NINE

In my funeral suit, on the train, pretending to be a workaday Tom, I always pick out a target—the saddest-looking person I can find—and then I’ll get off at whatever stop the target does and follow.

Ninety-nine percent of the time the target’s so comatose the target doesn’t even notice me.

I’ll trail the target, hanging five or so feet behind, and the target will always walk really quickly because the target is forever late and in a rush to get to a job the target inevitably hates, which I just don’t get.[19]

The whole time I pretend I have mental telepathy. And with my mind only, I’ll say—or think?—to the target, “Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser[20] and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand[21]—if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.”

I’ll do the mental telepathy bit for about ten minutes or so as the target climbs out of the subway stop and navigates skyscraper shadows and finally disappears inside a building that usually has a security guard to keep crazy people like me out.[22]

So then I just go to the nearest park, sit with the pigeons, and stare at clouds until my workday is over and it’s time to ride home with all the other weary workaday Toms and Jennys, who look even more miserable on the PM return trip.

The rides home always deepen my depression, because these people are free—off work, headed back to families they chose and made themselves—and yet they still don’t look happy.

I always wonder if that’s what Linda looks like riding home from New York City in a car—so utterly miserable, zombie-faced, cheated.

Does she look like the mother of a monster?

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