They kill my father first.
Shiny boots ring on the stairs as they march into our cell, four of them all in a pretty row. Blank faces and perfect skin, matte gray pistols in red, red hands. A beautiful man with golden hair says they’re here to execute us. No explanations. No apologies.
Father turns toward us, and the terror in his eyes breaks my heart to splinters. I open my mouth to speak to him, but I don’t know what I’ll say.
The bullets catch him in his back, and bloody flowers bloom on his chest. My sisters scream as the muzzles flash and the shadows dance, and the noise is so loud, I’m afraid I’ll never hear anything again. Mother reaches toward Father’s body as if to catch his fall, and the shot that kisses her temple paints my face with red. I taste salt and copper and milk-white smoke.
And everything is still.
“Better to rule in hell,” the beautiful man smiles, “than serve in heaven.”
The words hang in the air, among the song of distant explosions against the hymn of broken machines. A woman with flat gray eyes touches the beautiful man’s hand, and though they don’t speak, all four turn and leave the room.
My brother crawls to Father’s body and my sisters are still screaming. My tongue sticks to my teeth, and Mother’s blood is warm on my lips, and I can think of nothing, process nothing but how cruel they are to give us this moment—this fragile sliver of time in which to pray that it’s over. To wonder if anything of loyalty or compassion remains inside those shells we filled to brimming. To hope perhaps they won’t murder children.
But the screaming finally stills, and the smoke slowly clears.
And again, we hear shiny boots upon the stairs.