Royce lifted the Walker from Cable’s holster. He stepped back and Joe Bob came in swinging, hooking his right hand hard into Cable’s cheek. In the semi-darkness there was a grunt and a sharp smacking sound and Cable was against the board wall. Joe Bob turned him, swinging again, and broke through Cable’s guard. He waded in then, grunting, slashing at Cable’s face with both fists, holding him pinned to the boards, now driving a mauling fist low into Cable’s body, then crossing high with the other hand to Cable’s face. Joe Bob worked methodically, his fists driving in one after the other, again and again and again, until Cable’s legs buckled. He had not been able to return a blow or even cover himself and now his back eased slowly down the boards. Joe Bob waited, standing stoop-shouldered and with his hands hanging heavily. Then his elbows rose; he went back a half step, came in again and brought his knee up solidly into Cable’s jaw.
Abruptly, Royce said, “Listen!”
There was no sound except for Joe Bob’s heavy, open-mouthed breathing. The silence lengthened until Royce said, between a whisper and a normal tone, “I heard somebody.”
“Where?”
“Shhh!” Royce eased toward the open door.
“Cabe?” It came from outside. Martha’s voice.
Royce let his breath out slowly. He stepped into the doorway and saw Martha in the gray dusk. She was perhaps forty feet from him, near the corner of the house.
“Who is it?”
“Evening, Mrs. Cable.”
“Who’s there?”
“It’s just me. Royce.” He stepped outside.
“Where’s my husband?”
“Inside. Me and Joe Bob came back for some stuff we left”-he was moving toward her now-“and your husband’s helping us dig it out.”
She called past Royce. “Cabe?”
No answer. Five seconds passed, no more than that, then Martha had turned and was running-around the corner of the log section to the dark shadow of the ramada, hearing him behind her as she pushed the door open into bright lamplight and swung it closed. She heard him slam against it, hesitated-Hold the door or go for the shotgun!-saw Clare wide-eyed and said, “Go to the other room!” Martha was near the stove, raising the shotgun when Royce burst into the room. His hand was under the barrel as she pulled the trigger and the blast exploded up into the ceiling.
Royce threw the shotgun aside. He stood breathing in and out heavily. “You like to killed me.”
“Where’s my husband?”
“Old Joe Bob’s straightening things out with him.”
She was aware of the children crying then. Past Royce, she saw them just inside the bedroom. Clare’s face was red and glistened with tears. And because she cried, Sandy was crying, with his lower lip pouted and his eyes tightly closed. Davis was staring at Royce. His eyes were round and large and showed natural fear, but he stood with his fists balled and did not move.
“There’s nothing to cry about,” Martha said. “Come kiss me good night and go to bed.” They stood in their flannel nightshirts, afraid now to come into the room. Martha started for them, but she stopped.
Cable stood in the doorway. Joe Bob pushed him from behind and he lurched in, almost going to his knees, but caught himself against the back of a chair. Davis watched his father. His sister and brother were still crying, whimpering, catching their breath.
Abruptly both children stopped, their eyes on Joe Bob as he came toward them. He said nothing, and no more than glanced at them before slamming the bedroom door in their faces. Immediately their crying began again, though now the sound was muffled by the heavy door.
Martha poured water from the kettle, saturating a dish towel; she wrung the water from it and brought it to Cable who was bent over the back of the chair, leaning heavily on it with his arms supporting him stiffly.
“Cabe, are you all right?”
He took the towel from her, pressing it to his mouth, then looked at the blood on the cloth and folded it over, touching it to his mouth again. His teeth throbbed with a dullness that reached up into his head. He could not feel his lips move when he spoke.
“It’s not as bad as it looks.”
Joe Bob said, “Then maybe I should give you some more.”
Martha turned the chair around, helping her husband sit down.
Cable’s eyes raised. “The children-?”
“They’re all right. They’re frightened, that’s all.”
“You better go talk to them.”
“You better not,” Joe Bob said. “They’ll shut up after a while.”
Martha looked at him now. “What do you want?”
“I’m not sure,” Joe Bob said. “We’re taking one step at a time.” He glanced at Royce. “I wish Austin and Wynn were here.” He was referring to his two brothers who also worked for Kidston. “They’d have some ideas. Man, would they!”
“Do you want us to leave?” asked Martha.
“Not right yet.” Joe Bob glanced at Royce again, winking this time. “We might think of something.” His gaze went beyond Royce, moving over the room and coming back to Martha. “You’re such a fine housekeeper, maybe we’ll keep you here.” He winked at Royce again. “How’d you like to keep house for us?”
