Life on the Mississippi

Chapter XLVI Enchantments and Enchanters

Mardi-Gras.—The Mystic Crewe.—Rex and Relics.—Sir Walter Scott.—A World Set Back.—Titles and Decorations.—A Change.

THE largest annual event in New Orleans is a something which we arrived too late to sample—the Mardi-Gras festivities. I saw the procession of the Mystic Crew of Comus there, twenty-four years ago—with knights and nobles and so on, clothed in silken and golden Paris-made gorgeousnesses, planned and bought for that single night's use; and in their train all manner of giants, dwarfs, monstrosities, and other diverting grotesquerie—a startling and wonderful sort of show, as it filed solemnly and silently down the street in the light of its smoking and flickering torches; but it is said that in these latter days the spectacle is mightily augmented, as to cost, splendor, and variety. There is a chief personage—'Rex;' and if I remember rightly, neither this king nor any of his great following of subordinates is known to any outsider. All these people are gentlemen of position and consequence; and it is a proud thing to belong to the organization; so the mystery in which they hide their personality is merely for romance's sake, and not on account of the police.

Mardi-Gras is of course a relic of the French and Spanish occupation; but I judge that the religious feature has been pretty well knocked out of it now. Sir Walter has got the advantage of the gentlemen of the cowl and rosary, and he will stay. His medieval business, supplemented by the monsters and the oddities, and the pleasant creatures from fairy-land, is finer to look at than the poor fantastic inventions and performances of the reveling rabble of the priest's day, and serves quite as well, perhaps, to emphasize the day and admonish men that the grace-line between the worldly season and the holy one is reached.

This Mardi-Gras pageant was the exclusive possession of New Orleans until recently. But now it has spread to Memphis and St. Louis and Baltimore. It has probably reached its limit. It is a thing which could hardly exist in the practical North; would certainly last but a very brief time; as brief a time as it would last in London. For the soul of it is the romantic, not the funny and the grotesque. Take away the romantic mysteries, the kings and knights and big-sounding titles, and Mardi-Gras would die, down there in the South. The very feature that keeps it alive in the South—girly-girly romance—would kill it in the North or in London. Puck and Punch, and the press universal, would fall upon it and make merciless fun of it, and its first exhibition would be also its last.

Against the crimes of the French Revolution and of Bonaparte may be set two compensating benefactions: the Revolution broke the chains of the ANCIEN REGIME and of the Church, and made of a nation of abject slaves a nation of freemen; and Bonaparte instituted the setting of merit above birth, and also so completely stripped the divinity from royalty, that whereas crowned heads in Europe were gods before, they are only men, since, and can never be gods again, but only figureheads, and answerable for their acts like common clay. Such benefactions as these compensate the temporary harm which Bonaparte and the Revolution did, and leave the world in debt to them for these great and permanent services to liberty, humanity, and progress.

Then comes Sir Walter Scott with his enchantments, and by his single might checks this wave of progress, and even turns it back; sets the world in love with dreams and phantoms; with decayed and swinish forms of religion; with decayed and degraded systems of government; with the sillinesses and emptinesses, sham grandeurs, sham gauds, and sham chivalries of a brainless and worthless long-vanished society. He did measureless harm; more real and lasting harm, perhaps, than any other individual that ever wrote. Most of the world has now outlived good part of these harms, though by no means all of them; but in our South they flourish pretty forcefully still. Not so forcefully as half a generation ago, perhaps, but still forcefully. There, the genuine and wholesome civilization of the nineteenth century is curiously confused and commingled with the Walter Scott Middle-Age sham civilization; and so you have practical, common-sense, progressive ideas, and progressive works; mixed up with the duel, the inflated speech, and the jejune romanticism of an absurd past that is dead, and out of charity ought to be buried. But for the Sir Walter disease, the character of the Southerner—or Southron, according to Sir Walter's starchier way of phrasing it—would be wholly modern, in place of modern and medieval mixed, and the South would be fully a generation further advanced than it is. It was Sir Walter that made every gentleman in the South a Major or a Colonel, or a General or a Judge, before the war; and it was he, also, that made these gentlemen value these bogus decorations. For it was he that created rank and caste down there, and also reverence for rank and caste, and pride and pleasure in them. Enough is laid on slavery, without fathering upon it these creations and contributions of Sir Walter.

Sir Walter had so large a hand in making Southern character, as it existed before the war, that he is in great measure responsible for the war. It seems a little harsh toward a dead man to say that we never should have had any war but for Sir Walter; and yet something of a plausible argument might, perhaps, be made in support of that wild proposition. The Southerner of the American Revolution owned slaves; so did the Southerner of the Civil War: but the former resembles the latter as an Englishman resembles a Frenchman. The change of character can be traced rather more easily to Sir Walter's influence than to that of any other thing or person.

