing drinks. Bob the poet and Ina Soderbord were no longer a thing—Bob’s wife had come down for the weekend, and that was the end of that—and so Ina, white eyebrows fading into white bangs like a mirage, sat at the bar mooning over Sandy. Most of the others had already moved into the dining room, and for this small mercy Ruth was thankful: at least she’d be spared Jane Shine and that sickening little silvery laugh of hers.

“La D.,” Sandy said, “what’s the poop?” He was already reaching for the vodka, the glass, the glistening bucket of ice.

“Nothing much,” Ruth said with a shrug, “—working, that’s about it.” What was she going to say—that she was harboring a fugitive from justice? She smiled at Ina. Ina smiled back.

“Straight, with a twist, right?”

Ruth nodded, and Sandy handed her the drink. The windows were full of golden light, and for a time, she merely stood there, caught up in the richness of the moment. Saxby was off somewhere with his nets and traps and hip waders, but she’d see him before the night was out—he’d promised her—and Hiro was back at the cabin, lying low. Waiting for her. Depending on her. For the first time in days she felt good, felt like her old self. But then the chatter began to drift in from the dining room and she had to concentrate hard to filter out Jane Shine’s maddening titter. When she lifted the glass to her lips, the vodka had turned sour on her. The moment was gone.

“You see this?” Sandy asked, easing a copy of the Breeze across the bar. She looked at it a moment before she saw it, and then she set the vodka down, ALIEN INVASION! the headline screamed in 24-point type, and beneath it there was a grainy picture of Hiro, looking sheepishly out from the page. Just under his chin, like some sort of growth, was a card bearing a series of mysterious ideographs and a seven-digit number. He looked lost and hopeless, and if she hadn’t known better, she would have guessed he was about twelve years old.

“Pretty desperate-looking character, huh?” Sandy said with a grin.

Ruth didn’t answer. She was scanning the columns of print, the boxed stories that set off the eyewitness accounts of Hiro’s rampage through the grottoes and flowerbeds of Tupelo Shores Estates. There was an interview with the woman who’d unwittingly harbored him; a statement from the next-door neighbor who claimed the fugitive had terrorized her by running unannounced through her yard; an account of the death, due to cardiac arrest, of one Olmstead White, who was overcome while confronting the suspect who’d attacked him in his home three weeks earlier.

“This Japanese guy’s really up shit creek, huh?” Sandy was grinning still. He leaned across the bar, gazing up at Ruth from beneath the dangle of his bleached locks. This was high comedy.

Ina sipped white wine with an ice cube in it. Her voice was breathy and small, considering the size of her frame. “I wish they’d just leave the poor man alone—I mean, just look at him”—and she bent forward to tap the paper with one lacquered nail—“does he look dangerous to you?”

Ruth was reading about Sheriff Peagler and how he’d vowed to put an end to this lawlessness one way or another—the fugitive wasn’t even an American citizen, didn’t even belong in this country—and no, he wouldn’t rule out shooting the expletive-deleted on sight.

“Get these hog farmers stirred up …” Ina trailed off.

“Uh-huh, that’s what I mean,” Sandy said, “it’s going to be like something out of The Chase.” He paused to sip at his screwdriver. “You know that movie? Marlon Brando, Jane Fonda, Robert Redford?”

Ruth looked up at him for the first time. “Yeah,” she said, “I mean no. Listen, you mind if I take this, the paper, I mean?”

Ruth skipped dinner that night. She paid a quick visit to the kitchen, where Rico was scurrying around under the supervision of the head chef (Armand de Bouchette, the man who’d made Thanatopsis preeminent among artists’ colonies—so far as cuisine was concerned, at any rate), and she filled a pair of insulated lunch buckets with pompano en papillote, articbauts au beurre noir, steamed baby eggplant, French bread and potatoes in their own essence. “A romantic evening for two, eh?” De Bouchette was standing over her, the toque cocked back on his head, eyebrows lifted in amusement. He was in his late fifties, on the run from a string of bad marriages, a man who liked to sip cognac and spread his hand casually across the buttocks of the female colonists. “You and Saxbee? Or have you maybe been up to something you don’t tell us about?”

Ruth kept her head down, busy with the lunch buckets. “Working late, that’s all, Armand. Sax is going to join me later—if he gets back in time. Real romantic.” Then she turned her full-force smile on him, slipped a bottle of wine from the rack above the counter, and left him groping after her retreating flank.

It was nearly seven when she got back to the cabin. The sun was sinking. A breeze drifted in off the ocean. Everything was still. Hiro wouldn’t be expecting her till morning, and as she approached the clearing, she wondered how to announce her presence without startling him. She thought of calling out to him from a safe distance—“Hiro, I’m back!” or “It’s me, Ruth!”—but if anyone were within earshot, the consequences could be fatal. On the other hand, if she didn’t warn him somehow, the minute her foot touched the steps he’d shoot through the roof like a Saturn rocket. She was halfway across the clearing when she hit on a solution—she would start singing, burst into song, and if anyone heard her they would think she was drunk or jubilant or crazed—it was all the same to her. And so, cradling the newspaper and the thermal containers to her chest, she strode across the clearing, singing in a high pure glee-club soprano, belting out the first thing that came into her head: “Oh, where have you been, Billy Boy, Billy Boy? / Oh, where have you been, charming Billy? / I have been to seek a wife, / She’s the—”

She caught herself in midphrase—Hiro’s head had sprung up in the window like a jack-in-the-box. His face was a mask of pure terror, the face of a man awakening to aerial bombardment, tracers, the mushroom-headed thing itself. But then she caught his eye and saw that he recognized her, and it was all right.

“I brought food,” she said, hoping to pacify him with the noun as she pushed through the door, “and this.” She set down the silver canisters and held up the newspaper.

Hiro stared numbly at the newsprint stretched taut as a sheet before him. She watched as his eyes fastened on the headline.

“You read English?” she asked.

He did. Of course he did. And he was proud of the accomplishment. Americans, with their big feet and blustering condescension to the rest of the world, knew no language but their own. But the Japanese, the most literate people on earth, learned to read English in their schools, from the elementary grades on. Of course, since there were few native speakers in Japan, and since the Japanese system relied on rote learning, the comprehensive skills of the average Japanese were far more highly developed than the conversational.

Hiro looked up from the newspaper. “We learn in school,” he said simply.

Ruth folded the paper and handed it to him. He bowed his head and gave her a hangdog look. “They’re really after you now,” she said. “What on earth did you do to them down there?”

He shrugged. “Nothing, Rusu. Eat food. Listen old lady talk, talk, talk. She never shut up.”

He tried a smile on her, the smile of a schoolboy caught out at some prank. There was more to the Tupelo Shores incident than he was letting on—of that she was certain. “Speaking of food,” she said, “I hope you like fish.”

Over dinner—they sat together at her desk after she pushed aside the typewriter and the clutter of scrawled-over pages that were about to jell into her first novella—he gave her the whole story. He told her of Ambly Wooster’s confusion and how she insisted on his spending the night, told her of his joy at having a shower, clean sheets and three meals a day, and of his shock and horror at Olmstead White’s unprovoked attack. “No warning, Rusu, nussing—and he has a sword, a kendō sword, I sink. He wants to cut me, Rusu, make me bleed.”

Olmstead White was dead, and Ruth wondered about the legal ramifications of that. “You didn’t touch him, did you?”

Hiro looked away. His face flushed. “I run,” he said.

Ruth poured the wine and they drank and talked till the cabin fell into shadow and all the familiar objects of the place—her typewriter, the hot plate and coffee things, her pitcher plants and the Hockney poster she’d tacked up on the wall to brighten the place up—began to lose definition in the deepening gloom of evening. She told Hiro of her girlhood in Santa Monica—Were there Japanese there? he wanted to know; were there Negroes? Mexicans?—and he told her of his American hippie father, his mother’s disgrace, the epithets that had trailed him since he was old enough to walk. She leaned toward him as he spoke: so that was it. His hair, his eyes, the size of him—he was half an American.

Later, she spoke of her writing—She was an author?; the idea seemed to surprise him, though he’d sat there all day watching her at work—and of Jane Shine, and how she’d come to Thanatopsis to usurp her place. He sympathized. “Very bad sitration, Rusu—don’t let her push you in a circle.” And then he told her of Chiba and Unagi and of his dream of the City of Brotherly Love.

In summer, darkness comes quickly on the islands. The sun pales, the dense green of the vegetation washes to gray, and night drops like a curtain. They ate, they talked, and before long fireflies perforated the darkness beyond the windows and Ruth could no longer make out Hiro’s features. “I’ll help you if I can,” she said finally. “I suppose that makes me an accessory or something, but I’ll think of some way of getting you off the island and on a train or a bus going north.” She paused to light a cigarette, the match flaring briefly in the darkness. “You might not find the City of Brotherly Love, but at least in New York you can disappear—that much I know.”

Hiro’s voice was low and troubled and it came to her out of the darkness. “I can never repay my debt to you, not in a hundred lifetimes.”

“Forget it,” she said, “you would do the same for me—anybody would.” She didn’t know exactly what she meant by that, but she could feel his embarrassment, some sort of macho Japanese thing, she supposed, and she was just talking to cover it. To change the subject, she asked him if he wanted a cigarette.

“No, sank you too much,” he said. His voice dropped even lower. “But how, Rusu, can you get me off this island?”

She didn’t have a clue. She didn’t have a car either, and judging from the look on Sax’s face that night on the sound, she couldn’t very well let him in on the secret. Or could she? “I don’t know,” she said, and she realized in that moment that she didn’t really want to get him to the mainland, not for a while yet, anyway. “But you can’t risk leaving here—the cabin, I mean. Do you understand? They’re after you—everybody on the island. And those two men—you remember the disco?—they’ll be back, I know they will.”

The words were barely out of her mouth when Hiro went rigid. “Shhhh, Rusu,” he said, “what was that?”

“What?” she whispered.

“Shhhh. Listen.”

And then she heard it: the snap of a twig, footsteps on the path. Suddenly a light played over the front of the house, and Hiro was on the floor.

“Ruth? You in there?”

Saxby.

She was on her feet in an instant—“Yes, yes, I’m here,” she called, trying to sound nonchalant, though her heart was boring a hole in her—and then she was at the door, intercepting him at the threshold.

He was wearing a T-shirt and jeans, and his hair had fallen across his eyes. He held the flashlight in one hand, angling the beam so it caught the side of her face. “I looked all over the place for you,” he said.

Her circuits were jammed. She couldn’t think. “I was here,” she said.