Martha did not speak, but she held Joe Bob’s gaze until he grinned and moved away from her, going toward the kitchen cupboards.
“I don’t know if I’d want her,” Royce said. “She like to took my head off.”
“I heard,” Joe Bob said. He had opened a top cupboard and was reaching up into it. “Man, look at this.” He took down an almost-full whisky bottle, smiling now and looking at Cable as he turned.
“Would you’ve thought it of him?” Job Bob uncorked the bottle and took a drink. “Man-”
Royce was next to him now, taking the bottle and drinking from it. He scowled happily, wiping his hand across his mouth. “Now this puts a different light on the subject.”
Joe Bob took the bottle again, extending it to Martha. “Sweetie?”
“No, thank you.”
“Just a little one.”
Royce said, “Don’t pour it away. If she doesn’t want any, all right.” He watched Joe Bob lift the bottle and snatched it from him as it came down. Now he took his time, smiling, looking at the label before he drank again.
“I think we ought to sit down,” Royce said. “Like a party.”
“And talk to her about staying,” Joe Bob said.
Royce grinned. “Wouldn’t that be something.”
“Man, picture it.”
“Maybe we’d even pay her.”
“Sure we would. With love and affection.”
Cable said, “Does Vern know you’re here?”
Royce looked at Cable. “Maybe I ought to take a turn on him.”
“Help yourself,” Joe Bob said.
“Vern and I agreed to settle this ourselves,” Cable said.
Joe Bob looked at Royce. “He don’t talk so loud now, does he?”
“He knows better,” Royce said.
Joe Bob nodded thoughtfully. He drank from the bottle before saying, “You think we need him?”
“What for?” Royce took the bottle.
“That’s the way I feel.”
“Hell, throw him out.”
“What about the kids-throw them out too?”
“Do you hear any kids? They’re asleep already. Kids forget things a minute later.” Royce lifted the bottle.
“Just throw him out, uh?”
“Sure. He’ll lay out there like a hound. Else he’ll crawl away. One way or the other, what difference does it make?”
Joe Bob considered this. “He can’t go for help. Where’d he go, to Vern? To the one-arm man?”
Royce nodded. “Maybe to Janroe.”
“So he does,” Joe Bob said. “How’s the one-arm man going to help him?” Joe Bob shook his head. “He’s in a miserable way.”
“Sure he is.”
“Too miserable.”
“Don’t feel sorry for him.”
“I mean, put him out of his misery.”
Now Royce said nothing.
“Not us do it,” Joe Bob said. “Him do it.”
“I don’t follow.”
“You don’t have to.” Joe Bob drank from the bottle, then stood holding it, staring at Cable. “As long as he does.” After a moment he handed Royce the bottle and walked over to Cable.
“You understand me, don’t you?”
Cable straightened against the back of the chair. He shook his head.
“You will.” Joe Bob stood close to him, looking down, and said then, “You’re a miserable man, aren’t you?”
Cable sat tensed. He could not fight Joe Bob now and there was nothing he could say. So he remained silent, his eyes going to Martha who stood with her hands knotted into slender fists. Still with his eyes on Martha, he felt the sudden, sharp pain in his scalp and in a moment he was looking up into Joe Bob’s tight-jawed face.
Close to his belt, Joe Bob held Cable’s head back, his hand fisted in Cable’s hair. “I asked if you’re a miserable man!”
Cable tried to swallow, but most of the blood-saliva remained in his mouth. He said. “I’d be a liar if I said I wasn’t.” The words came hesitantly, through swollen lips. But he stared up at Joe Bob calmly, breathing slowly, and only when he saw the man’s expression change did he try to push up out of the chair. Then it was too late.
He went back with the chair as Joe Bob’s fist slammed into his face. On the floor he rolled to his side, then raised himself slowly to his hands and knees. Joe Bob stood looking down at him with both fists balled and his jaw clenched in anger.
“I hate a man who thinks he’s smart. God, I hate a man who does that.”
Joe Bob was feeling the whisky. It showed in his face; and the cold, quiet edge was gone from the tone of his voice. On Royce, the whisky was having an opposite effect. He was grinning, watching Joe Bob with amusement; and now he said, “If he bothers you, throw him out. That’s all you got to do.”
“Better than that,” Joe Bob said. He extended a hand to Royce though his eyes remained on Cable. “Give me his Colt.”
“Sure.” Royce pulled the revolver from his belt and put it in Joe Bob’s hand. He stepped back, watching with interest as Joe Bob turned the cylinder to check the load.
