Gormenghast

Barquentine was dead. He had killed him. But now, at the moment when he, Steerpike, should have been indispensable, being the sole confidant of the old custodian of the law, he was lying here inert, helpless, useless. This must be offset, this derangement of his plans, by quick and authoritative action. His body could do little but his brains were active and resourceful.

But there was a difference. His mind was as acute as ever, it is true, but, unknown to himself, there was something that had been added to his temperament, or perhaps it was that something had left him.

His poise had been so shattered that a change had come about - a change that he knew nothing of, for his logical mind was able to reassure him that whatever the magnitude of his blunder in Barquentine's room, yet the shame was his alone, the mortification was private - he had only lost face to himself for no one had seen the old man's quickness.

To have been so burned was too high a price to pay for glory. But glory would assuredly be his. The graver his condition the rarer his bravery in attempting to save the old man's life from the flames. His prestige had suffered nothing, for Barquentine's mouth was filled with the mud of the moat and could bear no witness.

But there was a 'change' all the same, and when he was woken an hour later by a sound in the room, and when on opening his eyes he saw a flame in the fireplace, he started upright with a cry, the sweat pouring down his face, and his bandaged hands trembled at his sides.

For a long while he lay shuddering. A sensation such as he had never experienced before, a kind of fear was near him, if not on him. He fought it away with all his reserves of undoubted courage. At last he fell again into a fitful sleep, and when some while later he awoke he knew before he opened his eyes that he was not alone.

Dr Prunesquallor was standing at the end of his bed. His back was to Steerpike, his head was tilted up and he was staring through the window at the tower that was now mottled with sunlight and the shadows of flying clouds. The morning had come.

Steerpike opened his eyes and on seeing the Doctor, closed them again. In a moment or two he had decided what to do and turning his head to and fro slowly on the pillow, as though in restless sleep - 'I tried to save you,' he whispered, 'O Master. I tried to save you,' and then he moaned.

Prunesquallor turned around on his heel. His bizarre and chiselled face was without that drollery of expression which was so typical of him. His lips were set.

'You tried to save 'who?'' said Prunesquallor very sharply as though to elicit some involuntary reply from the sleeping figure.

But Steerpike made a confused sound in his throat, and then in a stronger voice...

'I tried... I tried.'

He turned again on the pillow and then as though this had awakened him he opened his eyes.

For a few moments he stared quite blankly and then – 'Doctor.' he said, 'I couldn't hold him.'

Prunesquallor made no immediate reply but took the swathed creature's pulse - listened to the heart and then after a while - 'You will tell me about it tomorrow,' he said.

'Doctor,' said Steerpike, 'I would rather tell you now. I am weak and I can only whisper, but I know where Barquentine is. He lies dead in the mud outside the window of his room: • And how did he get there, Master Steerpike?'

'I will tell you,' Steerpike lifted his eyes, loathing the bland physician - loathing him with an irrational intensity. It was as though his power of hatred had drawn fresh fuel from the death of Barquentine. But his voice was meek enough.

'I will tell you, Doctor,' he whispered. 'I will tell you all I know.' His head fell back on the pillow and he closed his eyes.

'Yesterday, or last week, or a month ago, for I do not know how long 1 have been lying here insensible - I entered Barquentine's room about eight o'clock, which was my habit every evening. It was at that hour that he would give me my orders for the next day. He was sitting on his high chair and as I entered he was lighting a candlestick. I do not know why but he started at my entrance, as though I had surprised him, but when he turned his head back again, after cursing me - but he meant no harm to me for all his irritability - he misjudged his distance from the flame, his beard swept across it and a moment later was alight. I rushed to him but his hair and clothing had already caught. There were no rugs or curtains in the room with which to smother the fire. There was no water. But I beat the flames with my hands. But the fire grew fiercer and in his pain and panic he caught hold of me and I began to burn.'

The pupils of the young man's dark eyes dilated as he recounted the partial fabrication, for Barquentine's grip upon him had been no dream, and his brow began to sweat again, and a terrible authenticity appeared to give weight to his words.

'I could not escape, Doctor; I was caught and held against his burning body. Every moment the fire grew fiercer - and my burns more terrible. There was only one thing I could do to get away. I knew I must reach the water that lay below his window. And so I ran. I ran with his arm gripping me. I ran to the window and jumped into the moat - and there in the cold black water, his hands at last gave way. I could not hold him up. It was all I could do to reach the side of the moat, and there, I think I fainted - and when I came round, I found I was naked and I came to your door... but the moat must be dragged and the old man must be found... in the name of decency he must be found and given a true burial. It is for me to carry on his work. I... I... cannot tell... you more... I am... not...'

He turned his head on the pillow, and in spite of his pains fell asleep. He had played his card and could afford to rest.

FORTY-THREE

'My dear,' said Bellgrove, 'it is surely not for your betrothed to be kept waiting 'quite' so long even though he is only the Headmaster of Gormenghast. Why on earth must you always be so late? Good grief, Irma, it isn't as though I'm a green youth who finds it romantic to be drizzled on by the stinking sky. Where have you been for pity's sake?'

'I am inclined not to 'answer' you!' cried Irma. 'The humiliation of it! Is it nothing to you that I should take a pride in my appearance - that I should make myself beautiful for you? You 'man', you. It breaks one's heart.'

'I do not complain lightly, my love,' replied Bellgrove. 'As I say, I cannot stand bad weather like a younger man. This was your idea of a place of rendezvous. It could hardly have been worse chosen, with not so much as a shrub to squat under. Rheumatism is on its way. My feet are soaked. And why? Because my fiancée, Irma Prunesquallor, a lady of quite exceptional talents in other directions - they always 'are' in 'other' directions - who has the entire day in which to pluck at her eyebrows, harvest her sheaves of long grey hair, and so on, cannot organize herself - or else has grown shall we say 'casual' in regard to her suitor? Shall we say casual, my dear?'

'Never!' cried Irma. 'O never! my dear one. It is only my longing that you should find me worthy that keeps me at my toilet. O my dearest, you must forgive me. You must forgive me.'

Bellgrove gathered his gown about him in great swathes. He had been staring into the gloomy sky while he had spoken but now, at last he turned his noble face to her. The landscape all about them was hazy with rain. The nearest tree was a grey blur two fields away.

'You ask me to forgive you,' said Bellgrove. He closed his eyes. 'And so I do, and so I do. But remember, Irma, that a punctual wife would please me. Perhaps you could practise a little so that when the time comes I will have nothing to complain of. And now, we will forget about it, shall we?'

He turned his head from her, for he had not yet learned to admonish her without grinning weakly with the joy of it. And so, with his face averted, he bared his rotten teeth at a distant hedgerow.

She took his arm and they began to walk.

'My dear one,' she said.

'My love?' said Bellgrove.

'It is my turn to complain, is it not?'

'It is your turn, my love' (He lifted his leonine head and shook the rain happily from his mane.)

'You won't be cross, dear?'

He raised his eyebrows and closed his eyes.

'I will not be cross, Irma. What is it that you wish to say?'

'It's your neck, dearest.'

'My neck? What of it!'

'It is very dirty, dear one. It has been for weeks... do you think...'

But Bellgrove had stiffened at her side. He bared his teeth in a snarl of impotence.

'O stinking hell,' he muttered. 'O stinking, rotten hell.'

FORTY-FOUR

Mr Flay had been sitting for over an hour at the entrance to his cave. The air was breathless and the three small clouds in the soft grey sky had been there all day.

His beard had grown very long and his hair that was once cropped close to the skull was now upon his shoulders. His skin had darkened with the sun and the last few years of hardship had brought new lines to his face.

He was by now a part of the woods, his eyesight sharp as a bird's, and his hearing as quick. His footsteps had become noiseless. The cracking of his knee joints had disappeared. Perhaps the heat of the summer had baked the trouble out of them for his clothes being as ragged as foliage his knees were for the most part bare to the sun.

He must surely have been made for the woods, so congruously had he become dissolved into a world of branches, ferns and streams. And yet for all his mastery of the woods, for all that he had been absorbed into the wilderness of the endless trees, as though he were but another branch - for all this, his thoughts were never far from that gaunt pile of masonry that, ruinous and forbidding as it was, was nevertheless, the only home he had ever known.

But Flay, for all his longing to return to his birthplace was no sentimentalist in exile. His thoughts when they turned to the castle were by no means in the nature of reveries. They were hard, uneasy, speculative thoughts which far from returning to his early memories of the place were concerned with the nature of things as they were. No less than Barquentine he was a traditionalist to his marrow. He knew in his heart that things were going wrong.

What chance had he had of taking the pulse of the halls and towers? Apart from the marshlight of his intuition and the native gloom of his temperament, on what else was he basing his suspicions? Was it merely his ingrained pessimism and the fear which had understandably grown stronger since his banishment, that, with himself away, the castle was the weaker?

It was this, and very little more. And yet had his fears been mere speculations he would never have made, during the last twenty days, his three unlawful journeys. For he had moved through the midnight corridors of the place - and although as yet he had made no concrete discoveries, he had become aware almost at once of a change. Something had happened, or something was happening which was evil and subversive.

He knew full well that the risks involved in his being found in the castle after his banishment were acute, and that his chances of discovering in the darkness of sleeping halls and corridors, the cause of his apprehension, was remote indeed. Yet he had dared to flaunt the letter of the Groan law in order, in his solitary way, to find whether or not its spirit, as he feared, was sickening.

And now, as he sat half hidden among the ferns that grew at the door of his cave, turning over in his mind those incidents that had in one way or another, over the past years, caused his suspicions of foul play to fructify, he was suddenly aware that he was being watched.

He had heard no sound, but the extra sense he had developed in the woods gave warning. It was as though something had tapped him between his shoulder-blades.

Instantly his eyes swept the scene before him and he saw them at once, standing motionlessly at the edge of a wood away to his right. He recognized them instantaneously although the girl had grown almost out of recognition. Was it possible that they did not recognize him? There was no doubt that they were staring at him. He had forgotten how different he must look, especially to Fuchsia, with his long hair, his beard and ragged clothes.

But now, as they began to run in his direction, he stood up and began to make his way towards them over the rocks.

It was Fuchsia who first recognized the gaunt exile. Just over twenty years old, she stood there before him, a swarthy, strangely melancholy girl, full of love and fear and courage and anger and tenderness. These things were so raw in her breast that it seemed unfair that anyone should be so hotly charged.

To Flay, she was a revelation. Whenever he had thought of her it had always been as a child, and here suddenly she stood before him, a woman, flushed, excited, her eyes upon his face, her hands upon her hips, as she regained her breath.

Mr Flay lowered his head in deference to his visitor.

'Ladyship,' he said - but before Fuchsia could answer Titus came up, his hair in his eyes.

'I told you!' he panted. 'I told you I'd find him! I told you he had a beard and there's the dam he made and there's his cave over there and that's where I slept and where we cooked and... ' he paused for breath, and then... 'Hullo, Mr Flay. You look wonderful and wild!'

'Ah!' said Flay". 'Most likely, lordship, ragged life and no doubt of it. More days than dinners, lordship: 'Oh, Mr Flay,' said Fuchsia. 'I am so happy to see you again - you were always so kind to me. Are you all right out here, all alone?'

'Of course he's all right!' said Titus. 'He's a sort of savage. Aren't you Mr Flay?'

'Like enough, lordship,' said Flay.

'O, you were too small and you can't remember, Titus,' said Fuchsia. 'I remember it all. Mr Flay was father's first servant - above them all, weren't you, Mr Flay - until he disappeared...'

'I know,' said Titus. 'I've heard it all in Bellgrove's class - they told me all about it.'

'They don't know anything,' said Flay. 'They don't know anything, ladyship.' He had turned to Fuchsia and then, dropping his head forward again, 'Humbly invite you to my cave,' he said, 'for rest, for shade and fresh water.'

Mr Flay led the way to his cave, and when they had passed through the entrance and Fuchsia had been shown the double chimney and they had drunk deeply from the spring, for they were hot and thirsty, Titus lay down under the ferny wall of the inner cave and their ragged host sat a little way apart. His arms were folded about his shanks; his bearded chin was on his knees - while his gaze was fixed upon Fuchsia.

She, on her side, while noticing his childlike scrutiny, gave him no cause to feel embarrassed, for she smiled when their eyes met, but kept her gaze wandering about the walls and ceiling, or turning to Titus asked him whether he had noticed this or that on his last visit.

But a time came when a silence fell upon the cave. It was the kind of silence that becomes hard to break. But it was broken in the end, and, strangely enough, by Mr Flay himself, the least forthcoming of the three.

'Ladyship... Lordship,' he said.

'Yes, Mr Flay?' said Fuchsia.

'Been away, banished, many years, ladyship,' he opened his hard-lipped mouth as though to continue, but had to close it again for the lack of a phrase. But after a while he commenced again. 'Lost touch, Lady Fuchsia, but forgive me - must ask you questions.'

'Of course, Mr Flay, what sort of questions?'

'I know the sort.' said Titus - 'about what's happened since I was last here and what's been discovered, isn't it, Mr Flay? And about Barquentine's being dead and...'

'Barquentine dead?' Flay's voice was sudden and hard.

'Oh yes,' said Titus. 'He was burned to death, you know, wasn't he, Fuchsia?'

'Yes, Mr Flay. Steerpike tried to save him.'

'Steerpike?' muttered the long, ragged, motionless figure.

'Yes.' said Fuchsia. 'He is very ill. I've been to see him.'

'You haven't!' said Titus.

'I certainly have and I shall go again. His burns are terrible.'

'I don't want you to see him,' said Titus.

'Why not?' the blood was beginning to mount to her cheeks.

'Because he's...'

But Fuchsia interrupted him.

'What... do... you... know... about... him?' she said very softly and slowly, but with a shake in her voice - 'Is it a crime for him to be more brilliant than we could ever be? Is it his fault that he is disfigured?' And then in a rush - 'or that he's so brave?'

She turned her eyes to her brother and seeing there, in his features something infinitely close to her, something that seemed to be a reflection of her own heart, or as though she was looking into her own eyes- 'I'm sorry,' she said, 'but don't let's talk about him.'

But this is just what Flay wanted to do. 'Ladyship.' he said. 'Barquentine's son - does he understand - has he been trained - Warden of the Documents - Keeper of the Groan law - is all well?'

'No one can find his son, or whether he ever had a son,' said Fuchsia. 'But all is well. For several years now Barquentine has been training Steerpike.'

Flay rose suddenly to his feet as though some invisible cord had plucked at him from above, and as he rose he turned his head to hide his anger.

'No! No!' he cried to himself, but there was no sound. Then he spoke over his shoulder.

'But Steerpike is ill, ladyship?'

Fuchsia stared up at him. Neither she nor Titus could understand why he had suddenly got to his feet.

'Yes.' said Fuchsia. 'He was burned when he tried to save Barquentine who was on fire - and he's been in bed for months.'

'How much longer, ladyship?'

'The doctor says he can get up in a week.'

'But the Ritual! The instructions; who has given them? Who has directed the Procedure - day by day - interpreted the Documents - O God!' said Flay, suddenly unable to control himself any longer. 'Who has made the symbols come to life? Who has turned the wheels of Gormenghast?'

'It is all right. Mr Flay. It's all right. He does not spare himself. He was not trained for nothing. He is covered in bandages but he directs everything. And all from his sickbed. Every morning. Thirty or forty men are there are a time. He interviews them all. Hundreds of books are at his side - and the walls are covered with maps and diagrams. There is no one else who can do it. He is working all the time, while he lies there. He is working with his brain.'

But Flay struck his hand against the wall of the cave as though to let out his anger.

'No! No!' he said. 'He's no Master of Ritual, ladyship, not for always. No love, ladyship, no love for Gormenghast.'

'I wish there wasn't any Master of Ritual,' said Titus.

'Lordship,' said Flay after a pause, 'you are only a boy. No knowledge. But you will learn from Gormenghast. Sourdust and Barquentine, both burned up,' he continued, hardly knowing that he spoke aloud... 'father and son... father and son...'

'Maybe I'm only a boy,' said Titus hotly, 'but if you know how we've come here today, by the secret passage under the ground (which I found by myself, didn't I, Fuchsia? then...' but Titus had to stop for the sentence was too involved for him.

'But do you know,' he continued, starting afresh, 'we've been in the dark, with candles, sometimes crawling but mostly walking all the way from the castle, except for the last mile where the tunnel comes out, only you'd never know it, under a bank, like the mouth of a badger's set - not too far from here on the other side of the wood where you first saw us, so it was difficult to find your cave, Mr Flay, because last time I came was mostly on horseback and then through the oakwood - and, O Mr Flay, was it a dream or did I really see a flying thing and did I tell you about it? I sometimes think it was a dream.'

'So it was,' said Flay. 'Nightmare; and no doubt of it.' He seemed to have no desire to talk to Titus about the 'flying thing'.

'Secret tunnel to the castle, lordship?'

'Yes,' said Titus, 'secret and black and smelling of earth and sometimes there are beams of wood to keep the roof up and ants everywhere.'

Flay turned his eyes to Fuchsia as though for confirmation. 'It's true,' said Fuchsia.

'And close by, ladyship?'

'Yes,' said Fuchsia. 'In the woods across the near valley. That's where the tunnel comes out.'

Flay stared at them both in turn. The news of the underground passage seemed to have had a great effect on him, although they could not think why - for although to them it had been a very real and forbidding adventure, yet from bitter experience they knew that what was wonderful to them was usually of little interest to the adult world.

But Mr Flay was hungry for every detail.

'Where did the passage start from within the castle? Had they been seen in the corridor of statues? Could they find their way back to this corridor when the tunnel opened out into that silent and lifeless world of halls and passageways? Could they take him to the bank in the wood where the tunnel ended?'

Of course they could. At once - and thrilled that a grownup, for Fuchsia never thought of herself as one, could be as excited by their discovery as they were themselves - they were soon on their way to the wood.

Flay had almost at once seen more in their discovery than Fuchsia and Titus could have guessed. If it were so, that within a few minutes of his cave, there was, as it were, for Flay, an open door that led into the heart of his ancient home a road which he could tread, if he wished, when the broad daylight lay upon the woods and fields five feet above his head, then surely his power to root out whatever evil was lurking in Gormenghast, to trace it to its source, was enormously increased. For it had been no easy thing to enter the castle unobserved and to make, sometimes by moonlight, those long journeys above ground from his cave to the Outer Walls, and from them across the quadrangles and open spaces to the inner buildings and the particular rooms and passageways he had in mind.

But if what they said was true, he would, at any time of the day or night, be able to emerge from behind that statue in the corridor of carvings, to find the gaunt anatomy of the place laid bare about him.

FORTY-FIVE

The days flowed on, and the walls of Gormenghast grew chill to the touch as the summer gave way to autumn, and autumn to a winter both dark and icy. For long periods of time the winds blew night and day, smashing the glass of windows, dislodging masonry, whistling and roaring between towers and chimneys and over the castle's back.

