Flashpoint

5

The persistent ringing of a telephone woke me.

When I forced my eyes open, I couldn't orient myself for a moment. Then the meaning of the cluttered, dirty room came flooding back. The phone kept ringing, and I stumbled to my feet from the couch. Cramped muscles protested as I went into the bedroom.

Chryssie was sprawled face down on the bed. One knee was drawn up to her chest, the sheet had fallen to the floor, and she looked about twelve years old. The ringing phone was only inches from her ear, but she never moved. "Yes?" I said into the phone. I expected to hear Erikson.

"I wish to speak to my daughter, Cornelia," a deep masculine voice said.

"She's-ah-asleep," I said.

"You're sure she's all right?" There was anxiety in the voice which featured the cultured accents of Philadelphia's Main Line.

"She's all right." How could a father let a seventeen-year-old daughter live like this, I wondered? And how could a father express no surprise when a man answered his daughter's telephone? "No thanks to you, Mr. Rouse."

"You know my name?" He sounded surprised. "You don't-ah-sound like the usual-ah-friend of Cornelia's."

"I expect I don't."

"I take it from the disapproval in your tone that you imagine a parent exercises control," the cultured voice continued. "It's not true today. My daughter's way of life is not of my choosing. I found that if I weren't to lose her completely, though, I had to close my eyes to a number of things. I've insisted upon a weekly telephone call, however, and when I didn't receive it I called to find out why."

"What happened to her baby?"

"You know about that? It was placed for adoption. The father was colored." The telephone line hummed emptily for an instant. "You sound more responsible than the-ah — types with whom I've conversed before when I've called Cornelia. I'd like to give you my phone number so you can reach me in case of an-ah-emergency."

"Just a minute." I found a pencil stub and piece of paper. "Go ahead." I wrote down the number as he gave it to me. "I'll have her call you tonight, Mr. Rouse."

"I would appreciate it, sir." He hung up on me. I had a mental image of a director of corporations who couldn't direct a daughter.

I looked at my watch. It was eleven-thirty, and bright sunlight was streaming in under the partly drawn shade at the window. I covered Chryssie with the sheet I picked up from the floor, then reached down and shook her. "Rise and shine, sis," I said.

She stared up at me uncomprehendingly when she opened her eyes. Then recognition dawned. Under the sheet I could see her hands exploring herself. "Did we- uh-last night-I mean-what happened?"

"The biggest night of your life and you don't remember?" I said in pretended outrage.

"Oh, sure," she replied hastily. "You were great. Just great." The blue eyes weren't as glazed as they had been the night before, but they still weren't clear. "What day is it?"

"Wednesday."

"Wednesday," she repeated. "What day of the month?"

I wondered if she knew what year it was. "The fourteenth."

"That's good. My check comes tomorrow. I'm out of everything."

"Like marijuana, methedrine, and heroin?"

"Not heroin." The soft mouth pouted at me. "If it's any of your business."

"Listen, this whole bit-this pigpen you're living in- you ought to have your butt whaled."

"It's been whaled." Her tone was defiant. "It didn't change anything."

I gave it up. "Shuck yourself out of the sack and we'll go out and have breakfast."

"I don't want any breakfast."

"Did anyone ask you what you wanted? You're going to have breakfast."

She smiled, a tiny-ghost smile. "You sound like my father."

"Whom you neglected to call last night."

The smile disappeared. "How did you know that? Are you one of the private detectives he's had snooping around here?"

"Your father called here. He's worried about you."

"A recent development, if true." She sat up in the bed, then clutched at the sheet as she realized her nudity beneath it. "What's all this to you, anyway?"

It was a good question. Exactly what was it to me if a girl decided to tune out the world? "Not a damn thing, Chryssie. Meet me at the Alhambra if you decide you want that breakfast."

She was on her back again with her eyes fixed vacantly on the ceiling when I left the apartment. I listened for the click of the lock when I closed the outside door. I turned toward the stairs to find myself under the scrutiny of a big woman with a broom and mop in one hand. Her expression was noncommittal.

"Are you the landlady?" I asked as I walked toward her. She nodded. I handed her a twenty-dollar bill. "When the kid leaves today, send someone in and clean up that place. Floor to ceiling. Is she behind with the rent?"

