Iron House

CHAPTER SEVENTEEN

Control was part of what made Michael so good at his job: choosing the time and place of the things he did, manipulating the elements involved and then acting with calm regard for every possible consequence. Most people in the business were the exact opposite of Michael. They killed in rage and fear or got off on it for their own screwed up reasons. They let emotions run, and those guys rarely lasted. They burned out or got sloppy, became a liability for the organization that paid their freight. More than a handful ended up with a target on their backs, and Michael had taken out a few, himself. The math was simple in Michael’s world. Emotions are bad. Control is good. But there was no control now.

Elena was gone.

A wave of dizziness struck, and he sat on the top step. Everything had seemed clear last night, the problem and how to correct it. It’s what he did, fix things, handle them. He’d just assumed Elena could handle it, too. She would be patient, let him explain. But, the way she’d looked at him! There’d been such regret in her eyes, such disgust and loathing.

What have I done?

She was gone and it was his fault. She had hours behind the wheel of a car, could be in Virginia or South Carolina, maybe even Georgia or Tennessee.

Jesus, she could be anywhere.

Stevan and Jimmy could be anywhere.

Worry gnawed at Michael, but he forced himself to think it through. Without law enforcement resources, Stevan and Jimmy would be as blind as Michael. They couldn’t subpoena credit card records, couldn’t tap into a law enforcement database. It’s why they’d threatened Julian in the first place, to force Michael into the open. Once clear of the estate, Elena would be clear of everything. They couldn’t track her. She was safe. She would be safe.

Michael told himself that, repeated it. He forced the emotion down, then stepped to the edge of the porch and studied the scene at the boathouse. A handful of police cars were parked there, lights flashing in the clear, bright air as two boats moved on the water. Men called out and heaved draglines.

They would have divers soon, Michael thought, and wondered how long it would take them to find the body. The lake was large, and although he had no certain knowledge, it felt deep. The earth sloped in from both sides, and he could almost see it plunging down to form the lakebed far below. The water looked very black, and even in the sun it seemed to radiate a deep and steady cool.

But that could be wishful thinking.

He watched one of the lines fly out, a thread from this distance. Broad, metal hooks flashed and then sank. The line was hauled back, and hooks came up trailing weed. Michael’s gaze drifted right.

About there, he thought.

A second line flew out, and as it arced and dropped, Michael debated whether or not it was Elena who’d called the police. It was certainly possible. Violent death is not the norm, nor is the sight of one’s boyfriend wrapping a body in chains to sink it in a lake. But would she call the police? Michael doubted it. If she’d sold him out, Michael would be running, dead or in cuffs. That left one possibility.

Someone else had seen.

He replayed the events in his mind: the silent approach and grass stained purple, a sound from across the lake’s narrow end. He felt a slight chill, and not at the thought that he’d been watched. He heard a dead man’s voice. He saw the old man’s face, and it was as sharp in the eye of his mind as if the man were alive and sharing the same porch.

Don’t look for fancy explanations, son. If the cops are here, then your woman told.

Michael blinked, and the image faded. That was the old man who’d raised him, not the dying man who spoke of loves lost and daughters never born. That man had understood that life is change and life is faith, that not everything is simple. He’d released Michael, after all, and to the detriment of his only son.

Nothing simple about that, old man.

And nothing was simple about his own life, either. Was Michael a killer or a father? Could he be both? Could he change for Elena and still be strong enough to protect Julian? Raise a child? Build a life? One part of Michael was cool as he analyzed this. Another felt compartments fold in his chest. He needed to be cold, but Elena was gone; needed strength when emotion made him weak. He could go crazy thinking about this shit.

Michael went inside, ran cold water and splashed it on his face. When the towel came away, he fingered the glossy scar on the side of his neck. It was long and flat and white as pearl. An inch to the right and it would be in the same location as the knife he’d pulled from the dead man’s throat the night before.

Where are you, Elena?

He dropped the towel next to the sink, and forced himself to concentrate. Elena would accept him or not-come back to him or not-and worrying about it wouldn’t help him figure out the dead man at the bottom of the lake.

Compartments.

