Longer Views

Index

“A” (Zukofsky), 166, 172

A la recherche du temps perdu (Proust), 202

A-minor Symphony (Mendelssohn), 50

ABC (Silliman), 146, 169, 172

Adam, Helen Douglas, 209

Adam Bede (Eliot), 260

Adamov, Arthur, 4

Addison, Joseph, xiv

Adorno, Theodor, 68, 70, 78

In Search of Wagner, 68

The Jargon of Authenticity, 70

Adventures of Alyx, The (Russ), 116

Agassiz, Louis, 110

“Age of Dream, An” (Johnson), 243n

Agon: Towards a Theory of Revisionism (Bloom), 196

Ailey, Alvin, 18

“Albany” (Silliman), 146, 169, 170, 172

Aldington, Richard, 147

Portrait of a Genius, But…, 174

Aldiss, Brian W., 278

Report on Probability A, 280

Alien Critic, The, 257, 298

Allen, Donald, 240

Allen, Robert, 261

Allgemeine Oesterreichische Zeitung, 52

Alphabet, The, series (Silliman), 146, 157, 163, 169, 171, 172

Alvarez, A., 185

American Shore, The (Delany), xvi

Amitie du Prince (Perse), 209

“An einen Staatsanwalt” (Wagner), 52

Anabase (Perse), 209

Anathēmata, The (Jones), 166

“And I Am Telling You” (Bennett), 154

Anderson, Laurie, xxx

Angel Fire (Oates), 259

“Angouleme” (Disch), xvii, xxiv

Anouilh, Jean, 14, 80, 315

Anthony and Cleopatra (Barber), 18–21

Antigone (Cocteau), 14

antinomies, 265–274

Grelling’s paradox, 273

Apollo of Bellac, The (Giraudoux), 317

“Apology for Raymond Sebond, An” (Montaigne), xxxv

Appalachian Spring (de Mille), 197n

“Architecture of The Bridge” (Unterecker), 187

Ardrey, Robert, 157

Arendt, Hannah, 71, 93

The Origins of Totalitarianism, 71, 93

Aristotle, 13, 25, 40, Poetics, 13

Armantraut, Rae, 170

“Engines,” 170

Arnold, Matthew, 35–37, 40–42, 64, 78, 79

Culture and Anarchy, 35

“Culture and Its Enemies,” 40, 78

“Dover Beach,” 35

Arp, Hans, 4

Art and Death (Artaud), 13

Art and Illusion (Gombrich), 273

Art and Revolution (Wagner), 3, 16, 48, 63

Artaud, Antonin, x, xxvii — xxx, 1–17, 22, 41, 42, 75, 76, 78–84, 172

Art and Death, 13

Backgammon in the Sky [Tric Trac du ciel], 13, 25

The Cenci, 4, 11, 14, 15

“Centre-Mére et Patron-Minet,” 5

Correspondence with Jacques Rivière, 14, 23, 172

“Cri,” 26, 30, 172

“La Culture Indiene,” 6

Douze Chansons, 25

Heliogabalus, or The Anarchist Crowned, 13

Letters from Rodez, 3

“No More Masterpieces,” 15, 30, 76

“Le Pèse-Nerfs,” 15

“The Return of Artaud, le Mômo,” 4, 5

The Return of Artaud, le Mômo, 13

The Theater and Its Double, 2, 14, 31, 76

To Have Done with the Judgment of God, 10, 12, 31

“Van Gogh, the Man Suicided by Society,” 7–10

A Voyage to the Land of the Tarahumara [The Peyote Dance], 3

Artwork of the Future, The (Wagner), 3, 16, 48

Ashberry, John, 41, 159

Athanasiou, Genica, 14

Athenaeum, 3, 230

“Atlantis” (Crane), 185, 187, 215, 216, 224, 226, 227, 231, 237, 244, 245

Atlantis: Model 1924 (Delany), xvi, xxxv, 244, 245

Auden, W. H., 33, 79, 80, 83, 159, 278

“Caliban to the Audience,” 83

The Sea and the Mirror, 83

W. H. Auden: Collected Poems, 240

Auerbach, Berthold, 67

Auntie Mame (Dennis), 317

Austen, Jane, 38, 260

Authoress of the Odyssey, The (Butler); 164

“Ave Maria” (Crane), 189, 215, 218, 219, 221, 222, 224

“Baby Is Three” (Sturgeon), 257

Bach, Johann Sebastian, 67

Backgammon in the Sky [Tric Trac du Ciel] (Artaud), 13, 25

Bacon, Francis, xiii, xiv

Essays, xiv

Baird, Peggy, 189, 243

“The Last Days of Hart Crane,” 243

Bakhtin, M. M., 82, 84, 107

Bakúnin, Mikhail, 37, 46, 47, 49, 52–55, 57, 60–63, 65, 84

Baldwin, James, 205

Giovanni’s Room, 205

Ballets Africains, Les, 153

Balzac, Honoré de, 13, 37, 74

Banquet Years, The (Shattuck), 37

Barbarossa, Frederick, 54

Barber, Samuel, 18

Anthony and Cleopatra, 18–21

Bare Hills, The (Winters), 199

Barnes, Djuna, 139

Barnett, Lincoln, 310

The Universe and Dr. Einstein, 310

Barrault, Jean-Louis, 4, 11

Barthes, Roland, xv, xviii, xix, xxii, xxiii, xxxvi — xxxviii, 70, 252

A Barthes Reader, xxxvi S/Z, xxii

Barthes Reader, A (Barthes), xxxvi

Bartram, William, 144, 145

Travels, 144

Baudelaire, Charles, 22, 32, 55, 72, 74, 79, 231

Baudrillard, Jean, 91, 111

Bayreuther Blätter, 70, 71

Beat movement, 15

Beatles, the, 74

Beaumarchais, Pierre-Augustin Caron de, 75

Becher, Carl, 56

Beck, Julian, 17

Beer, Thomas, 205

Stephen Crane, 205

Beethoven, Ludwig van, 21, 73

Fifth Symphony, 21, 46, 50

Ninth Symphony, 57, 61, 65

Being and Time (Heidegger), 209

Belgrave, Cynthia, 1

Benét, Steven Vincent, 209, 224, John Brown’s Body, 209, 224

Benét, William Rose, 209, 224

Benjamin, Walter, xxviii, 33, 76, 78, 160

“The Work of Art in the Age of Mechanical Reproduction,” 76

Bennett, Michael, 154

“And I Am Telling You,” 154

Dreamgirls, 154

Berg, Alban, 17, 80

Bergson, Henri, 103

Berkeley, Bishop, 283

Berlioz, Hector, 32, 65, 73

Bernard, Raymond, 14

Tarakanova, 14

Bernstein, Charles, 159

Berrigan, Ted, 41, 261

Bester, Alfred, 288

The Stars My Destination, 288

Beyond, 315

Beyond This Horizon (Heinlein), 288

Bible, the, 197

Bieberstein, Marschall von, 62

Biographia Literaria (Coleridge), 172

“Birds and Bees (Blues Poem), The” (Jackson), 158

Bishop, Elizabeth, 149

Black Book, The (Mapplethorpe), 153, 154

Black Star Passes, The (Campbell), 313

Blackburn, Paul, 259

Blackmur, R. P., 191–193

Form and Value in Modern Poetry, 192

“Notes on a Text of Hart Crane,” 191–193

Blake, William, 191, 218, 237

“Morning,” 218

Blin, Roger, 4, 11, 12

Bloch, Marc, 41

Bloom, Harold, 196, 197, 198n

Agon: Towards a Theory of Revisionism, 196

The Visionary Company, 198n

“Blue” (Silliman), 146, 169, 170, 172

Blum, Robert, 56

Bodenheim, 198

Bohannan, Laura, 150

“Shakespeare in the Bush,” 150

Bonaparte, Napoleon, 32

Book, The (Jabès), 157

Book of Questions, The (Jabès), 157

Bosanquet, Gustavus, 151

Bowen, Elizabeth, 189, 226

Brackhage, Stan, 280

Bradlaugh, Charles, 231, 233

Braque, Georges, 4, 11

Braudel, Fernand, 41

Brauers, Ida [“Dora”], 103

Brecht, Bertolt, 14

Threepenny Opera, 14

Bresson, Robert, 280

Breton, André, 4

Bricuth, John, 319

Myth, 319

Bride of Abydos, The (Byron), 38

Bridge, The (Crane), x, xxxiii, xxxiv, 174, 184, 187–189, 191, 192, 201, 209, 215, 216, 218, 219, 221–224, 226–228, 230, 231, 237, 238, 244