And then, no less awesome, the wind would suddenly drop and silence would grip the domain. A silence that was unbreakable, for the bark of a dog, or the sudden clang of a pail, or the far cry of a boy seemed only real in that they accentuated the universal stillness through which, for a moment, they rose, like the heads of fish, from freezing water - only to sink again and to leave no trace.

In January the snow came down in such a way that those who watched it from behind countless windows could no longer believe in the sharper shapes that lay under the blurred pall, or the colours that were sunk in the darkness of that whiteness. The air itself was smothered with flakes the size of a child's fist, and the terrain bulged with the submerged features of a landscape half-remembered.

In the wide, white fields that surrounded the castle, the birds lay dead or leaned sideways stiffening for death. Here and there was the movement of a bird limping, or the last frantic fluttering of a small ice-gummed wing.

From the castle windows it seemed that the dazzling snow had been scattered with small coals, or that the fields had become smallpox'd with the winter-murder'd hosts. There was no clear stretch of snow untriturated by this widespread death; no drift without its graveyard.

Against the blind brilliance of their background, the birds, whatever their natural plumage, appeared as black as jet, and differed only in their silhouette, whose meticulous contours might have been scored with a needle so exquisite was the drawing of their beaks, like thorns, the hairs of their feathers, their delicate claws and heads.

It seemed that, upon the vast funeral linen of the snowscape, each bird of all these hosts had signed, with an exquisite and tragic artistry, the proof of its own death, had signed it in a language at once undecipherable and eloquent - a hieroglyphic of fantastic beauty.

And the snow that had killed them, covered them; covered them with a touch that was the more terrible for its very tenderness. But for all its layer on layer of blinding powder, there were always birds upon the point of death - always this scattered, jet-black multitude. And on every side there were still those that limped, or stood shivering, or pushed their agonizing way, breast deep through the voluminous and lethal pall, leaving behind them their little trenches in the snow to show where they had been.

And yet, for all this mortality, the castle was full of birds. The Countess, her heart heavy in the knowledge of so much thirst and pain, had taken every opportunity to encourage the wildfowl to enter. No sooner had the ice formed in the hundreds of baths and basins set about the castle than it was broken again. Meat, bread crumbs and grain were laid in trails to encourage the birds to enter the warmer air within the castle. And yet, in spite of these enticements (and, fearless with hunger, thousands of birds, including owls, heron and even birds of prey were to be found within the walls), the castle was yet surrounded with the dead and dying. The severity of the weather had made of the castle a focal point. Not only had the bird-life of the immediate region been drawn to Gormenghast, but the forests and moors of far distant places had become empty. The sheer numbers of these migratory birds, descending snow-blind, famished and deadly weary upon the castle - descending hourly, out of the snow-thick sky, was sufficient for so great a death-roll, even though Gormenghast was open sanctuary.

The Countess had proclaimed (to the great inconvenience of those concerned) the dining hall to be their hospital. There, huge, red-haired and solitary, she moved among them, nursing them back to strength. Branches of trees were brought in and propped against the walls. The tables were turned upside down so that those birds that cared to, could perch upon the upturned legs. After some while the place was loud with birdsong, with the strident shouting of crows and jackdaws, and with a hundred various thin or mellow voices.

What birds could be saved from the snow were saved, but it lay too deep and soft for it to be possible for any rescuing beyond the reach of an outstretched hand from a low window.

For a month or more the castle was snowbound. A number of the doors opened on the outside world had been broken by the piled up weight. Of those that stood the strain, none were usable. Lights burned everywhere within the walls of Gormenghast, for every window was either boarded up or heavily coated.

What Mr Flay would have done had the underground tunnel never been discovered, or had Titus never told him of it, it is hard to say. The drifts about his cave were of such dangerous and voluminous dimensions, that it is doubtful whether he could have escaped being drawn sooner or later out of his depth. Apart from this, his chances of surviving the cruel cold, and of keeping himself from starving, would have been slender, for all his knowledge.

But all these problems were solved by the existence of the tunnel. It was now a commonplace for him to make his way, a candle in his hand, along its earth-smelling length, with its miles of roots and its floor littered with the skulls and bones of small animals. For many parts of the tunnel had been the retreat of foxes, rodents and vermin of all kinds. It had been used both as a refuge from such weather as they were now experiencing and from their foes. His candle, held at arm's length before him, would light up familiar root formations that told him of a spinney overhead, or would disclose the secret cities of the ants.

Free of snow and invaluable as it was as a means of gaining access to the castle, yet the darkness was foul with death and decay, and there was no cause for Flay to linger on those long and friendless journeys below ground.

On the first occasion that he had emerged at the castle end of the tunnel and had followed the passageway and had come upon the outskirts of that region of lifeless halls and corridors, and when he had moved further into the silence, as Titus had done, he had felt something of the awe that had so terrified the boy and he had lifted his bony shoulders up to his ears and thrust his jaw forward as his eyes turned this way and that as though he were being threatened by some invisible foe.

But when after a dozen daylight journeys he had explored a section of the deserted tract to his satisfaction, he retained no vestige of the apprehension that first affected him.

On the contrary, he began to make the silent halls peculiarly his own, in the way that he had unconsciously identified himself with the mood of Gormenghast forest.

It was not in his nature to proceed hot-foot upon his quest for the castle's evil. These things could not be hurried. He must establish his position as he went along.

And so (after he had found the few steps that led up to the rear of the monument in the corridors of carvings), he confined his midnight journeys, for the first few weeks, to discovering what changes had taken place since he was last in Gormenghast, in the nocturnal habits of the populace. His life in the woods had taught him patience and had made even more remarkable that power, which he had always had, of losing himself against his background. Saving for broad daylight he had no need to hide; he had only to stand still and he was absorbed into a wall, into a shadow or into rotten wood-work. When he lowered his head, his hair and beard were but another cobweb in the gloom, and his rags the sunless hart's-tongue that flourished in the dank grey corridors.

It was a strange experience for him to watch, from one point of vantage or another, the familiar faces he had once known so well. Sometimes they would pass within a few feet of him, some a little older, some a little younger, some a little different from what he remembered; others, who were youths or boys when he was exiled, now hardly recognizable.

But for all his ability to conceal himself, he took no risks, and it was a long time before he made his long midnight journeys of reconnaissance and began to discover where almost everyone of interest to him was likely to be found at various hours of the day or night.

His late master's room had never been opened since his death. Flay had noticed this with grim approval. He had gazed down at the floor outside Sepulchrave's door, where, for over twenty years, he stretched himself for sleep. And he had looked along the corridor and the dreadful night returned to his mind - the night when the earl had walked in his sleep, and had later given himself up to the owls - and the night when he, Flay, had fought the chef of Gormenghast and put him to, the sword.

And Flay was forced to turn himself into both a thief and a hoarder.

This gave him little pleasure, but was necessary in order that he should keep alive at all. Within a short time he had discovered how to enter the cat-room through the door of a loft, and to arrive at the kitchen by way of the Stone Lanes.

It had become an absurdity for him to make his return journey every morning along the tunnel and to spend the day in his cave. There was little he could do at the cave surrounded as it was with the deep snow-drifts. He could neither hunt for food nor gather enough fuel with which to warm himself. But in the lifeless Halls there was all that he needed.

He had come across a small room, voluptuously soft with dust; a small, square place with a carved mantelpiece and an open grate. There were several chairs, a bookcase and a walnut table on which, beneath the dust, the silver, glass and crockery were laid out for two.

It was here that Flay established himself. His larder consisted of little more than bread and meat, fresh supplies of which were always plentiful in the Great Kitchen.

He took no advantage of the ample opportunities he had to vary his diet. As for his drinking water, it was only necessary for him to make his way at any hour after midnight and dip his iron can into the rain-water of a near-by cistern.

Judging by the distances he had to cover during his journeys to and fro among the empty halls, and judging in particular by the distance between the room with the fireplace and the opening in the corridor of carvings (the only entrance he had found to the world he had previously known), he knew that lighting fires in his room involved no risk. Had smoke, for sake of argument been seen to rise into the air above a forgotten tract of the castle and were it to have caused any interest, it would have been as easy for the hypothetical observer to have found the chimney and then to have found a way into the compartment, fathoms below, as for a frog to play the fiddle.

There, on the bitter winter evenings, Mr Flay enjoyed a comfort he had never experienced before. Had his exile in the woods not inured him to loneliness, then he must surely have found these long days insupportable. But isolation was now a part of him.

The silence of the lifeless Halls, like the silence of the snow-bound world outside, was limitless. It was a kind of death. The very extent of the hollow expanses, the uncharted labyrinth that made, as it were, the silence visible, was something to raise the hairs upon the neck of any but those long used to loneliness. And Mr Flay, in spite of his numerous expeditions through this dead world, this forgotten realm of Gormenghast, was nevertheless unable to locate its boundaries. It is true that after a long search, guided to some extent by Titus' instructions, he had found the steps that led up the corridor of carvings, but save for this and the few locked doors through which he had heard voices, he had found no other frontier points between his world and theirs.

But in the small hours of one morning, as he returned to his room after a raid upon the kitchen, something happened which turned the rest of his winter into something less isolated but more terrible. He had left the corridor of carvings a mile or more behind, and was deep in his own realm, when he decided that instead of taking his usual path along the narrow and extended passageway to the east, he would explore an alternative corridor which, he imagined, would in its own good time lead to his own district.

As he proceeded he made, upon the wall, following his usual custom, the rough marks with white chalk which had more than once helped him to find his way back to familiar ground.

After about an hour of twisting and turning, of crossing the open junctions of radiating alleyways, of making a hundred arbitrary choices between this entrance and that, this winding descent and that cold incline to a wider passageway - he began to sweat with fear at the very thought of having taken no precautions for his return journey. He knew that he would never have found his way back without the chalk marks. Suddenly he began to feel hungry. At the same time, noticing that his candle was burning low, he drew another from the half-dozen or more that were always in his belt, and sitting down on the floor, placed his freshly lit candle carefully on the ground before him, and opening a long, narrow-bladed knife, began to cut himself a slice of bread.

To his right and left the darkness was as thick as ink. He sat illumined within the aura of candle flame, his face and rags and hands and hair dramatically lit. Behind him on the wall his shadow hovered heavily. He had stretched out his legs before him and was about to sink his teeth for the second time into the bread when he heard the peal of laughter.

Had it not been for its terrible strength and for the fact that it came from behind him - from the other side of the wall against which he leaned - he would have had no option but to recognize it as a cry of madness in his own brain - something that he had heard with the ears of his mind.

But there was no question of this. It had nothing to do with him, or his imagination; he was not mad. But he knew that he was in the presence of madness. For the demoniacal cry or howl was something that brought Flay to his feet as though he were drawn upwards on a fish-hook - something that took him, without his knowing that he had moved, to the opposite side of the passage where, flattened against the wall as though at bay, and with his head lowered he stared at the cold bricks against which he had been leaning, as though the wall itself were affected by the lunacy it was hiding and was watching him, its every brick deranged.

Mr Flay could hear his sweat splashing on the stones at his feet. His mouth was leather-dry. His heart was thumping like a drum. And he had nothing to see. Only the candlelight shining steadily at the base of the opposite wall.

And then it came again, with a kind of double note - almost as though. whatever throat it was that was giving vent to this ghastly laughter. was curiously formed - as though it were able to throw out two voices at once.

There was no question of an echo for there was no repetition and no over-lapping - but a kind of duplex horror.

This time, the high pealing note tailed off into a thin whine, but even in this ghostly termination there was the two-fold quality, the terrible, petrifying sense of double madness.

For some while after silence had returned, Mr Flay could not move. He had been struck. His sense of privacy had been shattered; his inability to rationalize and make sense out of the small hours was like an insult, an insult hurled against his narrow but proud mind. And his fear, his naked fear of something he could not see, but something which was within a few yards of him - it was this that froze his limbs.

But the silence continued and there was no repetition, and at last he picked the candle from the floor, and with more than one glance behind him, he moved rapidly back the way he had come, following the chalk marks until at last he arrived at the fateful parting of the ways. Thereafter he was on his own ground and he strode it without hesitation until he arrived at his room.

It was, of course, impossible to let the matter rest. The enigmatic horror of that laughter was with him all the time, and no sooner had the sun risen on the following day than the grim place drew him. It was not that he wished to indulge himself with the vile thrill of a repetition, but rather that the mystery should be brought forward into the rational daylight, and that whatever it was, beast or human, it must stand revealed, for his deepest interests were those of the one-time first servant of Gormenghast - of a loyalist who could not bear to think that in the ancient castle there were forces or elements at work, happenings that were apart from the ceremonial life, secrets and practices that, for all he knew, were deadly poison in the castle's body.

It was his intention to explore further along the terrifying passage and if possible to double back down some parallel artery when opportunity offered, and so discover if he could, some clue to what lay on the other side of the wall.

And this is what he did but with no success. Day after day he threaded his way through the cold brick lanes crossing and recrossing his own tracks, losing himself a score of times a day - returning over and over again to the original corridor for reference - unable to comprehend the tortuous character of the architecture. Every now and again, on returning to the place where he had heard the wild laughter he listened, but there was never any sound but the beating of his own heart.

There seemed no other way for him but to come again to that dread place, not in the daylight, but at the selfsame time as before, when the small hours of the morning sucked the courage from heart and limb. If he should hear it again, that crazed laughter, and if it was repeated and repeated, then with that sound to guide him it was possible that he could run to earth, in the darkness, what had foiled him by day.

And so, fighting down his terror, he set out in the icy blackness of the early hours. He came eventually to the brick corridor; and when he was still some distance away he heard a sound of crying and shouting. And when he was nearer still, a loud calling to and fro, as if something was calling to itself for it seemed to be the same voice that was answering.

But there was fear in the voice, or voices, and what struck Mr Flay most, as he listened with his ear to the wall, was that the cries were weaker than before. Whatever it was that cried had lost a lot of strength. But it was in vain that he tried to trace the sounds to their source. His questings through those same mazes of masonry that he had searched by daylight were fruitless. Directly he had left the corridor, the silence came down like an impalpable weight and the sharpness of his hearing was of no avail.

Again and again he did all in his power to locate the suffering creature, for Flay had begun to realize that it was nearing the end of its strength. It was not so much terror that he now felt as a blind pity. A pity that drew him to the place night after night. It was as though he had this nameless tragedy upon his conscience; as though his being there to listen to the weakening voice, was in some way helpful. He knew that this was not so, but he could not keep away.

The night came when for all his listening there was no sound, and from that time onwards the silence remained unbroken.

He knew that in some way the end had come to some demented thing. What it was that had laughed with that double note, that had cried out and answered itself with the same flat and terrible voice, he never knew. He never knew that he was the last to hear the voices of their ladyships Cora and Clarice, nor that he had been within a few feet of those apartments into which they had once been lured. He never knew that behind the locked doors of this place of incarceration the Twins had languished, their brains losing what grip they had, their madness mounting, until, when their provisions began to fail them, and Steerpike no longer came, they knew that death was on his way.

When weakness overpowered them they lay down side by side and staring at the ceiling, they died at the same moment, on the other side of the wall.

FORTY-SIX

While Flay, in his wilderness of hollow halls, was brooding upon the shock he had sustained, and fretting at its insoluble nature, Steerpike, now up and about once more, was losing no time in establishing his position as Master of Ritual. He was under no illusions as to what the reaction of the castle would be, when it became borne in upon them that he was performing no stop-gap office. To neither be old, nor to be the son of Barquentine, nor one of the accepted school of hierophants, nor indeed to have any claim upon the title, save that of being the only disciple of the drowned cripple's, and of having the brains to perform the onerous office, was an anything but encouraging inception.

Nor was he, physically, any longer personable. His hunched shoulders, his pallor, his dark-red eyes had never encouraged intimacy even supposing he had ever courted it. But now, how much the more so was he likely to be shunned, even in a society that laid no claim to beauty.

The burns upon his face and neck and hands were there to stay. Only the worms could put an end to them. The effect of the face was of something skew-bald; the taut crimson tissue, forming fiery patterns against the wax-like pallor of his skin. His hands were blood-red and silky; their creases and wrinkles like those on the hand of a monkey.

And yet he knew, that although he created a natural revulsion among those about him, the reason for his disfigurement stood in his favour. It was he who had (as far as the castle knew) risked his life to save the hereditary Master. It was he who had suffered delirium and excruciating pain because he had had the courage to try and wrest from death's grip a keystone of the Gormenghast tradition. How, in that case, could his diabolical appearance be held against him?

And what is more he knew, however prejudiced his opponents might be, that in the end they had no option but to accept him, in spite of his burns, his background, and the unproven rumours which he knew were in constant circulation - to accept him, for the simple reason that there was no one else with the necessary knowledge at his finger tips. Barquentine had divulged his secrets to no one else. The very tomes of cross-reference would have been beyond the powers of even the most intelligent of men to comprehend, unless, as a preliminary, he were schooled to the symbols involved. The principle upon which the arrangement of the library was based was, in itself, something which had taken Steerpike a year to unravel, even with Barquentine's irritable guidance.

But cunningly and by slow degrees, as he went about his work, he evoked a grudging acceptance and even a kind of bitter admiration. By not so much as a hair's breadth did he deviate from those thousand letters of the Groan law, that day by day in one form of ritual or another, were made manifest. With every evening he knew himself more deeply entrenched.

His miscalculation over Barquentine's murder had been unforgivable and he did not forgive himself. It was not so much what had happened to his body that galled him, but that he should ever have blundered. His mind, always compassionless, was now an icicle - sharp, lucent and frigid. From now onwards he had no other purpose than to hold the castle ever more tightly in the scalded palm of his hand. He knew that his every step must be taken with the utmost precaution. That although, on the face of it, the life of Gormenghast was, in spite of its rigid tradition, a dark and shambling affair, yet there was always this consciousness beneath the surface; there were those that watched and there were those that listened. He knew that in order to fulfil his dreams he must devote. if necessary, the next ten years to the consolidation of his position, taking no risk, learning all the while, and building up a reputation not only as an authority on all that pertained to the traditions of the place, but as someone who, indefatigable in his zeal, was nevertheless difficult to approach. This would both leave what free time he had for his own purposes, and help to create for himself the legend of a saint, someone removed, someone beyond questioning, for whom, in his early days, the tests of fire and water had not been too terrible to endure when the soul of Gormenghast was in jeopardy.

The years lay spread before him. To the younger generation he would be a kind of god. But it was now in the diligence and exactness of his offices that he must carve for himself the throne that he would one day occupy.

For all the evil of his early years he knew that, though from time to time he had been suspected of insurrection and worse, yet now with his feet well set upon the gold road of advancement, he was (with the darkest of his deeds but a week or two behind him) as free as ever he had been from any question of being unmasked.

