First came the fire in a lower Broadway warehouse, near the old Fitzgibbon downtown ironworks. It rose in its own sphere, in an uprush into fire’s own perfection, and great flames violated the sky. Then, as Francis and Rosskam halted behind trucks and cars, Rosskam’s horse snorty and balky with elemental fear, the fire touched some store of thunder and the side of the warehouse blew out in a great rising cannon blossom of black smoke, which the wind carried toward them. Motorists rolled up their windows, but the vulnerable lights of Francis, Rosskam, and the horse smarted with evil fumes.
Ahead of them a policeman routed traffic into a U-turn and sent it back north. Rosskam cursed in a foreign language Francis didn’t recognize. But that Rosskam was cursing was unmistakable. As they turned toward Madison Avenue, both men’s faces were astream with stinging tears.
They were now pulling an empty wagon, fresh from dumping the day’s first load of junk back at Rosskam’s yard. Francis had lunched at the yard on an apple Rosskam gave him, and had changed into his new whiteon-white shirt, throwing his old blue relic onto Rosskam’s rag mountain. They had then set out on the day’s second run, heading for the deep South End of the city, until the fire turned them around at three o’clock.
Rosskam turned up Pearl Street and the wagon rolled along into North Albany, the smoke still rising into the heavens below and behind them. Rosskam called out his double-noted ragman’s dirge and caught the attention of a few cluttered housewives. From the backyard of an old house near Emmett Street, Francis hauled out a wheelless wheelbarrow with a rust hole through its bottom. As he heaved it upward into the wagon, the odor of fire still in his nostrils, he confronted Fiddler Quain, sitting on an upended metal chamber pot that had been shot full of holes by some backyard marksman.
The Fiddler, erstwhile motorman, now wearing a tan tweed suit, brown polka-dot bow tie, and sailor straw hat, smiled coherently at Francis for the first time since that day on Broadway in 1901 when they both ignited the kerosene-soaked sheets that trapped the strikebreaking trolley car.
When a soldier split the Fiddler’s skull with a rifle butt, the sympathetic mob spirited him away to safety before he could be arrested. But the blow left the man mindless for a dozen years, cared for by his spinster sister, Martha. Martyred herself by his wound, Martha paraded the Fiddler through the streets of North Albany, a heroic vegetable, so the neighbors could see the true consequences of the smartypants trolley strike.
Francis offered to be a bearer at the Fiddler’s funeral in 1913, but Martha rejected him; for she believed it was Francis’s firebrand style that had seduced the Fiddler into violence that fated morning. Your hands have done enough damage, she told Francis. You’ll not touch my brother’s coffin.
Pay her no mind, the Fiddler told Francis from his perch on the riddled pot. I don’t blame you for anything. Wasn’t I ten years your elder? Couldn’t I make up my own mind?
But then the Fiddler gave Francis a look that loosened a tide of bafflement, as he said solemnly: It’s those traitorous hands of yours you’ll have to forgive.
Francis brushed rust off his fingers and went behind the house for more dead metal. When he returned with an armload, the scab Harold Allen, wearing a black coat and a motorman’s cap, was sitting with the Fiddler, who had his boater in his lap now. When Francis looked at the pair of them, Harold Allen doffed his cap. Both men’s heads were laid open and bloody, but not bleeding, their unchanging wounds obviously healed over and as much a part of their aerial bodies as their eyes, which burned with an entropic passion common among murdered men.
Francis threw the old junk into the wagon and turned away. When he turned back to verify the images, two more men were sitting in the wheelless wheelbarrow. Francis could call neither of them by name, but he knew from the astonishment in the hollows of their eyes that they were the shopper and haberdasher, bystanders both, who had been killed by the soldiers’ random retaliatory fire after Francis opened Harold Allen’s skull with the smooth stone.
“I’m ready,” said Francis to Rosskam. “You ready?”
“What’s the big hurry-up?” Rosskam asked.
“Nothin’ else to haul. Shouldn’t we be movin’?”
“He’s impatient too, this bum,” Rosskam said, and he climbed aboard the wagon.
Francis, feeling the eyes of the four shades on him, gave them all the back of his neck as the wagon rolled north on Pearl Street, Annie’s street. Getting closer. He pulled up the collar of his coat against a new bite in the wind, the western sky graying with ominous clouds. It was almost three-thirty by the Nehi clock in the window of Elmer Rivenburgh’s grocery. First day of early winter. If it rains tonight and we’re outside, we freeze our ass once and for all.
He rubbed his hands together. Were they the enemies? How could a man’s hands betray him? They were full of scars, calluses, split fingernails, ill-healed bones broken on other men’s jaws, veins so bloated and blue they seemed on the verge of explosion. The hands were long-fingered, except where there was no finger, and now, with accreting age, the fingers had thickened, like the low-growing branches of a tree.
Traitors? How possible?
“You like your hands?” Francis asked Rosskam.
“Like, you say? Do I like my hands?”
“Yeah. You like ‘em?”
Rosskam looked at his hands, looked at Francis, looked away.
“I mean it,” Francis said. “I got the idea that my hands do things on their own, you know what I mean?”
“Not yet,” said Rosskam.
“They don’t need me. They do what they goddamn please.”
“Ah ha,” said Rosskam. He looked again at his own gnarled hands and then again at Francis. “Nutsy,” he said, and slapped the horse’s rump with the reins. “Giddap,” he added, changing the subject.
Francis remembered Skippy Maguire’s left hand, that first summer away at Dayton. Skippy was Francis’s roommate, a pitcher: tall and lefty, a man who strutted when he walked; and on the mound he shaped up like a king of the hill. Why, when he wanted to, Skippy could strut standin’ still. But then his left hand split open, the fingers first and then the palm. He pampered the hand: greased it, sunned it, soaked it in Epsom salts and beer, but it wouldn’t heal. And when the team manager got impatient, Skippy ignored the splits and pitched ten minutes in a practice session, which turned the ball red and tore the fingers and the palm into a handful of bloody pulp. The manager told Skippy he was stupid and took him and his useless hand off the payroll.
That night Skippy cursed the manager, got drunker than usual, started a fire in the coal stove even though it was August, and when it was roaring, reached in and picked up a handful of flaming coal. And he showed that goddamn Judas of a hand a thing or two. The doc had to cut off three fingers to save it.
Well, Francis may be a little nutsy to people like Rosskam, but he wouldn’t do anything like Skippy did. Would he? He looked at his hands, connecting scars to memories. Rowdy Dick got the finger. The jagged scar behind the pinky… a violent thirst gave him that one, the night he punched out a liquor store window in Chinatown to get at a bottle of wine. In a fight on Eighth Avenue with a bum who wanted to screw Helen, Francis broke the first joint on his middle finger and it healed crookedly. And a wild man in Philadelphia out to steal Francis’s hat bit off the tip of the left thumb.
But Francis got ‘em. He avenged all scars, and he lived to remember every last one of them dickie birds too, most of ‘em probably dead now, by their own hand maybe. Or the hand of Francis?
Rowdy Dick.
Harold Allen.
The latter name suddenly acted as a magical key to history for Francis. He sensed for the first time in his life the workings of something other than conscious will within himself: insight into a pattern, an overview of all the violence in his history, of how many had died or been maimed by his hand, or had died, like that nameless pair of astonished shades, as an indirect result of his violent ways. He limped now, would always limp with the metal plate in his left leg, because a man stole a bottle of orange soda from him. He found the man, a runt, and retrieved the soda. But the runt hit him with an ax handle and splintered the bone. And what did Francis do? Well the runt was too little to hit, so Francis shoved his face into the dirt and bit a piece out of the back of his neck.
There are things I never wanted to learn how to do, is one thought that came to Francis.
And there are things I did without needin’ to learn.
And I never wanted to know about them either.
Francis’s hands, as he looked at them now, seemed to be messengers from some outlaw corner of his psyche, artificers of some.involuntary doom element in his life. He seemed now to have always been the family killer; for no one else he knew of in the family had ever lived as violently as he. And yet he had never sought that kind of life.
But you set out to kill me, Harold Allen said silently from the back.of the wagon.
“No,” answered Francis without turning. “Not kill anybody. Just do some damage, get even. Maybe bust a trolley window, cause a ruckus, stuff like that.”
But you knew, even that early in your career, how accurate your throw could be. You were proud of that talent. It was what you brought to the strike that day, and it was why you spent the morning hunting for stones the same weight as a baseball. You aimed at me to make yourself a hero.
“But not to kill you.”
Just to knock out an eye, was it?
Francis now remembered the upright body of Harold Allen on the trolley, indisputably a target. He remembered the coordination of vision with arm movement, of distance with snap of wrist. For a lifetime he had remembered precisely the way Harold Allen crumpled when the stone struck his forehead at the hairline. Francis had not heard, but had forever after imagined, the sound the stone (moving at maybe seventy miles an hour?) made when it hit Harold Allen’s skull. It made the skull sound as hollow, as tough, and as explodable, he decided, as a watermelon hit with a baseball bat.