Bridges, Robert, 33

Brockhaus, Hermann, 45

“The Broken Tower” (Crane), 198n, 243

Brontë, Charlotte, 34, 39, 260

Brontë, Emily, 184, 260

Brook, Peter, 17

Brown, John, 219, 222, 224

Brown, Rita Mae, 141

Rubyfruit Jungle, 14

Brown, Susan Jenkins, 243

Brown, T. E., 151

Brown, William Slater, 175, 176, 243

Browne, Michael Dennis, 159, 261

Browning, Elizabeth Barrett, 37, 184, 209, 210

Browning, Robert, 37, 167, 168

Dramatis Personae, 168

The Ring and the Book, 168

Robert Browning, The Poems, 167

Sordello, 167, 168

Brueghel, Pieter, 7

Brunner, Edward, 185, 191

Splendid Failure, 191

Brunner, John, 257, 275

Brunner, Marjorie, 257, 275

Bülow, Baron Hans von, 39

Burrell, Mrs., 59

Burroughs, William S., 166

Naked Lunch, 166

Buscema, John, 278

Butler, Octavia, 116

Wild Seed, 116

Butler, Samuel, 164

The Authoress of the Odyssey, 164

Butterfield, R. W., 185

Byron, Lord, George Gordon, 32, 33, 36, 38, 41, 65, 231

The Bride of Abydos, 38

Childe Harold’s Pilgrimage, 38

The Corsair, A Tale, 38, 39

The Giaour, 38

“C 33” (Crane), 215

Caesar, Irving, 189

“What Do You Do Sunday, Mary,” 189

Cage, The (McIntyre), 258

“Calgary Express, The” (Crane), 222, 223

“Caliban to the Audience” (Auden), 83

Calvino, Italo, 157

If on a Winter’s Night a Traveler…, 157

Campbell, John W., 313

The Black Star Passes, 313

Camus, Albert, 4, 149

La Chute, 149

Cane (Toomer), 216, 241

Canin, Ethan, 158

“Canons and Institutions: New Hope for the Disappeared” (Silliman), 171

Cantos, The (Pound), 165–169, 172, 181, 185, 193, 206

“Cape Hatteras” (Crane), 215, 218, 220–222, 224

“Carbon” (Silliman), 163, 169, 170, 172

Carcopino, Jerome, 140

Carlyle, Thomas, 36, 156, 177, 229

The French Revolution, 156

Heroes and Hero-Worship, 177

Carousel (Rogers and Hammerstein), 14

Carroll, Lewis, 160, 161

“Jabberwocky,” 160, 161

Caruso, Enrico, 77

Casarés, Maria, 11

“Case Against Nietzsche, The” (Crane), 188, 237

Case of Wagner, The [Der Fall Wagner] (Nietzsche), 68, 79

Castle of Indolence, The (Thomson [not B.V.]), 228

Cassier, Ernst, 80, 255

Cather, Willa, 139, 203

My Àntonia, 203

Caves of Steel, The (Asimov), 315

Cenci, The (Artaud), 4, 11, 14, 15

“Centre-Mére et Patron-Minet” (Artaud), 5

Ceremonies (Hemphill), 153

Chanel, Coco, 14

“Chaos” (Lowes), 145

Char, René, 4

Charbonnier, Georges, 278

“Charming Maiden, The” (Greenberg), 175

Chereau, Patrice, 16, 43

Childe Harold’s Pilgrimage (Byron), 38

Chomsky, Noam, xxv

Chopin, Frédéric, 39, 177

“Christobel” (Coleridge) 144

“Church of Dream, The” (Johnson), 243n

Chute, La (Camus), 149

Cicero, 140

City and the Pillar, The (Vidal), 205

City of Dreadful Night, The (Thomson [B.V.]), 227, 228, 230, 236–238

Civilization and its Discontents (Freud), 98

Clarissa (Richardson), 102

Clone, The (Wilhelm and Thomas), 258

Cocteau, Jean, 11, 14, 24, 80

Antigone 14

Orphée, 11, 80

Cogswell, Theodore, 315

“The Wall Around the World,” 315

“Cold Equations, The” (Godwin), 147

Coleridge, Hartley, 144, 145

Coleridge, Samuel Taylor, 144, 145, 157, 172, 209

Biographia Literaria, 172

“Christobel,” 144

“Fears in Solitude,” 145

“Frost at Midnight,” 145

The Gutch Memorandum Notebook, 144–146

“Kubla Khan,” 145

“Lewti,” 145

“Love,” 145

Lyrical Ballads, 145

“The Nightingale,” 145

“The Rime of the Ancient Mariner” [“The Rime of the Ancyent Marinere, in Seven Parts”], 145

“The Wanderings of Cain,” 145

Collected Poems (Lawrence), 259

Collected Poems (Robinson), 208

Collected Poems of Frank O’Hara, The (O’Hara), 240

Collins, Thomas J., 167

Collins, Wilkie, 34

Color Purple, The (Spielberg), 154

Communist Manifesto, The (Marx and Engels), 52

Concept of Mind, The (Ryle), 252

“Conduct” (Greenberg), 187

Conkling, Hilda, 209

Contexts of The Bridge (Giles), 192

Coppola, Francis Ford, 38, 81

Corke, Helen, 73

Correspondence with Jacques Rivière (Artaud), 14, 23, 172

Corsair, A Tale, The (Byron), 38, 39

Counter/Measures (Kennedy), 321

Cowley, Malcolm, 182, 189, 190, 241

Cramer, Kathryn, 147n

Crane, Clarence Arthur, 244

Crane, Donald P., 308

Crane, Hart, x, xi, xvi, xxxiii — xxxv, 163, 174–176, 182–202, 205–246

“Atlantis,” 185, 187, 215, 216, 224, 226, 227, 231, 237, 244, 245

“Ave Maria,” 189, 215, 218, 219, 221, 222, 224

The Bridge, x, xi, xxxiii, xxxiv, 174, 184, 187–189, 191, 192, 201, 209, 215, 216, 218, 219, 221–224, 226–228, 230, 231, 237, 238, 244