“What are you doing?” he said. “Sitting here in the dark? Were you talking to somebody?”

“I was working,” she said.

“In the dark?”

“I was thinking. Thinking out loud.”

He said nothing, but after a moment he lowered the flashlight and let the huskiness creep into his voice: “Hey,” he said, “you’re really weird, you know that, Ruth Dershowitz?” And then he took hold of her, the screen door gaping on its hinges, the beam of the flashlight playing crazily off the ceiling. “That’s what I like about you.”

She wrestled with him a bit, let him kiss her, held him. “Let’s go, Sax,” she said, whispering into his shoulder. “Let’s go back to the house.” Pause. “Somehow, I just don’t feel like working anymore.”

He kissed her again, hard and urgent. “Time for play,” he said, and his hand was on her breast.

“Not here,” she said.

“On the couch,” he whispered, and the flashlight clicked off and dropped with a thump to the weathered planks of the porch. He was struggling with her top, trying to pin her against the doorframe, lift her off her feet and find her mouth with his tongue—all at the same time.

“No,” she said.

“Yes,” he said.

“Out here, then. On the porch.” He had the top up around her armpits, a hand on her hip; she could feel his tongue wet on her nipples. “Out here,” she breathed, “under the stars.”

And then she swung away from him, caught at his belt and tugged him out of the doorway. In the next moment she was down on the rough planks of the porch and he was on her, breathing hard, and she was making room for him, giddy and hot and beyond caring, the screen door slamming behind them with a sudden sharp slap of punctuation. He’s in there, she thought, moving beneath Saxby, in there listening, and then she was over the top and thinking nothing, nothing at all.

She brought breakfast for him the next morning, and neither of them mentioned Saxby or what had happened the night before. Not right away, at any rate. He was awake when she got there, but he seemed withdrawn, insular, wrapped up in himself like a cat, and his eyes had a dull bludgeoned look to them. The light blanket she’d given him lay balled up in one corner of the loveseat, while he was hunched at the other, dressed only in his lurid shorts—he hadn’t bothered to pull on the sweatshirt or socks. And the place smelled of him—for the first time she was aware of that, of his smell—though the odor wasn’t unpleasant, not at all. Just different. There’d been a smell of old wood about the place, of fungus and moss and earth—a smell she could only describe as “woodsy”—but he’d replaced it with his own smell. A body inhabited this place now: his body.

As she moved around the place, fussing over the coffee things, setting the table, she could feel his eyes on her. The sky was overcast, close and gray. She’d brought soft-boiled eggs, wheat toast, marmalade and fruit juice. “Are you hungry?” she said, just to make conversation. “I brought some things.” He didn’t move. After a moment he gave her the faintest nod of his head—a parody of a bow—and rose to his feet. He looked like a waif, looked young, looked angry, sullen, ungrateful. Suddenly she was furious. “What did you want me to do,” she said, “—invite him in to play checkers?”

Hiro stood there, shoulders slouched, and turned his wounded eyes on her.

“He’s my man. My lover.” They were three feet apart. The eggs were getting cold. “You understand that?”

It took him a long moment to answer. “Yes,” he said finally, in a voice so soft she could barely hear him.

“You and I,” she began, gesturing with a single emphatic finger, “you and I are”—she couldn’t seem to find the word—“friends. You understand?”

There was the dull distant throb of a woodpecker assaulting a tree, and then the whine of a chainsaw starting up somewhere. The water on the hot plate came to a boil. Yesterday’s page curled over the typewriter.

“Yes,” Hiro said. “I understand.”

The next week passed without incident.

Hiro spent his days reading the books and newspapers she brought him, rocking in the chair and watching her as she pecked away at the keyboard, scribbled notes or gazed out on the wall of green, waiting for a word or phrase to come to her. He made himself scarce at lunchtime—she didn’t know where he went and more often than not didn’t even know he’d gone, so furtive had his movements become. But he reappeared, looking hopeful, the moment Owen turned and loped off down the path. And then he went through his daily routine—it was comical, really. He bowed, he smiled, he scraped and writhed and wrung his hands and he wouldn’t touch the lunch bucket—wouldn’t even look at it—till Ruth had assured him ten times over—and reassured him again—that she wasn’t hungry, that she didn’t want it, that it was for him and him alone.

In the evenings, when she left him, he made a poor meal of the groceries she’d smuggled in for him—bread and jam, wilted lettuce, a cupful of polished white rice—and then curled up on the couch beneath the thin blanket, and, as she imagined, dreamed of the City of Brotherly Love. In the mornings, he was always waiting for her, neatly dressed in the Georgia Bulldogs sweatshirt or the madras plaid she’d borrowed from Saxby, and the cottage bore no trace of him but for his presence and the lingering faindy yeasty odor of his living and breathing. The books, the blanket and the groceries were hidden away, the floors swept, the mantel dusted, her papers and pens and pencils lovingly arranged on her desk. And there he was, her own pet, waiting for her, a toothy pure uncomplicated grin propping up his eyes and creasing the big joyful moon of his face.

At the same time, very gradually, in the way of a guerrilla band working its way down from the hills to infiltrate the provinces and finally lay siege to the capital, Ruth began to work her way back into the inner circle of Thanatopsis House. Since Jane Shine’s arrival, she’d kept a low profile—she had no choice, since she couldn’t stomach being in the same room with her. The battle lines had been drawn when Jane cut her that first night and Ruth had been left to fumble over the Iowa connection till Jane’s eyes had leaped the ski jump of her nose to settle on her as if on some insect, some legless beggar tugging at the hem of her imperial skirts, and she’d said finally, with a sigh, “Oh, yes, I think I remember you now—but wasn’t your hair a different color?” It had taken Ruth a day or two to map out her strategy—and she’d been preoccupied with Hiro, anyway—but now she moved in to do battle in earnest.

Jane was a late riser—she needed her beauty rest, needed time to do her face peels and bust-building exercises, time to run a thousand brushstrokes over her pure white scalp and apply the foundation and concealer and hi-liter, the blusher, eyeliner, mascara and translucent powder that gave her that spontaneous girl-next-door-with-the-Gypsy-hair-and-outerspace-eyes look. And this was the chink in her armor. Ruth began getting up early, anticipating Owen’s knock. She dressed as if she were going on a date with a literary critic—hair, makeup, low-cut blouse, the works—and she made certain she was the first at the convivial table each morning and the last to leave. She was charming, clever and seductive, and she made as many oblique but devastating references as she could to La Shine, as they’d begun to call her. And when Irving Thalamus came down, pouches under his eyes, his face as rucked and seamed as the floor of the Dead Sea and a whiff of early-morning bourbon on his breath, she was his girl all over again. She touched him as she spoke, leaned into him, threw back her head to laugh so he could admire her throat and cleavage.

At cocktail hour, she gathered Sandy, Ina and Regina around her—and Saxby too, when he wasn’t off stalking the swamps for his pygmy fish—and formed a sphere of influence at one end of the room, while Jane Shine gathered her forces at the other. Sometimes, after cocktails, she’d take dinner with Saxby and his mother in Septima’s rooms—this was the real inner circle, after all—and then, instead of fencing with Jane Shine in the billiard room, she’d watch an old movie on the VCR or stare for hours into the glowing green vacancy of Saxby’s aquarium. She’d preen herself around Septima, conscious of her favor, and she’d think about Hiro and count the days till Jane Shine took her literary freak-show home with her.

It was at the end of the week that Abercorn and Turco showed up again, as inevitable as junk mail. Turco left his boom box at home this time—things had gotten serious and he had a new method now, infallible, couldn’t miss. He’d pitched his pup tent in a patch of scrub beyond the north lawn, while Abercorn had been given a closet-sized room on the third floor (and how he’d ever managed to sweet-talk Septima into letting him stay on a second time, Ruth couldn’t begin to imagine). Ruth was just coming up the front steps, fagged but exhilarated after working through the shank of the afternoon and making what she felt was real progress on the novella, when she spotted Turco through the foyer window. He was in his fatigues and combat boots and he had Laura Grobian pinned up against the staircase, waving something in her face. Ruth hesitated—Hiro, she thought, but then she couldn’t very well back down the stairs without arousing suspicion, and so she steeled herself and breezed through the door as if nothing in the world were the matter.

Laura Grobian gave her a frozen smile. She towered over Turco, half a foot taller at least. “—And robotics,” Turco was saying, his voice dropping to a snarl, “how do you think our Japanese friends got the lead there? They’re cagey, is all. No doubt about it. But you’ve got nothing to worry about, lady, because we’re going to get this one, I’d say within the week, maybe sooner—”

“Laura,” Ruth said, gliding through the foyer to poke her head in the mailroom before swinging round to face them, “and Mr. Turco. Back again?”

Turco released Laura Grobian and fastened on Ruth. First he shifted his head, then swiveled his torso and pivoted his legs, and Ruth couldn’t help thinking of a chameleon drawing a bead on an insect. He paused a moment, as if trying to place her, and then he took a step forward and held up the object—it was cotton, she saw, a garment of some kind—he’d been waving at Laura Grobian. “I was just telling the lady here that this whole thing with the illegal is making us look pretty bad, but not to worry—we’ve got his number now.”

The veins stood out in Turco’s neck. The camouflage shirt clung to his chest and arms like body paint and he’d obviously worked on that penetrating stare, a little man striving for an effect. Ruth couldn’t help herself. “No Donna Summer?”

A flash of anger flattened his eyes, but it passed. He took another step forward, invading her space. “Leg snares,” he said, and he unfurled the garment in his hand: it was a designer T-shirt with a chic name splashed across the breast. “And this is the bait—this and a couple pairs of Guess? jeans, maybe some scarves and T-shirts with shit like Be Happy and Keep On Truckin’ printed on them. Anything in English. The Nips are suckers for it.”

“Excuse me,” Laura Grobian whispered, and then she was out the door and into the golden embrace of the afternoon sun. Turco never even turned his head. He just stood there, inches from Ruth, veins jumping in his neck, his eyes locked on hers, “it’ll work,” he said. “Trust me.”

Ruth gave him a serene smile. Turco and Abercorn. They were incompetents, clowns, and they had about as much chance of catching Hiro as Laurel and Hardy might have had. They would be one more diversion for her, one more wedge to drive between the colony and Jane Shine, one more vehicle on which Ruth could hitch a ride. They’d poke around for a few days and find nothing. Not a trace. And each night, while Sax was engaged elsewhere, she’d bat her eyes at Abercorn, the poor idiot, and console him and sympathize with him and stick her finger in her cheek and offer all sorts of helpful suggestions. Had he looked in Clara Kleinschmidt’s closet? The sheriff’s henhouse?