“You’re going to kill him?”
“You’ll see.” Joe Bob cocked the revolver. He pointed it at Cable and motioned to the door. “Walk outside.”
Cable came to his feet. He looked at Martha, then away from her and walked toward the open door, seeing the dark square of it, then the deep shadow of the ramada as he neared the door, and beyond it, over the yard, a pale trace of early moonlight.
Now he was almost in the doorway, and the boot steps came quickly behind him. He was pushed violently through the opening, stumbled as he hit the ground and rolled out of the deep shadow of the ramada. He pushed himself to his knees, then fell flat again as Joe Bob began firing from the doorway. With the reports he heard Martha’s scream. And as suddenly as the gunfire began, it was over. He heard Joe Bob say, “I wasn’t aiming at him. If I was aiming he’d be dead. I got rid of four rounds is all.”
Joe Bob leaned in the doorway looking out into the darkness, the whisky warm inside of him and feeling Royce and the woman watching him. He would make it good, all right. Something Royce would tell everybody about.
He called out to Cable, “One left, boy. Put yourself out of your misery and save Vern and me and everybody a lot of trouble. Pull the trigger and it’s all over. Nobody worries anymore.”
He flipped the Walker in his hand, held it momentarily by the barrel, then threw it side-arm out to the yard. The revolver struck the ground, skidded past Cable, and the door slammed closed.
What would Forrest do?
That was a long time ago.
But what would he do? Cable thought.
He’d call on them to surrender. Not standing the way Duane stood, but with a confidence you could feel. The Yankees felt it and that part was real. He’d convince them he had more men and more artillery than they did-by having more buglers than companies and by having the same six field pieces come swinging down around the hill and into the woods, which was the reason the Yankee raider, Streight, surrendered-and only that part was unreal. And if they didn’t surrender, he’d find their weak point and beat the living hell out of it.
But these two won’t surrender. You’re seven hundred miles away from that. So what’s their weak point?
Almost a quarter of an hour had passed since the door slammed closed. Cable lay on his stomach, on the damp sand at the end of the river. He bathed his face, working his jaw and feeling the soreness of it, and rinsed his mouth until the inside bleeding stopped. The Walker Colt, with one load in it, was in his holster. And now what?
Now you think it out and do it and maybe it will work. Whatever it is.
What would Forrest do?
Always back to him, because you know he’d do something. God, and Nathan Bedford Forrest, I need help. God’s smile and Forrest’s bag of tricks.
When too many things crowded into Cable’s mind, he would stop thinking. He would calm himself, then tell himself to think very slowly and carefully. A little anger was good, but not rage; that hindered thinking. He tried not to think of Martha, because thinking of her and picturing her with them and wondering made it more difficult to take this coldly, to study it from all sides.
Two and a half years ago, he thought, you wouldn’t be lying here. You’d be dead. You’d have done something foolish and you’d be dead. But you have to hurry. You still have to hurry.
But even thinking this, and not being able to keep the picture of them with Martha out of his mind, he kept himself calm.
He was thankful for having served with Forrest. You learned things watching Forrest and you learned things getting out of the situations Forrest got you into. There had been times like this-not the same because there was Martha and the children now-but there had been outnumbered times and one-bullet times and lying close to the ground in the moonlight times. And he had come through them.
Their weak point, Cable thought. Or their weakness.
Whisky…its effect on Joe Bob. His act of bravado, throwing the one-load revolver out after him, telling him to use it on himself.
What if he did?
What if they heard a shot and thought he did? Would they come outside? The one-load revolver could be Joe Bob’s mistake. His weak point.
There it was. A possibility. Would one come out, or both? Or neither?
Just get them out, he thought. Stop thinking and get them out. He crawled on his hands and knees along the water’s edge until he found a rock; one with smooth edges, heavy enough and almost twice the size of his fist. He rose now, moved back to the chest-high bank, climbed it and stood in the dark willow shadows. Drawing the revolver, cocking it, he moved closer to the trunk of the willow. Then, pointing the barrel directly at the ground, he squeezed the trigger.
The report was loud and close to him, then fading, fading and leaving a ringing that stretched quickly to silence; and now even the night sounds that had been in the trees and in the meadow across the river were gone.
Through the heavy-hanging branches he watched the house, picturing Joe Bob standing still in the room. Wonder about it, Cable thought. But not too long. Look at your friend who’s looking at you and both of you wonder about it. Then decide. Come on, decide right now. Somebody has to come out and make sure. You don’t believe it, but you’d like to believe it, so you have to come see. Decide that one of you has to watch Martha. So only one of you can come out. Come on, get it through your head! That’s the way it has to be!