He was now close upon twenty-five years old. The fire that had mottled his face had taken no lasting toll of his strength. He was now as wiry and tireless as before the catastrophe. He whistled to himself, between his teeth, tunelessly as he stood at the window of his room and stared out across the snow.

It was mid-day. Against a dark sky, Gormenghast Mountain, for all its ruggedness, was swathed as white as wool. Steerpike stared through it. In a quarter of an hour he would be on his way to the stables, where the horses would be lined up for his inspection. It being the anniversary of the death of a nephew of the fifty-third Countess of Groan, in his day a daring horseman, he would see that the grooms were in mourning and that the traditional equine masks were being worn at the correct angle of dejection.

He held up his hands and placed them before him against the window pane. Then he spread them out like starfish, and examined his nails. Between the scarlet fingers and all about them was the white of the distant snow. It was as though he had placed his hand upon white paper. Then he turned and crossed the room to where his cape was folded over the back of a chair. When he had left the room and had turned the key and was on his way down the stairway, his mind turned for a moment to the Twins. It had been an untidy business in many ways, but perhaps it was as well that circumstances beyond his control had forced the solution. Even at the time of his burns, the re-stocking of their larder had been long overdue. By now they could no longer be alive.

He had gone through his papers, and had refreshed his memory as to exactly what provisions they were likely to have had left on the day of his burning, and from his none too simple calculations, he deduced that they must have died from starvation on about that day when, swathed like a lagged pipe in frosty weather, he first rose from his sick bed. In point of fact they died two days later.

FORTY SEVEN

I

As the days went by, Titus was becoming more and more difficult to control. In the long dormitories where after dark the boys of his own age would light their shielded candles, squat in groups, perform strange rites or eat their pilfered cakes, Titus was no watcher of the scene. He was no mere watcher from the safety of his bed, when, in fierce and secret grapple, old scores were settled in deathly silence while, in his cubicle by the dormitory door, the formidable janitor slept like a crocodile upon his back. The erratic breathing of this man, his tossings and turnings, his very wheezings and mutterings were an open book to Titus and his confederates. They all conveyed a certain 'depth' of sleep, which at its deepest was shallow enough. But it was silence that they feared, for silence meant that his eyes were open in the darkness.

As sacred as the fact that there had always been an Earl of Gormenghast and always would be, and that when the time came he would be virtually unapproachable, a man out of range both socially and for reason of his intrinsic 'difference' - as sacred as all this, was the tradition that as a boy the Earl of Gormenghast must be in no way treated as something apart. It was the pride of the Groans that their childhood was no time of cotton-wool.

As for the boys themselves, they found little difficulty in putting this into practice. They knew that there was no difference between themselves and Titus. It was only later that they would think otherwise. And in any case what a child may become in his later years is of little interest to his friends or his foes. It is the world of here and now that matters most. And so Titus fought with the rest in the breathless dormitory - and from time to time was caught out of his bed and was caned by the janitor.

He took the risk and he took the punishment. But he hated it. He hated the ambiguity of it all. Was he a lord or an urchin? He resented a world in which he was neither one thing nor another. That his early trials would fit him for his responsibilities in later life, made no appeal to him. He was not interested in his later life and he was not interested in having responsibilities. Somehow or other the whole thing was unfair.

And so he said to himself: 'All right! So I'm the same as anyone else, am I? Then why do I have to report to Steerpike every evening, in case I'm lost? Why do I have to do extra things after classes - when none of the others have to? Turning keys in rotten old locks. Pouring wine all over turrets - walking here and there until I'm tired! Why should I do all this extra if I'm not any different? It's a rotten trick!'

The professors found him difficult, wayward, and on occasions, insolent. All except Bellgrove, for whom Titus had a fondness and an inexplicable respect.

II

'Are you thinking of doing any work this afternoon, or were you planning to spend it in chewing that end of your pen, dear boy?' asked Bellgrove leaning forward over his desk and addressing Titus.

'Yes, sir!' said Titus with a jerk. He had been far away, in a day dream.

'Do you mean, "Yes, sir, I'm going to work" or "Yes, sir, I'm going to chew my pen", dear boy?'

'O 'work', sir.'

Bellgrove flicked a lock of his mane back over his shoulder with the end of his ruler.

'I 'am' so pleased,' he said. 'You know, my young friend, that one day when I was about your age, I was suddenly taken with the idea of concentrating upon the paper which my old schoolteacher had set me. I don't know what gave me the idea. I had never thought of doing such a thing before. I had 'heard' of people who had tried it, you know - of paying attention, of putting their minds to the work in hand - but I had never thought of doing it myself. But - and here you must listen, my dear boy - what happened? I will tell you. I found that the paper which my dear master had set me was quite, quite simple. It was almost an insult. I concentrated more than ever. When I had finished I asked for more. And then more again. All my answers were quite perfect. And what happened? I became so fascinated at finding I was so clever, that I did too much and 'became ill'. And so I warn you - and I warn the whole class. Take care of your health. Don't overdo it. Go slow - or you may have a breakdown just as I had, long ago, when I was young, dear boys, and ugly, just as you are, and just as dirty, too, and if you haven't got your work finished by four o'clock, Master Groan, my dear child, I shall be forced to keep you in until five.'

'Yes sir,' said Titus and at that moment he felt a dig in the back. Turning he found that the boy behind him was passing him a note. He could not have chosen a much worse moment for it, but Bellgrove had closed his eyes in a resigned and lordly way. When Titus unfolded the scrap of paper, he found it was no message but a crude caricature of Bellgrove chasing Miss Irma Prunesquallor with a long lasso in his hand. It was very feebly drawn and not particularly funny, and Titus, who was in no mood for it, felt suddenly angry, and screwing it up threw it back over his shoulder. This time Bellgrove's attention was caught by die pellet.

'What was that, dear boy?'

'Just a screwed up bit of paper, sir.'

'Bring it up here, to your old master. It will give him something to do,' said Bellgrove. 'He can work away at it with his old fingers, you know. After all there is nothing much he can do until the class ends.' And then musing aloud, 'O babes and sucklings... babes and sucklings... how tired of you your old headmaster gets.'

The pellet was retrieved and passed to Titus who got up from his desk. And then suddenly when he had approached to within a few feet of the headmaster's desk he put the screwed-up drawing into his mouth, and with a gulp, swallowed it.

I've swallowed it, sir.'

Bellgrove frowned, and an expression of pain flitted across his noble face. 'You will stand on your desk,' he said. 'I am ashamed of you, Titus Groan. You will have to be punished.'

When Titus had been standing on his desk for a few minutes he received another tap upon the back. He had already been in trouble through the stupidity of the boy behind and in a flash of anger 'Shut up!' he cried, and swinging around at the same instant found himself staring at Steerpike.

The young Master of Ritual had come silently through the door of the schoolroom. It was his duty to make a periodic round of the classes, and it was an understood thing that in this official capacity it was not for him to knock before he entered - only a few boys had noticed Steerpike's arrival - but the whole class turned at the sound of Titus' voice.

Gradually it dawned upon the class that the reason for the stiff, frozen position that Titus was in, his head turned sharply over his shoulder, his body swivelled around on the narrow pivot of his hips, his hands clenched, his head lowered angrily - that the reason for his tenseness was that his 'shut-up' must have been addressed to none other than the man with the skewbald face, Steerpike himself.

Standing upon the lid of his desk Titus was in the unusual position of looking down at the face of this authority who had suddenly appeared as though out of the floor, like an apparition. The face looked up at him, a wry smile upon the lips, the eyebrows raised a little, and a certain expectancy in the features, as though denoting that although Steerpike realized that it was impossible for the boy to have guessed who it was that had tapped him on the back, and was therefore guiltless of insolence, yet, an apology was called for. It was unthinkable that the Master of Ritual should be spoken to in this way by anyone - let alone a small boy - whatever his lineage.

But no apology came. For Titus, directly he realized what had happened - that he had cried ''shut-up'' to the arch-symbol of all the authority and repression which he loathed - knew instinctively that this was a moment in which to dare the blackest hell.

To apologize would be to submit.

He knew in the darkness of his heart's blood that he must not climb down.

In the face of peril, in the presence of officialdom, age-old and vile, with its scarlet hands, and its hunched shoulders, he must not climb down. He must cling to his dizzy crag until, trembling but triumphant in the enormous knowledge of his victory, he stood once more upon solid ground, secure in the knowledge that as a creature of different clay he had not sold his birthright out of terror.

But he could not move. His face had gone white as the paper on the desk. His brow was sticky with sweat and he was heavy with a ghastly tiredness. To cling to his crag was enough. He had not the courage to stare into the dark red eyes that, with the lids narrowed across them, were fixed upon his face. He had not the courage to do this. He stared over the man's shoulder, and then he closed his eyes. To refuse to say he was sorry was all that his courage could stand.

And then, all at once he felt himself to be standing at a strange angle, and opening his eyes he saw the rows of desks begin to circle in formation through the air and then a far voice shouted as though from miles away as he fell heavily to the floor in a dead faint.

FORTY-EIGHT

'I am having the most moving time, Alfred. I said I am having the most moving time - are you listening or not? O it's too galling the way a woman can be courted so splendidly, so nobly by her lover, only to find that her own brother is about as interested as a fly upon the wall. Alfred, I said a fly upon a wall!'

'Flesh of my flesh,' said the Doctor after a pause (he had been lost in rumination) 'what is it that you want to know?'

''Know',' answered Irma, with superb scorn. 'Why should I want to know anything?'

Her fingers smoothed the back of her iron-grey hair, and then of a sudden, pounced upon the bun at the nape of her neck where they fiddled with an uncanny dexterity. It might have been supposed that her long nervous fingers had an eye apiece so effortlessly did they flicker to and fro across the contours of the hirsute knob.

'I was not asking you a question, Alfred. I sometimes have thoughts of my own. I sometimes make 'statements'. I know you think very little of my intellect. But not everyone is like you - I can assure you. You can have no idea, Alfred, of what is being done to me. I am being drawn out. I am finding treasures in myself. I am like a rich mine, Alfred. I know it, I know it. And I have brains I haven't even used yet.'

'Conversation with you, Irma', said her brother, 'is peculiarly difficult. You leave no loops, dear one, at the end of your sentences, nothing to help your loving brother, nothing for his ever willing, ever eager, ever shining hook. I always have to start afresh, sweet trout. I have to work my passage. But I will try again. Now, you were saying...?'

'O Alfred. Just for one moment, do something to please me. Talk 'normally.' I am so tired of your way of saying things with all its figures of eight.'

'Figures of 'speech'! speech! speech!' cried the Doctor, rising to his feet and wringing his hands, 'why do you always say figure of 'eight'? O bless my soul, what is the matter with my nerves? Yes, of course I'll do something to please you. What shall it be?'

But Irma was in tears, her head buried in a soft grey cushion. At last she raised it and taking off her dark glasses, 'It's too 'much',' she sobbed. 'When even one's brother snaps one up. I did trust you!' she shouted, 'and now 'you're' letting me down too. I only wanted your advice.'

'Who has let you down?' said the Doctor sharply. 'Not the Headmaster...?' Irma dabbed her eyes with an embroidered handkerchief the size of a playing card.

'It's because I told him his neck was dirty, the dear, sweet lord...'

''Lord'!' cried Prunesquallor, 'you don't call him 'that', do you?'

'Of course not, Alfred... only to myself... after all he is my lord, isn't he?'

'If you say so,' said her brother, passing his hand across his brow. 'I suppose he could be anything.'

'O he is. He is. He's anything - or rather, Alfred, he's everything.'

'But you have shamed him, and he feels wounded - proud and wounded, is that it, Irma, my dear?'

'Yes, O yes. It is that exactly. But what can I 'do'? What can I 'do'?' The doctor placed the tips of his fingers together.

'You are experiencing already, my dear Irma,' he said, 'the stuff of marriage. And so is he. Be patient, sweet flower. Learn all you can. Use what tact God gave you, and remember your mistakes and what led up to them. Say nothing about his neck. You can only make things worse. His resentment will fade. His wound will heal in time. If you love him, then simply love him and never fuss about what's dead and gone. After all you love him in spite of all your 'faults', not 'his'. Other people's faults can be fascinating. One's own are dreary. Be quiet for a bit. Don't talk too much and can't you walk a little less like a buoy in a swell?'

Irma got up from her chair and moved to the door. 'Thank you, Alfred,' she said and disappeared.

Doctor Prunesquallor sank back on the couch by the window, and with an ease, quite astonishing, dismissed his sister's problem from his mind and was once more in the cogitative reverie from which she had interrupted him.

He had been thinking of Steerpike's accession to the key position that he now occupied. He had also been reflecting upon the way he had behaved as a patient. His fortitude had been matchless and his will to live quite savage. But for the most part, the Doctor was turning over in his mind something that was quite different. It was a phrase, which, at the height of Steerpike's delirium, had broken loose from the chaos of his ravings - ''And the Twins will make it five,'' the young man had shouted - ''and the Twins will make it five.''

FORTY-NINE

I

One dark winter morning, Titus and his sister sat together on the wide window-seat of one of Fuchsia's three rooms that overlooked the South Spinneys. Soon after Nannie Slagg had died Fuchsia had moved, not without much arguing and a sense of dire uprooting, to a more handsome district - and to a set of rooms which, in comparison with her old untidy bedroom of many memories, were full of light and space.

Outside the window the last of the snow lay in patches across the countryside. Fuchsia, with her chin on her hands and her elbows on the window sill, was watching the swaying motion of the thin stream of steel-grey water as it fell a hundred feet from the gutter of a nearby building - for a small, restless wind was blowing erratically and sometimes the stream of melted snow as it fell from the high gutter would descend in a straight and motionless line to a tank in the quadrangle below, and sometimes it would swing to the north and stay outstretched when a gust blew angrily, and sometimes the cascade would fan out in a spray of innumerable leaden drops and fall like rain. And then the wind would drop again and the steady tubular overflow would fall once more vertically, like a stretched cable, and the water would spurt and thud within the tank.

Titus, who had been turning over the pages of a book, got to his feet.

'I'm glad there's no school today, Few,' he said - it was a name he had started giving her - 'it would have been Perch-Prism with his foul chemistry and Cutflower this afternoon.'

'What's the holiday 'for'?' said Fuchsia with her eyes still on the water which was now swaying to and fro across the tank.

'I'm not sure,' said Titus. 'Something to do with Mother, I think. Birthday or something.'

'Oh,' said Fuchsia and then after a pause, 'it's funny how one has to be told everything. I don't remember her having birthdays before. It's all so inhuman.'

'I don't know what you mean,' said Titus.

'No,' said Fuchsia. 'You wouldn't, I suppose. It's not your fault and you're lucky in a way. But I've read quite a lot and I know that most children see a good deal of their parents - more than we do anyway.'

'Well, I don't remember father at all,' said Titus.

'I do,' said Fuchsia. 'But he was difficult too. I hardly ever spoke to him. I think he wanted me to be a boy.'

'Did he?'

'Yes.'

'Oh... I wonder why.'

'To be the next Earl of course.'

'Oh... but 'I' am... so it's all right, I suppose.'

'But he didn't know you were going to be born, when I was a child, did he? He couldn't have. I was about fourteen when you were born.'

'Were you really...'

'Of course I was. And for all that time he wished I was you, I suppose.'

'That's funny, isn't it?' said Titus.

'It wasn't funny at all - and it isn't funny now - is it? Not that it's your fault...'

At that moment there was a knock at the door and a messenger entered. 'What do you want?' said Fuchsia.

'I have a message, my lady.'

'What is it?'

'Her ladyship, the Countess, your mother, wishes Lord Titus to accompany me back to her room. She is going to take him for a walk.'

Titus and Fuchsia stared at the messenger and then at one another. Several times they opened their mouths to speak but closed them again. Then Fuchsia turned her eyes back to the melting snow - and Titus walked out through the half open door, the messenger following him closely.

II

The Countess was waiting for them on the landing. She gestured the messenger to be gone with a single, lazy movement to her head.

She gazed at Titus with a curious lack of expression. It was as though what she saw interested her, but in the way that a stone would interest a geologist, or a plant, a botanist. Her expression was neither kindly nor unkindly. It was simply absent. She appeared to be unconscious of having a face at all. Her features made no effort to communicate anything.

'I am taking them for a walk,' she said in her heavy, abstracted, millstone voice.

'Yes, mother,' said Titus. He supposed she was talking of her cats.

A shadow settled for a moment on her broad brow. The word mother had perplexed her. But the boy was quite right, of course.

Her massive bulk had always impressed Titus. The hanging draperies and scollop'd shadows, the swathes of musty darkness - all this he found most awesome.

He was fascinated by her but he had no point of contact. When she spoke it was in order to make a statement. She had no conversation.

She turned her head and, pursing her lips, she whistled with a peculiar ululation. Titus gazed up at the sartorial mass above him. Why had she wanted him to accompany her? he wondered. Did she want him to tell her anything? Had she anything to tell 'him'? Was it just a whim?

But she had started to descend the stairs and Titus followed her.

From a hundred dim recesses, from favourite ledges, from shelves and draught-proof corners, from among the tattered entrails of old sofas, from the scarred plush of chairs, from under clock-stands, from immemorial sun-traps, and from nests of claw-torn paper - from the inside of lost hats, from among rafters, from rusty casques, and from drawers half-open, the cats poured forth, converged, foamed, and with a rapid pattering of their milk-white feet filled up the corridors, and a few moments later had reached the landing and were on their way, in the wake of their great mistress, down the stairway they obscured.

When they were in the open and had passed through an archway in the outer wall and were able to see Gormenghast Mountain dear before them, with dark grey snow on its cruel heights, the Countess waved her ponderous arm, as though she were scattering grain, and the cats on the instant, fanning out, sped in every direction, and leapt, twisting in the air, curvetting for the very joy of their only release from the castle since first the snow came down. And though a number of them sported together, rolling over one another, or sitting up straight with their heads bridled back, tapped at each other sparring like fighters, only to lose all interest of a sudden, their eyes unfocusing, their thoughts turning - yet for the main the white creatures behaved as though each one were utterly alone, utterly content to be alone, conscious only of its own behaviour, its own leap into the air, its own agility, self-possessed, solitary, enviable and legendary in a beauty both heraldic and fluent as water.

Titus walked by his mother's side. For all the interest in the scene before him he could not help turning his eyes to his mother's face. Its vague, almost mask-like character was something which he was beginning to suspect of being no index of her state of mind. For more than once she had gripped his shoulder in her big hand and led him from the path and without a word she had shown him, all but shrouded by the ivy on a tree stem, a cushion of black star-moss. She had turned off a rough track, and then pointed down a small snow-filled gully to where a fox had rested. Every now and again she would pause and gaze at the ground, or into the branches of a tree, but Titus, stare as he would, could see nothing remarkable.

