Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga Testorf), Transgender Women, ... Geishas, Valkyries and Venus Figurines

Bibliography

Names of authors are cited here as they appear on their respective title pages, with resulting variation in the order of family and given names. But they are listed by family name.

I have categorized books by their area of relevance to Kissing the Mask, not by their own purported subject matter. Thus David Strauss’s Percival Lowell appears in category C, relating to geishas, because it is only the geisha material in it which is cited here.

Texts as translated for this book by the four translators whom I commissioned (Sumino Junko, Keiko Golden, Yasuda Nobuko and Kawai Takako) will be placed in my archive in Ohio State University.

Especially beautiful pictorial sources relating to Noh masks and to geishas are bulleted (). See sections A. and C.

A. PUBLISHED SOURCES ON NOH THEATER

1. William Theodore de Bary, Donald Keene, George Tanabe and Paul Varley, comp., Sources of Japanese Tradition, vol. 1: From Earliest Times to 1600 (New York: Columbia University Press, 2001; orig. comp. 1950s).

2. Monica Bethe and Richard Emmert, with the assistance of Joni Koehn and Gustav Heldt, Noh Performance Guide 7: Aoinoue (Tokyo: National Noh Theatre, 1997; printed by Shobunsha Printing Co.).

3. Monica Bethe and Richard Emmert, with the assistance of Gus Heldt, Noh Performance Guide 3: Miidera (Tokyo: National Noh Theatre, 1993; printed by Shobunsha Printing Co.).

4. Monica Bethe and Richard Emmert, with Karen Brazell, Noh Performance Guide 5: Atsumori (Tokyo: National Noh Theatre, 1995; printed by Shobunsha Printing Co.).

5. Faubion Bowers, Japanese Theatre (New York: Hermitage House, 1952).

6. Karen Brazell, Traditional Japanese Theater: An Anthology of Plays (New York: Columbia University Press, 1998).

7. Ronald Cavaye, Paul Griffith, Akihiko Senda, A Guide to the Japanese Stage from Traditional to Cutting Edge (New York: Kodansha International, 2004).

8. Reiko Chiba, ed., Painted Fans of Japan: 15 Noh Drama Masterpieces (Rutland, Vermont: Charles E. Tuttle Co., Inc., 1993 repr. of 1962 1st printing).

9. Thomas Blenham Hare, Zeami’s Style: The Noh Plays of Zeami Motokiyo (Stanford, California: Stanford University Press, 1986).

10. Hikawa Mariko, Umewaka Rokuro Noh no Shinseiki [Umewaka Rokuro, New Century of Noh: From Classics to New Works: Introduction to Noh] (Tokyo: Shogakukan, 2002).

11. Shodai Yasuemon Hori, Shozo Masuda and Masaki Miyano, Noh-men: Kansho to Uchikata [Noh Masks: Appreciation and Making], 4th ed. (Kyoto: Tankosha, 2001 repr. of 1998 ed.).

12. Kanze Kiyozaku, Hayashi Yoshikatsu and Matsuda Shozo, trans. Ian MacDougall, Omote: The Kanze Soke Noh Collection, 1 hardbound vol. of color plates and one pbk. vol. of commentary (Tokyo: Hinoki-shoten, 2002).

13. Donald Keene, ed., with the assistance of Royall Tyler, Twenty Plays of the No Theatre (New York: Columbia University Press, Translations from the Asian Classics ser. / UNESCO Collection of Representative Works: Japanese ser., 1970).

14. Kodama Shoko, The Complete Guide to Traditional Japanese Performing Arts (Tokyo: Kodansha / Bilingual Books, 2000).

15. Daiji Maruoka and Tatsuo Yoshikoshi, Noh, 15th ed., trans. Don Kenny (Osaka: Hoikusha Publishing Co. Ltd., Color Books ser. no. 15, 1992; orig. ed. 1969).

16. Yukio Mishima, Five Modern No Plays, trans. Donald Keene (Tokyo: Charles E. Tuttle Co., 1969 pbk repr. of 1967; orig. Knopf ed. 1957; plays in collection written 1950–55).

17. Toru Nakanishi and Kiyonori Komma, Noh Masks, trans. Don Kenny (Osaka: Hoikusha, Hoikusha’s Color Book ser. no. 40, 1992 3rd ed.; 1st ed. 1983).

18. Ezra Pound and Ernest Fenollosa, The Classic Noh Theatre of Japan (New York: New Directions, 1979; orig. pub. 1917).

19. Eric C. Rath, The Ethos of Noh: Actors and Their Art (Cambridge, Massachusetts: Harvard University Press. Harvard University Asia Center, Harvard East Asian Monographs, no. 232, 2004).

20. Sharon Sadako Takeda, in collaboration with Monica Bethe, Miracles and Mischief: Noh and Kyogen Theater in Japan (Los Angeles: Los Angeles County Museum of Art, 2002).

21. Kazuya Takaoka, Mutsuo Takahashi [text] and Toshiro Morita, Noh, trans. Emiko Miyashita (Tokyo: PIE Books, 2004).

22. Tokugawa Art Museum, Noh Masks and Costumes: Treasures from the Tokugawa Art Museum No. 9 (Nagoya: Tokugawa Art Museum, 1995).

23. Royall Tyler, ed. and trans., Japanese No Dramas (New York: Penguin, 1992).

24. [Waley, No Plays.] Arthur Waley, The No Plays of Japan, with Letters by Oswald Sickert (New York: Grove Press, n.d., ca. 1920).

25. Ze-ami [Motokiyo], Kadensho [Fushi Kaden], trans. Chuichi Sakurai, Shuseki Hayashi [Lindley Williams Hubbell], Rokuro Satoi, Bin Miyai (Tokyo: Sumiya-Shinobe Publishing Institute, 1968; orig. ed. Oei 25 [1442]).