“You’re right,” she said finally, “I’m sure it will.” And then, as she floated away from him and started up the stairs, she paused a moment to glance over her shoulder. “Good hunting,” she said, and it was real struggle to keep a straight face, “—isn’t that what they say?”

Yes, she could feel it, things were looking up.

And then, suddenly and without warning, everything came crashing down again.

It was the night after Abercorn and Turco’s arrival, a night that followed a day on which the artists of Thanatopsis House barely advanced their various projects. They were restive, preoccupied, unable to focus or concentrate. An easterly breeze had held steady throughout the day and the whole island seemed newly created from the sea; breakfast had been giddy, lunch forever in coming, and cocktails—people wandered in early for cocktails. There was excitement in the air, the scent of possibility and romance, the sort of incorrigible hopefulness that accrues to the prospect of a good party.

The party—organized by Owen for the dual purpose of paying homage to Septima on her seventy-second birthday and bidding adieu to Peter Anserine, who was going back to Amherst to lecture for the fall term—would feature a Savannah caterer, a dance band and an open bar. Invitations had gone out to the haut monde of Savannah and Sea Island and to members of the immediate community, as well as to each of the colonists, and Sheriff Peagler and his brother Wellie—the island’s unofficial mayor—were expected to attend, along with a spate of lawyers, gallery owners, art collectors and blue-nosed widows from Tupelo Shores Estates and Darien. A photographer was coming down from Savannah to cover the event for the Star’s society page. And the Pulitzer Prize winner in poetry, a onetime resident, was expected to phone. For Thanatopsis, it was the event of the year.

Ruth had been saving an outfit for the occasion, a calf-length black chiffon dress with a lace ruffle at the hip, and a pair of new black pumps. It was a little heavy for the season, maybe—she’d been planning to wear it in the fall—but it was late August, the breeze had cooled things down and she really didn’t have anything else—and it was a Geoffrey Beene, though she’d gotten it for a song. She’d spent the afternoon quizzing Hiro on Japan—Was it true that steak cost thirty dollars a pound? did he feel awkward using a fork? did they really pay people to squeeze you onto the train?—and then she left him early. “I’ll be back in the morning,” she said. “Lie low. I’ll bring you some treats from the party.” And to his inevitable question, she replied: “Soon.”

She took a long soak, spent half an hour on her nails. Sax and Sandy were planning to wear tuxedos—the rest would make do with skinny ties and polyester. There would be champagne—good champagne, Bollinger and Perrier-Jouët. Caviar. Lobster. Oysters from Brittany. Ruth groomed herself as if she were preparing for battle, lingering over each detail, seeking the sort of perfection that would make her impervious, invincible—and all the while she was aware that on the other side of the wall, Jane Shine was doing the same. Twice Saxby came for her and twice she turned him away. She moussed her hair, brushed on hiliter and blusher, did her eyes. When Sax knocked the third time, she told him to go on ahead without her—she’d be ready when she was ready.

The party was an hour and a half old when Ruth made her entrance. She crossed the lawn to the strains of the band playing some sort of Brazilian music—a samba or a bossa nova or something—and the crash of excited voices rose up to engulf her. The tent they’d erected over the dance floor was pitched high and it was open on all sides to the breeze, and as she came up the walk, Ruth could see constellations of Japanese lanterns slowly revolving around the big aluminum stanchions that supported it. She stepped through a bower entwined with cut roses and a black man in black tie and white gloves offered her a glass of champagne from a tray bristling with them. Tara, she thought. The Old South. It was like something out of Gone With the Wind.

In the next moment, she saw how wrong she was.

If she’d pictured herself sauntering in to applause and whistles and the flare of flashcubes, Scarlett O’Hara herself, she was disappointed. It was almost as if she were at the wrong party—she didn’t recognize anyone. She stood there a moment in the entranceway, getting her bearings, one bare elbow planted in her palm, her wrist elegantly cocked beneath the stem of the glass. Most of the women looked as if they’d bought their gowns by the yard and the men seemed to be stuffed into shirts and jackets several sizes too small for them. Red was the prevailing color for faces, bald spots and exposed shoulders and arms, and the hair color of choice was white. Ruth had expected something magical—or at least something elegant—and instead she’d wandered into the geriatric ball at the 4-H fairgrounds.

She exchanged her empty glass for a full one and moved toward the dance floor, hoping to run into some of the Thanatopsis crowd—or at least someone under sixty. Sidestepping an elderly woman with an aluminum walker and shouldering her way through a group of wispy-haired men with cloying accents and expensive suits—lawyers, she guessed—she found herself on a collision course with Clara Kleinschmidt and Peter Anserine. They were standing together, hunched forward over glasses of champagne and napkins which held some sort of canapé, taking quick hungry bites and talking at the same time. Clara’s eyes were moist. She was wearing a long-sleeved, floor-length gown with padded shoulders and a sweep of rhinestones across the breast. From the waist up, it looked like a Russian military uniform.

“Clara, Peter,” Ruth said, inserting herself between them, “wonderful party, no?”

“Oh, hello,” Peter Anserine said offhandedly, peering down the length of his nose at her. A bit of egg and caviar was stuck to his lip. He seemed glad to see her—or glad for the interruption. Ruth could think of nothing in that moment but the succulent rumor that linked the two of them—the great divorced Brahmin novelist of ideas and Clara, humble Clara—for at least one passionate night.

“Ruth,” Clara choked, miserably gobbling at the sliver of toast and fish eggs spread flat in her miserable palm. Her wild eye seemed wilder than ever. And yes, those were tears.

“Terrific,” Peter Anserine said, “absolutely. Best party I’ve been to since I left Boston last spring.”

Ruth lingered, taking advantage of the moment’s awkwardness to draw Anserine out, quiz him when his defenses were down. And did he miss Boston? He was going to be at Amherst in the fall, wasn’t he? Was it for the semester or the year? And then back to Boston, or—?

“Well, yes,” he said in answer to this last, casting a sidelong glance at the servant slicing by with a tray of eatables, “Boston is my town, after all. But then, of course, I’ll have to find bachelor digs. To be close to the children.”

Clara was absorbed in her food, hunched over still, concentrating on the tricky juggle of napkin, glass and morsel.

“Wonderful,” Ruth said, “just wonderful. We’re going to miss you here, we really are.” There was an awkward interval during which no one spoke. The band broke off and then lurched into a reedy rendition of “Nature Boy,” and Peter Anserine gave Ruth a long slow strictly noncollegial look. She shifted her feet, drained her glass and sighed. “Well, I guess I’ve got to go find Sax,” she said. “Have a good one.”

And then she was working her way toward the bar, exchanging greetings with people she knew from Darien or her trips to the Tupelo Shores beach with Saxby—looking for Sandy, Irving Thalamus, anybody. She paused to scan the dance floor and take a glass of champagne from a black servant with an immovable face and hair as uniformly white as a cup of detergent. The band had switched to something with a heavy backbeat that felt a lot like reggae, and as the dancers separated from their “Nature Boy” clinches and began to flail their limbs to the spastic beat, Ruth spotted Sandy dancing with a girl she’d never seen before—very young-looking, barely pubescent in fact, but a beauty and born to it. Ruth wondered who she was and felt a small stab of regret as Sandy moved in close, but then Abercorn’s dyed pelage and speckled face came into view, riding atop the heads of the others as if thrust up there on the end of a stick, jerking rhapsodically to the beat. And who was it he was dancing with? The crush of bodies closed in for half a beat and then fell back, and Ruth was amazed to see Ina Soderbord opposite him, wriggling her big hips and shoulders and bust as if she’d just been hosed down. And then the crowd drifted into a new pattern and Bob Penick and his wife (hair the color of chicken liver, shiny prom dress with wilted corsage) writhed into view, not ten paces from Ina. They were doing a modified frug, a dance Ruth had learned—and abandoned—in high school.

She finished her champagne—was that her third glass?—and took another from the man with the iron face. (She wanted to tease him the way people tease the guards outside Buckingham Palace—tickle him or blow in his ear or something—but she thought better of it: after all, how much latitude could you expect from an old black man in a starched tuxedo at a white people’s party in Georgia?) She was feeling a bit giddy, enjoying herself even if she had been denied her entrance. Abercorn with Ina Soderbord. It was funny: the pale with the paler still. And what if they had children? They’d be eyebrowless, hairless, white as grubs, with little pink fishy eyes, and they’d grow up to be giants upon the earth, with shoulders and tits and feet that would give shoe salesmen nightmares. The boys would buy cheap overcoats and the girls would hyphenate their names—Soderbord-Abercorn—and people would think they were an agricultural product, something to spray on the crops to prevent cutworm. Oh, yes, it was hilarious. And Ruth was giddy. But where was Sax?

It was then that the band pulled the string on the horns and rolled into a piano-thumping boogie-woogie—they were eclectic, all right—and Irving Thalamus’s dry sniggering laugh jumped out at her from the direction of the bar. She turned and elbowed her way through the crowd, following the sound as unswervingly as a cat stalking a rustle in the grass. A pair of minor poets and a clutch of old ladies in pink chiffon gave way, and there he was—Thalamus—leaning against the bar and laughing down the front of Regina Mclntyre’s dress. Regina was showing acres of dead-white shoulder and bosom, and she was wrapped in a black leather dress that gave her the look of an extra in a movie about outer space vampires. But Ruth’s eye didn’t rest long on Regina or Thalamus either, because at that moment she spotted Saxby at the far end of the bar, and in the next she felt hot and sick and panicky all at once, felt like Madama Butterfly when they come to take her child away: Saxby was with Jane Shine.

Jane Shine.

It was a blow, and it staggered her. There she was, the woman she loathed more than anyone alive, her enemy, her nemesis, her bugaboo, and she had Saxby in her grip. Flawless, sickening, cool as a model poised on the runway, she was leaning into Saxby, one cold white hand fixed like a grappling hook to his arm. Ruth saw black silk and diamonds, hair on the attack, a roiling cloud of it enveloping Saxby in its fatal nimbus, and all at once she pictured him in the Jaguar, Jane Shine established as the doyenne of Thanatopsis House, her own stay cut mysteriously short. It was too much. She couldn’t handle it. She recoiled as if from some unthinkable horror—Saxby hadn’t seen her yet, nor Shine nor Thalamus either—and then Regina’s eyes caught hers and Regina smiled—or smirked—and Ruth was fighting her way back through the crush, Thalamus’s tentative “Ruthie?” floating somewhere behind her, the piano player up off his stool and banging the keyboard now with his feet and elbows and hams, the crowd roaring, roaring.

