Main Street

Mrs. Bogart went thoroughly into the rumor that the girl waiter at Billy's Lunch was not all she might be--or, rather, was quite all she might be.

"My lands, what can you expect when everybody knows what her mother was? And if these traveling salesmen would let her alone she would be all right, though I certainly don't believe she ought to be allowed to think she can pull the wool over our eyes. The sooner she's sent to the school for incorrigible girls down at Sauk Centre, the better for all and---- Won't you just have a cup of coffee, Carol dearie, I'm sure you won't mind old Aunty Bogart calling you by your first name when you think how long I've known Will, and I was such a friend of his dear lovely mother when she lived here and--was that fur cap expensive? But---- Don't you think it's awful, the way folks talk in this town?"

Mrs. Bogart hitched her chair nearer. Her large face, with its disturbing collection of moles and lone black hairs, wrinkled cunningly. She showed her decayed teeth in a reproving smile, and in the confidential voice of one who scents stale bedroom scandal she breathed:

"I just don't see how folks can talk and act like they do. You don't know the things that go on under cover. This town--why it's only the religious training I've given Cy that's kept him so innocent of--things. Just the other day---- I never pay no attention to stories, but I heard it mighty good and straight that Harry Haydock is carrying on with a girl that clerks in a store down in Minneapolis, and poor Juanita not knowing anything about it--though maybe it's the judgment of God, because before she married Harry she acted up with more than one boy---- Well, I don't like to say it, and maybe I ain't up-to-date, like Cy says, but I always believed a lady shouldn't even give names to all sorts of dreadful things, but just the same I know there was at least one case where Juanita and a boy--well, they were just dreadful. And-- and---- Then there's that Ole Jenson the grocer, that thinks he's so plaguey smart, and I know he made up to a farmer's wife and---- And this awful man Bjornstam that does chores, and Nat Hicks and----"

There was, it seemed, no person in town who was not living a life of shame except Mrs. Bogart, and naturally she resented it.

She knew. She had always happened to be there. Once, she whispered, she was going by when an indiscreet window- shade had been left up a couple of inches. Once she had noticed a man and woman holding hands, and right at a Methodist sociable!

"Another thing---- Heaven knows I never want to start trouble, but I can't help what I see from my back steps, and I notice your hired girl Bea carrying on with the grocery boys and all----"

"Mrs. Bogart! I'd trust Bea as I would myself!"

"Oh, dearie, you don't understand me! I'm sure she's a good girl. I mean she's green, and I hope that none of these horrid young men that there are around town will get her into trouble! It's their parents' fault, letting them run wild and hear evil things. If I had my way there wouldn't be none of them, not boys nor girls neither, allowed to know anything about--about things till they was married. It's terrible the bald way that some folks talk. It just shows and gives away what awful thoughts they got inside them, and there's nothing can cure them except coming right to God and kneeling down like I do at prayer-meeting every Wednesday evening, and saying, `O God, I would be a miserable sinner except for thy grace.'

"I'd make every last one of these brats go to Sunday School and learn to think about nice things 'stead of about cigarettes and goings-on--and these dances they have at the lodges are the worst thing that ever happened to this town, lot of young men squeezing girls and finding out---- Oh, it's dreadful. I've told the mayor he ought to put a stop to them and---- There was one boy in this town, I don't want to be suspicious or uncharitable but----"

It was half an hour before Carol escaped.

She stopped on her own porch and thought viciously:

"If that woman is on the side of the angels, then I have no choice; I must be on the side of the devil. But--isn't she like me? She too wants to `reform the town'! She too criticizes everybody! She too thinks the men are vulgar and limited! AM I LIKE HER? This is ghastly!"

That evening she did not merely consent to play cribbage with Kennicott; she urged him to play; and she worked up a hectic interest in land-deals and Sam Clark.

VIII

In courtship days Kennicott had shown her a photograph of Nels Erdstrom's baby and log cabin, but she had never seen the Erdstroms. They had become merely "patients of the doctor." Kennicott telephoned her on a mid-December afternoon, "Want to throw your coat on and drive out to Erdstrom's with me? Fairly warm. Nels got the jaundice."

"Oh yes!" She hastened to put on woolen stockings, high boots, sweater, muffler, cap, mittens.

The snow was too thick and the ruts frozen too hard for the motor. They drove out in a clumsy high carriage. Tucked over them was a blue woolen cover, prickly to her wrists, and outside of it a buffalo robe, humble and moth-eaten now, used ever since the bison herds had streaked the prairie a few miles to the west.

The scattered houses between which they passed in town were small and desolate in contrast to the expanse of huge snowy yards and wide street. They crossed the railroad tracks, and instantly were in the farm country. The big piebald horses snorted clouds of steam, and started to trot. The carriage squeaked in rhythm. Kennicott drove with clucks of "There boy, take it easy!" He was thinking. He paid no attention to Carol. Yet it was he who commented, "Pretty nice, over there," as they approached an oak-grove where shifty winter sunlight quivered in the hollow between two snow-drifts.

They drove from the natural prairie to a cleared district which twenty years ago had been forest. The country seemed to stretch unchanging to the North Pole: low hill, brush- scraggly bottom, reedy creek, muskrat mound, fields with frozen brown clods thrust up through the snow.

Her ears and nose were pinched; her breath frosted her collar; her fingers ached.

"Getting colder," she said.

"Yup."

That was all their conversation for three miles. Yet she was happy.

They reached Nels Erdstrom's at four, and with a throb she recognized the courageous venture which had lured her to Gopher Prairie: the cleared fields, furrows among stumps, a log cabin chinked with mud and roofed with dry hay. But Nels had prospered. He used the log cabin as a barn; and a new house reared up, a proud, unwise, Gopher Prairie house, the more naked and ungraceful in its glossy white paint and pink trimmings. Every tree had been cut down. The house was so unsheltered, so battered by the wind, so bleakly thrust out into the harsh clearing, that Carol shivered. But they were welcomed warmly enough in the kitchen, with its crisp new plaster, its black and nickel range, its cream separator in a corner.

Mrs. Erdstrom begged her to sit in the parlor, where there was a phonograph and an oak and leather davenport, the prairie farmer's proofs of social progress, but she dropped down by the kitchen stove and insisted, "Please don't mind me." When Mrs. Erdstrom had followed the doctor out of the room Carol glanced in a friendly way at the grained pine cupboard, the framed Lutheran Konfirmations Attest, the traces of fried eggs and sausages on the dining table against the wall, and a jewel among calendars, presenting not only a lithographic young woman with cherry lips, and a Swedish advertisement of Axel Egge's grocery, but also a thermometer and a match- holder.

She saw that a boy of four or five was staring at her from the hall, a boy in gingham shirt and faded corduroy trousers, but large-eyed, firm-mouthed, wide-browed. He vanished, then peeped in again, biting his knuckles, turning his shoulder toward her in shyness.

Didn't she remember--what was it?--Kennicott sitting beside her at Fort Snelling, urging, "See how scared that baby is. Needs some woman like you."

Magic had fluttered about her then--magic of sunset and cool air and the curiosity of lovers. She held out her hands as much to that sanctity as to the boy.

He edged into the room, doubtfully sucking his thumb.

"Hello," she said. "What's your name?"

"Hee, hee, hee!"

"You're quite right. I agree with you. Silly people like me always ask children their names."

"Hee, hee, hee!"

"Come here and I'll tell you the story of--well, I don't know what it will be about, but it will have a slim heroine and a Prince Charming."

He stood stoically while she spun nonsense. His giggling ceased. She was winning him. Then the telephone bell--two long rings, one short.

Mrs. Erdstrom galloped into the room, shrieked into the transmitter, "Vell? Yes, yes, dis is Erdstrom's place! Heh? Oh, you vant de doctor?"

Kennicott appeared, growled into the telephone:

"Well, what do you want? Oh, hello Dave; what do you want? Which Morgenroth's? Adolph's? All right. Amputation? Yuh, I see. Say, Dave, get Gus to harness up and take my surgical kit down there--and have him take some chloroform. I'll go straight down from here. May not get home tonight. You can get me at Adolph's. Huh? No, Carrie can give the anesthetic, I guess. G'-by. Huh? No; tell me about that tomorrow--too damn many people always listening in on this farmers' line."

He turned to Carol. "Adolph Morgenroth, farmer ten miles southwest of town, got his arm crushed-fixing his cow-shed and a post caved in on him--smashed him up pretty bad-- may have to amputate, Dave Dyer says. Afraid we'll have to go right from here. Darn sorry to drag you clear down there with me----"

"Please do. Don't mind me a bit."

"Think you could give the anesthetic? Usually have my driver do it."

"If you'll tell me how."

"All right. Say, did you hear me putting one over on these goats that are always rubbering in on party-wires? I hope they heard me! Well. . . . Now, Bessie, don't you worry about Nels. He's getting along all right. Tomorrow you or one of the neighbors drive in and get this prescription filled at Dyer's. Give him a teaspoonful every four hours. Good- by. Hel-lo! Here's the little fellow! My Lord, Bessie, it ain't possible this is the fellow that used to be so sickly? Why, say, he's a great big strapping Svenska now--going to be bigger 'n his daddy!"

Kennicott's bluffness made the child squirm with a delight which Carol could not evoke. It was a humble wife who followed the busy doctor out to the carriage, and her ambition was not to play Rachmaninoff better, nor to build town halls, but to chuckle at babies.

The sunset was merely a flush of rose on a dome of silver, with oak twigs and thin poplar branches against it, but a silo on the horizon changed from a red tank to a tower of violet misted over with gray. The purple road vanished, and without lights, in the darkness of a world destroyed, they swayed on-- toward nothing.

It was a bumpy cold way to the Morgenroth farm, and she was asleep when they arrived.

Here was no glaring new house with a proud phonograph, but a low whitewashed kitchen smelling of cream and cabbage. Adolph Morgenroth was lying on a couch in the rarely used dining-room. His heavy work-scarred wife was shaking her hands in anxiety.

Carol felt that Kennicott would do something magnificent and startling. But he was casual. He greeted the man, "Well, well, Adolph, have to fix you up, eh?" Quietly, to the wife, "Hat die drug store my schwartze bag hier geschickt? So-- schon. Wie viel Uhr ist 's? Sieben? Nun, lassen uns ein wenig supper zuerst haben. Got any of that good beer left-- giebt 's noch Bier?"

He had supped in four minutes. His coat off, his sleeves rolled up, he was scrubbing his hands in a tin basin in the sink, using the bar of yellow kitchen soap.

Carol had not dared to look into the farther room while she labored over the supper of beer, rye bread, moist cornbeef and cabbage, set on the kitchen table. The man in there was groaning. In her one glance she had seen that his blue flannel shirt was open at a corded tobacco-brown neck, the hollows of which were sprinkled with thin black and gray hairs. He was covered with a sheet, like a corpse, and outside the sheet was his right arm, wrapped in towels stained with blood.

But Kennicott strode into the other room gaily, and she followed him. With surprising delicacy in his large fingers he unwrapped the towels and revealed an arm which, below the elbow, was a mass of blood and raw flesh. The man bellowed. The room grew thick about her; she was very seasick; she fled to a chair in the kitchen. Through the haze of nausea she heard Kennicott grumbling, "Afraid it will have to come off, Adolph. What did you do? Fall on a reaper blade? We'll fix it right up. Carrie! CAROL!"

She couldn't--she couldn't get up. Then she was up, her knees like water, her stomach revolving a thousand times a second, her eyes filmed, her ears full of roaring. She couldn't reach the dining-room. She was going to faint. Then she was in the dining-room, leaning against the wall, trying to smile, flushing hot and cold along her chest and sides, while Kennicott mumbled, "Say, help Mrs. Morgenroth and me carry him in on the kitchen table. No, first go out and shove those two tables together, and put a blanket on them and a clean sheet."

It was salvation to push the heavy tables, to scrub them, to be exact in placing the sheet. Her head cleared; she was able to look calmly in at her husband and the farmwife while they undressed the wailing man, got him into a clean nightgown, and washed his arm. Kennicott came to lay out his instruments. She realized that, with no hospital facilities, yet with no worry about it, her husband--HER HUSBAND--was going to perform a surgical operation, that miraculous boldness of which one read in stories about famous surgeons.

She helped them to move Adolph into the kitchen. The man was in such a funk that he would not use his legs. He was heavy, and smelled of sweat and the stable. But she put her arm about his waist, her sleek head by his chest; she tugged at him; she clicked her tongue in imitation of Kennicott's cheerful noises.

