Acknowledgments

This book was, by any measure, an ambitious undertaking for me. There was not one moment during its creation that I was not certain I had made a terrible mistake in breaking away from painting and drawing to attempt it. During the arduous process of writing, however, I was bolstered by people both alive and dead, without whom I could never have finished the task. First and foremost among them was my wife, Shawna McCarthy, who told me more times than I can count that this was a journey that I was capable of completing. This book could never have been finished without her wisdom and unflagging encouragement, and my gratitude to her is total.

I must also thank my wonderful agent and friend, Russell Galen, for his continued support and valuable comments. Thanks must also go to my editor, Pat LoBrutto, who understood this project from the start and whose humor and insights into matters both heavenly and infernal were always welcome.

Thanks also to my great friend, TyRuben Ellingson, for his deep understanding of the labyrinth that is my creative mind.

God’s Demon would not exist but for the inspiration provided me by John Milton’s Paradise Lost. That work of genius, arguably the greatest poem written in the English language, set me on the path to first visualize Hell in artwork and then in writing. Like Dante’s Virgil, Milton’s spirit was a constant, guiding companion.

John Dee’s Complete Enochian Dictionary provided me with the basis for the language used throughout this book in both the pure “angelic” form and the somewhat corrupted “demonic” form. Dr. Dee’s unique work was derived from conversations he had in 1581 with two angels and, therefore, seemed to me authoritative.

To enrich your reading of God’s Demon with many of the images of Hell that I have created, please visit www.godsdemon.com.

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