Stabbed in the back. Betrayed. A moment ago she’d exulted in Clara Kleinschmidt’s tears, above it all, Olympian, La Dershowitz, and now—now she felt the tears burning in her own eyes. How could he? How could he even talk to her? Ruth pushed blindly through the crowd. She felt as if she’d been slapped in the face, humiliated, and there was nothing to do but hide herself, run. She shoved past the old waiter—Out of my way, Uncle Tom, she thought bitterly—and he gave her a look, nothing more than a fractional lift of the eyelids, that said shame, and the whole group of wispyhaired lawyers did a little dance step to avoid her. She was vaguely aware of the horns ricocheting off the canvas above her as the song ended in a slamming excruciating finale, and then she saw the rosy exit looming up before her.

She was there—Just let me hold it back, she prayed, please god don’t let me break down yet—there under the bower, practically running, when Septima appeared at the other end. Made up to look twenty years younger, her hair tinted and curled, her gown alone worth more than every scrap of clothing in the place combined and her jewelry liberated from the safe deposit box, Septima was making her own grand entrance. On Owen’s arm. She seemed to stagger on her heels as Ruth came at her, and she forced her lips into a smile. “Why, Ruthie,” she gasped, stopping her with a veiny desiccated hand, a hand that felt to Ruth like the touch of death, “whatever has happened to you? You’re pale as a ghost.”

A ghost, yes: she was already gone. And what did Septima care? Or Owen—smirking at her, looming up out of the night like an executioner? They probably had her bags packed for her already—she was nothing here, insubstantial, a ghost, and Jane Shine was all and everything. “I—it’s nothing,” she stammered, her eyes full, “I’m just not … I can’t—” and then she let it go, shook off the old hag’s hand and bolted across the lawn, all the bile of her eighteen years of setback and denial rising in her throat.

Her first thought was to make for her room, slam the door behind her and freeze the world in place—but there were guests on the veranda, in the foyer and the parlor, charting and laughing, fondling drinks and gobbling their bits of flesh and cheese. She couldn’t face them. Not now. Not in this state. And then she thought of the cottage. That was her refuge, her safe house, that was where she reigned, La Dershowitz still—that was where her Hiro was.

She shied away from the house and crossed the lawn in the opposite direction, hurrying, the night moonlit, the path composing itself beneath her feet. Almost immediately the sounds of the party began to fade, soaked up in the insensate mass of foliage, and she was aware of the smaller sounds of the night, the rustling and chattering of things killing, eating, humping. There were fireflies, mosquitoes, she heard the soft breathy call of an owl. Her legs moved, her feet rose and fell. What had she gotten so upset about? So he’d talked to her, so she had her hand on his arm. It didn’t mean a thing. Or did it? In that moment the argument fell in on itself and she knew that that hand on the arm did mean something—meant everything—and that he knew it too. He did. And he should have known better. The anger came up on her all over again, burning like acid, all the hotter now that the shock of discovery was behind her. And Saxby would pay for it—oh, how he would pay.

But now, before she knew it, she was coming out of the familiar switchback in the trail and the cottage lay before her, awash in lunar light. “Hiro,” she called, and she didn’t give a damn if the whole world heard her, “Hiro, it’s me. I’m back.”

Skittish, he’d fastened the latch from the inside, and she rattled the handle of the screen door. “Hiro, wake up. It’s me.”

“Rusu?” His voice came back at her from the deeps of the room, sleep-worn and tentative, and then she saw the shadowy form of him rise from the loveseat and reach for his shorts. He was naked, the moon slanting through the windows to reveal the bow of his legs and the awkward dangle of his arms. “I’m coming,” he cried, and she watched him fall back into the shadows to lift first one leg and then the other to the dark mouth of the shorts.

“What time is it?” he said, swinging back the door to admit her. “Somesing wrong?”

“No, nothing,” she said, turning to face him.

“I should put on a light?” He was right there, right beside her. His breath was musty with sleep, his skin glowed in the moonlight.

“No,” she said, whispering now, “no, we won’t be needing it.”

Parfait in Chrome

He didn’t know what she was so upset about—really, he didn’t. She wouldn’t even look at him, let alone talk to him, for six full days following the party. Saxby understood that it had to do with Jane Shine, and with Ruth’s own insecurities, and he understood too that he had to humor her—but what she had to understand was that he was free to talk to anyone he pleased. Just because Ruth wet her pants every time somebody mentioned Jane Shine didn’t mean he had to treat the woman like a leper, did it? He liked her. She was—be thought of her hair, her eyes, her throat, the ever so faint lisp that made her sound as if she were translating from the Castilian—interesting. And besides, that’s all he’d done—talk to her—and if Ruth was going to get so worked up about it, why had she sent him on ahead of her in the first place? What did she expect—that he’d go deaf, dumb and blind? That he’d stand in a corner wearing dark glasses and holding up a sign that said PROPERTY OF R. DERSHOWITZ till she got there?

All right, it was true—he had gotten a little carried away, what with the champagne and the music and the general high-spirited roar of the festivities, and for long stretches at a time he’d forgotten Ruth altogether. He was enjoying himself—was that a crime? She was late. She was dressing. I’ll catch up with you later, she said. And so he found himself standing at the bar, all dressed up and nowhere to go, and he found Jane Shine standing there beside him. “Hi,” she said, and he returned the greeting, social animal that he was, and she took a breath and said that Irving had told her he was interested in aquaria—that’s how she put it: “interested in aquaria”—and he was hooked. She’d had several tanks as a girl, and her ex-husband had taken her up the Orinoco in a pirogue and there they’d met Herbert Axelrod himself. The patron saint of aquarists was on a collecting trip, and he took them back to his base camp for a dinner of piracuru and onions and showed them a tank crowded with a new species of characin he’d discovered just that morning.

To Saxby, it was the voice of heaven.

When it began to get late and Ruth still hadn’t appeared, he crossed the lawn to the house, went up to her room and knocked for the fourth time that evening. There was no answer. He put his head in the door and saw that she was gone. Puzzled, he checked the two upstairs bathrooms, made a quick circuit of the parlor and veranda, and cut back across the lawn to the party, figuring he’d somehow missed her in the crush. He circulated through the crowd, looking for her, and he took a glass of champagne, and when somebody put a plate of food in his hand, he ate. She wasn’t on the dance floor, and she wasn’t at the bar. He had a bourbon on the rocks, and then another. He talked with Sandy, Abercorn, Regina and Thalamus. Thalamus had seen her an hour or so ago, he thought, heading away from the bar—had he looked on the dance floor? Saxby assured him that he had, and then he downed another bourbon while contemplating the mystery of it all. He went back to the house and asked everyone he ran into if they’d seen her, and he checked the bathrooms again, and the kitchen. She’d vanished.

Back at the party, he had a bourbon with Wellie Peagler and washed it down with a glass of champagne. Wellie was representing a group of investors who wanted to build a golf course and resort on the island, and before he knew it, Saxby was arguing passionately for the inviolability of Tupelo and the claims of historicity, and he snatched a glass of champagne from a passing tray and told Wellie he could take his investors and shove them up his ass. Wellie didn’t flinch—just gave him a paternal smile and introduced him to a big pale blustery character who said he was a venture capitalist and they had a drink to that—venture capitalism, that is—and they had a drink to nine irons and holes in one. And then, before he knew what was happening, a girl he’d had a brief thing with when he was home to visit his mother two Christmases ago took him by the arm and led him out onto the dance floor. The rest was a blur, though he did remember standing at the bar at some indeterminate hour talking to somebody he couldn’t recall about something he’d forgotten, when his mother put a hand on his arm and asked him where Ruth was.

Ruth. The name came back to him as if from some coat closet of memory. Ruth’s face rose before him, and it was knit with fury. He looked at his mother and shrugged.

Was she all right? his mother wanted to know. Was she feeling ill? Had they quarreled?

He defended himself in all his innocence—no, no quarrel; he’d been looking for her all night—and he was about to have another drink when Septima put her arm in his and announced in a quavering voice that she was tired. She kept a tight grip on him as she said her unending goodbyes, and then she led him across the lawn, up the steps and into the house, where she put him to bed and sleep came like a guillotine.

In the morning, he had a headache.

Rico made him some poached eggs and a Bloody Mary, and he ate the eggs and drank the drink and felt worse. It was two in the afternoon when he mounted the stairs to check on Ruth. The enigma of her disappearance had settled on him while he was numbly slicing egg and watching the yolk run, trying to decide whether his stomach could handle that much gravity. Ruth, he thought. Jesus Christ, what happened to Ruth? As he mounted the stairs, he felt a sense of impending crisis, ominous and inescapable, but chalked it up to misfiring neurons and the egg that lay there like death on his stomach. Ruth wasn’t in her room. Her cosmetics—jars of this and that, mascara, lipstick—were scattered all over her dressing table, and her bed was unslept in. Or it had been slept in and remade. It was two o’clock, after all. She would be at her studio at this hour, working. For a moment he thought of hiking out there to clear up the mystery surrounding the party—and any little misunderstanding that may have arisen from it—but his legs felt like wax and he went back to his room to lie down a bit and let the world readjust itself to him.

He woke for dinner, feeling hollow as a reed. After washing his face and slicking back his hair with a little gel, he lumbered up the stairs to try Ruth’s door again. This time, his knuckles had barely made contact with the wood when the door flew back on its hinges.

Ruth stood there before him, small, cold, wicked and glittering, her face drained of blood, her eyes like cut glass. “You son of a bitch,” she said.

“But I—”

“Tell it to Jane Shine,” she snarled, and the door slammed shut with an explosion that resounded all the way down the hall.

He was about to reach for the doorknob, call out her name, protest his innocence, when he heard the screech of wood on wood and watched the door shudder as some immovable piece of hereditary furniture settled against it. He couldn’t resist trying the doorknob anyway. It turned, but the door itself was stuck fast.

So she’d seen him with Jane Shine—so that was it. He felt bad about it, but he was blameless. He was. And as he stood there in the hallway, a stream of dinner-bound colonists making their way around him with nods of greeting and knowing smiles, he began to feel put upon, abused, wronged and shamed, a man condemned without a trial. But Ruth was hot—he knew her temper only too well—and he wasn’t about to plead with her through a closed door while celebrated composers and Jewish legends sauntered by and smirked at him. In the end, he stood there speechless for two whole minutes, and then he shrugged and went down to dinner.