"The rent check comes to me." The big woman had a whiskey contralto. "Otherwise I'd never get it. Is she bad today?"

"Probably no worse than usual."

"If she was mine, I'd take a yard of skin off her tail."

"We all have our favorite solutions."

I ran down the stairway to the street. I stopped in a lunchroom for a quick plate of scrambled eggs en route to the Alhambra. I couldn't face a drink on an empty stomach, and once there I'd have to drink something.

The first thing I saw when I walked into the Alhambra was Hawk sitting at the bar. For a heartbeat I doubted my own power of recognition, but there was no mistaking that dark, bold, eagle-beaked face. I went to a booth in the farthest corner of the room where I could watch him without turning my head. It wasn't likely he had had as good a view of me on the airplane wing as I had had of him on the ladder, but why risk it?

I ordered a Jim Beam when the waitress came. Hawk seemed to be chatting idly with the bartender who wasn't the same man I'd asked about him. That was all to the good, too. Instead of the khakis in which I'd seen him dressed in Nevada, the hijacker wore a conservative business suit. He glanced at the front door from time to time, and once he looked at his watch.

So he was meeting someone. I watched the door, too. An influx of noontime drinkers gradually filled the bar and a number of the booths. I wished that Hawk would leave so I could follow him, corner him, and ask him a question or two about Hazel's money.

It took me by surprise when he left his bar stool suddenly. I'd seen no indication that he knew anyone who'd entered. He sauntered toward an empty booth, every movement of his stocky figure an exercise in body control.

He seated himself in a booth halfway down the room. He waited, then took a wrapped package from under his jacket and placed it on the booth seat with his body between it and the open floor space so that bystanders couldn't see it. The package was the right size and shape to contain three or four hundred bank notes, and I thought again about Hazel's money.

When Hawk stood up and left the booth, I could see the package still on the seat. He walked toward the door with his eyes on the back bar mirror. Then a girl stood up two booths away and moved to Hawk's booth. I watched her pick up the package and put it in her large handbag. Hawk continued on out the door.

It presented a dilemma. It was Hawk I wanted, or did I?

Erikson would undoubtedly want to know the girl's tie-in. I decided to stick with her. With luck, now that Hawk had established that he used the Alhambra, I could pick him up there again.

The girl seemed to be in no hurry. The waitress brought a tiny glass to her booth which contained a golden liqueur. The waitress spoke to her familiarly, so the girl was no stranger. In appearance she was a knockout. She was tall and ivory skinned, slender but by no means thin. Her hair was raven-black and arranged in sophisticated swirls on her small head. A tiny mole or birthmark dotted her right cheek.

Her dress was an explosion of bright colors in a Gauguin-style print. It was longer than the mini-skirted mode, but two lengthy side slashes permitting a showing of frothy lace underneath gave it a distinctly Oriental look. The stand-up collar of the dress imitated Chinese mandarin. The ensemble did well by her exotic appeal.

She drank her liqueur leisurely while I studied her. What connection could a beauty like this have to a machine gunner like Hawk? When I followed her from the lounge I'd have to be careful that he wasn't lurking outside somewhere to make sure she reached her destination safely with the package he'd left for her in the booth.

I was ready when she picked up her handbag. I left a bill on the table and followed her outside. Her walk was not the long, free stride of an American girl; she took short, dainty steps which rolled her hips above the fulcrum of her pelvis. The hips were indisputably not as slim as the rest of her. She crossed Lexington and headed north. I stayed on my side of the street and paralleled her. I watched each doorway on both sides of the street, but there was no sign of Hawk.

After four blocks, the girl turned right, toward the East River. I remained on the opposite side of the street. At once there was no secret where we were going; at the far end of the street I could see the massive glass tower of the UN building. Now that I thought about it, the UN building helped to explain some of the odd costumes and foreign features I'd seen in the Alhambra. Evidently the cocktail lounge was where some of the UN swingers liked to do their partying.

I had never seen the UN buildings at close range. There were four major ones, the most impressive of which was the Secretariat which looked at least five hundred feet high. I had never seen so many windows. Two sides of the building were green-tinted glass in which I could see passing clouds reflected. An impressive fountain fronted the Secretariat, and UN guards stood at the gates.

