Acknowledgments

This is a book that truly could not have been written without the help of a dedicated and industrious team of editors, continuity checkers, and subject matter experts. From doctors and epidemiologists to people willing to attempt riding luggage carts over railroad trestles for the sake of research, there was as much field work as sit-down study. It was a group effort in many ways, and I owe an enormous debt of gratitude to all the people, named and unnamed, who helped me bring the world of Feed to life.

Rae Hanson and Sunil Patel were two of the first to join the proofing pool, providing valuable advice about technology, politics, the media, and the way the entertainment world would change after the zombies rose. (Rae also carved a jack-o-lantern with Shaun and Georgia riding the bike over a crowd of zombies. I have excellent friends.) Amanda and Steve Perry were my point people for everything having to do with wireless and cellular technology, and taught me a great deal about the miniaturization going on in the real world. Between them and Mike Whitaker, who did the majority of the technical design on Shaun and Georgia’s van, I have much more accurate tech than I have any right to.

Matt Branstad was responsible for verifying the accuracy of my firearms design, and was invaluable when it came to finding new, exciting ways to kill zombies. Michelle and David McNeill-Coronado provided regional details on Sacramento (David actually suggested the railroad trestle), as well as providing active, engaging sounding boards for the political climate of the book.

Medical assistance was provided by Brooke Lunderville and Melissa Glasser, who rebuilt my medical technology from the ground up several times, while Debbie J. Gates helped out with the animal action. Alison Riley-Duncan, Rebecca Newman, Allison Hewett, Janet Maughan, Penelope Skrzynski, Phil Ames, Amanda Sanders, and Martha Hage were on tap for general proofreading and plot consultation; I couldn’t have done this without them.

Finally, acknowledgment for forbearance must go to Kate Secor and Michelle Dockrey, who received the bulk of my “talking it out” during the writing process; to my agent, Diana Fox, who is never anything short of heroic; to my editor, DongWon Song, who understood the story from the first; and to Tara O’Shea and Chris Mangum, the incredible technical team behind www.MiraGrant.com. This book might have been written without them. It would not have been the same.

Rise up while you can.

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