Happy Days

X A Crown of Sorrows

There is something on my mind, of which I must relieve myself. If I am ever to face the world again with a smile I must share my trouble with others. I cannot bear my burden alone.

Friends, I have lost my hat. Will the gentleman who took it by mistake, and forgot to leave his own in its place, kindly return my hat to me at once?

I am very miserable without my hat. It was one of those nice soft ones with a dent down the middle to collect the rain; one of those soft hats which wrap themselves so lovingly round the cranium that they ultimately absorb the personality of the wearer underneath, responding to his every emotion. When people said nice things about me my hat would swell in sympathy; when they said nasty things, or when I had had my hair cut, it would adapt itself automatically to my lesser requirements. In a word, it fitted—and that is more than can be said for your hard, unyielding bowler.

My hat and I dropped into a hall of music one night last week. I placed it under the seat, put a coat on it to keep it warm, and settled down to enjoy myself. My hat could see nothing, but it knew that it would hear all about the entertainment on the way home. When the last moving picture had moved away, my hat and I prepared to depart together. I drew out the coat and felt around for my—Where on earth….

I was calm at first.

"Excuse me," I said politely to the man next to me, "but have you got two hats?"

"Several," he replied, mistaking my meaning.

I dived under the seat again, and came up with some more dust.

"Some one," I said to the programme girl, "has taken my hat."

"Have you looked under the seat for it?" she asked.

It was such a sound suggestion that I went under the seat for the third time.

"It may have been kicked further along," suggested another attendant. She walked up and down the row looking for it; and, in case somebody had kicked it into the row above, walked up and down that one too; and, in case somebody had kicked it on to the other side of the house, many other girls spread themselves in pursuit; and soon we had the whole pack hunting for it.

Then the fireman came up, suspecting the worst. I told him it was even worse than that—my hat had been stolen.

He had a flash of inspiration.

"Are you sure you brought it with you?" he asked.

The programme girls seemed to think that it would solve the whole mystery if I hadn't brought it with me.

"Are you sure you are the fireman?" I said coldly.

He thought for a moment, and then unburdened himself of another idea.

"Perhaps it's just been kicked under the seat," he said.

I left him under the seat and went downstairs with a heavy heart. At the door I said to the hall porter, "Have you seen anybody going out with two hats by mistake?"

"What's the matter?" he said. "Lost your hat?"

"It has been stolen."

"Have you looked under the seats? It may have been kicked along a bit."

"Perhaps I'd better see the manager," I said. "Is it any good looking under the seats for him?"

"I expect it's just been kicked along a bit," the hall porter repeated confidently. "I'll come up with you and look for it."

"If there's any more talk about being kicked along a bit," I said bitterly, "somebody will be. I want the manager."

I was led to the manager's room, and there I explained the matter to him. He was very pleasant about it.

"I expect you haven't looked for it properly," he said, with a charming smile. "Just take this gentleman up," he added to the hall porter, "and find his hat for him. It has probably been kicked under one of the other seats."

We were smiled irresistibly out, and I was dragged up to the grand circle again. The seats by this time were laid out in white draperies; the house looked very desolate; I knew that my poor hat was dead.

With an air of cheery confidence the hall porter turned into the first row of seats….

"It may have been kicked on to the stage," I said, as he began to slow down. "It may have jumped into one of the boxes. It may have turned into a rabbit. You know, I expect you aren't looking for it properly."

The manager was extremely sympathetic when we came back to him. He said, "Oh, I'm sorry." Just like that—"Oh, I'm sorry."

"My hat," I said firmly, "has been stolen."

"I'm sorry," he repeated with a bored smile, and turned to look at himself in the glass.

Then I became angry with him and his attendants and his whole blessed theatre.

"My hat," I said bitingly, "has been stolen from me—while I slept."

You must have seen me wearing it in the dear old days. Greeny brown it was in colour; but it wasn't the colour that drew your eyes to it—no, nor yet the shape, nor the angle at which it sat. It was just the essential rightness of it. If you have ever seen a hat which you felt instinctively was a clever hat, an alive hat, a profound hat, then that was my hat—and that was myself underneath it.

XI The Lucky Month

"Know thyself," said the old Greek motto. (In Greek—but this is an English book.) So I bought a little red volume called, tersely enough, Were you born in January? I was; and, reassured on this point, the author told me all about myself.

For the most part he told me nothing new. "You are," he said in effect, "good–tempered, courageous, ambitious, loyal, quick to resent wrong, an excellent raconteur, and a leader of men." True. "Generous to a fault"—(Yes, I was overdoing that rather)—"you have a ready sympathy with the distressed. People born in this month will always keep their promises." And so on. There was no doubt that the author had the idea all right. Even when he went on to warn me of my weaknesses he maintained the correct note. "People born in January," he said, "must be on their guard against working too strenuously. Their extraordinarily active brains―" Well, you see what he means. It is a fault perhaps, and I shall be more careful in future. Mind, I do not take offence with him for calling my attention to it. In fact, my only objection to the book is its surface application to all the people who were born in January. There should have been more distinction made between me and the rabble.

I have said that he told me little that was new. In one matter, however, he did open my eyes. He introduced me to an aspect of myself entirely unsuspected.

"They," he said—meaning me, "have unusual business capacity, and are destined to be leaders in great commercial enterprises."

One gets at times these flashes of self–revelation. In an instant I realised how wasted my life had been; in an instant I resolved that here and now I would put my great gifts to their proper uses. I would be a leader in an immense commercial enterprise.

One cannot start commercial enterprises without capital. The first thing was to determine the exact nature of my balance at the bank. This was a matter for the bank to arrange, and I drove there rapidly.

"Good morning," I said to the cashier, "I am in rather a hurry. May I have my pass–book?"

He assented and retired. After an interminable wait, during which many psychological moments for commercial enterprise must have lapsed, he returned.

"I think you have it," he said shortly.

"Thank you," I replied, and drove rapidly home again.

A lengthy search followed; but after an hour of it one of those white–hot flashes of thought, such as only occur to the natural business genius, seared my mind and sent me post–haste to the bank again.