The girl walked toward a white stone building with a domed roof and gently curved wall ridges at the top. I recognized it from pictures as the General Assembly Building. Buses were discharging school children at the entrance. Off to the side, in front of the fountain at the Secretariat, the flags of the UN nations snapped in the breeze.

We walked along, still in tandem. There was no question now that the girl was going to enter the General Assembly Building. I closed the gap slightly. We entered a large lobby, a vast open area. At the left, standing alone at the far end of the lobby, was a bronze statue of a Greek god atop a tall, cylindrical block of marble. Three balconies overhung the lobby area.

The girl spoke to several people as she pushed her way through the throngs of people. I remembered reading somewhere that the UN employed more than four thousand international civil servants. The girl walked under the first balcony overhang to a doorway on which a UN PERSONNEL ONLY sign in four languages was hung. Before I realized what was happening, she disappeared inside the door. A UN guard eyed me up and down as I stood there irresolutely for a moment. I turned away.

Now I'd lost both the girl and Hawk. I walked through the cavernous interior until I found a bank of pay phones.

"I blew it," I told Erikson after giving him a rundown on events. "I thought I could stay with her. I didn't count on anything like this."

"The UN is ideal for a package drop," Erikson replied. "The girl may only be a courier for the transfer of the package. From your description, though, she could be one of the girl guides. I'll have photos of the entire guide personnel shipped to the office here and you can take a look. Can you make it in an hour?"

"I'll be there."

I was outside when I remembered I'd stood Chryssie up on my offer of breakfast if she made it to the Alhambra.

But there was nothing I could do about it.

I had more on my mind than a flaked-out flower child.

A stranger answered my knock at Erikson's office door. He was a broad-shouldered six-footer, young and well tanned. "I'm Jock McLaren, one of the hired hands," he said. "The boss wanted you to have this." He handed me what looked like a credit card. "In case you ever have to come here late at night," he explained. "It'll identify you. Because of the all-hours nature of the work of most of the building's renters, it's not locked at night. Have a seat till the man's free."

He went to the desk in the tiny office, put on a pair of earphones, and started tap-tap-tapping a typewriter as he transcribed a tape I could see on a recorder. I wondered what his position was in Erikson's organization. Despite what he was doing, I knew it wasn't strictly as a typewriter jockey. In the brief second we'd shaken hands, I'd noticed scars on the back of his right hand that had been induced with malicious forethought.

Quite a few minutes went by before Erikson opened the door of the inner office and beckoned me. "The UN files on the girl guides aren't here yet," he said. "Wait in the equipment room. I have some phoning to do."

I started to heat up at the way he was wasting my time. I almost asked him if I was in or out of this operation. Then I realized I'd never committed myself to going along with it. It was Erikson's show, and I really didn't care how he managed it as long as I had a shot at recovering Hazel's money.

"It shouldn't take long," Erikson continued as he pressed the corner of the Emmett Kelley picture and the apparently solid section of wall swung out, disclosing again the inner room with its shelves and benches of sophisticated gear. "Don't turn on the television monitor."

He closed the panel when I was inside. I was tempted to turn on the monitor just because he'd forbidden it, but I knew he'd probably have some kind of signal in his office to let him know when it was in use. I started to sit down on the same padded stool when I thought of the studio next door in which I had seen the nude models being photographed.

I turned out the light in the equipment room, went to the door in the dark, fumbled for the bolt and found it, eased it back, and cracked the door open silently. It was dark on the other side of the door, too, and for a second I thought the studio was empty. Then from the darkness I heard a voice that sounded like the blonde with the frosted hairdo who had been so reluctant to strip in a crowd. "You haven't done a thing for me, yet you want something for nothing," she was saying.

"But you know I can do something for you, Marcia." It was the voice of the younger man who had been stage-managing the nude model scene. I could see the glow of two cigarettes, low down, as if the smokers were sitting on a couch or divan. "I brought you in to tell you that you came through on the glossies twice as good as Edna or Ginger."

"You only brought me in because you want to bang me. Why should I let you?"

