Game Over

3

I live on my own, in a spacious pseudo-loft apartment in a trendy part of East London. I say pseudo because it’s not in the loft, it’s on the second floor. But I do have exposed brickwork and genuine iron girders that keep the roof from falling in. My space is the antithesis of both the abandoned family home in Esher and my mother’s two-up-two-down in Cockfosters. It’s modern and light and empty. I only allow things into my flat if they are both useful and beautiful. Except for the men who visit, which would be asking too much. My two favourite possessions are my charcoal-grey B&B Italia couch that seats umpteen and my B&O TV, which is the size of a screen at a small local cinema. I love my flat and Issie hates it, for the same reason: it’s clinical and impersonal. Issie keeps trying to introduce chintz by buying me floral bathmats and tea cosies for Christmas. I return the favour by buying her aluminium, slim-line pasta jars, which she can’t open.

Josh and Issie both have keys to my flat, as I do to their homes. We are Londoners so we don’t literally drop in on one another. But sometimes we make arrangements to go round to each other’s pads for supper, as it’s nice to occasionally come home to the smell of cooking and the clink of someone pouring you a G&T. Tonight I’m delighted we’ve made this plan. I need their company. I push open my door and am hit by delicious cooking smells.

‘You’re late,’ shouts Josh from the kitchen. He’s responsible for the delicious smells. I drop my bags and PC and head straight for the kitchen.

‘What’s cooking?’ I enquire, lifting lids and spooning small amounts of heaven into my mouth.

‘Out,’ he snaps, playfully swiping at my hands and trying to replace the lids. ‘You have to wait.’ But he can’t resist showing off. ‘It’s peperoni con acciughe e capperi.’

‘Chargrilled peppers with anchovy and capers,’ translates Issie, as she hands me a glass of Australian Chardonnay. ‘Mountadam, Eden Valley 1996,’ she assures, knowing it’s important to me.

‘And maiale arrosto con aceto balsamico,’ interrupts Josh.

I turn helplessly to Issie. She fills in, ‘Roast pork with balsamic vinegar.’

‘Fantastic.’ Funny, I’m never irritated by Josh’s pretension of insisting on calling every dish he cooks by its Italian name. ‘Have I got time to shower off my shit day?’

‘Yes, if you are quick.’

Sometimes we chatter non-stop throughout supper and sometimes we watch TV, entertaining ourselves by hurling abuse or a book at the commentary, but tonight we eat in comfortable silence. Or at least I think it is comfortable until Issie asks, ‘What’s up, Cas? You’re really quiet tonight.’ She’s given me authority over the remote control. Normally I love this but tonight, as a diversionary tactic, the remote control is a failure.

I realize I’m grateful to be asked and I slip into child mode, hoping that surrogate Mum and Dad can sort things out for me. There’s only Issie and Josh, in the entire world, who I let see me when I feel vulnerable or down.

‘It’s work,’ I whine.

‘Naturally. We never expect you to say it’s man trouble,’ comments Josh. I don’t have man trouble – that’s the advantage of seeing them as sex objects rather than soul mates.

‘The channel’s viewing figures are down for the twelfth week in a row. It’s serious. Bale’s talking redundancies. Problem is we haven’t got a hero show. We haven’t even got a strong soap.’

‘What about Teddington Crescent?’ Issie is as intimate with my programming schedule as I am.

‘The lives and loves of the inhabitants of Milton Keynes don’t have what it takes to knock Come or Brookie off their spots. We haven’t got a principal game show, or a lead chat show host. Poor ratings – that’s viewership,’ I translate, but it’s unnecessary as they are both educated in my media speak, ‘affect the advertisers we can draw. Without advertising money we can’t invest in cool shows. It’s a vicious circle.’ I pause. They don’t interrupt but allow me to find the words. ‘The worst of it is that Bale has made it into my problem.’ I check to see if they are as pissed off as I am. They both make an admirable job of looking horrified. Satisfied, I continue. ‘Despite his obscene pay cheque he has renounced all responsibility and said I have to come up with a winning idea. He’s—’

‘So rotten. He’s repellent, revolting, ridiculous,’ jokes Josh.

‘A plethora of R words.’ Issie grins and tries to get me to cheer up.

I scowl. ‘He’s a shit.’ I’m not going to allow them to brighten me out of my despair. ‘I’m scared.’