Francis considered the evil autonomy of his hands and wondered what Skippy Maguire, in his later years, had made of his own left hand’s suicidal impulse. Why was it that suicide kept rising up in Francis’s mind? Wake up in the weeds outside Pittsburgh, half frozen over, too cold to move, flaked out ‘n’ stiffer than a chunk of old iron, and you say to yourself: Francis, you don’t ever want to put in another night, another mornin’, like this one was. Time to go take a header off the bridge.
But after a while you stand up. wipe the frost out of your ear, go someplace to get warm, bum a nickel for coffee, and then start walkin’ toward somewheres else that ain’t near no bridge.
Francis did not understand this flirtation with suicide, this flight from it. He did not know why he hadn’t made the big leap the way Helen’s old man had when he knew he was done in. Too busy, maybe, figurin’ out the next half hour. No way for Francis ever to get a real good look past the sunset, for he’s the kind of fella just kept runnin’ when things went bust; never had the time to stop anyplace easy just to die.
But he never wanted to run off all that much either. Who’d have figured his mother would announce to the family at Thanksgiving dinner, just after Francis married Annie, that neither he nor his common little woman would ever be welcome in this house again? The old bat relented after two years and Francis was allowed visiting privileges. But he only went once, and not even inside the door then, for he found out that privileges didn’t extend to most uncommon Annie at his side.
And so family contact on Colonie Street ended for Francis in a major way. He vacated the flat he’d rented nine doors up the block, moved to the North End to be near Annie’s family, and never set foot again in the goddamned house until the old battle-ax (sad, twisted, wrongheaded, pitiable woman) died.
Departure.
Flight of a kind, the first.
Flight again, when he killed the scab.
Flight again, every summer until it was no longer possible, in order to assert the one talent that gave him full and powerful ease, that let him dance on the earth to the din of brass bands, raucous cheers, and the voluptuous approval of the crowd. Flight kept Francis sane during all those years, and don’t ask him why. He loved living with Annie and the kids, loved his sister, Mary, and half-loved his brothers Peter and Chick and his moron brother, Tommy, too, who all came to visit him at his house when he was no longer welcome at theirs.
He loved and half-loved lots of things about Albany.
But then one day it’s February again,
And it won’t be long now till the snow gets gone again,
And the grass comes green again,
And then the dance music rises in Francis’s brain,
And he longs to flee again,
And he flees.
o o o
A man stepped out of a small apartment house behind Sacred Heart Church and motioned to Rosskam, who reined the horse and climbed down to negotiate for new junk. Francis, on the wagon, watched a group of children coming out of School 20 and crossing the street. A woman whom Francis took to be their teacher stood a few steps into the intersection with raised hand to augment the stopping power of the red light, even though there were no automobiles in sight, only Rosskam’s wagon. which was already standing still. The children, their secular school day ended, crossed like a column of ants into the custody of two nuns on the opposite corner, gliding black figures who would imbue the pliant young minds with God’s holy truth: Blessed are the meek. Francis remembered Billy and Peg as children, similarly handed over from the old school to this same church for instruction in the ways of God, as if anybody could ever figure that one out.
At the thought of Billy and Peg, Francis trembled. He was only a block away from where they lived. And he knew the address now, from the newspaper. I’ll come by of a Sunday and bring a turkey, Francis had told Billy when Billy first asked him to come home. And Billy’s line was: Who the fuck wants a turkey? Yeah, who does? Francis answered then. But his answer now was: I sorta do.
Rosskam climbed back on the wagon, having made no deal with the man from the apartment house, who wanted garbage removed.
“Some people,” said Rosskam to the rear end of his horse, “they don’t know junk. It ain’t garbage. And garbage, it ain’t junk.”
The horse moved forward, every clip clop of its hooves tightening the bands around Francis’s chest. How would he do it? What would he say? Nothing to say. Forget it. No, just knock at the door. Well, I’m home. Or maybe just: How’s chances for a cupacoffee; see what that brings. Don’t ask no favors or make no promises. Don’t apologize. Don’t cry. Make out it’s just a visit. Get the news, pay respects, get gone.
But what about the turkey?
“I think I’m gonna get off the wagon up ahead a bit,” Francis told Rosskam, who looked at him with a squinty eye. “Gettin’ near the end of the day anyway, ‘bout an hour or so left before it starts gettin’ dark, ain’t that right?” He looked up at the sky, gray but bright, with a vague hint of sun in the west.
“Quit before dark?” Rosskam said. “You don’t quit before dark.”
“Gotta see some people up ahead. Ain’t seen ‘em in a while.”
“So go.”
“‘Course I want my pay for what I done till now.”
“You didn’t work the whole day. Come by tomorrow, I’ll figure how much.”
“Worked most of the day. Seven hours, must be, no lunch.”
“Half a day you worked. Three hours yet before dark.”
“I worked more’n half a day. I worked more’n seven hours. I figure you can knock off a dollar. That’d be fair. I’ll take six ‘stead of seven, and a quarter out for the shirt. Five-seventy-five.”
“Half a day you work, you get half pay. Three-fifty.”
“No sir.”
“No? I am the boss.”
“That’s right. You are the boss. And you’re one strong fella too. But I ain’t no dummy, and I know when I’m bein’ skinned. And I want to tell you right now, Mr. Rosskam, I’m mean as hell when I get riled up.” He held out his right hand for inspection. “If you think I won’t fight for what’s mine, take a look. That hand’s seen it all. I mean the worst. Dead men took their last ride on that hand. You get me?”
Rosskam reined the horse, braked the wagon, and looped the reins around a hook on the footboard. The wagon stood in the middle of the block, immediately across Pearl Street from the main entrance to the school. More children were exiting and moving in ragged columns toward the church. Blessed are the many meek. Rosskam studied Francis’s hand, still outstretched, with digits gone, scars blazing, veins pounding, fingers curled in the vague beginnings of a fist.
“Threats,” he said. “You make threats. I don’t like threats. Five-twenty-five I pay, no more.”
“Five-seventy-five. I say five-seventy-five is what’s fair. You gotta be fair in this life.”
From inside his shirt Rosskam pulled out a change purse which hung around his neck on a leather thong. He opened it and stripped off five singles, from a wad, counted them twice, and put them in Francis’s outstretched hand, which turned its palm skyward to receive them. Then he added the seventy-five cents.
“A bum is a bum,” Rosskam said. “I hire no more bums.”
“I thank ye,” Francis said, pocketing the cash.
“You I don’t like,” Rosskam said.
“Well I sorta liked you,” Francis said. “And I ain’t really a bad sort once you get to know me.” He leaped off the wagon and saluted Rosskam, who pulled away without a word or a look, the wagon half full of junk, empty of shades.
o o o
Francis walked toward the house with a more pronounced limp than he’d experienced for weeks. The leg pained him, but not excessively. And yet he was unable to lift it. from the sidewalk in a normal gait. He walked exceedingly slowly and to a passerby he would have seemed to be lifting the leg up from a sidewalk paved with glue. He could not see the house half a block away, only a gray porch he judged to be part of it. He paused, seeing a chubby middle-aged woman emerging from another house. When she was about to pass him he spoke.
“Excuse me, lady, but d’ya know where I could get me a nice little turkey?”
The woman looked at him with surprise, then terror, and retreated swiftly up her walkway and back into the house. Francis watched her with awe. Why, when he was sober, and wearing a new shirt, should he frighten a woman with a simple question? The door reopened and a shoeless bald man in an undershirt and trousers stood in the doorway.
“What did you ask my wife?” he said.
“I asked if she knew where I could get a turkey.”
“What for?”
“Well,” said Francis, and he paused, and scuffed one foot, “my duck died.”
“Just keep movin’, bud.”
“Gotcha,” Francis said, and he limped on.
He hailed a group of schoolboys crossing the street toward him and asked: “Hey fellas, you know a meat market around here?”
“Yeah, Jerry’s,” one said, “up at Broadway and Lawn.”
Francis saluted the boy as the others stared. When Francis started to walk they all turned and ran ahead of him. He walked past the house without looking at it, his gait improving a bit. He would have to walk two blocks to the market, then two blocks back. Maybe they’d have a turkey for sale. Settle for a chicken? No.
By the time he reached Lawn Avenue he was walking well, and by Broadway his gait, for him, was normal. The floor of Jerry’s meat market was bare wood, sprinkled with sawdust and extraordinarily clean. Shining white display cases with slanted and glimmering glass offered rows of splendid livers, kidneys, and bacon, provocative steaks and chops, and handsomely ground sausage and hamburg to Francis, the lone customer.
“Help you?” a white-aproned butcher asked. His hair was so black that his facial skin seemed bleached.
“Turkey,” Francis said. “I’d like me a nice dead turkey.”
“It’s the only kind we carry,” the butcher said. “Nice and dead. How big?”
“How big they come?”