For all that the birds had died in their thousands, yet as Titus and his mother drew near to a strip of woodland where the snow had melted from the boughs, and small streams were running over the stones and snow-flattened grass, they could see that the trees were far from empty.

The Countess paused, and holding Titus by his elbow, they stood motionless.

A bird whistled and then another, and then suddenly the small kingfisher, like a blue legend, streaked along a stream.

The cats were leagues away. They breathed the sharp air into their lungs. They roamed to the four quarters. They powdered the horizons.

The Countess whistled with a shrill sweet note, and first one bird and then another flew to her. She examined them, holding them cupped in her hands. They were very thin and weak. She whistled their various calls and they responded as they hopped about her or sat perched upon her shoulders, and then, all at once a fresh voice from the wood silenced the birds. At every whistle of the Countess, this new answer came, quick as an echo.

Its effect on the Countess seemed out of all reason.

She turned her head. She whistled again and her whistle was answered, quick as an echo. She gave the calls of a dozen birds and a dozen voices echoed her with an insolent precision. The birds about her feet and on her shoulders had stiffened.

Her hand was gripping Titus' shoulder like an iron clamp. It was all he could do not to cry out. He turned his head with difficulty and saw his mother's face - the face that had been so calm as the snow itself. It had darkened.

It was no bird that was answering her; that much she knew. Clever as it was, the mimicry could not deceive her. Nor did it seem that whatever gave vent to the varying calls was anxious to deceive. There had been something taunting about the rapidity with which each whistle of the Countess had been flung back from the wood.

What was it all about? Why was his arm being gripped? Titus, who had been fascinated by his mother's power over the birds, could not understand why the calls from the wood should have so angered her. For she trembled as she held him. It seemed as though she were holding him back from something, as though the wood was hiding something that might hurt him - or draw him away from her.

And then she lifted her face to the tree tops, her eyes blazing.

'Beware!' she cried and a strange voice answered her.

''Beware'!' it called and the silence came down again.

From a dizzy perch in a tall pine, the Thing peered through the cold needles and watched the big woman and the boy as they returned to the distant castle.

FIFTY

I

It was not until close upon the Day, that Titus learned how something quite unusual was being prepared for his Tenth birthday. He was by now so used to ceremonies of one kind or another that the idea of having to spend his birthday either performing or watching others perform some time-hardened ritual made no appeal to his imagination. But Fuchsia had told him that there was something quite different about what happened when a child of the line reached the age of ten. She knew, for it had happened to her, although in her case the festivities had been rather spoiled by the rain.

'I won't tell you, Titus,' she had said, 'it will spoil it if I do. O it's so lovely.'

'What kind of lovely?' said Titus, suspiciously.

'Wait and see,' said Fuchsia. 'You'll be glad I haven't told you when the time comes. If only things were always like that.'

When the Day arrived Titus learned to his surprise that he was to be confined for the entire twelve hours in a great playroom quite unknown to him.

The custodian of the Outer Keys, a surly old man with a cast of the left eye, had opened up the room as soon as dawn had broken over the towers. Apart from the occasion of Fuchsia's tenth birthday, the door had been locked since her father, Sepulchrave, was a child. But now, again, the key had turned with a grinding of rust and iron, and the hinges had creaked, and the great playroom opened up again its dusty glories.

This was a strange way to treat a boy on his tenth anniversary; to immure him for the entire day in a strange land, however full of marvels it might be. It was true that there were toys of weird and ingenious mechanism; ropes on which he would swing from wall to wall, and ladders leading to dizzy balconies - but what of all this, if the door was locked and the only window was high in the wall?

And yet, long as the day seemed, Titus was buoyed up by the knowledge that he was there not only because of some obsolete tradition but for the very good reason that he must not be allowed to see what was going on. Had he been abroad he could not fail to have gained some inkling, if not of what lay in store for him that evening, at least of the scale on which the preparations were being conducted.

And the activity of the castle was fantastic. For Titus to have seen a tenth of it must have taken the edge, not off his wonder or speculation, but off the shock of pleasure that he was finally to receive when evening came. For he had no idea what kind of activities were taking place. Fuchsia had refused to be drawn. She remembered her own pleasure too keenly to jeopardize a hundredth part of his.

And so he spent the day alone and save for those times when his meals were brought in on the golden trays of the occasion, he saw no one until an hour before sunset. At that hour four men came in. One of them carried a box, which when it was opened revealed a few garments which Titus was invited to put on. Another carried a light basketwork palanquin, or mountain-chair that rested on two long poles. Of the other two, one carried a long green scarf, and the other a few cakes and glass of water on a tray.

They retired while Titus got into his ceremonial clothes. They were very simple. A small red velvet skull-cap and a seamless robe of some grey material that reached to his ankles. A fine chain of gold links clasped the garment at his waist. These, with a pair of sandals, were all that had been brought and while he strapped the sandals he called to the men to re-enter.

They came in at once and one of them approached Titus with the scarf in his hand.

'Your lordship,' he said.

'What's 'that' for?' said Titus, eyeing the scarf.

'It's part of the ceremony, lordship. You have to be blind-folded.'

'No!' shouted Titus. 'Why should I be?'

'It's nothing to do with me,' said the man. 'It's the law.'

'The law! the law! the law - how I 'hate' the law,' cried the boy. 'Why does it want me blindfolded - after keeping me in prison all day? Where are you going to take me? What's it all about? Can't you talk? Can't you talk?'

'Nothing to do with m' said the man; it was his favourite phrase. 'You see,' he added, 'if we don't blindfold you it won't be such a surprise when you get there and when we undo the scarf. And you see' (he continued as though he had suddenly become interested in what he was talking about) 'you see - with your eyes blindfolded you won't have any idea of where you are going - and then, you know, the crowds are going to be deathly silent and...'

'Quiet!' said another voice - it was the man who had the mountain-chair. 'You have overreached yourself! Enough sir, for me to say' (he continued, turning to the boy) 'that it will be for your pleasure and your good.'

'It had 'better' be,' said Titus, 'after all 'this'!'

His longing to get out of the playroom mitigated his distaste for the blindfolding, and after taking a drink of water and cramming a small cake in his mouth, he took a step forward.

'All right,' he said and standing before the scarf-man, he suffered himself to be bandaged. At the second turn of the scarf he was in total blackness. After the fourth he felt the cloth being knotted at the base of his head.

'We are going to lift you into the chair, your lordship.'

'All right,' said Titus.

Almost immediately after he was seated in the basket-work chair he found himself rising from the ground, and then after a word from one of the men, he felt himself moving forward through black space and the slight swaying of the men beneath him. Without a word, or a pause, each man with an end of the long bamboo poles resting upon his shoulder, they began to move ever more rapidly.

Titus had had no sensation of their leaving the room, although he knew that by now they must have left it far behind. It was obvious that they were still within the walls of the castle for he could both feel the frequent changes of direction which the tortuous corridors made necessary, and also he could hear the hollow echoing of the bearers' feet - an echoing which seemed so loud to Titus in his blindness that he could not help feeling that the castle was empty. There was not a sound, not a whisper in the whole labyrinthine place to compete with the hollow footfalls of the men, with the sound of their breathing or with the regular creaking of the bamboo poles.

It seemed that it would never end - this darkness, and these sounds, but suddenly a breath of fresh air against his face told him that he was in the open. At the same time he could feel that he was being borne down a flight of steps, and when they had reached the level ground he felt for the first time that airborne jogging, as the four men began to trot through an empty landscape.

And it was as utterly deserted as the castle. All the feverish activity of the day had been brought to a close. The gentry, the dignitaries, the officials, the workmen, the performers, the populace, man, woman and child - there was not one who had not arrived at his appointed station.

And the bearers ran on over the darkening ground. Above their heads and reaching down into the west was a great tongue of yellow light.

But with every movement that passed the lustre faded and the moon began to slide up through the darkness of the east so that the light on Titus' upturned face grew sharper and colder.

And the bearers ran on, over the dark ground.

There were no echoes now. Only the isolated sounds of the night - the scurry of some small animal through the undergrowth, or the distant barking of a fox. From time to time Titus could feel the cool sweet gusts of a night breeze blowing across his forehead, lifting the strands of his hair.

'How much further?' he called. It seemed that he had been floating in the basket chair for ever.

'How much further? how much further?' he called again, but there was no reply.

It was impossible to carry so rare a burden as the seventy-seventh earl - to carry him shoulder-high along forest tracks, across precarious fords and over stony slopes of mountains and to have at the same time, while they kept running, any room in their minds for anything else besides. All their awareness was focused upon his safety and the measured smoothness of their rhythmic running. Had he called to them ten times as loudly they would not have heard him.

But Titus was near to the end of his blind journey. He did not know it but the four bearers who had, for the last mile or more, been loping through pinewoods, had come suddenly upon an open shoulder of land. The ground swept downwards and away before them in swathes of moon-chilled ferns and at the base of this slope lay what seemed like a natural amphitheatre, for the land rose on all sides. The floor of this gigantic basin appeared at first sight to be entirely forested and yet the eyes of the bearers had already caught sight of innumerable and microscopic points of light no bigger than pinpricks, that flashed, now here, now there among the branches of the distant trees. And they saw more than this. They saw that in the air above the basin'd forest there was a change of hue. In the darkness that brooded over the branches there was a subtle warmth, a kind of smouldering dusk that in contrast to the cold moon, or to the glints of light among the trees, was almost roseate.

But Titus knew nothing of this swarthy light. Nor that he was being taken down a steep track through the ferns to a district where the great chestnuts far from forming a solid forest, as it falsely appeared from the surrounding slopes, were marshalled a furlong deep about the margin of a wide expanse of water. The points of light that had caught the bearers' attention were all that they had been able to see of the moonlit lake when for a moment they had paused on a high open shoulder.

But what of the glow? It was not long before Titus knew all about it. He was by now among the deep moon-dappled chestnut groves. His exhausted bearers, the sweat pouring down their bodies and running into their eyes, were turning into a ride of ancient trees that led to the centre of the southern bank.

Had his vision been free he would have seen upon his left, and tethered to the low branches of the nearby trees, a hundred or more horses. Their harnessings, bridles, halters and saddles were slung across the higher branches. Here and there the moonlight penetrating the upper foliage set a stirrup dazzling in the gloom or gloated upon the leather of long traces. And then, a little further along the track where the trees were not so numerous, there stood ranged in lines, as though for inspection, a great variety of carriages, carts and traps. Here where there was less covering, the moonlight shone almost unimpeded, and was by now so high and was casting so strong a light that the varying colours of the carriages could be distinguished one from another. The wheels of each were decorated with foliage of young trees whose branches were threaded through the spokes, and with sunflowers also; in the long horse-drawn cavalcade which a few hours previously had made its overland journey to the chestnut woods, there had not been one wheel out of the many hundreds, that, in turning had not set the foliage revolving and the heads of sunflowers circling in the dusk.

All this had been lost to the boy - all this and many another flight of fancy which from hour to hour during the day had been set in motion or enacted according to old customs whose origin or significance was long forgotten.

But the bearers were for the first time slackening their pace. Once again he leaned forward, his hands grasping the basket-work rim of his chair. 'Where are we?' he shouted. 'How much longer will it be? Can't you answer me?'

The silence about him was like something that hummed against his eardrums. This was another kind of silence. This was not the silence of nothing happening - of emptiness, or negation - but was a positive thing - a silence that knew of itself - that was charged, conscious and wide awake.

And now the bearers stopped altogether, and almost at once, across the stillness, Titus heard the sound of approaching footsteps, and then - 'My lord Titus,' said a voice, 'I am here to bid you welcome and to offer you on behalf of your mother, your sister and all who are here gathered, our felicitations on your tenth birthday.

'It is our desire that what has been prepared for your amusement will give you pleasure; and that you will find the tedium of the long and solitary day that now lies at your back has been worth the suffering: in short, my Lord Titus, your mother the Countess Gertrude of Gormenghast, Lady Fuchsia and every one of your subjects are hoping that what is left of your birthday will be very happy.'

'Thank you,' said Titus. 'I would like to get down.'

'At once, your lordship,' said the same voice.

'And I'd like this scarf off my eyes.'

'In one moment. Your sister is on her way to you. She will remove it when she has taken you to the south platform: 'Fuchsia!' his voice was sharp and strained. 'Fuchsia! Where are you?'

'I'm coming,' she shouted. 'Hold his arm, you man, there! How do you think he can stand in the dark like that - give him to me, give him to me. Oh Titus,' she panted, holding her blind brother tightly in her arms, 'it won't be long now - and U, it's wonderful! wonderful! As wonderful as it was when it was all for me, years ago, and it's a better night than I had, and absolutely calm with a great white moon on top.'

She led him along as she talked, and all at once the marginal trees were behind them and Fuchsia knew that every step they took and every movement they made was watched by a multitude.

As Titus stumbled at her side he tried to imagine in what kind of place he could be. He could form no picture from Fuchsia's disjointed comments. That he was to be taken to a platform of some kind, that there was a moon, and that the whole castle seemed resolved to make amends for the long prefatory day he had spent alone was all that he could gather.

'Twelve steps up,' said Fuchsia, and he felt her placing his foot upon the first of the rough treads. They climbed together, hand in hand, and when they reached the platform she guided him to where a large horse-hair chair bloated with moonlight, an ugly thing if ever there was one - a heavy beast with a purple skin that had tired out the two cart horses by the time they had covered half the journey.

'Sit down,' said Fuchsia, and he sat down gingerly in the darkness, upon the edge of the ugly couch.

Fuchsia stood back from him. Then she raised both her arms above her head.

In reply to her signal a voice called out of the darkness. 'It is time! Let the scarf be unwound from his eyes!'

And another voice - quick as an echo 'It is time! Let his birthday begin!'

And another – 'For his Lordship is ten.'

Titus felt Fuchsia's fingers undoing the knot and then the freeing of the cloth about his eyes. For a moment he remained with his lids closed, and then he slowly opened them and as he did so he rose involuntarily to his feet with a gasp of wonder.

Before him, as he stood, one hand at his mouth, his eyes round as coins, there was stretched, as it were, across the area of his vision, a canvas - a canvas hushed and unearthly. A canvas of great depth; of width that spread from east to the west and of a height that wandered way above the moon. It was painted with fire and moonlight - upon a dark impalpable surface. The lunar rhythms rose and moved through darkness. A counterpoint of bonfires burned like anchors - anchors that held the sliding woods in check.

And the glaze! The earthless glaze of that midnight lake! And the multitude across the water, motionless in the shadow of the sculptured chestnut trees. And the bonfires burning!

And then a voice out of the paint cried 'Fire!' and a cannon roared, recoiled and smoked upon the bank. 'Fire!' cried the voice again, and then again, until the gun had bellowed ten times over.

It was the sign, and suddenly the picture, as though at the stroke of a warlock's wand, came suddenly to life. The canvas shuddered. Fragments detached themselves and fragments came together. From the height to the depths it was that that Titus saw.

Firstly the moon, by now immediately overhead; a thing as big as a dinner plate and as white, save where the shadows of its mountains lay. The moon whose lustre was over everything like a veil of snow.

And all about the moon, the midnight sky. It came down, this sky, like a curtain, expansive as nemesis and under the sky the hilltops in a haze of ferns that overlapping one another with their fronds, descended the hill, fold after fold until the chestnut forest, luxuriant in its foliage, its upper canopies shining, stretched on Titus' eye-level in a great curve. And under these trees, along the water's edge, as thick upon the ground as nettles in wasteland, was the life of the distant castle, the teeming populace. A hundred at a time would be contained in the cast-shadow of a single tree; a hundred more be lit in a lozenge of moonlight. And then the swarms of faces, thick as bees, illumined and flushed in the red light of the lakeside bonfires. Now that the gun had fired its salute, this long strip of the canvas had begun to seethe. Across the lake it was too far for Titus to be able to make out any single creature, but movements ran through these crowds as a ripple of wind over a field of tares. But this was not all. For these ripples, these trembling blotches of shadow and moonlight, these movements on the shore, were being simultaneously repeated in the lakes. Not the least motion of a head beneath the trees but its ghost had moved beneath it in the water. Not the flicker of a fire was lost in the reflecting water.

And it was this nocturnal glass in whose depths shone the moon-bathed foliage of the chestnut trees that held the eye the longest. For it was nothingness, a sheet of death; and it was everything. Nothing it held was its own although the least leaf was reflected with microscopic accuracy – and, as though to light these aqueous forms with a luminary of their own, a phantom moon lay on the water, as big as a plate and as white, save where the shadow of its mountains lay.

And yet this visual richness gave less a sense of satisfaction than of expectancy. This was a setting if ever there were one - but a setting for what? The stage was set, the audience was gathered - what next? Titus turned his eyes for the first time to where his sister had been standing, but she was no longer there. He was alone on the platform with the horsehair chair.

And then he saw her seated on a log with her mother beside her. From their feet the land dipped gradually to the water and on this decline was gathered what was pleased to think itself the upper stratum of Gormenghast society. To right and left the ground swarmed with officials of every kind - and over Titus, and over them all were the spreading terraces of the trees.

Finding himself alone. Titus sat down on the purple chair and then, to make himself more comfortable, curled his feet under him, and rested his arm on the bolster-like arm. He lifted his eyes to the lake with its upside-down picture of all that was spread above it.

Fuchsia trembled as she sat beside her mother. She remembered how the chestnut woods had held back their secret until this moment, years ago, and how they would now throw out their startling characters. She turned her head to see whether she could catch her brother's eye, but he was staring straight ahead, and as she watched him his hand went to his mouth again and she saw him sit forward on the couch as rigidly as though he had been turned to stone.

For immediately ahead of-him, across the unblemished lake, figures as tall as the chestnut trees themselves were straddling out of the shadows, and to the verge of the opposite bank, where they stood, unbelievably. Before them, their liquescent stage lay spread. The reflections of their fantastically elongated bodies were already deep in the lake.

There were four of them, and they came out one after another from various parts of the forest. They appeared to take no notice of one another although they turned their heads to right and left. The movements of their bodies appeared stiff and exaggerated. but extraordinarily eloquent.

From the high masks that topped them, to the grass on which they balanced could not have measured less than thirty feet.

They were beings of another realm and the crowds that stared up at them from below had not only been shrivelled up into midgets, but were also made to appear grey and prosaic. For these four giants were in every way most beautiful and extraordinary. The woods behind them seemed darker than ever now, for these lofty spectres were tinted under the moon's rays with colours as sharp and barbaric as the plumage of tropical birds.

From one to another, Titus turned his gaze, unable to resist the movements of his eyes, although he longed to dwell on each one separately.

Upon their lofty shoulders they carried their heads like kings - abstracted and inscrutable. Their dignity was something that infused their slightest movement. In the stiff and measured raising of an arm the very humus appeared to be drawn out of the soil below. The tilting of their faces to the sky made the sky naked - made the moon guilty.