One may observe, by one or two signs, how deeply that influence penetrated, and how strongly it holds. If one take up a Northern or Southern literary periodical of forty or fifty years ago, he will find it filled with wordy, windy, flowery 'eloquence,' romanticism, sentimentality—all imitated from Sir Walter, and sufficiently badly done, too—innocent travesties of his style and methods, in fact. This sort of literature being the fashion in both sections of the country, there was opportunity for the fairest competition; and as a consequence, the South was able to show as many well-known literary names, proportioned to population, as the North could.

But a change has come, and there is no opportunity now for a fair competition between North and South. For the North has thrown out that old inflated style, whereas the Southern writer still clings to it—clings to it and has a restricted market for his wares, as a consequence. There is as much literary talent in the South, now, as ever there was, of course; but its work can gain but slight currency under present conditions; the authors write for the past, not the present; they use obsolete forms, and a dead language. But when a Southerner of genius writes modern English, his book goes upon crutches no longer, but upon wings; and they carry it swiftly all about America and England, and through the great English reprint publishing houses of Germany—as witness the experience of Mr. Cable and Uncle Remus, two of the very few Southern authors who do not write in the Southern style. Instead of three or four widely-known literary names, the South ought to have a dozen or two—and will have them when Sir Walter's time is out.

A curious exemplification of the power of a single book for good or harm is shown in the effects wrought by 'Don Quixote' and those wrought by 'Ivanhoe.' The first swept the world's admiration for the medieval chivalry-silliness out of existence; and the other restored it. As far as our South is concerned, the good work done by Cervantes is pretty nearly a dead letter, so effectually has Scott's pernicious work undermined it.

Chapter XLVII Uncle Remus and Mr. Cable

Uncle Remus.—The Children Disappointed.—We Read Aloud.—Mr. Cable and Jean au Poquelin.—Involuntary Trespass.—The Gilded Age.—An Impossible Combination.—The Owner Materializes and Protests.

MR. JOEL CHANDLER HARRIS ('Uncle Remus') was to arrive from Atlanta at seven o'clock Sunday morning; so we got up and received him. We were able to detect him among the crowd of arrivals at the hotel-counter by his correspondence with a description of him which had been furnished us from a trustworthy source. He was said to be undersized, red-haired, and somewhat freckled. He was the only man in the party whose outside tallied with this bill of particulars. He was said to be very shy. He is a shy man. Of this there is no doubt. It may not show on the surface, but the shyness is there. After days of intimacy one wonders to see that it is still in about as strong force as ever. There is a fine and beautiful nature hidden behind it, as all know who have read the Uncle Remus book; and a fine genius, too, as all know by the same sign. I seem to be talking quite freely about this neighbor; but in talking to the public I am but talking to his personal friends, and these things are permissible among friends.

He deeply disappointed a number of children who had flocked eagerly to Mr. Cable's house to get a glimpse of the illustrious sage and oracle of the nation's nurseries. They said—

'Why, he 's white!'

They were grieved about it. So, to console them, the book was brought, that they might hear Uncle Remus's Tar-Baby story from the lips of Uncle Remus himself—or what, in their outraged eyes, was left of him. But it turned out that he had never read aloud to people, and was too shy to venture the attempt now. Mr. Cable and I read from books of ours, to show him what an easy trick it was; but his immortal shyness was proof against even this sagacious strategy, so we had to read about Brer Rabbit ourselves.

Mr. Harris ought to be able to read the negro dialect better than anybody else, for in the matter of writing it he is the only master the country has produced. Mr. Cable is the only master in the writing of French dialects that the country has produced; and he reads them in perfection. It was a great treat to hear him read about Jean-ah Poquelin, and about Innerarity and his famous 'pigshoo' representing 'Louisihanna RIF-fusing to Hanter the Union,' along with passages of nicely-shaded German dialect from a novel which was still in manuscript.

It came out in conversation, that in two different instances Mr. Cable got into grotesque trouble by using, in his books, next-to-impossible French names which nevertheless happened to be borne by living and sensitive citizens of New Orleans. His names were either inventions or were borrowed from the ancient and obsolete past, I do not now remember which; but at any rate living bearers of them turned up, and were a good deal hurt at having attention directed to themselves and their affairs in so excessively public a manner.