“So big you wouldn’t believe it.”
“Gimme a try.”
“Twenty-five, twenty-eight pounds?”
“How much those big fellas sell for?”
“Depends on how much they weigh.”
“Right. How much a pound, then?”
“Forty-four cents.”
“Forty-four. Say forty.” He paused. “You got maybe a twelve-pounder?”
The butcher entered the white meat locker and came out with a turkey in each hand. He weighed one, then another.
“Ten pounds here, and this is twelve and a half.”
“Give us that big guy,” Francis said, and he put the five singles and change on the white counter as the butcher wrapped the turkey in waxy white paper. The butcher left him twenty-five cents change on the counter.
“How’s business, pal?” Francis asked.
“Slow. No money in the world.”
“They’s money. You just gotta go get it. Lookit that five bucks I just give ye. I got me that this afternoon.”
“If I go out to get money, who’ll mind the store?”
“Yeah,” said Francis, “I s’pose some guys just gotta sit and wait. But it’s a nice clean place you got to wait in.”
“Dirty butchers go out of business.”
“Keep the meat nice and clean, is what it is.”
“Right. Good advice for everybody. Enjoy your dead turkey.”
o o o
He walked down Broadway to King Brady’s saloon and then stared down toward the foot of North Street, toward Welt the Tin’s barn and the old lock, long gone, a daylight look at last. A few more houses stood on the street now, but it hadn’t changed so awful much. He’d looked briefly at it from the bus, and again last night in the barn, but despite the changes time had made, his eyes now saw only the vision of what had been so long ago; and he gazed down on reconstituted time: two men walking up toward Broadway, one of them looking not unlike himself at twenty-one. He understood the cast of the street’s incline as the young man stepped upward, and upward, and upward toward where Francis stood.
The turkey’s coldness penetrated his coat, chilling his arm and his side. He switched the package to his other arm and walked up North Third Street toward their house. They’ll figure I want ‘em to cook the turkey, he thought. Just tell ‘em: Here’s a turkey, cook it up of a Sunday.
Kids came toward him on bikes. Leaves covered the sidewalks of Walter Street. His leg began to ache, his feet again in the glue. Goddamn legs got a life of their own too. He turned the corner, saw the front stoop, walked past it. He turned at the driveway and stopped at the side door just before the garage. He stared at the dotted white curtain behind the door’s four small windowpanes, looked at the knob, at the aluminum milkbox. He’d stole a whole gang of milk outa boxes just like it. Bum. Killer. Thief. He touched the bell, heard the steps, watched the curtain being pulled aside, saw the eye, watched the door open an inch.
“Howdy,” he said.
“Yes?”
Her.
“Brought a turkey for ye.”
“A turkey?”
“Yep. Twelve-and-a-half-pounder.” He held it aloft with one hand.
“I don’t understand.”
“I told Bill I’d come by of a Sunday and bring a turkey. It ain’t Sunday but I come anyway.”
“Is that you, Fran?”
“It ain’t one of them fellas from Mars.”
“Well my God. My God, my God.” She opened the door wide.
“How ya been, Annie? You’re lookin’ good.”
“Oh come in, come in.” She went up the five stairs ahead of him. Stairs to the left went into the cellar, where he thought he might first enter, carry out some of their throwaways to Rosskam’s wagon before he made himself known. Now he was going into the house itself, closing the side door behind him. Up five stairs with Annie watching and into the kitchen, she backing away in front of him. She’s staring. But she’s smiling. All right.
“Billy told us he’d seen you,” she said. She stopped in the center of the kitchen and Francis stopped too. “But he didn’t think you’d ever come. My oh my, what a surprise. We saw the story about you in the paper.”
“Hope it didn’t shame you none.”
“We all thought it was funny. Everybody in town thought it was funny, registering twenty times to vote.”
“Twenty-one.”
“Oh my, Fran. Oh my, what a surprise this is.”
“Here. Do somethin’ with this critter. It’s freezin’ me up.”
“You didn’t have to bring anything. And a turkey. What it must’ve cost you.”
“Iron Joe always used to tell me: Francis, don’t come by empty-handed. Hit the bell with your elbow.”
She had store teeth in her mouth. Those beauties gone. Her hair was steel-gray, only a trace of the brown left, and her chin was caved in a little from the new teeth. But that smile was the same, that honest-to-god smile. She’d put on weight: bigger breasts, bigger hips; and her shoes turned over at the counters. Varicose veins through the stocking too, hands all red, stains on her apron. That’s what housework does to a pretty kid like she was.
Like she was when she came into The Wheelbarrow.
The canalers’ and lumbermen’s saloon that Iron Joe ran at the foot of Main Street.
Prettiest kid in the North End. Folks always said that about pretty girls.
But she was.
Came in lookin’ for Iron Joe,
And Francis, working up to it for two months,
Finally spoke to her.
Howdy, he’d said.
Two hours later they were sitting between two piles of boards in Kibbee’s lumberyard with nobody to see them, holding hands and Francis saying goopy things he swore to himself he’d never say to anybody.
And then they kissed.
Not just then, but some hours or maybe even days later, Francis compared that kiss to Katrina’s first, and found them as different as cats and dogs. Remembering them both now as he stood looking at Annie’s mouth with its store teeth, he perceived that a kiss is as expressive of a way of life as is a smile, or a scarred hand. Kisses come up from below, or down from above. They come from the brain sometimes, sometimes from the heart, and sometimes just from the crotch. Kisses that taper off after a while come only from the heart and leave the taste of sweetness. Kisses that come from the brain tend to try to work things out inside other folks’ mouths and don’t hardly register. And kisses from the crotch and the brain put together, with maybe a little bit of heart, like Katrina’s, well they are the kisses that can send you right around the bend for your whole life.
But then you get one like that first whizzer on Kibbee’s lumber pile, one that come out of the brain and the heart and the crotch, and out of the hands on your hair, and out of those breasts that weren’t all the way blown up yet, and out of the clutch them arms give you, and out of time itself, which keeps track of how long it can go on without you gettin’ even slightly bored the way you got bored years later with kissin’ almost anybody but Helen, and out of fingers (Katrina had fingers like that) that run themselves around and over your face and down your neck, and out of the grip you take on her shoulders, especially on them bones that come out of the middle of her back like angel wings, and out of them eyes that keep openin’ and closin’ to make sure that this is still goin’ and still real and not just stuff you dream about and when you know it’s real it’s okay to close ‘em again, and outa that tongue, holy shit, that tongue, you gotta ask where she learned that because nobody ever did that that good except Katrina who was married and with a kid and had a right to know, but Annie, goddamn, Annie, where’d you pick that up, or maybe you been gidzeyin’ heavy on this lumber pile regular (No, no, no, I know you never, I always knew you never), and so it is natural with a woman like Annie that the kiss come out of every part of her body and more, outa that mouth with them new teeth Francis is now looking at, with the same lips he remembers and doesn’t want to kiss anymore except in memory (though that could be subject to change), and he sees well beyond the mouth into a primal location in this woman’s being, a location that evokes in him not only the memory of years but decades and even more, the memory of epochs, aeons, so that he is sure that no matter where he might have sat with a woman and felt this way, whether it was in some ancient cave or some bogside shanty, or on a North Albany lumber pile, he and she would both know that there was something in each of them that had to stop being one and become two, that had to swear that forever after there would never be another (and there never has been, quite), and that there would be allegiance and sovereignty and fidelity and other such tomfool horseshit that people destroy their heads with when what they are saying has nothing to do with time’s forevers but everything to do with the simultaneous recognition of an eternal twain, well sir, then both of them, Francis and Annie, or the Francises and Annies of any age, would both know in that same instant that there was something between them that had to stop being two and become one.
Such was the significance of that kiss.
Francis and Annie married a month and a half later.
Katrina, I will love you forever.
However, something has come up.
o o o
“The turkey,” Annie said. “You’ll stay while I cook it.”
“No, that’d take one long time. You just have it when you want to. Sunday, whenever.”
“It wouldn’t take too long to cook. A few hours is all. Are you going to run off so soon after being away so long?”
“I ain’t runnin’ off.”
“Good. Then let me get it into the oven right now. When Peg comes home we can peel potatoes and onions and Danny can go get some cranberries. A turkey. Imagine that. Rushing the season.”
“Who’s Danny?”
“You don’t know Danny. Naturally, you don’t. He’s Peg’s boy. She married George Quinn. You know George, of course, and they have the boy. He’s ten.”
“Ten.”
“In fourth grade and smart as a cracker.”
“Gerald, he’d be twenty-two now.”
“Yes, he would.”
“I saw his grave.”
“You did? When?”
“Yesterday. Got a day job up there and tracked him down and talked there awhile.”
“Talked?”
“Talked to Gerald. Told him how it was. Told him a bunch of stuff.”
“I’ll bet he was glad to hear from you.”
“May be. Where’s Bill?”
