iBoy

1011

I'd never felt the kind of rage I felt as I pushed open the stairwell door and strode down the corridor towards O'Neil and the others. It was all-consuming, brutal, merciless ... it felt like a volcano inside me, a force of nature, straining to erupt. But at the same time, I felt weirdly calm and controlled.

I was in control of being out of control ...

As the stairwell door slammed shut behind me, all the Crows stopped what they were doing and turned in my direction. I was moving quickly, but not running — march­ing along the corridor towards them, my senses alert, my eyes taking in everything. I saw the shocked looks on their faces when they saw me — a shimmering, glowing, hooded figure — and I saw two of them immediately start to run, not even bothering to look back ... they just turned and sped down the corridor towards the lift.

I let them go.

I saw O'Neil and Firman and Craig shuffling back a few steps, keeping the kid with the spray can in front of them. And I saw him staring at me with wide-open eyes as I read the words he'd sprayed on the wall of Lucy's flat — bitch, whore — and then, before I knew what I was doing, I'd grabbed the aerosol out of his hand and was spraying it into his eyes. He screamed and tried to cover his eyes, but I kneed him in the balls and pushed him to the ground, and as his hands left his eyes to protect his groin, I emptied more red paint into his face.

The other three were making a move for me now, coming up behind me and trying to pull me away from the aerosol kid, but even as they reached out for me, before their hands so much as touched me, a jolt of energy surged through my body, and I heard a sharp crackling sound and shocked yells of pain as the three Crow kids were electrocuted. As I turned round to face them, I saw them staggering away from me, trying to shake the pain from their hands ... and I could see them all staring at me with abject fear in their eyes.

Behind me, I heard the aerosol kid getting to his feet. I raised my foot and kicked back at him, catching him square in the face, and then — just to make sure he didn't give me any more trouble — I quickly turned round and touched my finger to his paint-smeared head. The shock I gave him was hard enough to jerk his head back, and as he crawled away down the corridor, whimpering and moaning, I could see that I'd given him a fingertip-sized burn mark on his head.

I turned back to the other three. Firman and Craig looked as if they'd had enough now, and they were already starting to edge backwards towards the lift. Neither of them wanted to be the first to run, but as I moved towards O'Neil, who was still standing his ground, Firman shook his head and muttered, "Fuck this," and he turned and legged it towards the lift. Craig didn't waste any time following him.

So now it was just me and O'Neil.

He stared at me for a second, torn between running and fighting, and then — with a tough-guy crick of his neck — he made his decision. He reached into his track pants and pulled out a knife. It wasn't much of a thing — just a stubby little kitchen knife, with a blade of no more than ten centimetres — but it looked nasty enough, and just for a moment I felt a brief pang of fear.

But it didn't last long.

I had faith in my iPowers.

I smiled at O'Neil and moved towards him, holding my hands up, offering him an unguarded stab at my torso. The knife was shaking in his hand.

"Go ahead," I told him. "Use it."

He hesitated, swallowing hard, and looked at me.

I moved closer. "What's the matter?" I said to him. "You look as if you're going to shit yourself."

His eyes went cold, and he lunged at me, aiming the knife at my belly. I flinched a little, but I knew that I was safe. My force field was on, and as the knife blade struck it, and sparks flew, O'Neil shrieked and dropped the knife to the floor. I looked down at it. It was smoulder­ing, the plastic handle melted out of shape. I looked up at O'Neil. He was shaking his hand, blowing on his fingers, his face twisted in a grimace of pain.

I moved round him, positioning myself between him and the lift, so now the only way he could move was back along the corridor towards the stairwell. I edged towards him, making him step back.

"What the fuck?" he said. "Who the fucking hell —?"

"Shut up," I told him. "Get down the corridor."

"What?"

I reached out towards him. He drew back.

"Move," I said. "Down the corridor."

He backed all the way down, never taking his eyes off me, and stopped at the end of the corridor.

"Open the window," I told him.

"What for?"

"Just do it."

He turned to the window at the end of the corridor, unlatched it and opened it as far as it would go, which wasn't all that far because all the windows in the tower blocks have safety restraints on them. They're there to stop the windows opening all the way so people can't jump out of them ... or throw other people out of them.