"After all," I said to the cashier, "I only want to know my balance. What is it?"

He withdrew and gave himself up to calculation. I paced the floor impatiently. Opportunities were slipping by. At last he pushed a slip of paper across at me. My balance!

It was in four figures. Unfortunately two of them were shillings and pence. Still, there was a matter of fifty pounds odd as well, and fortunes have been built up on less.

Out in the street I had a moment's pause. Hitherto I had regarded my commercial enterprise in the bulk, as a finished monument of industry; the little niggling preliminary details had not come up for consideration. Just for a second I wondered how to begin.

Only for a second. An unsuspected talent which has long lain dormant needs, when waked, a second or so to turn round in. At the end of that time I had made up my mind. I knew exactly what I would do. I would ring up my solicitor.

"Hallo, is that you? Yes, this is me. What? Yes, awfully, thanks. How are you? Good. Look here, come and lunch with me. What? No, at once. Good–bye."

Business, particularly that sort of commercial enterprise to which I had now decided to lend my genius, can only be discussed properly over a cigar. During the meal itself my solicitor and I indulged in the ordinary small–talk of the pleasure–loving world.

"You're looking very fit," said my solicitor. "No, not fat, fit."

"You don't think I'm looking thin?" I asked anxiously. "People are warning me that I may be overdoing it rather. They tell me that I must be seriously on my guard against brain strain."

"I suppose they think you oughtn't to strain it too suddenly," said my solicitor. Though he is now a solicitor he was once just an ordinary boy like the rest of us, and it was in those days that he acquired the habit of being rude to me, a habit he has never quite forgotten.

"What is an onyx?" I said, changing the conversation.

"Why?" asked my solicitor, with his usual business acumen.

"Well, I was practically certain that I had seen one in the Zoo, in the reptile house, but I have just learnt that it is my lucky month stone. Naturally I want to get one."

The coffee came and we settled down to commerce.

"I was just going to ask you," said my solicitor—"have you any money lying idle at the bank? Because if so―"

"Whatever else it is doing, it isn't lying idle," I protested. "I was at the bank to–day, and there were men chivying it about with shovels all the time."

"Well, how much have you got?"

"About fifty pounds."

"It ought to be more than that."

"That's what I say, but you know what those banks are. Actual merit counts for nothing with them."

"Well, what did you want to do with it?"

"Exactly. That was why I rang you up. I—er―" This was really my moment, but somehow I was not quite ready to seize it. My vast commercial enterprise still lacked a few trifling details. "Er—I—well, it's like that."

"I might get you a few ground rents."

"Don't. I shouldn't know where to put them."

"But if you really have fifty pounds simply lying idle I wish you'd lend it to me for a bit. I'm confoundedly hard up."

("Generous to a fault, you have a ready sympathy with the distressed." Dash it, what could I do?)

"Is it quite etiquette for clients to lend solicitors money?" I asked. "I thought it was always solicitors who had to lend it to clients. If I must, I'd rather lend it to you—I mean I'd dislike it less—as to the old friend of my childhood."

"Yes, that's how I wanted to pay it back."

"Bother. Then I'll send you a cheque to–night," I sighed.

And that's where we are at the moment. "People born in this month always keep their promises." The money has got to go to–night. If I hadn't been born in January, I shouldn't be sending it; I certainly shouldn't have promised it; I shouldn't even have known that I had it. Sometimes I almost wish that I had been born in one of the decent months. March, say.

XII The Rescue

William Bales—as nice a young man as ever wore a cummerbund on an esplanade—was in despair. For half–an–hour he and Miss Spratt had been sitting in silence on the pier, and it was still William's turn to say something. Miss Spratt's last remark had been, "Oh, Mr. Bales, you do say things!" and William felt that his next observation must at all costs live up to the standard set for it. Three or four times he had opened his mouth to speak, and then on second thoughts had rejected the intended utterance as unworthy. At the end of half–an–hour his mind was still working fruitlessly. He knew that the longer he waited the more brilliant he would have to be, and he told himself that even Bernard Shaw or one of those clever writing fellows would have been hard put to it now.

William was at odds with the world. He was a romantic young man who had once been told that he nearly looked like Lewis Waller when he frowned, and he had resolved that his holiday this year should be a very dashing affair indeed. He had chosen the sea in the hopes that some old gentleman would fall off the pier and let himself be saved by—and, later on, photographed with—William Bales, who in a subsequent interview would modestly refuse to take any credit for the gallant rescue. As his holiday had progressed he had felt the need for some such old gentleman more and more; for only thus, he realised, could he capture the heart of the wayward Miss Spratt. But so far it had been a dull season; in a whole fortnight nobody had gone out of his way to oblige William, and to–morrow he must return to the City as unknown and as unloved as when he left it.

"Got to go back to–morrow," he said at last. As an impromptu it would have served, but as the result of half–an–hour's earnest thought he felt that it did not do him justice.

"So you said before," remarked Miss Spratt.

"Well, it's still true."

"Talking about it won't help it," said Miss Spratt.

William sighed and looked round the pier. There was an old gentleman fishing at the end of it, his back turned invitingly to William. In half–an–hour he had caught one small fish (which he had had to return as under the age limit) and a bunch of seaweed. William felt that here was a wasted life; a life, however, which a sudden kick and a heroic rescue by W. Bales might yet do something to justify. At the Paddington Baths, a month ago, he had won a plate–diving competition; and, though there is a difference between diving for plates and diving for old gentlemen, he was prepared to waive it. One kick and then … Fame! And, not only Fame, but the admiration of Angelina Spratt.

It was perhaps as well for the old gentleman—who was really quite worthy, and an hour later caught a full–sized whiting—that Miss Spratt spoke at this moment.

"Well, you're good company, I must say," she observed to William.

"It's so hot," said William.

"You can't say I asked to come here."

"Let's go on the beach," said William desperately. "We can find a shady cave or something." Fate was against him; there was to be no rescue that day.

"I'm sure I'm agreeable," said Miss Spratt.