And finally the door opened.
He saw a man framed in the doorway with the light behind him. The man stood half turned, talking back into the room. Then he stepped outside, drawing his revolver. Another figure appeared in the doorway, but the man outside came on alone. Cable let his breath out slowly.
He stood close to the trunk of the tree now, holding the rock against his stomach, watching the man coming carefully across the yard. He was not coming directly toward Cable, but would enter the trees about twelve or fifteen feet from him.
Now he was nearing the trees, moving cautiously and listening. He came on and a moment later was in the willows, out of sight.
“I don’t see him!” The voice came from the trees, shouted toward the house. It was Royce.
From the doorway, Joe Bob called back, “Look along the bank.”
Cable waited. He heard Royce. Then saw him, moving along the bank, stepping carefully and looking down at the sand flat. Cable tightened against the tree, waiting. Now Royce was near, now ducking under the branches of Cable’s tree-his revolver in his right hand, on the side away from Cable. Royce stepped past him and stopped.
“I don’t see him!”
From the house: “Keep looking!”
Royce started off, looking down at the sand flat again. Cable was on him in two strides, bringing the rock back as he came, holding on to it and slamming it against the side of Royce’s head as the man started to turn. Cable’s momentum carried both of them over the bank. He landed on Royce with his hand on the revolver barrel and came up holding it, cocking it, not bothering with Royce now, but ducking down as he wheeled to climb out of the cutbank and into the trees again.
From the house: “Royce?”
Silence.
“Royce, what’d you do?”
Take him, Cable thought. Before he goes back inside. Before he has time to think about it.
He took the barrel of the revolver in his left hand. He wiped his right hand across the front of his shirt, stretched his fingers, opening and closing his hand, then gripped the revolver again and moved out of the trees.
Joe Bob saw him and called out, “Royce?”
Cable remembered thinking one thing: You should have taken Royce’s hat. But now it was too late. He was in the open, moving across the yard that was gray and shadow-streaked with moonlight.
“Royce, what’s the matter with you!”
Cable was perhaps halfway across the yard when he stopped. He half turned, planting his feet and bringing up the revolver; he extended it straight out, even with his eyes, and said, “Joe Bob-” Only that.
And for a moment the man stood still. He knew it was Cable and the knowing it held him in the light-framed doorway unable to move. But he had to move. He had to fall back into the room or go out or draw. And it had to be done now-
Cable was ready. He saw Joe Bob’s right-hand revolver come out, saw him lunging for the darkness of the ramada and he squeezed the trigger on this suddenly moving target. Without hesitating he lowered the barrel, aiming at where Joe Bob would have to be and fired again; then a third time; and when the heavy, ringing sound died away there was only silence.
He walked through the fine smoke to where Joe Bob lay, facedown with his arms outstretched in front of him. Standing over him, he looked up to see Martha in the doorway.
“It’s all right now,” Cable said. “It’s all over.”
“Is he dead?”
Cable nodded.
And Royce was dead.
Now, remembering the way he had used the rock, swinging viciously because there was one chance and only one, Cable could see how it could have killed Royce. But he hadn’t intended killing Joe Bob. He had wanted badly to hold a gun on him and fire it and see him go down, doing it thoroughly because with Joe Bob also he would have only one momentary chance; but that was not the same as wanting to kill.
Cable found their horses in the pines above the barn. He led them down to the yard and slung the two men facedown over the saddles, tying them on securely. After that he took the horses across the river and let them go to find their way home. Let Vern see them now, if he put them up to it. Even if he didn’t, let him bury them; they were his men.
When Cable returned to the house he said, “In the morning we’ll go see Janroe. We’ll ask him if you and the children can board at the store.”
Martha watched him. “And you?”
“I’ll come back here.”
Bill Dancey came in while the Kidstons were eating noon dinner. He appeared in the archway from the living room and removed his hat when he saw Lorraine at the table with two men.
“It’s done,” Dancey said. “They’re both under ground.”
Vern looked up briefly. “All right.”
“What about their gear?”
“Divvy it up.”
“You could cast lots,” Lorraine said.
Duane looked at her sternly. “That remark was in very poor taste.”
Duane was looking at Vern now and not giving Lorraine time to reply.
“You mean to tell me you weren’t present at their burial? Two men are murdered in your service and you don’t even go out and read over their graves?”
“They were killed,” Vern said. “Not in my service.”
