ACKNOWLEDGMENTS

In a novel about clandestine services and prototype technology, especially involving the National Security Agency and the Central Security Service, there are necessarily those who cannot be publically thanked, but thanks to them anyway.

Thanks also to Gary Goldstein, my editor at Kensington Books; Cristina Concepcion, my literary agent at Don Congdon Associates; Eva Lontscharitsch, my manager at Imprint Entertainment; Neda Niroumand of Vincent Cirrincione Associates; and Jeff Berg, the chairman of International Creative Management in Los Angeles, all of whom contributed invaluable suggestions to help bring Devlin out of the shadows and onto the page.

Thanks to my screenwriter colleague, John Fasano, for his helpful suggestion of the Barrett .50-caliber rifle as one of Devlin’s weapons of choice; to Bruce Feirstein, for his friendship; to Bill Whittle, who taught me about the OODA loop; and to the gang at Yamashiro’s and FOA in Los Angeles, good fellows all.

Thanks to my friend and fellow Eastman School of Music alum, Deborah Richards, her father, Bob, and her sister, Kate Motley, for showing me around their home town of Edwardsville, Illinois, a wonderful place in which, really, nothing ever happens.

Finally, as always, thanks to my family: Kate, Alexandra and Clare Walsh, without whose love and support none of this would be possible.

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