Mr. Warner and I had an experience of the same sort when we wrote the book called 'The Gilded Age.' There is a character in it called 'Sellers.' I do not remember what his first name was, in the beginning; but anyway, Mr. Warner did not like it, and wanted it improved. He asked me if I was able to imagine a person named 'Eschol Sellers.' Of course I said I could not, without stimulants. He said that away out West, once, he had met, and contemplated, and actually shaken hands with a man bearing that impossible name—'Eschol Sellers.' He added—

'It was twenty years ago; his name has probably carried him off before this; and if it hasn't, he will never see the book anyhow. We will confiscate his name. The name you are using is common, and therefore dangerous; there are probably a thousand Sellerses bearing it, and the whole horde will come after us; but Eschol Sellers is a safe name—it is a rock.'

So we borrowed that name; and when the book had been out about a week, one of the stateliest and handsomest and most aristocratic looking white men that ever lived, called around, with the most formidable libel suit in his pocket that ever—well, in brief, we got his permission to suppress an edition of ten million2 copies of the book and change that name to 'Mulberry Sellers' in future editions.

Chapter XLVIII Sugar and Postage

Tight Curls and Springy Steps.—Steam-plows.—"No. I." Sugar.—A Frankenstein Laugh.—Spiritual Postage.—A Place where there are no Butchers or Plumbers.—Idiotic Spasms.

ONE day, on the street, I encountered the man whom, of all men, I most wished to see—Horace Bixby; formerly pilot under me—or rather, over me—now captain of the great steamer 'City of Baton Rouge,' the latest and swiftest addition to the Anchor Line. The same slender figure, the same tight curls, the same springy step, the same alertness, the same decision of eye and answering decision of hand, the same erect military bearing; not an inch gained or lost in girth, not an ounce gained or lost in weight, not a hair turned. It is a curious thing, to leave a man thirty-five years old, and come back at the end of twenty-one years and find him still only thirty-five. I have not had an experience of this kind before, I believe. There were some crow's-feet, but they counted for next to nothing, since they were inconspicuous.

His boat was just in. I had been waiting several days for her, purposing to return to St. Louis in her. The captain and I joined a party of ladies and gentlemen, guests of Major Wood, and went down the river fifty-four miles, in a swift tug, to ex-Governor Warmouth's sugar plantation. Strung along below the city, were a number of decayed, ram-shackly, superannuated old steamboats, not one of which had I ever seen before. They had all been built, and worn out, and thrown aside, since I was here last. This gives one a realizing sense of the frailness of a Mississippi boat and the briefness of its life.

Six miles below town a fat and battered brick chimney, sticking above the magnolias and live-oaks, was pointed out as the monument erected by an appreciative nation to celebrate the battle of New Orleans—Jackson's victory over the British, January 8, 1815. The war had ended, the two nations were at peace, but the news had not yet reached New Orleans. If we had had the cable telegraph in those days, this blood would not have been spilt, those lives would not have been wasted; and better still, Jackson would probably never have been president. We have gotten over the harms done us by the war of 1812, but not over some of those done us by Jackson's presidency.

The Warmouth plantation covers a vast deal of ground, and the hospitality of the Warmouth mansion is graduated to the same large scale. We saw steam-plows at work, here, for the first time. The traction engine travels about on its own wheels, till it reaches the required spot; then it stands still and by means of a wire rope pulls the huge plow toward itself two or three hundred yards across the field, between the rows of cane. The thing cuts down into the black mold a foot and a half deep. The plow looks like a fore-and-aft brace of a Hudson river steamer, inverted. When the negro steersman sits on one end of it, that end tilts down near the ground, while the other sticks up high in air. This great see-saw goes rolling and pitching like a ship at sea, and it is not every circus rider that could stay on it.

The plantation contains two thousand six hundred acres; six hundred and fifty are in cane; and there is a fruitful orange grove of five thousand trees. The cane is cultivated after a modern and intricate scientific fashion, too elaborate and complex for me to attempt to describe; but it lost $40,000 last year. I forget the other details. However, this year's crop will reach ten or twelve hundred tons of sugar, consequently last year's loss will not matter. These troublesome and expensive scientific methods achieve a yield of a ton and a half and from that to two tons, to the acre; which is three or four times what the yield of an acre was in my time.

The drainage-ditches were everywhere alive with little crabs—'fiddlers.' One saw them scampering sidewise in every direction whenever they heard a disturbing noise. Expensive pests, these crabs; for they bore into the levees, and ruin them.

