'Christ, you know how to make a mess of things.'
They were in a room at the Hotel Grande Bretagne. It wasn't as grand as it sounded. Taking the name at face value, the British army had moved in after the liberation in 1944 and never really gone away. Rooms had been commandeered, fittings stripped, furniture changed, walls and partitions knocked down and rebuilt, so that what had once been a de luxe suite was now a cramped office — albeit one with gold flock wallpaper and a crystal light fitting.
Grant sat in a hard wooden chair. It was uncomfortably like the one he'd sat in when he first met Muir in Palestine. Except this time Muir was angry. 'I've got two dead Russians rotting on the street, and everyone from the British ambassador to the fucking librarian wants to know how they got there.'
Grant leaned back against the chair and folded his arms across his chest. 'They were Russian?'
'Well, they're not talking — obviously. But the car was registered to the Pontic Shipping Corporation, which is a local front outfit for Soviet State Security. Cigarettes, coins and the usual wallet fluff all point the same way.' He saw the look of surprise on Grant's face. 'Why? You were expecting the Salvation Army?'
'The thief — their accomplice — was German. I ran into him on the stairs — before he walked off with the bag.'
'Shame you didn't shoot him too. Did you get a look at him?'
'Sandy hair, red face. Solid.' Grant shrugged. 'I'd recognise him again if I saw him.'
Muir's eyes narrowed. 'Would you?' He snapped open his briefcase and pulled out a thick dossier, flicking through the pages until he found the one he wanted. He passed it to Grant. 'How about him?'
For once, it was a good clean photograph; posed, not snatched. That didn't make it more attractive. A man in bloused trousers and riding boots stood on top of a mound of earth and rubble. He held a spade which he had planted in the earth, a conqueror raising his standard on the ramparts of the city he had vanquished. He was younger, thinner and more handsome than the man Grant had met on the library stairs, but something in the proud face smirking down at the camera in triumph was irreducible.
'That's him. Who is he?'
'Klaus Belzig. Archaeologist, Nazi and all round nasty piece of work. File came through this morning in the diplomatic bag.'
'You said he disappeared from Berlin in 1945.' Grant's mind was working quickly. 'If the men with him in the car were Russians…'
'… They must have dug him up from Siberia, thawed him out and brought him in to help with the hunt. They know what they're looking for.'
'Belzig was the one who found the tablet.'
'And now he's got it back.'
Something about the tablet triggered a flash of worry, a half-formed thought that Grant couldn't quite complete. Before he could think about it Muir had continued, 'It could be worse. Reed says he'd already transcribed the writing that was on the tablet. If he can't decipher it, I don't suppose they can.'
The other half.
With a sickening lurch, Grant realised what had been worrying him. 'Molho never told Belzig he broke it in half. Belzig thought it was intact, that Pemberton had the whole thing.'
'So?'
'So now he knows — he's going to go after Molho.'
Muir strode out into the ante-room and snatched the phone off its cradle. 'Hotel Eurydice,' he demanded. He drummed his fingers on the desk while he waited to be connected, then waved Grant over and thrust the receiver at him. 'You talk to them. You speak the lingo.'
Grant took it. 'This is Mr Grant — room thirty. Has anyone left a message for me?'
'One moment.'
Grant covered the mouthpiece with his hand. 'Did you and Jackson manage to find Molho's club this morning?'
Muir nodded. 'Boards, bars, locks: no one home. Jackson left one of his men…'
Grant waved him to be quiet as the receptionist came back on the line. 'No messages.'
He rang off, then dialled the operator again and got the number for the Charon Club. He let it ring for ages, so long that the sound became mere echoes in his brain.
'Neh?' A woman's voice, sleepy and suspicious.
'Is Molho there?'
No answer.
'If he comes, tell him Mr Grant rang. Tell him I need to speak to him. Very important. Yes?'
She rang off.
He couldn't go back to the library, so he went to the hotel. He lay on his bed and tried to sleep — he should have been tired, but the chase with Belzig had left him tense with adrenalin. Sunlight throbbed through the thin yellow curtains, diffuse and timeless. Someone — probably Reed — had left a book on his bedside table, a translation of the Iliad.
Grant picked it up and leafed through it. At some point he must have fallen asleep, though he didn't realise it until a knock woke him. He sprang out of bed, grabbed the Webley and padded across the carpet to the door. 'Who's there?'
'Me,' said Muir. 'Get your hat and your gun. Jackson's man just rang in. Molho's arrived at the club.'
They almost ran out of the hotel. There was some sort of commotion at the reception desk as they strode past — Grant thought he heard the girl calling his name — but he was already halfway out of the door and ignored her. Muir drove, a pre-war Wolseley he had picked up from the embassy motor pool. His driving was as aggressive as the rest of him: he raced the car down the beach-front road with no regard for the holidaymakers, donkeys and pedestrians who made up most of the traffic.