26. [Zeami Motokiyo], On the Art of No Drama: The Major Treatises of Zeami, trans. J. Thomas Rimer and Yamazaki Masakazu (Princeton, N.J.: Princeton University Press, 1984; orig. treatises thirteenth century). Cited: Zeami (Rimer and Yamazaki),

Noh Articles, Ephemera and Unpublished Manuscripts

27. Jeff Clark, comments and corrections on “The Mask Is Most Important Always” (letter to WTV + marked draft), 2003.

28. 44th Osaka International Festival 2002, Festival Noh brochure (April 10 — April 24, Festival Hall, Osaka).

29. [Kanze Sakon.] The 25th Kanze Sakon’s 13th Memorial Noh, hosted by Kanze Soke (4/7/2002). Show program (in Japanese).

30. “Kawamura Teiki Noh” Kawamura Nobushige Tuitou. [“Kawamura Periodical Noh” in memory of Kawamura Nobushige.] Show performed in Kyoto, 3/12/2004, hosted by Kawamura Teiki Kennoh Kai and Kawamura Kyodai (sponsors). Show program (in Japanese).

31. Michael J. Lyons, Ruth Campbell, Andre Plante, Mike Coleman, Miyuki Kamachi and Shigeru Akamatsu, “The Noh Mask Effect: Vertical Viewpoint Dependence of Facial Expression Perception,” in an offprint of the Royal Society, 2000, pp. 2239–2245.

32. [Mikata Shizuka.] Noh “Kakitsubata”: Koi no Mai [Noh “Kakitsubata (Iris)”: Dance of Love]. Performed in Kyoto, 5/15/2004, by Mikata Shizuka (Kanze style actor). Show program (in Japanese).

33. [Mitsui family.] Mitsuike Denrai no Noh Shouzoku ten [Mitsui Family’s Ancestral Noh Costumes Exhibition, Mitsui Memorial Museum Opening Memorial] (Tokyo: Nihonkeizaishinbunsha, 2005; exhibition dates 10/4–10/16/2005). Selected captions trans. for WTV by Yasuda Nobuko, 2007.

34. [Nakamura Mitsue.] Postcards of Noh masks made by Nakamura Mitsue, Kyoto: Ko Omote (girl in late teens), Eko-Doji, Yamadori (Mountain Bird), Kanmurigata-Doji, Chujo (general), Wakai Onna (young woman), Uba (Old Woman), Zo Onna (goddess or divine woman).

35. Noh “Dojyo-ji” [Noh “Dojo Temple”], show program. The 10th memorial of Theatre Noh, 12/13/2003, at Kyoto Kanze Hall.) Performed by Mikata Shizuka.

36. Takigi-Noh, Nara City cultural asset. Show program (in Japanese). Performed 5/11–12/2005). Hosted by Takigi-Noh Hozon Kai.

37. Umewaka Rokuro, “On the 45th Anniversary of My Stage Career.” One-page photocopy furnished to me by interpreter. Evidently the introduction to a collection of photographs by Takahashi Noboru, ca. 2006.

38. [Uryusan School.] The 17th Uryusan Taki-Noh. Show program, performed 5/9/2005 in Kyoto. Hosted by Uryusan School.

39. Yokoyama Taro, Ph.D. Candidate and the Department’s assistant, the Graduate School of Arts and Sciences (Department of Culture and Representation), the University of Tokyo; unpublished ms. communication to author, 2003. Translated by Sato Yoshiaki. I have been told that he has since received his Ph.D., so in the text I refer to him as Dr. Yokoyama.

B. JAPANESE CLASSICS (INCLUDING GENJI PICTURE-SCROLLS)

40. —, Genji Monogatari Emaki, 2 [Picture-Scroll of the Tale of Genji], rev. ed. (Nagoya: Tokugawa Museum, Shinban Tokugawa Bijutsukan Zouhin Shou [Treasures from the Tokugawa Museum ser., no. 2], 1998, orig. ed. 1995).

41. —, Genji Monogatari, Gouka Genjie no Sekai [The Tale of Genji: Deluxe World of Genji Paintings] rev. ed., ed. Tsuyoshi Anzai (Tokyo: Gakushu Kenkyusha, 2000: reissue of 1999 ed.).

42. —, One Thousand Poems from the Manyoshu: The Complete Nippon Gakujutsu Shinkokai Translation, trans. Japanese Classics Translation Committee (Mineola, New York: Dover Publications, Inc., 2005 slightly abbr. repr. of 1940 ed.; orig. poems eighth cent. and before).

43. —, The Taiheiki: A Chronicle of Medieval Japan, trans. and abbr. Helen Craig McCullough (Boston: Tuttle Publishing, 2003 repr. of 1953 ed.; orig. classical Japanese version fourteenth cent.).

44. —[Arihira no Narihira and his unknown successors], The Tales of Ise [Ise Monogatari], trans. H. Jay Harris (Boston: Tuttle Publishing, 1972; orig. classical Japanese version early tenth cent.; Arihira’s poems wr. bef. his death in 880).

45. —[The courtier Yukinaga?], The Tale of the Heike (Heike Monogatari), trans. Hiroshi Kitagawa and Bruce T. Tsuchida, 2 vols. (Tokyo: University of Tokyo Press, 1975; orig. Japanese text ca. 1330).

46. Robert H. Brower and Earl Miner, Japanese Court Poetry (Stanford, California: Stanford University Press, 1997 pbk. repr. of 1961 ed.).

47. Donald Keene, Seeds in the Heart: A History of Japanese Literature, vol. 1: Japanese Literature from Earliest Times to the Late Sixteenth Century (New York: Henry Holt & Co., 1993).

