Lethal Legacy

TWENTY-FIVE

“That’s frigging sick,” Mike said, when Krauss stepped out of the room to give Britney a new ETA for his pilots.

“Doesn’t make him a killer,” Mercer said.

“Sorry,” Krauss said when he returned. “What else can I do to be useful?”

“Let’s go back to your last conversation with Tina Barr, when she asked you about the consortium looking for the map,” Mike said.

“I didn’t have anything more to say,” Krauss said, packing some folders into a soft leather briefcase. “I told her it was a bust, okay? I thought maybe she was getting mixed up with the wrong people. I cautioned her to be careful.”

“Careful of the wrong people? Alger Herrick? Minerva Hunt, or her father? That’s who Tina was working for most recently.”

“When she asked me the question, I was actually worried that Eddy Forbes had gotten to her. He’s a very seductive guy.”

“You think he went after Tina as a romantic interest?” I asked.

Jonah dismissed me with the back of his hand. “Not that kind of seductive. He was a genius at scamming the best collectors. Had his own gallery and a handful of rich clients who trusted his judgment implicitly. Forbes had the cunning to steer some of these serious collectors to donate important works to the library, and once the transaction was complete, he stole from those very treasures.”

“Don’t people bother to ask what the source of a rare sixteenth-century map is when they go to buy it?”

“A guy like me might hondel a bit, Ms. Cooper. Bargain hard, ask questions, get tough in a negotiation. That’s my nature. Eddy just has to whisper in the ears of those old buzzards that some fourth-generation blowhard had gone through the family fortune and had to break up the jewels. All hush-hush, ’cause every one of these dynasties has had deadbeat offspring who might come to the same end. Circle the wagons. Building, inheriting, and disposing of these library pieces has a tremendous element of secrecy involved.”

“Secrecy?” I asked.

“In the antiquarian business, knowing where the books are-the atlases, the maps-whose hands they’re in, that knowledge is power. It’s money. And a great many of these things that have been in families for generations aren’t even insured. They couldn’t possibly be, at today’s prices. There are things inventoried in the great private collections of the world that haven’t been seen for decades, so it’s impossible to know what’s become of them,” Krauss said, holding his forefinger to his lips. “That’s why I told Tina Barr to be careful.”

I didn’t like Jonah Krauss, and he could smell that.

“You want to tell us about yesterday afternoon? About where you were last night?” Mike asked.

“You guys are serious, right? I don’t believe this. I ran a meeting in our conference room till six-thirty. Britney can give you the names of all the attendees. Then my driver picked me up and took me to the Bronx. Is that a crime?” Krauss reached into his warm-up jacket and pulled out the thinnest phone I’d ever seen. He pressed an icon and then hit zoom. “Have a look, Detective. Yankee Stadium with my boys. Right up until the bitter end.”

“Great seats,” Mike said, passing me the phone. Krauss had taken snapshots of his two young sons from his box, right over the dugout.

I handed him back the phone and he put both hands up in the air. “Who sent you here, really? Some of those trustees just hate my guts, don’t they? Try to mix me up in a murder case.”

“Who hates you?” Mercer asked. “And why?”

“Now, that’s something I really don’t have time to answer today.”

“Put your bag down, Jonah, and take a seat,” Mike said. “Give it a try.”

“If you had any idea of the turmoil inside the public library-inside most libraries-you’d be able to understand the depth of the animosity, Detective. It all looks so scholarly and benign from the outside, but there are real battles being fought,” Krauss said, refusing to sit.

“Over what?”

“Start with the future of the library. What do you think the biggest problem is?”

“Funding,” I guessed. “Money to keep a facility like this-”

“We’re pouring money into it, Ms. Cooper. The problem is that ten years from now, who’s going to need a library?” Krauss was snarling at me. “Our attendance has been plunging for years, not just in New York but all over the world. Research libraries like ours in particular. The computer and the Internet are killing us, making us obsolete. We’ve been given a conservative estimate that at least ninety-five percent of all scholarly inquiries begin on Google.”

“But these rare books in research libraries are so unique,” I said.