When Adolph was on the table Kennicott laid a hemispheric steel and cotton frame on his face; suggested to Carol, "Now you sit here at his head and keep the ether dripping--about this fast, see? I'll watch his breathing. Look who's here! Real anesthetist! Ochsner hasn't got a better one! Class, eh? . . . Now, now, Adolph, take it easy. This won't hurt you a bit. Put you all nice and asleep and it won't hurt a bit. Schweig' mal! Bald schlaft man grat wie ein Kind. So! So! Bald geht's besser!"

As she let the ether drip, nervously trying to keep the rhythm that Kennicott had indicated, Carol stared at her husband with the abandon of hero-worship.

He shook his head. "Bad light--bad light. Here, Mrs. Morgenroth, you stand right here and hold this lamp. Hier, und dieses--dieses lamp halten--so!"

By that streaky glimmer he worked, swiftly, at ease. The room was still. Carol tried to look at him, yet not look at the seeping blood, the crimson slash, the vicious scalpel. The ether fumes were sweet, choking. Her head seemed to be floating away from her body. Her arm was feeble.

It was not the blood but the grating of the surgical saw on the living bone that broke her, and she knew that she had been fighting off nausea, that she was beaten. She was lost in dizziness. She heard Kennicott's voice

"Sick? Trot outdoors couple minutes. Adolph will stay under now."

She was fumbling at a door-knob which whirled in insulting circles; she was on the stoop, gasping, forcing air into her chest, her head clearing. As she returned she caught the scene as a whole: the cavernous kitchen, two milk-cans a leaden patch by the wall, hams dangling from a beam, bats of light at the stove door, and in the center, illuminated by a small glass lamp held by a frightened stout woman, Dr. Kennicott bending over a body which was humped under a sheet--the surgeon, his bare arms daubed with blood, his hands, in pale- yellow rubber gloves, loosening the tourniquet, his face without emotion save when he threw up his head and clucked at the farmwife, "Hold that light steady just a second more--noch blos esn wenig."

"He speaks a vulgar, common, incorrect German of life and death and birth and the soil. I read the French and German of sentimental lovers and Christmas garlands. And I thought that it was I who had the culture!" she worshiped as she returned to her place.

After a time he snapped, "That's enough. Don't give him any more ether." He was concentrated on tying an artery. His gruffness seemed heroic to her.

As he shaped the flap of flesh she murmured, "Oh, you ARE wonderful!"

He was surprised. "Why, this is a cinch. Now if it had been like last week---- Get me some more water. Now last week I had a case with an ooze in the peritoneal cavity, and by golly if it wasn't a stomach ulcer that I hadn't suspected and---- There. Say, I certainly am sleepy. Let's turn in here. Too late to drive home. And tastes to me like a storm coming."

IX

They slept on a feather bed with their fur coats over them; in the morning they broke ice in the pitcher--the vast flowered and gilt pitcher.

Kennicott's storm had not come. When they set out it was hazy and growing warmer. After a mile she saw that he was studying a dark cloud in the north. He urged the horses to the run. But she forgot his unusual haste in wonder at the tragic landscape. The pale snow, the prickles of old stubble, and the clumps of ragged brush faded into a gray obscurity. Under the hillocks were cold shadows. The willows about a farmhouse were agitated by the rising wind, and the patches of bare wood where the bark had peeled away were white as the flesh of a leper. The snowy slews were of a harsh flatness. The whole land was cruel, and a climbing cloud of slate-edged blackness dominated the sky.

"Guess we're about in for a blizzard," speculated Kennicott "We can make Ben McGonegal's, anyway."

"Blizzard? Really? Why---- But still we used to think they were fun when I was a girl. Daddy had to stay home from court, and we'd stand at the window and watch the snow."

"Not much fun on the prairie. Get lost. Freeze to death. Take no chances." He chirruped at the horses. They were flying now, the carriage rocking on the hard ruts.

The whole air suddenly crystallized into large damp flakes. The horses and the buffalo robe were covered with snow; her face was wet; the thin butt of the whip held a white ridge. The air became colder. The snowflakes were harder; they shot in level lines, clawing at her face.

She could not see a hundred feet ahead.

Kennicott was stern. He bent forward, the reins firm in his coonskin gauntlets. She was certain that he would get through. He always got through things.

Save for his presence, the world and all normal living disappeared. They were lost in the boiling snow. He leaned close to bawl, "Letting the horses have their heads. They'll get us home."

With a terrifying bump they were off the road, slanting with two wheels in the ditch, but instantly they were jerked back as the horses fled on. She gasped. She tried to, and did not, feel brave as she pulled the woolen robe up about her chin.

They were passing something like a dark wall on the right. "I know that barn!" he yelped. He pulled at the reins. Peeping from the covers she saw his teeth pinch his lower lip, saw him scowl as he slackened and sawed and jerked sharply again at the racing horses.

They stopped.

"Farmhouse there. Put robe around you and come on," he cried.

It was like diving into icy water to climb out of the carriage, but on the ground she smiled at him, her face little and childish and pink above the buffalo robe over her shoulders. In a swirl of flakes which scratched at their eyes like a maniac darkness, he unbuckled the harness. He turned and plodded back, a ponderous furry figure, holding the horses' bridles, Carol's hand dragging at his sleeve.

They came to the cloudy bulk of a barn whose outer wall was directly upon the road. Feeling along it, he found a gate, led them into a yard, into the barn. The interior was warm. It stunned them with its languid quiet.

He carefully drove the horses into stalls.

Her toes were coals of pain. "Let's run for the house," she said.

"Can't. Not yet. Might never find it. Might get lost ten feet away from it. Sit over in this stall, near the horses. We'll rush for the house when the blizzard lifts."

"I'm so stiff! I can't walk!"

He carried her into the stall, stripped off her overshoes and boots, stopping to blow on his purple fingers as he fumbled at her laces. He rubbed her feet, and covered her with the buffalo robe and horse-blankets from the pile on the feed-box. She was drowsy, hemmed in by the storm. She sighed:

"You're so strong and yet so skilful and not afraid of blood or storm or----"

"Used to it. Only thing that's bothered me was the chance the ether fumes might explode, last night."

"I don't understand."

"Why, Dave, the darn fool, sent me ether, instead of chloroform like I told him, and you know ether fumes are mighty inflammable, especially with that lamp right by the table. But I had to operate, of course--wound chuck-full of barnyard filth that way."

"You knew all the time that---- Both you and I might have been blown up? You knew it while you were operating?"

"Sure. Didn't you? Why, what's the matter?"

CHAPTER XVI

KENNICOTT was heavily pleased by her Christmas presents, and he gave her a diamond bar-pin. But she could not persuade herself that he was much interested in the rites of the morning, in the tree she had decorated, the three stockings she had hung, the ribbons and gilt seals and hidden messages. He said only:

"Nice way to fix things, all right. What do you say we go down to Jack Elder's and have a game of five hundred this afternoon?"

She remembered her father's Christmas fantasies: the sacred old rag doll at the top of the tree, the score of cheap presents, the punch and carols, the roast chestnuts by the fire, and the gravity with which the judge opened the children's scrawly notes and took cognizance of demands for sled-rides, for opinions upon the existence of Santa Claus. She remembered him reading out a long indictment of himself for being a sentimentalist, against the peace and dignity of the State of Minnesota. She remembered his thin legs twinkling before their sled----

She muttered unsteadily, "Must run up and put on my shoes --slippers so cold." In the not very romantic solitude of the locked bathroom she sat on the slippery edge of the tub and wept.

II

Kennicott had five hobbies: medicine, land-investment, Carol, motoring, and hunting. It is not certain in what order he preferred them. Solid though his enthusiasms were in the matter of medicine--his admiration of this city surgeon, his condemnation of that for tricky ways of persuading country practitioners to bring in surgical patients, his indignation about fee-splitting, his pride in a new X-ray apparatus--none of these beatified him as did motoring.

He nursed his two-year-old Buick even in winter, when it was stored in the stable-garage behind the house. He filled the grease-cups, varnished a fender, removed from beneath the back seat the debris of gloves, copper washers, crumpled maps, dust, and greasy rags. Winter noons he wandered out and stared owlishly at the car. He became excited over a fabulous "trip we might take next summer." He galloped to the station, brought home railway maps, and traced motor-routes from Gopher Prairie to Winnipeg or Des Moines or Grand Marais, thinking aloud and expecting her to be effusive about such academic questions as "Now I wonder if we could stop at Baraboo and break the jump from La Crosse to Chicago?"

To him motoring was a faith not to be questioned, a high- church cult, with electric sparks for candles, and piston-rings possessing the sanctity of altar-vessels. His liturgy was composed of intoned and metrical road-comments: "They say there's a pretty good hike from Duluth to International Falls."

Hunting was equally a devotion, full of metaphysical concepts veiled from Carol. All winter he read sporting- catalogues, and thought about remarkable past shots: " 'Member that time when I got two ducks on a long chance, just at sunset?" At least once a month he drew his favorite repeating shotgun, his "pump gun," from its wrapper of greased canton flannel; he oiled the trigger, and spent silent ecstatic moments aiming at the ceiling. Sunday mornings Carol heard him trudging up to the attic and there, an hour later, she found him turning over boots, wooden duck-decoys, lunch- boxes, or reflectively squinting at old shells, rubbing their brass caps with his sleeve and shaking his head as he thought about their uselessness.

He kept the loading-tools he had used as a boy: a capper for shot-gun shells, a mold for lead bullets. When once, in a housewifely frenzy for getting rid of things, she raged, "Why don't you give these away?" he solemnly defended them, "Well, you can't tell; they might come in handy some day."

She flushed. She wondered if he was thinking of the child they would have when, as he put it, they were "sure they could afford one."

Mysteriously aching, nebulously sad, she slipped away, half- convinced but only half-convinced that it was horrible and unnatural, this postponement of release of mother-affection, this sacrifice to her opinionation and to his cautious desire for prosperity.

"But it would be worse if he were like Sam Clark-- insisted on having children," she considered; then, "If Will were the Prince, wouldn't I DEMAND his child?"

Kennicott's land-deals were both financial advancement and favorite game. Driving through the country, he noticed which farms had good crops; he heard the news about the restless farmer who was "thinking about selling out here and pulling his freight for Alberta." He asked the veterinarian about the value of different breeds of stock; he inquired of Lyman Cass whether or not Einar Gyseldson really had had a yield of forty bushels of wheat to the acre. He was always consulting Julius Flickerbaugh, who handled more real estate than law, and more law than justice. He studied township maps, and read notices of auctions.

Thus he was able to buy a quarter-section of land for one hundred and fifty dollars an acre, and to sell it in a year or two, after installing a cement floor in the barn and running water in the house, for one hundred and eighty or even two hundred.

He spoke of these details to Sam Clark. . .rather often.

In all his games, cars and guns and land, he expected Carol to take an interest. But he did not give her the facts which might have created interest. He talked only of the obvious and tedious aspects; never of his aspirations in finance, nor of the mechanical principles of motors.

This month of romance she was eager to understand his hobbies. She shivered in the garage while he spent half an hour in deciding whether to put alcohol or patent non-freezing liquid into the radiator, or to drain out the water entirely. "Or no, then I wouldn't want to take her out if it turned warm-- still, of course, I could fill the radiator again--wouldn't take so awful long--just take a few pails of water--still, if it turned cold on me again before I drained it---- Course there's some people that put in kerosene, but they say it rots the hose- connections and---- Where did I put that lug-wrench?"

It was at this point that she gave up being a motorist and retired to the house.

In their new intimacy he was more communicative about his practise; he informed her, with the invariable warning not to tell, that Mrs. Sunderquist had another baby coming, that the "hired girl at Howland's was in trouble." But when she asked technical questions he did not know how to answer; when she inquired, "Exactly what is the method of taking out the tonsils?" he yawned, "Tonsilectomy? Why you just---- If there's pus, you operate. Just take 'em out. Seen the newspaper? What the devil did Bea do with it?"

She did not try again.

III

They had gone to the "movies." The movies were almost as vital to Kennicott and the other solid citizens of Gopher Prairie as land-speculation and guns and automobiles.

The feature film portrayed a brave young Yankee who conquered a South American republic. He turned the natives from their barbarous habits of singing and laughing to the vigorous sanity, the Pep and Punch and Go, of the North; he taught them to work in factories, to wear Klassy Kollege Klothes, and to shout, "Oh, you baby doll, watch me gather in the mazuma." He changed nature itself. A mountain which had borne nothing but lilies and cedars and loafing clouds was by his Hustle so inspirited that it broke out in long wooden sheds, and piles of iron ore to be converted into steamers to carry iron ore to be converted into steamers to carry iron ore.