48. Helen Craig McCullough, comp. & ed., Classical Japanese Prose: An Anthology (Stanford, California: Stanford University Press, 1990).

49. Miyeko Murase, ed., The Tale of Genji: Legends and Paintings (New York: George Braziller, 2001; illustration originals from the seventeenth cent. Burke album).

50. Lady Murasaki [Shikibu], The Tale of Genji: A Novel in Six Parts, trans. Arthur Waley (New York: Modern Library, 1960; date of original English ed. not given; Genji was composed ca. 1008).

51. [Lady Murasaki Shikibu.] The Diary of Lady Murasaki, trans. Richard Bowring (New York: Penguin, 1996).

52. [Lady Nijo.] The Confessions of Lady Nijo, trans. Karen Brazell (Stanford, California: Stanford University Press, 1976 repr. of 1973 Doubleday ed.; orig. Japanese ms. [Towazugatari] wr. 1307).

53. Ihara Saikaku, The Life of an Amorous Woman and other writings, ed. and trans. Ivan Morris (New York: New Directions, UNESCO Collection of Representative Literary Works, 1963; orig. works seventeenth cent.).

54. Lady Sarashina “(as she is known”), As I Crossed a Bridge of Dreams: Recollections of a Woman in Eleventh-Century Japan, trans. Ivan Morris (New York: Penguin Books, 1975 repr. of 1971 Dial ed.; orig. untitled memoir ca. 1058).

55. Hiroaki Sato and Burton Watson, trans. and ed., From the Country of Eight Islands: An Anthology of Japanese Poetry (New York: Columbia University Press, 1986).

56. Haruo Shirane, The Bridge of Dreams: A Poetics of the Tale of Genji (Stanford, California: Stanford University Press, 1987).

57. The Pillow Book of Sei Shonagon, trans. and ed. Ivan Morris (New York: Columbia University Press, 1991 abr. of 1967 trans.; orig. Japanese text after A.D. 1000).

58. Makoto Ueda, comp. and ed., Light Verse from the Floating World: An Anthology of Premodern Japanese Senryu (New York: Columbia University Press, 1999).

59. Makoto Ueda, Matsuo Basho: The Master Haiku Poet (Tokyo: Kodansha International, 1982; orig. [English?] ed. 1970).

C. RELATING TO GEISHAS

60. Dominique Buisson, Japan Unveiled: Understanding Japanese Body Culture (London: Hachette Illustrated UK, Octopus Publishing Group, 2003; orig. French ed. n.d.).

61. Horace Bristol: An American View, eds. Ken Conner and Debra Heimerdinger (San Francisco: Chronicle Books, 1996).

62. Jodi Cobb, Geisha: The Life, the Voices, the Art (New York: Knopf, 1997).

63. Liza Dalby, Little Songs of the Geisha: Traditional Japanese Ko-Uta (Boston: Tuttle Publishing, 2000; repr. of 1979 ed.).

64. Martha Feldman and Bonnie Gordon, eds., The Courtesan’s Arts: Cross-Cultural Perspectives (New York: Oxford University Press, 2006).

65. John Gallagher, Geisha: A Unique World of Tradition, Elegance, and Art (London: PRC Publishing Ltd., 2003).

66. Iwasaki Mineko, with Rande Brown, Geisha of Gion: The Memoir of Mineko Iwasaki (New York: Simon and Schuster, 2002).

67. Sayo Masuda, Autobiography of a Geisha, trans. G. G. Rowley (London: Vintage Books East, 2006).

68. Kafu Nagai, Geisha in Rivalry (Udekurabe), trans. Kurt Mesiner and Ralph Friedrich (Rutland, Vermont: Charles E. Tuttle Co., Unesco Collection of Representative Works, Japanese Series, 1981 repr. of 1963 ed.; orig. Japanese ed. 1918).

69. The Peabody Essex Museum, ed., Geisha: Beyond the Painted Smile (Salem, Massachusetts: The Peabody Essex Museum, in conjunction with George Braziller, Inc., 2004).

70. David Strauss, Percival Lowell: The Culture and Science of a Boston Brahmin (Cambridge, Massachusetts: Harvard University Press, 2001).

Geisha Ephemera; Periodical

71. Gion, No. 179, summer edition (Kyoto: Gion Kobu Kumiai 7/10/2004).

72. Gion, No. 182, spring edition (Kyoto: Gion Kobu Kumiai 4/10/2004).

73. Theodore W. Goossen, ed., The Oxford Book of Japanese Short Stories (Oxford, U.K.: Oxford University Press, 1997).

74. Kamogawa Odori, Program for the 168th Kamogawa Odori show, performed from 5/1 to 5/24/H17 in Kyoto.) Hosted by the Kyoto City Tourist association, Sento-Cho Kabuki Group.

75. Miyako Odori, Program for the 133rd Miyako Odori show. Show performed from 4/1/ to 4/30/H17 in Kyoto.) Hosted by the Gion kobu kabukai [Kyoto City Tourist Association]. Trans. for WTV by Sumino Junko.

76. Monumenta Nipponica: Studies in Japanese Culture [Sophia University, Tokyo], vol. 55, no. 2 (summer 2000) (Emmanuel Pastereich, “The Pleasure Quarters of Edo and Nanjing as Metaphor: The Records of Yu Huai and Narushima Ryuhoku,” the latter concerning itself with Edo’s Yanagibashi quarter beginning in 1859).

D. UKIYO-E, WOODCUTS AND PAPERCUTS

77. Timothy Clark, Anne Nishimura Morse and Louise E. Virgin, with Allen Hockley, The Dawn of the Floating World: Early Ukiyo-e Treasures from the Museum of Fine Arts, Boston (London: Royal Academy of Arts, 2001).