“Bill? Oh, you mean Billy. We call him Billy. He’s taking a nap. He got himself in trouble with the politicians and he’s feeling pretty low. The kidnapping. Patsy McCall’s nephew was kidnapped. Bindy McCall’s son. You must’ve read about it.”
“Yeah, I did, and Martin Daugherty run it down for me too, awhile back.”
“Martin wrote about Billy in the paper this morning.”
“I seen that too. Nice write-up. Martin says his father’s still alive.”
“Edward. He is indeed, living down on Main Street. He lost his memory, poor man, but he’s healthy. We see him walking with Martin from time to time. I’ll go wake Billy and tell him you’re here.”
“No, not yet. Talk a bit.”
“Talk. Yes, all right. Let’s go in the living room.”
“Not me, not in these clothes. I just come off workin’ on a junk wagon. I’d dirty up the joint somethin’ fierce.”
“That doesn’t matter at all. Not at all.”
“Right here’s fine. Look out the window at the yard there. Nice yard. And a collie dog you got.”
“It is nice. Danny cuts the grass and the dog buries his bones all over it. There’s a cat next door he chases up and down the fence.”
“The family changed a whole lot. I knew it would. How’s your brother and sisters?”
“They’re fine, I guess. Johnny never changes. He’s a committeeman now for the Democrats. Josie got very fat and lost a lot of her hair. She wears a switch. And Minnie was married two years and her husband died. She’s very lonely and lives in a rented room. But we all see one another.”
“Billy’s doin’ good.”
“He’s a gambler and not a very good one. He’s always broke.”
“He was good to me when I first seen him. He had money then. Bailed me outa jail, wanted to buy me a new suit of clothes. Then he give me a hefty wad of cash and acourse I blew it all. He’s tough too, Billy. I liked him a whole lot. He told me you never said nothin’ to him and Peg about me losin’ hold of Gerald.”
“No, not until the other day.”
“You’re some original kind of woman, Annie. Some original kind of woman.”
“Nothing to be gained talking about it. It was over and done with. Wasn’t your fault any more than it was my fault. Wasn’t anybody’s fault.”
“No way I can thank you for that. That’s something thanks don’t even touch. That’s something I don’t even know-”
She waved him silent.
“Never mind that,” she said. “It’s over. Come, sit, tell me what finally made you come see us.”
He sat down on the backless bench in the breakfast nook and looked out the window, out past the geranium plant with two blossoms, out at the collie dog and the apple tree that grew in this yard but offered shade and blossoms and fruit to two other yards adjoining, out at the flower beds and the trim grass and the white wire fence that enclosed it all. So nice. He felt a great compulsion to confess all his transgressions in order to be equal to this niceness he had missed out on; and yet he felt a great torpor in his tongue, akin to what he had felt in his legs when he walked on the glue of the sidewalks. His brain, his body seemed to be in a drugged sleep that allowed perception without action. There was no way he could reveal all that had brought him here. It would have meant the recapitulation not only of all his sins but of all his fugitive and fallen dreams, all his random movement across the country and back, all his returns to this city only to leave again without ever coming to see her, them, without ever knowing why he didn’t. It would have meant the anatomizing of his compulsive violence and his fear of justice, of his time with Helen, his present defection from Helen, his screwing so many women he really wanted nothing to do with, his drunken ways, his morning-after sicknesses, his sleeping in the weeds, his bumming money from strangers not because there was a depression but first to help Helen and then because it was easy: easier than working. Everything was easier than coming home, even reducing yourself to the level of social maggot, streetside slug.
But then he came home.
He is home now, isn’t he?
And if he is, the question on the table is: Why is he?
“You might say it was Billy,” Francis said. “But that don’t really get it. Might as well ask the summer birds why they go all the way south and then come back north to the same old place.”
“Something must’ve caught you.”
“I say it was Billy gettin’ me outa jail, goin’ my bail, then invitin’ me home when I thought I’d never get invited after what I did, and then findin’ what you did, or didn’t do is more like it, and not ever seem’ Peg growin’ up, and wantin’ some of that. I says to Billy I want to come home when I can do something’ for the folks, but he says just come home and see them and never mind the turkey, you can do that for them. And here I am. And the turkey too.”
“But something changed in you,” Annie said. “It was the woman, wasn’t it? Billy meeting her?”
“The woman.”
“Billy told me you had another wife. Helen, he said.”
“Not a wife. Never a wife. I only had one wife.”
Annie, her arms folded on the breakfast table across from him, almost smiled, which he took to be a sardonic response. But then she said: “And I only had one husband. I only had one man.”
Which froze Francis’s gizzard.
“That’s what the religion does,” he said, when he could talk.
“It wasn’t the religion.”
“Men must’ve come outa the trees after you, you were such a handsome woman.”
“They tried. But no man ever came near me. I wouldn’t have it. I never even went to the pictures with anybody except neighbors, or the family.”
“I couldn’ta married again,” Francis said. “There’s some things you just can’t do. But I did stay with Helen. That’s the truth, all right. Nine years on and off. She’s a good sort, but helpless as a baby. Can’t find her way across the street if you don’t take her by the hand. She nursed me when I was all the way down and sick as a pup. We got on all right. Damn good woman, I say that. Came from good folks. But she can’t find her way across the damn street.”
Annie stared at him with a grim mouth and sorrowful eyes.
“Where is she now?”
“Somewheres, goddamned if I know. Downtown somewheres, I suppose. You can’t keep track of her. She’ll drop dead in the street one of these days, wanderin’ around like she does.”
“She needs you.”
“Maybe so.”
“What do you need, Fran?”
“Me? Huh. Need a shoelace. All I got is a piece of twine in that shoe for two days.”
“Is that all you need?”
“I’m still standin’. Still able to do a day’s work. Don’t do it much, I admit that. Still got my memory, my memories. I remember you, Annie. That’s an enrichin’ thing. I remember Kibbee’s lumber pile the first day I talked to you. You remember that?”
“Like it was this morning.”
“Old times.”
“Very old.”
“Jesus Christ, Annie, I missed everybody and everything, but I ain’t worth a goddamn in the world and never was. Wait a minute. Let me finish. I can’t finish. I can’t even start. But there’s somethin’. Somethin’ to say about this. I got to get at it, get it out. I’m so goddamned sorry, and I know that don’t cut nothin’. I know it’s just a bunch of shitass words, excuse the expression. It’s nothin’ to what I did to you and the kids. I can’t make it up. I knew five, six months after I left that it’d get worse and worse and no way ever to fix it, no way ever to go back. I’m just hangin’ out now for a visit, that’s all. Just visitin’ to see you and say I hope things are okay. But I got other things goin’ for me, and I don’t know the way out of anything. All there is is this visit. I don’t want nothin’, Annie, and that’s the honest-to-god truth, I don’t want nothin’ but the look of everybody. Just the look’ll do me. Just the way things look out in that yard. It’s a nice yard. It’s a nice doggie. Damn, it’s nice. There’s plenty to say, plenty of stuff to say, explain, and such bullshit, excuse the expression again, but I ain’t ready to say that stuff, I ain’t ready to look at you while you listen to it, and I bet you ain’t ready to hear it if you knew what I’d tell you. Lousy stuff, Annie, lousy stuff. Just gimme a little time, gimme a sandwich too, I’m hungry as a damn bear. But listen, Annie, I never stopped lovin’ you and the kids, and especially you, and that don’t entitle me to nothin’, and I don’t want nothin’ for sayin’ it, but I went my whole life rememberin’ things here that were like nothin’ I ever saw anywhere in Georgia or Louisiana or Michigan, and I been all over, Annie, all over, and there ain’t nothin’ in the. world like your elbows sittin’ there on the table across from me, and that apron all full of stains. Goddamn, Annie. Goddamn. Kibbee’s was just this mornin’. You’re right about that. But it’s old times too, and I ain’t askin’ for nothin’ but a sandwich and a cupa tea. You still use the Irish breakfast tea?”
o o o
The talk that passed after what Francis said, and after the silence that followed it, was not important except as it moved the man and the woman closer together and physically apart, allowed her to make him a Swiss cheese sandwich and a pot of tea and begin dressing the turkey: salting, peppering, stuffing it with not quite stale enough bread but it’ll have to do, rubbing it with butter and sprinkling it with summer savory, mixing onions in with the dressing, and turkey seasoning too from a small tin box with a red and yellow turkey on it, fitting the bird into a dish for which it seemed to have been groomed and killed to order, so perfect was the fit.
And too, the vagrant chitchat allowed Francis to stare out at the yard and watch the dog and become aware that the yard was beginning to function as the site of a visitation, although nothing in it except his expectation when he looked out at the grass lent credence to that possibility.