"I'll tell you why, kid." The man's tone had hardened. "Because I can make it tough for you if you don't. If you want to get along in this business. Now quit stalling. I've got to be crosstown in an hour."

One of the glowing cigarettes described a downward swoop and then disappeared. I had a picture of the girl stubbing it out in an ashtray. "All right," she said, "but

I'm warning you, Ted. If floodlights come on while we're doing it so you can take pictures, I'll rip your face with my fingernails."

"What do you think I am, baby?" The protesting voice sounded injured. "A lot of things I might be but an exhibitionist I'm not." The second lighted cigarette described a downward arc similar to the first and disappeared. "Okay, Marcia, peel it. Ever since the first day you walked into the office I've had the feeling you'd make a great lay."

An idea began to form in the back of my mind. I closed the door, found the light switch, and turned it on. I hurried to the bench with the tape-recording equipment, picked up a long-snouted directional microphone, plugged it into the already set-up recorder, and unreeled the cord toward the door.

I put out the light again, cracked open the door, and aimed the rifle-barrel of the microphone directiy at where I'd seen the lighted cigarettes. Then I eased back to the tape recorder and turned it on, increasing the monitor level gradually.

Ted's voice came through the monitor suddenly. "- great legs, Marcia. Just great. Now roll over and let me play with your ass. That's what really turns me on."

"Nothing fancy, now," Marcia's voice said. The microphone was so sensitive I could hear the rustle of clothing and the sound of hand-pats on bare flesh. "I don't go for-hey, that's not in the contract-what are you DOING? Ohhhh!"

"Dee-licious!" Ted's voice said huskily. "You taste just like clam chowder. Stop squirming."

"Cut it-OUT!" Marcia exclaimed breathlessly. "I said nothing-FANCY! Ooooh! STOP-it!"

There was the prolonged slithering, fleshy sounds of bodies in semi-combat. "You know you love it," Ted's voice said after an interval. "Okay. Spread your wings."

The voices stopped, but not the sounds. In increasing degree the microphone picked up hoarse breathing, sibilant sighs, muffled squeals, and inelegant grunts. The slap-slapping sound of bare bodies became metronomic. I was standing there, picturing the reaction of whoever was called upon to transcribe this particular tape when the buzzer sounded indicating that Erikson wanted me in his office.

I lingered beside the monitor while the tape recorded sounds reached a frantic climax. "Okay, baby," Ted's voice said after an interval in which heavy breathing gradually lessened. "You're better'n a short arm inspection."

Marcia's sniff was plainly audible. "Thanks for nothing. Listen, I've got to use your bathroom. I'm not on the pill."

"Hell, I thought all you broads were on the pill from kindergarten. But go ahead."

The buzzer sounded again.

I switched off the recorder, retrieved the microphone, closed and bolted the door again, and went into Erikson's office. "I thought you'd fallen asleep in there," he greeted me.

"Not quite. What's the good word?"

Erikson vacated the chair behind his desk. Piled in its center was a stack of file folders, some thick, some thin. "Sit down here. These contain photos and identity information on the UN guides. If the girl from the Alhambra really works at the UN, you should find her here."

I opened the top folder. There were head and shoulder shots, profile views, and full length photos of a creamy-skinned girl in street clothes, in a flowing robe, and in a bathing suit. The other folders contained more of the same. It was like looking over the candidates for a Miss International Beauty Contest. They were all young and attractive.

A printed sheet of paper slipped out of the folder which held photographs of a beautiful Eurasian girl. Across the top of the sheet, in bold red letters, was the word CONFIDENTIAL. There were only two paragraphs on the page, but both were specific about aspects of the girl's after-business-hours activities. It was documented evidence that she engaged in frequent sexual moonlighting.

Erikson removed the paper from my hand and replaced it in the folder. "Is being a UN guide just a sideline?" I asked.

"Living in New York is expensive for nationals whose countries suffer from a poor exchange rate," Erikson explained. "Some girls tutor in foreign languages, some model, some work in nightclubs."

"And some peddle it instead of sitting on it. Does UN stand for Uninhibited Nymphs?"