Everyone is silent. They know my job is my world. Josh sits down next to me and puts his arm round me.

‘I’m fucking scared,’ I say with unusual honesty.

‘I don’t see the problem. You’ll come up with the idea,’ he comforts. Normally I love his confidence in me but I shrug, because right now, I don’t think his confidence is founded. My head is aching. Everything’s fuzzy.

‘Maybe.’ I know that it is my problem and neither of them can really offer a solution, so I change the subject. ‘Did I get any post?’

‘Its on the mantelpiece.’

Two bills, council tax and water – marvellous. Three pieces of junk mail, all for pizza delivery services. I spy another heavy white envelope.

‘Hell, another wedding,’ I sigh. ‘It’s nearly September, for Christ’s sake. Haven’t these people any decency? Plaguing me throughout my autumn months as well as the summer.’ I’m only half kidding, but it’s great to see Issie look het up.

‘Who is it this time?’ she asks.

‘Jane Fischer is marrying Marcus Phillips,’ I read. ‘Have we met him?’

‘Yup,’ confirms Josh. ‘He was at Lesley and James’s wedding last week. He was an usher. The blonde one, with the red waistcoat. Jane wasn’t there – some prior commitment, probably another wedding.’

Issie and I freeze.

‘Bastard,’ we assert in unison.

I pass Issie the invite so she can see the betrayal for herself. Issie fingers the white card, caressing the embossing, and sighs. It’s not turning out to be a good day for either of us.

‘That explains the reluctance to give a real telephone number.’

‘Will either of you marry me?’ asks Josh, realizing that Issie’s had a disappointment but not knowing the exact nature.

‘No,’ I say.

‘Yes,’ says Issie, ‘but only for the dress.’

We all laugh. We’ve run through this routine zillions of times. When we graduated Josh promised to marry whichever one of us wasn’t married by the time we were twenty-five. Twenty-five came and went. None of us had managed to find a life partner but we were forced to admit that, at that precise moment in time, we didn’t fancy each other. We decided not to go ahead but put the deal back to when we hit thirty, assuming that we’d be so desperate by then we’d all be less fastidious. Thirtieth parties came and went, but Josh said he couldn’t choose between us and as bigamy is an offence, punishable in the highest courts in the land, we all agreed to think about it again in the year 2005. However, Josh does regularly ask us to marry him, just so we feel good about ourselves. He often tries to coincide it with our menstrual cycles, which with the passing of time he has reluctantly become intimate with.

‘Can you believe that Marcus guy slept with me just days before he sent out invites to his wedding?’

‘Yes,’ I reply.

She scowls and mutters, ‘Well, of course you only expect the worst from people,’ she grumbles. ‘Can you believe it?’ Issie turns to Josh. It’s an annoying habit of hers to think that there is a male and a female point of view on these things. She often dismisses my point of view and turns to Josh ‘because he’s a man and he knows how men think’. Invariably Josh agrees with me.

‘It’s commonplace. The last fling and all that,’ says Josh, and although I know that what he is saying upsets Issie I feel vindicated. ‘I make a conscious effort to look up ex-girlfriends just before they get married, on the grounds that I might exploit the last fling thing,’ he adds.

‘Do you?’ cries Issie, horrified.

‘Do you?’ I say, and once again my respect for him is renewed. Josh tries to settle his face in an expression that will please both of us, a subtle mix between contrition and pride. He gives up and ends up just grinning at me.

‘Tell me,’ I beg. Josh is a wonderful friend and I love him for very many reasons and one of them is that he’s unscrupulous and we can share tactics.

‘It never fails. It’s the combination of the near-legalized indiscretion. Women figure that once they’ve slept with you, they might as well sleep with you again.’ I raise my eyebrows. Personally I’m not too fond of repeat performances – they give the wrong message. Josh catches my glance and understands my scepticism.

‘I’m generalizing,’ he explains. ‘Normal women. Everyone wants a final fling but a safe final fling. The ex is that. It’s worked for me on several occasions. One last night of unbridled passion but without the complications that Marcus risked by starting up a new liaison.’ Issie scowls. Josh shrugs apologetically. But what can he do? He’s spent years apologizing to Issie for his half of the human race, but really it’s not his fault. Now he simply shrugs off her disappointments.

‘That’s it! That’s it! Genius,’ I congratulate. ‘You are a genius.’ I cry and hug Josh. Josh happily accepts my hugs but he hasn’t got a clue why I’m so excited. ‘That’s the idea for the fucking amazing ratings-rocketing programme. A Blind Date meets The Truman Show.’