He stared and he knew that he was in the throes of flight, not outward this time but upward. He felt feathers growing from his back, knew soon he would soar to regions unimaginable, knew too that what had brought him home was not explicable without a year of talking, but a scenario nevertheless took shape in his mind: a pair of kings on a pair of trolley cars moving toward a single track, and the trolleys, when they meet at the junction, do not wreck each other but fuse into a single car inside which the kings rise up against each other in imperial intrigue, neither in control, each driving the car, a careening thing, wild, anarchic, dangerous to all else, and then Billy leaps aboard and grabs the power handle and the kings instantly yield control to the wizard.
He give me a Camel cigarette when I was coughin’ my lungs up, Francis thought.
He knows what, a man needs, Billy does.
o o o
Annie was setting the dining-room table with a white linen tablecloth, with the silver Iron Joe gave them for their wedding, and with china Francis did not recognize, when Daniel Quinn arrived home. The boy tossed his schoolbag in a corner of the dining room, then stopped in midmotion when he saw Francis standing in the doorway to the kitchen.
“Hulooo,” Francis said to him.
“Danny, this is your grandfather,” Annie said. “He just came to see us and he’s staying for dinner.” Daniel stared at Francis’s face and slowly extended his right hand. Francis shook it.
“Pleased to meet you,” Daniel said.
“The feeling’s mutual, boy. You’re a big lad for ten.”
“I’ll be eleven in January.”
“You comin’ from school, are ye?”
“From instructions, religion.”
“Oh, religion. I guess I just seen you crossin’ the street and didn’t even know it. Learn anything, did you?”
“Learned about today. All Saints’ Day.”
“What about it?”
“It’s a holy day. You have to go to church. It’s the day we remember the martyrs who died for the faith and nobody knows their names.”
“Oh yeah,” Francis said. “I remember them fellas.”
“What happened to your teeth?”
“Daniel.”
“My teeth,” Francis said. “Me and them parted company, most of ‘em. I got a few left.”
“Are you Grampa Phelan or Grampa Quinn?”
“Phelan,” Annie said. “His name is Francis Aloysius Phelan.”
“Francis Aloysius, right,” said Francis with a chuckle. “Long time since I heard that.”
“You’re the ball player,” Danny said. “The big-leaguer. You played with the Washington Senators.”
“Used to. Don’t play anymore.”
“Billy says you taught him how to throw an inshoot.”
“He remembers that, does he?”
“Will you teach me?”
“You a pitcher, are ye?”
“Sometimes. I can throw a knuckle ball.”
“Change of pace. Hard to hit. You get a baseball, I’ll show you how to hold it for an inshoot.” And Daniel ran into the kitchen, then the pantry, and emerged with a ball and glove, which he handed to Francis. The glove was much too small for Francis’s hand but he put a few fingers inside it and held the ball in his right hand, studied its seams. Then he gripped it with his thumb and one and a half fingers.
“What happened to your finger?” Daniel asked.
“Me and it parted company too. Sort of an accident.”
“Does that make any difference throwing an inshoot?”
“Sure does, but not to me. I don’t throw no more at all. Never was a pitcher, you know, but talked with plenty of ‘em. Walter Johnson was my buddy. You know him? The Big Train?”
The boy shook his head.
“Don’t matter. But he taught me how it was done and I ain’t forgot. Put your first two fingers right on the seams, like this, and then you snap your wrist out, like this, and if you’re a righty-are you a righty?”-and the boy nodded- “then the ball’s gonna dance a little turnaround jig and head right inside at the batter’s belly button, assumin’, acourse, that he’s a righty too. You followin’ me?” And the boy nodded again. “Now the trick is, you got to throw the opposite of the outcurve, which is like this.” And he snapped his wrist clockwise. “You got to do it like this.” And he snapped his wrist counterclockwise again. Then he had the boy try it both ways and patted him on the back.
“That’s how it’s done,” he said. “You get so’s you can do it, the batter’s gonna think you got a little animal inside that ball, flyin’ it like an airplane.”
“Let’s go outside and try it,” Daniel said. “I’ll get another glove.”
“Glove,” said Francis, and he turned to Annie. “By some fluke you still got my old glove stuck away somewheres in the house? That possible, Annie?”
“There’s a whole trunk of your things in the attic,” she said. “It might be there.”
“It is,” Daniel said. “I know it is. I saw it. I’ll get it.”
“You will not,” Annie said. “That trunk is none of your affair.”
“But I’ve already seen it. There’s a pair of spikes too, and clothes and newspapers and old pictures.”
“All that,” Francis said to Annie. “You saved it.”
“You had no business in that trunk,” Annie said.
“Billy and I looked at the pictures and the clippings one day,” Daniel said. “Billy looked just as much as I did. He’s in lots of ‘em.” And he pointed at his grandfather.
“Maybe you’d want to have a look at what’s there,” Annie said to Francis.
“Could be. Might find me a new shoelace.”
Annie led him up the stairs, Daniel already far ahead of them. They heard the boy saying: “Get up, Billy, Grandpa’s here”; and when they reached the second floor Billy was standing in the doorway of his room, in his robe and white socks, disheveled and only half awake.
“Hey, Billy. How you gettin’ on?” Francis said.
“Hey,” said Billy. “You made it.”
“Yep.”
“I woulda bet against it happenin’.”
“You’da lost. Brought a turkey too, like I said.”
“A turkey, yeah?”
“We’re having it for dinner,” Annie said.
“I’m supposed to be downtown tonight,” Billy said. “I just told Martin I’d meet him.”
“Call him back,” Annie said. “He’ll understand.”
“Red Tom Fitzsimmons and Martin both called to tell me things are all right again on Broadway. You know, I told you I had trouble with the McCalls,” Billy said to his father.
“I ‘member.”
“I wouldn’t do all they wanted and they marked me lousy. Couldn’t gamble, couldn’t even get a drink on Broadway.”
“I read that story Martin wrote,” Francis said. “He called you a magician.”
“Martin’s full of malarkey. I didn’t do diddley. I just mentioned Newark to them and it turns out that’s where they trapped some of the kidnap gang.”
“You did somethin’, then,” Francis said. “Mentionin’ Newark was somethin’. Who’d you mention it to?”
“Bindy. But I didn’t know those guys were in Newark or I wouldn’t of said anything. I could never rat on anybody.”
“Then why’d you mention it?”
“I don’t know.”
“That’s how come you’re a magician.”
“That’s Martin’s baloney. But he turned somebody’s head around with it, ‘cause I’m back in good odor with the pols, is how he put it on the phone. In other words, I don’t stink to them no more.”
Francis smelled himself and knew he had to wash as soon as possible. The junk wagon’s stink and the bummy odor of his old suitcoat was unbearable now that he was among these people. Dirty butchers go out of business.
“You can’t go out now, Billy,” Annie said. “Not with your father home and staying for dinner. We’re going up in the attic to look at his things.”
“You like turkey?” Francis asked Billy.
“Who the hell don’t like turkey, not to give you a short answer,” Billy said. He looked at his father. “Listen, use my razor in the bathroom if you want to shave.”
“Don’t be telling people what to do,” Annie said. “Get dressed and come downstairs.”
And then Francis and Annie ascended the stairway to the attic.
o o o
When Francis opened the trunk lid the odor of lost time filled the attic air, a cloying reek of imprisoned flowers that unsettled the dust and fluttered the window shades. Francis felt drugged by the scent of the reconstituted past, and then stunned by his first look inside the trunk, for there, staring out from a photo, was his own face at age nineteen. The picture lay among rolled socks and a small American flag, a Washington Senators cap, a pile of news- paper clippings and other photos, all in a scatter on the trunk’s tray. Francis stared up at himself from the bleachers in Chadwick Park on a day in 1899, his face unlined, his teeth all there, his collar open, his hair unruly in the afternoon’s breeze. He lifted the picture for a closer look and saw himself among a group of men, tossing a baseball from bare right hand to gloved left hand. The flight of the ball had always made this photo mysterious to Francis, for the camera had caught the ball clutched in one hand and also in flight, arcing in a blur toward the glove. What the camera had caught was two instants in one: time separated and unified, the ball in two places at once, an eventuation as inexplicable as the Trinity itself. Francis now took the picture to be a Trinitarian talisman (a hand, a glove, a ball) for achieving the impossible: for he had always believed it impossible for him, ravaged man, failed human, to reenter history under this roof. Yet here he was in this acne of reconstitutable time, touching untouchable artifacts of a self that did not yet know it was ruined, just as the ball, in its inanimate ignorance, did not know yet that it was going nowhere, was caught.
But the ball is really not yet caught, except by the camera, which has frozen only its situation in space.
And Francis is not yet ruined, except as an apparency in process.
The ball still flies.
Francis still lives to play another day.
Doesn’t he?
The boy noticed the teeth. A man can get new teeth, store teeth. Annie got ‘em.
o o o
Francis lifted the tray out of the trunk, revealing the spikes and the glove, which Daniel immediately grabbed, plus two suits of clothes, a pair of black oxfords and brown high-button shoes, maybe a dozen shirts and two dozen white collars, a stack of undershirts and shorts, a set of keys to long-forgotten locks, a razor strop and a hone, a shaving mug with an inch of soap in it, a shaving brush with bristles,intact, seven straight razors in a case, each marked for a day of the week, socks, bow ties, suspenders, and a baseball, which Francis picked up and held out to Daniel.
