Endymion

41

When the summons finally comes to release Father Captain de Soya from virtual house arrest in the Legionaries of Christ rectory, it arrives not from the Holy Office of the Inquisition, as has been expected, but in the person of Monsignor Lucas Oddi, Undersecretary to the Vatican Secretariat of State, His Excellency Simon Augustino Cardinal Lourdusamy.

The walk into Vatican City and through the Vatican Gardens is all but overwhelming to de Soya. Everything he sees and hears—the pale-blue skies of Pacem, the flittering of finches in the pear orchards, the soft stroke of Vespers bells—makes emotion surge within him to the point that he has to work to hold back tears. Monsignor Oddi chats while they walk, mixing Vatican gossip with mild pleasantries in a way that makes de Soya’s ears buzz long after they have passed the section of garden where bees hum between the floral displays.

De Soya focuses on the tall, elderly man who is leading him with such a brisk pace. Oddi is very tall and he seems to glide forward, his legs making little noise within the long cassock. The Monsignor’s face is thin and crafty, lines and wrinkles molded by many decades of amusement, the long beak of a nose seeming to sniff the Vatican air for humor and rumor. De Soya has heard the jokes about Monsignor Oddi and Cardinal Lourdusamy, the tall, funny man and the huge, crafty man—how together they might look almost comical if it were not for the truly terrifying power they wield.

De Soya is momentarily surprised when they come out of the garden and step into one of the outside elevators that rise to the loggias of the Vatican Palace. Swiss Guard troopers, resplendent in their ancient uniforms of red, blue, and orange stripes, snap to attention as they step into and then out of the wire-mesh elevator cages. The troopers here carry long pikes, but de Soya remembers that these can be used as pulse rifles.

“You remember that His Holiness, during his first resurrection, decided to reoccupy this level because of his fondness for his namesake, Julius the Second,” says Monsignor Oddi, gesturing down the long corridor with an easy sweep of his hand.

“Yes,” says de Soya. His heart is pounding wildly. Pope Julius II—the famous warrior-Pope who had commissioned the Sistine ceiling during his reign from A.D. 1503 to 1513 had been the first to live in these rooms. Now Pope Julius—in all of his incarnations from Julius VI to Julius XIV—has lived and ruled here almost twenty-seven times as long as the decade of that first warrior-Pope. Certainly he could not be meeting the Holy Father! De Soya manages an outward calm as they start down the great corridor, but his palms are moist and his breathing is rapid.

“We are going to see the Secretariat, of course,” says Oddi, smiling, “but if you have not seen the papal apartments, this is a pleasant walk. His Holiness is meeting with the Interstellar Synod of Bishops in the smaller hall of the Nervi building all this day.”

De Soya nods attentively, but, in truth, his attention is focused on the Raphael stanze he is glimpsing through open doors of the papal apartments as they pass. He knows the outlines of the history: Pope Julius II had grown tired of the “old-fashioned” frescoes by such minor geniuses as Piero della Francesca and Andrea del Castagno, so in the fall of 1508 he had brought a twenty-six-year-old genius from Urbino, Raffaello Sanzio—also known as Raphael. In one room de Soya can see the Stanza della Segnatura, an overwhelming fresco representing the Triumph of Religious Truth being contrasted with the Triumph of Philosophical and Scientific Truth.

“Ahhh,” says Monsignor Oddi, pausing so that de Soya can stand and stare a moment. “You like it, eh? You see Plato there among the philosophers?”

“Yes,” says de Soya.

“Do you know to whom the likeness actually belonged? Who the model was?”

“No,” says de Soya.

“Leonardo da Vinci,” says the monsignor with a hint of a smile. “And Heraclitus—see him there? Do you know whom Raphael depicted from life?”

De Soya can only shake his head. He is remembering the tiny adobe Mariaist chapel on his homeworld, with the sand always blowing in under the doors and pooling under the simple statue of the Virgin.

“Heraclitus was Michelangelo,” says Monsignor Oddi. “And Euclid there… you see him… that was Bramante. Come in, come closer.”