“All right.” Duane couldn’t hide his irritation. “No matter how it happened, it’s proper for the commanding…for the lead man to read Scripture over their graves.”
“If the head man knows how to read,” Lorraine said.
“I didn’t know you were burying them right away.” Duane’s voice became grave. “Why didn’t you tell me? I’d have read over them. I’d have considered it an honor. Two boys giving their lives defending-”
Vern’s eyes stopped him. “That’s enough of that. Duane, if I thought for a minute you sent those two over there-”
“I told you I didn’t. They went on their own.”
“Something else,” Bill Dancey said. “Cable’s moved his wife and kids into Denaman’s.”
Vern looked at him. “Who said so?”
“Man I sent to the store this morning. He saw the wagon and asked Luz about it. Luz says the woman and the kids are staying there, but Cable’s going back to his place.”
Vern rose from the table and walked around it toward Bill Dancey. He heard Duane say, “You’ll run him out now; there’s nothing to stop you. Vern, you hear me? You let me know when you’re leaving because I want to be there.” Vern did not reply or even look at Duane. Dancey turned and he followed him out through the long, beam-ceilinged, adobe-plastered living room, through the open double doors to the veranda that extended across the front of the house.
Dancey said, “What about their horses?”
“Put them in the remuda.”
“Then what?”
“Then work for your money.” As Dancey turned and started down the steps, Vern said, “Wait a minute.” He moved against a support post and stood looking down at Dancey.
“How do you think he did it?”
“With a Colt and a rock,” Dancey answered dryly.
“I asked you a question.”
“And I don’t know the answer you want.” Dancey walked off, but he stopped within a few strides and looked back at Vern. “Why don’t you ask Cable?”
“Maybe I will.”
“With Joe Bob’s brother along?”
“He hit you, too, Bill. The first time you met him.”
“Not that hard,” Dancey said. He turned away.
Vern watched him continue on. So now it was even starting to bother Dancey, this fighting a lone man.
He was almost sure Cable had not murdered them. He was sure Joe Bob and Royce had gone to him with drawn guns, but somehow Cable had outwitted them and had been forced to kill them. And that was the difficult fact to accept. That Cable was capable of killing them. That he could think calmly enough to outsmart them, to do that while having a wife and children to worry about; and then kill them, one of them with his hands, a rock, yes, but with his hands.
What kind of a man was this Cable?
What was his breaking point? If he had one. That was it, some people didn’t have a breaking point. They stayed or they died, but they didn’t give up.
And now, because he had handled Joe Bob and Royce, Cable’s confidence would be bolstered and it would take more patience or more prying or more of whatever the hell it was going to take to get him off the Saber.
Kidston had made up his mind that the river land would be his, regardless of Cable or anyone else who cared to contest it with him. This was a simple act of will. He wanted the land because he needed it. His horses had grazed the lush river meadow for two years and he had come to feel that this land was rightfully his.
The news of Cable’s return had caused him little concern. A Confederate soldier had come home with his family. Well, that was too bad for the Rebel. Somehow Cable had outmaneuvered three men and made them run. Luck, probably. But the Rebel wasn’t staying, Kidston was certain of that.
He had worked too hard for too many years: starting on his own as a mustanger, breaking wild horses and selling them half-green to whoever needed a mount. Then hiring White Mountain Apache boys and gathering more mustangs each spring. He began selling to the Hatch & Hodges stage-line people. His operation expanded and he hired more men; then the war put an end to the Hatch & Hodges business. The war almost ruined him; yet it was the war that put him back in business, with a contract to supply remounts to the Union cavalry. He had followed the wild herds to the Saber River country and here he settled, rebuilding the old Toyopa place. He employed fourteen riders-twelve now-and looked forward to spending the rest of his life here.
During the second year of the war his brother Duane had written to him-first from their home in Gallipolis, Ohio, then from Washington after he had marched his own command there to join the Army of the Potomac-pleading with Vern to come offer his services to the Union army. That was like Duane, Vern had thought. Dazzled by the glory of it, by the drums and the uniforms, and probably not even remotely aware of what was really at stake. But it was at this time that Vern received the government contract for remounts. After that, joining the army was out of the question.
The next December Duane arrived with his daughter. Duane had not wanted to return to Gallipolis after having been relieved of his command. They had made him resign his commission because of incompetence or poor judgment or whatever shelling your own troops was called.
It had happened at Chancellorsville, during Duane’s first and only taste of battle. His artillery company was thrown in to support Von Gilsa’s exposed flank, south of the town and in the path of Stonewall Jackson’s advance. When Von Gilsa’s brigade broke and came running back, Duane opened fire on them and killed more Union soldiers than Jackson had been able to in his attack.