During the course of the next several days, he tried to get close to Ruth, tried to make amends, explain himself—though he was guilty of nothing, except maybe playing along with her neurotic games. But she wouldn’t talk to him. She turned away from him in public, refused to answer his knock, spent more and more time holed up in her studio. He was depressed about the whole thing, and the more depressed he became, the more he found himself seeking out the company of Jane Shine over cocktails or dinner or around the billiard table in the small hours of the morning. He was playing with fire, and he knew it, but it wasn’t just Ruth that depressed him, it was his project too—and Jane Shine, with her knowing smile and luminous eyes and her easy conversance with fishes, lent a sympathetic ear.

The biggest problem with the project was that it just wouldn’t fly. If the albino pygmy sunfish had ever existed, it was extinct now, gone the way of the dodo and the dinosaur—or so it seemed. He’d made a standing offer—fifty dollars a fish—to all the entomologists, piscatologists and amateur aquarists dipping their nets in all the backwaters, bayous, rills, puddles, cataracts and creeks in the state, and nothing had turned up. His own nets were seething with all sorts of intriguing things: stickleback larvae and catfish fry, cooters and frogs and newly hatched cottonmouths the size of pipe cleaners, whole glistening fistfuls of Elassoma okefenokee (all of them brown, of course, a disappointing and unvarying brown, a brown the color of shit and heartbreak). Not a single milk-white mutant showed its scaly little head. Finally, out of boredom and impatience, and despite his initial resolve, he began bringing home specimens for the aquarium. He couldn’t resist. He was a boy in a man’s clothes, and this was his new toy.

The first day he dumped in about a hundred Elassoma, all of them a depressing uniform brown, though some of the males, in a certain light, showed an encouraging grayish tinge. The fish, barely an inch and a quarter long, all but vanished in the vastness of his two hundred gallons, and he began to think that a smaller tank would have served his purpose just as well. But the tank was inhabited now, and he was excited, lit by the same charge that had electrified him when his father surprised him on his eighth birthday with a ten-gallon starter tank. The next day he added another hundred pygmy sunfish and a sampling of other species too—the warmouth, the flier, the least killifish and the golden topminnow, and a pullulating little swarm of half-inch bullheads to patrol the bottom.

He woke the following morning—the morning of the party—to find thirty of his pygmies floating belly up in a slick of mucus at the surface. He checked the pH of the water, and it was fine—slightly acidic, like the peat-tinctured waters of the swamp itself. Puzzled, he fished out the pale bloated little corpses and dumped them in the flowerbed beneath the window. When he came back later that afternoon, half the fish in the tank were dead and even the bullheads were struggling near the surface—and you couldn’t kill them with a hammer. And then he noticed that the water had a distinct yellowish cast to it, as if the fish were swimming in pickling brine or urine instead of the pure filtered well water he’d been careful to provide. Something was wrong, seriously wrong, and he turned to the pages of Axelrod’s Exotic Aquarium Fishes for enlightenment.

Under the section headed “Invasive Organisms,” he discovered that the pristine world he’d created had been infiltrated by undesirable elements. Protozoa—he remembered them from freshman biology, virulent little animalcules with waggling microscopic tails—were blooming in the water—his water—and wiping out the desirable elements. He discovered too that the solution to the problem was permanganate of potash, which would eradicate the protozoa and leave the fishes unharmed, and after driving to a pet shop on the mainland, procuring the chemical and dosing the aquarium with it, he watched most of the remaining fish float slowly to the surface and breathe their last. The next day a swarm of carnivorous water beetles materialized from nowhere to finish off the survivors.

In the absence of Ruth, Jane Shine provided solace. After dinner that evening, he led her down the hallway and into the back parlor, where they stood gazing on the pale massed bodies of the dead.

“It’s a shame,” she said. “All that wasted effort.”

He watched her out of the corner of his eye, her face lit in the soft glow of the aquarium, and he felt guilty. Ruth would kill him. Eat him alive. But he was depressed and discouraged and where was she when he needed her? He sighed. “I guess I’m going to have to tear down the whole thing and start over.” He gave her a rueful smile. “God had the same problem. Or so I hear.”

“It’s so beautiful,” she murmured, her eyes fixed on the aquarium.

They watched as a crippled killifish rose feebly to the surface, enfolded in the spidery grip of a water beetle.

Jane turned to him. “It’s the plants,” she said. “They’re coming in on the plants.”

“Yes,” he said. “I know.”

“I’d go to a place like Aquarium City—do you have anything like that around here, in Savannah maybe? Get your plants there. At least you know they’re clean.”

He nodded. Aquarium City. It was so simple: nature was subversive and untidy, and the kindly folks at Aquarium City would be only too happy to sanitize it for him. Yes, of course. And the way she spoke, clipping off each phrase as if it were too precious to part with, reduced him to helplessness. How could he question that voice? She spoke, and he felt like a toppling tree.

Otherwise”—she gestured toward the quivering fish—“well, you could wind up with anything in there.”

When Ruth finally came back to him, he felt nothing but relief. Yes, he’d been around the singles bars of La Jolla and West-side L.A., and yes, Jane Shine couldn’t have been any more compelling if she’d been soaked in pheromones, but Ruth was what he wanted. Ruth was palpable and real in a way that Jane Shine, with her puffed-up, otherworldly beauty, could never approach. She was pretty in her own way, uniquely Ruth, and he couldn’t get enough of her. But it went beyond pretty, way beyond: she was a life force, a tidal wave, and she swept all before her, and yet at the same time there was something vulnerable and uncertain about her and it made him feel strong to be there for her. And her obsession with writing—the whole lexicon of her books and writers and reviews, her lists of who was in and who was out—it was the perfect counterbalance to his fish, an obsession he could relate to, a reason for being. And it didn’t matter if the obsession was for stamp collecting or paleontology or Renaissance art—it didn’t even matter if she was good at it or not—it gave her a fire and a life that made other women seem dull by comparison. He had his fish, and that was all right by her; she had her writing.

She came up to him at cocktail hour and laid a hand on his arm (blessedly, as the Fates would have it, he was leaning over the bar with Sandy at the time; Jane was nowhere to be seen). “Hi,” Ruth said, and that was it, the six days of silence forgotten, Jane Shine a verboten subject, the party a distant memory. And without another word she took him by the hand and led him upstairs to her room.

In the morning, before she tripped off to breakfast in the convivial room, she woke him with a gentle rub and lubrication and told him she’d be needing a ride into Savannah that afternoon—for groceries. “Savannah?” he said. “What’s wrong with Darien?”

“Oh”—offhand, gazing out the window—“you know, there are some things I want that you’re just not going to find at the local Winn Dixie.” She turned to him and grinned and he felt the relief again, coursing and strong, washing over him like a hot shower. “Let’s face it, Sax—Darien, Georgia, isn’t exactly gourmet heaven.”

“Okay,” he said, shrugging, “fine,” and at four he drove her to an address on De Lesseps and had a beer in a place he knew on the waterfront while she pushed a shopping cart around. When he swung by to pick her up an hour later, she was waiting for him on the street, engulfed in brown paper bags. He was surprised by how much she’d bought—eight bags of canned goods—and even more surprised when she declined his offer to help carry the stuff out to her studio. “What do you mean?” he said, glancing over his shoulder at the mountain of groceries as he put the car in gear. “You’re going to haul all this shit out to the cottage by yourself? Cans and all?”

Ruth was examining her nails. “I’ll do it in shifts,” she said, “don’t worry about it.”

“But it’s no problem, I mean I’d be happy—”

“Don’t worry about it,” she said.

But Saxby did worry about it, all the way down the highway to the ferry and all the way across Peagler Sound and up the blacktop road to the house. How was she going to get eight bags of canned goods out to her studio—and what in god’s name did she need them for anyway? She had her breakfast and dinner at the house and each afternoon Owen brought her a gourmet lunch—finest lunch offered by any artists’ colony anywhere, or so his mother claimed. It was crazy. Was she expecting a siege or something?

And then, as they were staggering through her bedroom door with the booty, one of the bags split, spilling cans all over the floor, and Ruth stopped him when he bent to pick them up. “I can do it myself,” she said, turning her back to him and crouching over the cans as if she meant to hide them. That was odd. And it was odder still when he retrieved the two cans that had escaped her.

“Fried dace?” he said. “Bamboo shoots? What are you, going Oriental on us?”

She spun round on him, and while she didn’t exactly snatch the cans out of his hand, she took them firmly from him and dropped them into the unrevealing depths of the bag on the table behind her. “No,” she said, smiling then, “not really. It’s just that… I like to try new things.”

“Fried dace?” He shook his head and returned her smile, and then she fell into his arms, but the whole thing was very peculiar, very peculiar indeed.

On the weekend, Jane Shine went off to sea island with some clown in a silver XKE and he watched Ruth come to life again. She practically pirouetted round the room at cocktail hour, and at dinner she couldn’t sit still, flitting from table to table like a gossip columnist at a premiere. Saxby didn’t mind. He was glad to see her enjoying herself, reasserting her preeminence, shining like a supernova in the Thanatopsis firmament. And he was glad too that she seemed to have forgotten all about the party, letting him off the hook vis-à-vis the Jane Shine incident and any number of related peccadilloes he wasn’t necessarily even aware of, but condemned for all the same. While she was clowning with Thalamus at the next table, he laid his aquarium woes on Clara Kleinschmidt, talking to hear himself talk—and to pay her back, in small measure, for Arnold Schoenberg.

After dinner, there was a recital by Patsy Arena, a squat, broad-faced woman of Cuban extraction who looked as if she’d stepped out of a Botero painting. She was new to the colony, having come just that week at the invitation of Clara Kleinschmidt, and she played the old Steinway in the front parlor as if she were tenderizing meat. In all, she was to play three compositions that evening, two of her own and one of Clara’s. Owen turned the lights down. Ruth held Saxby’s hand. The colonists cleared their throats, twisted in their seats, leaned forward in fear and expectation.

Bang! Patsy Arena hit the piano like a boxer. Silence. One and two, one and two, she whispered, bobbing her frizzy head. Bang! Bang! she slammed at the keyboard with the ball of her fist. And then: nothing. For three full agonizing minutes she sat rigid, staring at the cheap plastic alarm clock perched atop the gleaming ebony surface before her. Finally the alarm went off—ding-ding-ding—and Bang! she hit the keyboard. The piece was called Parfait in Chrome, and it went on for forty-five minutes.