"Using a young woman to charm information from a diplomat isn't restricted to the CIA or to Embassy Row in Washington, Earl. Many of these girls aren't averse to using sex for their countries."

"Patriotic pussy, hmm?"

"You're wasting time," Erikson pointed out.

I returned to the folders. I found three more CONFIDENTIAL slips, but Erikson wouldn't give me time to read them. When I finished the stack of folders, I had two set aside for a second look. Erikson placed the photos side by side. Both girls had dark hair, beautiful high-cheekboned faces with liquid-looking dark eyes, and inviting mouths with promising full hps. Seeing them together, I couldn't be mistaken. "That's the girl," I said, tapping the glossy print on the left.

Erikson leaned down for a closer look. "You're sure?"

"Positive." I cupped my hands around the face, concealing part of the shoulder-length hair. "She's wearing her hair shorter now, but that's the girl."

"Did you hear her speak?"

"Only when she said hello and how are you to a few people while she was walking through the UN lobby. She has quite a voice, though. Foreign-sounding. Memorable."

Erikson opened the file folder to the back cover. He extracted a folded, narrow strip of paper from a small brown envelope stapled to the cover, and stretched it into a long ribbon. One side was blank, the other printed with a small grid similar to cross-section drawing paper. Across the grid ran an uninterrupted, squiggly line.

"An electocardiogram?" I asked. "I didn't get to feel her heartbeat."

"This is a voice print." Erikson threaded one end of the strip of paper into a slot in the side of a boxlike machine on a shelf behind his desk. It looked something like an automatic telephone-answering device. "Listen to this," Erikson said as he flipped a switch.

At first I heard only scratchy noises until he adjusted a control knob. Then a voice came through clearly. The deep, throaty sound and slight, husky accent were unmistakable. "Check and doublecheck," I confirmed. "That's our bird."

"Talia Rhazmet," Erikson read from the folder. "Born in Ismir, Turkey, December 29, 1942. That makes her twenty-eight. Five foot seven and one hundred and thirty-three pounds. A girlish armful, obviously. Speaks Turkish, Greek, Arabic, and English fluently. Been in this country four months. I'll go to another source to get a more complete dossier on her."

"Let's have another look," I said, taking the folder from him. The bathing-suit photo of Talia Rhazmet was a beauty. She stood on a sandy beach in a micro-bikini with drops of water dotting her smooth, olive skin. A tiny pool trapped in her navel reflected sunlight like a many-faceted diamond. The white bikini was almost transparent when wet, and it showed plainly her erect nipples and the dark triangle of her pubic hair.

"Very nice," I understated the case. "Even an old crock like me wouldn't mind combining business and pleasure in this instance."

"Businesswise, she may be a complete dead end," Erikson answered. "I'll know better when I pull the report. Meantime you go back to the Alhambra and see if Hawk shows again. I'm-"

"Seeing him the first time reminded me of something," I interrupted him. I tapped my left shoulder. "My gun is buried in the sand near the airstrip where the gambling plane came down, and if I'm going to see Hawk again I want another."

"That's not unreasonable," Erikson agreed. "Just a minute." He went into the equipment room, came out with a Smith & Wesson.38 that could have been a duplicate of my own, and handed it to me after taking down the registration number. "It's already been sighted in," he said.

"Not like I'll sight it in when I get a chance," I said, slipping it into the chamois-lined shoulder holster without which I'd have felt undressed.

Jock McLaren waved to me cheerily as I passed through the outer office. He still had the earphones on.

I wondered what his reaction would be if it fell to him to transcribe the segment of tape I'd made of the magazine-studio seduction scene.

It was the cocktail hour when I reached the Alhambra.

The place was a blizzard of bright colors as a hundred people, two-thirds of them in native costume, engaged in high-pitched, alcohol-heightened conversations in half a dozen languages.

All the booths were occupied, and men were standing three-deep at the bar. I eased in at one end. I was in no hurry to be served, since I was going to be there for awhile. There was no sign of Hawk in the swirling smoke eddies in the room, and I resigned myself to waiting it out.

When I was finally served, I nursed my drink for an hour. The crowd began to thin out. I moved to a vacated booth in a corner of the room where I could see the front entrance. I settled myself with as much patience as I could muster.