The great sugar-house was a wilderness of tubs and tanks and vats and filters, pumps, pipes, and machinery. The process of making sugar is exceedingly interesting. First, you heave your cane into the centrifugals and grind out the juice; then run it through the evaporating pan to extract the fiber; then through the bone-filter to remove the alcohol; then through the clarifying tanks to discharge the molasses; then through the granulating pipe to condense it; then through the vacuum pan to extract the vacuum. It is now ready for market. I have jotted these particulars down from memory. The thing looks simple and easy. Do not deceive yourself. To make sugar is really one of the most difficult things in the world. And to make it right, is next to impossible. If you will examine your own supply every now and then for a term of years, and tabulate the result, you will find that not two men in twenty can make sugar without getting sand into it.

We could have gone down to the mouth of the river and visited Captain Eads' great work, the 'jetties,' where the river has been compressed between walls, and thus deepened to twenty-six feet; but it was voted useless to go, since at this stage of the water everything would be covered up and invisible.

We could have visited that ancient and singular burg, 'Pilot-town,' which stands on stilts in the water—so they say; where nearly all communication is by skiff and canoe, even to the attending of weddings and funerals; and where the littlest boys and girls are as handy with the oar as unamphibious children are with the velocipede.

We could have done a number of other things; but on account of limited time, we went back home. The sail up the breezy and sparkling river was a charming experience, and would have been satisfyingly sentimental and romantic but for the interruptions of the tug's pet parrot, whose tireless comments upon the scenery and the guests were always this-worldly, and often profane. He had also a superabundance of the discordant, ear-splitting, metallic laugh common to his breed—a machine-made laugh, a Frankenstein laugh, with the soul left out of it. He applied it to every sentimental remark, and to every pathetic song. He cackled it out with hideous energy after 'Home again, home again from a foreign shore,' and said he 'wouldn't give a damn for a tug-load of such rot.' Romance and sentiment cannot long survive this sort of discouragement; so the singing and talking presently ceased; which so delighted the parrot that he cursed himself hoarse for joy.

Then the male members of the party moved to the forecastle, to smoke and gossip. There were several old steamboatmen along, and I learned from them a great deal of what had been happening to my former river friends during my long absence. I learned that a pilot whom I used to steer for is become a spiritualist, and for more than fifteen years has been receiving a letter every week from a deceased relative, through a New York spiritualist medium named Manchester—postage graduated by distance: from the local post-office in Paradise to New York, five dollars; from New York to St. Louis, three cents. I remember Mr. Manchester very well. I called on him once, ten years ago, with a couple of friends, one of whom wished to inquire after a deceased uncle. This uncle had lost his life in a peculiarly violent and unusual way, half a dozen years before: a cyclone blew him some three miles and knocked a tree down with him which was four feet through at the butt and sixty-five feet high. He did not survive this triumph. At the seance just referred to, my friend questioned his late uncle, through Mr. Manchester, and the late uncle wrote down his replies, using Mr. Manchester's hand and pencil for that purpose. The following is a fair example of the questions asked, and also of the sloppy twaddle in the way of answers, furnished by Manchester under the pretense that it came from the specter. If this man is not the paltriest fraud that lives, I owe him an apology—

QUESTION. Where are you?

ANSWER. In the spirit world.

Q. Are you happy?

A. Very happy. Perfectly happy.

Q. How do you amuse yourself?

A. Conversation with friends, and other spirits.

Q. What else?

A. Nothing else. Nothing else is necessary.

Q. What do you talk about?

A. About how happy we are; and about friends left behind in the earth, and how to influence them for their good.

Q. When your friends in the earth all get to the spirit land, what shall you have to talk about then?—nothing but about how happy you all are?

No reply. It is explained that spirits will not answer frivolous questions.

Q. How is it that spirits that are content to spend an eternity in frivolous employments, and accept it as happiness, are so fastidious about frivolous questions upon the subject?

No reply.

Q. Would you like to come back?

A. No.

Q. Would you say that under oath?

A. Yes.

Q. What do you eat there?

A. We do not eat.

Q. What do you drink?

A. We do not drink.

Q. What do you smoke?

A. We do not smoke.

Q. What do you read?

A. We do not read.

Q. Do all the good people go to your place?

A. Yes.

Q. You know my present way of life. Can you suggest any additions to it, in the way of crime, that will reasonably insure my going to some other place.

A. No reply.

Q. When did you die?

A. I did not die, I passed away.

Q. Very well, then, when did you pass away? How long have you been in the spirit land?

A. We have no measurements of time here.

Q. Though you may be indifferent and uncertain as to dates and times in your present condition and environment, this has nothing to do with your former condition. You had dates then. One of these is what I ask for. You departed on a certain day in a certain year. Is not this true?

A. Yes.

Q. Then name the day of the month.

(Much fumbling with pencil, on the part of the medium, accompanied by violent spasmodic jerkings of his head and body, for some little time. Finally, explanation to the effect that spirits often forget dates, such things being without importance to them.)