‘What?’ asks Josh. Issie simply stares; she rarely expects to follow my devious mind.

‘A fly-on-the-wall plus. We get couples, the week before their wedding, to come on to the show and tell us all about why they are getting married.’ I rush to explain but my tongue can’t keep up with my grey matter and I doubt I’m making sense. ‘Loads of sucker stuff about how they knew from the moment they saw each other and how there could never be anyone else for them. Then we find out which one of them is gagging for a bit of extra-curricular—’

‘But—’ Issie tries to interrupt me.

‘There will be one,’ assure forcefully. ‘Then we manoeuvre a meeting between that party and an ex. Then we let nature take its course.’

‘Will it work?’

‘Of course it will work. There is nothing more seductive than an ex.’

Issie eyes me sceptically.

‘Except perhaps Gucci,’ I concede. I’m thrilled.’ It has everything! Voyeurism, trivialization of sex, manipulation.’

‘It’s a terrible idea,’ shouts Issie.

I’m genuinely bewildered. ‘It’s brilliant.’

‘It’s the principle I object to,’ she adds.

‘I don’t deal in principles – they are no longer legal tender.’

‘More is the pity.’

I start to imagine the marketing and PR. ‘He’s put on a pound or two, maybe lost a bit of hair, but otherwise he’s unchanged. He was the love of your life when you were twenty-one and ten years have gone by. Yet he has that same boyish grin, he still calls you by your nickname and he remembers that you bought your hair gel in goldfish bowls at Superdrug. How can you resist?’ I’m warming to my theme.

‘Flirting with nostalgia is perilous,’ warns Issie.

‘That’s its selling point,’ I confirm.

‘You could wreck lives. Be responsible for cancelled weddings,’ she squeals.

‘We’d pay for the wedding if it fell through.’

Josh looks at me as though I’ve just crawled out from under the rim of the loo. This surprises me.

‘What?’ I demand, hotly. ‘I’m saving taxes. Your hard-earned taxes.’ I think this will get him. Josh is in the 40 per cent bracket. He has private healthcare and went to public school, so my very reasonable argument that taxes aren’t just for the building and deconstruction of our roads but for the building and reconstruction of our healthcare and future has never washed with him. Now I’m grateful.

‘If these people married, they would sooner or later divorce, dragging their five children through the courts. The children would be emotionally scarred and, no doubt, perpetrate the scenario by re-enacting their parents’ failed marriages. The total legal aid costs could run into hundreds of thousands.’

‘Christ, Cas, you deserve a medal,’ bites Josh sarcastically.

I choose to ignore the sarcasm. ‘I knew you’d see it my way.’

I can hardly sleep with excitement. I fine-tune the details. I consider that perhaps it is too much to expect every couple, weeks away from marriage, to have cracks in their relationships, but I could advertise. I reason that no one is going to come forward and volunteer that they are feeling restless or randy. People lack such emotional honesty or self-awareness. I know – I’ve operated in the so-called adult world for sixteen sexually active years and I’ve yet to find anyone who is prepared to call a spade a shovel. But perhaps there is another way. Perhaps I could attack it from the other side. I’ve seen countless examples of paranoia, jealousy, insecurity and mistrust. Now that is an angle! Maybe I could advertise for people who doubt their partners and want to test them before they make that final commitment. Then all TV6 will have to do is manoeuvre a situation where the mistrusted party comes into contact with the threatening ex and then… And then! I hug myself. Obviously it depends on the mistrusted partner never having a clue that they are being tested. Total secrecy. But that shouldn’t be too hard to achieve. In my experience secrecy between couples is pretty commonplace. I know this is big. I can see it now. The reaction of the duped, the hypocrisy of the rogue partners. All on live TV. It is pure brilliance! It’s so cruel. It’s so honest. I can smell my success and it makes me feel sexy.

