Hit and Run

4

When he got to the Days Inn he took a slow turn around the parking lot, looking for any sign of police activity, or indeed anyone at all taking a special interest in the place. But it looked the way it always looked, and he parked his car in its usual spot and went to his room.

Inside, he turned on the television set. The assassination of Governor Longford was all over the dial, unless you wanted to watch QVC or the Food Channel. Keller chose CNN and heard a couple of experts trying to estimate the likelihood of riots in Cleveland. The weather, one of them pointed out, was a significant variable. Heat and humidity added up to riot weather, she said, while a cold snap and rain kept folks indoors.

That was sort of interesting, but Keller, stuck in Des Moines, couldn’t bring himself to care about the weather in Cleveland. He hung in there while they talked the subject to death, but hit the Mute button in a hurry when they rang in a Nexium commercial.

At least the remote had a Mute button. You couldn’t fast-forward, you couldn’t pause, and you couldn’t reverse, but the one thing you could do was make the damn thing shut up, and he did.

Should he pack?

He wasn’t going to try leaving Des Moines, not yet. Whether all of this was coincidence or something a good deal more sinister, he’d be safer holed up than running around in the open. He hadn’t done anything, not even what he’d come here to do, but that wouldn’t matter to anybody who picked him up with bogus ID and an unregistered handgun just a matter of miles from where Longford had been shot dead.

By two shots from a handgun — that’s what someone had been saying, just before they got the weather report from Cleveland, and it just now registered. An unknown assailant brandishing a handgun who’d fired twice at point-blank range and escaped — how, for God’s sake? — into the crowd.

A Glock, he thought. A Glock automatic, the gun he’d been offered and turned down. The gun he’d handled.

He could remember the way the grip had fit his hand. And how he’d turned the gun over in his hands, deliberating, before handing it back to the man with the hairy ears. He’d be willing to bet that was the gun they’d used, and that it still had his prints on it. That’s why they’d offered him two guns, and the important gun wasn’t the one he’d chosen, it was the one he’d touched and rejected.

Well, that really iced the cupcake. All they had to do was pick him up — for anything at all, really — and he was finished. They’d match his prints to the prints on the Glock, and what could he possibly say?

I touched the gun, but I went for the revolver instead, because automatics tend to jam, although this one evidently didn’t. And I didn’t want to shoot a governor with it, just some mope weeding his lawn, and I never did shoot anybody, so what difference does it make?

Yeah, right.

If his prints were on file, if he’d ever been arrested or ever held a government job, if he’d ever done any of the innumerable things that move them to ink your fingers and record your prints, he wouldn’t stand a chance. But he’d led a charmed life thus far, so any prints on the Glock would lead them nowhere for the time being. Until they got their hands on him and got his hands on an ink pad, at which point it was pretty much all over.

Or was he getting ahead of himself here? He didn’t know it was the Glock, didn’t know that they’d recovered the gun. For all he knew the shooter had taken it away with him, in which case it hardly mattered whose prints were on it. He couldn’t be sure that wasn’t how it had happened.

Except somehow he did know, just as he’d somehow known all along that this was a setup. And maybe that was why he’d been so ginchy in Albuquerque, all those months ago. There had been something off about Call-Me-Al from the jump. Paying in advance for unspecified services, calling Dot from out of the blue and telling her money was on its way, then calling again to confirm it had arrived and assure her he’d be in touch. And, months later, making contact once more and sending Keller on his way to New Mexico.

It was, he had to admit, not a bad way to hire a hit man. Nobody, not Dot and not the person who did the work, had any idea who Call-Me-Al might be, or where he lived, or anything else about him. So if things went wrong and Keller wound up in a cell, he couldn’t get himself a deal by giving up his employer. He could give up Dot, but that’s as far back as it would reach, because there was nobody for Dot to give up. Al was out of anybody’s reach.

Say you were planning an extremely high-profile assassination. You wanted a patsy, a fall guy, to give some latter-day Warren Commission a plausible explanation of what had taken place.

Keller had never spent a lot of time on conspiracy theories, and was by no means convinced that the official explanations were wrong; it seemed entirely possible to him that Lee Harvey Oswald, acting alone, had shot down John F. Kennedy, and that James Earl Ray had done the same for Martin Luther King. He wasn’t going to bet the rent money that it happened like that, but he wouldn’t bet the other way, either. Both subjects seemed unlikely assassins, but was either one of them as wildly improbable as Sirhan Sirhan, the killer so witless they had to name him twice? And there was no question that he’d shot Bobby Kennedy, because they’d caught him in the act.

But never mind what actually happened. If you were orchestrating something like that, a fall guy was a handy thing to have. And the best sort of fall guy would be someone who did this sort of thing for a living. If you wanted to frame someone for murder, why not pick a murderer? Hire him to kill some nonentity, and time it so he’s in the right place at the right time, and then frame him for the real killing, the important killing. But don’t let him actually do it, because then he might wind up in a position to rat you out. This way, when the cops picked him up, he couldn’t say anything because he wouldn’t know anything, and the closest he could come to giving a good account of himself would be to start yammering about how he’d come here to Des Moines to kill someone else. Some poor schlump with no criminal ties and no one looking to kill him, some guy whose sole offense was overzealous lawn care.

Wonderful. The cops would love that one. Jesus, if they did pick him up, he’d know better than to try to sell that story. Or, for that matter, any other story he could come up with just now.

He was sitting in front of the television set, his eyes on the screen, but he was too caught up in his own train of thought for his mind to pay any real attention to what his eyes were seeing. None of it registered, until something about the image on the screen forced its way into his consciousness.

It was a picture of a man, though why they were showing it was unclear, as the sound was still muted. Keller didn’t recognize the guy, and yet it seemed to him that there was something familiar about him. He was middle-aged, with a full head of dark hair and something furtive about him. Not the face of someone you’d be inclined to trust, and—

He shot out a hand, groped for the remote. By the time he’d triggered the Mute button it was too late, the picture was gone, and the news itself gone with it. They played a commercial, one Keller especially hated, the one with the moth coming in to assure the sleeping woman of eight hours of restful sleep. Any woman he’d ever known, a moth came in and settled on her face, what she’d do was leap up and start screaming, then pick up a broom and chase the thing all over the house.

He looked for a button to push to back the thing up, but this was TiVo-less TV, and you had to watch everything in real time. And he’d missed it, but who said CNN was the only game in town? He began switching channels, getting half-second glimpses of everything from a lacrosse match to a Texas Hold-’Em tournament, from a rerun of The Match Game to a hair replacement infomercial, and before he knew it he’d run the table and was back at CNN, staring once again at his own picture on the screen.

Furtive? Is that how he’d seen himself? No he just looked a little tentative, as if he was trying to work out what he was doing there, with his face on national TV for all the world to see.

The sound was on now, and somebody was saying something, but he couldn’t take it in; it was all he could do to look at his own unfortunate face and the caption under it. THE FACE OF A KILLER, it said.