Frozen Heat

FIVE

As the Acela Express sped toward New York’s Penn Station, Rook stared out his window at a snowy egret fishing the bank of a salt marsh on the Connecticut shoreline. “God, I wish you’d say something,” said Heat.

“What do you mean, ‘say something’?” His eyes rose to the archipelago dotting the horizon, where several hulking mansions jutted up, each stately home rooted fast to one of the tiny rock islands scattered offshore. Over a century ago, millionaires from New York and Philadelphia looking for isolation and privacy built what they whimsically called their summer cottages on those mounds of granite, appropriating Long Island Sound as a castle moat. Their perfect seclusion made Rook reflect on Petar’s comment the night before about Nikki’s defensive wall. He turned to face her across the table from him. “I think I’ve been a total chatterbox since Providence. Do you really want to hear more about my theory on why Ravel’s Bolero is such a surefire, panties on the floor, bedroom seducer?”

“Rook.”

“Hands down, the most hauntingly erotic piece of music ever. Except maybe ‘Don’t Mess with My Toot Toot.’”

“You’re driving me crazy, so just say it. If you hadn’t pushed me to go to Boston, we never would have popped this lead.” Nikki’s cell phone vibrated and she took a call from Detective Ochoa. “That’s great,” she said and made a few notes. She hung up and said, “Case in point. In the time since we ID’d Nicole Bernardin as our Jane Doe this morning, Roach has located her apartment. It’s on Payson Avenue near Inwood Park. They’re rolling there now.”

“No such thing as Sunday off for Roach.”

“Or Malcolm and Reynolds. They volunteered to pick us up at Penn so we can Code Two up there.” She checked her watch for the tenth time in as many minutes. “We’ll still get there sooner than if we had waited for a flight.”

Rook smiled. “I can’t quite put my finger on it, but there’s something I like about Malcolm and Reynolds.”

Heat went back to looking over the photocopies Professor Shimizu had made for her of the student file and 1971 yearbook photos of Nicole Aimee Bernardin. As Nikki studied the French violin student’s young face in one picture, snapped in a candid moment laughing with Nikki’s mother and Seiji Ozawa at Tanglewood, she felt Rook’s stare.

“Know what I can’t wrap my brain around?” he said. “That your mom never mentioned her to you. Let’s look past the obvious stunner that the lady in your mom’s suitcase was a classmate of your mom’s. They weren’t just classmates. The professor said your mom and Nicole were inseparable back then. Friends, roommates-hell, they even formed their own chamber ensemble. Why do you think she never told you about her?”

She turned the page to another yearbook shot of her mother and Nicole. This time they were at the 1970 French Cultural Festival at the Hatch Shell on the Charles River Esplanade. The picture captured them eyeing each other peripherally as they played. The caption read, “Trope and Bernardin, Keeping Time,” but to Nikki the look carried more. If it were present day, the caption would simply say, “BFFs.”

Rook asked, “Do you think they had some big falling out?”

“How would I know if I didn’t even know about her?”

“Hey, here’s a theory.”

“I was waiting. Are you sure you don’t want to put on your foil cap?”

“Nicole Bernardin killed your mother.”

She just stared at him. “And?”

“Hang on, I’m formulating thoughts… And that is how Nicole had your mom’s suitcase.”

“And then, ten years later, someone else killed her, same MO, and just happened to stuff her in it?”

“Oh,” he said, wiggling in his seat. “What if… What if Nicole’s husband was your mom’s killer? That’s how she ended up in his suitcase.”

“You know, at least that has possibilities.”

“Really?”

“Yes. So quit while you’re ahead.” She closed the file and stared at the passing marshes and woodlands, seeing none of it, really. Less than a minute passed, and Rook was back, as if he’d hit reset. “There must be some reason your own mother never mentioned such a good friend.”

“Rook?” she said. “Don’t make me shoot you.”

“Shut up?”

“Thank you.”

He concentrated on the view again, glimpsing the last of the solitary islands of rock just before the train entered an underpass and the concrete wall blocked it from sight.