78. [Hokusai.] Encyclopedia of Hokusai Sketches — Volume of Men and Women (Tokyo: Tokyo Bijutsu, Inc., 1999).

79. Hokusai, One Hundred Poets, ed. Peter Morse, poems trans. Clay MacCauley (New York: George Braziller, 1989; orig. woodblocks 1839–1849).

80. [Miyata Masayuki.] Miyata Masayuki, Kirie no Sekai [Miyata Masayuki, World of Paper Cutout Art], in a special issue of Bessatsu Taiyo, Nihon no Kokoro [Taiyo, the Heart of Japan], no. 92, winter 1995 (Tokyo: Heibon Sha, 2003, 4th printing of 1996 ed.).

81. Munakata Shiko, Munakata Shiko ~Wadaba Gohho ni naru [I’m Becoming Van Gogh: A Centennial Exhibition, Celebrating the 100th Anniversary of the Artist’s Birth], ed. by the Munakata Museum / The Miyagi Museum of Art / NHK Sendai Station (Sendai: NHK Sendai Station / NHK Tohoku Planning, 2003).

82. Moronobu to Shoki Ukiyoe [Moronobu and Early Days of Ukiyoe], comp. and ed. Tadashi Kobayashi (Tokyo: Shibundo, Nihon no Bijutsu 8, No. 363 [Japanese Art ser., vol. 8, no.363], 1996). Selected captions trans. for WTV by Yasuda Nobuko, 2007.

83. [Ota Memorial Museum of Art], Masterpieces of the Ota Memorial Museum of Art (Tokyo: Ota Memorial Museum of Art, 2006).

84. [Ota Memorial Museum of Art], Ukiyo-e Masterpieces in the Collection of the Ota Memorial Museum of Art (Tokyo: no publisher or printer listed [probably the museum itself], 1988).

85. Chris Uhlenbeck and Margarita Winkel, with Ellis Tinios, Cecelia Segawa Seigle and Oikawa Shigeru, Japanese Erotic Fantasies: Sexual Imagery of the Edo Period (Amsterdam: Hotei Press, 2005).

86. Ukiyo-e “Meisho Edo Hyakkei” Fukkoku Monogatari [Ukiyo-e “100 Scenic Beauties of Edo” Reproduction Story], ed. Tokyo Dento Mokuhanga Kougei Kyokai; supervisor Tadashi Kobayashi (Tokyo: Geisodo, 2005).

87. Kitagawa Utamaro, Shincho Japanese Art Library No. 16, Kitagawa Utamaro, comp. and text Takanobu Sato, ed. Nihon Art Center (Tokyo: Shinchosha, Shincho Nihon Bijutsu Bunko [Shincho Japanese Art Library], 1997). Selected captions trans. for WTV by Yasuda Nobuko, 2007.

88. Kitagawa Utamaro, Portraits from the Floating World, text by Tadashi Kobayashi, trans. Mark A. Harbison (Tokyo: Kodansha International, 2000).

E. JAPANESE MANGA AND CONTEMPORARY EROTIC PICTORIALS

89. Monthly Hot Hot May issue, Gekkan hotto hotto (ca. 1998).

90. Mio Murano [manga artist], Women, vol. 9 (Tokyo: Shueisha, 2000: repr. of Business Jump magazine, issues 14–22).

91. Rikitake Yasushi, photographer, Surinukeru Kaze no youni [As the Wind Blows]; model: Okamoto Sayaka (Tokyo: Shinkosha, 2001).

92. Saiki Hiroyoshi, photographer, Koi me no rippu [Heavy+Love Lipstick]; model: Kudo Aya (Tokyo: Wani Magazine, 2003).

93. Shimizu Sitaro, photographer, Yobi, supervised by Dan Oniroku (Tokyo: Wani Magazine, 2000:).

94. Sugiura Norio, photographer, Lame-Back Four: Bishojyo [Beautiful Girls], SM Special Edition; models: Miura Aika, Aso Sanae, Nagase Ramu, Mochida Kaoru (Tokyo: Sanwashuppan, 2000).

F. MISCELLANEOUS JAPANESE ITEMS

95. —, A Dictionary of Japanese Art Terms: Bilingual (Japanese and English) Popular Edition (Tokyo: Tokyo Bijutsu Co. Ltd., 1990).

96. Shigeru Aoyama, Nara, trans. Don Kenny and Money L. Hickman (Osaka: Hoikusha, Hoikusha’s Color Book ser. no. 7, 1999, 25th ed.; 1st ed. 1964).

97. Alice Mabel Bacon, Japanese Girls and Women (London: Gay and Bird, 1901).

98. Catharina Blomberg, The Heart of the Warrior: Origins and Religious Background of the Samurai System in Feudal Japan (Sandgate, Folkestone, Kent: Japan Library, 1994).

99. Boyé Lafayette De Mente, Elements of Japanese Design: Key Terms for Understanding and Using Japan’s Classic Wabi-Sabi-Shibui Concepts (Rutland, Vermont: Tuttle Publishing, 2006).

100. Guide to Edo-Tokyo Museum, English ed. (Tokyo: Foundation Edo-Tokyo Historical Society, 1995).

101. Masakatsu Gunji, The Kabuki Guide, with photographs by Chiaki Yoshida, trans. Christopher Holmes (New York: Kodansha International, 1995 repr. of 1987 ed.).

102. Fuchikami Hakuyo to Manshu Shashin Sakka Kyoukai [Fuchikami Hakuyo and the Photographers in Manchuria], gen. ed. Shinichi Otsuka (Tokyo: Iwanami Shoten, Nihon no Shashinka 6 [Japanese Photographers ser., vol. 6], 1998).

