Hard as Nails

CHAPTER FIFTEEN

Lackawanna had been one of the great steel centers of the world for almost a century. Raw materials flowed in by ocean freighter coming up the St. Lawrence Seaway and across the Great Lakes, by canal barge, and by locomotive; steel flowed out. Tens of thousands of workers in Lackawanna and Buffalo owed their livelihood to Lackawanna steel for more than fifty years, and it was a good life, with higher wages than those earned at the Chrysler plant or American Standard or any of the other large employers of the blue-collar city called Buffalo. The steel business's medical and pension plans were among the most generous to be found anywhere.

As the market for American steel declined, the heaps of slag near the Lackawanna mills grew higher, the skies grew darker and filthier, the worker housing grew more grim, and the pension plans ate up more and more of the companies' profits, but the idea of steel still flourished in Lackawanna. By the late 1960s, the unions had grown too strong, the technologies had lagged behind, corporate accounting practices had become mossbacked and lazy, and the mills themselves were obsolete. The unions still received huge packages. The managers gave themselves raises and bonuses. The companies diverted profits to shareholders rather than reinvest in new technology or pay for managerial changes. Meanwhile, Japanese steel and cheap European steel and Russian steel and Thai steel were running their industries with cheaper labor, newer technologies, and slimmer profit margins. The steel companies in Lackawanna cried foul, cried dumping, diverted money to politicians to get protectionist legislation, and continued with the same pay scales and pension plans and obsolete machinery. They made steel the way their granddaddies had made steel. And they sold it the same way.

By the 1970s, the Lackawanna steel industry was on a gurney and hemorrhaging badly. By the mid-nineties, it was on a cold, stone slab with no mourners waiting around for the wake. Today there were more than a dozen miles of abandoned mills along Lake Erie, a hundred square miles of ghetto where workers' neighborhoods had once been, scores upon scores of empty parking lots that had once been filled with thousands of vehicles, as well as black mountains of slag heaps running back east from the lake for block after block—a cheaper alternative for the defunct mills than cleaning them up—thus insuring that the city of Buffalo, with a third of its population fled seeking work elsewhere, would never spend the money to develop these lakefront properties.

The neighborhoods in the shadow of the huge mills, neighborhoods that once housed German and Italian and some black skilled laborers, now boasted crack houses and abortion clinics and storefront mosques as even poorer blacks and Hispanics and Middle Eastern immigrants flowed into the vacuum created by the fleeing steelworkers.

Kurtz knew Lackawanna well. He'd lost his virginity there, lost any illusions about life there, and killed his first man there, not necessarily in that order.

Ridge Road was the main east-west street through the heart of Lackawanna, past Our Lady of Victory Basilica, past Father Baker's Orphanage, past the Holy Cross Cemetery, past the Botanical Gardens and Lackawanna City Hall, then over the narrow steel bridge built more than a century ago, then "back the Bridge," south, into the warren of narrow streets that dead-ended against the walls and moats and barriers bordering the mile-wide no-man's land of railroad tracks that ran south to everywhere and north into the grain-mill industrial area near Kurtz's Harbor Inn.

Parolee Yasein Goba's address was south of the old Carnegie Library and the nearby Lackawanna Islamic Mosque. The house was a leaning, filthy gray-shingle affair at the end of a littered cul-de-sac. To the right of and behind the house was the high fence of a salvage yard; to its left was the rusted iron wall and barbed wire fences marking railroad property. Freight trains heaved and clashed in the rainy air.

Kurtz backed the Pinto out of the cul-de-sac, swung it around, drove east a block, and parked it near Odell Playground, the only bit of grass and open space within miles. He made sure the Pinto couldn't be seen from the main north-south street, Wilmuth Avenue, or from Yasein Goba's house. Black and Middle Eastern faces peered at him from passing cars and from between sooty curtains as he tucked the.38 in his belt, took a long-bladed screwdriver from the glove box, locked the Pinto and walked the two blocks toward Goba's gray house.

Kurtz cut right a block and came at the house along the salvage yard fence, approaching from the north. The smoke and noise from the rail yards were almost melodramatic: steel couplers crashing, machines grunting as they hauled heavy loads, men shouting in the distance. More crashes and bangs came from the huge salvage yard beyond the fence.

Kurtz paused when there was nothing but open field between him and the house. Except for one small window on the north side here, all the house's windows looked east up the empty street or west over the railyards. There was no car parked next to the house and no garage, although several abandoned cars, wheels missing, littered the street.