Even though they had to detour around a frozen zone set up on Dyckman due to a gas leak caused by the earthquake, they still made record time getting to Nicole Bernardin’s apartment in the northernmost section of Manhattan. Her building, a slender two-story town house facing Inwood Hill Park across the avenue, would be Realtor-listed as a charming Tudor. The neighborhood felt safe and looked well maintained, the sort of quiet street where people used canvas car covers and the half walls surrounding porches gleamed with fresh coats of paint. Heat and Rook entered the town house to find a different picture entirely.

From the downstairs foyer, in every direction they looked, the disarray was alarming. Cabinets and closets stood ajar. Paintings and pictures ripped from hooks sat askew, with busted frames tipping against wainscoting and doorjambs. An antique china cabinet in the dining room lay split open on its side with shattered crystal glassware surrounding it like ice chips. Strewn decorative objects covered all the floors as if the whole place had been shaken. “Tell me this wasn’t from the earthquake,” said Rook.

Detective Heat put on a pair of blue gloves. Raley handed him a pair and said, “Not unless the earthquake walked around crushing everything under size eleven work boots.”

Touring the ransacked town house shrouded Nikki in yet another suffocating cloud of deja vu. Her own apartment-once the scene of her mother’s murder-had also been tossed back then, although not so thoroughly violated. Detective Damon had called that an interrupted search. This one clearly went on nonstop until the perp either found what he was looking for or was satisfied he never would.

Ochoa met her in the doorway as she entered the upstairs master bedroom. As they stepped around the fingerprint technician who was dusting the cut glass knob, she asked her detective, “Any sign of blood anywhere?”

He shook no and said, “No obvious sign of struggle, either. Although I don’t know how you’d ever be able to sort that out a hundred percent in all this mess.”

“I can give you about ninety-nine-point-nine percent, if that’s helpful,” said the lead for the Evidence Collection Unit, Benigno DeJesus, as he rose up from kneeling on the rug behind a tossed mattress. Nikki’s shoulders immediately relaxed when she saw him. The crime scene was in excellent hands.

“Detective DeJesus,” she said. “To what do we owe this honor on a Sunday?”

He pulled down his surgical mask and smiled. “I don’t know. I had an uneventful day planned when Detective Ochoa called to tell me about this case of…,” he paused and then, in his typically understated fashion, continued, “some interest. So here I am.” She gave Ochoa a quick study, wondering what favor Miguel had traded for pulling in the best evidence man in the department on a day off, but Oach’s stoic face gave nothing away.

DeJesus gave her and Rook an overview tour of the town house, with his preliminary assessment being that the disarray constituted a property search without an assault associated with it. He pointed to the second bedroom, which Nicole Bernardin had set up as a home office. That had received the brunt of the rummaging. He used a penlight to indicate four tiny circular marks where the rubber feet of her laptop had lived before it got taken. The charger cord as well as the USB cable to her missing external hard drive all remained where they had once connected to the computer. Desk drawers and files all sat open and empty, except for stationery odds and ends. “The level of meticulousness here tells me whoever searched the residence focused most of his attention and care in here,” he said.

Back in the bedroom, the ECU detective said the owner of this place wasn’t sharing it with a spouse. All the toiletries, clothing, foods in the kitchen, and other tells suggested a mature woman living alone, although she had kept a supply of condoms in the nightstand and a new toothbrush, shaving cream, and a package of disposable razors in a bathroom cabinet. Hearing that, Nikki and Rook side-glanced each other, each tentatively ticking one unspoken thought off a mental list about Cynthia Trope Heat and Nicole Aimee Bernardin. The prescriptions in the medicine cabinet all matched Nicole’s name, and the few pictures in broken frames on the floor showed the victim in Europe at various ages with people resembling parents and siblings. Nikki crouched over, curious to see if her mother appeared in any of them, but she did not. She stood up and observed Rook doing the same thing in the next room.