“The Broken Tower,” 198n, 243

“C 33,” 215

“The Calgary Express,” 222, 223

“Cape Hatteras,” 215, 218, 220–222, 224

“The Case Against Nietzsche,” 188, 237

“Cutty Sark,” 202, 205, 215, 216, 218, 219, 221, 224, 226, 231, 245

“The Dance,” 197n, 224

“Emblems of Conduct,” 187, 197n

“For the Marriage of Faustus and Helen,” 207, 220, 239

“General Aims and Theories,” 185, 194

“The Harbor Dawn,” 197, 201, 205, 224, 231

“Heaven and Hell” letter, 241

Key West: An Island Sheaf, 238

“The Mango Tree,” 223

“National Winter Garden,” 224

“1920 Whistles,” 223

“O Caribe Isle!” 239

“Possessions,” 239

“Powhatan’s Daughter,” 218, 219, 226

“Praise for an Urn,” 193, 198n

“Proem” [“To Brooklyn Bridge”], 215, 216, 218, 224, 227, 231, 237, 245

“Quaker Hill,” 218, 224

“Recitative,” 239

“The River,” 223

“Royal Palm,” 240

“Southern Cross,” 224

“This Way Where November…,” 205, 239

“Thou Canst Read Nothing…,” 205, 239

“Three Songs,” 189, 218

“The Tunnel,” 218, 224

“Van Winkle,” 219, 224

“Virginia,” 189, 224

Voyages, 184, 186, 187, 200, 205, 214, 239

“Voyages I,” 239, 246

“Voyages II,” 184, 185

White Buildings, 194, 224, 238

“White Buildings” letter, 239, 241

Crane, Nathalia, 209

The Janitor’s Boy, 209

“Cri” (Artaud), 26, 30

Critical Fable, A (Lowell), 20

Cronenberg, David, 149

Videodrome, 149

Cullen, Countee, 320

Culture and Anarchy (Arnold), 35

“Culture and Its Enemies” (Arnold), 40, 78

“Culture Indiene, La” (Artaud), 6

Cummins, David, 159

Cunningham, George, 119

“Cutty Sark” (Crane), 202, 205, 215, 216, 218, 219, 221, 224, 226, 231, 245

Daguerre, Louis, 155

Dakyns, H. G., 151

“Dance, The” (Crane), 197n, 224

Dante Alighieri, 27, 54, 157, 167, 191, 233

Darker Side of Genius, The (Katz), 66

Daughter’s Seduction, The (Gallup), 143

Davenport, Guy, 149, 158

Dawn in Erewhon, The, 149

Dawn in Erewhon, The (Davenport), 149

Day, Douglas, 189

Debussy, Claude, 68

Debord, Guy, 229

Society of the Spectacle, The, 229

Delacroix, Eugène, 7

Delmas, Dr., 3

Dembo, L. S., 221

“Demo” (Silliman), 170

Demo to Ink (Silliman), 170, 172

Dennis, Patrick, 319

Auntie Mame, 319

Derrida, Jacques, xi, xiii, xxxiii, 27, 31, 70, 254

Descartes, René, 191

Desjardin, Edouard, 71

Les Lauriers sont coupés, 71

Deutch, Dr., 104

Dhalgren (Delany), xvi, xvii, xxviii, xxxiii, 257

Dial, 174

Diaz, Justino, 19, 20

Dick, Philip K., 280

Dickens, Charles, 34, 36, 64, 260

Dickinson, Emily, 139, 180, 181

differences, 130

Digges, Didley, 211

Dillard, Annie, xiv, xv

Writing Life, The, xiv

Disch, Thomas M., xvii, 155, 169, 261

“Angouleme,” xvii

Neighboring Lives, 155

Dobell, Bertram, 233, 237

Doll’s House, The (Gaiman), 157

Donne, John, 184, 191

Doom of the City, The (Thomson [B. V.]), 233–237

Doors, the, 198n

“Dora” [Ida Brauers], 103

Dos Passos, John, 213

Dostoyevsky, Fyodor, 37

Doughty, Charles M., 191

Douze Chansons (Artaud), 25

“Dover Beach” (Arnold), 35

Dowson, Ernest, 33, 195–198

“Non Sum Qualis Eram Bonae Sub Regno Cynarae,” 197–198

Drake, Joseph Rodman, 196

“Niagara,” 196

Dramatis Personae (Browning), 168

Dream Master, The (Zelazny), 257

Dreamgirls (Bennett), 154

Dresden uprising, 43, 49–63

Dresdner Anzeiger, 48, 52

Dressed to Kill (DePalma), 102

Drew, Elizabeth, 193, 196

Poetry, 196

Dreyer, Carl, 14

The Passion of Joan of Arc, 14

Dreyfus Affair, the, 40, 68

Duchamp, Marcel, 4

Dumas, Alexandre, 13

Dunbar, Paul Lawrence, 195

Duncan, Robert, 166, 172

Passages, 166, 172

The Structure of Rime, 166

Eagleton, Terry, 36, 93

Literary Theory: An Introduction, 36, 93

Edelman, Lee, 191–193

Transmemberment of Song, 192

L’Education Sentimentale (Flaubert), 150

Edward VII, 32

Eichelberger, Ethyl, 1, 17

Eisenhower, Dwight D., 150

Elements (Euclid), 264

Eliot, George, 34, 36, 37, 127, 260

Adam Bede, 260

Eliot, T. S., 15, 32, 72, 76, 82, 166, 168, 174, 189, 191–195, 199, 200, 202, 206, 207–209, 211, 239, 240

“The Love Song of J. Alfred Prufrock,” 193, 206–208

“Tradition and the Individual Talent,” 194

The Waste Land, 72, 82, 166, 174, 193, 201, 206, 208, 228, 230, 239

Ellingham, Lewis, 189

Eluard, Paul, 11

Embedding, The (Watson), 257

“Emblems of Conduct” (Crane), 187, 197n

Emerson, Ralph Waldo, 174, 177, 187, 191, 192, 200, 237

Essays, 177

“Plato,” 174, 187

Empire Strikes Back, The (Kershner), 100

Empson, William, 181

Seven Types of Ambiguity, 181

Emsh [Ed Emshwiller], 315

Endymion (Keats), 167

Engels, Friedrich, 52, The Communist Manifesto, 52

“Engines” (Silliman and Armantraut), 170

“Envoi” (Pound), 193

Equinox (Delany), xvi

Essais (Montaigne), xiv, xxxvi

Essays (Bacon), xiv

Essays (Emerson), 177

Euclid, 262

Elements, 264

Eugene Onegin (Pushkin), 164

Evans, Walker, 153

Fakundiny, Lydia, xiii

Faulkner, William, 82

“Fears in Solitude” (Coleridge), 145

Febvre, Lucien, 41

Felman, Shoshana, 254

Female Man, The (Russ), 116

Field of the Other: Alienation, The (Lacan), 105

Fifth Head of Cerberus, The (Wolfe), 258

Fifth Symphony (Beethoven), 21, 46, 50

Finlay, Virgil, 310

Fisher, William Murrell, 163, 175, 176, 178–182, 244, 245

“Fragments of a Broken Lyre,” 176, 244

FitzGerald, Edward, 32

Rubá’iyát of Omar Khayyám, 32

Fitzgerald, Eleanor, 183

Flaubert, Gustave, 22, 37, 79, 150

L’Education Sentimentale, 159

Flemming, Marjorie, 209

Florio, John, 225, 226

Fodor, Jerry, 297

Food of the Gods, The (Wells), 260

“For the Marriage of Faustus and Helen” (Crane), 207, 220, 239

“Force” (Silliman), 170

Form and Value in Modern Poetry (Blackmur), 192

Forman, Richard, 17

Fornés, María Irene, 17

Foster, Hal, xxxii

Foucault, Michel, xviii, 41, 70, 94, 95, 211

Les Mots et les choses, 94

Foundation, ix

“Fragments of a Broken Lyre” (Fisher), 176, 244

Frank, Waldo, 191, 238, 241, 242, 244

Frazer, Sir James, 191

French Revolution, The (Carlyle), 156

Freud, Sigmund, xvii, xxx, 28, 70, 90, 98, 100, 104, 105, 108, 121, 129, 141, 147