Kurtz pulled the.38, held it loosely against his right leg, and walked behind the house.

The back door wasn't locked. There was dried blood on the steps, the stoop, and the door itself. Standing to one side of the glass, Kurtz opened the door and went in crouched, 38 extended.

The blood trail went up some stairs. A perfect red handprint was in the middle of the half-open door at the top of the inside stairway. Kurtz used the pistol to swing the door open wider. A kitchen. Dirty dishes. Garbage stinking. More blood on the cheap table and chipped tile floor. One of the chairs had been knocked over.

Breathing through his mouth, Kurtz followed the blood trail through a living room—filthy shag carpet with blobs of dried blood, sprung couch covered by a filthy sheet, big color television. The blood trail went up a narrow flight of stairs in the narrow central hall, but Kurtz checked the other two downstairs rooms first. Clear.

Yasein Goba was sprawled half across the grimy tub in the little bathroom at the head of the stairs. The blood trail led there and ended there. Goba had been hit high in the right ribcage—the wound looked consistent with the nine-millimeter slugs O'Toole had loaded in her Sig Pro that Kurtz had been firing—and the man had poured his life's blood half into the tub and half onto the bathroom floor. The bottom of the tub was solid brown with dried blood. There was blood all over the sink and blood on the mirrored door of the medicine chest. Bottles of pills, rubbing alcohol, and Mercurachrome were scattered on the floor and broken in the bloody sink. It looked as if Goba had tried to find something to stop the bleeding, or at least something to dull the pain, before he fainted onto the tub rim and bled out.

O'Toole's file said that Yasein Goba was twenty-six years old and from Yemen. Making sure not to step in the dried pools and rivulets on the floor, Kurtz crouched next to the corpse. The young man may have been an Arab, but the loss of blood added a paleness under the brown skin and tiny black mustache. His lips were white, his mouth and eyes open. Kurtz was no medical examiner, but he'd seen enough corpses to know that rigor mortis had come and gone and that this guy had probably been dead about forty-eight hours—since a few hours after Kurtz and O'Toole had been shot.

Lying in the tub was a Ruger Mark II Standard.22-caliber long-barreled target pistol. The checkered grip was mottled with blood. Kurtz lifted it carefully, letting his gloves touch only the end of the barrel where there was no blood. He held it up into the light, but the serial number had been burned off with acid. He knew it had a ten-shot magazine and he imagined that the mag would be empty, or near so. Kurtz set the gun back in the tub where the grip had been outlined in dried blood.

He stood and walked into Yasein Goba's bedroom. On a high bureau was a sort of altar—black candles, worry beads, and a blown-up photograph of Parole Officer Margaret O'Toole with the words DIE, BITCH written across it in red Magic Marker.

On a cheap desk by the front window was a spiral notebook. Kurtz flipped the pages, noted the dated entries and the Arabic writing, but some passages were in scrawled English—"…she contenus to prossecute me!!" and "purhsed fine pistol today" and "the Zionist bitch must die if I am to live!" The last page had been torn out of the notebook.

Some sense made Kurtz look up, pull open the filthy curtain a bit with the barrel of his.38.

Kemper's and King's unmarked car had stopped half a block away on the next street over. They were approaching Goba's house the same way Kurtz had, and if it hadn't been for the bare trees and the angle on the alley, Kurtz couldn't have seen them even from this high up. Stopping behind the unmarked detectives' car were two black Chevy Suburbans. Eight black-garbed and helmeted SWAT team members carrying automatic weapons boiled out of the Suburbans.

Detectives Kemper and King deployed the SWAT teams, sending them toward the house through alleys, backyards, and along the salvage yard fence. King talked into a hand radio, and Kurtz assumed that there would be more SWAT squads coming from the next block over to the south.

Kurtz folded up the spiral notebook and slipped it into the cargo pocket of his jacket. Then he left the bedroom, went down the stairs, through the kitchen, down more stairs, and out the back door. Because of the slight angle of the backyard and the heavy rain falling, the first of the SWAT guys weren't visible yet.

There was a rusted and abandoned Mercury at the back of this weedy strip, abutting the salvage yard fence and Kurtz ran at it full tilt through the rain and mud. He leaped to the hood, jumped to the roof, heaved himself up and over the fence, and dropped into the salvage yard about five seconds before the first SWAT team loped into sight, the black-vested gunmen covering each other as they ran, automatic weapons trained on the windows of the late Yasein Goba's house.