Inkheart

59 . GOING HOME

In the morning, when Mo found the book was gone, Meggie's first thought was that Basta had taken it, and she felt sick with fear at the thought of him prowling around them while they slept. But Mo had a different explanation.

"Farid is gone, too, Meggie, " he said. "Do you think he'd have gone with Basta?"

No, she didn't. There was only one person Farid would have gone with. Meggie could well imagine Dustfinger emerging from the darkness, just as he had on the night when it all began.

"But what about Fenoglio?" she said.

Mo only sighed. "I don't know whether I'd have tried to read him back, anyway, Meggie, " he said. "So much misfortune has come from that book already, and I'm not a writer who can make up for himself the words he wants to read aloud. I'm only a kind of book doctor. I can give books new bindings, rejuvenate them a little, stop the bookworms from eating them, and prevent them from losing their pages over the years like a man loses his hair. But inventing the stories in them, filling new, empty pages with the right words – I can't do that. That's a very different trade. A famous writer once wrote, 'An author can be seen as three things: a storyteller, a teacher, or a magician – but the magician, the enchanter, is in the ascendant.' I always thought he was right about that. "

Meggie didn't know what to say. She only knew she missed Fenoglio's face. "And Tinker Bell, " she said. "What about her? Will she have to stay here, too, now?" When she'd woken up the fairy had been lying in the grass beside her. Now she was flying around with the other fairies. If you didn't look too closely they might have been a flock of moths. Meggie couldn't imagine how she had escaped from Basta's house. Hadn't he been planning to keep her in a jug?

"As far as I remember, Peter Pan himself once forgot she'd ever existed, " said Mo. "Am I right?"

Yes, Meggie remembered it, too. "All the same!" she murmured. "Poor Fenoglio!"

But as she said that her mother shook her head vigorously. Mo searched his pockets for paper, though all he could find was a shopping receipt and a felt-tip pen. Teresa took both from him, smiling. Then, while Meggie crouched in the grass beside her, she wrote: Don't be sorry for Fenoglio. It's not a bad story he's landed in.

"Is Capricorn still in it? Did you ever meet him there?" asked Meggie. How often she and Mo had wondered that. After all, he was one of the main characters in Inkheart. But perhaps there really was something behind the printed story, a world that changed every day just like this one.

I only heard of him there, her mother wrote. They spoke of him as if he had gone away for a while. But there were others just as bad. It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it.

The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded.

Elinor hadn't been able to reconcile herself to the idea of another walk all the way down through the thorny hills where the snakes lived. "Do you think I'm crazy?" she said crossly. "My feet hurt at the mere thought of it. " So she and Meggie had set off again in search of a telephone. It was a strange feeling to walk through the village – a truly deserted village now – past Capricorn's smoke-blackened house and the half-charred church porch. Water lay in the square outside. The blue sky was reflected in it and made it look almost as if the square had turned into a lake overnight. The hoses Capricorn's men had used to save their master's house lay like huge snakes in the pools of water. In fact, the fire had ravaged only the ground floor, but all the same Meggie would not go in, and when they had searched over a dozen other houses in vain Elinor bravely went through the charred door on her own. Meggie told her where to find the Magpie's room, and Elinor took a gun just in case the old woman had come back to save what she could of her own and her robber son's treasures. But the Magpie had long gone, just like Basta, and Elinor came back with a triumphant smile on her lips, carrying a cordless phone.

They called a taxi. It was somewhat difficult to persuade the driver he must ignore the road barrier when he came to it, but luckily he had never believed any of the sinister stories that were told of the village. They arranged to wait for him by the roadside so he wouldn't see any of the fairies and trolls. Meggie and her mother stayed in the village while Mo and Elinor went in the taxi to the nearest town, and came back a few hours later driving the two small buses they had rented. For Elinor had decided to offer a home, or "asylum," as she put it, to all the strange creatures who had landed in her world. "After all, " she said, "many people here have little enough patience or understanding for their fellow human beings who are only superficially different than them – so how would it be for little people with blue skins who can fly?"

It took some time for them all to understand Elinor's offer – which was, of course, also made to the men, women, and children out of the book – but most of them decided to stay in Capricorn's village. It obviously reminded them of a home that their earlier death had almost made them forget, and, of course, they could use the treasure that Meggie told the children must still be lying in the cellars of Capricorn's house. It would probably be enough to keep them all for the rest of their lives. The birds, dogs, and cats who had emerged from the Shadow had not hung around, but had long ago disappeared into the surrounding hills, while a few fairies and two of the little glass men, enchanted by the broom blossoms, the scent of rosemary, and the narrow alleys where the ancient stones whispered their stories to them, decided to make the once sinister village their home.