Civilization and its Discontents, 98

The Interpretation of Dreams, 70

Friedrich August II, 45, 50, 51

Frobenius, Leo, 15

From Ritual to Romance (Weston), 72

From the Earth to the Moon (Verne), 260

Frost, Robert, 82, 208

New Hampshire, 208

“Frost at Midnight” (Coleridge), 145

Frux, Gregory William, 150

Function and Field of Speech and Language in Psychoanalysis, The (Lacan), 103

Fuss, Diana, 131, 132

Inside/Out: Lesbian Theories, Gay Theories, 131

Gachet, Dr., 8

Gaiman, Neil, 157

Doll’s House, The, 157

Galaxy, 314, 315

Gallup, Jane, 142

Daughter’s Seduction, The, 142

Gance, Abel, 14

Napoleon, 14

“Garfield” (Silliman), 170

Garland, Judy, 138

Gass, William, 158

Gautier, Judith, 44, 74

Gay, Peter, 147

Geis, Richard E., 257, 298

Gelderholde, Michel, 14

“General Aims and Theories” (Crane), 185, 194

Genêt, Jean, 11, 16

Geritsky, Madame, 317

“Germany and its Princes” (Wagner), 52

Gernsback, Hugo, 288

Geste d’Asdiwal, La (Lévi-Strauss), 277

Giaour, The (Byron), 38

Gide, Andre, 4, 6, 80, 202

The Immoralist, 141, 202

Oedipe, 80

Gilbert, Stewart, 186

Ulysses: A Study, 186

Giles, Paul, 192

Contexts of The Bridge, 192

Ginsberg, Allen, 15, 239

“Howl,” 15, 239

Giotto, 7

Giovanni’s Room (Baldwin), 205

Giraudoux, Jean, 14, 80, 316, 317

The Apollo of Bellac, 317

Tiger at the Gates, 316

Gladiators at Law (Pohl and Kornbluth), 315

Godwin, Tom, 147

“The Cold Equations,” 147

Goethe, Johann Wolfgang von, 38, 39, 75, 188

Golding, William, 148

Lord of the Flies, 148

Gone with the Wind (Mitchell), 38, 197

Gordon, Caroline, 190

Gordon, George (Lord Byron), see Byron, Lord, George Gordon

Gordon, Richard, 112

Gordon, Ruth, 158

Götterdämmerung (Wagner), 55, 83, 203, 204

GQ 154

Gray, Andrew, 44, 51

Great God Brown, The (O’Neill), 315

Greenberg, Adolph, 175, 245

Greenberg, Daniel, 175–177, 245

Greenberg, Hannah, 175

Greenberg, Jacob, 175

Greenberg, Morris, 175, 244, 245

Greenberg, Samuel Bernhard, 163, 175–182, 185, 197n, 232, 242, 244, 245

“The Charming Maiden,” 175

“Conduct,” 187

“Life,” 185

“Love,” 185

Poems by Samuel Greenberg, 242

“Serenade in Grey,” 179–181

“Words,” 245

“Greetings from Saxony to the Viennese” (Wagner), 52

Gregor-Dellin, Martin, 48, 63, 66

Griffin, Susan, 115

Grossman, Rachel, 95, 111

Grotowski, Jerzy, 17

Guernica (Picasso), xxviii, 77

Guignard, René, 11

Gurdjieff, George Ivanovich, 216, 217, 241, 242

Gurdjieff’s Teaching (Walker), 242

Gutch, John Matthew, 145

Gutch Memorandum Notebook, The (Coleridge), 144–146

Gutzkow, Karl, 37, 71

H.D., 166, 209

Helen in Egypt, 166

Hacker, Marilyn, 18, 159, 257, 259, 261, 264, 295

Presentation Piece, 295

Hacker-Delany, Iva Alyxander [“my daughter”], 150, 153, 172

Hall, Radclyffe, 141

The Well of Loneliness, 141

Halleck, Fitzgreen, 196

Halprin, George, 176, 177

Hamlet (Shakespeare), 150, 151

Handke, Peter, 17

Hänel, 49, 61

Haraway, Donna, viii, xxviii, xxix, xxxviii, 87, 89–102, 104, 107–118

“Manifesto for Cyborgs,” 87, 89–102, 108–118

“Harbor Dawn, The” (Crane), 197, 201, 205, 224, 231

Hardenberg, Erasmus von, 229

Hardenberg, Friedrich von. See Novalis

Hardy, Thomas, 258

Harp-Weaver and Other Poems, The (Millay), 208

Hart Crane and the Homosexual Text (Yingling), 194, 218

Hart Crane Voyages, The (Voelker), 183

Hawthorne, Nathaniel, 25

Twice-Told Tales, 25

Haydn, Franz Joseph, 73

Haye, Harry, 214

Heany, Seamus, 159

Hedges, Miss, 310

Hegel, Georg Wilhelm Friedrich, 40, 70, 80

Heidegger, Martin, 150, 209

Being and Time, 209

Heine, Heinrich, 66, 237

Heine, Wilhelm, 59

Heinlein, Robert, xxi, 288, 290

Beyond This Horizon, 288

“The Man Who Sold the Moon,” 310

The Roads Must Roll, 257

Rocketship Galileo, 312, 320

Starship Troopers, 290

Heinrich von Ofterdingen (Novalis), 229, 232, 233

Heisenberg, Werner, 273

Helen in Egypt (H.D.), 166

Heliogabalus, or The Anarchist Crowned (Artaud), 13

Hemphill, Essex, 153, 155

Ceremonies, 153

Herbert, Frank, xix

“Here Comes the Bride” (Wagner), 21

Heroes and Hero-Worship (Carlyle), 177

Hesse, Herman, 151

Heterotopia (Siebers), xxxi

Heubner, Otto, 46, 47, 53, 60, 62, 63, 65, 84

“Hidden” (Silliman), 170

Higginson, Thomas Wentworth, 181

Histoire de la littérature anglaise (Taine), 36, 37

History’s Mistress (Weideger), 139

Hitchcock, Alfred, 202

Rope, 202

Hitler, Adolph, 40

Hoagland, Edward, xv

Hogg (Delany), xvi

Holden, Harold, and Jack McManis, 180, 181, 185, 242

Holiday, Billie, 77

Holliday, Jennifer, 154

Homer, 164, 165, 316

The Iliad, 165, 313, 316

The Odyssey, 164, 165, 313

Honegger, Arthur, 14

Horace, 198

Horizon, 10

Horton, Philip, 185, 192, 241–243

Hostile Sun, The (Oates), 259

Housman, A. E., 33

Howard, Richard, 159, 260, 295

Howard, Robert E., 166

“Howl” (Ginsberg), 15, 241

Hudgins, Andrew, 159

Hugo, Victor, 32, 37–39, 41, 65, 66, 75, 150

Les Misérables, 43, 150, 168

Hymnen an die Nacht [Hymns to the Night] (Novalis), 229–231

Idylls of the King (Tennyson), 32

If on a Winter’s Night a Traveler… (Calvino), 157

Iliad, The (Homer), 165, 313, 316

Immoralist, The (Gide), 141, 202

In Parentheses (Jones), 166

In Search of Wagner (Adorno), 68

In the American Grain (Williams), 189, 226

“In the Room” (Thomson [B.V.]), 228

“Ink” (Silliman), 170

Inside/Out: Lesbian Theories, Gay Theories (Fuss), 131

“Insomnia” (Thomson [B.V.]), 228

Interpretation of Dreams, The (Freud), 70

“Jabberwocky” (Carroll), 160, 161

Jabès, Edmund, 157

The Book, 157

The Book of Questions, 157

Jack the Ripper, 35

Jackson, Isaac, 158

“The Birds and Bees (Blues Poem),” 158

James, Henry, 82

Jameson, Fredric, 112

Janitor’s Boy, The (Nathalia Crane), 209

Jargon of Authenticity, The (Adorno), 70

Jeffers, Robinson, 208

Roan Stallion, Tamar, and Other Poems, 208

Jellinek [revolutionary], 56

Jesus Christ, 32, 57, 186, 230

Jewel-Hinged Jaw, The (Delany), xvi

“Jewry in Music” (Wagner), 3, 48, 57, 67, 72

John Brown’s Body (Benét), 209, 224

John Keats (Lowell), 209

Johnson, Barbara, 254

Johnson, Lionel, 33, 195, 243, 243n

“An Age of Dream,” 243n

“The Church of Dream,” 243n

Johnson, Nunnally, 209

Jones, David, 166

The Anathēmata, 166

In Parentheses, 166

Jones, Ernest, 147

Jordanova, Ludmilla, 139