"Step away," I told O'Neil.

As he moved back, I reached over, took hold of both restraints and shot a bolt of electricity through them. The rivets popped out, and I yanked the restraints off. Now, as I lifted the frame of the window, it opened all the way.

"Shit, man," I heard O'Neil whisper. "What are you doing?"

I grabbed hold of him before he could run, grasping his throat with one hand, giving him enough of a shock to stop him from struggling. It was enough to stop him from talking too. As I forced his head, and then his upper body, through the open window, all he could say was, "Nunh ... nuhguh ... nunh ..."

I don't know how far I would have gone if Lucy hadn't suddenly appeared in her doorway, yelling at me to stop. I don't think I would have pushed O'Neil out of the window ... I don't think I had it in me. I think I was just trying to scare him. But I'll never know for sure. Because when I heard Lucy's voice — "No! Don't do it!" — all the coldness, the brutality of my rage ... it all just suddenly faded away, and for a moment I really didn't know who or what I was.

I gazed down the corridor at Lucy. She was standing outside her door, with Ben in the doorway behind her, and I could see the genuine concern in her eyes — she really didn't want me to push O'Neil out of the window ... and I couldn't understand it. O'Neil had raped her. He'd done the absolutely worst thing imaginable to her. How could she possibly not want me to kill him?

"But you said ..." I heard myself say.

She frowned at me. "What?"

"You said you wanted to hurt them, to kill them ... you wanted them to suffer ..."

She shook her head, still frowning, and I wasn't sure if that meant that she hadn't heard me, or that she had, but she didn't understand what I was saying.

While all this was going on, I must have loosened my grip on O'Neil, because I suddenly realized that I no longer had hold of him and he was staggering away from me, holding his throat, heading for the stairwell door.

I didn't go after him.

My rage was over now. I felt drained, exhausted, almost lifeless, and I wondered if I'd overdone it, used up too much power. I closed my eyes for a moment and took a few deep breaths. I could hear O'Neil running down the stairs. When I opened my eyes again and looked over at Lucy, she was still just standing there, staring at me ... and as I met her gaze, and we looked at each other across the corridor, I saw a flash of sudden realization in her eyes. She'd remembered where my words had come from — You said you wanted to hurt them, to kill them ... you wanted them to suffer. She'd realized that the words were from her MySpace blog. And who was the only person who'd read her blog?

I saw her eyes widen, and her mouth open, and I saw her lips move as she whispered to herself, "iBoy"

I chose that moment to leave.

As I went through the stairwell door and started head­ing down the stairs, I could hear O'Neil's distant footsteps echoing on the steps below. He wasn't running any more, but he was still moving fairly quickly. I went inside my head and selected the video of the last few minutes, then I leaned over the railings, looking down at the dizzying drop of the stairwell, and zeroed in on O'Neil's mobile. As I sent the video to his number, I called out his name.

"Hey, Eugene!"

As his footsteps stopped, I heard the sound of my voice echoing dully around the concrete and metal of the stairwell, and then the distant sound of a ringtone (Fiddy's "In Da Club").

"Answer it!" I called out.

There was a pause, then the ringtone stopped. I gave O'Neil a few moments to open the video and realize what it showed — i.e. him trying to stab me and failing, and me getting hold of him by the throat and nearly pushing him out of the window — and then I called out to him again.

"You got it?"

Another pause, then, "Yeah ..."

His voice was a mixture of confusion and concern.

"If you go anywhere near Lucy again," I shouted down to him, "that video's going on YouTube. Do you hear me?"

Nothing. Silence.

"Do you HEAR me?" I yelled.

"Yeah ... yeah, I hear you. How the fuck —?"

"I'll post it on YouTube and send it to everyone you know. All the Crows, the FGH ... everyone. Do you understand?"

"Yeah ... but —"

"No questions. You've got three seconds to get moving, and then I'm coming after you." I started counting. "One ... two ..."

He started running.

I waited until he'd clattered down another few flights of stairs, then I turned off my iSkin and walked back down to the twenty-third floor.