Q. Then this one has actually forgotten the date of its translation to the spirit land?

This was granted to be the case.

Q. This is very curious. Well, then, what year was it?

(More fumbling, jerking, idiotic spasms, on the part of the medium. Finally, explanation to the effect that the spirit has forgotten the year.)

Q. This is indeed stupendous. Let me put one more question, one last question, to you, before we part to meet no more;—for even if I fail to avoid your asylum, a meeting there will go for nothing as a meeting, since by that time you will easily have forgotten me and my name: did you die a natural death, or were you cut off by a catastrophe?

A. (After long hesitation and many throes and spasms.) NATURAL DEATH.

This ended the interview. My friend told the medium that when his relative was in this poor world, he was endowed with an extraordinary intellect and an absolutely defectless memory, and it seemed a great pity that he had not been allowed to keep some shred of these for his amusement in the realms of everlasting contentment, and for the amazement and admiration of the rest of the population there.

This man had plenty of clients—has plenty yet. He receives letters from spirits located in every part of the spirit world, and delivers them all over this country through the United States mail. These letters are filled with advice—advice from 'spirits' who don't know as much as a tadpole—and this advice is religiously followed by the receivers. One of these clients was a man whom the spirits (if one may thus plurally describe the ingenious Manchester) were teaching how to contrive an improved railway car-wheel. It is coarse employment for a spirit, but it is higher and wholesomer activity than talking for ever about 'how happy we are.'

Chapter XLIX Episodes in Pilot Life

Pilot-Farmers.—Working on Shares.—Consequences.—Men who Stick to their Posts.—He saw what he would do.—A Day after the Fair.

IN the course of the tug-boat gossip, it came out that out of every five of my former friends who had quitted the river, four had chosen farming as an occupation. Of course this was not because they were peculiarly gifted, agriculturally, and thus more likely to succeed as farmers than in other industries: the reason for their choice must be traced to some other source. Doubtless they chose farming because that life is private and secluded from irruptions of undesirable strangers—like the pilot-house hermitage. And doubtless they also chose it because on a thousand nights of black storm and danger they had noted the twinkling lights of solitary farm-houses, as the boat swung by, and pictured to themselves the serenity and security and coziness of such refuges at such times, and so had by-and-bye come to dream of that retired and peaceful life as the one desirable thing to long for, anticipate, earn, and at last enjoy.

But I did not learn that any of these pilot-farmers had astonished anybody with their successes. Their farms do not support them: they support their farms. The pilot-farmer disappears from the river annually, about the breaking of spring, and is seen no more till next frost. Then he appears again, in damaged homespun, combs the hayseed out of his hair, and takes a pilot-house berth for the winter. In this way he pays the debts which his farming has achieved during the agricultural season. So his river bondage is but half broken; he is still the river's slave the hardest half of the year.

One of these men bought a farm, but did not retire to it. He knew a trick worth two of that. He did not propose to pauperize his farm by applying his personal ignorance to working it. No, he put the farm into the hands of an agricultural expert to be worked on shares—out of every three loads of corn the expert to have two and the pilot the third. But at the end of the season the pilot received no corn. The expert explained that his share was not reached. The farm produced only two loads.

Some of the pilots whom I had known had had adventures—the outcome fortunate, sometimes, but not in all cases. Captain Montgomery, whom I had steered for when he was a pilot, commanded the Confederate fleet in the great battle before Memphis; when his vessel went down, he swam ashore, fought his way through a squad of soldiers, and made a gallant and narrow escape. He was always a cool man; nothing could disturb his serenity. Once when he was captain of the 'Crescent City,' I was bringing the boat into port at New Orleans, and momently expecting orders from the hurricane deck, but received none. I had stopped the wheels, and there my authority and responsibility ceased. It was evening—dim twilight—the captain's hat was perched upon the big bell, and I supposed the intellectual end of the captain was in it, but such was not the case. The captain was very strict; therefore I knew better than to touch a bell without orders. My duty was to hold the boat steadily on her calamitous course, and leave the consequences to take care of themselves—which I did. So we went plowing past the sterns of steamboats and getting closer and closer—the crash was bound to come very soon—and still that hat never budged; for alas, the captain was napping in the texas.... Things were becoming exceedingly nervous and uncomfortable. It seemed to me that the captain was not going to appear in time to see the entertainment. But he did. Just as we were walking into the stern of a steamboat, he stepped out on deck, and said, with heavenly serenity, 'Set her back on both'—which I did; but a trifle late, however, for the next moment we went smashing through that other boat's flimsy outer works with a most prodigious racket. The captain never said a word to me about the matter afterwards, except to remark that I had done right, and that he hoped I would not hesitate to act in the same way again in like circumstances.