Sexual Visions, 139

Journal of Albion Moonlight, The (Patchen), 157

Jouvet, Louis, 11

Joyce, James, 32, 72, 80, 82, 162, 164, 186, 187, 191, 208

A Portrait of the Artist as a Young Man, 72

Ulysses, 80, 162, 166, 183, 184, 186, 187, 208

Julian, 140

Julian, Isaac, 154, 155

Justinopolitano, Andreas Divus, 164, 165

“Kabnis” (Toomer), 216

Kahn, Otto, 218, 219

Kant, Immanuel, 191

“Karintha” (Toomer), 216

Katz, Jacob, 66, 67

The Darker Side of Genius, 66

Kaufman [painter], 58

Keats, John, 167, 196, 240, 242

Endymion, 167

Keeler, Ruby, 265

Kelly, Grace [Princess of Monaco], 78

Kemp, Amanda, 318

Kennedy, Joe, 321

Counter/Measures, 321

Kenner, Hugh, 193

Kermode, Frank, 259

Ketjak (Silliman), 170, 171

Key West: An Island Sheaf, 238

Khatru, 103

King, Katie, 92

King’s Henchman, The (Millay), 209

Kipling, Rudyard, 33

Kirk, G. S., 255

Klee, Paul, 7

Knapp, Bettina L., 2, 82

Knight, Damon, 320

Knotly, Alice, 151, 261

Kojeve, Alexander, 140

Kraftt-Ebing, Richard von, 35

Kripke, Saul, 160, 161

Kristeva, Julia, 82, 84

Kubert, Joe, 278

“Kubla Khan” (Coleridge), 145

Kühn, Sophie von, 229, 232

Lacan, Jacques, xvii, xxix, xxx, 70, 94, 103–105, 108, 128, 156

The Field of the Other: Alienation, 105

The Function and Field of Speech and Language in Psychoanalysis, 103

Lachaise, Gaston, 175

LaForgue, Jules, 191, 207

Laing, R. D., 10

Lang, Fritz, 14, 102

Liliom, 14

Metropolis, 102

Lange, Dorothy, 153

“Language” (Spicer), 321

Language of Psychoanalysis, The (Laplanche and Pontalis), 108

“Last Days of Hart Crane, The” (Baird), 243

Laube, Heinrich, 45, 72

Lauretis, Teresa de, 130

Laws of Form, The (Spencer-Brown), xxxix, 322

Lauriers sont coupés, Les (Desjardin), 71

Lautréamont, Comte de, 15

Lawrence, D. H., 32, 73, 147, 259

Collected Poems, 259

The Trespasser [The Saga of Siegmund], 73

Lawrence, T. E., 165

Le Guin, Ursula K., xv, xix

Le Roy, Ladurie, Emmanuel, 41

Leach, Edmund, 280

Leaves of Grass (Whitman), 219

Lee, Spike, 154

Legends of the Wagner Dramas, The (Weston), 72

Léger, Fernand, 4

Leiber, Fritz, 166

Leibniz, Gottfried Wilhelm von, 272

Lenya, Lotte, 14

Leonardo da Vinci, 217

Mona Lisa, 21

Leopardi, 233, 237

“Letter to a Critic” (Delany), 257

Letters from Rodez (Artaud), 3

Levi, Hermann, 69–71

Lévi-Strauss, Claude, 277–280, 321

La Geste d’ Asdiwal, 277

Levine, Philip, 159, 261

Lewis, Thomas S. W., 243

“Lewti” (Coleridge), 145

Liebestod (Wagner), 21

“Life” (Greenberg), 185

Light, James, 243

Liliom (Lang), 14

Lipinski, Joseph, 50

Liszt, Franz, 39, 48

Lit (Silliman), 170

Literary Theory: An Introduction (Eagleton), 36, 93

Little Magazine, The, 257

Liveright, Horace, 241

Loeb, Pierre, 7

Lohengrin (Wagner), 21, 45, 56, 59, 61, 73

London, Jack, 315

“The Shadow and the Flash,” 316

“South of the Slot,” 316

“To Build a Fire,” 316

Lord of the Flies (Golding), 14

Lorde, Audre, xvi, 115

Louis Philippe, 50

“Love” (Coleridge), 145

“Love” (Greenberg), 185

“Love Song of J. Alfred Prufrock, The” (Eliot), 193, 206–208

Loveman, Samuel, xxxiii, 183, 187, 205, 209–215, 239, 243

Lowell, Amy, 209, 210

A Critical Fable, 209

John Keats, 209

What’s O’Clock, 209

Lowes, John Livingston, 144–146, 209, 209

“Chaos,” 145

The Road to Xanadu, 144

Lowry, Malcolm, 189

Lucas, George, 38, 101, 102

The Empire Strikes Back, 100

Star Wars trilogy, 101

Lucy Church Amiably (Stein), 166

Ludlum, Charles, 17

Ludwig II, 44, 50, 54, 65, 73, 74, 78

Lugosi, Bela, 314

Lüttichau, Baron August von, 65

Lyrical Ballads (Coleridge), 145

Lyrical Ballads (Wordsworth), 180

Macauley, Robin, 36

Mackerjee, Mrs., 321

MacKinnon, Catherine, 92, 93, 95, 109

Mad Man, The (Delany), xvi

Magee, Bryan, 66

Mahabharata, The (Valmikki), 316

Making of Americans, The (Stein), 166

Malina, Judith, 17

Malinowski, Bronislaw, 278

Mallarmé, Stéphane, 192, 193, 200

“Man in Polyester Suit” (Mapple-thorpe), 153, 154

Man Who Died Twice, The (Robinson), 209

“Man Who Sold the Moon, The” (Heinlein), 310

Mandelstram, Osip, xxxii, 149

“Mango Tree, The” (Crane), 223

Manifest (Silliman), 170

“Manifesto for Cyborgs” (Haraway), 87, 89–102, 108–118

Mann, Thomas, 139, 202

Tod im Vennidig, 202

Manonni, Oscar, 147

Manzoni, Alessandro, 37

Mapplethorpe, Robert, xviii, 153–155

The Black Book, 153, 154

“Man in Polyester Suit,” 153, 154

Marlowe, Christopher, 196, 217

Martin, Robert, 140, 221

Marx, Karl, xxiii, 52, 64, 80, 95

The Communist Manifesto, 52

Master of Ballantrae, The (Stevenson), 13

Matisse, Henri, 7

Maximus Poems (Olson), 166, 167

McCabe, Ed, 18

McCaffrey, Anne, 87, 88, 96, 103, 115

The Ship Who Sang, 87, 103, 115

Mclntyre, Vonda, 116, 258, 298

The Cage, 258

Superluminal, 116

McKuen, Rod, 33

McLuhan, Marshall, 114

McManis, Jack, and Harold Holden, 180, 181, 185, 242

Medea (Seneca), 189

Mein Leben (Wagner), 43–45, 47–54, 60, 64, 67

Meistersinger von Nürnberg, Die (Wagner), 18

Melville, Herman, 139, 140, 185, 186, 191, 205

Moby-Dick, 186

Mendelson, Edward, 240

Mendelssohn, Felix, 50, 67

A-minor Symphony, 50

Mercer, Kobena, 153, 155

Meredith, George, 33, 127

Merwin, W. S., 41

Messenhauer [revolutionary], 56

Metropolis (Lang), 102

Metternich, Klemens Wenzel Nepomuk Lothar von, 51

Meyerbeer, Giacomo, 67

Meynell, Alice, 33

Michaux, Henri, 15

Mill, John Stuart, 36, 41

Millay, Edna St. Vincent, 195, 208, 209

The Harp-Weaver and Other Poems, 208

The King’s Henchman, 209

Mille, Agnes de, 197n

Appalachian Spring, 197n

Miller, Henry, 15

Miller, Olive Burpré, 306

Milton, John, 167

Misérables, Les (Hugo), 43

Mitchell, Margaret, 38

Gone with the Wind, 38, 197

Mnemosne, 189

Moby-Dick (Melville), 186

Modigliani, Amadeo, 7

Molière, Jean Baptiste, 75

Molnar, Ferenk, 14

Mona Lisa (Da Vinci), 21

“Monologue” (Novalis), 229

Montaigne, Michel de, xiii, xiv, xvii, xxxv — xxxviii, 225, 226

“An Apology for Raymond Sebond,” xxxvi

Essais, xiv, xxxv

“Of the Cannibals,” 225

Moorcock, Michael, 147, 256, 257

Moore, Marianne, 149

More Than Human (Sturgeon), 321

Morgan, Robert, 261

“Morning” (Blake), 218

Morrison, Jim, 198n

“Riders of the Storm,” 198n

Motion of Light in Water, The (Delany), xv, xxvi, xxxi, 129

Mots et les choses, Les (Foucault), 9