Duane, of course, gave his version. It was an understandable mistake. There had been no communication with Von Gilsa. They were running toward his position and he ordered the firing almost as a reflex action, the way a soldier is trained to react. It happened frequently; naturally mistakes were made in the heat of battle. It was expected. But Chancellorsville had been a Union defeat. That was why they forced him to resign his commission. A number of able commanders were relieved simply because the Army of the Potomac had suffered a setback.
Vern accepted his explanation and even felt somewhat sorry for him. But when Duane went on pretending he was a soldier and hired four new riders for his “scouts,” as he called them, you could take just so much of that. What was it? Kidston’s Guard, Scouts for Colonel J. H. Carleton, Military Department of Arizona. It was one thing to feel sympathy for Duane. It was another to let Duane assume so much importance just to soothe his injured pride.
And Lorraine, spoiled and bored and overly sure of herself. The worst combination you could find in a woman. Both she and her comic-opera officer of a father living under one roof. Still, it seemed there were some things you just had to put up with.
Though that didn’t include a home-coming Confederate squeezing him off the river. Not after the years and the sweat, and breaking his back for every dollar he earned…
That had been his reaction to Cable before he saw Cable face to face, before he talked to him. Since then, a gnawing doubt had crept into his mind. Cable had worked and sweated and fought, too. What about that?
Duane’s logic at least simplified the question: Cable was an enemy of the Federal government in Federal territory. As such he had no rights. Take his land and good damn riddance.
“His family is his worry.” Duane’s words. “But in these times, Vern, and I’ll testify to it, men with families are dying every day. We are a thousand miles from the fighting, but right here is an extension of the war. Sweep down on him! Drive him out! Burn him out if you have to!”
Still, Vern wished with all his strength that there was a way of driving Cable out without fighting him. He was not afraid of Cable. He respected him. And he respected his wife.
Vern found himself picturing the way Martha had walked out from the house with the shotgun under her arm. Cable was a lucky man to have a woman like that, a woman who could keep up with him and who had already given him three healthy children. A woman, Kidston felt, who thoroughly enjoyed being a woman and living with the man she loved.
He had thought that Luz Acaso was that kind exactly. In fact he had been sure of it. But ever since Janroe’s coming she seemed a different person. That was something else to think about. Why would a woman as warm and openly affectionate as Luz change almost overnight? It concerned Janroe’s presence, that much Kidston was sure of. But was Luz in love with him or mortally afraid of him? That was another question.
He heard steps behind him and looked over his shoulder to see Lorraine crossing the porch. She smiled at him pleasantly.
“Cabe makes you stop and think, doesn’t he?”
“You’re on familiar terms for only one meeting,” Vern said.
“That’s what his wife calls him.” Lorraine watched her uncle lean against the support post. He looked away from her, out over the yard. “Don’t you think that’s unusual, a wife calling her husband by his last name?”
“Maybe that’s what everybody calls him,” Vern answered.
“Like calling you ‘Kid.’ ” Lorraine smiled, then laughed. “No, I think she made up the name. I think it’s her name for him. Hers only.” Lorraine waited, letting the silence lengthen before asking, “What do you think of her?”
“I haven’t thought.”
“I thought you might have given Martha careful consideration.”
“Why?”
“As a way of getting at her husband.”
Vern looked at her now.
“What do you mean?”
Lorraine smiled. “You seem reluctant to use force. I doubt if you can buy him off. So what remains?”
“I’m listening.”
“Strike at Cable from within.”
“And what does that mean?”
Lorraine sighed. “Vern, you’re never a surprise. You’re as predictable as Duane, though you don’t call nearly as much attention to yourself.”
“Lorraine, if you have something to say-”
“I’ve said it. Go after him through Martha. Turn her against him. Break up his home. Then see how long he stays in that house.”
“And if such a thing was possible-”
“It’s very possible.”
“How?”
“The other woman, Vern. How else?”
He watched her calmly. “And that’s you.”
She nodded once, politely. “Lorraine Kidston as”-she paused-“I need a more provocative name for this role.”
Vern continued to watch her closely. “And if he happens to love his wife?”
“Of course he loves her. Martha’s an attractive woman if you like them strong, capable and somewhat on the plain side. But that has nothing to do with it. He’s a man, Vern. And right now he’s in that place all alone.”