The intellectual tension induced by the master film was relieved by a livelier, more lyric and less philosophical drama: Mack Schnarken and the Bathing Suit Babes in a comedy of manners entitled "Right on the Coco." Mr. Schnarken was at various high moments a cook, a life-guard, a burlesque actor, and a sculptor. There was a hotel hallway up which policemen charged, only to be stunned by plaster busts hurled upon them from the innumerous doors. If the plot lacked lucidity, the dual motif of legs and pie was clear and sure. Bathing and modeling were equally sound occasions for legs; the wedding- scene was but an approach to the thunderous climax when Mr. Schnarken slipped a piece of custard pie into the clergyman's rear pocket.

The audience in the Rosebud Movie Palace squealed and wiped their eyes; they scrambled under the seats for overshoes, mittens, and mufflers, while the screen announced that next week Mr. Schnarken might be seen in a new, riproaring, extra-special superfeature of the Clean Comedy Corporation entitled, "Under Mollie's Bed."

"I'm glad," said Carol to Kennicott as they stooped before the northwest gale which was torturing the barren street, "that this is a moral country. We don't allow any of these beastly frank novels."

"Yump. Vice Society and Postal Department won't stand for them. The American people don't like filth."

"Yes. It's fine. I'm glad we have such dainty romances as `Right on the Coco' instead."

"Say what in heck do you think you're trying to do? Kid me?"

He was silent. She awaited his anger. She meditated upon his gutter patois, the Boeotian dialect characteristic of Gopher Prairie. He laughed puzzlingly. When they came into the glow of the house he laughed again. He condescended:

"I've got to hand it to you. You're consistent, all right. I'd of thought that after getting this look-in at a lot of good decent farmers, you'd get over this high-art stuff, but you hang right on."

"Well----" To herself: "He takes advantage of my trying to be good."

"Tell you, Carrie: There's just three classes of people: folks that haven't got any ideas at all; and cranks that kick about everything; and Regular Guys, the fellows with stick- tuitiveness, that boost and get the world's work done."

"Then I'm probably a crank." She smiled negligently.

"No. I won't admit it. You do like to talk, but at a show-down you'd prefer Sam Clark to any damn long-haired artist."

"Oh--well----"

"Oh well!" mockingly. "My, we're just going to change everything, aren't we! Going to tell fellows that have been making movies for ten years how to direct 'em; and tell architects how to build towns; and make the magazines publish nothing but a lot of highbrow stories about old maids, and about wives that don't know what they want. Oh, we're a terror! . . . Come on now, Carrie; come out of it; wake up! You've got a fine nerve, kicking about a movie because it shows a few legs! Why, you're always touting these Greek dancers, or whatever they are, that don't even wear a shimmy!"

"But, dear, the trouble with that film--it wasn't that it got in so many legs, but that it giggled coyly and promised to show more of them, and then didn't keep the promise. It was Peeping Tom's idea of humor."

"I don't get you. Look here now----"

She lay awake, while he rumbled with sleep

"I must go on. My `crank ideas;' he calls them. I thought that adoring him, watching him operate, would be enough. It isn't. Not after the first thrill.

"I don't want to hurt him. But I must go on.

"It isn't enough, to stand by while he fills an automobile radiator and chucks me bits of information.

"If I stood by and admired him long enough, I would be content. I would become a `nice little woman.' The Village Virus. Already---- I'm not reading anything. I haven't touched the piano for a week. I'm letting the days drown in worship of `a good deal, ten plunks more per acre.' I won't! I won't succumb!

"How? I've failed at everything: the Thanatopsis, parties, pioneers, city hall, Guy and Vida. But---- It doesn't MATTER! I'm not trying to `reform the town' now. I'm not trying to organize Browning Clubs, and sit in clean white kids yearning up at lecturers with ribbony eyeglasses. I am trying to save my soul.

"Will Kennicott, asleep there, trusting me, thinking he holds me. And I'm leaving him. All of me left him when he laughed at me. It wasn't enough for him that I admired him; I must change myself and grow like him. He takes advantage. No more. It's finished. I will go on."

IV

Her violin lay on top of the upright piano. She picked it up. Since she had last touched it the dried strings had snapped, and upon it lay a gold and crimson cigar-band.

V

She longed to see Guy Pollock, for the confirming of the brethren in the faith. But Kennicott's dominance was heavy upon her. She could not determine whether she was checked by fear or him, or by inertia--by dislike of the emotional labor of the "scenes" which would be involved in asserting independence. She was like the revolutionist at fifty: not afraid of death, but bored by the probability of bad steaks and bad breaths and sitting up all night on windy barricades.

The second evening after the movies she impulsively summoned Vida Sherwin and Guy to the house for pop-corn and cider. In the living-room Vida and Kennicott debated "the value of manual training in grades below the eighth," while Carol sat beside Guy at the dining table, buttering pop-corn. She was quickened by the speculation in his eyes. She murmured:

"Guy, do you want to help me?"

"My dear! How?"

"I don't know!"

He waited.

"I think I want you to help me find out what has made the darkness of the women. Gray darkness and shadowy trees. We're all in it, ten million women, young married women with good prosperous husbands, and business women in linen collars, and grandmothers that gad out to teas, and wives of under- paid miners, and farmwives who really like to make butter and go to church. What is it we want--and need? Will Kennicott there would say that we need lots of children and hard work. But it isn't that. There's the same discontent in women with eight children and one more coming--always one more coming! And you find it in stenographers and wives who scrub, just as much as in girl college-graduates who wonder how they can escape their kind parents. What do we want?"

"Essentially, I think, you are like myself, Carol; you want to go back to an age of tranquillity and charming manners. You want to enthrone good taste again."

"Just good taste? Fastidious people? Oh--no! I believe all of us want the same things--we're all together, the industrial workers and the women and the farmers and the negro race and the Asiatic colonies, and even a few of the Respectables. It's all the same revolt, in all the classes that have waited and taken advice. I think perhaps we want a more conscious life. We're tired of drudging and sleeping and dying. We're tired of seeing just a few people able to be individualists. We're tired of always deferring hope till the next generation. We're tired of hearing the politicians and priests and cautious reformers (and the husbands!) coax us, `Be calm! Be patient! Wait! We have the plans for a Utopia already made; just give us a bit more time and we'll produce it; trust us; we're wiser than you.' For ten thousand years they've said that. We want our Utopia NOW--and we're going to try our hands at it. All we want is--everything for all of us! For every housewife and every longshoreman and every Hindu nationalist and every teacher. We want everything. We shatn't get it. So we shatn't ever be content----"

She wondered why he was wincing. He broke in:

"See here, my dear, I certainly hope you don't class yourself with a lot of trouble-making labor-leaders! Democracy is all right theoretically, and I'll admit there are industrial injustices, but I'd rather have them than see the world reduced to a dead level of mediocrity. I refuse to believe that you have anything in common with a lot of laboring men rowing for bigger wages so that they can buy wretched flivvers and hideous player-pianos and----"

At this second, in Buenos Ayres, a newspaper editor broke his routine of being bored by exchanges to assert, "Any injustice is better than seeing the world reduced to a gray level of scientific dullness." At this second a clerk standing at the bar of a New York saloon stopped milling his secret fear of his nagging office-manager long enough to growl at the chauffeur beside him, "Aw, you socialists make me sick! I'm an individualist. I ain't going to be nagged by no bureaus and take orders off labor-leaders. And mean to say a hobo's as good as you and me?"

At this second Carol realized that for all Guy's love of dead elegances his timidity was as depressing to her as the bulkiness of Sam Clark. She realized that he was not a mystery, as she had excitedly believed; not a romantic messenger from the World Outside on whom she could count for escape. He belonged to Gopher Prairie, absolutely. She was snatched back from a dream of far countries, and found herself on Main Street.

He was completing his protest, "You don't want to be mixed up in all this orgy of meaningless discontent?"

She soothed him. "No, I don't. I'm not heroic. I'm scared by all the fighting that's going on in the world. I want nobility and adventure, but perhaps I want still more to curl on the hearth with some one I love."

"Would you----"

He did not finish it. He picked up a handful of pop-corn, let it run through his fingers, looked at her wistfully.

With the loneliness of one who has put away a possible love Carol saw that he was a stranger. She saw that he had never been anything but a frame on which she had hung shining garments. If she had let him diffidently make love to her, it was not because she cared, but because she did not care, because it did not matter.

She smiled at him with the exasperating tactfulness of a woman checking a flirtation; a smile like an airy pat on the arm. She sighed, "You're a dear to let me tell you my imaginary troubles." She bounced up, and trilled, "Shall we take the pop-corn in to them now?"

Guy looked after her desolately.

While she teased Vida and Kennicott she was repeating, "I must go on."

VI

Miles Bjornstam, the pariah "Red Swede," had brought his circular saw and portable gasoline engine to the house, to cut the cords of poplar for the kitchen range. Kennicott had given the order; Carol knew nothing of it till she heard the ringing of the saw, and glanced out to see Bjornstam, in black leather jacket and enormous ragged purple mittens, pressing sticks against the whirling blade, and flinging the stove- lengths to one side. The red irritable motor kept up a red irritable "tip-tip-tip-tip-tip-tip." The whine of the saw rose till it simulated the shriek of a fire-alarm whistle at night, but always at the end it gave a lively metallic clang, and in the stillness she heard the flump of the cut stick falling on the pile.

She threw a motor robe over her, ran out. Bjornstam welcomed her, "Well, well, well! Here's old Miles, fresh as ever. Well say, that's all right; he ain't even begun to be cheeky yet; next summer he's going to take you out on his horse-trading trip, clear into Idaho."

"Yes, and I may go!"

"How's tricks? Crazy about the town yet?"

"No, but I probably shall be, some day."

"Don't let 'em get you. Kick 'em in the face!"

He shouted at her while he worked. The pile of stove- wood grew astonishingly. The pale bark of the poplar sticks was mottled with lichens of sage-green and dusty gray; the newly sawed ends were fresh-colored, with the agreeable roughness of a woolen muffler. To the sterile winter air the wood gave a scent of March sap.

Kennicott telephoned that he was going into the country. Bjornstam had not finished his work at noon, and she invited him to have dinner with Bea in the kitchen. She wished that she were independent enough to dine with these her guests. She considered their friendliness, she sneered at "social distinctions," she raged at her own taboos--and she continued to regard them as retainers and herself as a lady. She sat in the dining-room and listened through the door to Bjornstam's booming and Bea's giggles. She was the more absurd to herself in that, after the rite of dining alone, she could go out to the kitchen, lean against the sink, and talk to them.

They were attracted to each other; a Swedish Othello and Desdemona, more useful and amiable than their prototypes. Bjornstam told his scapes: selling horses in a Montana mining- camp, breaking a log-jam, being impertinent to a "two- fisted" millionaire lumberman. Bea gurgled "Oh my!" and kept his coffee cup filled.

He took a long time to finish the wood. He had frequently to go into the kitchen to get warm. Carol heard him confiding to Bea, "You're a darn nice Swede girl. I guess if I had a woman like you I wouldn't be such a sorehead. Gosh, your kitchen is clean; makes an old bach feel sloppy. Say, that's nice hair you got. Huh? Me fresh? Saaaay, girl, if I ever do get fresh, you'll know it. Why, I could pick you up with one finger, and hold you in the air long enough to read Robert J. Ingersoll clean through. Ingersoll? Oh, he's a religious writer. Sure. You'd like him fine."

When he drove off he waved to Bea; and Carol, lonely at the window above, was envious of their pastoral.

"And I---- But I will go on."

CHAPTER XVII

I

THEY were driving down the lake to the cottages that moonlit January night, twenty of them in the bob-sled. They sang "Toy Land" and "Seeing Nelly Home"; they leaped from the low back of the sled to race over the slippery snow ruts; and when they were tired they climbed on the runners for a lift. The moon-tipped flakes kicked up by the horses settled over the revelers and dripped down their necks, but they laughed, yelped, beat their leather mittens against their chests. The harness rattled, the sleigh-bells were frantic, Jack Elder's setter sprang beside the horses, barking.

For a time Carol raced with them. The cold air gave fictive power. She felt that she could run on all night, leap twenty feet at a stride. But the excess of energy tired her, and she was glad to snuggle under the comforters which covered the hay in the sled-box.