One of the pilots whom I had known when I was on the river had died a very honorable death. His boat caught fire, and he remained at the wheel until he got her safe to land. Then he went out over the breast-board with his clothing in flames, and was the last person to get ashore. He died from his injuries in the course of two or three hours, and his was the only life lost.

The history of Mississippi piloting affords six or seven instances of this sort of martyrdom, and half a hundred instances of escapes from a like fate which came within a second or two of being fatally too late; BUT THERE IS NO INSTANCE OF A PILOT DESERTING HIS POST TO SAVE HIS LIFE WHILE BY REMAINING AND SACRIFICING IT HE MIGHT SECURE OTHER LIVES FROM DESTRUCTION. It is well worth while to set down this noble fact, and well worth while to put it in italics, too.

The 'cub' pilot is early admonished to despise all perils connected with a pilot's calling, and to prefer any sort of death to the deep dishonor of deserting his post while there is any possibility of his being useful in it. And so effectively are these admonitions inculcated, that even young and but half-tried pilots can be depended upon to stick to the wheel, and die there when occasion requires. In a Memphis graveyard is buried a young fellow who perished at the wheel a great many years ago, in White River, to save the lives of other men. He said to the captain that if the fire would give him time to reach a sand bar, some distance away, all could be saved, but that to land against the bluff bank of the river would be to insure the loss of many lives. He reached the bar and grounded the boat in shallow water; but by that time the flames had closed around him, and in escaping through them he was fatally burned. He had been urged to fly sooner, but had replied as became a pilot to reply—

'I will not go. If I go, nobody will be saved; if I stay, no one will be lost but me. I will stay.'

There were two hundred persons on board, and no life was lost but the pilot's. There used to be a monument to this young fellow, in that Memphis graveyard. While we tarried in Memphis on our down trip, I started out to look for it, but our time was so brief that I was obliged to turn back before my object was accomplished.

The tug-boat gossip informed me that Dick Kennet was dead—blown up, near Memphis, and killed; that several others whom I had known had fallen in the war—one or two of them shot down at the wheel; that another and very particular friend, whom I had steered many trips for, had stepped out of his house in New Orleans, one night years ago, to collect some money in a remote part of the city, and had never been seen again—was murdered and thrown into the river, it was thought; that Ben Thornburgh was dead long ago; also his wild 'cub' whom I used to quarrel with, all through every daylight watch. A heedless, reckless creature he was, and always in hot water, always in mischief. An Arkansas passenger brought an enormous bear aboard, one day, and chained him to a life-boat on the hurricane deck. Thornburgh's 'cub' could not rest till he had gone there and unchained the bear, to 'see what he would do.' He was promptly gratified. The bear chased him around and around the deck, for miles and miles, with two hundred eager faces grinning through the railings for audience, and finally snatched off the lad's coat-tail and went into the texas to chew it. The off-watch turned out with alacrity, and left the bear in sole possession. He presently grew lonesome, and started out for recreation. He ranged the whole boat—visited every part of it, with an advance guard of fleeing people in front of him and a voiceless vacancy behind him; and when his owner captured him at last, those two were the only visible beings anywhere; everybody else was in hiding, and the boat was a solitude.

I was told that one of my pilot friends fell dead at the wheel, from heart disease, in 1869. The captain was on the roof at the time. He saw the boat breaking for the shore; shouted, and got no answer; ran up, and found the pilot lying dead on the floor.

Mr. Bixby had been blown up, in Madrid bend; was not injured, but the other pilot was lost.

George Ritchie had been blown up near Memphis—blown into the river from the wheel, and disabled. The water was very cold; he clung to a cotton bale—mainly with his teeth—and floated until nearly exhausted, when he was rescued by some deck hands who were on a piece of the wreck. They tore open the bale and packed him in the cotton, and warmed the life back into him, and got him safe to Memphis. He is one of Bixby's pilots on the 'Baton Rouge' now.

Into the life of a steamboat clerk, now dead, had dropped a bit of romance—somewhat grotesque romance, but romance nevertheless. When I knew him he was a shiftless young spendthrift, boisterous, goodhearted, full of careless generosities, and pretty conspicuously promising to fool his possibilities away early, and come to nothing. In a Western city lived a rich and childless old foreigner and his wife; and in their family was a comely young girl—sort of friend, sort of servant. The young clerk of whom I have been speaking—whose name was not George Johnson, but who shall be called George Johnson for the purposes of this narrative—got acquainted with this young girl, and they sinned; and the old foreigner found them out, and rebuked them. Being ashamed, they lied, and said they were married; that they had been privately married. Then the old foreigner's hurt was healed, and he forgave and blessed them. After that, they were able to continue their sin without concealment. By-and-bye the foreigner's wife died; and presently he followed after her. Friends of the family assembled to mourn; and among the mourners sat the two young sinners. The will was opened and solemnly read. It bequeathed every penny of that old man's great wealth to MRS. GEORGE JOHNSON!