“See that? See that name?”
The boy looked, shook his head. “I can’t read it.”
“Get it in the light, you’ll read it. That’s Ty Cobb. He signed that ball in 1911, the year he hit.420. A fella give it to me once and I always kept it. Mean guy, Cobb was, come in at me spikes up many a time. But you had to hand it to a man who played ball as good as he did. He was the best.”
“Better than Babe Ruth?”
“Better and tougher and meaner and faster. Couldn’t hit home runs like the Babe, but he did everything else better. You like to have that ball with his name on it?”
“Sure I would, sure! Yeah! Who wouldn’t?”
“Then it’s yours. But you better look him up, and Walter Johnson too. Find out for yourself how good they were. Still kickin’, too, what I hear about Cobb. He ain’t dead yet either.”
“I remember that suit,” Annie said, lifting the sleeve of a gray herringbone coat. “You wore it for dress-up.”
“Wonder if it’d still fit me,” Francis said, and stood up and held the pants to his waist and found out his legs had not grown any longer in the past twenty-two years.
“Take the suit downstairs,” Annie said. “I’ll sponge and press it.”
“Press it?” Francis said, and he chuckled. “S’pose I could use a new outfit. Get rid of these rags.”
He then singled out a full wardrobe, down to the handkerchief, and piled it all on the floor in front of the trunk.
“I’d like to look at these again,” Annie said, lifting out the clippings and photos.
“Bring ‘em down,” Francis said, closing the lid.
“I’ll carry the glove,” Daniel said.
“And I’d like to borry the use of your bathroom,” Francis said. “Take Billy up on that shave offer and try on some of these duds. I got me a shave last night but Billy thinks I oughta do it again.”
“Don’t pay any attention to Billy,” Annie said. “You look fine.”
She led him down the stairs and along a hallway where two rooms faced each other. She gestured at a bedroom where a single bed, a dresser, and a child’s rolltop desk stood in quiet harmony.
“That’s Danny’s room,” she said. “It’s a nice big room and it gets the morning light.” She took a towel down from a linen closet shelf and handed it to Francis. “Have a bath if you like.”
Francis locked the bathroom door and tried on the trousers, which fit if he didn’t button the top button. Wear the suspenders with ‘em. The coat was twenty years out of style and offended Francis’s residual sense of aptness. But he decided to wear it anyway, for its odor of time was infinitely superior to the stink of bumdom that infested the coat on his back. He stripped and let the bathwater run. He inspected the shirt he took from the trunk, but rejected it in favor of the white-on-white from the junk wagon. He tried the laceless black oxfords, all broken in, and found that even with calluses his feet had not grown in twentytwo years either.
He stepped into the bath and slid slowly beneath its vapors. He trembled with the heat, with astonishment that he was indeed here, as snug in this steaming tub as was the turkey in its roasting pan. He felt blessed. He stared at the bathroom sink, which now had an aura of sanctity about it, its faucets sacred, its drainpipe holy, and he wondered whether everything was blessed at some point in its existence, and he concluded yes. Sweat rolled down his forehead and dripped off his nose into the bath, a confluence of ancient and modern waters. And as it did, a great sunburst entered the darkening skies, a radiance so sudden that it seemed like a bolt of lightning; yet its brilliance remained, as if some angel of beatific lucidity were hovering outside the bathroom window. So enduring was the light, so intense beyond even sundown’s final gloryburst, that Francis raised himself up out of the tub and went to the window.
Below, in the yard, Aldo Campione, Fiddler Quain, Harold Allen, and Rowdy Dick Doolan were erecting a wooden structure that Francis was already able to recognize as bleachers.
He stepped back into the tub, soaped the long-handled brush, raised his left foot out of the water, scrubbed it clean, raised the right foot, scrubbed that.
o o o
Francis, that 1916 dude, came down the stairs in bow tie, white-on-white shirt, black laceless oxfords with a spit shine on them, the gray herringbone with lapels twentytwo years too narrow, with black silk socks and white silk boxer shorts, with his skin free of dirt everywhere, his hair washed twice, his fingernails cleaned, his leftover teeth brushed and the toothbrush washed with soap and dried and rehung, with no whiskers anymore, none, and his hair combed and rubbed with a dab of Vaseline so it’d stay in place, with a spring in his gait and a smile on his face; this Francis dude came down those stairs, yes, and stunned his family with his resurrectible good looks and stylish potential, and took their stares as applause.
And dance music rose in his brain.
“Holy Christ,” said Billy.
“My oh my,” said Annie.
“You look different,” Daniel said.
“I kinda needed a sprucin’,” Francis said. “Funny duds but I guess they’ll do.”
They all pulled back then, even Daniel, aware they should not dwell on the transformation, for it made Francis’s previous condition so lowly, so awful.
“Gotta dump these rags,” he said, and he lifted his bundle, tied with the arms of his old coat.
“Danny’ll take them,” Annie said. “Put them in the cellar,” she told the boy.
Francis sat down on a bench in the breakfast nook, across the table from Billy. Annie had spread the clips and photos on the table and he and Billy looked them over. Among the clips Francis found a yellowed envelope postmarked June 2, 1910, and addressed to Mr. Francis Phelan, do Toronto Baseball Club, The Palmer House, Toronto, Ont. He opened it and read the letter inside, then pocketed it. Dinner advanced as Daniel and Annie peeled the potatoes at the sink. Billy, his hair combed slick, half a dude himself with open-collared starched white shirt, creased trousers, and pointy black shoes, was drinking from a quart bottle of Dobler beer and reading a clipping.
“I read these once,” Billy said. “I never really knew how good you were. I heard stories and then one night downtown I heard a guy talking about you and he was ravin’ that you were top-notch and I never knew just how good. I knew this stuff was there. I seen it when we first moved here, so I went up and looked. You were really a hell of a ball player.”
“Not bad,” Francis said. “Coulda been worse.”
“These sportswriters liked you.”
“I did crazy things. I was good copy for them. And I had energy. Everybody likes energy.”
Billy offered Francis a glass of beer but Francis declined and took, instead, from Billy’s pack, a Camel cigarette; and then he perused the clips that told of him stealing the show with his fielding, or going four-for-four and driving in the winning run, or getting himself in trouble: such as the day he held the runner on third by the belt, an old John McGraw trick, and when a fly ball was hit, the runner got ready to tag and head home after the catch but found he could not move and turned and screamed at Francis in protest, at which point Francis let go of the belt and the runner ran, but the throw arrived first and he was out at home.
Nifty.
But Francis was thrown out of the game.
“Would you like to go out and look at the yard?” Annie said, suddenly beside Francis.
“Sure. See the dog.”
“It’s too bad the flowers are gone. We had so many flowers this year. Dahlias and snapdragons and pansies and asters. The asters lasted the longest.”
“You still got them geraniums right here.”
Annie nodded and put on her sweater and the two of them went out onto the back porch. The air was chilly and the light fading. She closed the door behind them and patted the dog, which barked twice at Francis and then accepted his presence. Annie went down the five steps to the yard, Francis and the dog following.
“Do you have a place to stay tonight, Fran?”
“Sure. Always got a place to stay.”
“Do you want to come home permanent?” she asked, not looking at him, walking a few steps ahead toward the fence. “Is that why you’ve come to see us?”
“Nah, not much chance of that. I’d never fit in.”
“I thought you might’ve had that in mind.”
“I thought of it, I admit that. But I see it couldn’t work, not after all these years.”
“It’d take some doing, I know that.”
“Take more than that.”
“Stranger things have happened.”
“Yeah? Name one.”
“You going to the cemetery and talking to Gerald. I think maybe that’s the strangest thing I ever heard in all my days.”
“Wasn’t strange. I just went and stood there and told him a bunch of stuff. It’s nice where he is. It’s pretty.”
“That’s the family plot.”
“I know.”
“There’s a grave there for you, right at the stone, and one for me, and two for the children next to that if they need them. Peg’ll have her own plot with George and the boy, I imagine.”
“When did you do all that?” Francis asked.
“Oh years ago. I don’t remember.”
“You bought me a grave after I run off.”
“I bought it for the family. You’re part of the family.”
“There was long times I didn’t think so.”
“Peg is very bitter about you staying away. I was too, for years and years, but that’s all done with. I don’t know why I’m not bitter anymore. I really don’t. I called Peg and told her to get the cranberries and that you were here.”
“Me and the cranberries. Easin’ the shock some.”
“I suppose.”
“I’ll move along, then. I don’t want no fights, rile up the family.”
“Nonsense. Stop it. You just talk to her. You’ve got to talk to her.”
“I can’t say nothin’ that means anything. I couldn’t say a straight word to you.”
“I know what you said and what you didn’t say. I know it’s hard what you’re doing.”