In the midst of the babel she found enchanted quietude.

Along the road the shadows from oak-branches were inked on the snow like bars of music. Then the sled came out on the surface of Lake Minniemashie. Across the thick ice was a veritable road, a short-cut for farmers. On the glaring expanse of the lake-levels of hard crust, flashes of green ice blown clear, chains of drifts ribbed like the sea-beach--the moonlight was overwhelming. It stormed on the snow, it turned the woods ashore into crystals of fire. The night was tropical and voluptuous. In that drugged magic there was no difference between heavy heat and insinuating cold.

Carol was dream-strayed. The turbulent voices, even Guy Pollock being connotative beside her, were nothing. She repeated:

Deep on the convent-roof the snows Are sparkling to the moon.

The words and the light blurred into one vast indefinite happiness, and she believed that some great thing was coming to her. She withdrew from the clamor into a worship of incomprehensible gods. The night expanded, she was conscious of the universe, and all mysteries stooped down to her.

She was jarred out of her ecstasy as the bob-sled bumped up the steep road to the bluff where stood the cottages.

They dismounted at Jack Elder's shack. The interior walls of unpainted boards, which had been grateful in August, were forbidding in the chill. In fur coats and mufflers tied over caps they were a strange company, bears and walruses talking. Jack Elder lighted the shavings waiting in the belly of a cast-iron stove which was like an enlarged bean-pot. They piled their wraps high on a rocker, and cheered the rocker as it solemnly tipped over backward.

Mrs. Elder and Mrs. Sam Clark made coffee in an enormous blackened tin pot; Vida Sherwin and Mrs. McGanum unpacked doughnuts and gingerbread; Mrs. Dave Dyer warmed up "hot dogs"--frankfurters in rolls; Dr. Terry Gould, after announcing, "Ladies and gents, prepare to be shocked; shock line forms on the right," produced a bottle of bourbon whisky.

The others danced, muttering "Ouch!" as their frosted feet struck the pine planks. Carol had lost her dream. Harry Haydock lifted her by the waist and swung her. She laughed. The gravity of the people who stood apart and talked made her the more impatient for frolic.

Kennicott, Sam Clark, Jackson Elder, young Dr. McGanum, and James Madison Howland, teetering on their toes near the stove, conversed with the sedate pomposity of the commercialist. In details the men were unlike, yet they said the same things in the same hearty monotonous voices. You had to look at them to see which was speaking.

"Well, we made pretty good time coming up," from one-- any one.

"Yump, we hit it up after we struck the good going on the lake."

"Seems kind of slow though, after driving an auto."

"Yump, it does, at that. Say, how'd you make out with that Sphinx tire you got?"

"Seems to hold out fine. Still, I don't know's I like it any better than the Roadeater Cord."

"Yump, nothing better than a Roadeater. Especially the cord. The cord's lots better than the fabric."

"Yump, you said something---- Roadeater's a good tire."

"Say, how'd you come out with Pete Garsheim on his payments?"

"He's paying up pretty good. That's a nice piece of land he's got."

"Yump, that's a dandy farm."

"Yump, Pete's got a good place there."

They glided from these serious topics into the jocose insults which are the wit of Main Street. Sam Clark was particularly apt at them. "What's this wild-eyed sale of summer caps you think you're trying to pull off?" he clamored at Harry Haydock. "Did you steal 'em, or are you just overcharging us, as usual? . . . Oh say, speaking about caps, d'I ever tell you the good one I've got on Will? The doc thinks he's a pretty good driver, fact, he thinks he's almost got human intelligence, but one time he had his machine out in the rain, and the poor fish, he hadn't put on chains, and thinks I----"

Carol had heard the story rather often. She fled back to the dancers, and at Dave Dyer's masterstroke of dropping an icicle down Mrs. McGanum's back she applauded hysterically.

They sat on the floor, devouring the food. The men giggled amiably as they passed the whisky bottle, and laughed, "There's a real sport!" when Juanita Haydock took a sip. Carol tried to follow; she believed that she desired to be drunk and riotous; but the whisky choked her and as she saw Kennicott frown she handed the bottle on repentantly. Somewhat too late she remembered that she had given up domesticity and repentance.

"Let's play charades!" said Raymie Wutherspoon.

"Oh yes, do let us," said Ella Stowbody.

"That's the caper," sanctioned Harry Haydock.

They interpreted the word "making" as May and King. The crown was a red flannel mitten cocked on Sam Clark's broad pink bald head. They forgot they were respectable. They made-believe. Carol was stimulated to cry:

"Let's form a dramatic club and give a play! Shall we? It's been so much fun tonight!"

They looked affable.

"Sure," observed Sam Clark loyally.

"Oh, do let us! I think it would be lovely to present `Romeo and Juliet'!" yearned Ella Stowbody.

"Be a whale of a lot of fun," Dr. Terry Gould granted.

"But if we did," Carol cautioned, "it would be awfully silly to have amateur theatricals. We ought to paint our own scenery and everything, and really do something fine. There'd be a lot of hard work. Would you--would we all be punctual at rehearsals, do you suppose?"

"You bet!" "Sure." "That's the idea." "Fellow ought to be prompt at rehearsals," they all agreed.

"Then let's meet next week and form the Gopher Prairie Dramatic Association!" Carol sang.

She drove home loving these friends who raced through moonlit snow, had Bohemian parties, and were about to create beauty in the theater. Everything was solved. She would be an authentic part of the town, yet escape the coma of the Village Virus. . . . She would be free of Kennicott again, without hurting him, without his knowing.

She had triumphed.

The moon was small and high now, and unheeding.

II

Though they had all been certain that they longed for the privilege of attending committee meetings and rehearsals, the dramatic association as definitely formed consisted only of Kennicott, Carol, Guy Pollock, Vida Sherwin, Ella Stowbody, the Harry Haydocks, the Dave Dyers, Raymie Wutherspoon, Dr. Terry Gould, and four new candidates: flirtatious Rita Simons, Dr. and Mrs. Harvey Dillon and Myrtle Cass, an uncomely but intense girl of nineteen. Of these fifteen only seven came to the first meeting. The rest telephoned their unparalleled regrets and engagements and illnesses, and announced that they would be present at all other meetings through eternity.

Carol was made president and director.

She had added the Dillons. Despite Kennicott's apprehension the dentist and his wife had not been taken up by the Westlakes but had remained as definitely outside really smart society as Willis Woodford, who was teller, bookkeeper, and janitor in Stowbody's bank. Carol had noted Mrs. Dillon dragging past the house during a bridge of the Jolly Seventeen, looking in with pathetic lips at the splendor of the accepted. She impulsively invited the Dillons to the dramatic association meeting, and when Kennicott was brusque to them she was unusually cordial, and felt virtuous.

That self-approval balanced her disappointment at the small- ness of the meeting, and her embarrassment during Raymie Wutherspoon's repetitions of "The stage needs uplifting," and "I believe that there are great lessons in some plays."

Ella Stowbody, who was a professional, having studied elocution in Milwaukee, disapproved of Carol's enthusiasm for recent plays. Miss Stowbody expressed the fundamental principle of the American drama: the only way to be artistic is to present Shakespeare. As no one listened to her she sat back and looked like Lady Macbeth.

III

The Little Theaters, which were to give piquancy to American drama three or four years later, were only in embryo. But of this fast coming revolt Carol had premonitions. She knew from some lost magazine article that in Dublin were innovators called The Irish Players. She knew confusedly that a man named Gordon Craig had painted scenery--or had he written plays? She felt that in the turbulence of the drama she was discovering a history more important than the commonplace chronicles which dealt with senators and their pompous puerilities. She had a sensation of familiarity; a dream of sitting in a Brussels cafe and going afterward to a tiny gay theater under a cathedral wall.

The advertisement in the Minneapolis paper leaped from the page to her eyes:

The Cosmos School of Music, Oratory, and Dramatic Art announces a program of four one-act plays by Schnitzler, Shaw, Yeats, ard Lord Dunsany.

She had to be there! She begged Kennicott to "run down to the Cities" with her.

"Well, I don't know. Be fun to take in a show, but why the deuce do you want to see those darn foreign plays, given by a lot of amateurs? Why don't you wait for a regular play, later on? There's going to be some corkers coming: `Lottie of Two-Gun Rancho,' and `Cops and Crooks'--real Broadway stuff, with the New York casts. What's this junk you want to see? Hm. `How He Lied to Her Husband.' That doesn't listen so bad. Sounds racy. And, uh, well, I could go to the motor show, I suppose. I'd like to see this new Hup roadster. Well----"

She never knew which attraction made him decide.

She had four days of delightful worry--over the hole in her one good silk petticoat, the loss of a string of beads from her chiffon and brown velvet frock, the catsup stain on her best georgette crepe blouse. She wailed, "I haven't a single solitary thing that's fit to be seen in," and enjoyed herself very much indeed.

Kennicott went about casually letting people know that he was "going to run down to the Cities and see some shows."

As the train plodded through the gray prairie, on a windless day with the smoke from the engine clinging to the fields in giant cotton-rolls, in a low and writhing wall which shut off the snowy fields, she did not look out of the window. She closed her eyes and hummed, and did not know that she was humming.

She was the young poet attacking fame and Paris.

In the Minneapolis station the crowd of lumberjacks, farmers, and Swedish families with innumerous children and grandparents and paper parcels, their foggy crowding and their clamor confused her. She felt rustic in this once familiar city, after a year and a half of Gopher Prairie. She was certain that Kennicott was taking the wrong trolley-car. By dusk, the liquor warehouses, Hebraic clothing-shops, and lodging- houses on lower Hennepin Avenue were smoky, hideous, ill- tempered. She was battered by the noise and shuttling of the rush-hour traffic. When a clerk in an overcoat too closely fitted at the waist stared at her, she moved nearer to Kennicott's arm. The clerk was flippant and urban. He was a superior person, used to this tumult. Was he laughing at her?

For a moment she wanted the secure quiet of Gopher Prairie.

In the hotel-lobby she was self-conscious. She was not used to hotels; she remembered with jealousy how often Juanita Haydock talked of the famous hotels in Chicago. She could not face the traveling salesmen, baronial in large leather chairs. She wanted people to believe that her husband and she were accustomed to luxury and chill elegance; she was faintly angry at him for the vulgar way in which, after signing the register "Dr. W. P. Kennicott & wife," he bellowed at the clerk, "Got a nice room with bath for us, old man?" She gazed about haughtily, but as she discovered that no one was interested in her she felt foolish, and ashamed of her irritation.

She asserted, "This silly lobby is too florid," and simultaneously she admired it: the onyx columns with gilt capitals, the crown-embroidered velvet curtains at the restaurant door, the silk-roped alcove where pretty girls perpetually waited for mysterious men, the two-pound boxes of candy and the variety of magazines at the news-stand. The hidden orchestra was lively. She saw a man who looked like a European diplomat, in a loose top-coat and a Homburg hat. A woman with a broadtail coat, a heavy lace veil, pearl earrings, and a close black hat entered the restaurant. "Heavens! That's the first really smart woman I've seen in a year!" Carol exulted. She felt metropolitan.

But as she followed Kennicott to the elevator the coat- check girl, a confident young woman, with cheeks powdered like lime, and a blouse low and thin and furiously crimson, inspected her, and under that supercilious glance Carol was shy again. She unconsciously waited for the bellboy to precede her into the elevator. When he snorted "Go ahead!" she was mortified. He thought she was a hayseed, she worried.

The moment she was in their room, with the bellboy safely out of the way, she looked critically at Kennicott. For the first time in months she really saw him.

His clothes were too heavy and provincial. His decent gray suit, made by Nat Hicks of Gopher Prairie, might have been of sheet iron; it had no distinction of cut, no easy grace like the diplomat's Burberry. His black shoes were blunt and not well polished. His scarf was a stupid brown. He needed a shave.

But she forgot her doubt as she realized the ingenuities of the room. She ran about, turning on the taps of the bathtub, which gushed instead of dribbling like the taps at home, snatching the new wash-rag out of its envelope of oiled paper, trying the rose-shaded light between the twin beds, pulling out the drawers of the kidney-shaped walnut desk to examine the engraved stationery, planning to write on it to every one she knew, admiring the claret-colored velvet armchair and the blue rug, testing the ice-water tap, and squealing happily when the water really did come out cold. She flung her arms about Kennicott, kissed him.

"Like it, old lady?"