The group had stalked out of that part of the forest that faced Titus across the lake. Their four heads were very different. That of the most northerly was crowned with a high conical hat like a dunce's, under which a great white head resembling a lion's turned slowly to left and right, upon the shoulders that supported it. The eyes, perfectly circular, were painted the purest emerald green and when the head was raised they shone to the moon.

But its mane was its glory. From close above the eyes, and from the sides and back of the head it billowed forth luxuriantly and fell as far as the waist in undulations of imperial purple. From the waist downwards - a twenty foot drop to the feet of the stilts - a prodigious skirt descended like a cascade, weighted down by its own length of material. It was quite black, as were those of the other three. This mutual darkness of the lower two thirds of their bodies gave an illusory effect to their upper parts. The skirts could be seen, and their reflections could be seen, but with nothing like the same clarity. It was, at times, almost as though their coloured 'heights' were floating. The arms emerged from halfway down the mane. In either hand the Lion held a dagger.

Next to this figure with its purple mane, stood one as far removed as the Lion from the natural, but more sinister in that the wolfish character of the head was not redeemed by either a noble cast of feature, or lightened by the charade-like nature of the long white dunce's hat.

This vulpine monster was undeniably wicked - but so decoratively wicked!

The head was crimson, and the cocked and pointed ears were deepest azure. This azure was repeated in the circles that were scattered over the grey hide of the upper body. In either hand was an enormous cardboard bottle of poison. As with the Lion the black skirt fell like a wall of darkness.

Even now as it stood in what might be thought of as the 'wings' for they had not set foot in the watery stage, their every movement was something awesome. For the Wolf to lift its poison-bottle was for a shudder to run through the swarming populace; for the Lion to shake its mane was for the lake to be circled with gooseflesh.

Next to the Wolf, and separated by half an acre of upturned heads was the Horse - a horse unlike any other travesty of that noble animal that had ever been concocted - and yet it was more a horse than anything else. It was monstrous, in its own way, with an expression of such fatuous melancholy that Titus could neither laugh nor cry for neither expression was true to what he felt.

Upon its head, this giantess wore an enormous basket-work hat whose brim cast a circular shadow upon the moonlit water far beneath. Long powder blue ribbons fell ludicrously from the crown of the hat and clustered about the hairy shoulder ten feet below. All about the lower part of the crown the hat was decorated with grass and livid lilies.

From beneath all this resplendence the loose-lipped head of the Horse protruded with baleful idiocy. Like the Lion, its long maudlin head was white, but red circles were painted on either side between the eyes and the curve of the jaws. The neck was long and absurdly supple, with a stubby fringe of orange hair along the spine.

It was clothed in an apple-green smock from under which the long skirt descended, hiding the tall and perilous stilts that protruded for no more than six inches beneath the black hem. In one hand the Horse carried a parasol and in the other a book of poems. From time to time the Horse would slowly turn its head and incline it, with a sort of sad and smirking deference, to the Lamb upon its left.

This Lamb, a little less in height than its companions, for all its towering stature, was a mass of pale golden curls. Its expression was one of unspeakable sanctity. However it moved its head - whatever the angle, whether it scanned the heavens in search of some beatific vision, or lowered its face as though to muse upon its own unspotted breast - there was no escape from its purity. Between its ears, and set upon the golden curls was a silver crown. The swathes of a grey shawl were drawn demurely over the shoulders, across the golden breast and fell in sculpturesque folds of some length, so that there was less to be seen of the inevitable skirt. It carried nothing in its hands for they were clasped upon its heart.

These four, with their heads as big as doors, yet appearing almost small in proportion to the awe-inspiring loftiness of the bodies, these four had not stood at the margin of the reflecting lake for more than a minute before, with startling unanimity of purpose, they set forth upon the waters.

Titus, crying with excitement, gripped the rotten upholstery of the chair on either side, his fingers working their way into the ancient horse-hair.

The Four ahead of him appeared to be moving upon the surface across the lake. Their strange, spidery strides took them far from the shore, but the hem of their skirts were still dry! Titus could in no way, understand it, until suddenly he realized that in spite of the clear reflections that seemed to plunge into fathomless water, the great lake was in reality but a few inches deep. It was a film.

For a moment he was disappointed. There is danger in deep water, and danger is more real than beauty in a boy's mind. But this disappointment was immediately forgotten for there could have been nothing of all this had the lake not been the merest glaze of water.

The masque of the Four upon the lake was designed, many hundreds of years ago, for this setting among the nocturnal chestnuts. The gestures of the Lion, grandiloquent, absurd yet impressive - the shaking of its purple mane, from which tremendous operation the other three invariably drew back - the terrible, side-long progress of the Wolf with the poison bottle as he manoeuvred himself ever nearer the golden lamb, and the outlandish gait of the Horse with its garnished hat, as it straddled from one end of the lake to the other, reading from its book of poems, while with its parasol it beat time in upper air to the rhythm of the verses - all this was a formula as ancient as the walls of the castle itself.

And all the while this masked drama, played upon stilts as tall as trees and upon a lake that reflected not only the progress of the performers, but the moon over whose liquid image the monstrous Horse would invariably stumble as though he had been tripped - all the while the silence continued unbroken. For although a strong strain of the ridiculous ran through everything, this was not the dominant impression. When the Horse-creature tripped or waved its parasol; when the Wolf was thwarted and its lower jaw fell open like a drawbridge; when the Lamb cast its eyes to the moon, only to be distracted in the throes of its sanctity by the whisking of the lion's mane - when these things happened there was no laughter but only a kind of relief, for the grandeur of the spectacle, and the godlike rhythms of each sequence were of such a nature that there were few present who were not affected as by some painful memory of childhood.

At last, the time-hallowed ritual drew to its end, and the lofty creatures stepped from the shallow lake, and turning before they disappeared into the deep woods, bowed across the shallows to Titus, as might the gods of Poetry and Battle bow to one another, as equals across enchanted water.

The Four, as they departed, took the silence with them. The rest of the night was by way of being a release from perfection, and was given over to every kind of scattered activity.

Between the bonfires that surrounded the lake and warmed the air above the chestnut forest, fresh fires were being lit, and under the lake-ward boughs hampers and baskets of provisions were being unpacked.

The Countess of Groan, who had remained throughout the masque as immovable as the log on which she sat, now turned her head over her shoulder.

But Titus was no longer on the platform, nor was Fuchsia at her side.

She rose from the log, the traditional place of honour, and moved abstractedly down to the lake's edge between lines of functionaries, who on seeing her rise knew that they were now free for the rest of the night to disport themselves as they wished.

Against the shimmering lake her massive form loomed darkly save for the moonlight on her shoulders and her dark red hair.

She gazed about her but seemed to be unaware of the crowds that thronged the water's edge.

A giant picnic was piecing itself together as the fish and fruit and loaves and pies were laid out beneath the trees, and it was not long before the lake was surrounded by an unbroken feast.

And while all these preparations were going on, shrill packs of urchins raced through the chestnut woods, swarmed among the branches, or streaming out of the trees, pranced or cart-wheeled to the centre of the lake, their reflections flying beneath them, and the film of water spouting from their feet. And when a pack would meet its rival pack, then hand to hand, a hundred watery combats would churn the shallows, as scattered over the aqueous arena the children grappled, the moon-light sliding on their slippery limbs.

And Titus watching longed with his whole being to be anonymous - to be lost within the core of such a breed - to be able to live and run and fight and laugh and if need be, cry, on his own. For to be one of those wild children would have been to be 'alone' among companions. As the Earl of Gormenghast he could never be alone. He could only be lonely. Even to lose himself was to be lost with that other child, that symbol, that phantom, the seventy-seventh Earl of Gormenghast who hovered at his elbow.

Fuchsia had signalled him to jump from the platform, and together they had raced into the chestnut woods immediately behind, and for a moment or two, in the darkness, they had held each other in the deep shadows of the trees and had heard one another's hearts beating.

'It was wicked of me,' said Fuchsia at last, 'and dangerous. We are supposed to have our midnight supper at the long table, with mother. And we must go back soon.'

'You can if you like,' said Titus, who was trembling with a deep hatred of his status. 'But I'm leaving.'

'Leaving?'

'Leaving for ever,' said Titus. 'For ever and ever. I am going into the wild, like... Flay... and like that...'

But he could think of no way to describe that wisp of a creature who had floated through a forest of gold oaks.

'You can't do that,' said Fuchsia. 'You would die and I wouldn't let you.'

'You couldn't stop me,' cried Titus. 'Nobody could stop me -' and he began to tear off the long grey tunic, as though it were in his path.

But Fuchsia, her lips trembling, held his arms to his sides. 'No! no!' she whispered passionately. 'Not now, Titus. You can't...'

But with a jerk he freed himself, but immediately tripped in the darkness and fell upon his face. When he raised himself, and saw his sister above him he pulled her down, so that she knelt at his side. In the distance they could hear the cries of the children by the lake, and then, suddenly, the harsh ringing of a bell.

'That is for supper,' whispered Fuchsia, at last, for she had waited in vain for Titus to speak, 'and after supper we will go along the shore together and see the cannon.'

Titus was crying. The long day he had spent alone, the lateness of the hour, the excitement, the sense of his essential isolation - all these things had worked together to weaken him. But he nodded. Whether Fuchsia saw his silent answer to her question or not, she made no further remark, but lifting him from the ground, she dried his eyes with the loose sleeve of her dress.

Together they picked their way to the edge of the wood, and there were the bonfires again and the crowds and the lake with the chestnut trees beyond, and there was the platform where he had sat alone, and there was their mother at the long table with her elbows on the moonlit linen, and her chin in her hands, while before her, and seemingly unnoticed, for her gaze was fixed upon the distant hills, the customary banquet lay spread in all its splendour, a rich and crowded masterpiece, the gold plate of the Groans burning with a slow and mellow fire and the crimson goblets smouldering at the moon.

FIFTY-ONE

I

And all the while the progress of the seasons, those great tides, enveloped and stained with their passing colours, chilled or warmed with their varying exhalations, the tracts of Gormenghast. And so, as Fuchsia wanders across her room in search of a lost book, the south spinneys below her window are misty with a green hesitation, and a few days later the sharp green fires have broken out along the iron boughs.

II

Opus Fluke and Flannelcat are leaning over the verandah railing above the Professor's quadrangle. The old quadman is sweeping the dust thirty feet below them. It is thick and white with heat, for the spring has long since passed.

'Hot work for an old fellow!' shouts Fluke to the old man. The ancient lifts his head and wipes his brow. 'Ah!' he calls up in a voice that could not have been used for weeks. 'Ah, sir, it's a dry do.' Fluke retires and in a few minutes has returned with a bottle which he has stolen from Mulefire's apartment. This he lowers on a length of string to the old man, far below in the dust.

III

In his study, and locked away from the world, Prunesquallor, lying rather than sitting in his elegant arm chair, reads with his crossed feet resting just below the mantelpiece.

The small fire in the grate lights up his keen, absurdly refined, and for all its weirdness of proportion, delicate face. The magnifying lenses of his spectacles, which can give so grotesque an effect to his eyes, gleam in the firelight.

It is no book of medicine that he is so absorbed in. On his knee there is an old exercise book filled with verses. The hand-writing is erratic but legible. Sometimes the poems are in a heavy, ponderous and childish hand - sometimes in a quick, excited calligraphy, full of crossings-out and mis-spellings.

That Fuchsia should have ever asked him to read them was the most thrilling thing that he had ever experienced. He loved the girl as though she were his own daughter. But he had never sought her out. Little by little, as the times went by she had taken him into her confidence.

But as he reads, and while the autumn wind whistles in the branches of the garden trees, his brow contracts and he returns his gaze to the four curious lines which Fuchsia had crossed out with a thick pencil- How white and scarlet is that face, Who knows, in some unusual place The coloured heroes are alight With faces made of red and white.

IV

It is a cold and dreary winter. Once again Flay, who is now as much at home in the Silent Halls as he had been in the forests, sits at the table in his secret room. His hands are deep in his ragged pockets. Before him is spread a great sail of paper that not only covers the table, but descends in awkward folds and creases to the floor on every side. A portion near its centre is covered with markings, laboriously scripted words, short arrows, dotted lines, and incomprehensible devices. It is a map; a map which Mr Flay has been working upon for over a year. It is a map of the district that surrounds him - the empty world, whose anatomy, little by little, he is piecing together, extending correcting, classifying. He is, it seems, in a city that has been forsaken and he is making it his own; naming its streets and alleys, its avenues of granite, its winding flights and blackened terraces - exploring ever further its hollow hinterlands, while over all, like a lowering sky, as continuous and as widespread are the endless ceilings and the unbroken roof.

He is no master of graphology. A pen sits awkwardly in his hand. But both while engaged upon his expeditions and when adding with painful slowness to his map, during the long days his life in the pathless woods is standing him in good stead.

With no stars to help him, his sense of orientation has become uncanny. Tonight he will keep watch upon Steerpike's door as has become his custom in the small hours, and if the opportunity arises, he will follow him upon whatever business he is bent. Until then he has seven hours in which to push forward with this task of reconnaissance which has now become a passion.

He takes his hands out of his pockets and with a scarred and bony forefinger he traces for himself the path he proposes to follow. It takes a northward course sweeping in a number of arcs before it zig-zags through a veritable cross-hatching of narrow alleys to reappear as a twelve foot corridor with a worn pavement on its either side. This corridor heads undeviatingly to the north and fades out in a series of small, hesitant dots that part of Mr Flay's paper that has all but overlapped the table. It has reached the margin of his knowledge to the north.

He pulls the chart towards him and the loose paper on the far side of the table slides upwards from the floor, and then, in creeping forwards to beneath his outstretched head, it opens out its wastes of untrodden whiteness with an arctic yawn.

V

And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls... falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart's condition.

And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder.

And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy.

The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity.

And Titus Groan is wading through his boyhood.

FIFTY-TWO

A kind of lull had settled upon the castle. It was not that events were lacking but that even those of major importance had about them a sense of unreality. It was as though some strange wheel of destiny had brought to the earth its pre-ordained lacuna.

Bellgrove was now a husband. Irma had not wasted a moment before she began to raise those formidable earthworks that can so isolate the marital unit from the universe.

She always knew what was best for Bellgrove. She always knew what he most needed. She knew how the headmaster of Gormenghast should behave and she knew how his inferiors should behave in his presence. The staff were terrified of her. There was no difference between them and their pupils where Irma was concerned. It was a case of whispering behind the hand; tip-toeing past the door of Bellgrove's apartment; looking to the condition of their finger nails, and, worst of all, attending their classes at the scheduled time.

She had changed almost out of recognition. Marriage had given her vanity both drive and direction. It had not taken her long to discover the inherent weakness of her husband. She loved him no less for this, but her love became militant. He was her child. Noble, but ah, no longer wise. It was she who was wise and in her loving wisdom it was for her to guide him.

From Bellgrove's point of view it was a sad story. Having had her in the palm of his hand - it was now a bitter business, this reversal. He had been unable to keep it up. Little by little, his lack of will, his native feebleness became apparent. She had found him, one day, practising a series of noble expressions before the mirror. She saw him shake his beautiful white locks, and she had heard him chiding her for some imaginary misdemeanour. 'No, Irma,' he was saying, 'I will not have it. I would be gratified if you would remember your station,' and then he had smirked, as though ashamed, and on looking into the mirror again, had seen her standing behind him.

But he knew himself to be her superior. He knew that there was in him a kind of golden fund, a reserve of strength, but at the same time he knew that this strength was of no avail for he had never drawn upon it. He did not know how to. He didn't even know exactly what kind of strength it was. But it was there, and it was real to him in the way that an ultimate innocence, like a nest egg, awaits its moment in the breasts of sinners.

And yet for all his subjugation it was a relief to be able to be weak again.

Gradually he gave himself up to it, bearing in mind, all the time, his own secret superiority - as a man - and as a broken reed. Better, he argued to have been a thing of mystery and music and to have been broken than to have never been a reed, but to have been composed of some prosaic if quite unbreakable material with about as much mystery or music in its blood stream as there is love in a condor's eye.

All these thoughts, of course, he kept strictly to himself. To Irma's mind he was her lord upon a leash. To the staff he was simply on a leash. In his own mind, leash or not, a philosophy was growing. The philosophy of invisible revolution.

He peered at her, not unlovingly, through his white eyelashes. He was glad she was there, mending his ceremonial gown. It was better than being baited by the staff as in the old days. After all, she couldn't tell what he was thinking. He watched her pointed nose. How had he ever admired it?

But oh the glee of thinking to himself. Of dreaming of impossible escapes, or of reversing the status quo, so that once again she would be in his power, as on that magical evening in the dappled arbour. But then - the strain of it, the strain of it. There was no joy in will-power.

He settled back in his chair and revelled in his weakness, his old mouth twisting a little at one corner, his eyes half-closing as he relaxed the leonine features of his magnificent old head.

The sense of unreality which had spread through the castle like some strange malaise had muffled Bellgrove's marriage so that although there was no lack of incident, and no question as to its importance, a sharpness, an awareness was missing and nobody really believed in what was happening. It was as though the castle was recovering from an illness, or was about to have one. It was either lost in a blur of unfocused memory or in the unreality of a disquietening premonition. The immediacy of the castle's life was missing. There were no sharp edges. No crisp sounds. A veil was over all things, a veil that no-one could tear away.

How long it lasted was impossible to say, for although there was this general oppression that weighed on every action, all but annihilating its reality of significance, making, for instance, of Bellgrove's marriage a ceremony of dream, yet the sense of unreality in each individual was different; different in intensity, in quality, and in duration, according to the temperaments of all who were submerged.

There were some who hardly realized that there was a difference. Thick bullet-headed men with mouths like horses, were scarcely aware. They felt that nothing mattered quite as much as it used to do, but that was all.

Others were drowned in it, and walked like ghosts. Their own voices, when they spoke, appeared to be coming to them from far away.

It was the influence of Gormenghast, for what else could it have been? It was as though the labyrinthian place had woken from its sleep of stone and iron and in drawing breath had left a vacuum, and it was in this vacuum that its puppets moved.

And then came a time when, on a late spring evening, the castle exhaled and the distances came forward in a rush, and the far away voices grew sharp and close, and the hands became aware of what they were grasping, and Gormenghast became stone again and returned to its sleep.

But before the weight of emptiness had lifted, a number of things had happened which, although when seen in retrospect appeared vague and shadow, had nevertheless taken place. However nebulous they had appeared at the time their repercussions were concrete enough.