“It’s a bunch of nothin’. I don’t know why I do anything in this goddamn life.”
“You did something good coming home. It’s something Danny’ll always know about. And Billy. He was so glad to be able to help you, even though he’d never say it.”
“He got a bum out of jail.”
“You’re so mean to yourself, Francis.”
“Hell, I’m mean to everybody and everything.”
The bleachers were all up, and men were filing silently into them and sitting down, right here in Annie’s backyard, in front of God and the dog and all: Bill Corbin, who ran for sheriff in the nineties and got beat and turned Republican, and Perry Marsolais, who inherited a fortune from his mother and drank it up and ended up raking leaves for the city, and Iron Joe himself with his big mustache and big belly and big ruby stickpin, and Spiff Dwyer in his nifty pinched fedora, and young George Quinn and young Martin Daugherty, the batboys, and Martin’s grandfather Emmett Daugherty, the wild Fenian who talked so fierce and splendid and put the radical light in Francis’s eye with his stories of how moneymen used workers to get rich and treated the Irish like pigdog paddyniggers, and Patsy McCall, who grew up to run the city and was carrying his ball glove in his left hand, and some men Francis did not know even in 1899, for they were only hangers-on at the saloon, men who followed the doings of Iron Joe’s Wheelbarrow Boys, and who came to the beer picnic this day to celebrate the Boys’ winning the Albany-Troy League pennant.
They kept coming: forty-three men, four boys, and two mutts, ushered in by the Fiddler and his pals.
And there, between crazy Specky McManus in his derby and Jack Corbett in his vest and no collar, sat the runt, is it?
Is it now?
The runt with the piece out of his neck.
There’s one in every crowd.
Francis closed his eyes to retch the vision out of his head, but when he opened them the bleachers still stood, the men seated as before. Only the light had changed, brighter now, and with it grew Francis’s hatred of all fantasy, all insubstantiality. I am sick of you all, was his thought. I am sick of imagining what you became, what I might have become if I’d lived among you. I am sick of your melancholy histories, your sentimental pieties, your goddamned unchanging faces. I’d rather be dyin’ in the weeds than standin’ here lookin’ at you pinin’ away, like the dyin’ Jesus pinin’ for an end to it when he knew every stinkin’ thing that was gonna happen not only to himself but to everybody around him, and to all those that wasn’t even born yet. You ain’t nothin’ more than a photograph, you goddamn spooks. You ain’t real and I ain’t gonna be at your beck and call no more.
You’re all dead, and if you ain’t, you oughta be.
I’m the one is livin’. I’m the one puts you on the map.
You never knew no more about how things was than I did.
You’d never even be here in the damn yard if I didn’t open that old trunk.
So get your ass gone!
“Hey Ma,” Billy yelled out the window. “Peg’s home.”
“We’ll be right in,” Annie said. And when Billy closed the window she turned to Francis: “You want to tell me anything, ask me anything, before we get in front of the others?”
“Annie, I got five million things to ask you, and ten million things to tell. I’d like to eat all the dirt in this yard for you, eat the weeds, eat the dog bones too, if you asked me.”
“I think you probably ate all that already,” she said.
And then they went up the back stoop together.
o o o
When Francis first saw his daughter bent over the stove, already in her flowered apron and basting the turkey, he thought: She is too dressed up to be doing that. She wore a wristwatch on one arm, a bracelet on the other, and two rings on her wedding ring finger. She wore high heels, silk stockings with the seams inside out, and a lavender dress that was never intended as a kitchen costume. Her darkbrown hair, cut short, was waved in a soft marcel, and she wore lipstick and a bit of rouge, and her nails were long and painted dark red. She was a few, maybe even more than a few, pounds overweight, and she was beautiful, and Francis was immeasurably happy at having sired her.
“How ya doin’, Margaret?” Francis asked when she straightened up and looked at him.
“I’m doing fine,” she said, “no thanks to you.”
“Yep,” said Francis, and he turned away from her and sat across from Billy in the nook.
“Give him a break,” Billy said. “He just got here, for chrissake.”
“What break did he ever give me? Or you? Or any of us?”
“Aaahhh, blow it out your ear,” Billy said.
“I’m saying what is,” Peg said.
“Are you?” Annie asked. “Are you so sure of what is?”
“I surely am. I’m not going to be a hypocrite and welcome him back with open arms after what he did. You don’t just pop up one day with a turkey and all is forgiven.”
“I ain’t expectin’ to be forgiven,” Francis said. “I’m way past that.”
“Oh? And just where are you now?”
“Nowhere.”
“Well that’s no doubt very true. And if you’re nowhere, why are you here? Why’ve you come back like a ghost we buried years ago to force a scrawny turkey on us? Is that your idea of restitution for letting us fend for ourselves for twenty-two years?”
“That’s a twelve-and-a-half-pound turkey,” Annie said.
“Why leave your nowhere and come here, is what I want to know. This is somewhere. This is a home you didn’t build.”
“I built you. Built Billy. Helped to.”
“I wish you never did.”
“Shut up, Peg,” Billy yelled. “Rotten tongue of yours, shut it the hell UP!”
“He came to visit, that’s all he did,” Annie said softly. “I already asked him if he wanted to stay over and he said no. If he wanted to he surely could.”
“Oh?” said Peg. “Then it’s all decided?”
“Nothin’ to decide,” Francis said. “Like your mother says, I ain’t stayin’. I’m movin’ along.” He touched the salt and pepper shaker on the table in front of him, pushed the sugar bowl against the wall.
“You’re moving on,” Peg said.
“Positively.”
“Fine.”
“That’s it, that’s enough!” Billy yelled, standing up from the bench. “You got the feelin’s of a goddamn rattlesnake.”
“Pardon me for having any feelings at all,” Peg said, and she left the kitchen, slamming the swinging door, which had been standing open, slamming it so hard that it swung, and swung, and swung, until it stopped.
“Tough lady,” Francis said.
“She’s a creampuff,” Billy said. “But she knows how to get her back up.”
“She’ll calm down,” Annie said.
“I’m used to people screamin’ at me,” Francis said. “I got a hide like a hippo.”
“You need it in this joint,” Billy said.
“Where’s the boy?” Francis asked. “He hear all that?”
“He’s out playin’ with the ball and glove you gave him,” Billy said.
“I didn’t give him the glove,” Francis said. “I give him the ball with the Ty Cobb signature. That glove is yours. You wanna give it to him, it’s okay by me. Ain’t much of a glove compared to what they got these days. Danny’s glove’s twice the quality my glove ever was. But I always thought to myself: I’m givin’ that old glove to Billy so’s he’ll have a touch of the big leagues somewhere in the house. That glove caught some mighty people. Line drive from Tris Speaker, taggin’ out Cobb, runnin’ Eddie Collins outa the baseline. Lotta that.”
Billy nodded and turned away from Francis. “Okay,” he said, and then he jumped up from the bench and left the kitchen so the old man could not see (though he saw) that he was choked up.
“Grew up nice, Billy did,” Francis said. “Couple of tough bozos you raised, Annie.”
“I wish they were tougher,” Annie said.
The yard, now ablaze with new light against a black sky, caught Francis’s attention. Men and boys, and even dogs, were holding lighted candles, the dogs holding them in their mouths sideways. Specky McManus, as usual hem’ different, wore his candle on top of his derby. It was a garden of acolytes setting fire to the very air, and then, while Francis watched, the acolytes erupted in song, but a song without sense, a chant to which Francis listened carefully but could make out not a word. It was an antisyllabic lyric they sang, like the sibilance of the wren’s softest whistle, or the tree frog’s tonsillar wheeze. It was clear to Francis as he watched this performance (watched it with awe, for it was transcending what he expected from dream, from reverie, even from Sneaky Pete hallucinations) that it was happening in an arena of his existence over which he had less control than he first imagined when Aldo Campione boarded the bus. The signals from this time lock were ominous, the spooks utterly without humor. And then, when he saw the runt (who knew he was being watched, who knew he didn’t belong in this picture) putting the lighted end of the candle into the hole in the back of his neck, and when Francis recognized the chant of the acolytes at last as the “Dies Irae,” he grew fearful. He closed his eyes and buried his head in his hands and he tried to remember the name of his first dog.
It was a collie.
o o o
Billy came back, clear-eyed, sat across from Francis, and offered him another smoke, which he took. Billy topped his own beer and drank and then said, “George.”
“Oh my God,” Annie said. “We forgot all about George.” And she went to the living room and called upstairs to Peg: “You should call George and tell him he can come home.”
“Let her alone, I’ll do it,” Billy called to his mother.
“What about George?” Francis asked.
“The cops were here one night lookin’ for him,” Billy said. “It was Patsy McCall puttin’ pressure on the family because of me. George writes numbers and they were probably gonna book him for gamblin’ even though he had the okay. So he laid low up in Troy, and the poor bastard’s been alone for days. But if I’m clear, then so is he.”