Afterward, as a kind of dessert, there was the weekly movie (Woman in the Dunes, a nod to Owen, who was in one of his Japanese phases). Nearly everyone sat through both the recital and the film, which ultimately had more than a little in common. Life at Thanatopsis, as stimulating as it might have been to the artistic sensibility, was problematic as far as entertainment was concerned—Saxby was aware that most of the colonists found it a grinding bore—and the nightly readings, recitals and exhibitions, as well as the weekly film, were small moments of release in a bleak continuum.

Of course, none of that stopped Ruth from spontaneously rewriting the film’s dialogue, much to the amusement of her fellow colonists, or from parodying Patsy Arena’s performance later on in the billiard room. She had the whole crew in hysterics. They were red in the face and pounding at their breastbones as she pantomimed the pianist’s clumsy assault on her instrument, but then Clara and her protégée hunkered into the room and Ruth deftly threw the ball to Abercorn, who’d been giggling innocently in his beer. “Catch anything in your snares today, Det?” she asked.

The laughter subsided. Clara poured Patsy a drink. Everyone looked at Abercorn.

Abercorn had been mooning round the place off and on for the past week or so. Sometimes he had the other character with him, sometimes not. Ruth’s question had a barb in it, and Saxby swirled the ice in his drink, watching Abercorn squirm. He kind of liked the guy, actually—or maybe he just felt sorry for him. Abercorn looked up at Ruth out of his big darting rabbit’s eyes. The question seemed to sadden him. “Nothing,” he said. He tugged at his nostrils, scratched an ear. “Lewis and I think somebody else is involved.”

Ruth looked away. Suddenly she was deeply interested in the way the bourbon in her glass caught the light. At the time, Saxby thought nothing of it—but there was a look on her face, lips pursed, eyes downcast but alert, that he was to recall later. “I don’t get it,” he said. “What do you mean—like somebody on the island is hiding him or something?”

Abercorn nodded, slowly and gravely, his chin stabbing at the circle of colonists gathered round him. Everyone was listening now. “I can’t think of anything else—he’s been out there for five weeks, and aside from that business down at Tupelo Shores and the shit he’s been able to steal here and there, don’t you wonder what he’s eating?”

Saxby hadn’t given it a thought—at this point the big awkward Japanese kid who’d lurched out of Peagler Sound that night and run from him at the market was more amusing to him than anything else. But now—just for a moment and so quickly that he dismissed it the moment the thought flashed into his head—an answer came to him: fried dace.

The next night—saturday—Ruth didn’t turn up for Cocktails, and Saxby sat with his mother on the veranda and watched for her. When Armand rang the dinner bell and still she hadn’t come in from the studio, he ambled into the main dining room and sat at one of the small tables in back with Septima and Owen. His mother rattled on about colony business—who was coming in the fall and how so-and-so had been turned down at Yaddo and how she wouldn’t dream of inviting her—and he closed his ears, shut down his brain and lifted the fork to his lips. After dinner he retired to the back parlor to brood over his aquarium. That morning he’d drained the tainted water, discarded the plants and gravel and rocks—he was going to give the thing a rest for a couple of days, and then he was going to start all over again. But he’d learned his lesson. This time he was going to Aquarium City and he was going to be patient. No more fooling around: he was going to breed albinos and he was going to make money. And what’s more, he was going to take his place among the great amateur aquarists of the century: William Voderwinkler, Daniel DiCoco and Paul Hahnel, father of the fancy guppy.

He tried the title out on himself—Saxby Lights, father of the albino pygmy sunfish—and then he put on a tape—Albinoni, one of his mother’s favorites—and settled into the easy chair with the latest National Geographic. He tried to read an article about the declining resilience of beards among Pacific Coast mussels and its implications for the future of the shellfish industry, but he couldn’t concentrate. He was restless. There was a reading that night—Bob Penick was previewing some new poems—but Saxby really didn’t have much use for poetry and would have gone only to please Ruth—and Ruth wasn’t back yet. A shadow fell over the house, and he reached to turn on the lamp: it was coming on to dusk.

And then suddenly he was out of the chair, his mind made up in an instant—damn it, he didn’t care what the rules were, he was going out there to surprise Ruth. She’d been working for twelve hours straight, for Christ’s sake—she could have written War and Peace backwards and forwards by now. Enough was enough. If he fractured her creative bubble, so much the worse, but she could reconstruct it tomorrow. He was tired of waiting.

Red dirt, green gone to gray: the path lay before him like a coil of smoke. He hurried along, sandflies giving way to mosquitoes, anoles rustling through the deepening clots of undergrowth. Up ahead, he heard the soft chuck and plaintive sobbing wills-widow of the night-flying bird whose call gives rise to its name, and the branches above him were filled with the roosting chatter of the day birds. It was the hour of evening when the diamondback extracts itself from a hole in the ground, drawn to the scurrying warmth of the quick-blooded mammals on which it preys. Saxby stepped lightly.

And then, as he was coming down the final stretch to the cottage, a shadow settled into the path before him. Thick, furtive, dark with the shades of night. It was probably just a cornsnake, but he and Ruth would be coming back up this path in a few minutes, and he didn’t want any surprises. Ten feet from the thing—it was a snake, all right, coiling itself like a lariat, dead center in the middle of the path—Saxby bent for a stick. Crouching, one foot extended and the stick outstretched like a foil, he inched toward the thing and felt his heart freeze within him when it struck at the stick and thrashed its rattles all in the same instant. The chirring was explosive, grating, loud as castanets. But it subsided almost immediately, and the shadow of the snake melted into the undergrowth with the faintest crepitation of leaf and twig.

Saxby dropped the stick and moved on up the path, blood pounding in his ears. Always fun playing with snakes, he thought, setting one foot down after the other with the exaggerated care of a man wading through wet cement. Night was settling in as he came round the final loop in the path, and he cursed himself for having forgotten his flashlight. But Ruth would have one—and if she didn’t, they’d cut a stick and sweep the path before them, as he used to do when he was a boy coming home late from some adventure on the other end of the marsh. He was thinking of Ruth, a comical version of the snake encounter already taking shape in his mind, when the cottage came into view.

There was no light.

That was a surprise. At first he thought he’d missed her somehow, but then he remembered his last postprandial stroll out to the cabin and how he’d found her sitting there in the dark. He was going to call out, but something made him stop. She was talking to someone, her voice a murmur, indistinct, a current of admonition or urgency to it, as if she were scolding a child. And then the screen door wheezed open, slapped shut. Saxby froze. There was someone on the porch, and it wasn’t Ruth.

The Dogs are Barking, Woof-Woof

When ruth came to him out of the night, he was dreaming of his mother, his haha, his okāsan, the soft-smiling girl in the miniskirt who’d brought him into the world and suckled him and looked deep into his eyes. It was a dream of the cradle, an oneiric memory, idealized and distilled from the stack of photographs his grandmother kept in the bottom drawer of her dresser. The photos flapped through his dream like a riffled deck of cards and he saw his mother standing outside a cram school with her guitar and the strong heavy legs and handsome wide face he’d inherited from her; saw her on the futon, thinner now, eyes fixed on the kicking infant framed by the crook of her arm; saw her alone in a crowded bar, bottles winking like stars behind her. And then her face pulled back and rose like the moon into the sky above him and she was Chieko, the wide-hipped girl he’d met in a dive in the Yoshiwara District, her arms around him, lips tugging at his own like sentient things. …

Then the door rattled and he knew the police had come for him with their Negroes and their dogs.

But no: it was Ruth’s voice coming to him out of the shadows. Ruth’s voice. Fumbling for his shorts, the latch, was something wrong? No. Did she want him to turn on the light? No. She was wearing some sort of musk, a scent that came from a bottle and brought him back to his dream, to Chieko and the scintillating lights of the Yoshiwara.

Ruth kissed him, her lips cool on his own, and he felt her tongue in his mouth. Her dress was chiffon, electric against his skin. He didn’t understand—they were friends, she’d told him, only friends, and the big butter-stinker with the hair like rice paper and the leaping pale eyes, he was her lover. But her dress fell to the floor as if tugged down by invisible hands and she held him, her flesh pressed to his, the pure white long-legged puzzle of her involved in him now, and he didn’t try to understand, didn’t want to, didn’t care.

In the morning, in the fullness of the light, she raised her head from his chest and looked into his eyes. He felt her there, poised against him, and he listened to the soft murmur of life awakening in the trees and held on to that cool gray gaze with a prick of emotion that must have showed in every line of his face. She seemed to be deciding something, sizing him up, reviewing the night and the moment and the sudden flurry of her options. “Only friends,” he murmured, and it was the right thing to say. She smiled, opening up, blossoming, and then she kissed him and everything fell into place.

She went back to her other house, the big house, before the sun was out of the trees, and later she brought him rolls and fruit and meat cut in strips. While he ate, she sat down at her typewriter and began hammering away at the keys with a furious racket. After an hour or so, during one of the long pauses in which she stared out the window and murmured to herself in a faraway voice, he cleared his throat and asked her what it was she was writing.

“A story,” she said, without looking up.

“Thriller?”

“No.”

“Love story?”

She turned in her chair to look at him. He was sprawled in the loveseat, thumbing through a news magazine—crack, AIDS, children gunned down in the schoolyard—bored to the very roots of his hair. “It’s a tragedy,” she said, “very sad,” and she pantomimed the emotion with a downturned mouth.

He thought about that for a moment as she went back to her typing. A tragedy. Of course. What else? Life was a tragedy. “About what?” he asked, though he knew he was keeping her from her work and he felt guilty about it.

“A Japanese,” she said, without turning her head. “In America.”

This was a surprise, and before he had a chance to absorb it, he blurted, “Like me?”

Now she turned. “Like you,” she said, and then she was typing again.

At lunchtime he went outside and crouched in the bushes until the hakujin with the stiff back and wirebrush hair had hung the lunch bucket on its hook and marched back up the path and out of sight. Ruth wouldn’t touch the food at first—little sandwiches of cucumber and sausage, with fresh-cut vegetables and raspberries in cream for dessert—but he insisted. He was half crazed with hunger, but he felt so guilty and he owed her so much—and so much more after last night—that he couldn’t see her deprived. She was so skinny, and all because of him. “We share,” he said, going down on his knees before her and touching his forehead to the floor, “please.”

She laughed when she saw him prostrate himself, and finally she gave in, pushing her typewriter aside and clearing a place on her worktable. They ate in silence, but he saw, with gratitude, with love, that she left him the lion’s share. While he was clearing up and she lingered over a cigarette, he broke the silence with a question that suddenly and unaccountably popped into his head: “Rusu, please and forgive me: how old are you?”