Roach had already briefed Detective DeJesus about the traces of lab solvent and the railroad grime found on her body, and he promised to be on the lookout, as well as to coordinate with Lauren Parry at OCME on Nicole Bernardin’s toxicology to match prescription use and any other findings she learned in her postmortem. Heat was content to leave it in the capable hands of ECU, but she indulged herself in a solitary, sense-of-the-house tour before she drove back to the Twentieth Precinct. One thing she wanted to see satisfied a big piece of curiosity for her when she found it. In the downstairs closet she discovered a complete set of luggage, including the exact size of her mother’s stolen piece. All were empty, and there was no space left in the closet for the suitcase the victim’s body had been found in. That was not definitive information, but it did lessen the likelihood that Nicole Bernardin had been in possession of that American Tourister, and therefore it moved her one step down the roster of her mother’s potential killers. A bittersweet thought for Heat since, ten years later, that roster was still empty.

The silence that fell over the bull pen while Detective Heat updated the pair of Murder Boards was so complete the only sound was the squeak of her marker on the white surface as she printed in red block letters: “1. WHY KILL NICOLE BERNARDIN? 2. WHY KILL NICOLE BERNARDIN NOW?” As she wrote, she said, “As the connections between the old murder and this new one deepen, we need to be thinking about not just the why but the timing, the ten-year lag between the two.”

She turned to the room, where Rook and her squad formed a semicircle around her. Even though she had called them in on a Sunday afternoon, the detectives had turned out without complaint. In fact, beyond just showing commitment, they seemed energized by the mission sense of working this one all-out for her. Some had even brought the group snacks that they had stopped for on the way in from their homes or from the town house up in Inwood. The take-out containers of bagels, cookies, and salads sat behind them on the desktop of the lone no-show, Sharon Hinesburg, who had her phone turned off, a violation of policy. Heat tapped the board with the marker cap. “Keep coming back to these, OK? When this falls together for us, it will be because, above all else, we found the answers to these two questions.”

Their attention was on her, but their eyes were riveted on the new photos Nikki had posted, and the profound-literally graphic-story they told. On the left whiteboard, the familiar death pose of Jane Doe, now Nicole Bernardin. Inches away on the right-hand board, Nikki’s mom’s suitcase, bearing Nikki’s girlish initials, and the new addition, the blowup of Nicole and Cynthia in performance forty years ago at the Esplanade. Not only did the connection between the two victims drawn by the photo impact on the group, but the striking resemblance of young Cynthia Trope Heat to their squad leader dramatically underscored the stakes they already felt.

“By now, you all know about the lead we picked up in Boston,” she began. “And that her apartment has been tossed and, most likely, scrubbed of evidence. That includes, paperwork, laptop, even her mail. Now, these two apartment searches-my mother’s and now Nicole Bernardin’s-tell us that this one,” she said pointing to her mom’s Murder Board, “was not likely a simple burglary gone bad. Someone was searching hard for something in both places.”

Feller’s hand went up. “Do we assume it’s the same person?”

“We don’t assume. And we sure don’t know. Yet. We also don’t know if the hunt was for the same object. All we have is the common MO. Just like the killings.”

Rook said, “Here’s a notion. Nicole was French. What about international jewel thieves looking for two halves of a treasure map?”

Malcolm kept his face deadpan and said, “Oh. Like The Pink Panther.”

Rook was about to say yes, but he felt their stares. “Well. One possibility.”

Nikki continued, “Of note, all Nicole’s suitcases are apparently accounted for, as are all knives, which are in the wooden holder. I’ve assigned a group of uniforms to canvass neighbors and Parks PD for unusual activity or strange vehicles. We have some of our own work to do.”

On the Nicole Murder Board, she began a list of new assignments, placing the initials of detectives beside each. “Detective Ochoa, I’d like you to look into her personal life. Hit all the usuals: boyfriends past and present; stalker complaints; restraining orders; family feuds. If you have trouble finding anything official, check with her hairdresser. You’d be amazed what you can learn.”

“Like maybe doing something about that bald spot,” said Reynolds. “You’re blinding me, homes.”

“Detective Reynolds, you’ll contact the local sports and running clubs again now that we have a name to go with the face. And also check out Internet dating services. See if she was registered and if she had any hookups that might have gone bad. Do the upscale matchmakers, too. A professional woman might have gone to them.”

“And what do we know about the profession?” asked Detective Malcolm.