In the end, however, forty-three blue-skinned fairies with dragonfly wings fluttered into the buses and settled on the backs of the gray-patterned seats. Capricorn had obviously swatted fairies as carelessly as other people swat flies. Tinker Bell was among those who didn't come, which did not particularly trouble Meggie, for she had realized that Peter Pan's fairy was very self-centered. Her tinkling really got on your nerves, too, and she tinkled almost all the time if she didn't get what she wanted.

In addition to four trolls who looked like very small and hairy human beings, thirteen little glass men and women climbed into Elinor's buses – and so did Darius, the unhappy stammering reader. There was nothing to keep him in the village with its new inhabitants, and it held too many painful memories for him. He offered to help Elinor build up her library again, and she accepted. Meggie suspected she was secretly toying with the idea of getting Darius to read aloud again, now that Capricorn's malevolent presence no longer left him tongue-tied.

Meggie looked back for a long time as they left Capricorn's village behind them. She knew she would never forget the sight of it, just as you never forget many stories even though – or perhaps because – they have scared you.

Before they left, Mo had asked her, with concern in his voice, whether she minded if they drove to Elinor's first. Meggie did not mind at all. Oddly enough, she felt more homesick for Elinor's house than for the old farmhouse where she and Mo had lived for the last few years.

The scar left by the bonfire was still visible on the lawn behind the house, where Capricorn's men had piled up the books and burned them. But before Elinor had had the ashes taken away, she had filled a jam jar with the fine gray dust, and it stood on the bedside table in her room.

Many of the books that Capricorn's men had only swept off the shelves were already back in their old places, others were waiting on Mo's workbench to be rebound, but the library shelves were empty. As they stood looking at them, Meggie saw the tears in Elinor's eyes even though she was quick to wipe them away.

Elinor did a great deal of buying over the next few weeks. She bought books. She traveled all over Europe in search of them. Darius was always with her, and sometimes Mo went with them, too. But Meggie stayed in the big house with her mother. They would sit together at a window looking out at the garden where the fairies were building themselves nests, gently glowing globes that hung among the branches of the trees. The glass men and women settled into Elinor's attic, and the trolls dug caves among the big old trees that grew in abundance in Elinor's garden. She told them all that they should never leave her property, warning them urgently of the dangers of the world beyond the hedges that enclosed it, but soon the fairies were flying down to the lake by night, the trolls were walking along its banks and stealing into the sleeping villages, and the little glass people would disappear into the tall grass that covered the slopes of the mountains around the lake.

"Don't worry too much, " said Mo, whenever Elinor bewailed their stupidity. "After all, the world they came from wasn't without its dangers. "

"But it was different!" cried Elinor. "There were no cars – suppose the fairies fly into a windshield? And there were no hunters with rifles shooting at anything that moves, just for the fun of it."

By now Elinor knew everything about the world of Inkheart. Meggie's mother had needed a great deal of paper to write down her memories of it. Every evening Meggie asked her to tell more stories, and then they sat together while Teresa wrote and Meggie read the words and sometimes even tried to paint pictures of what her mother described.

The days went by, and Elinor's shelves filled up with wonderful new books. Some of them were in poor condition, and Darius, who had begun to draw up a catalog of Elinor's printed treasures, kept interrupting his own work to watch Mo at his. He sat there wide-eyed as Mo freed a badly worn book from its old cover, fixed loose pages back, glued the spines in place, and did whatever else was necessary to preserve the books for many more years to come.

Long after all this, Meggie couldn't have said exactly when they had decided to stay on with Elinor. Perhaps not for many weeks, or perhaps they had known from the first day they were back. Meggie was given the room with the bed that was much too big for her, and which still had her book box standing under it. She would have loved to read aloud to her mother from her own favorite books, but of course she understood why Mo very seldom did so, even now. And one night when she couldn't get to sleep, because she thought she saw Basta's face out in the dark, she sat down at the desk in front of her window and began to write, while the fairies played in Elinor's garden and the trolls rustled in the bushes. For Meggie had a plan: She wanted to learn to make up stories like Fenoglio. She wanted to learn to fish for words so that she could read aloud to her mother without worrying about who might come out of the stories and look at her with homesick eyes. So Meggie decided words would be her trade.

And where better could she learn that trade than in a house full of magical creatures, where fairies built their nests in the garden and books whispered on the shelves by night? As Mo had said: writing stories is a kind of magic, too.