She threw back her head to draw at the cigarette, exhaling the answer: “Twenty-nine.”

“You divorce?”

She shook her head. “Never married.”

He took a moment with this, brushing crumbs from the table, crossing the room to lean out the door and replace the lunch bucket on its hook. “In Japan,” he said, “a woman is married at twenty-four. For a man, twenty-eight.”

Ruth was smiling, a sly sardonic look in her eye, and he had a sudden vision of her in the Big Apple, in a townhouse with a bathtub the size of his obāsan’s apartment, pictures on the walls, chrome and leather furniture and the ubiquitous deep-pile rug, and he saw himself coming home to her there, a salaryman in suit and tie and carrying a neat calfskin briefcase. “And how old are you?” she asked.

He was twenty. Just. But he looked older, he knew he did, and he didn’t want to disappoint her with the disparity in their ages. “Thirty-one,” he said.

Her eyebrows lifted. Twin plumes of smoke escaped her nostrils. “Really?” she said. “Three years past the limit. I’m surprised at you, Hiro—you ought to be married yourself.”

She spent nearly all of the next few days with him, returning to the big house only to sleep at night. He didn’t ask her about that, about the sleeping arrangements, and he was still tentative around her. He wanted her, and he tried to tell her that with his eyes or by casually brushing against her as she rose from her desk. At one point, after watching her work through all the interminable hours of the day, he came up behind her and laid a hand on her shoulder. “Not now,” she said, pulling him to her for one of those quick pecking kisses the Americans are so fond of, “I’m still working.” Later, when she came back from the big house with dinner for them both, he made a mute appeal—a movement of the hands, a slow melt of the eyes—and she saw it, and acknowledged it, but she told him she wasn’t feeling very well. “The heat,” she said, and she deflected the whole subject of their involvement with a question about Japan: was it this hot over there?

And then one evening she went back to the big house for cocktails and she didn’t return. It was seven and his stomach was growling. It was eight and the sun was gone and he began to give up hope. But then maybe—just maybe—she’d be back in the night. He waited for hours, brooding. What did she want with him, anyway? Was it all a game to her, a joke? And when was she going to fulfill her promise, when was she going to get him out of this stinkhole? He felt bitter sitting there in the dark without her—bitter, and though he wouldn’t admit it to himself, jealous too—and he forgot all about his gratitude and the debt he owed her, and he got up from the rocker and flicked on the light over her desk.

There it was: her story. One page in the typewriter, the others scattered across the desk as if they’d been dropped there by a sudden gust of wind, pages x’d out, scrawled over, stained with coffee and ink. How many times had he straightened them up for her, how many times had he arranged her pens and pencils and rinsed her coffee cup? He’d never looked at a word. Not because he wasn’t curious, but because he was ashamed to. How could he violate her privacy like that after all she’d done for him? That’s how he thought, that’s how his obāsan had raised him. But now, having sat and brooded in the dark and with the jealousy of the lover on him, he thought differently. He didn’t give a damn for her privacy. He sat down, shuffled the pages, and began to read:

He was a Japanese male in the full flower of Japanese manhood, solid and unyielding, and he came home from the office in the small hours and tore at her kimono. The children were asleep, the Sony silent, the tiny apartment polished like a knife. Michiko went wet at the first touch of him. There was whiskey on his breath, imported whiskey, the whiskey he drank each night at the hostess bar, and the smell of it excited her. She loved him for the moon of his face and the proud hard knot of his belly as it pressed against hers, and for his teeth, especially for his teeth. They overlapped like joy and sorrow, the path to his smile as tortuous as a trail torn across the face of Mount Fuji.

He forced himself into her and a cry escaped her lips. “Hiro,” she moaned, clinging to him, holding fast as if she were drowning, “Hiro, Hiro, Hiro!”

Hiro glanced up from the page. The room looked strange to him suddenly, looked like a cage, the walls closing in on him, the lamplight cinching his wrists. He didn’t have the heart to read on.

“When?” he demanded.

She was unpacking groceries, groceries enough for an army, for a siege, enough to keep an animal sleek in its pen for a month at least. “I told you: Sax’s car is a pickup. I need a car with a trunk, to hide you.” Her elbows jumped; the cans mounted on the table. “His mother’s car is what I’m thinking of. I just have to come up with an excuse to borrow it.”

“You stall, Rusu. You want to keep me here. You want to make me a prisoner.”

The light, the jungle light, was in her hair, slicing at her eyes. She dug into the backpack for another tin of fish. “You prefer it out there?”

“When, Rusu?” he repeated.

She rattled the bag and turned her head to look at him. “I don’t want to keep you here against your will—really, Hiro, I don’t. Think of the risk I’m running just by harboring you. I like you, I do. I want to see you get out of here … it’s just—it’s not that easy, that’s all I’m saying. You don’t want to get caught, do you?”

He stood there looming over her, hands on his hips. He didn’t answer.

“She’s got an old Mercedes with a trunk the size of the Grand Canyon. It’d be ideal.” She showed him her perfect pink gums and irreproachable eyes, and suddenly the fight went out of him.

“Okay,” he said, dropping his eyes. “Soon, yes?”

“Soon,” she said.

And then, two nights later, she staggered up the steps with another load of canned goods, and he couldn’t help noticing her cryptic little smile. “I have a surprise for you,” she gasped, thumping across the room to fling herself at the desk and wriggle out of her backpack. She threw out her chest, narrowed her shoulders and eased the straps down her arms. He could smell her, a rich dark scent, perfume and sweat commingled.

“Surprise?” He edged closer, watching her hands as she loosed the string at the neck of the bag. He was expecting a treat—a wedge of cake or a Mars Bar maybe; she knew he loved Mars Bars—but she dug yet another can of fried dace and a cellophane package of withered roots from the depths of the bag. His face fell. How she’d ever got the idea that this—this stuff— would appeal to him was a mystery. Dried fishheads, bark shavings in plastic envelopes, flat black mushrooms like patches of sloughed skin, can after can of bamboo shoots—what did she think he was, some barefoot hick from Tohoku or something? Dried fishheads? He would have preferred practically anything—Chef Boyardee, Hamburger Helper, Dinty Moore—but it was too awkward to ask. Beggars couldn’t be choosy.

She turned to him, put her hands on his shoulders and pecked another of her airy kisses in the direction of his cheek. “It’s all set,” she said. “Day after tomorrow. Sax is going out after his pygmy fish and I’m taking Septima’s car to Savannah—clothes shopping.”

It took him a moment. “You mean—?”

She looked up at him, beaming.

“Rusu,” he said, and he couldn’t contain himself, joy and discovery lighting him up like a rocket. He clutched her in his arms—he was getting out of here, he was on his way, his life was starting all over—but then he felt her body pressed to his and a sudden sharp sense of loss deflated him. She would take him to the city and he would walk away from her, one mutt more in a mob of them. He would never see her again.

“So,” she said, pulling back to study his face, her lips stretched in a grin, “are you happy?”

He didn’t know what to say. He was groping for the words—happy, yes, but unhappy too—when a violent hissing clatter burst on them out of the night. It startled them both. Hiro thought of a blowout on the highway, a truck tire reduced to tatters, but the racket of it went on and on, an explosion of ratcheting and hissing that was like nothing he’d ever experienced. Ruth’s eyes leapt. His face felt dead.

“A snake,” she whispered, gripping his arm. “It’s a rattlesnake.” And then: “Someone must be coming up the path.”

Rattlesnake. The flat wicked head rose up from some deep place inside him, the cold lifeless eyes. He was a boy again, clutching his obāsan’s hand and staring with grim fascination into the venom-flecked glass of the reptile house at the Tokyo Zoo.

“You’ve got to hide.” Ruth’s face was aflame. “Out there, in back.”

The flat wicked head, the flickering tongue. Did she think he was crazy? He wasn’t going anywhere.

“Now!” Her voice was harsh, toneless. “Go!”

Her hands were on him, she was pushing him, the screen door wrenching open and snapping shut behind him like a set of jaws. He stood there on the doorstep, peering into the throat of the night, wondering if he couldn’t just crouch there on the porch till the overactive reptile and all its flat-headed cousins crawled back into their holes. He caught his breath and held it. All was quiet. No snakes, no intruders. But he remembered the last time, remembered Ruth and her bōifurendo thrashing on the rough planks of the porch, and he slunk over the rail and hid himself in the shadows alongside the house.

Just in case.

In the morning, he was up at first light. Something had wakened him, a ripple of sound at the periphery of consciousness. His eyes fell open on the familiar overhead beams, tired wood, dead wood, and the sick greenish light that hung over the place like a miasma. He blinked twice, wondering at the noise that had awakened him. The birds were going at it, cursing one another in the trees, and there was the flatulent whoop of a frog or lizard or something and the chittering intermittent screech of a monkey—or did they even have monkeys here? But it was nothing out of the ordinary, nothing different from what he’d been hearing day and night since he’d jumped ship. Nature, that’s what it was. All those seething little lives, toads and caterpillars and all the rest… what he wouldn’t give for the squall of a good disco, voices raised over the din of the drum machine, snatches of laughter and shouts from the bar, the stuttering roar of the big Hondas and Kawasakis pulling up out front … but there, there it was again. A sort of pant or wheeze, as of a dog on a choke collar or an old man with emphysema laboring up a flight of stairs.

He heard that wheeze, and lying there, half awake, he thought of his grandfather. He’d slept in the same room as the old man when he was a boy in Kyoto, before his grandfather died and his obāsan moved back to Yokohama to be near her people. Hiro was afraid at night, afraid of the moving shadows on the wall and his grandfather’s labored breathing, and of intangible things too, of vampires and werewolves and white-boned demons, and of the fox that took human form. His ojisan was retired then, from Kubota Tractor, and he had a good pension and a plot reserved in the company cemetery, but still obāsan went out to work the night-shift at the glassworks. Sometimes, when he got so frightened he thought he would burst open like a sausage, he would wake his grandfather and the old man would catch his breath and wrap him in his spindly arms. “Don’t be frightened,” he would whisper, “inu ga wan—wan hoeyoru wai, the dogs are barking, woof-woof.” Barking, that’s all.

And then, incredibly, the wheeze that had woken him turned to a bark—a real bark, distinct and unmistakable, and he thought for a moment his ojisan was there with him, woofing softly in his whistling old voice. But then a second possibility occurred to him and he sat bolt upright with the shock of it: it was a dog. A police dog. The sheriff’s dog. And it wouldn’t just bark: oh, no, this dog would bite.