"It's adorable. It's so amusing. I love you for bringing me. You really are a dear!"

He looked blankly indulgent, and yawned, and condescended, "That's a pretty slick arrangement on the radiator, so you can adjust it at any temperature you want. Must take a big furnace to run this place. Gosh, I hope Bea remembers to turn off the drafts tonight."

Under the glass cover of the dressing-table was a menu with the most enchanting dishes: breast of guinea hen De Vitresse, pommes de terre a la Russe, meringue Chantilly, gateaux Bruxelles.

"Oh, let's---- I'm going to have a hot bath, and put on my new hat with the wool flowers, and let's go down and eat for hours, and we'll have a cocktail!" she chanted.

While Kennicott labored over ordering it was annoying to see him permit the waiter to be impertinent, but as the cocktail elevated her to a bridge among colored stars, as the oysters came in--not canned oysters in the Gopher Prairie fashion, but on the half-shell--she cried, "If you only knew how wonderful it is not to have had to plan this dinner, and order it at the butcher's and fuss and think about it, and then watch Bea cook it! I feel so free. And to have new kinds of food, and different patterns of dishes and linen, and not worry about whether the pudding is being spoiled! Oh, this is a great moment for me!"

IV

They had all the experiences of provincials in a metropolis. After breakfast Carol bustled to a hair-dresser's, bought gloves and a blouse, and importantly met Kennicott in front of an optician's, in accordance with plans laid down, revised, and verified. They admired the diamonds and furs and frosty silverware and mahogany chairs and polished morocco sewing- boxes in shop-windows, and were abashed by the throngs in the department-stores, and were bullied by a clerk into buying too many shirts for Kennicott, and gaped at the "clever novelty perfumes--just in from New York." Carol got three books on the theater, and spent an exultant hour in warning herself that she could not afford this rajah-silk frock, in thinking how envious it would make Juanita Haydock, in closing her eyes, and buying it. Kennicott went from shop to shop, earnestly hunting down a felt-covered device to keep the windshield of his car clear of rain.

They dined extravagantly at their hotel at night, and next morning sneaked round the corner to economize at a Childs' Restaurant. They were tired by three in the afternoon, and dozed at the motion-pictures and said they wished they were back in Gopher Prairie--and by eleven in the evening they were again so lively that they went to a Chinese restaurant that was frequented by clerks and their sweethearts on pay-days. They sat at a teak and marble table eating Eggs Fooyung, and listened to a brassy automatic piano, and were altogether cosmopolitan.

On the street they met people from home--the McGanums. They laughed, shook hands repeatedly, and exclaimed, "Well, this is quite a coincidence!" They asked when the McGanums had come down, and begged for news of the town they had left two days before. Whatever the McGanums were at home, here they stood out as so superior to all the undistinguishable strangers absurdly hurrying past that the Kennicotts held them as long as they could. The McGanums said good-by as though they were going to Tibet instead of to the station to catch No. 7 north.

They explored Minneapolis. Kennicott was conversational and technical regarding gluten and cockle-cylinders and No. I Hard, when they were shown through the gray stone hulks and new cement elevators of the largest flour-mills in the world. They looked across Loring Park and the Parade to the towers of St. Mark's and the Procathedral, and the red roofs of houses climbing Kenwood Hill. They drove about the chain of garden-circled lakes, and viewed the houses of the millers and lumbermen and real estate peers--the potentates of the expanding city. They surveyed the small eccentric bungalows with pergolas, the houses of pebbledash and tapestry brick with sleeping-porches above sun-parlors, and one vast incredible chateau fronting the Lake of the Isles. They tramped through a shining-new section of apartment-houses; not the tall bleak apartments of Eastern cities but low structures of cheerful yellow brick, in which each flat had its glass-enclosed porch with swinging couch and scarlet cushions and Russian brass bowls. Between a waste of tracks and a raw gouged hill they found poverty in staggering shanties.

They saw miles of the city which they had never known in their days of absorption in college. They were distinguished explorers, and they remarked, in great mutual esteem, "I bet Harry Haydock's never seen the City like this! Why, he'd never have sense enough to study the machinery in the mills, or go through all these outlying districts. Wonder folks in Gopher Prairie wouldn't use their legs and explore, the way we do!"

They had two meals with Carol's sister, and were bored, and felt that intimacy which beatifies married people when they suddenly admit that they equally dislike a relative of either of them.

So it was with affection but also with weariness that they approached the evening on which Carol was to see the plays at the dramatic school. Kennicott suggested not going. "So darn tired from all this walking; don't know but what we better turn in early and get rested up." It was only from duty that Carol dragged him and herself out of the warm hotel, into a stinking trolley, up the brownstone steps of the converted residence which lugubriously housed the dramatic school.

V

They were in a long whitewashed hall with a clumsy draw- curtain across the front. The folding chairs were filled with people who looked washed and ironed: parents of the pupils, girl students, dutiful teachers.

"Strikes me it's going to be punk. If the first play isn't good, let's beat it," said Kennicott hopefully.

"All right," she yawned. With hazy eyes she tried to read the lists of characters, which were hidden among lifeless advertisements of pianos, music-dealers, restaurants, candy.

She regarded the Schnitzler play with no vast interest. The actors moved and spoke stiffly. Just as its cynicism was beginning to rouse her village-dulled frivolity, it was over.

"Don't think a whale of a lot of that. How about taking a sneak?" petitioned Kennicott.

"Oh, let's try the next one, `How He Lied to Her Husband.' "

The Shaw conceit amused her, and perplexed Kennicott:

"Strikes me it's darn fresh. Thought it would be racy. Don't know as I think much of a play where a husband actually claims he wants a fellow to make love to his wife. No husband ever did that! Shall we shake a leg?"

"I want to see this Yeats thing, `Land of Heart's Desire.' I used to love it in college." She was awake now, and urgent. "I know you didn't care so much for Yeats when I read him aloud to you, but you just see if you don't adore him on the stage."

Most of the cast were as unwieldy as oak chairs marching, and the setting was an arty arrangement of batik scarfs and heavy tables, but Maire Bruin was slim as Carol, and larger- eyed, and her voice was a morning bell. In her, Carol lived, and on her lifting voice was transported from this sleepy small- town husband and all the rows of polite parents to the stilly loft of a thatched cottage where in a green dimness, beside a window caressed by linden branches, she bent over a chronicle of twilight women and the ancient gods.

"Well--gosh--nice kid played that girl--good-looker," said Kennicott. "Want to stay for the last piece? Heh?"

She shivered. She did not answer.

The curtain was again drawn aside. On the stage they saw nothing but long green curtains and a leather chair. Two young men in brown robes like furniture-covers were gesturing vacuously and droning cryptic sentences full of repetitions.

It was Carol's first hearing of Dunsany. She sympathized with the restless Kennicott as he felt in his pocket for a cigar and unhappily put it back.

Without understanding when or how, without a tangible change in the stilted intoning of the stage-puppets, she was conscious of another time and place.

Stately and aloof among vainglorious tiring-maids, a queen in robes that murmured on the marble floor, she trod the gallery of a crumbling palace. In the courtyard, elephants trumpeted, and swart men with beards dyed crimson stood with blood-stained hands folded upon their hilts, guarding the caravan from El Sharnak, the camels with Tyrian stuffs of topaz and cinnabar. Beyond the turrets of the outer wall the jungle glared and shrieked, and the sun was furious above drenched orchids. A youth came striding through the steel- bossed doors, the sword-bitten doors that were higher than ten tall men. He was in flexible mail, and under the rim of his planished morion were amorous curls. His hand was out to her; before she touched it she could feel its warmth----

"Gosh all hemlock! What the dickens is all this stuff about, Carrie?"

She was no Syrian queen. She was Mrs. Dr. Kennicott. She fell with a jolt into a whitewashed hall and sat looking at two scared girls and a young man in wrinkled tights.

Kennicott fondly rambled as they left the hall:

"What the deuce did that last spiel mean? Couldn't make head or tail of it. If that's highbrow drama, give me a cow- puncher movie, every time! Thank God, that's over, and we can get to bed. Wonder if we wouldn't make time by walking over to Nicollet to take a car? One thing I will say for that dump: they had it warm enough. Must have a big hot-air furnace, I guess. Wonder how much coal it takes to run 'em through the winter?"

In the car he affectionately patted her knee, and he was for a second the striding youth in armor; then he was Doc Kennicott of Gopher Prairie, and she was recaptured by Main Street. Never, not all her life, would she behold jungles and the tombs of kings. There were strange things in the world, they really existed; but she would never see them.

She would recreate them in plays!

She would make the dramatic association understand her aspiration. They would, surely they would----

She looked doubtfully at the impenetrable reality of yawning trolley conductor and sleepy passengers and placards advertising soap and underwear.

CHAPTER XVIII

I

SHE hurried to the first meeting of the play-reading committee. Her jungle romance had faded, but she retained a religious fervor, a surge of half-formed thought about the creation of beauty by suggestion.

A Dunsany play would be too difficult for the Gopher Prairie association. She would let them compromise on Shaw--on "Androcles and the Lion," which had just been published.

The committee was composed of Carol, Vida Sherwin, Guy Pollock, Raymie Wutherspoon, and Juanita Haydock. They were exalted by the picture of themselves as being simultaneously business-like and artistic. They were entertained by Vida in the parlor of Mrs. Elisha Gurrey's boarding-house, with its steel engraving of Grant at Appomattox, its basket of stereoscopic views, and its mysterious stains on the gritty carpet.

Vida was an advocate of culture-buying and efficiency- systems. She hinted that they ought to have (as at the committee-meetings of the Thanatopsis) a "regular order of business," and "the reading of the minutes," but as there were no minutes to read, and as no one knew exactly what was the regular order of the business of being literary, they had to give up efficiency.

Carol, as chairman, said politely, "Have you any ideas about what play we'd better give first?" She waited for them to look abashed and vacant, so that she might suggest "Androcles."

Guy Pollock answered with disconcerting readiness, "I'll tell you: since we're going to try to do something artistic, and not simply fool around, I believe we ought to give something classic. How about `The School for Scandal'?"

"Why---- Don't you think that has been done a good deal?"

"Yes, perhaps it has."

Carol was ready to say, "How about Bernard Shaw?" when he treacherously went on, "How would it be then to give a Greek drama--say `Oedipus Tyrannus'?"

"Why, I don't believe----"

Vida Sherwin intruded, "I'm sure that would be too hard for us. Now I've brought something that I think would be awfully jolly."

She held out, and Carol incredulously took, a thin gray pamphlet entitled "McGinerty's Mother-in-law." It was the sort of farce which is advertised in "school entertainment" catalogues as:

Riproaring knock-out, 5 m. 3 f., time 2 hrs., interior set, popular with churches and all high-class occasions.

Carol glanced from the scabrous object to Vida, and realized that she was not joking.

"But this is--this is--why, it's just a---- Why, Vida, I thought you appreciated--well--appreciated art."

Vida snorted, "Oh. Art. Oh yes. I do like art. It's very nice. But after all, what does it matter what kind of play we give as long as we get the association started? The thing that matters is something that none of you have spoken of, that is: what are we going to do with the money, if we make any? I think it would be awfully nice if we presented the high school with a full set of Stoddard's travel-lectures!"

Carol moaned, "Oh, but Vida dear, do forgive me but this farce---- Now what I'd like us to give is something distinguished. Say Shaw's `Androcles.' Have any of you read it?"

"Yes. Good play," said Guy Pollock.

Then Raymie Wutherspoon astoundingly spoke up:

"So have I. I read through all the plays in the public library, so's to be ready for this meeting. And---- But I don't believe you grasp the irreligious ideas in this `Androcles,' Mrs. Kennicott. I guess the feminine mind is too innocent to understand all these immoral writers. I'm sure I don't want to criticize Bernard Shaw; I understand he is very popular with the highbrows in Minneapolis; but just the same---- As far as I can make out, he's downright improper! The things he SAYS---- Well, it would be a very risky thing for our young folks to see. It seems to me that a play that doesn't leave a nice taste in the mouth and that hasn't any message is nothing but--nothing but---- Well, whatever it may be, it isn't art. So---- Now I've found a play that is clean, and there's some awfully funny scenes in it, too. I laughed out loud, reading it. It's called `His Mother's Heart,' and it's about a young man in college who gets in with a lot of free- thinkers and boozers and everything, but in the end his mother's influence----"

Juanita Haydock broke in with a derisive, "Oh rats, Raymie! Can the mother's influence! I say let's give something with some class to it. I bet we could get the rights to `The Girl from Kankakee,' and that's a real show. It ran for eleven months in New York!"