103. Francis L. Hawks, D.D. L.L.D., Narrative of the Expedition of an American Squadron to the China Seas and Japan, Performed in the Years 1852, 1853, and 1854, Under the Command of Commodore M. C. Perry, United States Navy (New York: AMS Press, Arno Press, 1967 repr.; orig. ed. 1856 [Washington: Beverly Tucker, Senate Printer]).

104. Higashifushimi Jigo and Yokoyama Kenzo, Shoren-In (Kyoto: Tankosha, Kyoto no Furudera kara 27 [Old Temples in Kyoto ser., vol. 27], 1998).

105. Thomas Hoover, Zen Culture (New York: Random House, 1977).

106. Hiroko Ikeda, A Type and Motif Index of Japanese Folk-Literature (Helsinki, Suomalainen Tiedeakatemia, Academica Scieniarum Fennica, FF Communications no. 209, 1971).

107. Motoko Ito and Aiko Inoue, Kimono, trans. Patricia Massy (Osaka: Hoikusha, Hoikusha’s Color Book ser. no. 37, 1993 10th ed.; 1st ed. 1979).

108. Ayako Kano, Acting Like a Woman in Modern Japan: Theater, Gender, and Nationalism (New York: Palgrave, 2001).

109. Yasunari Kawabata, Beauty and Sadness, trans. Howard Hibbett (San Francisco: North Point Press, 1987; orig. Japanese ed. 1962).

110. Yasunari Kawabata, The Old Capital, trans. J. Martin Holman (New York: Putnam’s; a Wideview/ Perigee Book, after 1981; repr. of 1975 Knopf ed.; orig. Japanese serializations 1961–65).

111. Yasunari Kawabata, Snow Country, trans. Edward G. Seidensticker (New York: Vintage, 1996).

112. Donald Keene, Dawn to the West: Japanese Literature in the Modern Era: Fiction (New York: Henry Holt & Co. / An Owl Book, 1987 pbk. repr. of 1984 hdbk. ed.).

113. Philip Lopate, ed., The Art of the Personal Essay: An Anthology from the Classical Era to the Present (New York: Anchor, 1995 pbk. repr. of 1994 Doubleday hdbk.; orig. Japanese version wr. bef. 1965). [For Tanizaki’s essay “In Praise of Shadows.”]

114. [Makuzu Tadano.] Janet R. Goodwin, Bettina Gramlich-Oka, Elizabeth A. Leicester, Yuki Terazawa and Anne Walthall, “Solitary Thoughts: A Translation of Tadano Makuzu’s Hitori Kangae,” in Monumenta Nipponica, 56:1–2 (spring and summer 2001), pp. 21–193 (orig. ms. 1818).

115. Yukio Mishima, Runaway Horses, trans. Michael Gallagher (New York: Simon and Schuster / Pocket Books: Washington Square Press, 1975 repr. of 1973 ed.; orig. Japanese ed. 1969).

116. Yukio Mishima, Spring Snow, trans. Michael Gallagher (New York: Simon and Schuster / Pocket Books: Washington Square Press, 1975 repr. of 1972 ed.; orig. Japanese ed. 1968).

117. Yukio Mishima, Sun and Steel, trans. John Bester (New York: Grove Press, n.d.; orig. Japanese ed. 1970).

118. Nakayama Iwata, gen. ed. Shinichi Otsuka (Tokyo: Iwanami Shoten, Nihon no Shashinka 7 [Japanese Photographers ser., vol. 7], 1998).

119. Nojima Yasuzo, gen. ed. Shinichi Otsuka (Tokyo: Iwanami Shoten, Nihon no Shashinka 4 [Japanese Photographers ser., vol. 4], 1998).

120. Maurice Pinguet, Voluntary Death in Japan, trans. Rosemary Morris (Cambridge, Massachusetts: Polity Press, 1993; orig. French ed. 1984).

121. Suda Issei, gen. ed. Shinichi Otsuka (Tokyo: Iwanami Shoten, Nihon no Shashinka 40 [Japanese Photographers ser., vol. 40], 1998).

122. Junichiro Tanizaki, The Makioka Sisters, trans. Edward G. Seidensticker (New York: Random House: Vintage International, 1995; repr. of 1957 Knopf ed.; orig. Japanese publs. 1943–48.)

123. Junichiro Tanizaki, Seven Japanese Tales, trans. Howard Hibbett (New York: Putnam; a Wideview/Perigee Book, 1981 repr. of 1963 Knopf ed.; orig. Japanese publs. 1910–59). [For another Tanizaki item, see Lopate in this section.]

124. Taishu Komatsu, Otoko no Soshin-gu [Men’s Accessories] (Tokyo: Shibundo, Nihon no Bijutsu 4, no. 395 [Japanese Art ser., vol. 4, no. 395], 1999).

125. Yasuji Toita and Chiaki Yoshida, Kabuki, trans. Don Kenny (Osaka: Hoikusha, Hoikusha’s Color Books ser., no. 11, 1992 11th ed.; 1st ed. 1967).

126. Marc Treib and Ron Herman, A Guide to the Gardens of Kyoto, rev. ed. (New York: Kodansha International, 2003; orig. ed. 1980).

127. Ueno Hikoma to Bakumatsu no Shashinkatachi [Ueno Hikoma and the Photographers of the Last Days of the Tokugawa Era], gen. ed. Shinichi Otsuka (Tokyo: Iwanami Shoten, Nihon no Shashinka 1 [Japanese Photographers ser., vol. 1], 1997).

128. Yamahata Yosuke, gen. ed. Shinichi Otsuka (Tokyo: Iwanami Shoten, Nihon no Shashinka 6 [Japanese Photographers ser., vol. 6], 1998).