Only scattered customers remained on the bar stools. One was a woman seated directly in front of my booth. Inside of three minutes I knew she was watching me in the back-bar mirror. After years on the run a man develops a sensitivity about such things.

The woman was an artificial platinum blonde, about thirty, with thin, plucked eyebrows and a lot of makeup. I couldn't remember ever having seen her before. She had on a white blouse and a black skirt of some shiny material. The skirt was so tight it tucked in under her buttocks, delineating each fleshy crease.

I hadn't looked directly at her, but she picked up her drink and carried it to my table. With no invitation from me she plopped herself down in the booth opposite me. She crossed her legs deliberately, far enough out in the aisle to afford me a look at her thigh-high sliding skirt. She smiled at me, disclosing bad teeth. At close range the heavy facial makeup was intended to hide blemishes. She was braless under the blouse, and she might just as well have had HOOKER branded in the center of her forehead.

"I'm Teresa, the original whore with the heart of gold," she said. "I saw you with the kid last night. The skinny little blonde. Chryssie."

"So?"

"So the kid sat here in a booth all afternoon, cryin' about bein' stood up. She had no bread for Mary Jane or anything else. Rex-" she nodded at the bartender "- was gonna throw her out, but I talked him out of it. Awhile ago a pimp sat down in her booth, an' the two of them went out together."

"Your pimp, Teresa?"

"Correct."

"Would he take her to his place?"

"To hers. If you decide to do anything about it, it would help to keep my skin together if he thought you walked in on them accidentally."

She picked up her drink and went back to the bar.

I was supposed to stay in the Alhambra and watch for Hawk. But there was the thought of Chryssie sitting in a booth, crying because I'd stood her up. I'd known she was broke or next door to it. I wasn't her guardian angel by any means, but I didn't care for the idea that I'd turned a pimp loose on her.

It would only take a few minutes. I left the Alhambra and walked rapidly to Fiftieth Street. I didn't have a key to Chryssie's apartment, but that wouldn't be a problem. When I reached her landing, I saw a line of light under her apartment door. It was locked when I tried it. I took a thin strip of stiff plastic from my wallet and eased it into the door jamb. I turned my wrist slightly and the lock moved back with a snicking sound.

I moved inside quietly. The sickly-sweet odor of marijuana was overpowering. Only the light in the bedroom was on, and I moved toward it stealthily. Chryssie was on the bed, naked, face down and sobbing. There were dark blotches on her alabaster behind. Across the foot of the bed was a scruffy-bearded, lanky, hairy type, also naked. He was sleeping.

Male clothing was draped over a nearby chair. I went through it and found an eight-inch, bone-handled knife in a sleeve holster. I dropped holster and knife into my pocket and went back to the bed. I drew the.38 from my shoulder holster, took hold of the bearded character's ankle, and jerked him off the bed.

He landed on the floor with a crash that sat Chryssie bolt upright in the bed, whimpering fearfully. The man on the floor scrambled on his belly toward the chair holding his clothes as unerringly as though he was fitted with radar although bis eyes were still closed. He went slack only when he couldn't find bis knife.

"Get your ass out of here before I fill it full of slugs," I told him when he opened his eyes. I showed him the.38. He stayed a respectful distance from it while he dressed hurriedly although his eyes stayed mean. Chryssie stared at the tableau with panic-stricken gaze.

"How about my knife?" the bearded character asked from the doorway.

"Come and get it," I invited him. "If you're feeling lucky."

He glared at me, then went out. I had moved to the bedroom doorway to make sure he went. When I returned to the bed, Chryssie was crying again.

"What happened to your tail?" I asked her.

"H-he kept kicking m-me to make me do th-things," she sobbed.

"What the hell do you expect if you keep on acting like a victim?" I growled. Her air of helplessness really irritated me. I went into the bathroom and opened the medicine cabinet. There must have been twenty-five different bottles of pills inside. I stuffed bottles into all my pockets until I'd made a clean sweep. "Take a shower and get into bed and stay there till you hear me at the door," I told Chryssie when I was back in the bedroom. "Understand?"

She nodded, still wide eyed.

I took her key, locked her into the apartment, and went back to the Alhambra.