"That would be lots of fun, if it wouldn't cost too much," reflected Vida.

Carol's was the only vote cast against "The Girl from Kankakee."

II

She disliked "The Girl from Kankakee" even more than she had expected. It narrated the success of a farm-lassie in clearing her brother of a charge of forgery. She became secretary to a New York millionaire and social counselor to his wife; and after a well-conceived speech on the discomfort of having money, she married his son.

There was also a humorous office-boy.

Carol discerned that both Juanita Haydock and Ella Stowbody wanted the lead. She let Juanita have it. Juanita kissed her and in the exuberant manner of a new star presented to the executive committee her theory, "What we want in a play is humor and pep. There's where American playwrights put it all over these darn old European glooms."

As selected by Carol and confirmed by the committee, the persons of the play were:

John Grimm, a millionaire . . . . Guy Pollock His wife. . . . . . . . . Miss Vida Sherwin His son . . . . . . . . . Dr. Harvey Dillon His business rival. . . . . Raymond T. Wutherspoon Friend of Mrs. Grimm . . . . . . Miss Ella Stowbody The girl from Kankakee . . . . . Mrs. Harold C. Haydock Her brother. . . . . . . . . . Dr. Terence Gould Her mother . . . . . . . . . . Mrs. David Dyer Stenographer . . . . . . . Miss Rita Simons Office-boy . . . . . . . . . . Miss Myrtle Cass Maid in the Grimms' home . . Mrs. W. P. Kennicott Direction of Mrs. Kennicott

Among the minor lamentations was Maud Dyer's "Well of course I suppose I look old enough to be Juanita's mother, even if Juanita is eight months older than I am, but I don't know as I care to have everybody noticing it and----"

Carol pleaded, "Oh, my DEAR! You two look exactly the same age. I chose you because you have such a darling complexion, and you know with powder and a white wig, anybody looks twice her age, and I want the mother to be sweet, no matter who else is."

Ella Stowbody, the professional, perceiving that it was because of a conspiracy of jealousy that she had been given a small part, alternated between lofty amusement and Christian patience.

Carol hinted that the play would be improved by cutting, but as every actor except Vida and Guy and herself wailed at the loss of a single line, she was defeated. She told herself that, after all, a great deal could be done with direction and settings.

Sam Clark had boastfully written about the dramatic association to his schoolmate, Percy Bresnahan, president of the Velvet Motor Company of Boston. Bresnahan sent a check for a hundred dollars; Sam added twenty-five and brought the fund to Carol, fondly crying, "There! That'll give you a start for putting the thing across swell!"

She rented the second floor of the city hall for two months. All through the spring the association thrilled to its own talent in that dismal room. They cleared out the bunting, ballot- boxes, handbills, legless chairs. They attacked the stage. It was a simple-minded stage. It was raised above the floor, and it did have a movable curtain, painted with the advertisement of a druggist dead these ten years, but otherwise it might not have been recognized as a stage. There were two dressing-rooms, one for men, one for women, on either side. The dressing-room doors were also the stage-entrances, opening from the house, and many a citizen of Gopher Prairie had for his first glimpse of romance the bare shoulders of the leading woman.

There were three sets of scenery: a woodland, a Poor Interior, and a Rich Interior, the last also useful for railway stations, offices, and as a background for the Swedish Quartette from Chicago. There were three gradations of lighting: full on, half on, and entirely off.

This was the only theater in Gopher Prairie. It was known as the "op'ra house." Once, strolling companies had used it for performances of "The Two Orphans," and "Nellie the Beautiful Cloak Model," and "Othello" with specialties between acts, but now the motion-pictures had ousted the gipsy drama.

Carol intended to be furiously modern in constructing the office-set, the drawing-room for Mr. Grimm, and the Humble Home near Kankakee. It was the first time that any one in Gopher Prairie had been so revolutionary as to use enclosed scenes with continuous side-walls. The rooms in the op'ra house sets had separate wing-pieces for sides, which simplified dramaturgy, as the villain could always get out of the hero's way by walking out through the wall.

The inhabitants of the Humble Home were supposed to be amiable and intelligent. Carol planned for them a simple set with warm color. She could see the beginning of the play: all dark save the high settles and the solid wooden table between them, which were to be illuminated by a ray from offstage. The high light was a polished copper pot filled with primroses. Less clearly she sketched the Grimm drawing-room as a series of cool high white arches.

As to how she was to produce these effects she had no notion.

She discovered that, despite the enthusiastic young writers, the drama was not half so native and close to the soil as motor cars and telephones. She discovered that simple arts require sophisticated training. She discovered that to produce one perfect stage-picture would be as difficult as to turn all of Gopher Prairie into a Georgian garden.

She read all she could find regarding staging, she bought paint and light wood; she borrowed furniture and drapes unscrupulously; she made Kennicott turn carpenter. She collided with the problem of lighting. Against the protest of Kennicott and Vida she mortgaged the association by sending to Minneapolis for a baby spotlight, a strip light, a dimming device, and blue and amber bulbs; and with the gloating rapture of a born painter first turned loose among colors, she spent absorbed evenings in grouping, dimming-painting with lights.

Only Kennicott, Guy, and Vida helped her. They speculated as to how flats could be lashed together to form a wall; they hung crocus-yellow curtains at the windows; they blacked the sheet-iron stove; they put on aprons and swept. The rest of the association dropped into the theater every evening, and were literary and superior. They had borrowed Carol's manuals of play-production and had become extremely stagey in vocabulary.

Juanita Haydock, Rita Simons, and Raymie Wutherspoon sat on a sawhorse, watching Carol try to get the right position for a picture on the wall in the first scene.

"I don't want to hand myself anything but I believe I'll give a swell performance in this first act," confided Juanita. "I wish Carol wasn't so bossy though. She doesn't understand clothes. I want to wear, oh, a dandy dress I have-- all scarlet--and I said to her, `When I enter wouldn't it knock their eyes out if I just stood there at the door in this straight scarlet thing?' But she wouldn't let me."

Young Rita agreed, "She's so much taken up with her old details and carpentering and everything that she can't see the picture as a whole. Now I thought it would be lovely if we had an office-scene like the one in `Little, But Oh My!' Because I SAW that, in Duluth. But she simply wouldn't listen at all."

Juanita sighed, "I wanted to give one speech like Ethel Barrymore would, if she was in a play like this. (Harry and I heard her one time in Minneapolis--we had dandy seats, in the orchestra--I just know I could imitate her.) Carol didn't pay any attention to my suggestion. I don't want to criticize but I guess Ethel knows more about acting than Carol does!"

"Say, do you think Carol has the right dope about using a strip light behind the fireplace in the second act? I told her I thought we ought to use a bunch," offered Raymie. "And I suggested it would be lovely if we used a cyclorama outside the window in the first act, and what do you think she said? `Yes, and it would be lovely to have Eleanora Duse play the lead,' she said, `and aside from the fact that it's evening in the first act, you're a great technician,' she said. I must say I think she was pretty sarcastic. I've been reading up, and I know I could build a cyclorama, if she didn't want to run everything."

"Yes, and another thing, I think the entrance in the first act ought to be L. U. E., not L. 3 E.," from Juanita.

"And why does she just use plain white tormenters?"

"What's a tormenter?" blurted Rita Simons.

The savants stared at her ignorance.

III

Carol did not resent their criticisms, she didn't very much resent their sudden knowledge, so long as they let her make pictures. It was at rehearsals that the quarrrels broke. No one understood that rehearsals were as real engagements as bridge-games or sociables at the Episcopal Church. They gaily came in half an hour late, or they vociferously came in ten minutes early, and they were so hurt that they whispered about resigning when Carol protested. They telephoned, "I don't think I'd better come out; afraid the dampness might start my toothache," or "Guess can't make it tonight; Dave wants me to sit in on a poker game."

When, after a month of labor, as many as nine-elevenths of the cast were often present at a rehearsal; when most of them had learned their parts and some of them spoke like human beings, Carol had a new shock in the realization that Guy Pollock and herself were very bad actors, and that Raymie Wutherspoon was a surprisingly good one. For all her visions she could not control her voice, and she was bored by the fiftieth repetition of her few lines as maid. Guy pulled his soft mustache, looked self-conscious, and turned Mr. Grimm into a limp dummy. But Raymie, as the villain, had no repressions. The tilt of his head was full of character; his drawl was admirably vicious.

There was an evening when Carol hoped she was going to make a play; a rehearsal during which Guy stopped looking abashed.

From that evening the play declined.

They were weary. "We know our parts well enough now; what's the use of getting sick of them?" they complained. They began to skylark; to play with the sacred lights; to giggle when Carol was trying to make the sentimental Myrtle Cass into a humorous office-boy; to act everything but "The Girl from Kankakee." After loafing through his proper part Dr. Terry Gould had great applause for his burlesque of "Hamlet." Even Raymie lost his simple faith, and tried to show that he could do a vaudeville shuffle.

Carol turned on the company. "See here, I want this nonsense to stop. We've simply got to get down to work."

Juanita Haydock led the mutiny: "Look here, Carol, don't be so bossy. After all, we're doing this play principally for the fun of it, and if we have fun out of a lot of monkey- shines, why then----"

"Ye-es," feebly.

"You said one time that folks in G. P. didn't get enough fun out of life. And now we are having a circus, you want us to stop!"

Carol answered slowly: "I wonder if I can explain what I mean? It's the difference between looking at the comic page and looking at Manet. I want fun out of this, of course. Only---- I don't think it would be less fun, but more, to produce as perfect a play as we can." She was curiously exalted; her voice was strained; she stared not at the company but at the grotesques scrawled on the backs of wing-pieces by forgotten stage-hands. "I wonder if you can understand the `fun' of making a beautiful thing, the pride and satisfaction of it, and the holiness!"

The company glanced doubtfully at one another. In Gopher Prairie it is not good form to be holy except at a church, between ten-thirty and twelve on Sunday.

"But if we want to do it, we've got to work; we must have self-discipline."

They were at once amused and embarrassed. They did not want to affront this mad woman. They backed off and tried to rehearse. Carol did not hear Juanita, in front, protesting to Maud Dyer, "If she calls it fun and holiness to sweat over her darned old play-well, I don't!"

IV

Carol attended the only professional play which came to Gopher Prairie that spring. It was a "tent show, presenting snappy new dramas under canvas." The hard-working actors doubled in brass, and took tickets; and between acts sang about the moon in June, and sold Dr. Wintergreen's Surefire Tonic for Ills of the Heart, Lungs, Kidneys, and Bowels. They presented "Sunbonnet Nell: A Dramatic Comedy of the Ozarks," with J. Witherbee Boothby wringing the soul by his resonant "Yuh ain't done right by mah little gal, Mr. City Man, but yer a-goin' to find that back in these-yere hills there's honest folks and good shots!"

The audience, on planks beneath the patched tent, admired Mr. Boothby's beard and long rifle; stamped their feet in the dust at the spectacle of his heroism; shouted when the comedian aped the City Lady's use of a lorgnon by looking through a doughnut stuck on a fork; wept visibly over Mr. Boothby's Little Gal Nell, who was also Mr. Boothby's legal wife Pearl, and when the curtain went down, listened respectfully to Mr. Boothby's lecture on Dr. Wintergreen's Tonic as a cure for tape-worms, which he illustrated by horrible pallid objects curled in bottles of yellowing alcohol.

Carol shook her head. "Juanita is right. I'm a fool. Holiness of the drama! Bernard Shaw! The only trouble with `The Girl from Kankakee' is that it's too subtle for Gopher Prairie!"

She sought faith in spacious banal phrases, taken from books: "the instinctive nobility of simple souls," "need only the opportunity, to appreciate fine things," and "sturdy exponents of democracy." But these optimisms did not sound so loud as the laughter of the audience at the funny-man's line, "Yes, by heckelum, I'm a smart fella." She wanted to give up the play, the dramatic association, the town. As she came out of the tent and walked with Kennicott down the dusty spring street, she peered at this straggling wooden village and felt that she could not possibly stay here through all of tomorrow.

It was Miles Bjornstam who gave her strength--he and the fact that every seat for "The Girl from Kankakee" had been sold.

Bjornstam was "keeping company" with Bea. Every night he was sitting on the back steps. Once when Carol appeared he grumbled, "Hope you're going to give this burg one good show. If you don't, reckon nobody ever will."