Titus was no longer a child, and the end of his schooldays was in sight. He had, as the years went by become more solitary. To all save Fuchsia, the Doctor, Flay and Bellgrove he presented a sullen front. Beneath this dour and unpleasing armour his passionate longing to be free of his hereditary responsibilities smouldered rebelliously. His hatred, not for Gormenghast, for its very dust was in his bloodstream, and he knew no other place, but for the ill fate that had chosen him to be the one upon whose restless shoulders there would rest, in the future, the heavy onus of an ancient trust.

He hated the lack of choice: the assumption on the part of those around him that there were no two ways of thinking: that his desire for a future of his own making was due to ignorance or to a wilful betrayal of his birthright.

But more than all this he hated the confusion in his own heart. For he was proud. He was irrationally proud. He had lost the unselfconsciousness of childhood where he was a boy among boys; he was now Lord Titus and conscious of the fact. And while he ached for the anonymity of freedom he moved erect with a solitary pride of bearing, sullen and commanding.

And it was this contradiction within himself that was as much as anything else the cause of his blunt and uncompromising manners. With the youths of his own age he had become more and more unpopular, his schoolmates seeing no cause for the violence of his outbursts. He had ripped the lid off his desk for less than nothing. He could be dangerous and as time went on his isolation grew more complete. The boy who had been ready for any act of mischief, for any midnight venture, in the long dormitories, was now another being!

The tangle of his thoughts and emotions - the confused groping for an outlet for his wayward spirit, his callow lust for revolt, left no room in him for those things that would once have quickened his pulse. He had found that to be alone was more intoxicating. He had changed.

And yet, in spite of the long years that had passed since he, Doctor Prunesquallor and Professor Bellgrove had played marbles in the small fort, he was still as able to delight in the most childish of amusements. He would often be found sitting by the moat, and launching by the hour small wooden boats of his own making. But more abstractedly than in the old days, as though for all his apparent concentration, as he carved with his penknife the tapering bows or the blunt stern of some monarch of the waves - his mind was really far away.

Yet he carved away at these small craft and he named them as he launched them upon their perilous missions to the isles of blood and spices. And he would visit the Doctor and watch him making those peculiar drawings which Irma had never cared for, those drawings of small spidery men, a hundred on a page, engaged now in battle, now in conclave, now in scenes of hunting, now in worship before some spidery god. And for the hour he would be very happy. And he would visit Fuchsia and they would talk and talk until their throats were sore... would talk about all there was in Gormenghast for they knew no other place - but neither to his sister nor to Bellgrove who would sometimes, when Irma was engaged elsewhere, shamble down to the moat's edge to launch a ship or two - neither to him, nor to the Doctor did Titus ever unburden himself of his secret fear, the fear that his life would become no more than a round of pre-ordained ritual. For there was no one, not even Fuchsia who, however much she might sympathize, could help him now. There was no one who would dare to encourage him in his longing to free himself of his yoke to escape and to discover what lay beyond the margins of his realm.

FIFTY-THREE

The unearthly lull that had descended upon Gormenghast had not failed to affect so imaginative and highly strung a nature as Fuchsia's. Steerpike who, although sensitive to atmosphere in a high degree, was less submerged, and moved as it were with his crafty head protruding above the weird water. He could see Fuchsia, as she walked in a transparent world, far below the surface. Acutely aware of this trance-like omnipresence, Steerpike, following the course of his nature, was at once concerned with how best he could use this drug to further his own ends, and it was not long before he had come to a decision.

He must woo the daughter of the House. He must woo her with all the guile and artistry in his power. He must break down her reserve with an approach both simple and candid, with an assumed gentleness, and a concentration upon those things which he could pretend they had in common: and with a charming yet manly deference to her rank. At the same time he would both give the impression of those fires within him that were undoubtedly there, if for the wrong reason, and by devious means, so engineer their assignations and coincidental meetings that she would often come upon him in hazardous situations, for he knew already how much she admired his bravery.

But at the same time he must keep his face hidden as much as possible. He had no illusions about its power to horrify. That she was impregnated with the heavy yet far away atmosphere of the place, was no reason for him to assume that she was impervious to the fearfulness of his ruined face. They would meet after dark, when with no visual distraction she could gradually realize that only in him could she find that complete companionship, that harmony of mind and spirit - that sense of confidence, of which she had been so starved. But she was starved for more than this. He knew her life had been loveless - and he knew of the warmth and vibrancy of her nature. But he had always waited. And now the time had come.

He laid his plans. He made his first advances in the dusky evenings. As Master of Ceremonies, it was not difficult for him to know what parts of the castle would be clear of possible intruders at varying times of the late evening.

Fuchsia, deeply affected by the unearthly atmosphere that had made of her ancient home a place that she could hardly believe in, was led by subtle degrees, through a period of weeks, to a state of mind where she felt it a natural thing to have her advice solicited, as to this point or that, and for Steerpike to tell her of what had happened to him during the day. His voice was quiet and even. His vocabulary, rich and flexible. She was attracted by his grip upon whatever subject they conversed about - it was so far beyond her own powers. Her admiration for his vitality of mind developed, in its turn, into an excited interest in the whole being, this Steerpike, this nimble, fearless confidant of their nocturnal meetings. He was unlike anyone else. He was wide awake and alive to his fingertips. Her old revulsion at the memory of his burned face and red hands became buried under the ever growing structure of this propinquity.

That she, the daughter of the Line, should see so much of an officer of the castle, for unofficial reasons, was, she knew, a crime against her station. But she had been so long a time alone. To be able to feel that she could interest anyone to the extent of their wanting to see her night after night was something so new to her that it was but a short way to the outskirts of that treacherous land whose paths she would so soon be treading.

But she did not look ahead. Unlike this new companion, this man of the dusk, whose every sentence, every thought, every action was ulterior, she lived in the moment of excitement, savouring the taste of an experience that was enough in itself. She had no instinct of self-preservation. She had no apprehension. For Steerpike had moved towards her with a gradual and circuitous cunning until the evening came when their hands met involuntarily in the darkness, and neither hand was withdrawn, and from that moment, it seemed to Steerpike that his road to power was clear before him.

And for a long time everything continued to develop in the way he had foreseen, the intimacy of their secret meetings leading them ever more deeply into, as Fuchsia thought, each other's confidence.

But, with the evil knowledge of the power that was now his, Steerpike, indulging himself in the anticipation of final conquest, made no rash attempt to seduce Fuchsia. He knew that with Fuchsia no longer a virgin, he would have her, if for no other reason than that of simple blackmail, in the palm of his hand. But he was not ready yet. There was a lot to be considered.

As for Fuchsia, it was all so new and tremendous to her that her emotions had enough on which to feed. She was happier than she had ever been in her life.

FIFTY-FOUR

The disappearance of the Earl, Sepulchrave, Titus' father, and of his sisters, the Twins, and of their terrible and secret ends; the death of Sourdust by burning, and of his son Barquentine by fire and water, what of all this mystery and violence in the eyes of the castle? They had spread themselves, these horrors, over a period of twelve or more years, and although the minds, active in their different ways, of the Countess, the Doctor, and Flay, had, from their different angles, made periodic efforts to discover in the tragedies some common ground, yet no proof of foul play had yet been found which could support their suspicions.

Flay alone knew the grizzly truth about the secret death of his master, Lord Sepulchrave, and of his enemy the gross Swelter whom he had killed. This knowledge he had never divulged.

But his own banishment had been the result of Steerpike's gesture of disloyalty to his mad master, when the skewbald man was a youth of seventeen or eighteen years, and this disloyalty had remained rooted in Flay's mind. But of the incarceration and death of the Twins he knew nothing, although, witless of its origins and significance, he had heard their terrible laughter as they died in the hollow halls.

He had strained his brain and memory, as had the Doctor and the Countess, to draw some significant conclusion from the common deaths by fire of the father and son - Sourdust and Barquentine - and from the fact that Steerpike had been the hero of both occasions. Try as they would they were unable to rationalize their suspicions.

And yet there were, over the course of the years, small concrete although disconnected reasons for apprehension. As yet they fitted into no pattern, but they were there, and they were not forgotten.

The Doctor had always been anxious to discover Steerpike's reason for leaving his service and establishing himself as confidant and retainer of the vacant Twins. His was no mind to find pleasure in such surroundings. His only reason must have been for social advancement or for some darker motive. The identical Twins had disappeared. Their note which Steerpike had found on their table had told of their intention to kill themselves. Prunesquallor had got hold of this note and compared its calligraphy with a letter Irma had once received from them. He compared them in mirrors - he devoted an entire evening to their scrutiny. It seemed that they were by the same hand, the formation of letters big and round and uncertain as a child's.

But the Doctor had known these retarded women for many years and he did not believe, for all the oddness of their thwarted natures, that they would ever take their own lives.

Nor did the Countess believe that they were capable of making an end to themselves. Their puerile ambition and vanity - and their only too obvious longing to assume, one day, the rôles in which they were always seeing themselves, the rôles of ladies, great and splendid, bedecked with jewels, precluded any such idea as suicide. But there was no proof either way.

The Doctor had told the Countess of Steerpike's delirious cry 'And the twins will make it five!' She had stared out of the window of her room.

'Five what?' she had said.

'Exactly,' said the Doctor. 'Five what?'

'Five enigmas,' she answered heavily, without a change of expression.

'And what are they, your ladyship? Do you mean five...?'

She interrupted him heavily. 'The Earl, my husband,' she said. 'Vanished. One. His sisters, vanished: two. Swelter, vanished: three. Sourdust and Barquentine, burned: five...'

'But the deaths of Sourdust and Barquentine were hardly enigmatic...'

'One wouldn't be. Two would,' said the Countess. 'And the youth at them both.'

'The youth?' queried the Doctor.

'Steerpike,' said the Countess.

'Ah,' said the Doctor, 'we have the same fears.'

'We have,' said the Countess. 'I am waiting.'

The Doctor thought of Fuchsia's poem:

How white and scarlet is that face!

Who knows in some unusual place

The coloured heroes are alight

With faces made of red and white.

'But your ladyship,' he said - she was still staring through the window. 'The words "And the Twins will make it five" suggest to me that their ladyships Cora and Clarice would make two of the group he had in his delirious mind. He was making a list of individuals, in his fever, I will stake my brightest penny.'

'And so...'

'And so, your ladyship, the deaths and disappearances would be six, not five.'

'Who knows?' said the Countess. 'It is too early. Give him rope. We have no proof. But by the black tap-root of the very castle, if my fear is founded, the towers themselves will sicken at his death: the oldest stones will spew.'

Her heavy face flushed. She lowered her hand into a wide pocket, and drawing forth some grain she extended her arm. A small mottled bird appeared out of nowhere and running along her outstretched arm, perched with its claws about her index finger and with a sideways movement began to peck from her palm.

FIFTY-FIVE

'But he can't help giving you your ritual for each day, can he?' said Fuchsia. 'And instructing you. It's not his fault, it's the law. Father had to do it when he was alive - and his father had to - and they've all had to. It isn't possible for him to do any different. He has to tell you what's in the books, however trying it is for you.'

'I hate him,' said Titus.

'Why? Why?' cried Fuchsia. 'What's the good of hating him because he's doing what he has to do? You don't expect that he can make an exception, do you, after thousands of years? I suppose you'd rather have Barquentine. Can't you see how bigoted you are? I think he does his work wonderfully.'

'I hate him!' said Titus.

'You're becoming a 'bore!' said Fuchsia, with heat. 'Can't you say anything except "I hate him"? What's wrong with him? Do you hold his appearance against him? Do you? If so, you're mean and damnable.'

She shook her thick black hair away from her eyes. Her chin trembled.

'Oh God! God Do you think I want to quarrel with you, Titus, my darling?

You know how I love you. But you're unfair. 'Unfair'. You know nothing about him.'

'I hate him,' said Titus. 'I hate the cheap and stinking guts of him.'

FIFTY-SIX

As the months passed the tensions increased. Titus and Steerpike were at daggers drawn, although Steerpike, the soul of bland discretion, showed nothing of his feelings, and gave no sign to Titus or the outside world of his loathing of this forward boy - the boy who unconsciously stood between him and the zenith of his ambition.

Titus, who ever since that day when, little more than a child, he had defied Steerpike in the classroom silence, and had fallen fainting from his desk, had held on grimly to the dangerous ascendancy he had gained by that curious and childish victory.

Every day the details of his after-school duties were read out to Titus in the Library, Steerpike flicking through the pages of cross-reference, and explaining the obscurer passages with clarity and precision. Up till now the Master of Ceremonies had kept rigidly to the letter of the Law. But now, in the all but invulnerable position of being the only one who had access to the tomes of reference and procedure, he was making a list of duties which he would insert among the ancient papers. He had been able to unearth some of the original paper, and it was only for him to forge the copper-plate writing, and the archaic spelling and invent a series of duties for Titus which would be both galling and, on occasion, sufficiently hazardous for there to be always the outside chance of the young Earl coming to grief. There were for instance stairways that were no longer safe - there were the rotten beams and crumbling masonry. Beyond this there would always be the possibility of deliberately weakening and undermining certain cat-walks that stretched along the upper walls of the castle, or in some way or another of making sure that in following out the forged procedures, Titus would sooner or later fall 'accidentally' to his death.

And with the death of Titus, and with Fuchsia in his power, the Countess alone would stand between him and a virtual dictatorship.

There would yet be enemies. There would be the Doctor whose intelligence was rather more acute than Steerpike would have wished; and there was the Countess herself, the only character for whom he held a puzzled and grudging respect - not for her intelligence, but for the reason of the very fact that she baffled his analysis. What was she? What was she thinking and by what processes? His mind and hers had no point of contact. In her presence he was doubly careful. They were animals of different species. They watched one another with the mutual suspicion of those who have no common tongue.

As for Fuchsia, it was but a step towards mastery. He had surpassed himself.

Her heart was now as tender as his overtures had been, with their delicate gradations, their subtle cadences, their superb restraint.

It was no longer a case of their meeting at dusk, now here, now there, at varying rendezvous. For some while, Steerpike had for his own delectation been furnishing yet another secret room for himself. He now had nine, scattered throughout the castle only one of which, a large bedroom-study, was known to the castle. Of the rest five were in obscure quarters of Gormenghast, and three, though in the most populous areas, were as curiously hidden as a wren's nest, in a bank of grass and weeds. Their doors, abutting on major arteries of the castle, were never seen to open. They were there for all to see but no one saw them.

In one of these rooms which he had but recently appropriated, and which he only visited at night when thick silence lay along the corridor, he had got together a few pictures, some books, a cabinet of shallow drawers in which he kept his collection of stolen jewellery, of old coins, a range of poisons, and various secret papers. A thick crimson carpet covered the floor. The small table and the two chairs were of elegant design and he had skilfully repaired the damage that long years had worked upon them. How different was this interior to the rough stone corridor without, with its stone pillars on either side of every door and the heavily protruding shelf-like slabs of stone above.

It was to this room that Fuchsia made her nocturnal journeys, her heart beating, her pupils dilated in the darkness. And it was here that she was so courteously received. A shaded lamp threw out a soft golden glow. A book or two, carefully chosen, lay casually here and there. It was always irksome for Steerpike to make those last few changes in the disposition of the objects which were calculated to give an air of informality to the room. He detested untidiness as he detested love. But he knew that Fuchsia would be ill at ease with the kind of formal and perfect arrangement that gave him pleasure.

Even so, she seemed strangely incongruous in that tasteful and orderly trap. For Steerpike could not entirely destroy the reflection of his own coldness. She seemed too much alive - alive in so different a sense from the glittering and icy vitality of her companion - too much alive in the way that love like an earthquake or some natural and sinless force, is incompatible with a neat and formal world. However quietly she sat back in her chair, her black hair about her shoulders, she was potentially disruptive.

But she admired what she saw. She admired all that she was not. It was all so different from Gormenghast. When she remembered her old untidy attic and the rooms she now occupied with the floor littered with poems, and the walls with drawings, she supposed that there must be something wrong with her.

When she remembered her mother, she felt, for the first time, embarrassed. One night when she tapped upon the door with her fingertips there was no reply. She tapped again, glancing apprehensively along the corridor on either side. The silence was absolute. She had never before had to wait for more than the fraction of a second. And then a voice said. 'Be careful, my lady.'

Fuchsia had started at the sound as at the touch of a red iron. The voice had come from nowhere. There was no sound of a step. In fear and trembling she lit the candle she carried in her hand - a rash and risky thing to do. But there was no one. And then, in the far distance, something began to approach her rapidly. Long before she could see Steerpike she knew it was he. It was but a few moments before his swift, narrow, high-shouldered form was upon her and had snatched the candle from her hand and crushed out the flame. In another moment his key had been turned in the lock and she had been hustled through the door. He locked it from the inside, in the darkness, but he had already whispered fiercely 'Fool.' With that word the world turned over. Everything changed.

The delicate balance of their relationship was set in violent agitation - and a dead weight came down over Fuchsia's heart.

Had the crystalline and dazzling structure which Steerpike had gradually erected, adding ornament to ornament until, balanced before her in all its beauty, it had dazzled the girl - an outward sign of his regard for her - had the exquisite structure been less exquisite, less crystalline, less perfect, then its crash upon the cold stones far beneath would never have been so final. Its substance, brittle as glass, had been scattered in a thousand fragments.

The short, brutal word and the push which he had given her had turned her on the instant from a dark and eager girl into something more sombre. She was shocked and resentful - but less resentful, for those first moments, than hurt. She had also become, without her knowing it, 'Lady Fuchsia'. Her blood had risen in her -the blood of her Line. She had forgotten it when love was tender, but now in bitterness she was again the daughter of an Earl.

She had known, of course, that to light a candle outside the very door was against all their strictest rules of care and secrecy. But she had been frightened. Maddening as it would have been for their rendezvous to have been discovered, yet there had been no sin in it, save that of her conducting her affairs in secret, and of allowing herself to be the close friend of a commoner.

But his face had been ugly with anger. She had never known that he could so lose that perfect, that chiselled quietness of pose and feature. She had never known that his clear, neat and persuasive voice could have taken on a tone so savage and cruel.

And to have been pushed! To have been thrust forwards in the darkness. His hands, which once, like those of a musician, had been so thrilling in their delicate strength, had been rough as the claws of an animal. As surely as the change of his voice, as surely as the word 'fool', this shove in the darkness had woken her to a reality both bitter and galling.

But, as she trembled, there was, mixed with the mortification, the ghostly and exciting memory of that voice out of nowhere. It had evolved out of the darkness and at no more distance from her than a few feet, but there had been no one there. She had no more idea of how it had originated than of the intention or meaning of its warning. She only knew now, that she would not seek assistance from Steerpike; she would not confide her fear of this inexplicable 'voice' in someone who had degraded her. All the Lords of Gormenghast were at her shoulder.

She turned on her heel, in the darkened room, and before he had lit the lamp, 'Let me out of here,' she said. But almost immediately the familiar room was filled with the gold lamp-light and she saw upon the table, sitting with its face cupped in its wrinkled hands, a monkey. It was dressed in a little costume of red and yellow diamonds. On its head was a small velvet hat, like a pirate's, with a violet feather curling from the crown.