They knew something was wrong the moment they got there. An army jeep had pulled up outside, blocking the mouth of the alley. An American soldier guarded it and another infantryman stood at the top of the steps that led down to the cellar.
The sentry by the jeep strolled towards the Wolseley. The driver's door almost flattened him as Muir leaped out. 'Is Jackson here?'
Jackson was waiting for them inside, together with a man in a blue suit whom Grant didn't recognise. Smoke from the night before still clouded the air, but the music was gone. Stools and chairs stood stacked on tables, their legs in the air like sea urchins; half a dozen musicstands were tucked behind a curtain; a mop oozed water into its bucket. In a strange way it reminded Grant of the palace at Knossos. An archaeologist could find these artefacts in a thousand years and never understand what had happened there.
Molho lay in the middle of the room under a white sheet — a tablecloth that someone had thought to lay over him. He couldn't have been dead for long. Red smears stained the tablecloth, as if a careless diner had spilled a bottle of wine, and a dark pool seeped from under the hem.
'It's a hell of a thing,' said Jackson. 'They really did a job on him. Teeth, fingers, the works.' He sounded brutally dispassionate, a tradesman delivering a bill of goods. 'Whatever secrets he had, you can be damn sure he told them.' With the toe of his shoe he tugged back the cloth to reveal the face. 'That him?'
Molho's face was a horrific sight. Grant had seen worse in the war — not much worse, but enough to keep his composure. 'That was him. Poor bastard.' He'd liked the man, as much as he'd known him. It seemed impossibly cruel that he should have survived the war and all its horrors, only to meet this end. But then the world, as Grant well knew, could be an impossibly cruel place. 'Cover him up, for God's sake.'
Jackson kicked the sheet back over his face. 'Mike here' — he gestured to the man in the blue suit — 'was watching the place. When Molho showed, he scrammed to the nearest phone to call me. Missed the bad guys going in. Shame.'
Mike grimaced. 'I didn't realise they were in there until they came out. Jumped in a black Mercedes and drove off.'
'Did you see the number plate?' said Muir.
'I did, but…' Mike shifted uneasily. 'It's those goddamn Greek letters. You don't recognise them, you know?'
'Molho's car was a black Mercedes,' said Grant. He gave them the number — another habit he'd learned at SOE.
'We'll get the local cops to put out a bulletin. Probably won't do jack, but you gotta try. We've got guys at the ports and airports too on Red watch. Maybe they'll show up there.'
'They'd better turn up somewhere,' said Muir tightly. 'I think we have to assume that the Soviets came here to ask the same questions we wanted to put to him. I think we also have to assume that they didn't let him die until they had the answers. With Molho dead, Dr Belzig's our only link to the second half of that tablet.'
'You're assuming we have to find him.'
Three pairs of eyes turned to face Grant. 'Even if Belzig does get the whole tablet, he's not going to be able to read it. Who's he going to come after then?'
Jackson and his colleague stayed to search the building for any records Molho might have kept. Muir and Grant drove back to the library to pick up Reed and Marina. No one spoke as they drove back along the beach-front road to the hotel. A low haze hung over the sea, blurring the island silhouettes on the horizon; it caught the light of the sinking sun and puffed it into a nebula of pink and gold on the water.
They trooped into the hotel in silence. All Grant could think of was a cold bath and a glass of beer, but as they passed reception one of the girls ran out from behind the desk and accosted him. 'O Kyrios Grant.' She thrust a slip of paper into his hands. 'A message for you.'
Grant looked at the paper. There was only one word, carefully written out in block Latin characters. Whoever wrote it had obviously struggled with the unfamiliar alphabet: the tentative strokes and wobbly lines looked more like a child's writing: SOURCELLES.
'Did you take this message?' Grant asked the girl.
She nodded. 'On the telephone. He spelled it out very carefully.'
'What time?'
She pointed to a small note in the corner: 13.47.
He must have rung just before the Russians arrived. Grant winced as he remembered the sight of the body.
'What is it?' Muir pulled the paper out of his fingers and examined it.
'Sourcelles?
What the hell is that?'
'Maybe the man who bought the tablet.'
'And how the fucking hell are we supposed to find him? Get the Paris phone book? Ring the French embassy?' Muir turned away in disgust. But Marina was suddenly animated. She delved in her handbag and pulled out the slim notebook she had been using at the library. She flicked through the pages, then stopped. Wordlessly, she passed it to Grant, holding the page open with her thumb.
The paper was covered with her small, neat writing — all in Greek, except for one word that leaped out at Grant like a bullet between the eyes: Sourcelles.