V

It was the great night; it was the night of the play. The two dressing-rooms were swirling with actors, panting, twitchy pale. Del Snafflin the barber, who was as much a professional as Ella, having once gone on in a mob scene at a stock- company performance in Minneapolis, was making them up, and showing his scorn for amateurs with, "Stand still! For the love o' Mike, how do you expect me to get your eyelids dark if you keep a-wigglin'?" The actors were beseeching, "Hey, Del, put some red in my nostrils--you put some in Rita's--gee, you didn't hardly do anything to my face."

They were enormously theatric. They examined Del's makeup box, they sniffed the scent of grease-paint, every minute they ran out to peep through the hole in the curtain, they came back to inspect their wigs and costumes, they read on the whitewashed walls of the dressing-rooms the pencil inscriptions: "The Flora Flanders Comedy Company," and "This is a bum theater," and felt that they were companions of these vanished troupers.

Carol, smart in maid's uniform, coaxed the temporary stage- hands to finish setting the first act, wailed at Kennicott, the electrician, "Now for heaven's sake remember the change in cue for the ambers in Act Two," slipped out to ask Dave Dyer, the ticket-taker, if he could get some more chairs, warned the frightened Myrtle Cass to be sure to upset the waste-basket when John Grimm called, "Here you, Reddy."

Del Snafflin's orchestra of piano, violin, and cornet began to tune up and every one behind the magic line of the proscenic arch was frightened into paralysis. Carol wavered to the hole in the curtain. There were so many people out there, staring so hard----

In the second row she saw Miles Bjornstam, not with Bea but alone. He really wanted to see the play! It was a good omen. Who could tell? Perhaps this evening would convert Gopher Prairie to conscious beauty.

She darted into the women's dressing-room, roused Maud Dyer from her fainting panic, pushed her to the wings, and ordered the curtain up.

It rose doubtfully, it staggered and trembled, but it did get up without catching--this time. Then she realized that Kennicott had forgotten to turn off the houselights. Some one out front was giggling.

She galloped round to the left wing, herself pulled the switch, looked so ferociously at Kennicott that he quaked, and fled back.

Mrs. Dyer was creeping out on the half-darkened stage. The play was begun.

And with that instant Carol realized that it was a bad play abominably acted.

Encouraging them with lying smiles, she watched her work go to pieces. The settings seemed flimsy, the lighting commonplace. She watched Guy Pollock stammer and twist his mustache when he should have been a bullying magnate; Vida Sherwin, as Grimm's timid wife, chatter at the audience as though they were her class in high-school English; Juanita, in the leading role, defy Mr. Grimm as though she were repeating a list of things she had to buy at the grocery this morning; Ella Stowbody remark "I'd like a cup of tea" as though she were reciting "Curfew Shall Not Ring Tonight"; and Dr. Gould, making love to Rita Simons, squeak, "My-- my--you--are--a--won'erful--girl ."

Myrtle Cass, as the office-boy, was so much pleased by the applause of her relatives, then so much agitated by the remarks of Cy Bogart, in the back row, in reference to her wearing trousers, that she could hardly be got off the stage. Only Raymie was so unsociable as to devote himself entirely to acting.

That she was right in her opinion of the play Carol was certain when Miles Bjornstam went out after the first act, and did not come back.

VI

Between the second and third acts she called the company together, and supplicated, "I want to know something, before we have a chance to separate. Whether we're doing well or badly tonight, it is a beginning. But will we take it as merely a beginning? How many of you will pledge yourselves to start in with me, right away, tomorrow, and plan for another play, to be given in September?"

They stared at her; they nodded at Juanita's protest: "I think one's enough for a while. It's going elegant tonight, but another play---- Seems to me it'll be time enough to talk about that next fall. Carol! I hope you don't mean to hint and suggest we're not doing fine tonight? I'm sure the applause shows the audience think it's just dandy!"

Then Carol knew how completely she had failed.

As the audience seeped out she heard B. J. Gougerling the banker say to Howland the grocer, "Well, I think the folks did splendid; just as good as professionals. But I don't care much for these plays. What I like is a good movie, with auto accidents and hold-ups, and some git to it, and not all this talky-talk."

Then Carol knew how certain she was to fail again.

She wearily did not blame them, company nor audience. Herself she blamed for trying to carve intaglios in good wholesome jack-pine.

"It's the worst defeat of all. I'm beaten. By Main Street. `I must go on.' But I can't!"

She was not vastly encouraged by the Gopher Prairie Dauntless:

. . .would be impossible to distinguish among the actors when all gave such fine account of themselves in difficult roles of this well-known New York stage play. Guy Pollock as the old millionaire could not have been bettered for his fine impersonation of the gruff old millionaire; Mrs. Harry Haydock as the young lady from the West who so easily showed the New York four-flushers where they got off was a vision of loveliness and with fine stage presence. Miss Vida Sherwin the ever popular teacher in our high school pleased as Mrs. Grimm, Dr. Gould was well suited in the role of young lover-girls you better look out, remember the doc is a bachelor. The local Four Hundred also report that he is a great hand at shaking the light fantastic tootsies in the dance. As the stenographer Rita Simons was pretty as a picture, and Miss Ella Stowbody's long and intensive study of the drama and kindred arts in Eastern schools was seen in the fine finish of her part.

. . .to no one is greater credit to be given than to Mrs. Will Kennicott on whose capable shoulders fell the burden of directing.

"So kindly," Carol mused, "so well meant, so neighborly-- and so confoundedly untrue. Is it really my failure, or theirs?"

She sought to be sensible; she elaborately explained to herself that it was hysterical to condemn Gopher Prairie because it did not foam over the drama. Its justification was in its service as a market-town for farmers. How bravely and generously it did its work, forwarding the bread of the world, feeding and healing the farmers!

Then, on the corner below her husband's office, she heard a farmer holding forth:

"Sure. Course I was beaten. The shipper and the grocers here wouldn't pay us a decent price for our potatoes, even though folks in the cities were howling for 'em. So we says, well, we'll get a truck and ship 'em right down to Minneapolis. But the commission merchants there were in cahoots with the local shipper here; they said they wouldn't pay us a cent more than he would, not even if they was nearer to the market. Well, we found we could get higher prices in Chicago, but when we tried to get freight cars to ship there, the railroads wouldn't let us have 'em--even though they had cars standing empty right here in the yards. There you got it-- good market, and these towns keeping us from it. Gus, that's the way these towns work all the time. They pay what they want to for our wheat, but we pay what they want us to for their clothes. Stowbody and Dawson foreclose every mortgage they can, and put in tenant farmers. The Dauntless lies to us about the Nonpartisan League, the lawyers sting us, the machinery-dealers hate to carry us over bad years, and then their daughters put on swell dresses and look at us as if we were a bunch of hoboes. Man, I'd like to burn this town!"

Kennicott observed, "There's that old crank Wes Brannigan shooting off his mouth again. Gosh, but he loves to hear himself talk! They ought to run that fellow out of town!"

VII

She felt old and detached through high-school commencement week, which is the fete of youth in Gopher Prairie; through baccalaureate sermon, senior Parade, junior entertainment, commencement address by an Iowa clergyman who asserted that he believed in the virtue of virtuousness, and the procession of Decoration Day, when the few Civil War veterans followed Champ Perry, in his rusty forage-cap, along the spring-powdered road to the cemetery. She met Guy; she found that she had nothing to say to him. Her head ached in an aimless way. When Kennicott rejoiced, "We'll have a great time this summer; move down to the lake early and wear old clothes and act natural," she smiled, but her smile creaked.

In the prairie heat she trudged along unchanging ways, talked about nothing to tepid people, and reflected that she might never escape from them.

She was startled to find that she was using the word "escape."

Then, for three years which passed like one curt paragraph, she ceased to find anything interesting save the Bjornstams and her baby.

CHAPTER XIX

I

IN three years of exile from herself Carol had certain experiences chronicled as important by the Dauntless, or discussed by the Jolly Seventeen, but the event unchronicled, undiscussed, and supremely controlling, was her slow admission of longing to find her own people.

II

Bea and Miles Bjornstam were married in June, a month after "The Girl from Kankakee." Miles had turned respectable. He had renounced his criticisms of state and society; he had given up roving as horse-trader, and wearing red mackinaws in lumber-camps; he had gone to work as engineer in Jackson Elder's planing-mill; he was to be seen upon the streets endeavoring to be neighborly with suspicious men whom he had taunted for years.

Carol was the patroness and manager of the wedding. Juanita Haydock mocked, "You're a chump to let a good hired girl like Bea go. Besides! How do you know it's a good thing, her marrying a sassy bum like this awful Red Swede person? Get wise! Chase the man off with a mop, and hold onto your Svenska while the holding's good. Huh? Me go to their Scandahoofian wedding? Not a chance!"

The other matrons echoed Juanita. Carol was dismayed by the casualness of their cruelty, but she persisted. Miles had exclaimed to her, "Jack Elder says maybe he'll come to the wedding! Gee, it would be nice to have Bea meet the Boss as a reg'lar married lady. Some day I'll be so well off that Bea can play with Mrs. Elder--and you! Watch us!"

There was an uneasy knot of only nine guests at the service in the unpainted Lutheran Church--Carol, Kennicott, Guy Pollock, and the Champ Perrys, all brought by Carol; Bea's frightened rustic parents, her cousin Tina, and Pete, Miles's ex-partner in horse-trading, a surly, hairy man who had bought a black suit and come twelve hundred miles from Spokane for the event.

Miles continuously glanced back at the church door. Jackson Elder did not appear. The door did not once open after the awkward entrance of the first guests. Miles's hand closed on Bea's arm.

He had, with Carol's help, made his shanty over into a cottage with white curtains and a canary and a chintz chair.

Carol coaxed the powerful matrons to call on Bea. They half scoffed, half promised to go.

Bea's successor was the oldish, broad, silent Oscarina, who was suspicious of her frivolous mistress for a month, so that Juanita Haydock was able to crow, "There, smarty, I told you you'd run into the Domestic Problem!" But Oscarina adopted Carol as a daughter, and with her as faithful to the kitchen as Bea had been, there was nothing changed in Carol's life.

III

She was unexpectedly appointed to the town library-board by Ole Jenson, the new mayor. The other members were Dr. Westlake, Lyman Cass, Julius Flickerbaugh the attorney, Guy Pollock, and Martin Mahoney, former livery-stable keeper and now owner of a garage. She was delighted. She went to the first meeting rather condescendingly, regarding herself as the only one besides Guy who knew anything about books or library methods. She was planning to revolutionize the whole system.

Her condescension was ruined and her humility wholesomely increased when she found the board, in the shabby room on the second floor of the house which had been converted into the library, not discussing the weather and longing to play checkers, but talking about books. She discovered that amiable old Dr. Westlake read everything in verse and "light fiction"; that Lyman Cass, the veal-faced, bristly-bearded owner of the mill, had tramped through Gibbon, Hume, Grote, Prescott, and the other thick historians; that he could repeat pages from them--and did. When Dr. Westlake whispered to her, "Yes, Lym is a very well-informed man, but he's modest about it," she felt uninformed and immodest, and scolded at herself that she had missed the human potentialities in this vast Gopher Prairie. When Dr. Westlake quoted the "Paradiso," "Don Quixote," "Wilhelm Meister," and the Koran, she reflected that no one she knew, not even her father, had read all four.

She came diffidently to the second meeting of the board. She did not plan to revolutionize anything. She hoped that the wise elders might be so tolerant as to listen to her suggestions about changing the shelving of the juveniles.

Yet after four sessions of the library-board she was where she had been before the first session. She had found that for all their pride in being reading men, Westlake and Cass and even Guy had no conception of making the library familiar to the whole town. They used it, they passed resolutions about it, and they left it as dead as Moses. Only the Henty books and the Elsie books and the latest optimisms by moral female novelists and virile clergymen were in general demand, and the board themselves were interested only in old, stilted volumes. They had no tenderness for the noisiness of youth discovering great literature.

If she was egotistic about her tiny learning, they were at least as much so regarding theirs. And for all their talk of the need of additional library-tax none of them was willing to risk censure by battling for it, though they now had so small a fund that, after paying for rent, heat, light, and Miss Villets's salary, they had only a hundred dollars a year for the purchase of books.

The Incident of the Seventeen Cents killed her none too enduring interest.

She had come to the board-meeting singing with a plan. She had made a list of thirty European novels of the past ten years, with twenty important books on psychology, education, and economics which the library lacked. She had made Kennicott promise to give fifteen dollars. If each of the board would contribute the same, they could have the books.