Miscellaneous Ephemera

129. —, Kofuku-Ji: Sanjyu no toh Shosoh Kitaendou Naijin Chukondoh Hakkutsu Genba [Kofuku Temple: The first layer of the Three Layered Tower • The Chancel of the North Circled Hall • Chu-Kon Hall Excavation Site] (ca. 2000).

130. —, Sho-Ren-Nin [printed for Shoren-in Temple, ca. 2005).

131. —, Small porn pamphlet offering “sophisticated wives’ secret time,” ca. 2005, trans. for WTV by Keiko Golden.

132. Rainbow Channel 2 Hour Adult Channel, schedule no. 5 for 2005; 2-sheet pamphlet whose upper fold displays a seminude view of the actress Akari Hoshino.

G. CHINESE ITEMS

133. Ernest Fenollosa, The Chinese Written Character as a Medium for Poetry, ed. Ezra Pound (San Francisco: City Lights Books, 1968; orig. ed. 1936; Fenollosa died in 1908).

134. Hsueh Tou Ch’ung Hsien (980–1052) and Yuan Wu K’e Ch’in (1063–1135), comp., The Blue Cliff Record, trans. Thomas Cleary and J. C. Cleary (Boston: Shambhala, 1992; preface dated 1128).

135. Li Ch’ing-chao, Complete Poems, trans. and ed. Kenneth Rexroth and Ling Chung (New York: New Directions Publishing Corp., 1979, 3rd pr.; life of Li Ch’ing-chao 1081–ca. 1141).

136. Stephen Owen, ed. and trans., An Anthology of Chinese Literature: Beginnings to 1911 (New York: W. W. Norton & Co., 1996).

137. Pu Songling, Strange Tales from a Chinese Studio, trans. and ed. John Minford (New York: Penguin Classics, 2006; orig. tales wr. ca. 1660–1715; this trans. includes only 104 tales out of almost 500).

138. Eliot Weinberger, ed., The New Directions Anthology of Classical Chinese Poetry (New York: New Directions Publishing Corp., 2003).

H. OLD NORSE, OLD GERMAN, ANGLO-SAXON, OLD WELSH AND OLD FRENCH ITEMS

139. —, The Earliest English poems, trans. Michael Alexander, 3rd ed. (New York: Penguin Books, 1991 ed.; orig. ed. 1966; poems wr. A.D. 700–1000).

140. —, The Mabinogion, trans. Gwyn Jones and Thomas Jones (London: Everyman, 1949, rev. 1993).

141. —, The Nibelungenlied, trans. A. T. Hatto (New York: Penguin, 1969 repr. of 1965 ed.; original German ed. ca. 1200).

142. —, [Snorri Sturluson?], Egil’s Saga, trans. Hermann Palsson and Paul Edwards, rev. ed. (Middlesex, U.K.: Penguin Books, 1978 repr. of 1976 ed.; original Icelandic text ca. 1230).

143. —, Eyrbyggja Saga, trans. Hermann Palsson and Paul Edwards, rev. ed. (Middlesex, U.K.: Penguin Books, 1989 rev. repr. of 1972 ed.; original Icelandic text ca. 1250).

144. —, Hrafknel’s Saga, trans. Hermann Palsson (Middlesex, U.K.: Penguin Books, 1976 repr. of 1971 ed.; stories wr. thirteenth cent.)

145. —, Laxdaela Saga, trans. Magnus Magnusson and Hermann Palsson (Austin: University of Texas Press, 1975 pbk. repr. of 1969 ed.; original Icelandic text ca. 1245).

146. —, The Poetic Edda, trans. Lee M. Hollander, 2nd ed., rev. (Austin: University of Texas Press, 1987 pbk. repr. of 1962 ed.; original lays ca. 800 — ca. 1400).

147. —, The Saga of Grettir the Strong, ed. Diana Whaley, various trans. (New York: Penguin Classics, 2005; orig. Icelandic text late fourteenth cent.).

148. —, The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer, trans. Jesse L. Byock (New York: Penguin Classics, 1990; orig. Icelandic text thirteenth cent.).

149. —, Sagas of Warrior-Poets, trans. Bernard Scudder, ed. Ornólfur Thorsson (New York: Penguin Classics, 2002; orig. Icelandic texts thirteenth & fourteenth cent.).

150. —, Two Viking Romances, trans. Hermann Palsson and Paul Edwards (New York: Penguin Books, 1995; orig. trans. 1985; orig. tales ca. 1300).

151. Chrétien de Troyes, Cligès, trans. Burton Raffel (New Haven: Yale University Press, 1997; orig. French ed. soon after 1169).

152. H[ilda] R[oderick] Ellis Davidson, Gods and Myths of Northern Europe (London: Penguin, 1964).

153. John Lindow, Norse Mythology: A Guide to the Gods, Heroes, Rituals and Beliefs (New York: Oxford University Press, 2001).

154. Snorri Sturluson, Edda [The Prose Edda or Younger Edda], trans. Anthony Faulkes (Rutland, Vermont: Charles E. Tuttle Co., Inc. / Everyman’s Library, 1992 repr. of 1987 ed.; orig. Icelandic ed. ca. 1220–30).

155. Sigrid Undset, Kristin Lavransdatter, vol. I: The Bridal Wreath, trans. not credited (New York: Random House / Vintage Books, 1987 repr. of 1923 Knopf ed.; orig. Norwegian ed. 1920).

156. Sigrid Undset, Kristin Lavransdatter, vol. II: The Mistress of Husaby, trans. not credited (New York: Random House / Vintage Books, 1987 repr. of 1925 Knopf ed.; orig. Norwegian ed. 1921).

157. Sigrid Undset, Kristin Lavransdatter, vol. III: The Cross, trans. not credited (New York: Random House / Vintage Books, 1987 repr. of 1927 Knopf ed.; orig. Norwegian ed. 1922).