“And sooner or later, every one of these beauties will be digitized. We’ve got fifty-three million items in this library, and already, the images from hundreds of thousands of them are available on the Web. How do we stay relevant? What if we just become a damned book museum? Those are some of the things we fight about.”

“Where are you in these battles?”

“I’m trying to move the dinosaurs forward. That’s part of their animosity. Within the next decade, Google will have digitized fifteen million of our works. I’m all for scanning the great libraries of the world. Sit at home in Dubuque with your laptop and look at everything we’ve got. Why not?”

“Because there’s something so different to holding the physical book,” I said, remembering my own research in the great reading room. “Coleridge and Keats-each of them annotated the margins of their books with their thoughts, their ideas. You can see what mattered to them when you read their own work, and how that affected their creative process.”

“Paper disintegrates, Ms. Cooper. Books crumble, unless you can provide the environment in which to protect them, as I can.”

“There are things a computer will never be able to tell us. I remember doing my thesis research at my regular seat in the reading room, next to the same quiet guy every day. He was a medical historian, trying to track down the history of disease outbreaks in eighteenth-century England,” I said, talking more to Mercer and Mike than to Jonah Krauss, who finished packing up his briefcase. “I couldn’t understand why he kept sniffing the papers he was studying. It seemed so odd.”

“You cross-examine him?” Mike asked.

“Gently. He told me he was reading letters from an archive that came from the Cotswolds. At the time, people took to sprinkling vinegar on the correspondence, in hopes that it would disinfect them and stop the spread of cholera. He could still trace the scent on some of the old paper.”

“A very romantic notion, Ms. Cooper, but it’s not the future. Any chance I can be released for the weekend?”

“What’s the source of your disagreements with the Hunts?” Mercer asked.

“Look, Detective, we’ve buried the sword. It’s been almost five years. I assume Jasper’s gotten over it. You might want to keep an eye on Tally. I think he’d pull out the rug from everything to get his father’s bequests.”

I thought of the bejeweled book that had been found with Karla Vastasi’s body. Minerva Hunt said it had been given to the library years earlier, when her grandfather died, but the “Ex Libris” plate bore Talbot Hunt’s name.

“Why do you say that?”

“Five years ago, Ms. Cooper, when I led the charge to deaccession an Asher Durand painting, Jasper Hunt literally threatened my life,” Jonah Krauss said, spreading his palms as he leaned on the desk. “Check with your commissioner. I had police protection 24/7.”

“All because of a painting?” Mike asked. “This library’s got more action than any crack den in Bed Stuy.”

“A very famous work of art, detective. Kindred Spirits, it’s called.”

“What’s so deadly about that?”

“It was one of the library’s sacred cows, Mr. Chapman. My committee made a decision to sell it, and quite frankly I thought the board would just rubber-stamp us. Turned out I was wrong.”

“What’s the story?”

“Durand is one of the best-known artists of the Hudson River School founded by Thomas Cole. Landscape paintings. Cole’s best friend was the poet William Cullen Bryant,” Krauss said.

“Bryant Park?” Mike asked.

“Exactly. Together, Cole and Bryant became leaders of New York City ’s civic and cultural life.”

“Why was the painting in the library in the first place, and not an art museum?” I asked.

“You’re catching on, Ms. Cooper. Bryant’s daughter gave the painting to the Lenox Library in 1904. So when this building opened, and the park was created in her father’s name, it seemed like a fitting home. But it just moved around from one end of a dark hallway to another. In my view, it didn’t belong here at all.”

“So your committee decided to sell it. Was there an auction?”

“That was another one of my problems,” Krauss said. “We didn’t hold a public auction. You know that like most other major cultural institutions, our endowment dropped precipitously after September eleventh. We figured a healthy sale of a few pieces of our art would rally some investment income to buy important books that we wanted. We are, after all, a library.”

“So there was a silent auction instead?”

“Yes. Sotheby’s acted as our agent, and interested parties were invited to submit sealed bids.”

“How much did it bring?” Mike asked.

”Thirty-five million dollars. Highest price ever paid for an American painting,” Krauss said, the side of his mouth pulling up, as though he couldn’t suppress a smile. “Me, I’m not the sentimental type. I thought it was a great deal.”

Mike whistled. “What museum had that kind of money?”