De Soya can hardly bear to set foot on the rich tapestry of carpet. The frescoes, statuary, gilded molding, and tall windows of the room seem to whirl around him.

“You see these letters on Bramante’s collar here? Come, lean closer. Can you read them, my son?”

“R-U-S-M,” reads de Soya.

“Yes, yes,” chuckles Monsignor Lucas Oddi. “Raphael Urbinus Sua Manu. Come, come, my son… translate for an old man. You have had your review lesson in Latin for this week, I believe.”

“Raphael of Urbino,” translates de Soya, muttering more to himself than the taller man, “by his hand.”

“Yes. Come along. We shall take the papal lift down to the apartments. We must not keep the Secretary waiting.”

The Borgia apartment takes up much of the ground floor of this wing of the palace. They enter through the tiny Chapel of Nicholas V, and Father Captain de Soya thinks that he has never seen any work of man lovelier than this small room. The frescoes here were painted by Fra Angelico between A.D. 1447 and 1449 and are the essence of simplicity, the avatar of purity.

Beyond the chapel, the rooms of the Borgia Apartment become darker and more ominous, much as the ensuing history of the Church had grown darker under the Borgia popes. But by Room IV—Pope Alexander’s study, dedicated to the sciences and the liberal arts—de Soya begins to appreciate the power of the rich color, the extravagant applications of gold leaf, and the sumptuous uses of stucco. Room V explores the lives of the saints through fresco and statuary, yet has a stylized, inhuman feel to it, which de Soya associates with old pictures he has seen of Old Earth Egyptian art. Room VI, the Pope’s dining room, according to the Monsignor, explores the mysteries of the faith in an explosion of color and figures that literally takes de Soya’s breath away.

Monsignor Oddi pauses by a huge fresco of the Resurrection and points two fingers toward a secondary figure whose intense piety can be felt through the centuries and faded oils. “Pope Alexander the Sixth,” Oddi says softly. “The second of the Borgia popes.” He flicks his hand almost negligently toward two men standing nearby in the thickly populated fresco. Both have the lighting and expressions reserved for saints. “Cesare Borgia,” says Oddi, “Pope Alexander’s bastard son. The man next to him is Cesare’s brother… whom he murdered. The Pope’s daughter, Lucrezia, was in Room V… you may have missed her… the virgin Saint Catherine of Alexandria.”

De Soya can only stare. He looks up at the ceiling and sees the design that has appeared in each of these rooms—the brilliant bull and crown that were the Borgia emblems.

“Pinturicchio painted all this,” says Monsignor Oddi, on the move again now. “His real name was Bernardino di Betto, and he was quite mad. Possibly a servant of darkness.” The Monsignor pauses to look back into the room as Swiss Guards snap to attention. “And most certainly a genius,” he says softly. “Come. It is time for your appointment.”

Cardinal Lourdusamy awaits behind a long, low desk in Room VI, the Sala dei Pontifici—the so-called “Room of the Popes.” The huge man does not rise but shifts sideways in his chair as Father Captain de Soya is announced and allowed to approach. De Soya goes to one knee and kisses the Cardinal’s ring. Lourdusamy pats the priest-captain on the head and waves away any further formality. “.Take that chair, my son. Get comfortable. I assure you, that little chair is more comfortable than this straight-backed throne they found for me.”

De Soya has almost forgotten the power of the Cardinal’s voice: it is a great bass rumbling that seems to come up out of the earth as much as from the large man’s body. Lourdusamy is huge, a great mass of red silk, white linen, and crimson velvet, a geological massif of a man culminating in the large head atop layers of jowls, the small mouth, tiny, lively eyes, and almost hairless skull set off by the crimson skullcap.

“Federico,” rumbles the Cardinal, “I am so pleased and delighted that you have come through so many deaths and troubles without harm. You look well, my son. Tired, but well.”

“Thank you, Your Excellency,” says de Soya. Monsignor Oddi has taken a chair to the priest-captain’s left, a bit farther away from the Cardinal’s desk.