Control.

Michael took a deep breath, and pictured Ronnie Saints. Not the feel or the smell of him, but the whys of him. Why was Ronnie Saints here, in Chatham County? What did he want? Why was he dead, and what did Julian know about it? Michael studied his face in the mirror, trying to remember what the face had looked like more than two decades ago. All he could remember was hunger and ragged hair, the feel of rough wool on his skin and shirt cuffs so filthy they were stiff. He closed his eyes and tried again. He wanted to see Ronnie Saints clearly, but this time saw his brother, not tortured and broken and small, but younger than that, his face turned sideways on a pillow. He was maybe five.

Let’s pretend we were adopted…

Few memories remained of Julian with a smile on his face, and for an instant, Michael found himself unmade. There’d been times when things were good, a moment here, an afternoon there: small, shy flickers of joy. Had those memories simply faded, or had he buried them with all the other remnants of his childhood? For an instant, Michael felt cheapened and untrue.

How much did he need the ice at his core?

How hard did he need to be?

He gripped the sink. What did it matter? The past was gone. This was now. But was it only now? That was a good question. First Hennessey and now Ronnie Saints. Two dead boys from Iron House. Twenty-three years between them, and both stabbed in the neck.

What is going on? Michael wondered.

And who called the cops?

Back on the porch, he dialed Elena’s number on his cell. He wanted her to answer, but knew, deep down, that she would not.

Too soon.

Too complicated.

Perhaps it was for the best, he thought, a clean break and a safe, easy life far from his. He tried to feel good about that, but the lie burned deep as an image of them gelled in his mind: Elena and the child-a girl, perhaps, a dark-eyed beauty with her mother’s skin. They walked through high fields in the mountains of Catalonia, one lean and sad, one far too young to understand the empty place in her life.

Tell me again about my daddy…

The sky above them would be painfully blue, and in the wake of Elena’s silence, the question would come again. Michael saw it so clearly: a small child, and lies told often enough to taste of truth. Elena would move on, and his daughter would grow without him. Michael felt that future like a hole ripped in the wall of his heart. But, it didn’t have to end like that. There were options, always.

He called her phone again.

Twenty minutes later, Abigail Vane arrived in the same beat-up Land Rover Defender. She looked good in linen pants and light makeup. The fear in her was less obvious, a hint of raw, rough panic buried deep. “I thought you might be curious.” She gestured at the boathouse, but Michael kept his eyes on the large, flat envelope in her hand.

“A little, maybe.”

She showed no signs of obvious distress, but little things gave her away. Sudden color in fingers squeezed white. A tiny swallow before she spoke. Too much glaze on her eyes. “Let’s sit.” She gestured at rocking chairs, and they sat in the shade of the deep porch. Abigail leaned forward, the envelope shaking slightly in her hands. “The police came early this morning, local detectives with a warrant to search the boathouse and lake.”

“Search for what?”

Her gaze steadied. “A body.”

Every nerve in her was strung tight, but Michael could play this game in his sleep: cops, death, secrets. “Any particular body?”

“I’m sure I have no idea.”

“Did they show you the warrant? Do you know why they’re looking?”

“Someone reported a death in the boathouse, a body put into the lake. That’s all I know.”

“When you say someone reported?”

“A confidential informant-that’s what the affidavit said. According to a confidential informant someone was killed in the boathouse. A body was sunk in the lake sometime last night. Our lawyers are circling the wagons, but couldn’t stop the search.”

“Why would you want to stop it?”

Michael was checking for a reaction, and got one. For an instant, she was dumbfounded, her mouth open and wordless. It didn’t last. “They checked the boathouse first, and found blood on the floor. A lot of it, apparently, though, someone tried to conceal the fact of it.”

“You’ve seen it?”

“They’re calling it a crime scene. It’s sealed.”

“Why are you here, Mrs. Vane?”

“Call me Abigail.”

Michael leaned closer. “What do you want with me, Abigail?”

This was the crux of it; he saw it in every line of her face. She was frightened, but not for herself. She needed something. Desperately.