Steerpike had covered his face with his hands, but he was watching Fuchsia through the slits between his fingers. He had lost command. The sight of a flame, where it had no cause to be, had struck at him like a lash. He had not been burned for nothing and fire was his only fear. Once again he had failed.

But he did not know how seriously. He watched her through his fingers. She stared at the monkey with an expression quite indefinable. What surprise she felt was not in evidence. The turmoil and the shock of having been so roughly treated was still too strong in her for any other emotion to supplant it, however bizarre the stimulus might be. But when the vivid little animal rose to its feet and took off its hat, and when it replaced it after scratching its head and yawning, then, for an instant, something less sad suffused her face with a fleeting animation.

But it was impossible for her mood to be swung so rapidly from one extreme to another. A part of her mind was fascinated by the oddness of it all, but nothing touched her heart. It was a monkey dressed up and that was all. What would once have inflamed her with excitement, left her now, at this paralysing moment, quite frozen.

Steerpike had gained a moment or two but what could he do with them? She had commanded him to let her go from the room when the monkey had caught her eye.

Once again she turned her gaze to him. Her black eyes appeared quite dead, the lustre drained away. Her lips were tightly closed.

She saw him with his hands across his face. And then she heard his voice. 'Fuchsia,' he said. 'Allow me one moment, only one, in which to tell you of the danger from which we have just escaped. There was no time to be lost and though there could never be any excuse, and although I can never ask for forgiveness, yet you must allow me a short moment in which to explain my violence.

'Fuchsia! it was for you. My violence was for you. My roughness was the roughness of love. I had no time to do other than to save you. Have you not heard the footsteps? She has just gone by. One moment later and your light would have brought her to this door. And you know the punishment. Of course you do, the punishment, which by ancient law is meted out to those daughters of the line who consort with the mere outsiders. It is too awful to think about. And that is why our plans have been so secret, our rules so rigorous. And you know this. And you have been meticulous. But tonight you misjudged the time, did you not? You were four minutes early. O that was risky enough. But to add to such a peril the lighting of your candle. And then, as always happens, it was precisely when all this was happening that your mother should follow me.'

'My mother?' Fuchsia's voice was a whisper.

'Your mother. I had led her away for I knew that she was near. I doubled back. I crossed my tracks. I doubled back again and yet she was there, and moving slowly - I cannot understand it - but I came as I intended to this door with the length of the corridor between us - the length of the corridor and the odd twenty feet that would give me the chance of whipping into our room in time - but no, it wasn't this that I was going to do. No. For what would have been more likely than for you to have met her - and then...'

Steerpike dropped his hands from his face where they had been all this time.

His voice had been running on with a certain charm for he had managed to vary it with a kind of stutter - not so much nervous in effect as eager and candid.

'But what happened, Fuchsia? Well, you know that as well as I do. I turned the north corner with your mother the length of a corridor behind - and there you were, like a bonfire, the length of the corridor before me. Put yourself in my place. One cannot have all the noble emotions at the same time. One cannot mix up desperation with being a perfect gentleman. At least I can't. Perhaps I should have been given lessons. All I could do was to save the situation. To hide you. To save you. You were there too early; and Fuchsia, it made me angry. I have never been angry with you before as you know. I could never imagine being angry with you. And perhaps even now, it wasn't really you I was angry with, but fate, or destiny or whatever it is that might have upset our plans. And it was because our plans have always been so carefully prepared - so that there shall be no risk, and you shall come to no harm - that my rage boiled up. You were no longer Fuchsia to me, at that moment. You were this thing that I was to save. After I had got behind the door, then you would be Fuchsia again. Had I waited for a moment before stifling your light or getting you through the door, then our lives might indeed have been ruined. For I love you, Fuchsia. You are all I ever longed for. Can't you see that it was because of this that I had no time to be polite? It was a boiling moment. It was a maelstrom. I called you "fool", yes "fool", out of my love for you - and then,... and then... here in this room again, it all seemed so unbelievable and it does so still, and I am half ashamed of the gift I had brought you and the writing I have done for you - O Fuchsia - I don't even know if I can show it to you now...' he turned abruptly with his hand clenched at his forehead, and then as though to say he would not give way to his despair, 'Come on then, Satan,' he whispered. 'Come on, my wicked boy!' and the monkey leapt on to Steerpike's shoulder.

'What writing?' said Fuchsia.

'I had written you a poem.' He spoke very softly, in a way that had often proved successful but he was a step too far in advance of his progress.

'But perhaps now,' he said, 'you will not wait to see it, Fuchsia.'

'No,' she said after a pause. 'Not now.'

Her inflection was so strange that it was impossible to tell whether she meant 'not now' in the sense of it being no longer possible for her to do anything so intimate as to read a love poem; or not now, but some other time.

Steerpike could only cry, 'I understand,' and placed the monkey on the table where it walked rapidly to and fro, on all four legs, and then leapt onto one of his cabinets.

'And I will understand, if you have no wish for Satan.'

'Satan?' her voice was quite expressionless.

'Your monkey,' he said. 'Perhaps you would rather not be bothered, I thought he would please you. I made his clothes myself.'

'I don't know! I don't know!' cried Fuchsia suddenly. 'I don't know, I tell you, I don't 'know'!'

'Shall 1 take you to your room?'

'I will go myself.'

'As you please,' said Steerpike. 'But recall what I have said, I implore you. Try and understand; for I love you as the shadows love the castle.'

She turned her eyes to him. For a moment a light came into them, but in the next moment they appeared empty once more; empty and blank.

'I will never understand,' she said. 'It is no good however much you talk. I may have been wrong, I don't know. At any rate everything is changed. I don't feel the same any more. I want to go now.'

'Yes, of course. But will you grant me two small favours?'

'I suppose so,' said Fuchsia. 'What are they? I'm tired.'

'The first one is to ask you from the bottom of my heart to try to understand the strain which was put upon me, and to ask you whether, even if it is for the last time, you will meet me, as we have done for so long, meet me that we can talk for a little while - not about us, not about our trouble, not about my faults, not about this terrible chasm between us, but about all the happy things. Will you meet me tomorrow night, on those conditions?'

'I don't 'know'!' said "Fuchsia. 'I don't know! But I suppose so. O God, I suppose so.'

'Thank you,' said Steerpike. 'Thank you, Fuchsia.'

'And my other request is only this. To know, whether, if you have no use for Satan, you will let me have him back - because he is yours... and...'

Steerpike turned his head from her and moved away a few paces.

'You would like to know, wouldn't you, Satan, to whom you belong...' he cried in a voice that was intended to sound gallant.

Fuchsia turned on him suddenly. It seemed that she had now realized the natural edge of her own intellect. She stared at the skewbald man with the monkey on his shoulder and then her words cut into the pale man like knives. 'Steerpike,' she said. ''I think you're going soft'.'

From that moment Steerpike knew that when she came on the following night he would seduce her. With so dark a secret to keep hidden, the daughter of the Countess would indeed be at his mercy. He had waited long enough. Now, upon the heels of his mistake, was the only time for him to strike. He had felt the first intimation of something slipping away beneath his feet. If guile and coercion failed him, then there could be no two ways about it. This was no time for mercy - and though she proved a tigress he would have her - and blackmail would follow as smoothly as a thundercloud.

FIFTY-SEVEN

I

When Flay heard the door open quietly below him he held his breath. For a few moments no one appeared and then a shape still darker than the darkness stepped out into the corridor and began to walk rapidly away to the south. When he heard the door close again he lowered himself from the great stone shelf that stretched above Steerpike's doorway and with his long bony arms outstretched to their full extent he dropped the odd few inches to the ground.

His frustration at being unable to gain any clue as to what had been going on inside the room was only equalled by his horror at finding that it was Fuchsia who had been the clandestine visitor.

He had sensed her danger. He knew it in his bones. But he could not have persuaded her, suddenly, in the night, that she was in peril. He could not have told her what kind of peril. He did not know himself. But he had acted on the spur of the moment and in whispering to her out of the darkness he hoped that she might be put upon her guard. if only for reasons of supernatural fear.

He followed Fuchsia only so far as to be sure that she was safely upon her way to her own rooms. It was all he could do not to call after her, or overtake her, for he was deeply perplexed and frightened. His love for her was something quite alone in his sour life. Fond as he was of Titus, it was the memory of Fuchsia, more than of the boy, or of any other living soul, that gave to the flinty darkness of his mind those touches of warmth which, along with his worship of Gormenghast, that abstraction of outspread stone, were seemingly so foreign to his nature.

But he knew that he must not speak to her tonight. The distracted way in which she moved, sometimes running and sometimes walking, gave him sufficient evidence of her fatigue and, he feared, of her misery.

He did not know what Steerpike had done or said but he knew he had hurt her, and if it were not that he felt upon the brink of gaining some kind of damning evidence, then he would have returned to that room from which Fuchsia had emerged, and on the reappearance of Steerpike, at the doorway, he would have plucked the skewbald face, barehanded, from the head.

II

As he returned in the direction of the fateful corridor, a heavy pain lay across his forehead and his thoughts pursued one another in a confusion of anger and speculation. He could not know that with every step he was travelling, not nearer to his room but further from it - further in time, further in space, nor that the night's adventures far from coming to a close were about to begin in earnest.

By now the night was well advanced, He had returned with a slow and somewhat dragging pace, lingering here and there to lean his head against the cold walls while his headache hammered behind his eyes and across his angular brow. Once he sat down for a hour upon the lowest step of a flight of age-hollowed stairs, his long beard falling upon his knee, and taking the sharp curve of them and falling again in a straggle of string-like hair to within a few inches of the floor.

Fuchsia and Steerpike? What could it mean? The blasphemy of it! The horror of it! He ground his teeth in the darkness.

The castle was as silent as some pole-axed monster. Inert, breathless, spread-eagled. It was a night that seemed to prove by the consolidation of its darkness and its silence the hopelessness of any further dawn. There was no such thing as dawn. It was an invention of the night's or of the old-wives of the night - a fable, immemorially old - recounted century after century in the eternal darkness; retold and retold to the gnomic children in the tunnels and the caves of Gormenghast - a tale of another world where such things happened, where stones and bricks and ivy stems and iron could be seen as well as touched and smelt, could be lit and coloured, and where at certain times a radiance shone like honey from the east and the blackness was scaled away, and this thing they called dawn arose above the woods as though the fable had materialized, the legend come to life.

It was a night with a bull's mouth. But the mouth was bound and gagged. It was a night with enormous eyes, but they were hooded.

The only sound that Flay could hear was the tapping of his heart.

III

It was later. and at an indeterminate hour of the same night, or inky morning, that Mr Flay, long after passing the door in the passage, came to an involuntary halt as he was about to cross a small cloistered quadrangle.

There was no reason why he should have been startled by the single band of livid yellow in the sky. He must have known that the dawn could not have been much longer delayed. He was certainly not held by its beauty. He did not think in that way.

In the centre of the quadrangle was a thorn tree, and his eyes turned to the pitchy silhouette of that part of it that cut across the yellow of the sunrise. His familiarity with the shape of the old tree caused him to stare more intently at the rough and branching stem. It seemed thicker than usual. He could only see with any clarity that portion of its bole that crossed the sunrise. It appeared to have changed its outline. It was as though something were leaning against it and adding a little to its bulk. He crouched so that still more of the unfamiliar shape came into view, for the upper part was criss-crossed with branches. As his vision was lowered and he commanded a clearer view beneath the overhanging boughs his muscles became tense for it seemed that against the livid strip of sky - which threw everything else both on the earth and in the air into yet richer blackness - it seemed - that against this livid strip the unfamiliar outline on the left of the stem was narrowing to something the shape of a neck. He got silently to his knee and then, lowering his head and lifting his eyes, he obtained an uninterrupted view of Steerpike's profile. His body and the back of the head were glued together as though he and the tree had grown up as one thing from the ground.

And that was all there was. The universal darkness above and below. The horizontal stream of saffron yellow and, like a rough black bridge that joined the upper darkness to the lower, the silhouette of the ragged thorn stem, with the profile of a face among the stems.

What was he doing there in the darkness alone and motionless?

Flay raised himself and leaned against the nearest of the cloistered pillars. The cut-out face of his enemy was immediately obscured by branches. But what had caught his eye - the unfamiliar outline of the bole he now recognized as being formed by an angle of the young man's elbow and the line of his hip and thigh.

Without wasting a moment in trying to rationalize his instinctive belief that some fresh act of evil was afoot. Mr Flay prepared himself for, if necessary, a protracted vigil. There was nothing evil in leaning against a thorn tree as the first light broke in a yellow band - even though the leaning form was Steerpike's. There was no reason why he should not return at any moment to his room and sleep or indulge in some other equally innocent occupation.

He knew that he was caught up in one of those stretches of time when for anything to happen normally would be abnormal. The dawn was too tense and highly charged for any common happening to survive.

Steerpike, while he leaned there, rigid with the cold and flexible steel of his own conspirings, eyed the yellow light. He now knew that whatever steps were to be taken for his own advancement should be taken now. However much he may have wished to delay his designs there was no gainsaying the sense of urgency - the sense that time was not, for all the logic of his mind, upon his side.

It was true that there was still no evidence of his guilt. But there was something almost as bad. An indescribable sensation that his power was somehow crumbling away; that the earth was slippery beneath his feet; that in spite of his formidable position, there was that in Gormenghast that, with a puff, could blow him into darkness. However much he told himself that he had made no fundamental error - that the few slips he had made had been invariably in minor matters, maddening as they might be, yet this sensation remained. It had come upon him with the shutting of the door - when Fuchsia had left him and he was alone in his room. It was new to him. He had believed in nothing that could not be proven one way or another, in the cells of his agile brain. Apart from the inconvenience that his carelessness would, for a short time, cause him, what else was there for him to rack his brains about in regard to the incident of a few hours earlier? What was there for Fuchsia to hold against him - or even to give as evidence, save that he, the Master of Ceremonies, had been rude to her?

And yet all this was beside the point of his apprehension. If it was Fuchsia's resentment that had uncovered, witlessly, the dark pit into which he was now staring, what then was this pit, wherefore was its depth, and why its darkness?

It was the first time that he had ever known that sleep, though he craved it, was beyond him. But his habit of making good use of every moment was deeply rooted - and especially when the time at his disposal was that in which the castle lay abed.

And Flay knew this. He knew that it was hardly a part of Steerpike's nature to lean against a tree for the sake of watching the sun rise. Nor was it characteristic of him to brood. He was no romantic. He lived too much upon the edge of instancy for introspection. No. It was for some other reason that he leaned there, biding his time - for what?

Mister Flay knelt down again and with his chin almost touching the ground and his small eyes swivelled upwards he stared once more at that sharp profile, its edges razor-keen against the yellow band. And then, while on his knees, two things occurred to him almost simultaneously. The first, that it was more than possible that Steerpike was waiting for sufficient light to enable him to make his way to unfamiliar ground. That he wished to go secretly and yet not lose his way, for even now the darkness was intense, the bar of light that lay like a livid ruler across the black east in no way lightening the earth or the sky about it. It kept its brilliance to itself; saffron inlaid on ebony. And this was Flay's guess: that the silhouette was waiting for the first diffusion of the light - that the line of the elbow and the hip would alter - that a profile would detach itself from a thorn tree and that a figure, lithe as a lynx, would steer into the gloom. But not alone. Flay would be following and it was when Flay, still upon his bony knees, his head near the ground, his beard spread, was turning this over in his mind that the need for some confederate not for reason of companionship or safety, but in order to bear witness, occurred to him. Whatever he was to find, whatever lay ahead, however innocent or however bloody, it would be his word alone against the pale man's. It would be the word of an exile against that of the Master of Ritual. In being within the precincts of the castle at all, he was committing a grievous sin. He had been banished by the Countess and it would ill become him to point his finger at an officer unless his accusation was doubly backed with proof.

No sooner had this notion occurred to him than he was on his feet. He judged that he had, at the most, another quarter of an hour in which to waken - whom? He had no choice. Titus and Fuchsia alone knew of his return to the castle and that he lived in secret among the Hollow Halls.

It was of course grotesquely out of the question either that Fuchsia should be disturbed or allowed within Steerpike's range. As for Titus, he was now almost grown to his full height. But he was of an odd highly strung nature - sullen and excitable by turns. Strong as need be for his years, he was more apt to have his energy sapped by the excess of his imagination than of his body. Flay did not understand him, but he trusted him, and he knew of how the boy's loathing of Steerpike had estranged him from Fuchsia. He had no doubt that Titus would join him, but he doubted for a moment his own courage to do so dangerous a thing as to draw the heir of Gormenghast within the circle of expected danger. Yet he knew that above all else it was his duty to unmask if possible his enemy, for upon so doing hung the safety of the young earl and all he symbolized. And what is more, he swore by the iron of his long muscles, and by the strong teeth in his bony head, that whatever danger might menace his own person, no harm would come to the boy.

And so, without a moment to lose, he turned and re-entered the door in the cloisters and set off upon what in saner moments he would have considered an unthinkable mission. For what could be more iniquitous than to jeopardize the safety of his lordship? But now he saw only that by awakening Titus and launching him at dawn upon so dark a game as that of shadowing a suspect, he was perhaps bringing closer the day when the heart of Gormenghast, purged and loyal, would beat again unthreatened.

With every moment the yellow band in the sky was brightening. He sped with the awkward speed of the predatory spider, his long legs eating up the corridors, four feet at a stride and treading the stairways beneath them as though he were on stilts. But when he came to the dormitory he moved with the circumspection of a thief.

He opened the door by degrees. On his right was the janitor's cubicle.

Directly he heard the sound of sand-paper scraping away behind the woodwork he recognized the breathing of the same old man who had held this watch-dog office from the early days and he knew that he was safe enough from that quarter.

But how to recognize the Earl? He had no light. Apart from the breathing of the janitor the dormitory was in absolute silence. There was no time for anything but to put his first notion into operation. There were two rows of beds that stretched away to the south-west. Why he turned to the right hand wall he did not know, but he did so without hesitation. Feeling for the end-rail of the first bed, he leaned over. 'Lordship!' he whispered. 'Lordship!' There was no reply. He turned to the second bed and whispered again. He thought he heard a head turn upon a pillow but that was all. He repeated this quick, harsh whisper at the foot of every bed. 'Lordship... lordship!...' but nothing happened and the time was slipping by. But at the fourteenth bed he repeated the whisper for a third time, for he could feel rather than hear a restlessness in the darkness below him. 'Lordship!...' he whispered again. 'Lord Titus!'

Something sat up in the darkness and he could hear the catch in a boy's breathing.

'Have no fear,' he whispered fiercely and his hand shook on the bedrail.

'Have no fear. Are you Titus, the Earl?'