They walked in silence along the beach, and, rounding a corner of the cliffs, they came presently to a cave. In earlier days W. Bales could have done desperate deeds against smugglers there, with Miss Spratt looking on. Alas for this unromantic age! It was now a place for picnics, and a crumpled sheet of newspaper on the sand showed that there had been one there that very afternoon.

They sat in a corner of the cave, out of the sun, out of sight of the sea, and William prepared to renew his efforts as a conversationalist. In the hope of collecting a few ideas as to what the London clubs were talking about he picked up the discarded newspaper, and saw with disgust that it was the local Herald. But just as he threw it down, a line in it caught his eye and remained in his mind―

"High tide to–day—3.30."

William's heart leapt. He looked at his watch; it was 2.30. In one hour the waves would be dashing remorselessly into the cave, would be leaping up the cliff, what time he and Miss Spratt―

Suppose they were caught by the tide….

Meanwhile the lady, despairing of entertainment, had removed her hat.

"Really," she said, "I'm that sleepy—I suppose the tide's safe, Mr. Bales?"

It was William's chance.

"Quite, quite safe," he said earnestly. "It's going down hard."

"Well, then, I almost think―" She closed her eyes. "Wake me up when you've thought of something really funny, Mr. Bales."

William was left alone with Romance.

He went out of the cave and looked round. The sea was still some way out, but it came up quickly on this coast. In an hour … in an hour….

He scanned the cliffs, and saw the ledge whither he would drag her. She would cling to him crying, calling him her rescuer….

What should he do then? Should he leave her and swim for help? Or should he scale the mighty cliff?

He returned to the cave and, gazing romantically at the sleeping Miss Spratt, conjured up the scene. It would go like this, he thought.

Miss Spratt (wakened by the spray dashing over her face). Oh, Mr. Bales! We're cut off by the tide! Save me!

W. Bales (lightly). Tut–tut, there's no danger. It's nothing. (Aside) Great Heavens! Death stares us in the face!

Miss Spratt (throwing her arms around his neck). William, save me; I cannot swim!

W. Bales (with Waller face). Trust me, Angelina. I will fight my way round yon point and obtain help. (Aside) An Englishman can only die once.

Miss Spratt. Don't leave me!

W. Bales. Fear not, sweetheart. See, there is a ledge where you will be beyond the reach of the hungry tide. I will carry you thither in my arms and will then―

At this point in his day–dream William took another look at the sleeping Miss Spratt, felt his biceps doubtfully, and went on—

W. Bales. I will assist you to climb thither, and will then swim for help.

Miss Spratt. My hero!

Again and again William reviewed the scene to himself. It was perfect. His photograph would be in the papers; Miss Spratt would worship him; he would be a hero in his City office. The actual danger was slight, for at the worst she could shelter in the far end of the cave; but he would not let her know this. He would do the thing heroically—drag her to the ledge on the cliff, and then swim round the point to obtain help.

The thought struck him that he could conduct the scene better in his shirt sleeves. He removed his coat, and then went out of the cave to reconnoitre the ledge.

Miss Spratt awoke with a start and looked at her watch. It was 4.15. The cave was empty save for a crumpled page of newspaper. She glanced at this idly and saw that it was the local Herald … eight days old.

Far away on the horizon William Bales was throwing stones bitterly at the still retreating sea.

XIII The Portuguese Cigar

Everything promised well for my week–end with Charles. The weather was warm and sunny, I was bringing my golf clubs down with me, and I had just discovered (and meant to put into practice) an entirely new stance which made it impossible to miss the object ball. It was this that I was explaining to Charles and his wife at dinner on Friday, when the interruption occurred.

"By the way," said Charles, as I took out a cigarette, "I've got a cigar for you. Don't smoke that thing."

"You haven't let him go in for cigars?" I said reproachfully to Mrs. Charles. I can be very firm about other people's extravagances.

"This is one I picked up in Portugal," explained Charles. "You can get them absurdly cheap out there. Let's see, dear; where did I put it?"

"I saw it on your dressing–table last week," said his wife, getting up to leave us. He followed her out and went in search of it, while I waited with an interest which I made no effort to conceal. I had never heard before of a man going all the way to Portugal to buy one cigar for a friend.

"Here it is," said Charles, coming in again. He put down in front of me an ash–tray, the matches and a—and a—well, a cigar. I examined it slowly. Half of it looked very tired.

"Well," said Charles, "what do you think of it?"

"When you say you—er—picked it up in Portugal," I began carefully, "I suppose you don't mean―" I stopped and tried to bite the end off.

"Have a knife," said Charles.

I had another bite, and then I decided to be frank.

"Why did you pick it up?" I asked.

"The fact was," said Charles, "I found myself one day in Lisbon without my pipe, and so I bought that thing; I never smoke them in the ordinary way."

"Did you smoke this?" I asked. It was obvious that something had happened to it.

"No, you see, I found some cigarettes at the last moment, and so, knowing that you liked cigars, I thought I'd bring it home for you."

"It's very nice of you, Charles. Of course I can see that it has travelled. Well, we must do what we can with it."

I took the knife and started chipping away at the mahogany end. The other end—the brown–paper end, which had come ungummed—I intended to reserve for the match. When everything was ready I applied a light, leant back in my chair, and pulled.

"That's all right, isn't it?" said Charles. "You'd be surprised if I told you what I paid for it."

"No, no, you mustn't think that," I protested. "Probably things are dearer in Portugal." I put it down by my plate for a moment's rest. "All I've got against it at present is that its pores don't act as freely as they should."

"I've got a cigar–cutter somewhere, if―"

"No, don't bother, I think I can do it with the nut–crackers. There's no doubt it was a good cigar once, but it hasn't wintered well."

I squeezed it as hard as I could, lit it again, pressed my feet against the table and pulled.

"Now it's going," said Charles.

"I'm afraid it keeps very reticent at my end. The follow–through is poor. Is your end alight still?"

"Burning beautifully."

"It's a pity that I should be missing all that. How would it be if we were to make a knitting–needle red–hot and bore a tunnel from this end? We might establish a draught that way. Only there's always the danger, of course, of coming out at the side."

I took the cigar up and put it to my ear.

"I can't hear anything wrong," I said. "I expect what it really wants is massage."