Mouches, Les [The Flies] (Sartre), 80, 317

Mourning Becomes Electra (O’Neill), 317

Mozart, Wolfgang Amadeus, 75

Muir, Pat, 293

Munson, Gorham, 183, 217, 241, 244

Murray, A. T., 164, 165

Musil, Robert, 140, 205

Young Törless, 141, 205

Musset, Alfred de, 39

My Àntonia (Cather), 203

My Book House (Miller), 308, 313

Myth (Bricuth), 321

Nabokov, Vladimir, 147, 164

Nagle, John, 175

Naked Lunch (Burroughs), 166

Napoleon (Gance), 14

Nation, The, 222

National Enquirer, The, 78

National Reformer, The, 227, 233

“National Winter Garden” (Crane), 224

Natural Theology (Sebond), xxxv

Naumberg, Margaret, 241, 242

Naylor, Charles, 155

Neighboring Lives, 155

Neidecker, Lorine, 159

Neighboring Lives (Disch and Naylor), 155

Nerval, Gérard de, 3

Neue Zeitschrift für Musik, 72

New Hampshire (Frost), 208

New Sentence, The (Silliman), 171

New Worlds, 147

New York Daily News, 137

Newman, Ernest, 44

“Niagara” (Drake), 196

Nietzsche, Fredrich Wilhelm, 40–42, 68, 74, 79, 80, 82, 182, 188, 191

The Case of Wagner [Der Fall Wagner], 68, 79

“On Schopenhauer as Teacher,” 188

Thus Spake Zarathustra, 41

“Nightingale, The” (Coleridge), 145

Nilsen, Helge Normann, 188

Nin, Anaïs, 1

“1920 Whistles” (Crane), 223

Ninth Symphony (Beethoven), 57, 61, 65

“No More Masterpieces” (Artaud), 15, 30, 76

“Non Sum Qualis Eram Bonae Sub Regno Cynarae” (Dowson), 197–198

“Notes on a Text of Hart Crane” (Blackmur), 191–193

“Noth, Die” (Wagner), 52

Nouvelle Poesie et un Nouvelle Musique (Isou), 15

La Nouvelle Revue Francaise, 1, 23–26, 30

Novalis [Friedrich von Hardenberg], 229–233, 237, 246

Heinrich von Ofterdingen, 229, 232, 233

Hymnen an die Nacht [Hymns to the Night], 229–231

“Monologue,” 229

“Sensucht nach dem Tode” [“Yearning for Death”], 230

“O Caribe Isle!” (Crane), 239

O’Hara, Frank, 41

The Collected Poems of Frank O’Hara, 240

O’Neill, Eugene, 194, 317

The Great God Brown, 317

Mourning Becomes Electra, 317

Oates, Joyce Carol, 259

Angel Fire, 259

The Hostile Sun, 259

“Ode to Joy” (Schiller), 61

Odyssey, The (Homer), 164, 165, 313

Oedipe (Gide), 80

Oehme, Karl, 49

“Of the Cannibals” (Montaigne), 225

Olson, Charles, 166, 264, 307

Maximus Poems, 166, 167

On Modern Poets (Winters), 192

“On Schopenhauer as Teacher” (Nietzsche), 188

One Two Three… Infinity (Gamow), 310

Opera and Drama (Wagner), 3, 16, 48, 71

Opffer, Emil, Jr., 182, 185, 188, 190, 213, 214, 218, 239

Opffer, Emil, Sr., 182, 188

Opffer, Ivan, 182

Origins of Totalitarianism, The (Arendt), 71, 93

Orphée (Cocteau), 11

Our Bodies, Our Selves, 113

Ouspensky, P. D., 191, 216, 217

Tertium Organum, 217

Pabst, G. W., 14

Threepenny Opera, 14

Paradise (Silliman), 170

Paris Review, The, 25

Parisot, Henri, 3

Parkinson, Thomas, 243

Parsifal (Syberberg), 81

Parsifal (Wagner), 69, 70, 74, 204

“Passage to India” (Whitman), 192, 219, 221

Passages (Duncan), 166, 172

Passion of Joan of Arc, The (Dreyer), 14

Pater, Walter, 254

Paulhan, Jean, 4

Peirce, Charles Saunders, xxii

Perfect Wagnerite, The (Shaw), 43, 54, 68, 203

Perse, St.-John, 209

Amitie du Prince, 209

Anabase, 209

“Le Pèse-Nerfs” (Artaud), 15

Peterson, Robert, 261

Pettigrew, John, 167

Philosophy of Logic, The (Quine), 321, 322

Picabia, Francis, 7

Picasso, Pablo, xxviii, 4, 7, 14, 77

Guernica, xxviii, 77

Picture of Dorian Gray, The (Wilde), 202

Pickard, Tom, 261

“Rape,” 261

Planer, Natalie, 49, 61

Plato, 183, 225, 269

“Plato” (Emerson), 174, 187

Playboy, 109

Plowshare, The, 175, 179, 182, 244

Poe, Edgar Allan, xxix, 25, 40, 195, 196, 218, 231, 237

“The Purloined Letter,” xxix

“The Raven,” 35

Poems by Samuel Greenberg (Greenberg), 242

Poetical Works of James Thomson, The (Thomson [B.V.]), 237

Poetry (Drew), 196

Popper, Karl, 266

Porché, Wladimir, 10–12

Porges, Heinrich, 70, 71

Wagner Rehearsing the Ring, 70, 71

Portrait of a Genius, But… (Aldington), 174

Portrait of the Artist as a Young Man, A (Joyce), 72

“Possessions” (Crane), 239

Pouey, Fernand, 11, 12

Pound, Ezra, 15, 76, 82, 164–169, 181, 185, 189, 191, 193, 195, 199, 206, 209, 240, 243

The Cantos, 165–169, 172, 181, 185, 193, 206

“Envoi,” 193

“Powhatan’s Daughter” (Crane), 218, 219, 226

“Praise for an Urn” (Crane), 193, 198n

“Prayer of Columbus” (Whitman), 219

Presentation Piece (Hacker), 295

Price, Leontyne, 18

Principia Mathematica (Russell), 266

“Proem” [“To Brooklyn Bridge”] (Crane), 215, 216, 218, 224, 227, 231, 237, 245

“Prose Sketch” for Ring cycle (Wagner), 56, 61

Proudhon, Pierre-Joseph, 52

Proust, Marcel, 32, 37, 202, 208

A la recherche du temps perdu, 202

Pryne, J. H., 261

Purdy, James, xvi

“Purloined Letter, The” (Poe), xxix

“Quaker Hill” (Crane), 218, 224

Queneau, Raymond, 11

Quine, Willard Van Orman, xxv, xxxii, 273, 305, 307, 321, 322

The Philosophy of Logic, 321, 322

Raban, Jonathan, 261

The Sociology of the Poem, 261

Racine, Jean, 75

Ramayana, The (Valmikki), 316

Ransom, Mrs., 265

“Rape” (Pickard), 261

Ravel, Maurice, 173

“Raven, The” (Poe), 35

“Recitative” (Crane), 239

Redgrave, Michael, 316

Reich, Wilhelm, 141

Reissiger, Carl Gottlieb, 46

Report on Probability A (Aldiss), 280

“Return of Artaud, le Mômo, The” (Artaud), 4, 5

Return of Artaud, le Mômo, The (Artaud), 13

Return to Nevérÿon [series] (Delany), xvi, xvii, xix, xxiv — xxvi

Flight from Nevérÿon, xxvi, xxx, xxxi

Neveryóna, xxviii

Return to Nevérÿon, xxvi

“The Tale of Plagues and Carnivals,” xxvi, xxx

“The Tale of Rumor and Desire,” xxvi

Revue Wagnerienne, La, 71

“Revolution” (Wagner), 53, 63

Rexroth, Kenneth, 259

Das Rheingold (Wagner), 69, 83

“Rhetoric of Sex, the Discourse of Desire, The” (Delany), xxxi

Rich, Adrienne, xvi, 89, 115

Rickett, Dennis, 149, 157

“Ride of the Valkyries, The” (Wagner), 21

“Riders of the Storm” (Morrison), 198n

Ridge, Lola, 198

Riefenstahl, Leni, 14

Rienzi (Wagner), 16, 45

Riffaterre, Michael, 180

The Semiotics of Poetry, 180

Rilke, Rainer Maria, 149

Rimbaud, Arthur, 182, 191

“Rime of the Ancient Mariner, The” [“The Rime of the Ancyent Marinere, in Seven Parts”] (Coleridge), 145

Ring and the Book, The (Browning), 168

Ring des Nibelungen, Der (Wagner), 21, 22, 40, 42, 48, 49, 53, 54, 56, 57, 63, 66, 68–70, 72, 74, 76, 79, 83, 203