And there was no such person. The young sinners fled forth then, and did a very foolish thing: married themselves before an obscure Justice of the Peace, and got him to antedate the thing. That did no sort of good. The distant relatives flocked in and exposed the fraudful date with extreme suddenness and surprising ease, and carried off the fortune, leaving the Johnsons very legitimately, and legally, and irrevocably chained together in honorable marriage, but with not so much as a penny to bless themselves withal. Such are the actual facts; and not all novels have for a base so telling a situation.

Chapter L The 'Original Jacobs'

A Patriarch.—Leaves from a Diary.—A Tongue-stopper.—The Ancient Mariner.—Pilloried in Print.—Petrified Truth.

WE had some talk about Captain Isaiah Sellers, now many years dead. He was a fine man, a high-minded man, and greatly respected both ashore and on the river. He was very tall, well built, and handsome; and in his old age—as I remember him—his hair was as black as an Indian's, and his eye and hand were as strong and steady and his nerve and judgment as firm and clear as anybody's, young or old, among the fraternity of pilots. He was the patriarch of the craft; he had been a keelboat pilot before the day of steamboats; and a steamboat pilot before any other steamboat pilot, still surviving at the time I speak of, had ever turned a wheel. Consequently his brethren held him in the sort of awe in which illustrious survivors of a bygone age are always held by their associates. He knew how he was regarded, and perhaps this fact added some trifle of stiffening to his natural dignity, which had been sufficiently stiff in its original state.

He left a diary behind him; but apparently it did not date back to his first steamboat trip, which was said to be 1811, the year the first steamboat disturbed the waters of the Mississippi. At the time of his death a correspondent of the 'St. Louis Republican' culled the following items from the diary—

'In February, 1825, he shipped on board the steamer "Rambler," at Florence, Ala., and made during that year three trips to New Orleans and back—this on the "Gen. Carrol," between Nashville and New Orleans. It was during his stay on this boat that Captain Sellers introduced the tap of the bell as a signal to heave the lead, previous to which time it was the custom for the pilot to speak to the men below when soundings were wanted. The proximity of the forecastle to the pilot-house, no doubt, rendered this an easy matter; but how different on one of our palaces of the present day.

'In 1827 we find him on board the "President," a boat of two hundred and eighty-five tons burden, and plying between Smithland and New Orleans. Thence he joined the "Jubilee" in 1828, and on this boat he did his first piloting in the St. Louis trade; his first watch extending from Herculaneum to St. Genevieve. On May 26, 1836, he completed and left Pittsburgh in charge of the steamer "Prairie," a boat of four hundred tons, and the first steamer with a STATE-ROOM CABIN ever seen at St. Louis. In 1857 he introduced the signal for meeting boats, and which has, with some slight change, been the universal custom of this day; in fact, is rendered obligatory by act of Congress.

'As general items of river history, we quote the following marginal notes from his general log—

'In March, 1825, Gen. Lafayette left New Orleans for St. Louis on the low-pressure steamer "Natchez."

'In January, 1828, twenty-one steamers left the New Orleans wharf to celebrate the occasion of Gen. Jackson's visit to that city.

'In 1830 the "North American" made the run from New Orleans to Memphis in six days—best time on record to that date. It has since been made in two days and ten hours.

'In 1831 the Red River cut-off formed.

'In 1832 steamer "Hudson" made the run from White River to Helena, a distance of seventy-five miles, in twelve hours. This was the source of much talk and speculation among parties directly interested.

'In 1839 Great Horseshoe cut-off formed.

'Up to the present time, a term of thirty-five years, we ascertain, by reference to the diary, he has made four hundred and sixty round trips to New Orleans, which gives a distance of one million one hundred and four thousand miles, or an average of eighty-six miles a day.'

Whenever Captain Sellers approached a body of gossiping pilots, a chill fell there, and talking ceased. For this reason: whenever six pilots were gathered together, there would always be one or two newly fledged ones in the lot, and the elder ones would be always 'showing off' before these poor fellows; making them sorrowfully feel how callow they were, how recent their nobility, and how humble their degree, by talking largely and vaporously of old-time experiences on the river; always making it a point to date everything back as far as they could, so as to make the new men feel their newness to the sharpest degree possible, and envy the old stagers in the like degree. And how these complacent baldheads WOULD swell, and brag, and lie, and date back—ten, fifteen, twenty years,—and how they did enjoy the effect produced upon the marveling and envying youngsters!