“Letterhead and business cards that turned up at the town house indicate the victim worked as the owner of her own business as a corporate headhunter.” Heat read from one of the cards. “‘The NAB Group. Discreet and confidential executive searches for industry and institutions, worldwide.’ NAB being her initials.”

Rhymer asked, “Address?”

“Mail drop. No offices evident. Phone is an eight-eight-eight. I’ve put in for a check on that number and any other phone accounts she had. Landline, if she even had one, got taken. And, as you recall, she had no cell phone on her.”

Rook said, “No cell phone? That’s like one step away from cave paintings and medicinal leeches.”

Heat posted the business card. “She had a Web site, but it’s one page stating all of the above plus an added line, ‘References and testimonials on request.’”

Raley said, “Sounds like a front or a home business.”

“Rales, you work that thread. Put on your media crown and surf for any hits on executive placements, business testimonials, you know what I’m after.” He nodded as he jotted his note. “Detective Feller, you do a search for her state and federal tax ID. That will also tell us if she used an accountant.”

“And if so, I follow the proverbial money,” Feller said.

“Like the bloodhound you are. That includes all bank accounts, safe deposit boxes, credit cards, credit check-the works. Detective Malcolm, do you own a suit?”

“Birthday,” his partner, Reynolds, heckled him.

“Whatevs,” said Heat. “Nicole Bernardin was a French national. Take a jaunt across Central Park and visit their consulate when they open. See if she’s known to them. Also put in a call to the French consulate in Boston.” She indicated the Esplanade photo. “This was for a cultural program they sponsored. Maybe she kept in contact. Find out.”

Rook had his hand up. “A thought?”

“Let’s hear it,” said Nikki.

“Her laptop is missing, right?”

“And her external drive and memory keys.”

“Right,” he continued, “but in my own travel experience with a notebook computer, I always do compulsive backing up, either by e-mail attachments I send to myself or, the new fail-safe, syncing everything to a remote internet storage cloud service like Dropbox.”

Heat said, “That’s actually a good idea.”

“Second one today,” said Rook.

Ochoa said, “I tell ya, the man’s got the power. The power of Roach Blood.”

“Detective Rhymer,” she said. “Soon as we adjourn, bust down some geek doors at the Computer and Information Technology Unit to see if they have any Big Bangers who can work a trace on whether she used a Web cloud for data backup.”

The soft-spoken detective formerly from the South lived up to his nickname of Opie by politely asking, “And it’s cool if I kick some butt, even if it’s a Sunday?”

“Even better,” said Detective Heat. “That way, they’ll know how important this is.”

After dinner they arrived at Heat’s apartment building to find the elevator still had the out of order seal on its doors. On the second landing of the stairs, Rook paused momentarily to swap grips on his Boston overnight bag. “Now I know why these are called carry-ons and not carry-ups.”

“Want me to take yours?”

“Ah-ah,” he said, shooing her hand away. “I’ll just consider this my rehab for the day.”

“Let me see if I can write the story, Pulitzer boy. Rehab today, naughty nurse massage tomorrow?”

“Now, there’s a story with a happy ending,” he said as he resumed his ascent.

Rook found an ‘07 Hautes-Cotes de Nuits in the back of the fridge that he accused her of hiding from him, and then he settled beside Nikki on the couch to look through the photo albums with her. “This is all I have left,” she said, indicating the banker’s box of family keepsakes on the floor beside her. “I don’t even know what’s missing. Whoever searched this apartment the night of the murder got the rest and must have left before he got to these.”

“Nikki, if this is hard for you…”

“Of course it’s hard for me. How could it not be?” Then she rested her palm on his thigh. “That’s why I’m glad to have you here with me to do this.”

They kissed, each tasting Burgundy on the other’s tongue. Then he surveyed the room and gave her a thoughtful look. “I’ve always wanted to ask, and I never quite knew how.”

“You mean, ask how I could live here after her murder?” When he reacted, she said, “Come on, Rook, the way you just scoped out this place was the most ridiculous tell I’ve seen. Well, since the last time I beat you at poker.” He didn’t respond, but just watched her.