“And I understand you went before the tribunal of the Holy Office yesterday,” rumbles Cardinal Lourdusamy, his eyes piercing into de Soya.

“Yes, Your Excellency.”

“No thumbscrews, I hope? No iron maidens or hot irons. Or did they have you on the rack?” The Cardinal’s chuckle seems to echo in the man’s huge chest.

“No, Your Excellency.” De Soya manages a smile.

“Good, good,” says the Cardinal, the light from a fixture ten meters overhead gleaming on his ring. He leans closer and smiles. “When His Holiness ordered the Holy Office to take back its old title—the Inquisition—a few of the nonbelievers thought that the days of madness and terror within the Church had returned. But now they know better, Federico. The Holy Office’s only power is in its role of giving advice to the Orders of the Church, its only punishment is to recommend excommunication.”

De Soya licks his lips. “But that is a terrible punishment, Your Excellency.”

“Yes,” agrees Cardinal Lourdusamy, and the banter is gone from his voice. “Terrible. But not one you have to worry about, my son. This incident is over. Your name and reputation have been fully exonerated. The report the tribunal shall send to His Holiness clears you of any blemish larger than… shall we say… a certain insensitivity to the feelings of a certain provincial Bishop with enough friends in the Curia to demand this hearing?”

De Soya does not let out his breath yet. “Bishop Melandriano is a thief, Your Excellency.”

Lourdusamy’s lively eyes flick toward Monsignor Oddi and then return to the priest-captain’s face. “Yes, yes, Federico. We know that. We have known that for some time. The good Bishop on his remote floating city on that watery world shall have his time before the lord cardinals of the Holy Office, be assured. And you also may be assured that the recommendations in his case will not be so lenient.” The Cardinal settles back into his high-backed chair. Ancient wood creaks. “But we must talk of other things, my son. Are you ready to resume your mission?”

“Yes, Your Excellency.” De Soya is surprised by the immediacy and sincerity of his answer. Until that second he had thought it best that this part of his life and service was over.

Cardinal Lourdusamy’s expression grows more serious. The great jowls seem to become firmer. “Excellent. Now, I understand that one of your troopers died during your expedition to Hebron.”

“An accident during resurrection, Your Excellency,” says de Soya.

Lourdusamy is shaking his head. “Terrible. Terrible.”

“Lancer Rettig,” adds Father Captain de Soya, feeling that the man’s name needs to be spoken. “He was a good soldier.”

The Cardinal’s small eyes glint, as if from tears. He looks directly at de Soya as he says, “His parents and sister will be taken care of. Lancer Rettig had a brother who rose to the rank of priest-Commander on Bressia. Did you know that, my son?”

“No, Your Excellency,” says de Soya.

Lourdusamy nods. “A great loss.” The Cardinal sighs and sets a plump hand on the empty desktop. De Soya sees the dimples in the back of the hand and looks at it as if it is its own entity, some boneless creature from the sea.

“Federico,” rumbles Lourdusamy, “we have a suggestion for someone to fill the vacancy on your ship left by Lancer Rettig’s death. But first we must discuss the reason for this mission. Do you know why we must find and detain this young female?”

De Soya sits straight up. “Your Excellency explained that the girl was the child of a cybrid abomination,” he says. “That she poses a threat to the Church itself. That she may well be an agent of the AI TechnoCore.”

Lourdusamy is nodding. “All true, Federico. All true. But we did not tell you precisely how she is a threat… not only to the Church and the Pax, but to all humanity. If we are to send you back out there on this mission, my son, you have the right to know.”

Outside, their volume muffled but still audible through the palace windows and walls, come two sudden and disparate sounds. In the same instant the midday cannon is fired from the Janiculum Hill along the river toward Tratevere, and the clocks of St. Peter’s begin to strike the noon hour.

Lourdusamy pauses, removes an ancient watch from the folds of his crimson robe, nods as if satisfied, winds it, and returns it to its place.

De Soya waits.