“You’ve got a wild mind,” Vern said quietly. “I’d hate to live with it inside me.” He turned away from her and walked down the steps and across the yard.
You shocked him, Lorraine thought amusedly, watching him go. But wait until the shock wears off. Wait until his conscience stops choking him. Vern would agree. He would have it understood that such methods went against his grain; but in the end he would agree. Lorraine was sure of it and she was smiling now.
Cable passed through the store and climbed the stairs to the bedroom where Martha was unpacking. He watched her removing linens and towels from the trunk at the foot of the bed, turning to place them in the open dresser drawer an arm’s length away.
“The children will be in here?”
Martha looked up. “Clare and Dave. Sandy will sleep with me.”
“With Luz here, I think you’ll get along with Janroe all right.”
“As long as the children eat in the kitchen.”
“Martha, I’m sorry.”
She saw his frown deepen the tightly drawn lines of his bruised face. “Someday I’m going to bite my tongue off. I shouldn’t have said that.”
“I can’t blame you,” Cable said.
“But it doesn’t make it any easier.”
“If you weren’t here,” Cable said, “it wouldn’t even be possible.” He moved close to her and put his arms around her as she straightened.
“I want to say something like ‘It’ll be over soon,’ or ‘Soon we’ll be going back and there won’t be any more waiting, any more holding your breath not knowing what’s going to happen.’ But I can’t. I can’t promise anything.”
“Cabe, I don’t need promises. Just so long as you’re here with us, that’s all we need.”
“Do you want to leave? Right this minute get in the wagon and go back to Sudan?”
“You don’t mean that.”
“I do. You say it and we’ll leave.”
For a moment Martha was silent, standing close to him, close to his bruised cheekbone and his lips that were swollen and cut. “If we went back,” Martha said, “I don’t think you’d be an easy man to live with. You’d be nice and sometimes you’d smile, but I don’t think you’d ever say very much, and it would be as if your mind was always on something else.” A smile touched her mouth and showed warmly in her eyes. “We’ll stay, Cabe.”
She lifted her face to be kissed and when they looked at each other again she saw his smile and he seemed more at ease.
“Are you going back right now?”
“I have to talk to Janroe first.” He kissed her again before stepping away. “I’ll be up in a little while.”
Janroe was sitting in the kitchen, his chair half turned from the table so that he could look directly out through the screen door. He paid no attention to Luz who was clearing the table, carrying the dishes to the wooden sink. He was thinking of the war, seeing himself during that afternoon of August 30, in the fields near Richmond, Kentucky.
If that day had never happened, or if it had happened differently; if he had not lost his arm-no, losing his arm was only an indirect reason for his being here. But it had led to this. It had been the beginning of the end.
After his wound had healed, seven months later, with his sleeve in his belt and even somewhat proud of it but not showing his pride, he had returned to his unit and served almost another full year before they removed him from active duty. His discharge was sudden. It came shortly after he had had the Yankee prisoners shot. They said he would have to resign his commission because of his arm; but he knew that was not the reason and he had pleaded with them to let him stay, pestering General Kirby Smith’s staff; but it came to nothing, and in the end he was sent home a civilian.
He had not told Cable about that year or about anything that had happened after August 30, after his arm was blown from his body. But Cable didn’t have to know everything. Like soldiers before an engagement with the enemy-it was better not to tell them too much.
Stir them up, yes. Make them hate and be hungry to kill; but don’t tell them things they didn’t have to know, because that would start them thinking and soldiers in combat shouldn’t think. You could scare them though. Sometimes that was all right. Get them scared for their own skins. Pour it into their heads that the enemy was ruthless and knew what he was doing and that he would kill them if they didn’t kill him. Beat them if they wouldn’t fight!
God knows he had done that. He remembered again the afternoon near Richmond, coming out of the brush and starting across the open field toward the Union battery dug in on the pine ridge that was dark against the sky. He remembered screaming at his men to follow him. He remembered this, seeing himself now apart from himself, seeing Captain Edward Janroe waving a Dragoon pistol and shouting at the men who were still crouched at the edge of the brush. He saw himself running back toward them, then swinging the barrel at a man’s head. The man ducked and scrambled out into the field. Others followed him; but two men still remained, down on their knees and staring up at him wide-eyed with fear. He shot one of them from close range, cleanly through the head; and the second man was out of the brush before he could swing the Dragoon on him.
Yes, you could frighten a man into action, scare him so that he was more afraid of you than the enemy. Janroe stopped.
Could that apply to Cable? Could Cable be scared into direct action?