“The Met was outbid, Detective. The Wal-Mart heiress Alice Walton bought the Durand for a small museum her family plans to open soon in Arkansas.”

“Attention all Wal-Mart shoppers! At that price, it went to a discount store? What were you smoking, Jonah?”

“The art critics wanted to stone me, the Times said the sale was the crime of the century-that Kindred Spirits is a national treasure that belongs in New York-and the rest of the board caved in to the public outcry.”

“What spooked Jasper Hunt to go after you personally?” Mike asked.

“He said that we’d never be able to attract future donors. They’d be put off by the fact that their own bequests might eventually be disposed of in some secret way. But I think it was all about Hunt himself.”

“What do you mean?” I asked.

“When my committee was figuring out what to deaccession, we stumbled on a few things that had come in to the library through Jasper the Second-Hunt’s father,” Krauss said. “Things the library doesn’t really need. We’ve had a Gutenberg Bible from the time this library was built, right? Printed in 1455-a simply amazing accomplishment, for the man to invent a movable press that re-created the finest Gothic scripts of his age. Maybe one hundred and eighty of them printed, and close to fifty survive. Ours is usually on display on the third floor. James Lenox donated it when the library was built-the first Gutenberg that was ever brought to America. You’ve seen it, haven’t you?”

“Yes.” It was one of the centerpieces of the library’s collection.

“Well, Jasper Hunt gave us another one, not in such good shape as the Lenox gift. Questionable provenance. Why do we need it locked up in a vault somewhere underground when we could sell it for a healthy price?”

“Still sounds like it would be a pretty desirable thing to have, from a curator’s standpoint,” I said.

“J. P. Morgan set the standard for Jasper Hunt, and that’s not a compliment. Neither one was a very picky shopper. They both bought up English and European estates by the boatload. Morgan’s library has three Gutenbergs. I say one is enough. His advisors had the good sense to make him get rid of the objects that didn’t enhance his collection-medieval tapestries, Egyptian sculpture, second-class art. We could sell the excess and get things our curators really want and need.”

“Was that what you wanted to deaccession?” Mike asked. “His Gutenberg Bible?”

“It wasn’t at the top of my list, but it was there. I would have preferred to start with a gaudy little prayer book that came from his father’s collection. Extremely rare volume when Jasper Hunt the First bought it, but then he had it covered in jewels-to commemorate his son’s birth.”

Mike cocked his head. He was obviously thinking of the object that had been found with Karla Vastasi’s body.

“Rumor has it that the president of Cartier offered the Hunts a king’s ransom to buy it. Seems the jewels were chosen and set by Louis Cartier himself, and the current managers of the business are peeved that it’s collecting dust in storage.”

It appeared that everyone had lost the significance of the prayer book’s original purpose.

“What became of Jasper’s death threat?” I asked.

“Sort of withered and lost its energy, just like he did,” Jonah Krauss said, snapping the lock on his case. “Three or four months of aggravation, then he was on to his next enemy. Now, I’d like to get a start on my weekend, Ms. Cooper. Any objections?”

Krauss had the briefcase in his right hand, and with his left he reached down to pick up a gym bag.

“That looks like it weighs a ton,” Mike said. “Let me help you out with it.”

“Part of the reason I lift weights, Detective. I’ve got twenty-five pounds of catalogs for the winter auctions, in addition to my own paperwork.”

“One last thing, Mr. Krauss. You got any idea where Jasper Hunt’s little jeweled book is now? I mean, like where in the library is it, if I wanted to see it today?”

Krauss held open the door for us, then stopped and turned to answer Mike. “I haven’t a clue. Last I heard, Tally was taking lessons from the ne’er-do-well son of Brooke Astor. I made such noise about selling off the things that didn’t belong in our collection that he started to try all kinds of tricks to break his father’s will, transfer some of the bequests made to the library ages ago out from under our roof.”

“But how could he do that?” Mike asked.

Krauss pressed a button at the side of the glass door and it seemed to zap every system in his room, dimming lights, turning off electronics, and sealing the exit.

“I assume his lawyer explained the legal liability to him, Mr. Chapman. I guess that’s why he probably resorted to theft.”