“River, The,” (Crane), 223

Riviére, Jacques, 1, 23–31, 78, 83, 172

Road to Xanadu, The (Lowes), 144, 209

Roads Must Roll, The (Heinlein), 257

Roan Stallion, Tamar, and Other Poems (Jeffers), 208

Robert Browning, The Poems (Browning), 167

Robinson, Bill, 265

Robinson, Edwin Arlington, 208, 209

Collected Poems, 208

The Man Who Died Twice, 209

Tristam, 209

Rōckel, August, 46, 49, 51–54, 58, 62, 65

Rocketship Galileo (Heinlein), 312, 320

Rogers and Hammerstein, 14

Carousel, 14

Rollins, Hyder Edward, 242

Roosevelt, Eleanor, 139

Rope (Hitchcock), 202

Rossini, Gioacchino, 21, 65

William Tell overture, 21

“Royal Palm” (Crane), 240

Rozzen, Paul, 147

Rubá’iyát of Omar Khayyám (FitzGerald), 32

Rubyfruit Jungle (Brown), 141

Rudolph, Archduke, 73

Russ, Joanna, xxxii, 90, 116, 130, 147–149, 158, 298

The Adventures of Alyx, 116

The Female Man, 116

“Toward an Aesthetic of Science Fiction,” 253

We Who Are About To…, xxxii, 91, 147–149

Russell, Bertrand, 265, 266, 274n, 297

Principia Mathematica, 266

“Ruth” (Wordsworth), 145

Ryle, Gilbert, 254, 262, 263

The Concept of Mind, 254

S/Z (Barthes), xxii

Saillet, Maurice, 6

Saint Joan (Shaw), 80

Salt, Henry S., 189, 232

Sand, George, 32, 33, 35, 37–39, 41, 65–74

Sandoval, Chela, 92

Sappho, 184, 205

Sartre, Jean-Paul, 4, 80, 317

Les Mouches [The Flies], 80, 317

Schaefer, William David, 232

Schiller, Johann Christoph Friedrich von, 61

“Ode to Joy,” 61

Schlegel, Friedrich, 230

Schoenberg, Arnold, 17, 80

Scholes, Robert, 80

Schopenhauer, Arthur, 188

Schorske, Carl, 41

Schroder-Devrient, Wilhelmine, 1, 59

Schwarzenegger, Arnold, 101

Scott, Sir Walter, 39, 165

Sea and the Mirror, The (Auden), 83

“Sea Surface Full of Clouds” (Stevens), 209

Seasons, The (Thomson [B.V.]), 196, 228

Sebond, Raymond, xxxv

Natural Theology, xxxv

Semiotics of Poetry, The (Riffaterre), 180

Semmig, on Wagner’s “flaming talk,” 47

Semper, Gottfried, 58

Seneca, 189

Medea, 189

“Sensucht nach dem Tode” [“Yearning for Death”] (Novalis), 230

“Serenade in Grey” (Greenberg), 179–181

Seven Types of Ambiguity (Empson), 181

“Seventh Street” (Toomer), 216

Sexual Visions (Jordanova), 139

“Shadow and the Flash, The” (London), 316

“Shadows” (Delany), 160

Shakespeare, William, 35, 75, 139, 144, 150, 184, 205, 224, 226

Hamlet, 150, 151

The Tempest, 224

“Shakespeare in the Bush” (Bohannan), 150

Shattuck, Roger, 37

The Banquet Years, 37

Shaw, George Bernard, 43, 54, 103, 203, 204

The Perfect Wagnerite, 43, 54, 68, 203

Saint Joan, 80

Shelley, Percy Bysshe, 13, 228, 237

Sherwin, Judith Johnson, 261

Ship Who Sang, The (McCaffrey), 87, 103, 115

Siebers, Tobin, xxxi

Heterotopia, xxxi

Siegfried (Wagner), 69

Siegfrieds Tod (Wagner), 56, 57

“Significance of The Bridge by Hart Crane…, The” (Winters), 192, 199

Silliman, Ron, xxxv, 146, 157, 159, 163, 169–172, 210

ABC, 146, 169, 172

“Albany,” 146, 169, 170, 172

The Alphabet series, 146, 157, 163, 169, 171, 172

“Blue,” 146, 169, 170, 172

“Canons and Institutions: New Hope for the Disappeared,” 171

“Carbon,” 163, 169, 170, 172

“Demo,” 170

Demo to Ink, 170, 172

“Engines,” 170

“Force,” 170

“Garfield,” 170

“Hidden,” 170

“Ink,” 170

Ketjak, 170, 171

Lit, 170

Manifest, 170

The New Sentence, 171

Paradise, 170

Tjanting, 170

What, 170

Simon, John Oliver, 261n

Simon, Marc, 238, 240, 243, 244

Sims, John, 256

Smith, Jeff, 103

Socialist Review, The, 89, 91

Society of the Spectacle, The (Debord), 229

Sociology of the Poem, The (Raban), 261

Sofoulis, Zoë, 95

Soloman, Carl, 15

Sontag, Susan, xxxvi, xxxvii, 16

Sordello (Browning), 167, 168

“South of the Slot” (London), 316

“Southern Cross” (Crane), 224

Specimen Days (Whitman), 220

Spencer-Brown, G., xxxixn, 265, 273, 322

The Laws of Form, xxxixn, 322

Spengler, Oswald, 95, 97, 110

Spenser, Edmund, 167

Sperling, Vikki, 263

Spicer, Jack, 27, 189, 321

“Language,” 321

Spielberg, Steven, 38, 154

The Color Purple, 154

Splendid Failure (Brunner), 191

Stalin, Joseph, 40

Stanislavsky, Konstantin, 16

Star Wars trilogy (Lucas), 101

Starboard Wine (Delany), xvi

Starship Troopers (Heinlein), 290

Stars My Destination, The (Bester), 288

Steele, Richard, xiv

Stein, Gertrude, 166, 206

Lucy Church Amiably, 166

The Making of Americans, 166

Steiner, K. Leslie, xvi

Stendhal, 13, 280

Stephen Crane (Beer), 205

Sterne, Lawrence, 161

Tristram Shandy, 161

Stevens, Wallace, 82, 199, 209

“Sea Surface Full of Clouds,” 209

Stevenson, Robert Louis, 13

The Master of Ballantrae, 13

Stowe, Harriet Beecher, 37

Uncle Tom’s Cabin, 37

Strachey, 189, 226

Strachey, Dorothy, 139

Straits of Messina, The (Delany), xvi

Structure of Rime, The (Duncan), 166

Sturgeon, Theodore, 257, 261

“Baby Is Three,” 257

More Than Human, 321

Summer and Smoke (Williams), 197n

“Sunday at Hampstead” (Thomson [B.V.]), 228

Superluminal (Mclntyre), 116

Swift, Jonathan, 162

Swinburne, Algernon Charles, 32, 33

Syberberg, Hans-Jürgen, 81

Parsifal, 81

Symonds, John Addington, 151, 152

Taine, Hippolyte Adolphe, 36, 37, 81, 252

Histoire de la littérature anglaise, 36, 37

Tannhäuser (Wagner), 1, 45

Tarahumara Indians, 14

Tarakanova (Bernard), 14

Tate, Allen, 187, 190, 191, 199, 242

Tate, James, xi

Taylor, Deems, 209

Tempest, The (Shakespeare), 224

Tennent, Emma, 257

Tennyson, Alfred Lord, 32, 36, 157

Idylls of the King, 32

Terminator, The (Cameron), 101, 103

Tertium Organum (Ouspensky), 217

Tess of the D’Urbervilles (Hardy), 102

Thackeray, William Makepeace, 34, 36, 39, 260

Theater and Its Double, The (Artaud), 2, 14, 31, 76

Thévenin, Paule, 11–13, 78

Things to Come (Menzies), 146

“This Way Where November…” (Crane), 205, 239

Thomas, Dylan, 189

Thompson, Francis, 33

Thomson, James [B.V.], 189, 195, 227, 228, 231–238, 259

The City of Dreadful Night, 227, 228, 230, 236–238

The Doom of the City, 233–237

“In the Room,” 228

“Insomnia,” 228

The Poetical Works of James Thomson, 237

“Sunday at Hampstead,” 228

“Waddah and Om-El-Bonain,” 228

Thomson, James [not B.V.], 196

The Castle of Indolence, 228

The Seasons, 196, 228

“Thou Canst Read Nothing…” (Crane), 205, 239

“Three Songs” (Crane), 189, 218

Threepenny Opera (Pabst), 14

Thus Spake Zarathustra (Nietzsche), 41

Tichatschek, Joseph Aloys, 58

Tiger at the Gates (Giraudoux), 316