She swiveled her knees to the coffee table and traced her fingers around the edges of a photo album. “It’s hard to say why. People encouraged me to move, back then. But leaving here felt like I would be leaving her. Maybe I will want to move out sometime. But it’s always seemed right to be here. This was always home; this is our connection.” She sat up straight and clapped her hands twice to bring a mood change. “Ready to look at some boring pictures?”

They began slowly at first, turning pages that led off with her parents’ individual grammar and high school portraits along with serious and goofy poses with family, mostly elderly. Her dad’s college photos from George Washington University included a few action shots of him playing basketball for the Colonials and cradling his business school diploma at commencement on the DC Capitol Mall. There were numerous pictures of her mother at the New England Conservatory, mostly at a Steinway or standing in front of one. There was even a picture of Professor Shimizu handing her a bouquet and a trophy, but no chamber duo shots, except for one with Leonard Frick. No glimpses of BFF Nicole Bernardin. When Nikki closed the back cover on the first album, Rook said, “It’s like a mash-up Syfy Channel meets Lifetime movie where a rip in the space-time continuum removes all traces of the best friend.”

She stared at him and said flatly, “That’s right. That’s exactly what it’s like.”

But that did coax a smile out of her, and he said, “Know what we should do? No-brainer. Ask your father.”

“No.”

“But of all people, wouldn’t your dad-”

“Not going to happen, OK? So drop it.”

Her sharpness left him nothing to say but “Moving on?”

The second album of the pair chronicled the courtship of Jeff and Cynthia Heat, a young trophy couple about Europe, including Paris, but still without Nicole. When Rook asked if she might be in the wedding party, Nikki told him there hadn’t been one. Products of the seventies, her mom and dad had succumbed to a bout of post-hippie rebellion and eloped. The ensuing series of photographs were taken of baby Nikki in New York, including a hilarious snapshot of her when she was barely walking, holding on to the wrought iron bars of Gramercy Park, peering through them angrily at the lens. “I’ve seen that expression from most of the prisoners you put in the holding cell.” She laughed at that but then closed the album. “That’s it? Come on, it’s just getting to the good stuff.”

“We’re done. The rest is mostly me at my gawky worst and we’re not doing this for your entertainment or my humiliation. I got enough of that in seventh grade. I know for a fact there’s no sign of Nicole in these.”

“I have another crazy thought.”

“You, Rook? Imagine that,” she said, refilling their glasses.

“Actually, it’s not so out there. Has it occurred to you since we found out her name this morning that you might actually be Nicole’s namesake?” He watched the impact of that play across her brow. “Ah, not so crazy now, is it?”

She tossed it around and said, “Except my legal name isn’t Nicole.”

“So? Nikki, Nicole. Not so far off. Makes sense, especially if they were such close friends… Although, from this,” he said, indicating the photo albums, “Nicole’s looking more like she turned into an imaginary friend.”

Nikki went to her desk in the second bedroom to make her cell phone and e-mail rounds on the case progress, and when she returned, she found Rook cross-legged in the middle of the living room floor. “What do you think you are doing?”

“Being incorrigible, what else? It’s my job.” He pressed the play button on the old VHS player and the TV screen resolved into a video recording of Nikki, seated beside her mother at the piano. The date stamp read: “16 July 1985.”

“OK, Rook, that’s fine, you can turn it off.”

“How old were you then?”

“Five. We’ve seen enough. We’re good.”

A man’s deep voice came from off camera. “What are you going to play, Nikki?”

“Your dad?” asked Rook. She shrugged as if she didn’t know who and just stood in place, watching.

On the twenty-five-year-old video, young Nikki Heat, decked out in a yellow jumper, swung her feet to and fro under the bench and smiled. She talk-shouted to the camera, “I am going to play Wolfgang Amadeus Mozart.” Rook expected to start hearing “Twinkle, Twinkle, Little Star.” Instead, the girl looked to whoever held the camera and confidently announced, “I would like to play his Sonata Number Fifteen.” Cynthia gave her a nod to begin, and Nikki poised her hands over the keyboard, counted silently to herself, and began the piece, which was immediately familiar to Rook. He moved closer to the TV, impressed to say the least. The piece was challenging but doable for small hands, and she struck all the notes without a miscue, although her cadence felt rote, but hell, the kid was only five. As the little girl continued to play, her mother leaned close to her and said, “Beautiful, Nikki. But don’t rush. Like Mozart said, ‘The space between the notes is music, too.’”