I. TRANSGENDER ITEMS

158. Mariette Pathy Allen, The Gender Frontier (Heidelberg: Kehrr Verlag, 2003).

159. Jonathan Ames, ed., Sexual Metamorphosis: An Anthology of Transsexual Memoirs (New York: A Vintage Original, 2005).

160. Amnesty International, Torture Worldwide: An Affront to Human Dignity (New York: Amnesty International Publications, 2000).

161. Charles Anders, The Lazy Crossdresser (Emeryville, California: Greenery Press, 2002).

162. Jennifer Finney Boylan, She’s Not There: A Life in Two Genders (New York: Broadway Books, 2003).

163. Kate Bornstein, My Gender Workbook: How to Become a Real Man, a Real Woman, the Real You, or Something Else Entirely (New York: Routledge, 1998).

164. Rachel Ann Heath, The Praeger Handbook of Transsexuality: Changing Gender to Match Mindset (Westport, Connecticut: Praeger Publishers / Sex, Love and Psychology ser., 2006).

165. Michel Hurst and Robert Swope, eds., Casa Susanna (New York: powerHouse Books, 2005).

166. Samantha Kane, A Two-Tiered Existence, ed. Sarah Harding (London: Writers and Artists PLC, 1998).

167. Mattilda, a.k.a. Matt Bernstein Sycamore, Nobody Passes: Rejecting the Rules of Gender and Conformity (Emeryville, California: Seal Press, 2006).

168. Catherine Millot, Horsexe: Essay on Transsexuality, trans. Kenneth Hylton (Brooklyn: Autonomedia, 1993; orig. French ed. 1983).

169. Lannie Rose, How to Change Your Sex: A Lighthearted Look at the Hardest Thing You’ll Ever Do, 3rd ed. (No place of publication given: Lulu, 2008 rev. of 2004 ed.).

170. Deborah Rudacille, The Riddle of Gender: Science, Activism, and Transgender Rights (New York: Random House / Anchor Books, 2006 rev. repr. of 2005 ed.).

171. Julia Serano, Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity (Berkeley, California: Seal Press, 2007).

172. Susan Stryker, Transgender History (Berkeley, California: Seal Press, 2008.)

173. Susan Stryker and Stephen Whittle, eds., The Transgender Studies Reader (New York: Routledge, 2006).

174. Veronica Vera, Miss Vera’s Cross-Dress for Success: A Resource Guide for Boys Who Want to Be Girls (New York: Random House / Villard, 2002).

175. I Am My Own Woman: The Outlaw Life of Charlote von Mahlsdorf, Berlin’s Most Distinguished Transvestite, trans. Jean Hollander (Pittsburgh: Cleis Press, 1995; orig. German ed. 1992).

Periodicals and DVDs

176. Danae Doyle Productions, “Feminine Movement Basic Vol. 1,” disk copyright DDP & Feminage, 2007.

177. Deep Stealth Productions, “Finding Your Female Voice” (2 disks, manufactured by CreateSource, South Valley, California, 2007). The unidentified narrator may be the same person as the one on the older video “Melanie Speaks.” But a third party (Rose, p. 127) believes her to be Andrea James.

178. Transgender Tapestry magazine, published by the International Foundation for Gender Education, www.ifge.org.

J. ANDREW WYETH

179. Wanda M. Corn, ed., The Art of Andrew Wyeth, with contributions by Brian O’Doherty, Richard Meryman and E. P. Richardson (San Francisco: pub. for the Fine Arts Museums of San Francisco by the New York Graphic Society Ltd., Greenwich, Connecticut; exhibited at the M. H. de Young Museum of the Fine Arts, San Francisco, June 16 — September 15, 1973).

180. Richard Meryman, Andrew Wyeth: A Secret Life (New York: HarperPerennial / A Division of HarperCollins, 1998 repr. of orig. 1996 ed.).

181. Andrew Wyeth, Autobiography, intro. by Thomas Hoving, with commentaries by Andrew Wyeth as told to Thomas Hoving (Boston: A Bullfinch Press Book / Little, Brown & Co., in assoc. w/ the Nelson-Atkins Museum of Art, Kansas City, 1998).

182. Andrew Wyeth: The Helga Pictures, text by John Wilmerding, Deputy Director, National Gallery of Art, Washington (New York: Harry N. Abrams, Inc., 1987; paintings executed 1971–85).

K. OTHER ITEMS

183. —, The Epic of Gilgamesh, trans. N. K. Sandars (New York: Penguin, 1972; Akkadian Semitic text based on Sumerian from early 2nd. millennium B.C.).

184. Kevyn Aucoin, Making Faces (New York: Little, Brown & Co., 1997).

185. Erich Auerbach, Mimesis: The Representation of Reality in Western Literature, trans. Willard R. Trask (Princeton, New Jersey: Princeton University Press, 1953; orig. Swiss [German-lang.] ed. 1946).

186. Willis Barnstone, comp. and trans., Sappho and the Greek Lyric Poets (New York: Schocken, 1988 rev. & expansion of 1962 ed.).

187. Hans Bellmer, Little Anatomy of the Physical Unconscious, or, The Anatomy of the Image, trans. Jon Graham (Waterbury Center, Vermont: Dominion, 2004; orig. French ed. 2001).

188. Heinrich Böll, Adam and the Train, trans. Leila Vennewitz (New York: McGraw-Hill, 1970).

189. Marcus Tullius Cicero, Letters to Atticus (works in 28 vols., vols. XXII–XXIV), trans. E. O. Winstedt (Cambridge, Massachusetts: Harvard University Press, Loeb Classical Library, 1980–87 reprs. of 1912–18 eds.; orig. letters B.C. 65–44).