“Some power the McCaIls put together in this town.”
“They got it all. They ever pay you the money they owed you for registerin’ all those times?”
“Paid me the fifty I told you about, owe me another fifty-five. I’ll never see it.”
“You got it comin’.”
“Once it got in the papers they wouldn’t touch it. Mixin’ themselves up with bums. You heard Martin tell me that. They’d also be suspicious that I’d set them up. I wouldn’t set nobody up. Nobody.”
“Then you got no cash.”
“I got a little.”
“How much?”
“I got some change. Cigarette money.”
“You blew what you had on the turkey.”
“That took a bit of it.”
Billy handed him a ten, folded in half. “Put it in your pocket. You can’t walk around broke.”
Francis took it and snorted. “I been broke twenty-two years. But I thank ye, Billy. I’ll make it up.”
“You already made it up.” And he went to the phone in the dining room to call George in Troy.
Annie came back to the kitchen and saw Francis looking at the Chadwick Park photo and looked over his shoulder. “That’s a handsome picture of you,” she said.
“Yeah,” said Francis. “I was a good-lookin’ devil.”
“Some thought so, some didn’t,” Annie said. “I forgot about this picture.”
“Oughta get it framed,” Francis said. “Lot of North Enders in there. George and Martin as kids, and Patsy McCall too. And Iron Joe. Real good shot of Joe.”
“It surely is,” Annie said. “How fat and healthy he looks.”
Billy came back and Annie put the photo on the table so that all three of them could look at it. They sat on the same bench with Francis in the middle and studied it, each singling out the men and boys they knew. Annie even knew one of the dogs.
“Oh that’s a prize picture,” she said, and stood up. “A prize picture.”
“Well, it’s yours, so get it framed.”
“Mine? No, it’s yours. It’s baseball.”
“Nah, nah, George’d like it too.”
“Well I will frame it,” Annie said. “I’ll take it downtown and get it done up right.”
“Sure,” said Francis. “Here. Here’s ten dollars toward the frame.”
“Hey,” Billy said.
“No,” Francis said. “You let me do it, Billy.”
Billy chuckled.
“I will not take any money,” Annie said. “You put that back in your pocket.”
Billy laughed and hit the table with the palm of his hand. “Now I know why you been broke twenty-two years. I know why we’re all broke. It runs in the family.”
“We’re not all broke,” Annie said. “We pay our way. Don’t be telling people we’re broke. You’re broke because you made some crazy horse bet. But we’re not broke. We’ve had bad times but we can still pay the rent. And we’ve never gone hungry.”
“Peg’s workin’,” Francis said.
“A private secretary,” Annie said. “To the owner of a tool company. She’s very well liked.”
“She’s beautiful,” Francis said. “Kinda nasty when she puts her mind to it, but beautiful.”
“She shoulda been a model,” Billy said.
“She should not,” Annie said.
“Well she shoulda, goddamn it, she shoulda,” said Billy. “They wanted her to model for Pepsodent toothpaste, but Mama wouldn’t hear of it. Somebody over at church told her models were, you know, loose ladies. Get your picture taken, it turns you into a floozy.”
“That had nothing to do with it,” Annie said.
“Her teeth,” Billy said. “She’s got the most gorgeous teeth in North America. Better-lookin’ teeth than Joan Crawford. What a smile! You ain’t seen her smile yet, but that’s a fantastic smile. Like Times Square is what it is. She coulda been on billboards coast to coast. We’d be hipdeep in toothpaste, and cash too. But no.” And he jerked a thumb at his mother.
“She had a job,” Annie said. “She didn’t need that. I never liked that fellow that wanted to sign her up.”
“He was all right,” Billy said. “I checked him out. He was legitimate.”
“How could you know what he was?”
“How could I know anything? I’m a goddamn genius.”
“Clean up your mouth, genius. She would’ve had to go to New York for pictures.”
“And she’d of never come back, right?”
“Maybe she would, maybe she wouldn’t.”
“Now you got it,” Billy said to his father. “Mama likes to keep all the birds in the nest.”
“Can’t say as I blame her,” Francis said.
“No,” Billy said.
“I never liked that fellow,” Annie said. “That’s what it really was. I didn’t trust him.”
Nobody spoke.
“And she brought a paycheck home every week,” Annie said. “Even when the tool company closed awhile, the owner put her to work as a cashier in a trading port he owned. Trading port and indoor golf. An enormous place. They almost brought Rudy Vallee there once. Peg got wonderful experience.”
Nobody spoke.
“Cigarette?” Billy asked Francis.
“Sure,” Francis said.
Annie stood up and went to the refrigerator in the pantry. She came back with the butter dish and put it on the dining-room table. Peg came through the swinging door, into the silence. She poked the potatoes with a fork, looked at the turkey, which was turning deep brown, and closed the oven door without basting it. She rummaged in the utensil drawer and found a can opener and punched it through a can of peas and put them in a pan to boil.
“Turkey smells real good,” Francis said to her.
“Uh-huh, I bought a plum pudding,” she said to all, showing them the can. She looked at her father. “Mama said you used to like it for dessert on holidays.”
“I surely did. With that white sugar sauce. Mighty sweet.”
“The sauce recipe’s on the label,” Annie said. “Give it here and I’ll make it.”
“I’ll make it,” Peg said.
“It’s nice you remembered that,” Francis said.
“It’s no trouble,” Peg said. “The pudding’s already cooked. All you do is heat it up in the can.”
Francis studied her and saw the venom was gone from her eyes. This lady goes up and down like a thermometer. When she saw him studying her she smiled slightly, not a billboard smile, not a smile to make anybody rich in toothpaste, but there it was. What the hell, she’s got a right. Up and down, up and down. She come by it naturally.
“I got a letter maybe you’d all like to hear while that stuffis cookin’ up,” he said, and he took the yellowed envelope with a canceled two-cent stamp on it out of his inside coat pocket. On the back, written in his own hand, was: First letter from Margaret.
“I got this a few years back, quite a few,” he said, and from the envelope he took out three small trifolded sheets of yellowed lined paper. “Come to me up in Canada in nineteen-ten, when I was with Toronto.” He unfolded the sheets and moved them into the best possible light at longest possible arm’s length, and then he read:,
“‘Dear Poppy, I suppose you never think that you have a daughter that is waiting for a letter since you went away. I was so mad because you did not think of me that I was going to join the circus that was here last Friday. I am doing my lesson and there is an arithmetic example here that I cannot get. See if you can get it. I hope your leg is better and that you have good luck with the team. Do not run too much with your legs or you will have to be carried home. Mama and Billy are good. Mama has fourteen new little chickens out and she has two more hens sitting. There is a wild west circus coming the eighth. Won’t you come home and see it? I am going to it. Billy is just going to bed and Mama is sitting on the bed watching me. Do not forget to answer this. I suppose you are having a lovely time. Do not let me find you with another girl or I will pull her hair. Yours truly, Peggy.’“
“Isn’t that funny,” Peg said, the fork still in her hand. “I don’t remember writing that.”
“Probably lots you don’t remember about them days.” Francis said. “You was only about eleven.”
“Where did you ever find it?”
“Up in the trunk. Been saved all these years up there. Only letter I ever saved.”
“Is that a fact?”
“It’s a provable fact. All the papers I got in the world was in that trunk, except one other place I got a few more clips. But no letters noplace. It’s a good old letter, I’d say.”
“I’d say so too,” Annie said. She and Billy were both staring at Peg.
“I remember Toronto in nineteen-ten,” Francis said. “The game was full of crooks them days. Crooked umpire named Bates, one night it was deep dark but he wouldn’t call the game. Folks was throwin’ tomatoes and mudballs at him but he wouldn’t call it ‘cause we was winnin’ and he was in with the other team. Pudge Howard was catchin’ that night and he walks out and has a three-way confab on the mound with me and old Highpockets Wilson, who was pitchin’. Pudge comes back and squats behind the plate and Highpockets lets go a blazer and the ump calls it a ball, though nobody could see nothin’ it was so dark. And Pudge turns to him and says: ‘You call that pitch a ball?’ ‘I did,’ says the ump. ‘If that was a ball I’ll eat it,’ says Pudge. ‘Then you better get eatin’,’ says the ump. And Pudge, I.e holds the ball up and takes a big bite out of it, ‘cause it ain’t no ball at all, it’s a yellow apple I give Highpockets to throw. And of course that won us the game and the ump went down in history as Blindy Bates, who couldn’t tell a baseball from a damn apple. Bates turned into a bookie after that. He was crooked at that too.”
“That’s a great story,” Billy said. “Funny stuff in them old days.”
“Funny stuff happenin’ all the time,” Francis said.
Peg was suddenly tearful. She put the fork on the sink and went to her father, whose hands were folded on the table. She sat beside him and put her right hand on top of his.
After a while George Quinn came home from Troy, Annie served the turkey, and then the entire Phelan family sat down to dinner.