I switch on my bedside light and feel under my bed in an attempt to unearth my electronic diary. I hesitate. Problem with repeat performances is that they invariably lead to unnecessary complications. The guy involved thinking I really care, him thinking he does, or his wife finding out and thinking both of us do. Yet, needs must. I really can’t be bothered to get dressed and drag myself to my club to pick up something fresh. The diary beeps at me. Steven Arnold? No, I think he just got married. That would be awful timing. Keith Bevon? No, psycho, stalker tendencies. Phil Bryant? Didn’t he emigrate? George Crompton, or perhaps his brother Jack? Oh no, too late in the day for the complex sibling thing – ‘Why did you ring me rather than my brother?’ ‘Is mine bigger than his?’ Lord, it’s enough to bring on a headache. Miles Dodd? Good idea, not too clingy, not too involved – with me or anyone else. Prepared to hold back until I come. Yes, Miles will do nicely. Disappointingly his line is engaged. Well, at least it’s just his line. Joe Dorward. It takes me a moment to place him. Oh yes, the researcher on that pop quiz show on Channel 4. I met him at a workshop several months ago. I hadn’t found him sexy at first – good-looking, yes, but not clever enough to really turn me on. I figured I could run verbal rings around him, which is rarely attractive. However, after three or four glasses of champagne I was less fastidious. It had panned out quite well. As Josh says, it’s not verbal stimulation you want in bed. I call his number. He picks up.

‘Hey, Joe,’ I murmur.

I wake up and Joe is already up. I can hear him in the kitchen, whistling and fixing breakfast. He brings up a coffee and tells me that he’s been to the 7-11 to buy croissants, that they’ll be ready soon. I tell him I don’t eat breakfast and struggle to sit up.

‘Water?’

He rushes to the bathroom and returns with a glass of water. I’m so dehydrated that I ignore the fact that this glass of water has undoubtedly passed through five other bodies before me. Joe climbs back into bed and starts nibbling my shoulder. In the cold light of day I realize that first impressions are always right. He is dumb. Admittedly, he is extremely handsome and, I suppose, sexy, in an obvious sort of way. But how come I hadn’t noticed those puppy-dog eyes shining with devotion? That overloud laugh that erupts every time I say anything, even unfunny things like my name and that nodding bloody head that agrees with everything I say. It’s nauseating. He still smells good and, thinking about it objectively, he is a shag. But he’s so certainly besotted. I try to think of the things that could put him off me. Perhaps if I showed him my cellulite or my untrimmed bikini line he’d leave the flat (unlikely). Maybe if I insist on watching Oprah, or pick the pubes from between my teeth with my toenails. I can’t think of any antisocial behaviour that is antisocial enough to discourage him. I realize that the only way to get him to lose interest is to pretend to be in love with him. I doubt I have the energy. His large legs, erotic last night, look overwhelming today. I push him away, get out of bed, locate his trousers and throw them at him.

‘Get dressed. I’ve a big day today.’

‘Bale, I have the answer.’ I charge into his office, shooing his secretary away with a single, withering glance. I decline the seat and the cigar he offers. He really is a twat. However, he is my twat boss and I want to impress him.

‘I have the Idea.’

‘I’m all ears,’ he sneers. Actually, he does have jug ears but he’s all teeth, not all ears. I resist the jibe and start to tell him about my idea. Although I’ve stormed into his office at 10.50 a.m. to give the impression of an employee who knows her worth and won’t be bullied, I have actually been in the office since 8.15 a.m. rehearsing this meeting. I have perfected a pitch that guarantees punch but appears spontaneous, that is irresistible and, most of all, assured. Besides the presentation of the pitch, I have paid immaculate attention to the detail of the presentation of the person. I’m wearing a Dries Van Noten white cotton slip dress with heavy boots on bare legs. The look I’ve achieved is naïve charm, but the boots hint at something a whole lot tougher. I’m showing enough cleavage to secure his attention.

‘OK.’ I take a deep breath. The brief was to have a high-profile programme that will attract viewers, advertising budgets and the press.’ Bale nods cautiously. ‘You want notoriety on a shoestring,’ I add for clarity.

‘I never said notoriety.’

‘But you agree we need to be noticed.’ He nods. The nod is fractional. I know this is because if there is ever a debate with the executive committee regarding this programme, Bale will deny he gave consent. Sod him. I tell him my idea.

‘It’s a bit unlikely, isn’t it?’ says Bale cautiously.

‘Why do you say that?’

‘Well, the premiss you’re working from is that we need couples who are just about to skip towards the altar but are paranoid enough to think that their dearest is not 100 per cent kosher and he fancies a bit of pork with his ex-totty.’

The analogy is repulsive. Offensive to a number of religions, vegetarians and women, but yes, basically Nigel has it. I try to encourage him.