Two hours earlier and no more than a mile and a half away, Eulonia White Pettigru’s boy had wakened to the thin trill of his clock radio and the distant pinched thump of drum and guitar. Royal flicked off the radio and sat up, the dark clenched round him like a fist. He’d slept despite himself, though he knew he’d have to be awake and dressed by four—four, that’s what Jason Arms had said—or he’d miss the whole thing. Now he was awake, smelling the world and hearing it too—every least sound, the mice in the kitchen, the bats in the air, even the faintest rasp of the earthworms coupling in the grass outside the window. Breathing deep, trying to fight down the little wheel racing inside his chest, he caught a scent of it: the whole world smelled fresh, new-created out of the dregs of the night, as sweet and charged and piquant as a stick of Big Red gum still in the wrapper.

The luminous hands of the clock radio showed 3:35. I have more of a right than any of them to be there, he thought, and his fingers trembled as he fastened the snaps of his spiked wristband. From the back room he could detect the soft stertor of his mother’s breathing, the dip and rise of her feathery snores. The image of the granola bars in the kitchen (chocolate chip-peanut butter) came into his head, but only briefly and not very persuasively—he was too excited to eat.

Outside, the smell was stronger, sweeter, leaching through everything and killing all those habitual stinks of crab and hogs and the dog-run out back of the Arms place. Royal threw himself down on the front steps to lace his hightops, and then it came to him: he was smelling pipe tobacco, Yerdell Carter’s special blend with cinnamon and rose hips all ground up in it. But then—and his hands froze on the laces—was he late, was he missing it? An undercurrent of waking life suddenly whispered to him out of the dark—the distant snap of a match, a murmur of conspiratorial voices: everybody was in on the secret. A soft curse escaped him and the little wheel in his chest accelerated a notch. He was thinking of the coon hunters his father convoked each autumn under the big old live oak in the front yard, dogs whining, shadows milling, the spit of tobacco, soft truncated jokes caught somewhere between throat and lips. Royal jerked at the laces, the blood pounding in his ear—more of a right than any of them—and then he was down off the porch in a single covetous bound and tearing across the lawn to the Arms place.

Jason was up already, fussing over the dogs with a cup of coffee in his hand, looking important and old, though he was just two years, eight months and eleven days older than Royal. The porch light, a single dull 25-watt bulb, made a yellowish pocket in the night, and before he was halfway across the lawn, Royal could see the dark shapes of the men gathered there, eight or ten of them, squatting in the shadows and solemnly masticating the sandwiches Jason’s mother had made up for them in the unlighted kitchen. His eyes told him what his nose already knew: Yerdell Carter was among them, his pipe softly glowing, a deer rifle propped up between his legs. The others (he recognized Jenkins, Butterton, Creed, friends of his father and coon hunters all) hunched over shotguns, embracing the dull gleam of the steel as casually as they might have embraced umbrellas on a day with a threat of rain.

The dew was heavy and Royal came up on them with a squeal of his sneakers. He was breathing hard. Too tall for sixteen, gangling, with the tapering long African shanks of his father and the carefully chopped dangle of his bleached and processed hair, he looked—well, different—and he knew somebody would have something smart to say about it. Yerdell Carter was the man. After crushing a mosquito with an audible slap, he grinned out of his ruined old face and asked Royal if he was going to catch himself a Chinaman.

Royal didn’t answer. His father should have been there in his place, but his father was driving truck in Kansas or Wyoming or some such windblown terminus Royal knew only from videos. His father was driving truck about two thirds of the time, and when he came home, he came home. Royal was sixteen and twenty pounds underweight, a loose gangle of gristle and bone. But where Jason and the dogs were going, he was going too. And nobody was going to stop him.

Jason looked up from his dead father’s dogs and offered him a sandwich, white bread and bologna. “Uh-uh,” Royal said, shaking his head as if he’d just been offered the body and blood of Christ, the flesh warm still and palpitating. “Ain’t hungry.”

The night before—six hours ago, that is—he and Jason and Rodney Cathcart had been watching Rock’n’Roll High School on Jason’s VCR when Sheriff Peagler came to the door. Jason’s mother was in bed already and the three of them just about shit blood when they saw who it was: they’d been smoking pot—all the roaches they’d saved over the course of the summer rolled into one thin miserable number—and the smell of it hung over the parlor like an evil ghost. But the sheriff wasn’t interested in pot. He was interested in the two big coon hounds and the little yellow bitch Jason’s dead father had paid a hundred and ten dollars for in Brunswick.

The sheriff was a bone-thin white man with deep creases in his face and two hard blue eyes that took hold of you like pincers. He’d been a high-school football star—a wide receiver—and he’d won a scholarship to some college up north, but dropped out after two seasons. He wore a hat and a badge, but he dressed in jeans, T-shirt and boots like anybody else. He knocked once and stuck his head in the door. “Jason,” he said, “would you step out here a minute?”

And that was it. That was why there were ten men (and now twelve and soon to be fifteen) gathered out front of the Arms place looking like the start of a coon hunt, and that was why Jason was acting so important and why Royal couldn’t hold anything on his stomach: they’d found the son of a bitch of a Japanese Chinaman that had gone and killed his uncle. The sheriff wanted the dogs and he was paying Jason twenty-five dollars for the use of them and himself as handler, but he’d warned Jason to keep it quiet. “I want to catch this malefactor and put him behind bars once and for all,” he’d told him, using one of his college words to drive the point home, “and I don’t want half the island out there gettin’ in my way, you follow me?” But Jason had to tell him and Rodney, what with the sheriff’s pickup backing out of the driveway and the Ramones on the TV crunching chords in their black pipestem jeans, and Rodney had gone home and told his mother and maybe his three brothers and six sisters and his grandpa and his daddy too, and now, when the sheriff pulled up at four for Jason and the dogs, there was going to be a crowd.

The voice was booming, thunderous, loosed from the clouds, and it sent him into a panic so absolute and immediate it made the fillings in his teeth ache and rendered Jōchō all but useless. “Hyro Tanayka, you come own outta there now, nice and easy, and y’all put your bands up own top your bead where Ah kin see ’em.” And behind that voice, the barking of the dogs—rabid, slavery; barking that choked on its own rage and saliva, the barking of killers and man-eaters. Strip the flesh from the bone.

The shorts were off the floor and girding his loins in a nanosecond, no time for the Nikes, and then he was clawing his way over Ruth’s desk to get at the back window. Up went the sash, one foot on the desk, the other on the sill, and then he froze. His hara dropped, his heart turned to ash. What he saw there was Negroes, Negroes with guns and dogs. And hakujin too, with uniforms and badges and more guns and more dogs. He was surrounded. It was all up. It was over.

“Hyro Tanayka,” the voice boomed from the front of the house, “y’all have till a count of ten to come own outta there or Ah cannot hold myself accountable for the consequences! One. Two. Three …”

He knew them. They’d tried to run him down before he’d even set foot on their soil, they’d chased him out of Hog Hammock and Ambly Wooster’s house too. They were Americans. Killers. Individualists gone rampant. He hung his head and started for the door, defeated, crushed, expecting no mercy but the law of the jungle and of the mutt and half-breed. If he put his tail between his legs and his hands atop his head, then he could … could …

But all at once, magically, insidiously, the words of Jōchō whispered to him—The Way of the Samurai is a mania for death; sometimes ten men cannot topple a man with such conviction—and he was a Japanese all over again, not a mutt, not a happa, not half a hakujin, but a Japanese, and the strength came back to him, settling in a fiery ball in his gut. He came through the door—“Don’t shoot!” he cried—with his hands atop his head, but with a gleam in his eye.

In that moment, all of them—the sheriff, the state troopers, the red-eyed Negroes, the gawk of a hakujin with the speckled face and the runt in fatigues Ruth had told him about—all of them relaxed their grip for the tiniest sliver of an instant. He was on the doorstep, he was on the porch, and they were all gaping at him as if they’d never seen a man with hara before. That was all it took, that sliver of an instant, the sheriff dropping the megaphone from his lips, the Negroes and troopers and poor white trash easing up on the trigger …

“Make my day!” Hiro suddenly shouted, diving for the floorboards as the astonished, outraged cannonade opened up all around him, shattering glass, splintering wood, ricocheting off Ruth’s Olivetti and slicing through the trove of bamboo shoots and fried dace in deadly syncopation. And then, in the next sliver of an instant, in the space between the first round and the second, he bounded over the railing and ran headlong into the first man he encountered, an old Negro with a smoking gun and a pipe jammed between his teeth. The old Negro was a carpet, a rug, a piece of lint. He was gone and there was another, and then a white man, and Hiro ran through them as if they were made of paper, silly astonished faces, black and white, sailing back on their buttocks, guns and cigarettes and spectacles flying up into the air as in some miraculous feat of levitation.

The jungle embraced him. There was another barrage, an anguished shout and a chorus of curses, and Hiro’s bare broad feet pounded at the mud of a trail he knew as well as he knew the stairwell to his obāsan’s apartment. Then he heard the dogs, the savage joy of the multivoiced roar as they were set loose, but he was a samurai, a killer, a hero, and he was heading for a bog that would choke any sixty dogs … nor would he hesitate. He’d plunge headfirst into the muck, live it, breathe it, smear his naked body with it and dwell forever here in the wild, his home primeval, Tarzan the Ape Man, unconquerable and—

Suddenly the whirl of his thoughts choked to nothing. There before him, poised in the middle of the path and with his head and shoulders lowered for action, was a Negro. A boy. Hightops. Jeans. Hair like a New Guinea cannibal. Hiro was running, leaves in his face, a dazzle of sun through the trees, the path beneath his feet, and there was a Negro. He was startled—how had he gotten here?—but there was no time for introductions. Behind him the dogs bayed, guns blazed and hot high voices mounted one atop the other: Hiro lumbered down the path like a bull coming out of the gate.

“Get ’way!” he shouted, swiping at the boy with a jerk of his arm. In the next instant he felt the impact, flesh on flesh, the boy’s hands like claws fastening at his waist, his feet slipping out from under him, and then he was face down in the mud, gasping for breath. Before he knew what had happened the boy was on top of him, flailing at him with fists that were hard little sacks of bone. “You gook son of a bitch,” the boy cried, and Hiro could smell the sweat of him as he tried to fend off the blows and get to his feet, could hear the dogs closing now, swarming at him, the boy’s voice rising to a howl, a shriek, an assault of high piercing syllables that cut through him like bullets: “You killed my uncle!”