Heat indulged Rook his voyeurism but hit the stop button as soon as the song ended. Rook applauded, and meant it. He turned to the piano across the room: The same one, situated exactly as it had been in the video. “Do you still know the song?”

“Forget it.”

“Come on, command performance.”

“No, show’s over.”

“Please?”

Nikki sat on the couch and positioned herself turned away from the piano. Her pose gave off the vibe he got from the Sargent painting she had avoided in Boston. “You need to understand. I haven’t even opened the lid since her murder.” Her features tightened and her complexion took on a slight pallor. “I can’t bring myself to play it. I just can’t.”

A pair of sirens screamed by, wailing beneath her window in the middle of the night, and Nikki stirred. Somebody heading to emergency or jail, as that old Eagles song about New York had gotten so right. The alarm on the nightstand read 3:26 A.M. She flopped an arm to Rook’s side of the bed and found nothing but cool sheets.

“Please tell me you’re not surfing porn,” she said, tying a bow on the front of her robe. He sat in his undershorts at her dining table in the darkened room, his face cast in creepy lunar light from his laptop screen.

“In my own way, I am. Writer’s porn.” He looked up at her. The spiky bed head didn’t make him look any less crazy. “What is it that is so darn satisfying about a Google search? It is kinda like forbidden sex. You wonder, should I/shouldn’t I? But you can’t get it out of your head, so you say the hell with it, and, next thing you know, you’re sweaty and panting with excitement as you get exactly what you need.”

“Look, if you’d rather be alone…”

He spun his MacBook toward her so she could see the search results. “Leonard Frick. Remember the cello guy in your mom’s video?”

“Otherwise known as the cellist.”

“Who also played the clarinet in her chamber trio with Nicole. Multitalented.” Rook hitched a thumb to the screen. “Leonard Frick, graduate of the New England Conservatory, is currently employed as principal clarinetist for the Queens Symphony Orchestra.”

“Otherwise known as the principal clarinet.”

“This is why I gave up the bassoon. Too many rules.” He stood. “This guy had to know both your mom and Nicole as well as anyone. We need to go see him.”

“Now?”

“Of course not. I need to get dressed first.”

She pressed herself against him and caressed his ass with each hand, then jerked him to her by his cheeks. “Now?”

He untied her robe and felt her skin spread warmth across his chest. “I suppose we could go back to bed. You know, for a bit. There’d still be time to see him on our way to the precinct.”

At seven-thirty that morning, Heat and Rook waited at the crosswalk outside her neighborhood Starbucks, holding three coffees: one for each of them and the other for Rook’s car service driver, who waited leaning against the fender of the black Lincoln across East 23rd. Traffic stopped and they got the walk signal, but halfway across their driver called, “Heads up!” They heard the roar of an engine and turned to face the grill of a maroon van mere feet from mowing them both down. They jumped back just in time, and it charged through the intersection and raced on. Shaken, they hurried across while they still had the right of way.

“Holy fuck, scared the hell out of me. You guys OK?”

Nikki saw that she had a case of latte leg, nothing unusual for her, and blotted it with a napkin. “What was that guy doing,” she asked, “texting?”

“No, must have been drunk or high,” said their driver. “He was looking right at you.” Nikki stopped cleaning the stain and took a step to the curb to see if she could get a plate on the van. It was long gone.

“Am I a suspect?” asked Leonard Frick. The once-skinny kid in the tux with the cloud of steel wool hair had filled out over the decades. Now, sitting across from him in the rehearsal hall at the Aaron Copland School of Music at Queens College, Heat put him at two-seventy, and the only hair on his head was a silver goatee framed by the dimples that appeared like parentheses when he smiled.

“No, sir,” said Nikki, “this is purely for background.”

Rook asked, “You didn’t kill them, did you?”

“Of course not.” Then he said to Nikki, “He’s not a cop, is he?”