And perhaps just at this happy stage of the proceedings, the stately figure of Captain Isaiah Sellers, that real and only genuine Son of Antiquity, would drift solemnly into the midst. Imagine the size of the silence that would result on the instant. And imagine the feelings of those bald-heads, and the exultation of their recent audience when the ancient captain would begin to drop casual and indifferent remarks of a reminiscent nature—about islands that had disappeared, and cutoffs that had been made, a generation before the oldest bald-head in the company had ever set his foot in a pilot-house!

Many and many a time did this ancient mariner appear on the scene in the above fashion, and spread disaster and humiliation around him. If one might believe the pilots, he always dated his islands back to the misty dawn of river history; and he never used the same island twice; and never did he employ an island that still existed, or give one a name which anybody present was old enough to have heard of before. If you might believe the pilots, he was always conscientiously particular about little details; never spoke of 'the State of Mississippi,' for instance—no, he would say, 'When the State of Mississippi was where Arkansas now is,' and would never speak of Louisiana or Missouri in a general way, and leave an incorrect impression on your mind—no, he would say, 'When Louisiana was up the river farther,' or 'When Missouri was on the Illinois side.'

The old gentleman was not of literary turn or capacity, but he used to jot down brief paragraphs of plain practical information about the river, and sign them 'MARK TWAIN,' and give them to the 'New Orleans Picayune.' They related to the stage and condition of the river, and were accurate and valuable; and thus far, they contained no poison. But in speaking of the stage of the river to-day, at a given point, the captain was pretty apt to drop in a little remark about this being the first time he had seen the water so high or so low at that particular point for forty-nine years; and now and then he would mention Island So-and-so, and follow it, in parentheses, with some such observation as 'disappeared in 1807, if I remember rightly.' In these antique interjections lay poison and bitterness for the other old pilots, and they used to chaff the 'Mark Twain' paragraphs with unsparing mockery.

It so chanced that one of these paragraphs—{footnote [The original MS. of it, in the captain's own hand, has been sent to me from New Orleans. It reads as follows—

VICKSBURG May 4, 1859.

'My opinion for the benefit of the citizens of New Orleans: The water is higher this far up than it has been since 8. My opinion is that the water will be feet deep in Canal street before the first of next June. Mrs. Turner's plantation at the head of Big Black Island is all under water, and it has not been since 1815.

'I. Sellers.'

became the text for my first newspaper article. I burlesqued it broadly, very broadly, stringing my fantastics out to the extent of eight hundred or a thousand words. I was a 'cub' at the time. I showed my performance to some pilots, and they eagerly rushed it into print in the 'New Orleans True Delta.' It was a great pity; for it did nobody any worthy service, and it sent a pang deep into a good man's heart. There was no malice in my rubbish; but it laughed at the captain. It laughed at a man to whom such a thing was new and strange and dreadful. I did not know then, though I do now, that there is no suffering comparable with that which a private person feels when he is for the first time pilloried in print.

Captain Sellers did me the honor to profoundly detest me from that day forth. When I say he did me the honor, I am not using empty words. It was a very real honor to be in the thoughts of so great a man as Captain Sellers, and I had wit enough to appreciate it and be proud of it. It was distinction to be loved by such a man; but it was a much greater distinction to be hated by him, because he loved scores of people; but he didn't sit up nights to hate anybody but me.

He never printed another paragraph while he lived, and he never again signed 'Mark Twain' to anything. At the time that the telegraph brought the news of his death, I was on the Pacific coast. I was a fresh new journalist, and needed a nom de guerre; so I confiscated the ancient mariner's discarded one, and have done my best to make it remain what it was in his hands—a sign and symbol and warrant that whatever is found in its company may be gambled on as being the petrified truth; how I have succeeded, it would not be modest in me to say.

The captain had an honorable pride in his profession and an abiding love for it. He ordered his monument before he died, and kept it near him until he did die. It stands over his grave now, in Bellefontaine cemetery, St. Louis. It is his image, in marble, standing on duty at the pilot wheel; and worthy to stand and confront criticism, for it represents a man who in life would have stayed there till he burned to a cinder, if duty required it.

The finest thing we saw on our whole Mississippi trip, we saw as we approached New Orleans in the steam-tug. This was the curving frontage of the crescent city lit up with the white glare of five miles of electric lights. It was a wonderful sight, and very beautiful.