Tjanting (Silliman), 170

“To Build a Fire” (London), 316

To Have Done with the Judgment of God (Artaud), 10, 12, 31

“To One Shortly to Die” (Whitman), 220

Tod im Vennidig (Mann), 202

Tom Jones (Fielding), 202, 218

Toomer, Jean, 216, 217, 239–242, 244

Cane, 216, 241

“Kabnis,” 216

“Karintha,”216

“Seventh Street,”216

“Towards an Aesthetic of Science Fiction” (Russ), 253

Tractatus (Wittgenstein), 265

“Tradition and the Individual Talent” (Eliot), 194

Transition, 153

Transmemberment of Song (Edelman), 192

Travels (Bartram), 144

Trespasser, The [The Saga of Siegmund] (Lawrence), 73

Tric Trac du Ciel [Backgammon in the Sky] (Artaud), 13, 25

Tristan und Isolde (Wagner), 16, 21, 22, 44, 68, 80, 204

Tristam (Robinson), 209

Tristram Shandy (Sterne), 161

Triton [Trouble on Triton] (Delany), xvii, xxiv, xxxi

“Tunnel, The” (Crane), 218, 224

20,000 Leagues Under the Sea [20,000 lieuesn sous la mer] (Verne), 150, 168, 260

Twice-Told Tales (Hawthorne), 25

Tyler, Stephen, xxiii

Tzara, Tristan, 4

Uccello, Paolo, 29, 30

Ullian, J. S., 273

Ulysses (Joyce), 80, 162, 166, 183, 184, 186, 187, 208

Ulysses: A Study (Gilbert), 186

Uncle Tom’s Cabin (Stowe), 37

Underwood, Wilbur, 242

Universe and Dr. Einstein, The (Barnett), 310

Unterecker, John, 187, 190, 192, 212, 238, 241–243

“The Architecture of The Bridge,” 187

Voyager, 238, 243

Valéry, Paul, 146, 217

Van Duyn, Mona, 15

van Gogh, Theo, 7

van Gogh, Vincent, 7–10

Wheatfield with Crows, 8

“Van Gogh, the Man Suicided by Society” (Artaud), 7–10

van Vogt, A. E., 266, 269

“Van Winkle” (Crane), 219, 224

Vaugh, Henry, 191

Venus de Milo, the, 21, 255

Verdi, Giuseppi, 34

Verne, Jules, 150, 260

From the Earth to the Moon, 260

20,000 lieues sous la mer, 150, 168, 260

Vidal, Gore, 205

The City and the Pillar, 205

Videodrome (Cronenberg), 149

Villard, Oswald Garrison, 191, 222

20,0000 lieues sous la mer [20,000] Leagues Under the Sea] (Verne), 150, 168, 260

“Virginia” (Crane), 189, 224

Visionary Company, The (Bloom), 198n

Voelker, Hunce, 183

The Hart Crane Voyages, 183

Vogt, Gertrude E, 190, 243

Volksblätter, Die, 46, 51, 52, 56, 58, 60

Vollmann, William T., 166

You Bright and Risen Angels, 166

Vonnegut, Kurt, 147

A Voyage to the Land of the Tarahumara [The Peyote Dance] (Artaud), 3

Voyager (Unterecker), 238, 243

Voyages (Crane), 184, 186, 187, 200, 205, 214, 239

“Voyages I,” 239, 246

“Voyages II,” 184, 185

W. H. Auden: Collected Poems (Auden), 240

“Waddah and Om-El-Bonain” (Thomson [B.V.]), 228

Wagner, Cosima, 3, 39, 43, 70

Wagner, Joanna, 1

Wagner, Klara, 61

Wagner, Minna Planer, 48, 57, 61

Wagner, Richard, x, xxvi — xxx, 1–3, 16–23, 31–34, 37, 39–76, 78–84, 103, 203, 204

“An einen Staatsanwalt,” 52

Art and Revolution, 3, 16, 48, 63

The Artwork of the Future, 3, 16, 48

“Germany and its Princes,” 52

Götterdämmerung, 55, 83, 203, 204

“Greetings from Saxony to the Viennese,” 52

“Here Comes the Bride,” 21

“Jewry in Music,” 3, 48, 57, 67, 72

Liebestod, 21

Lohengrin, 21, 45, 56, 59, 61, 73

Mein Leben, 43–45, 47–54, 60, 64, 67

Die Meistersinger von Nürnberg, 18

“Die Noth,” 52

Opera and Drama, 3, 16, 48, 71

Parsifal, 69, 70, 74, 204

“Prose Sketch” for Ring cycle, 56, 61

“Revolution,” 53, 63

Das Rheingold, 69, 83

“The Ride of the Valkyries,” 21

Rienzi, 16, 45

Der Ring des Nibelungen, 21, 22, 40, 42, 48, 49, 53, 54, 56, 57, 63, 66, 68–70, 72, 74, 76, 79, 83, 203

Siegfried, 69

Siegfrieds Tod, 56, 57

Tannhäuser, 1, 45

Tristan und Isolde, 16, 21, 22, 44, 68, 80, 204

Die Walküre, 16, 21, 203, 204

“The Wibelungs: World History as Revealed in Saga,” 54

Wagner Rehearsing the Ring (Porges), 70, 71

Walker, Kenneth, 242

Gurdjieff’s Teaching, 242

Walküre, Die (Wagner), 16, 21, 203, 204

Walser, Robert, 151

“Wanderer, The” (Williams), 189

“Wanderings of Cain, The” (Coleridge), 145

Warren, David, 297

Waste Land, The (Eliot), 72, 82, 166, 174, 193, 201, 206, 208, 228, 230, 233, 239

We Who Are About To… (Russ), xxxii, 91, 147–149

Weber, Brom, 192, 238–243

Webern, Anton von, 17, 80

Weideger, Paula, 139

History’s Mistress, 139

Weiner, Norbert, 89

Well of Loneliness, The (Hall), 141

Weller, Mathilda, 231–233

Wells, H. G., 146, 260

The Food of the Gods, 260

Things to Come, 146

Wesendonk, Mathilde von, 44

Weston, Jessie L., 72

From Ritual to Romance, 72

The Legends of the Wagner Dramas, 72

Whalen, Philip, 259

What (Silliman), 170

“What Do You Do Sunday, Mary” (Caesar), 189

What Entropy Means to Me (Effinger), 258

What’s O’Clock (Lowell), 209

Wheatfield with Crows (van Gogh), 8

Wheelright, John Brooks, 198

White, E. B., xvii

White, Edmund, xvi

White, Louise, 103

White Buildings (Crane), 194, 224, 238

Whitman, Walt, 15, 139, 191–193, 205, 218–222, 224, 237, 259

Leaves of Grass, 219

“Passage to India,” 192, 219, 221

“Prayer of Columbus,” 219

Specimen Days, 220

“To One Shortly to Die,” 220

“Wibelungs: World History as Revealed in Saga, The” (Wagner), 54

Wild Seed (Butler), 116

Wilde, Oscar, 33, 139, 182, 202, 215

The Picture of Dorian Gray, 202

Wilhelm, August, 230

William Tell overture (Rossini), 21

Williams, Oscar, 238

Williams, Tennessee, 197n

Summer and Smoke, 197n

Williams, William Carlos, 189, 191, 209, 226

In the American Grain, 189, 226

“The Wanderer,” 189

Wilson, Edmund, 209

Wilson, Robert, 17

Winters, Yvor, 191–193, 198–201, 216, 217, 223, 241–243

The Bare Hills, 199

On Modern Poets, 192

“The Significance of The Bridge by Hart Crane…,” 192, 199

Wittgenstein, Ludwig, xvii, xxv, 263, 282, 319

Tractatus, 265

Witton-Doris, John, 257

Woman: A Historical, Gynecological and Anthropological Compendium (Ploss), 139

Woolf, F. A., 164

Woolf, Virginia, 32

Woolsey, John M., 186

“Words” (Greenberg), 245

Wordsworth, William, 35, 145, 180, 181

Lyrical Ballads, 180

“Ruth,” 145

“The Work of Art in the Age of Mechanical Reproduction” (Benjamin), 76

World of Trouble, A (Toomey), 258

Writing Life, The (Dillard), xiv

Yarbro, Chelsea Quinn, 90

Yeats, William Butler, 27, 32, 199

Yingling, Thomas, 194, 195, 198, 199, 202, 210, 218

Hart Crane and the Homosexual Text, 194, 218

You Bright and Risen Angels (Vollmann), 166

Young Törless (Musil), 141, 205

Zeffirelli, Franco, 18

Zukofsky, Louis, 166, 167

“A,” 166, 167