“Do you love your brother?” she asked. “I don’t mean the memory of him or the thought of him. Do you love him like I do? Like he’s still a part of you?”

“Julian will always be a part of me.”

“But, do you love him? There’s a difference between love and the memory of love. The memory of it is warm but basically meaningless. Love means you’ll do anything. Burn bridges. Tear down houses. Love makes normal life mean nothing at all. I want to know if that’s what you feel.”

“Why?”

“Because I want a reason to trust you.”

“You’re worried he had something to do with this.” Michael gestured at the lake.

“Something made him break. You said it yourself.”

She shifted her feet, and Michael leaned away, thoughts moving in the back of his mind. He saw the boathouse, abandoned and rotting, the fear in Abigail’s eyes. “What do you think happened here?” he asked.

“I would kill to protect your brother. I need to know if you feel as strongly. Not want to know. Need to know.”

Something was happening. A steadiness rose up in her, a moral certainty that went straight through to her soul.

“I love my brother,” Michael said.

Abigail closed her eyes, then exhaled deeply as she laced her fingers and tilted at the waist. “What did he say to you? In his room yesterday, what did he whisper? Something disturbing, I think. I was watching your face when it happened, so please don’t tell me I’m wrong. I won’t believe you.”

“I don’t know what you mean.”

“I’ll beg if I have to. I’m not above it.”

She was whispering now, a conspirator, and Michael wondered how much of it was an act. It was gently done, this corralling of common interests. He stood, took two steps toward the lake. “If there is a body under that water…” He looked back, and found that her face was ivory-still. “Do you really think Julian is capable of that?”

“Yes.” Her eyes were bright and hard. “I do.”

“Why?”

That was the question, and in spite of her need and talk of love, it unsettled her. They’d gone too far, too fast. She was shutting down. “You came alone this morning,” he said. “I’m surprised Jessup Falls allowed it.”

“Jessup’s a good man, but he thinks you’re bad.”

“Bad?” Michael lifted an eyebrow.

“New York bad.” She ran one hand across the envelope in her lap, and Michael sensed a weightless moment as she took a step and the earth dropped away beneath her. “Otto Kaitlin bad.”

“Otto Kaitlin?”

“I think you heard me.”

Michael blinked once as Jessup Falls went up a notch in his estimation. In twenty years, not even the police had made such a solid connection. They knew of him, but had no photographs or composites, not even his name; they’d seen his work up close, but had conflicting descriptions. He was short, tall, white, black. Michael was a ghost and a rumor; a threat of violence masked by false names and manufactured stories. He was a shadow who took orders from Otto Kaitlin and no one else. Someone to fear. A cipher. That’s how it had been designed twenty years ago-Jimmy’s idea-and Michael, too, was careful. He’d never been arrested or printed. He had a dozen false identities and they were all rock solid. “Why would Falls think I have something to do with Otto Kaitlin?”

Abigail narrowed her eyes, and Michael sensed the return of her earlier implacability. Whatever fear she harbored, she’d made her decision. “What do you think I am, Michael?” She opened the manila envelope in her lap. “A rich man’s wife who spends her days in idle pursuits? A dilettante?” She slipped a photograph from the envelope and handed it over.

Michael tilted it in the light. It was a copy of the only picture in existence that showed him and Otto Kaitlin together: Michael and the old man and the 1965 Ford GTO Kaitlin had given him for his sixteenth birthday. The photo that had been in his duffel bag. Michael studied the photograph, then handed it back. His face betrayed none of the emotions that tugged at him: love and regret at the sight of the old man; anger that his photograph had been copied and was being used against him. “It’s only a photograph,” he lied.

She slipped it back into the folder. “There’s quite a stir in the city right now, talk of terrorism and organized crime. Police are looking for a man and woman.”

“New York seems a long way from here.”

“Not that far.”

Michael shrugged. He had plenty of money. Julian was protected. All he had to do was find Elena and walk. “So what?” he asked. “Falls thinks I’m bad, and you don’t?”

“I think I don’t care.”

“Why not?”

“Because I think a body is going to come out of that water.” She leaned forward, her mouth a bitter line. “And I think you know something about it.”