Immediately there was a reply. 'Mister Flay? What are you doing here?'

'Have you a coat and stockings?'

'Yes.'

'Put them on. Follow me. Explain later, lordship.'

Titus made no reply but slid over the side of his bed and after fumbling for his shoes and garments, clasped them like a bundle in his arms. Together they tiptoed to the dormitory door and, once without, walked rapidly in the darkness, the bearded man with his hand upon the boy's elbow.

At the head of a staircase Titus got into his clothes, his heart beating loudly.

Flay stood beside him and when he was ready they descended the stairs in silence.

As they drew nearer to the quadrangle Flay in short broken phrases was able to give Titus a disjointed idea of why he had been woken and whisked out into the night. Much as Titus sympathized with Flay's suspicions and with his hatred of Steerpike, he was becoming afraid that Flay himself had gone mad. He could see that it was a very odd thing for Steerpike to spend the night leaning against a thorn tree, but equally there was nothing criminal in it. What, he wondered, in any event, was Flay doing to be there himself? and why should the long ragged creature of the woods be so anxious to have him with him? There was no doubt about the excitement of it all and that to be sought out was deeply flattering, but Titus had but a vague idea as to what Flay meant by needing a witness. A witness to what, and to prove what? Deeply as Titus suspected Steerpike of being intrinsically foul, yet he had never suspected him of actually doing other than his duty in the castle. He had never hated him for any understandable reason. He had simply hated him for being alive at all.

But when they reached the cloisters and when he peered along Flay's outstretched arm as they lay upon the cold ground, and saw, all at once, after a long and abortive scrutiny of the thorn, the sharp profile, as angular as broken glass save for the doming forehead, then he knew that the gaunt man lying beside him was no more mad than himself, and that for the first time in his life he was tasting upon his tongue the acid of an intoxicating fear, of a fearful elation.

He also knew that to leave Steerpike where he was and to return to bed would be to deliberately turn away from a climate of sharp and dangerous breath.

He put his lips to his companion's ear.

'It's Doctor's quadrangle,' he whispered.

Flay made no reply for several moments, for the remark made little sense to him.

'What of it?' he replied in an almost inaudible voice.

'Very close - on our side,' whispered Titus, 'just across the quadrangle.'

This time there was a longer silence. Flay could see at once the advantage of yet another witness and also of a double bodyguard for the boy. But what would the Doctor think of his reappearance after all these years? Would he countenance this clandestine return to the castle - even in the knowledge that it was for the castle's sake? Would he be prepared, in the future, to deny all knowledge of his, Mr Flay's, return?

Again Titus whispered, 'He is on our side.'

It seemed to Mr Flay that he was now so deeply involved that to argue each problem as it posed itself, to study each move would get him nowhere. Had he behaved in a rational way he would never have left the woods, and he would not now be lying upon his stomach, staring at a man leaning innocently against a tree. That the figure's profile against the saffron dawn was sharp and cruel was no proof of anything.

No. It was for him to obey the impulse of the moment and to have the courage to risk the future. This was no time for anything but action.

The dawn, although fiercer in the east, was yet withheld. There was no light in the air - only a strip of intense colour. But at any moment a diffusion of the sunrise would begin and the sun would heave itself above the broken towers.

There was no time to lose. In a matter of minutes the quadrangle might become impossible to cross without attracting Steerpike's attention, or Steerpike, judging himself to have sufficient light for whatever journey he wished to make, might slip away suddenly into the gloom and be irreparably lost among a thousand ways.

The Doctor's house was on the far side of the quadrangle. To get there would necessitate a detour around the margin of the quadrangle for the thorn tree was at the centre.

Obeying Flay's instructions Titus took off his shoes, and, like Flay with his boots, tied the laces together and slung them around his neck. It was Flay's first idea that they should go together, but they had no sooner taken the first few silent paces than the sudden disappearance of Steerpike reminded Flay that it was only from the particular place where they had been lying that they could keep a check upon his movements. From the Doctor's side of the quadrangle there would be no way of knowing whether or not he were still beneath the tree.

It was a full minute before Flay knew what he ought to do; and then, it was only because one of his hands, thrust deep into a ragged pocket, came upon a piece of chalk that a solution occurred to him. For a piece of white chalk meant only one thing to him. It meant a 'trail'. But who was to blaze it? There was only one answer, and for two reasons.

In the first place, if one of them were to remain where he was and keep Steerpike under observation, and in the event of Steerpike's moving away from the thorn tree, of following him and leaving chalk-marks upon the ground or upon walls - then it were best for Flay to perform this none too simple function, not only because of his experience of stalking in the woods and of the danger of being discovered, but because secondly, in learning of what was afoot the Doctor would more readily and speedily accompany the young Earl than Mr Flay, the long lost exile, with whom a certain amount of time-wasting explanation would be a preliminary necessity.

And so Flay explained to Titus what he must do. He must waken the Doctor, silently. How this was to be done he did not know. He must leave this to the boy's ingenuity. He must impress upon the Doctor that there was no time to be lost. It was not the moment in which to warn him that the whole venture was based upon guess-work - that in sober fact there was no cause to rouse the Doctor from his bed. That in the open air, there was not a leaf that was not whispering of treachery, not a stone but muttered its warning, was not the kind of argument to impress anyone wakened of a sudden from their sleep. And yet he must impress the Doctor with a sense of urgency. They must return across the quadrangle to where they were now crouching, for only from this position could they tell whether Steerpike were still beneath the tree, unless, as might have happened, the sun had suddenly risen. Had it not done so, and if Steerpike was still there beneath the thorn, then they would find Mr Flay where Titus had left him; but if Steerpike had gone, then Mr Flay would also have disappeared and it was for them to move swiftly to the thorn tree, and if there were enough light, to follow the chalk trail which Flay would have begun to blaze. If, however, it were still too dark to see the marks, they were to follow them directly there was enough light. It was for them to move sufficiently rapidly to be able to overtake Mr Flay, but absolute silence was the prime essential, for the gap between Flay and Steerpike might, for reasons of darkness, be, of necessity, perilously narrow.

Feeling his way from pillar to pillar, Titus began to make a circuit of the quadrangle. His stocking'd feet made no noise at all. Once a button on the sleeve of his coat clicked against an outcrop of masonry and sounded like the snapping of a twig, so that he stopped dead in his tracks and listened for a moment or two anxiously in the silence, but that was all and a little afterwards he was standing beneath the Doctor's wall.

Meanwhile Flay lay stretched out beneath the pillar on the far side of the square, his bearded chin propped by his bony hands.

Not for a moment did his eyes wander from the silhouette of the head against the dawn. The yellow band had widened and still further intensified so that it was now not so much a thing that might be painted as a radiance beyond the reach of pigment.

As he watched he saw the first movement. The head raised itself and as the face stared up into the branches the mouth opened in a yawn. It was like the yawning of a lizard; the jaws, sharp, soundless, merciless. It was as though all thought was over, and out of some reptilian existence the yawn grew and opened like a reflex. And it was so, for Steerpike, leaning there, had, instead of pitying himself and brooding upon his mistakes, been tabulating and re-grouping in his scheduled brain every aspect of his position, of his plans, of his relationship not only with Fuchsia but with all with whom he had dealings, and making out of the maze of these relationships and projects a working pattern - something that was a masterpiece of cold-blooded systemization. But the plan of action, condensed and crystallized though it was, was nevertheless, for all its ingenuity, somehow less microscopically careful in its every particular than usual. He was prepared for the first time to take risks. The time had come for drawing together the hundred and one threads that had for so long been stretched from one end of the castle to another. This would need action. For the moment he could relax. This dawn would be his own. Tonight he must bewilder Fuchsia; dazzle her, awake her; and if all failed, seduce her so that, compromised in the highest degree, he would have her at his mercy. In her present mood she was too dangerous.

But today? He yawned again. His brainwork was done. His plans were complete. And yet there was one loose end. Not in the logic of his brain, but in spite of it - a loose end that he wished to tuck away. What his brain had proved his eyes were witless of. It was his eyes that needed confirmation.

He ran his tongue between his thin, dry lips. Then he turned his face to the east. It shone in the yellow light. It shone like a carbuncle, as, breaking suddenly out of the darkness, the first direct ray of the climbing sun broke upon his bulging brow. His dark red eyes stared back into the heart of the level ray. He cursed the sun and slid out of the beam.

FIFTY-EIGHT

It was lucky for Titus that when the Doctor started from his sleep he immediately recognized the boy's shape against the windowpane.

Titus had climbed the thick creeper below the Doctor's window and had with difficulty forced up the lower sash. There had been no other way to enter. To knock or ring would have been to have lost Steerpike.

Dr Prunesquallor reached for the candle by his bed but Titus bent forward in the darkness.

'No, Dr Prune, don't light it it's Titus... and we want your help... terribly... sorry it's so early can you come?... Flay is with me...'

'Flay?'

'Yes, he has come from exile - but out of concern for Fuchsia, and me, and the laws... but quickly, Doctor, are you coming? We are trailing Steerpike - he's just outside.'

In a moment the Doctor was in his elegant dressing gown - had found and put on his spectacles, a pair of socks and his soft slippers.

'I am flattered,' he said, in his quick, stilted, yet very pleasant voice. 'I am more than flattered - lead on, boy, lead on.'

They descended the dark stairs; on reaching the hall the Doctor vanished but reappeared almost at once with two pokers: one - long, top-heavy brass affair with a murderous club-end and the other a short heavy iron thing with a perfect grip.

The Doctor hid them behind his back. 'Which hand?' he said. Titus chose the left and received the iron. Even with so crude a weapon in his grip the boy's confidence rose at once. Not that his heart beat any the less rapidly or that he was any the less aware of danger, but the feeling of acute vulnerability had gone.

The Doctor asked no questions. He knew that this strange business would unfold its meaning as the minutes went by. Titus was in no state to give an explanation now. He had begun breathlessly to tell the Doctor of how Flay would leave a trail of chalk, but had ceased, for there was no time to act and to explain together. Before they opened the front door Dr Prunesquallor drew the blind of the hall window. The quadrangle though still extremely dark was no longer a featureless and inky mass. The buildings on the far side loomed, and a blot of ebony blackness that appeared to float in the gun-grey air showed where the thorn tree grew.

Titus was at the Doctor's side and peered through the pane. 'Can you see him, Doctor?'

'Where ought he to be, my boy?'

'Under the thorn.'

'Hard to say... hard to say...'

'Easy to tell from the other side, Doctor. Shall we go round by the cloisters...? If he's gone there's no time to lose, is there?'

'I take it from you that there isn't, Titus, though what in the name of guilt we are doing only the screech-owl knows. However, away!'

He stood upon his toes in the hall, and lifting his arms, stretched them before him. Between his outstretched finger tips the brass poker was poised as though it were a mace, or some symbolic rod. His dressing gown was corded tightly at his slender waist. His delicate features were set in an extraordinary expression of speculative determination both impressive and bizarre.

He unlatched the door and the two of them set off down the garden path.

The Doctor in his slippers, Titus in his socks, with his shoes slung loosely around his neck, they moved rapidly and silently along the skirting cloisters until Titus, gripping the Doctor's arm, brought his companion to a halt. There was the thorn, an inky etching against the rising sun, but the silhouette of Steerpike was missing. This was no surprise for Flay had also vanished. Without loss of time they sped across the quadrangle, and in the early light were able at once to see the dim sign of a chalk mark on the ground at their feet. Titus went down on his knees to it at once. That it was a rough arrow pointing to the north was apparent enough, but there were some words scrawled below which were not so easy to decipher, but at last Titus, was able to disentangle the roughened phrase ''every twenty paces''.

'"Every twenty paces" I think it is,' Titus whispered.

Together they counted their steps as they moved gingerly to the north, the pokers in their hands, their eyes peering into the darkness ahead of them for the first sign of Flay or of danger.

Sure enough, at roughly the twentieth pace another arrow pointed them their way and showed Titus' interpretation of Flay's crude lettering to have been correct. They went forward now with more confidence. It seemed certain that they must come first upon Mr Flay, and that so long as they made no sound they could do no harm by moving swiftly from one arrow to another.

There were times when these arrows were of necessity closer together; when the paths divided, or there was any kind of choice of direction. At other times, when, with high flanking walls on either side, or a mile of doorless passageways ahead, and where there was no alternative direction to confuse his followers, Flay had not troubled to make his chalk marks for long stretches. There were times when the length of these stone arteries was such that, all unknowing, the Doctor and Titus had more than once set forth along a fresh corridor before Steerpike, at the other end, had made his exit. Flay alone could hazard the guess that before him and behind him his friends and his enemy were all at once beneath the same long ceiling.

Rapid as Titus had been in calling the Doctor yet there was a great space between them and Mr Flay, for no sooner had Titus left Flay's side than Steerpike had yawned and sped into the night.

As the light grew it became easier for the Doctor and Titus to accelerate their pace and to see what part of the castle they were moving through. The chalk arrows had become short brusque marks upon the ground. Suddenly, as they turned a corner they came upon the second of the bearded man's messages. It was scrawled at the foot of some stone stairs. ''Faster',' it read. ''He is in a hurry. Catch me but silence'.'

By now the light was strong enough for them both to know that they were lost. Neither of them could recognize the masonry that rose about them, the twisting passageways, the shallow flights of stairs and the long treadless inclines; they were speeding through a new world. A world unfamiliar in its detail - new to 'them', although unquestionably of the very stuff of their memories and recognizable in this general and almost abstract way. They had never been there before, yet it was not alien - it was all Gormenghast.

But this did not mean it was not dangerous. It was obvious that they were in a deserted province. Early as was the hour yet that was not the reason for the silence. There was an abandoned, empty, voiceless hollow atmosphere that had nothing to do with the dawn or with multitudes abed and asleep.

What beds there were would be broken and empty. What multitudes there were would be the multitudes of the ant and the weevil.

And now began a series of dusky journeys across open squares, with the sky reddening overhead. The Doctor, wildly incongruous in so grim a setting, moved with surprising speed, his brass poker held in both hands at the height of his breast, his head erect, the skirt of his dressing gown flaring behind him.

Titus beside him looked by contrast like a beggar. His socks had worn out, and although they gripped his ankles, the soles had gone, and his feet were cut and bruised. But this he hardly noticed. His hair was across his face. His jacket was bundled over his nightshirt. His trousers were half undone. His shoes jogged at his shoulders.

They had increased their speed, even to the point of running when it seemed safe to do so. But whenever they came to a corner they invariably stopped and peered cautiously about it before proceeding. The chalk marks never failed them, though from the way they had changed from thick white arrows to the merest flick of chalk on stone or boarding it was plain not only that the speed of Flay's progress had increased but that the stick of chalk itself was wearing out.

There was no longer any difficulty as far as visibility was concerned. They moved in the naked light. It was surely no longer possible for Mr Flay to keep at close range with his quarry. And yet, with all their swiftness they had not yet caught up with him. The Doctor's brow was glistening with perspiration. Both he and Titus were growing increasingly weary. The unfamiliar buildings came and went. One after another, square after square, hall after hall, corridor after corridor, winding and turning to and fro in a maze of dawn-lit stone.

And then, half in a state of disbelief - as though it were all a dream, the Doctor, mechanically stopping at the corner of a high wall, moved his head so that he could command a view of the next expanse or artery that lay ahead. But instead of rounding the corner, his body recoiled a fraction and his arm moved backwards.

When his hand had found Titus and had gripped his elbow he drew the boy to his side. Together they could see him - the gaunt and bearded figure. He was at the far end of a narrow lane, the floor of which was a foot deep in dust and plaster. He was in an almost identical position to their own for he was also stationed at a corner; around which he was peering, and like themselves he had his eyes fixed upon some object of vivid and immediate interest, for even at so considerable a distance the Doctor could see how tense was his scarecrow body.

Had they been a few moments later they would have missed him for even as they watched he slid around the base of the high, sharp corner and was lost to them. At once, Titus and the Doctor set off in hot pursuit until they came to that angle of stone which Flay had so recently vacated. Cautiously, they moved their heads until once again they were afforded yet another long perspective with its floor crisp and ashen with fallen plaster. And there at the end of the corridor was a replica of the picture they had been witnessing a minute earlier, with Flay at yet another angle of stone. It was as though they were re-living the incident, for, visually, it differed in no particular. But this time they did not wait for Mr Flay to disappear. At a sign from the Doctor they began to run towards him. Evidently Steerpike was still in view for Mr Flay, motionless as a stick-insect, made no move until Titus and the Doctor were within a short way of him. Then suddenly, at the sound of plaster breaking under Titus' feet, faint though it was, he turned his craggy face over his shoulder and saw them.

He touched his brow with his hand, and darted a questioning glance at the Doctor. Then he put his finger to his lips as he bared his irregular teeth. The Doctor inclined his body, so splendidly sheathed in its dressing gown, in the gaunt man's direction. Meanwhile Titus crept to the angle of the wall and peering around the corner saw, at a distance of about sixty feet, something which set his heart pounding. It was the Master of Ritual, Steerpike; the man with the red and white face. It was his foe - long since defied in the summer schoolroom - the pale and agile officer of the realm - the one who had spoiled his happiness and weaned his sister from him.

There he sat upon the edge of some kind of low stone basin like a drinking trough that protruded from the wall at the side of the plaster-littered passage. Beyond him there was an arch, hung with torn sacking which obscured whatever lay beyond.

As Titus watched, he saw the sitting figure draw up his knee so that his feet were beneath him on the rim of the trough. His head and shoulders were turned a little away so that it was not easy for Titus to tell what he had taken from his pocket. It seemed that Steerpike's hands were near his mouth and a little forward of it and then suddenly, as the first thin reedy note of a bamboo pipe shrilled along the resonant corridor, all became plain. For some little while, it was impossible to know how long, the three watchers listened to the solitary figure, to his nimble fingering of the stops, to the shrill and plaintive improvisations. Only the Doctor realized how well he played. Only the Doctor knew how quick and cold it was. How brilliant and empty.

'Is there nothing he can't do?' muttered Prunesquallor to himself. 'By all that's versatile, he frightens me.'

The music had come to an end, and Steerpike stretched out his arms and legs and then slipping his recorder into a pocket, stood up. It was then that Titus gasped, and as he did so was plucked back from the corner by the two men behind him. For a few moments they hardly dared to draw breath. But no footsteps approached them from the adjacent corridor. What was it he had seen? Neither the Doctor nor Flay dared question him, but after a little while the latter, squinting round the corner, could see what it was that had startled the boy. He had himself been puzzled by Steerpike's monkey. For a long while he had been unable to tell what it was that sat hunched upon his quarry's shoulder, or bounded at his side. At other times it disappeared altogether. It had not added, for instance, to the silhouette beneath the thorn tree, and Flay could only think that it clung closely to his side and was lost for long periods at a time beneath the folds of his cape.