Charles filled his pipe again and got up. "Let's go for a stroll," he said. "It's a beautiful night. Bring your cigar with you."

"It may prefer the open air," I said. "There's always that. You know we mustn't lose sight of the fact that the Portuguese climate is different from ours. The thing's pores may have acted more readily in the South. On the other hand, the unfastened end may have been more adhesive. I gather that though you have never actually met anybody who has smoked a cigar like this, yet you understand that the experiment is a practicable one. As far as you know this had no brothers. No, no, Charles, I'm going on with it, but I should like to know all that you can tell me of its parentage. It had a Portuguese father and an American mother, I should say, and there has been a good deal of trouble in the family. One moment"—and as we went outside I stopped and cracked it in the door.

It was an inspiration. At the very next application of the match I found that I had established a connection with the lighted end. Not a long and steady connection, but one that came in gusts. After two gusts I decided that it was perhaps safer to blow from my end, and for a little while we had in this way as much smoke around us as the most fastidious cigar–smoker could want. Then I accidentally dropped it; something in the middle of it shifted, I suppose—and for the rest of my stay behind it only one end was at work.

"Well," said Charles, when we were back in the smoking–room and I was giving the cigar a short breather, "it's not a bad one, is it?"

"I have enjoyed it," I said truthfully, for I like trying to get the mastery over a thing that defies me.

"You'll never guess what it cost," he chuckled.

"Tell me," I said. "I daren't guess."

"Well, in English money it works out at exactly three farthings."

I looked at him for a long time and then shook my head sadly.

"Charles, old friend," I said, "you've been done."

XIV A Cold World

Herbert is a man who knows all about railway tickets, and packing, and being in time for trains, and things like that. But I fancy I have taught him a lesson at last. He won't talk quite so much about tickets in future.

I was just thinking about getting up when he came into my room. He looked at me in horror.

"My dear fellow!" he said. "And you haven't even packed! You'll be late. Here, get up, and I'll pack for you while you dress."

"Do," I said briefly.

"First of all, what clothes are you going to travel in?"

There was no help for it. I sat up in bed and directed operations.

"Right," said Herbert. "Now what about your return ticket? You mustn't forget that."

"You remind me of a little story," I said. "I'll tell it you while you pack—that will be nice for you. Once upon a time I lost my return ticket, and I had to pay two pounds for another. And a month afterwards I met a man—a man like you who knows all about tickets—and he said, 'You could have got the money back if you had applied at once.' So I said, 'Give me a cigarette now, and I'll transfer all my rights in the business to you.' And he gave me a cigarette; but unfortunately―"

"It was too late?"

"No. Unfortunately it wasn't. He got the two pounds. The most expensive cigarette I've ever smoked."

"Well, that just shows you," said Herbert. "Here's your ticket. Put it in your waistcoat pocket now."

"But I haven't got a waistcoat on, silly."

"Which one are you going to put on?"

"I don't know yet. This is a matter which requires thought. Give me time, give me air."

"Well, I shall put the ticket here on the dressing–table, and then you can't miss it." He looked at his watch. "And the trap starts in half an hour."

"Help!" I cried, and I leapt out of bed.

Half an hour later I was saying good–bye to Herbert.

"I've had an awfully jolly time," I said, "and I'll come again."

"You've got the ticket all right?"

"Rather!" and I drove away amidst cheers. Cheers of sorrow.

It was half–an–hour's drive to the station. For the first five minutes I thought how sickening it was to be leaving the country; then I had a slight shock; and for the next twenty–five minutes I tried to remember how much a third single to the nearest part of London cost. Because I had left my ticket on the dressing–table after all.

I gave my luggage to a porter and went off to the station–master.

"I wonder if you can help me," I said. "I've left my ticket on the dress― Well, we needn't worry about that, I've left it at home."

He didn't seem intensely excited.

"What did you think of doing?" he asked.

"I had rather hoped that you would do something."

"You can buy another ticket, and get the money back afterwards."

"Yes, yes; but can I? I've only got about one pound six."

"The fare to London is one pound five and tenpence ha'penny."

"Ah; well, that leaves a penny ha'penny to be divided between the porter this end, lunch, tea, the porter the other end, and the cab. I don't believe it's enough. Even if I gave it all to the porter here, think how reproachfully he would look at you ever afterwards. It would haunt you."

The station–master was evidently moved. He thought for a moment, and then asked if I knew anybody who would vouch for me. I mentioned Herbert confidently. He had never even heard of Herbert.

"I've got a tie–pin," I said (station–masters have a weakness for tie–pins), "and a watch and a cigarette case. I shall be happy to lend you any of those."

The idea didn't appeal to him.

"The best thing you can do," he said, "is to take a ticket to the next station and talk to them there. This is only a branch line, and I have no power to give you a pass."

So that was what I had to do. I began to see myself taking a ticket at every stop and appealing to the station–master at the next. Well, the money would last longer that way, but unless I could overcome quickly the distrust which I seemed to inspire in station–masters there would not be much left for lunch. I gave the porter all I could afford—a ha'penny, mentioned apologetically that I was coming back, and stepped into the train.

At the junction I jumped out quickly and dived into the sacred office.

"I've left my ticket on the dressing—that is to say, I forgot― Well, anyhow, I haven't got it," I began, and we plunged into explanations once more. This station–master was even more unemotional than the last. He asked me if I knew anybody who could vouch for me. I mentioned Herbert diffidently. He had never even heard of Herbert. I showed him my gold watch, my silver cigarette case, and my emerald and diamond tie–pin—that was the sort of man I was.

"The best thing you can do," he said, walking with me to the door, "is to take a ticket to Plymouth, and speak to the station–master there―"

"This is a most interesting game," I said bitterly. "What is 'home'? When you speak to the station–master at London, I suppose? I've a good mind to say 'snap'!"

Extremely annoyed I strode out, and bumped into—you'll never guess—Herbert!

"Ah, here you are," he panted; "I rode after you—the train was just going—jumped into it—been looking all over the station for you."

"It's awfully nice of you, Herbert. Didn't I say good–bye?"