“What gave him away?” That brought out the dimples as Mr. Frick laughed. He seemed happy for the company and told them how his career in music had ebbed and flowed since the seventies. First came fill-in work as a substitute for some of the smaller symphony orchestras in the Northeast. Then a bit of commitment-testing unemployment until he landed steady work in a few Broadway orchestra pits, including Phantom, Cats, and Thoroughly Modern Millie before he settled into the QSO.

“OK, it’s not the New York Phil, but it’s a great bunch, union benefits, plus, once a year I get to play that solo clarinet opening in Gershwin’s Rhapsody in Blue. Worth the whole trip just to lay out that great ascending note and see every face in the orchestra break into a grin. Even the bassoon players, and they’re all nuts.” Rook smiled and nodded in agreement. Leonard offered Nikki his condolences. “I loved your mom. I loved them both, but trust me, your mother outshined all of us. And I’m not saying that because I had a crush on her. All the guys did. She was pretty like you. And had this special gift, this… force that made her competitive and driven to excel, but also very kind to her fellow students. Nurturing, even. And music conservatories are notoriously cutthroat at that level.”

“Let me ask you about that,” said Rook. “Were there any ugly rivalries that might have lasted over the years?”

“None that I know of. Plus, Cindy was too into her music to make enemies or get involved in the petty stuff. That girl worked. She studied every great piano recording-Horowitz, Gould, the lot. She was the first one in the rehearsal studio in the morning and the last one out at night.” He chuckled. “I spotted her at Cappy’s Pizza one Sunday and was going to go to her table and kid her, asking her how she could live with herself, not rehearsing, and with a Chopin recital the next day. Then I look over and see she’s moving her fingers along her placemat like it’s a freakin’ keyboard!”

“Mr. Frick,” said Nikki, “do you know anyone from back then who would have a reason to kill them? My mother or Nicole, or both?” His answer was the same no. “Has anyone contacted you looking for either of them?” Again, it was a no.

It fell to Rook to steer the interview back to the Odd Sock. “You’re just one of many to talk about Cynthia’s drive and determination.”

“And talent,” said Leonard.

“What happened?”

“Beats me. It turned like that.” He snapped his fingers. “The change came when Nicole invited Cindy to come stay with her folks in Paris for a couple of weeks after graduation.” He turned to Nikki, explaining, “The Bernardin family, they were wealthy. Nicole’s parents offered to pay for the whole trip, and the plan was for your mom to come back in time to do her tryouts for all of the symphony orchestras that had been talent scouting her. She was supposed to be away for two or three weeks. That would have been June 1971. She didn’t come back until 1979.”

“Maybe she had opportunities with orchestras over there in Europe,” Nikki suggested.

He shook no. “Nah. Cindy never auditioned for an orchestra here or there. Never got a recording contract. She just kissed it all off.”

“What do you suppose changed her?” Rook asked. “Was it Nicole?”

“Maybe. But not like a relationship thing. They were too into men.” He paused. “Except one, and you’re looking at him.” He smiled, then the dimples faded. “Something happened over there that summer. Cindy went away a ball of fire and let it all go cold.” His fellow orchestra members began to file in for rehearsal. Leonard stood and picked up his Members Only jacket off the back of his chair. “What I’d still give to have one ounce of your mom’s talent.”

Rook dialed the car service driver he had hired for the morning to let him know they were finished, and the black town car pulled up to Gate Three of the campus just as he and Nikki finished their short hike from the Copland School. “Tell you one thing I’ve learned,” he said when they had merged onto the LIE for the ride to the precinct. “The way he described your mom… driven, competitive, but nurturing? Professor Shimizu was wrong. The apple didn’t fall far from the tree.”

“Rook, would you mind if we not?” Nikki lowered her window and closed her eyes, putting her face to the wind while she thought.

After a mile of silence, the driver said, “Mr. Rook? Since you were kind enough to get me a coffee, I picked up a paper, if you’d like to read it.”

“Sure, why not?

The driver backhanded the Ledger to him. Rook had hoped for the New York Times, but a little sensationalism never hurt anybody. At least that’s what he thought until he saw the headline on the front page of the tabloid. “Holy…”

Heat half turned from the window. “What?” Then she saw the headline herself and grabbed the newspaper out of his hands and read it, speechless with anger.