‘Look, I’ve done my research. There are 6.6 marriages per 1,000 population in the UK. Which is roughly 11,000 per week. It’s one of the highest marriage rates in the world, twenty-ninth highest, actually. But we also have one of the highest divorce rates too—’

‘Well, you can’t divorce unless you marry,’ says fucking Einstein. I smile icily.

‘The divorce rate is 3.2 per 1,000 population. Ninth highest in the world.’

‘And your point is?’

‘Do you know in how many cases the ex is cited in court? Thirty-seven per cent. There are countless rekindlings of old flames and remarriages to ex-partners each year. The ex is so compelling. I give you Liz Taylor and Richard Burton, Fergie and Prince Andrew, Melanie Griffith and Don Johnson.’ Bale’s beginning to be interested. He knows a good idea when he sees one.

‘Isn’t that Melanie one with that Banderas one now?’

I sweep his objections away by ignoring them. ‘Bale, we can’t fail.’

‘Would there really be people who would do this?’

I can’t believe Bale is questioning whether there are enough exhibitionist/paranoid/jealous types in the world.

‘We are looking at a pilot series of six episodes. Two couples per episode. We only need twelve couples. We have the entire British population to choose from.’

Bale nods. ‘People are so hideous.’

He should know. I fake cordiality. ‘It makes good television. Think back to 1974, Paul Rogers’ documentary The Family. You know what I’m talking about?’ The show has superstar status in the history of TV. Everyone knows of it. It was the first fly-on-the-wall.

‘Oh, the one where Rogers sat, for months, with a camera in the front room of some family from the commuter belt? The marriage broke down as a consequence.’

‘Yes. I don’t think it was simply to do with Mr Wilkins’s dislike of audio equipment. It was because Mrs Wilkins admitted on national TV that her husband was not the father of her last child.’

‘That’s right.’ Bale is leering and chuckling at the same time. ‘Dirty bitch.’

‘But ask yourself why, Bale. Why would she divulge such a thing to the entire world? Maybe it was simply stress, but she invited that stress into her home. Why would she do that? Maybe she wanted to make the confession? Maybe she wanted to blow apart her sanitized semi? Or was it to guarantee that she didn’t pass from this world to the next without her Andy Warhol requisite fifteen minutes of fame?’

‘Or maybe she wanted to teach him a lesson?’ adds Bale. ‘Hurt him? Or beg his forgiveness in a forum too public to allow him to reject her?’

‘Exactly. We don’t know. There are myriad reasons that motivate people. Think of the radio wedding a few years back. People are prepared to trot down the aisle, with absolute strangers, to get their Warhol fifteen minutes. Although in the Birmingham couple’s case, it wasn’t so much fifteen minutes as seven and a half months, 185 minutes of TV air time, 207 minutes of radio airtime and 58 column inches in the press.’

Bale taps his pen on the desk. He’s getting excited. I go for closure.

‘There are countless fly-on-the-wall programmes about marriage: the run-up to the proposal, the wedding, the first year. I’ve heard that Channel 4 are developing a documentary on consummation.’ I’m making this up, but I want Bale’s budget. I am immoral most of the time and amoral where business is concerned. ‘I’m proposing a twist to a proven formula. The contributors are to be in the studio when the actions of all parties are exposed. The live audience is key. It’s overpowering. The thing about exes is that they never go away. Even those to whom you haven’t given a second thought in over a decade, whom you’ve never seen since you parted, are important. There is always a nagging curiosity about what happened to the one that got away, or the one you threw away.’

Bale, a true businessman, sees the potential. ‘You think it will work.’ He states this as a fact rather than as a question.

‘Yes,’ I enthuse. ‘I admit that it is dependent upon the credulity, stupidity and vanity of the British population.’ I take a deep breath. ‘It can’t fail.’

‘But if it gets as big, as you say it will, how will we keep attracting people on to the show?’

‘We’ll film enough shows for a series before we go live. We’ll have watertight release forms so that the guests can’t retract their permission. Bale, I’ll work out the detail. Don’t you worry.’ I’m desperate, so I gently pat his arm.

Bale nods. ‘OK, Cas. Go to finance and work out a budget.’

I want to punch the air. He senses it. ‘Hey, don’t get carried away. I’m not a millionaire.’

That’s another one of Bale’s relentless lies. But I don’t care. I’ve got a programme and it’s a winner!