"Your ticket." He produced it. "Left it on the dressing–table." He took a deep breath. "I told you you would."

"Bless you," I said, as I got happily into my train. "You've saved my life. I've had an awful time. I say, do you know, I've met two station–masters already this morning who've never even heard of you. You must enquire into it."

At that moment a porter came up.

"Did you give up your ticket, Sir?" he asked Herbert.

"I hadn't time to get one," said Herbert, quite at his ease. "I'll pay now," and he began to feel in his pockets…. The train moved out of the station.

A look of horror came over Herbert's face. I knew what it meant. He hadn't any money on him. "Hi!" he shouted to me, and then we swung round a bend out of sight….

Well, well, he'll have to get home somehow. His watch is only nickel and his cigarette case leather, but luckily that sort of thing doesn't weigh much with station–masters. What they want is a well–known name as a reference. Herbert is better off than I was: he can give them my name. It will be idle for them to pretend that they have never heard of me.

XV A Breath of Life

This is the story of a comedy which nearly became a tragedy. In its way it is rather a pathetic story.

The comedy was called "The Wooing of Winifred." It was written by an author whose name I forget; produced by the well–known and (as his press agent has often told us) popular actor–manager, Mr. Levinski; and played by (among others) that very charming young man, Prosper Vane—known locally as Alfred Briggs until he took to the stage. Prosper played the young hero, Dick Seaton, who was actually wooing Winifred. Mr. Levinski himself took the part of a middle–aged man of the world with a slight embonpoint; down in the programme as Sir Geoffrey Throssell, but fortunately still Mr. Levinski. His opening words, as he came on, were, "Ah, Dick, I have a note for you somewhere," which gave the audience an interval in which to welcome him, while he felt in all his pockets for the letter. One can bow quite easily while feeling in one's pockets, and it is much more natural than stopping in the middle of an important speech in order to acknowledge any cheers. The realisation of this, by a dramatist, is what is called "stagecraft." In this case the audience could tell at once that the "technique" of the author (whose name unfortunately I forget) was going to be all right.

But perhaps I had better describe the whole play as shortly as possible. The theme—as one guessed from the title, even before the curtain rose—was the wooing of Winifred. In the First Act Dick proposed to Winifred and was refused by her, not from lack of love, but for fear lest she might spoil his career, he being one of those big–hearted men with a hip–pocket to whom the open spaces of the world call loudly. Whereupon Mr. Levinski took Winifred on one side and told the audience how, when he had been a young man, some good woman had refused him for a similar reason and had been miserable ever since. Accordingly in the Second Act Winifred withdrew her refusal and offered to marry Dick, who declined to take advantage of her offer for fear that she was willing to marry him from pity rather than from love; whereupon Mr. Levinski took Dick on one side and told the audience how, when he had been a young man, he had refused to marry some good woman (a different one) for a similar reason, and had been broken–hearted ever afterwards. In the Third Act it really seemed as though they were coming together at last; for at the beginning of it Mr. Levinski took them both aside and told the audience a parable about a butterfly and a snap–dragon, which was both pretty and helpful, and caused several middle–aged ladies in the first and second rows of the upper circle to say, "What a nice man Mr. Levinski must be at home, dear!"—the purport of the allegory being to show that both Dick and Winifred were being very silly, as indeed by this time everybody but the author was aware. Unfortunately at that moment a footman entered with a telegram for Miss Winifred, which announced that she had been left fifty thousand pounds by a dead uncle in Australia; and although Mr. Levinski seized this fresh opportunity to tell the audience how in similar circumstances Pride, to his lasting remorse, had kept him and some good woman (a third one) apart, nevertheless Dick held back once more, for fear lest he should be thought to be marrying her for her money. The curtain comes down as he says, "Good–bye…. Good–ber–eye." But there is a Fourth Act, and in the Fourth Act Mr. Levinski has a splendid time. He tells the audience two parables—one about a dahlia and a sheep, which I couldn't quite follow—and three reminiscences of life in India; he brings together finally and for ever these hesitating lovers; and, best of all, he has a magnificent love–scene of his own with a pretty widow, in which we see, for the first time in the play, how love should really be made—not boy–and–girl pretty–pretty love, but the deep emotion felt (and with occasional lapses of memory explained) by a middle–aged man with a slight embonpoint who has knocked about the world a bit and knows life. Mr. Levinski, I need hardly say, was at his best in this Act.

I met Prosper Vane at the club some ten days before the first night, and asked him how rehearsals were going.

"Oh, all right," he said. "But it's a rotten play. I've got such a dashed silly part."

"From what you told me," I said, "it sounded rather good."

"It's so dashed unnatural. For three whole Acts this girl and I are in love with each other, and we know we're in love with each other, and yet we simply fool about. She's a dashed pretty girl too, my boy. In real life I'd jolly soon―"

"My dear Alfred," I protested, "you're not going to fall in love with the girl you have to fall in love with on the stage? I thought actors never did that."

"They do sometimes; it's a dashed good advertisement. Anyway, it's a silly part, and I'm fed up with it."

"Yes, but do be reasonable. If Dick got engaged at once to Winifred what would happen to Levinski? He'd have nothing to do."

Prosper Vane grunted. As he seemed disinclined for further conversation, I left him.

The opening night came, and the usual distinguished and fashionable audience (including myself) such as habitually attends Mr. Levinski's first nights, settled down to enjoy itself. Two Acts went well. At the end of each Mr. Levinski came before the curtain and bowed to us, and we had the honour of clapping him loud and long. Then the Third Act began….

Now this is how the Third Act ends:

Exit Sir Geoffrey.

Winifred (breaking the silence). Dick, you heard what he said. Don't let this silly money come between us. I have told you I love you, dear. Won't you—won't you speak to me?

Dick. Winifred, I― (He gets up and walks round the room, his brow knotted, his right fist occasionally striking his left palm. Finally, he comes to a stand in front of her.) Winifred, I― (He raises his arms slowly at right angles to his body and lets them fall heavily down again.) I can't. (In a low hoarse voice) I—can't! (He stands for a moment with bent head; then with a jerk he pulls himself together.) Good–bye! (His hands go out to her, but he draws them back as if frightened to touch her. Nobly.) Good–ber–eye.