190. Kenneth Clark, The Nude: A Study in Ideal Form (Princeton, New Jersey: Princeton University Press, Bollingen Series XXXV 2; 1990 repr. of 1972 pbk; orig. text of A. W. Mellon Lectures 1953, augmented ca. 1956).

191. Dominique Collon, The Queen of the Night (London: The British Museum Press / British Museum Objects in Focus ser., 2005).

192. Edwin Denby, Dance Writings, ed. Robert Cornfield and William Mackay (New York: Alfred A. Knopf, 1986; original essays 1936–65).

193. Bérénice Geoffroy-Schneiter, Greek Beauty (New York: Assouline, 2003; orig. French ed. n. d.).

194. The J. Paul Getty Museum, Handbook of the Antiquities Collection (Los Angeles: J. Paul Getty Trust, 2002).

195. Pat Getz-Gentle, Personal Styles in Early Cycladic Sculpture, with a chapter by Jack de Vries (Madison: University of Wisconsin Press, 2001).

196. Marija Gimbutas, The Language of the Goddess (New York: Thames and Hudson, 2001; orig. ed. 1989).

197. Judith Lynne Hanna, Dance, Sex and Gender: Signs of Identity, Dominance, Defiance, and Desire (Chicago: The University of Chicago Press, 1988).

198. [Jayadeva.] Love Song of the Dark Lord: Jayadeva’s Gitagovinda, ed. and trans. Barbara Stoler Miller, 20th anniversary ed. (New York: Columbia University Press / Columbian Asian Studies ser. [Translations from the Asian Classics], 1997 rev. repr. of 1977 ed.; orig. Sanskrit text ca. 1205).

199. David Kunzle, Fashion and Fetishism: Corsets, Tight-Lacing and Other Forms of Body Sculpture (Phoenix Mill / Sparkford, U.K.: Sutton Publishing Ltd., 2006 repr. of 2004 rev. ed.; orig. ed. 1982).

200. Georg Christoph Lichtenberg, The Waste Books, trans. and sel. with intro. by R. J. Hollingdale (New York: New York Review Books, 2000; orig. Penguin ed. 1990; orig. German notebooks wr. bef. 1800).

201. André Malraux, The Voices of Silence, trans. Stuart Gilbert (Princeton, New Jersey: Princeton University Press, Bollingen Series XXIV A; 1990 repr. of 1978 reissue; orig. 3-vol. ed. 1949–50).

202. Henri Matisse, Frauen: 32 Radierungen (Munich: Im-Insel Verlag, Insel-Bücherei Nr. 577, n. d., inscribed in flyleaf 1956).

203. William Maxwell, Early Novels and Stories (New York: Library of America, 2008).

204. John Milton, Paradise Lost: A Norton Critical Edition, ed. Scott Elledge (New York: W. W. Norton & Co., 1975; orig. poem 1674).

205. Alexander Nehamas, Only a Promise of Happiness: The Place of Beauty in a World of Art (Princeton, New Jersey: Princeton University Press, 2007).

206. Novalis [Georg Friedrich Philipp von Hardenberg], Henry von Ofterdingen, trans. Palmer Hilty (New York: Frederick Ungar, 1974 repr. of 1964 ed.; orig. posthumous German ed. 1802).

207. Boris Pasternak, Dr. Zhivago, trans. Max Hayward and Manya Harari; “The Poems of Yurii Zhivago” trans. [from the Russian] by Bernard Guibert Guerney, revs. to trans. by Pantheon Books, 1958 (New York: New American Library of World Literature, Inc., Signet Books, 7th pr. 1961; orig. Italian ed. 1957; Russian ed. was later).

208. Giovanni Giovano Pontano, Baiea, trans. Rodney G. Dennis (Cambridge, Massachusetts: Harvard University Press, the I Tatti Renaissance Library, 2006; orig. poems fifteenth cent.).

209. Marcel Proust, Remembrance of Things Past, trans. C. Scott Moncrieff and Terence Kilmartin (New York: Vintage, 1982; orig. French ed. 1954); 3 vols.

210. James M. Robinson, gen. ed., The Nag Hammadi Library, 3rd rev. ed., trans. and introduced by members of the Coptic Gnostic Library Project of the Institute for Antiquity and Christianity, Claremont, California (San Francisco: HarperSanFrancisco, 1990).

211. Saadi [Sheikh Muslihuddin Saadi Shirazi], The Rose Garden (Gulistan), trans. Omar Ali-Shah (Reno, Nevada: Tractus Books, 1997; orig. Persian ed. ca. 1260).

212. William Kelly Simpson, ed., The Literature of Ancient Egypt: An Anthology ofr Stories, Instruction, Stelae, Autobiographies, and Poetry, 3rd ed. (New Haven: Yale University Press, 2003).

213. The Variorum Edition of the Poems of W. B. Yeats, ed. Peter Allt and Russell K. Alspach (New York: Macmillan Publishing Co., Inc., 1977 7th repr.; orig. copyright 1940).

214. Stefan Zweig, The World of Yesterday (Lincoln: University of Nebraska Press / Bison Books, 1964; orig. Viking ed. 1943).

Periodicals and DVDs

215. Allure magazine. New York: Condé Nast Publications.

216. Harper’s Bazaar magazine. New York: harpersbazaar.com.

217. InStyle magazine. Group publisher, The Style Collection, Lynette Harrison Brubaker. New York: instyle.com.

218. Marie Claire magazine. New York: Hearst Communications and Comary, Inc.

219. New Beauty magazine. Boca Raton, Florida: Sandow Media Corporation.

220. San Francisco Chronicle.

221. Sophisticate’s Black Hair Styles and Care Guide magazine. Chicago: Associated Publications, Inc.

222. Vogue magazine. www.vogue.com.