In 1981 my wife and I and our dogs and cats moved from Big Bear Lake, California, into a historic single-story ranch-style house in Prescott, Arizona. We remain today in the same house, surrounded by native vegetation, visited frequently by coyotes and owls and occasionally by bobcats and deer, and bedeviled by chipmunks and pack rats. We chose the place for its location at the terminus of a dead-end road and for the redoubtable materials used in its construction.
At the time, I was vaguely aware that while it did not possess the same name recognition as Tombstone or Deadwood or Dodge City, Prescott could boast of its own substantial Old West lineage, most notably for being the home of the world’s oldest rodeo. This meant nothing to me, as I was not and am not a rodeo fan. When I look at a bull rider, I see hamburger, not a sport.
But the longer we lived here, the more aware I became of Prescott’s unique heritage. Virgil Earp, Wyatt’s brother, was the town sheriff for a while. Big Nose Kate, Doc Holliday’s longtime mistress, is buried in one of the local cemeteries. Silent film star Tom Mix had a ranch here and shot some of his films in the area. On a completely different note, the fine western painter Irish McCalla lived here during her last years. Those who recognize the name will more likely remember her as Sheena, Queen of the Jungle. Even as a senior, she still looked the part. Ran into her on Cortez Street one day but was too shy to say anything.
That has nothing whatsoever to do specifically with Prescott or the Old West, but viewers of fifties TV will understand why I mention it.
Despite living in a town parts of which could (and have) doubled for a film set (see Junior Bonner, with Steve McQueen and Robert Preston… or maybe Billy Jack, or the remake of The Getaway), I never drew any story inspiration from our initial visits nor immediately after we moved into our new home. My ramblings tend to take place on other worlds, or in lands of pure fantasy.
One day my wife and I were standing together contemplating adding incidental items like furniture to our new den. This exercise was complicated by the fact that we had no money, having sunk every bit of it into the house itself. We were also struggling to decide what to put on a second-floor landing that led to a single small upstairs room before continuing onward to, curiously, dead-end against the far wall. I commented that the large empty space over our heads needed something: perhaps a fake stuffed bear.
“Why not a dragon?” JoAnn responded.
“Don’t be silly,” I said. “There were no dragons in the Old West.”
She eyed me archly and without missing a beat shot back, “How do you know?”
Which, as such observations are wont to do, got me to thinking. The result was the first Mad Amos story. I had no thought of doing more than the one.
That was, as those of mathematical bent will note, eighteen stories ago.
It is a pleasure to have them all gathered together here in one volume, like so many chocolates. Or, as Amos Malone would say, shots of whiskey. Feel free to drink deep.