He squares his shoulders and stands looking at the audience with his chin in the air; then with a shrug of utter despair, which would bring tears into the eyes of any young thing in the pit, he turns and with bent head walks slowly out.

CURTAIN.

That is how the Third Act ends. I went to the dress rehearsal, and so I know.

How the accident happened I do not know. I suppose Prosper was nervous. I am sure he was very much in love. Anyhow, this is how, on that famous first night, the Third Act ended:

Exit Sir Geoffrey.

Winifred (breaking the silence). Dick, you heard what he said. Don't let this silly money come between us. I have told you I love you, dear. Won't you—won't you speak to me?

Dick (jumping up). Winifred I― (with a great gulp) I LOVE YOU!!!

Whereupon he picked her up in his arms and carried her triumphantly off the stage … and after a little natural hesitation the curtain came down.

Behind the scenes all was consternation. Mr. Levinski (absolutely furious) had a hasty consultation with the author (also furious), in the course of which they both saw that the Fourth Act as written was now an impossibility. Poor Prosper, who had almost immediately recovered his sanity, tremblingly suggested that Mr. Levinski should announce that, owing to the sudden illness of Mr. Vane the Fourth Act could not be given. Mr. Levinski was kind enough to consider this suggestion not entirely stupid; his own idea having been (very regretfully) to leave out the two parables and three reminiscences from India, and concentrate on the love–scene with the widow.

"Yes, yes," he said. "Your plan is better. I will say you are ill. It is true; you are mad. To–morrow we will play it as it was written."

"You can't," said the author gloomily. "The critics won't come till the Fourth Act and they'll assume that the Third Act ended as it did tonight. The Fourth Act will seem all nonsense to them."

"True. And I was so good, so much myself in that Act." He turned to Prosper. "You—fool!"

"Or there's another way," began the author. "We might―"

And then a gentleman in the gallery settled it from the front of the curtain. There was nothing in the programme to show that the play was in four Acts. "The Time is the present–day and the Scene is in Sir Geoffrey Throssell's town–house," was all it said. And the gentleman in the gallery, thinking it was all over, and being pleased with the play and particularly with the realism of the last moment of it, shouted, "Author." And suddenly everybody else cried, "Author! Author." The Play was ended.

I said that this was the story of a comedy which nearly became a tragedy. But it turned out to be no tragedy at all. In the three Acts to which Prosper Vane had condemned it the play appealed to both critics and public, for the Fourth Act (as he recognised so clearly) was unnecessary, and would have spoilt the balance of it entirely. Best of all, the shortening of the play demanded that some entertainment should be provided in front of it, and this enabled Mr. Levinski to introduce to the public Professor Wollabollacolla and Princess Collabollawolla, the famous exponents of the Bongo–Bongo, that fascinating Central African war dance, which was soon to be the rage of society. But though, as a result, the takings of the Box Office surpassed all Mr. Levinski's previous records, our friend Prosper Vane received no practical acknowledgment of his services. He had to be content with the hand and heart of the lady who played Winifred, and the fact that Mr. Levinski was good enough to attend the wedding. There was, in fact, a photograph in all the papers of Mr. Levinski doing it.

XVI The Doctor

"May I look at my watch?" I asked my partner, breaking a silence which had lasted from the beginning of the waltz.

"Oh, have you got a watch?" she drawled. "How exciting!"

"I wasn't going to show it to you," I said. "But I always think it looks so bad for a man to remove his arm from a lady's waist in order to look at his watch—I mean without some sort of apology or explanation. As though he were wondering if he could possibly stick another five minutes of it."

"Let me know when the apology is beginning," said Miss White. Perhaps, after all, her name wasn't White, but, anyhow, she was dressed in White, and it's her own fault if wrong impressions arise.

"It begins at once. I've got to catch a train home. There's one at 12.45, I believe. If I started now I could just miss it."

"You don't live in these Northern Heights, then?"

"No. Do you?"

"Yes."

I looked at my watch again.

"I should love to discuss with you the relative advantages of London and Greater London," I said; "the flats and cats of one and the big gardens of the other. But just at the moment the only thing I can think of is whether I shall like the walk home. Are there any dangerous passes to cross?"

"It's a nice wet night for a walk," said Miss White reflectively.

"If only I had brought my bicycle."

"A watch and a bicycle! You are lucky!"

"Look here, it may be a joke to you, but I don't fancy myself coming down the mountains at night."

"The last train goes at one o'clock, if that's any good to you."

"All the good in the world," I said joyfully. "Then I needn't walk." I looked at my watch. "That gives us five minutes more. I could almost tell you all about myself in that time."

"It generally takes longer than that," said Miss White. "At least it seems to." She sighed and added, "My partners have been very autobiographical to–night."

I looked at her severely.

"I'm afraid you're a Suffragette," I said.

As soon as the next dance began I hurried off to find my hostess. I had just caught sight of her when―

"Our dance, isn't it?" said a voice.

I turned and recognised a girl in blue.

"Ah," I said, coldly cheerful, "I was just looking for you. Come along."

We broke into a gay and happy step, suggestive of twin hearts utterly free from care.

"Why do you look so thoughtful?" asked the girl in blue after ten minutes of it.

"I've just heard some good news," I said.

"Oh, do tell me!"

"I don't know if it would really interest you."

"I'm sure it would."

"Well, several miles from here there may be a tram, if one can find it, which goes nobody quite knows where up till one–thirty in the morning probably. It is now," I added, looking at my watch (I was getting quite good at this), "just on one o'clock and raining hard. All is well."

The dance over, I searched in vain for my hostess. Every minute I took out my watch and seemed to feel that another tram was just starting off to some unknown destination. At last I could bear it no longer and, deciding to write a letter of explanation on the morrow, I dashed off.

My instructions from Miss White with regard to the habitat of trams (thrown in by her at the last moment in case the train failed me) were vague. Five minutes' walk convinced me that I had completely lost any good that they might ever have been to me. Instinct and common sense were the only guides left. I must settle down to some heavy detective work.