He eased his position, looking at Luz who was standing at the sink with her back to him, then at the screen door again and the open sunlight beyond. He had given his mind the opportunity to reject these questions, to answer them negatively.
But why not? Why couldn’t Cable be forced into killing the Kidstons? He had been a soldier-used to taking orders. No, he couldn’t be ordered. But perhaps now, with his wife and children staying here, he would be more easily persuaded. Perhaps he could be forced into doing it. Somehow.
In Janroe’s mind it was clear, without qualifying shades of meaning, that Vern and Duane Kidston were the enemy. In uniform or not in uniform they were Yankees and this was a time of war and they had to be killed. A soldier killed. An officer ordered his men to kill. That was what it was all about and that was what Janroe knew best.
They could close their eyes to this fact and believe they were acting as human beings-whatever the hell that meant in time of war-and relieve him of his command for what he did to those Yankee prisoners. They could send him out here to die of boredom; but he could still remember what a Yankee field piece did to his arm. He was still a soldier and he could still think like a soldier and act like a soldier and if his job was to kill-whether or not on the surface it was called gunrunning-then he would kill.
He felt his chest rising and falling with his breathing and he glanced at Luz, calming himself then, inhaling and letting his breath out slowly.
Still, an officer used strategy. He fought with his eyes open; not rushing blindly, unless there was no other way to do it. An officer studied a situation and used what means he had at hand. If the means was a brigade or only one man, he used that means to the best of his ability.
Janroe looked up as Cable entered the kitchen. He glanced at Luz then, catching her eye, and the girl dried her hands and stepped out through the back door.
“I’ve been waiting for you,” Janroe said.
“I was with my wife.” Cable hesitated. “We’re grateful for what you’re doing.”
“I guess you are.”
Cable sat down, removing his hat and wiping his forehead with the back of his hand. “Martha will be glad to help out with the housekeeping, and she’ll keep the children out from under your feet.”
“I took that for granted,” Janroe said.
“We’ll be out of your way as soon as I settle this business with the Kidstons.”
“And how long will that take?”
“Look, we’ll leave right now if you want.”
“You lose your temper too easily,” Janroe said. “I was asking you a simple question.”
Cable looked at him, then at his own hand curling the brim of his hat. “I don’t know; it’s up to the Kidstons.”
“It could be up to you, if you wanted it to be.”
“If I kill them.”
“You didn’t have any trouble last night.”
“Last night two men came to my home,” Cable said. “My family was in danger and I didn’t have any choice. Though I’ll tell you this: I didn’t mean to kill them. That just happened. If Vern and Duane come threatening my home, then I could kill them too because I wouldn’t be trying to kill them; I’d be trying to protect my home and my family, and there’s a difference. When you say kill them, just go out and do it; that’s something else.”
Janroe was sitting back in his chair, his hand idly rubbing the stump of his arm; but now he leaned forward. His hand went to the edge of the table and he pushed the chair back.
“We could argue that point for a long time.” He stood up then. “Come on, I’ll show you something.”
Cable hesitated, then rose and followed Janroe through the store and out to the loading platform. The children were at one end, stopped in whatever they were playing or pretending by the sudden appearance of Janroe. They looked at their father, wanting to go to him, but they seemed to sense a threat in approaching Janroe and they remained where they were.
Janroe said, “Tell them to go around back.”
“They’re not bothering anything.” Cable moved toward the children.
“Listen,” Janroe said patiently, “just get rid of them for a while-all right?”
He waited while Cable talked to the three children. Finally they moved off, taking their time and looking back as they turned the corner of the adobe. When they were out of sight, Janroe went down the stairs and, to Cable’s surprise, ducked under the loading platform.
Cable followed, lowering his head to step through the cross timbers into the confining dimness. He moved with hunched shoulders the few steps to where Janroe was removing the padlock from a door in the adobe foundation.
“This used to be a storeroom,” Janroe muttered. He pushed the door open and moved aside. “Go on; there’s a lantern in there.”
Cable hesitated, then stepped past him, glancing back to make sure Janroe was coming.
Janroe followed, saying, “Feel along the wall, you’ll find it.”
Cable turned, raising his left hand. He heard the door swing closed and he was in abrupt total darkness.
He heard Janroe’s steps and felt him move close behind him. Too close! Cable tried to turn, reaching for the Walker at the same time; but his hand twisted behind him and pulled painfully up between his shoulder blades. He tried to lunge forward, tried to twist himself free, but as he did Janroe’s foot scissored about his ankles and Cable fell forward, landing heavily on the hard-packed floor with Janroe on top of him.