The steady rain had washed out any footprints that might have been of assistance, and I was unable to follow up the slot of a tram conductor of which I had discovered traces in Two–hundred–and–fifty–first Street. In Three–thousand–eight–hundred–and–ninety–seventh Street I lay with my ear to the ground and listened intently, for I seemed to hear the ting–ting of the electric car, but nothing came of it; and in Four–millionth Street I made a new resolution. I decided to give up looking for trams and to search instead for London—the London that I knew.

I felt pretty certain that I was still in one of the Home Counties, and I did not seem to remember having crossed the Thames, so that if only I could find a star which pointed to the south I was in a fair way to get home. I set out to look for a star; with the natural result that, having abandoned all hope of finding a man, I immediately ran into him.

"Now then," he said good–naturedly.

"Could you tell me the way to"—I tried to think of some place near my London—"to Westminster Abbey?"

He looked at me in astonishment. His feeling seemed to be that I was too late for the Coronation and too early for the morning service.

"Or—or anywhere," I said hurriedly. "Trams, for instance."

He pointed nervously to the right and disappeared.

Imagine my joy; there were tramlines, and better still, a tram approaching. I tumbled in, gave the conductor a penny, and got a workman's ticket in exchange. Ten minutes later we reached the terminus.

I had wondered where we should arrive, but didn't much mind so long as I was again within reach of a cab. However, as soon as I stepped out of the tram, I knew at once where I was.

"Tell me," I said to the conductor, "do you now go back again?"

"In ten minutes. There's a tram from here every half–hour."

"When is the last?"

"There's no last. Backwards and forwards all night."

I should have liked to stop and sympathise, but it was getting late. I walked a hundred yards up the hill and turned to the right…. As I entered the gates I could hear the sound of music.

"Isn't this our dance?" I said to Miss White, who was taking a breather at the hall door. "One moment," I added and I got out of my coat and umbrella.

"Is it? I thought you'd gone."

"Oh, no, I decided to stay, after all. I found out that the trams go all night."

We walked in together.

"I won't be more autobiographical than I can help," I said, "but I must say it's hard life, a doctor's. One is called away in the middle of a dance to a difficult case of—of mumps or something, and—well, there you are. A delightful evening spoilt. If one is lucky one may get back in time for a waltz or two at the end.

"Indeed," I said, as we began to dance, "at one time to–night I quite thought I wasn't going to get back here at all."

XVII The Financier

This is how I became a West African mining magnate with a stake in the Empire.

During February I grew suddenly tired of waiting for the summer to begin. London in the summer is a pleasant place, and chiefly so because you can keep on buying evening papers to read the cricket news. In February life has no such excitements to offer. So I wrote to my solicitor about it.

"I want you," I wrote, "to buy me fifty rubber shares, so that I can watch them go up and down." And I added, "Brokerage one–eighth," to show that I knew what I was talking about.

He replied tersely as follows:

"Don't be a fool. If you have any money to invest I can get you a safe mortgage at five per cent. Let me know."

It's a funny thing how the minds of solicitors run upon mortgages. If they would only stop to think for a moment they would see that you couldn't possibly watch a safe mortgage go up and down. I left my solicitor alone and consulted Henry on the subject. In the intervals between golf and golf Henry dabbles in finance.

"You don't want anything gilt–edged, I gather," he said. It's wonderful how they talk.

"I want it to go up and down," I explained patiently, and I indicated the required movement with my umbrella.

"What about a little flutter in oil?" he went on, just like a financier in a novel.

"I'll have a little flutter in raspberry jam if you like. Anything as long as I can rush every night for the last edition of the evening papers and say now and then, 'Good heavens, I'm ruined!'"

"Then you'd better try a gold mine," said Henry bitterly, in the voice of one who has tried. "Take your choice," and he threw the paper over to me.

"I don't want a whole mine—only a vein or two. Yes, this is very interesting," I went on, as I got among the West Africans. "The scoring seems to be pretty low; I suppose it must have been a wet wicket. 'H.E. Reef, 1–3/4, 2'—he did a little better in the second innings. '1/2, Boffin River, 5/16, 7/16,—they followed on, you see, but they saved the innings defeat. By the way, which figure do I really keep my eye on when I want to watch them go up and down?"

"Both. One eye on each. And don't talk about Boffin River to me."

"Is it like that, Henry? I am sorry. I suppose it's too late now to offer you a safe mortgage at five per cent.? I know a man who has some. Well, perhaps you're right."

On the next day I became a magnate. The Jaguar Mine was the one I fixed upon—for two reasons. First, the figure immediately after it was 1, which struck me as a good point from which to watch it go up and down. Secondly, I met a man at lunch who knew somebody who had actually seen the Jaguar Mine.

"He says that there's no doubt about there being lots there."

"Lots of what? Jaguars or gold?"

"Ah, he didn't say. Perhaps he meant Jaguars."

Anyhow, it was an even chance, and I decided to risk it. In a week's time I was the owner of what we call in the City a "block" of Jaguars—bought from one Herbert Bellingham, who, I suppose, had been got at by his solicitor and compelled to return to something safe. I was a West African magnate.

My first two months as a magnate were a great success. With my heart in my mouth I would tear open the financial editions of the evening papers, to find one day that Jaguars had soared like a rocket to 1–1/16, the next that they had dropped like a stone to 1–1/32. There was one terrible afternoon when for some reason which will never be properly explained we sank to 15/16. I think the European situation had something to do with it, though this naturally is not admitted. Lord Rothschild, I fancy, suddenly threw all his Jaguars on the market; he sold and sold and sold, and only held his hand when, in desperation, the Tsar granted the concession for his new Southend to Siberia railway. Something like that. But he never recked how the private investor would suffer; and there was I, sitting at home and sending out madly for all the papers, until my rooms were littered with copies of The Times, The Financial News, Answers, The Feathered World and Home Chat. Next day we were up to 31/32, and I breathed again.

But I had other pleasures than these. Previously I had regarded the City with awe, but now I felt a glow of possession come over me whenever I approached it. Often in those first two months I used to lean against the Mansion House in a familiar sort of way; once I struck a match against the Royal Exchange. And what an impression of financial acumen I could make in a drawing–room by a careless reference to my "block of Jaguars!" Even those who misunderstood me and thought I spoke of my "flock of Jaguars" were startled. Indeed life was very good just then.

But lately things have not been going well. At the beginning of April Jaguars settled down at 1–1/16. Though I stood for hours at the club tape, my hair standing up on end and my eyeballs starting from their sockets, Jaguars still came through steadily at 1–1/16. To give them a chance of doing something, I left them alone for a whole week—with what agony you can imagine. Then I looked again; a whole week and anything might have happened. Pauper or millionaire? No, still 1–1/16.

Worse was to follow. Editors actually took to leaving out Jaguars altogether. I suppose they were sick of putting 1–1/16 in every edition. But how ridiculous it made my idea seem of watching them go up and down! How blank life became again!

And now what I dreaded most of all has happened. I have received a "Progress Report" from the mine. It gives the "total footage" for the month, special reference being made to "cross–cutting, winzing and sinking." The amount of "tons crushed" is announced. There is serious talk of "ore" being "extracted"; indeed there has already been a most alarming "yield in fine gold." In short, it can no longer be hushed up that the property may at any moment be "placed on a dividend–paying basis."

Probably I shall be getting a safe five per cent.!

"Dash it all," as I said to my solicitor this morning, "I might just as well have bought a rotten mortgage."

XVIII The Things That Matter

Ronald, surveying the world from his taxi—that pleasant corner of the world, St. James's Park—gave a sigh of happiness. The blue sky, the lawn of daffodils, the mist of green upon the trees, were but a promise of the better things which the country held for him. Beautiful as he thought the daffodils, he found for the moment an even greater beauty in the Gladstone bags at his feet. His eyes wandered from one to the other, and his heart sang to him, "I'm going away, I'm going away, I'm going away."

The train was advertised to go at 2.22, and at 2.20 Ronald joined the Easter holiday crowd upon the platform. A porter put down his luggage and was then swallowed up in a sea of perambulators and flustered parents. Ronald never saw him again. At 2.40, amidst some applause, the train came in.

Ronald seized a lost porter.

"Just put these in for me," he said. "A first smoker."

"All this lot yours, Sir?"

"The three bags—not the milk–cans," said Ronald.

It had been a beautiful day before, but when a family of sixteen which joined Ronald in his carriage was ruthlessly hauled out by the guard, the sun seemed to shine with a warmth more caressing than ever. Even when the train moved out of the station and the children who had been mislaid emerged from their hiding–places and were bundled in anywhere by the married porters, Ronald still remained splendidly alone. And the sky took on yet a deeper shade of blue.

He lay back in his corner, thinking. For a time his mind was occupied with the thoughts common to most of us when we go away—thoughts of all the things we have forgotten to pack. I don't think you could fairly have called Ronald over–anxious about clothes. He recognised that it was the inner virtues which counted; that a well–dressed exterior was nothing without some graces of mind or body. But at the same time he did feel strongly that, if you are going to stay at a house where you have never visited before, and if you are particularly anxious to make a good impression, it is a pity that an accident of packing should force you to appear at dinner in green knickerbockers and somebody else's velvet smoking–jacket.

Ronald couldn't help feeling that he had forgotten something. It wasn't the spare sponge; it wasn't the extra shaving–brush; it wasn't the second pair of bedroom slippers. Just for a moment the sun went behind a cloud as he wondered if he had included the reserve razor–strop; but no, he distinctly remembered packing that.

The reason for his vague feeling of unrest was this. He had been interrupted while getting ready that afternoon; and, as he left whatever he had been doing in order to speak to his housekeeper, he had said to himself, "If you're not careful, you'll forget about that when you come back." And now he could not remember what it was he had been doing, nor whether he had in the end forgotten to go on with it. Was he selecting his ties, or brushing his hair, or―

The country was appearing field by field; the train rushed through cuttings gay with spring flowers; blue was the sky between the baby clouds … but it all missed Ronald. What could he have forgotten?

He went over the days that were coming; he went through all the changes of toilet that the hours might bring. He had packed this and this and this and this—he was all right for the evening. Supposing they played golf?…He was all right for golf. He might want to ride…. He would be able to ride. It was too early for lawn tennis, but … well, anyhow, he had put in flannels.

As he considered all the possible clothes that he might want, it really seemed that he had provided for everything. If he liked he could go to church on Friday morning; hunt otters from twelve to one on Saturday; toboggan or dig for badgers on Monday. He had the different suits necessary for those who attend a water–polo meeting, who play chess, or who go out after moths with a pot of treacle. And even, in the last resort, he could go to bed.

Yes, he was all right. He had packed everything; moreover, his hair was brushed and he had no smut upon his face. With a sigh of relief he lowered the window and his soul drank in the beautiful afternoon. "We are going away—we are going away—we are going away," sang the train.

At the prettiest of wayside stations the train stopped and Ronald got out. There were horses to meet him. "Better than a car," thought Ronald, "on an afternoon like this." The luggage was collected. "Nothing left out," he chuckled to himself, and was seized with an insane desire to tell the coachman so; and then they drove off through the fresh green hedgerows, Ronald trying hard not to cheer.

His host was at the door as they arrived. Ronald, as happy as a child, jumped out and shook him warmly by the hand, and told him what a heavenly day it was; receiving with smiles of pleasure the news in return that it was almost like summer.

"You're just in time for tea. Really, we might have it in the garden."

"By Jove, we might," said Ronald, beaming.

However, they had it in the hall, with the doors wide open. Ronald, sitting lazily with his legs stretched out and a cup of tea in his hands, and feeling already on the friendliest terms with everybody, wondered again at the difference which the weather could make to one's happiness.

"You know," he said to the girl on his right, "on a day like this, nothing seems to matter."

And then suddenly he knew that he was wrong, for he had discovered what it was which he had told himself not to forget … what it was which he had indeed forgotten.

And suddenly the birds stopped singing and there was a bitter chill in the air.

And the sun went violently out.

He was wearing only half–a–pair of spats.