Lym Cass looked alarmed, scratched himself, and protested, "I think it would be a bad precedent for the board-members to contribute money--uh--not that I mind, but it wouldn't be fair--establish precedent. Gracious! They don't pay us a cent for our services! Certainly can't expect us to pay for the privilege of serving!"

Only Guy looked sympathetic, and he stroked the pine table and said nothing.

The rest of the meeting they gave to a bellicose investigation of the fact that there was seventeen cents less than there should be in the Fund. Miss Villets was summoned; she spent half an hour in explosively defending herself; the seventeen cents were gnawed over, penny by penny; and Carol, glancing at the carefully inscribed list which had been so lovely and exciting an hour before, was silent, and sorry for Miss Villets, and sorrier for herself.

She was reasonably regular in attendance till her two years were up and Vida Sherwin was appointed to the board in her place, but she did not try to be revolutionary. In the plodding course of her life there was nothing changed, and nothing new.

IV

Kennicott made an excellent land-deal, but as he told her none of the details, she was not greatly exalted or agitated. What did agitate her was his announcement, half whispered and half blurted, half tender and half coldly medical, that they "ought to have a baby, now they could afford it." They had so long agreed that "perhaps it would be just as well not to have any children for a while yet," that childlessness had come to be natural. Now, she feared and longed and did not know; she hesitatingly assented, and wished that she had not assented.

As there appeared no change in their drowsy relations, she forgot all about it, and life was planless.

V

Idling on the porch of their summer cottage at the lake, on afternoons when Kennicott was in town, when the water was glazed and the whole air languid, she pictured a hundred escapes: Fifth Avenue in a snow-storm, with limousines, golden shops, a cathedral spire. A reed hut on fantastic piles above the mud of a jungle river. A suite in Paris, immense high grave rooms, with lambrequins and a balcony. The Enchanted Mesa. An ancient stone mill in Maryland, at the turn of the road, between rocky brook and abrupt hills. An upland moor of sheep and flitting cool sunlight. A clanging dock where steel cranes unloaded steamers from Buenos Ayres and Tsing- tao. A Munich concert-hall, and a famous 'cellist playing-- playing to her.

One scene had a persistent witchery:

She stood on a terrace overlooking a boulevard by the warm sea. She was certain, though she had no reason for it, that the place was Mentone. Along the drive below her swept barouches, with a mechanical tlot-tlot, tlot-tlot, tlot-tlot, and great cars with polished black hoods and engines quiet as the sigh of an old man. In them were women erect, slender, enameled, and expressionless as marionettes, their small hands upon parasols, their unchanging eyes always forward, ignoring the men beside them, tall men with gray hair and distinguished faces. Beyond the drive were painted sea and painted sands, and blue and yellow pavilions. Nothing moved except the gliding carriages, and the people were small and wooden, spots in a picture drenched with gold and hard bright blues. There was no sound of sea or winds; no softness of whispers nor of falling petals; nothing but yellow and cobalt and staring light, and the never-changing tlot-tlot, tlot-tlot----

She startled. She whimpered. It was the rapid ticking of the clock which had hypnotized her into hearing the steady hoofs. No aching color of the sea and pride of supercilious people, but the reality of a round-bellied nickel alarm-clock on a shelf against a fuzzy unplaned pine wall, with a stiff gray wash-rag hanging above it and a kerosene-stove standing below.

A thousand dreams governed by the fiction she had read, drawn from the pictures she had envied, absorbed her drowsy lake afternoons, but always in the midst of them Kennicott came out from town, drew on khaki trousers which were plastered with dry fish-scales, asked, "Enjoying yourself?" and did not listen to her answer.

And nothing was changed, and there was no reason to believe that there ever would be change.

VI

Trains!

At the lake cottage she missed the passing of the trains. She realized that in town she had depended upon them for assurance that there remained a world beyond.

The railroad was more than a means of transportation to Gopher Prairie. It was a new god; a monster of steel limbs, oak ribs, flesh of gravel, and a stupendous hunger for freight; a deity created by man that he might keep himself respectful to Property, as elsewhere he had elevated and served as tribal gods the mines, cotton-mills, motor-factories, colleges, army.

The East remembered generations when there had been no railroad, and had no awe of it; but here the railroads had been before time was. The towns had been staked out on barren prairie as convenient points for future train-halts; and back in 1860 and 1870 there had been much profit, much opportunity to found aristocratic families, in the possession of advance knowledge as to where the towns would arise.

If a town was in disfavor, the railroad could ignore it, cut it off from commerce, slay it. To Gopher Prairie the tracks were eternal verities, and boards of railroad directors an omnipotence. The smallest boy or the most secluded grandam could tell you whether No. 32 had a hot-box last Tuesday, whether No. 7 was going to put on an extra day- coach; and the name of the president of the road was familiar to every breakfast table.

Even in this new era of motors the citizens went down to the station to see the trains go through. It was their romance; their only mystery besides mass at the Catholic Church; and from the trains came lords of the outer world-- traveling salesmen with piping on their waistcoats, and visiting cousins from Milwaukee.

Gopher Prairie had once been a "division-point." The roundhouse and repair-shops were gone, but two conductors still retained residence, and they were persons of distinction, men who traveled and talked to strangers, who wore uniforms with brass buttons, and knew all about these crooked games of con-men. They were a special caste, neither above nor below the Haydocks, but apart, artists and adventurers.

The night telegraph-operator at the railroad station was the most melodramatic figure in town: awake at three in the morning, alone in a room hectic with clatter of the telegraph key. All night he "talked" to operators twenty, fifty, a hundred miles away. It was always to be expected that he would be held up by robbers. He never was, but round him was a suggestion of masked faces at the window, revolvers, cords binding him to a chair, his struggle to crawl to the key before he fainted.

During blizzards everything about the railroad was melodramatic. There were days when the town was completely shut off, when they had no mail, no express, no fresh meat, no newspapers. At last the rotary snow-plow came through, bucking the drifts, sending up a geyser, and the way to the Outside was open again. The brakemen, in mufflers and fur caps, running along the tops of ice-coated freight-cars; the engineers scratching frost from the cab windows and looking out, inscrutable, self-contained, pilots of the prairie sea--they were heroism, they were to Carol the daring of the quest in a world of groceries and sermons.

To the small boys the railroad was a familiar playground. They climbed the iron ladders on the sides of the box-cars; built fires behind piles of old ties; waved to favorite brakemen. But to Carol it was magic.

She was motoring with Kennicott, the car lumping through darkness, the lights showing mud-puddles and ragged weeds by the road. A train coming! A rapid chuck-a-chuck, chuck- a-chuck, chuck-a-chuck. It was hurling past--the Pacific Flyer, an arrow of golden flame. Light from the fire-box splashed the under side of the trailing smoke. Instantly the vision was gone; Carol was back in the long darkness; and Kennicott was giving his version of that fire and wonder: "No. 19. Must be 'bout ten minutes late."

In town, she listened from bed to the express whistling in the cut a mile north. Uuuuuuu!--faint, nervous, distrait, horn of the free night riders journeying to the tall towns where were laughter and banners and the sound of bells--Uuuuu! Uuuuu!--the world going by--Uuuuuuu!--fainter, more wistful, gone.

Down here there were no trains. The stillness was very great. The prairie encircled the lake, lay round her, raw, dusty, thick. Only the train could cut it. Some day she would take a train; and that would be a great taking.

VII

She turned to the Chautauqua as she had turned to the dramatic association, to the library-board.

Besides the permanent Mother Chautauqua, in New York, there are, all over these States, commercial Chautauqua companies which send out to every smallest town troupes of lecturers and "entertainers" to give a week of culture under canvas. Living in Minneapolis, Carol had never encountered the ambulant Chautauqua, and the announcement of its com- ing to Gopher Prairie gave her hope that others might be doing the vague things which she had attempted. She pictured a condensed university course brought to the people. Mornings when she came in from the lake with Kennicott she saw placards in every shop-window, and strung on a cord across Main Street, a line of pennants alternately worded "The Boland Chautauqua COMING!" and "A solid week of inspiration and enjoyment!" But she was disappointed when she saw the program. It did not seem to be a tabloid university; it did not seem to be any kind of a university; it seemed to be a combination of vaudeville performance Y. M. C. A. lecture, and the graduation exercises of an elocution class.

She took her doubt to Kennicott. He insisted, "Well, maybe it won't be so awful darn intellectual, the way you and I might like it, but it's a whole lot better than nothing." Vida Sherwin added, "They have some splendid speakers. If the people don't carry off so much actual information, they do get a lot of new ideas, and that's what counts."

During the Chautauqua Carol attended three evening meetings, two afternoon meetings, and one in the morning. She was impressed by the audience: the sallow women in skirts and blouses, eager to be made to think, the men in vests and shirt- sleeves, eager to be allowed to laugh, and the wriggling children, eager to sneak away. She liked the plain benches, the portable stage under its red marquee, the great tent over all, shadowy above strings of incandescent bulbs at night and by day casting an amber radiance on the patient crowd. The scent of dust and trampled grass and sun-baked wood gave her an illusion of Syrian caravans; she forgot the speakers while she listened to noises outside the tent: two farmers talking hoarsely, a wagon creaking down Main Street, the crow of a rooster. She was content. But it was the contentment of the lost hunter stopping to rest.

For from the Chautauqua itself she got nothing but wind and chaff and heavy laughter, the laughter of yokels at old jokes, a mirthless and primitive sound like the cries of beasts on a farm.

These were the several instructors in the condensed university's seven-day course:

Nine lecturers, four of them ex-ministers, and one an ex- congressman, all of them delivering "inspirational addresses." The only facts or opinions which Carol derived from them were: Lincoln was a celebrated president of the United States, but in his youth extremely poor. James J. Hill was the best- known railroad-man of the West, and in his youth extremely poor. Honesty and courtesy in business are preferable to boorishness and exposed trickery, but this is not to be taken personally, since all persons in Gopher Prairie are known to be honest and courteous. London is a large city. A distinguished statesman once taught Sunday School.

Four "entertainers" who told Jewish stories, Irish stories, German stories, Chinese stories, and Tennessee mountaineer stories, most of which Carol had heard.

A "lady elocutionist" who recited Kipling and imitated children.

A lecturer with motion-pictures of an Andean exploration; excellent pictures and a halting narrative.

Three brass-bands, a company of six opera-singers, a Hawaiian sextette, and four youths who played saxophones and guitars disguised as wash-boards. The most applauded pieces were those, such as the "Lucia" inevitability, which the audience had heard most often.

The local superintendent, who remained through the week while the other enlighteners went to other Chautauquas for their daily performances. The superintendent was a bookish, underfed man who worked hard at rousing artificial enthusiasm, at trying to make the audience cheer by dividing them into competitive squads and telling them that they were intelligent and made splendid communal noises. He gave most of the morning lectures, droning with equal unhappy facility about poetry, the Holy Land, and the injustice to employers in any system of profit-sharing.

The final item was a man who neither lectured, inspired, nor entertained; a plain little man with his hands in his pockets. All the other speakers had confessed, "I cannot keep from telling the citizens of your beautiful city that none of the talent on this circuit have found a more charming spot or more enterprising and hospitable people." But the little man suggested that the architecture of Gopher Prairie was haphazard, and that it was sottish to let the lake-front be monopolized by the cinder-heaped wall of the railroad embankment. Afterward the audience grumbled, "Maybe that guy's got the right dope, but what's the use of looking on the dark side of things all the time? New ideas are first-rate, but not all this criticism. Enough trouble in life without looking for it!"

Thus the Chautauqua, as Carol saw it. After it, the town felt proud and educated.

VIII

Two weeks later the Great War smote Europe.

For a month Gopher Prairie had the delight of shuddering, then, as the war settled down to a business of trench-fighting, they forgot.

When Carol talked about the Balkans, and the possibility of a German revolution, Kennicott yawned, "Oh yes, it's a great old scrap, but it's none of our business. Folks out here are too busy growing corn to monkey with any fool war that those foreigners want to get themselves into."

It was Miles Bjornstam who said, "I can't figure it out. I'm opposed to wars, but still, seems like Germany has got to be licked because them Junkers stands in the way of progress."

She was calling on Miles and Bea, early in autumn. They had received her with cries, with dusting of chairs, and a running to fetch water for coffee. Miles stood and beamed at her. He fell often and joyously into his old irreverence about the lords of Gopher Prairie, but always--with a certain difficulty--he added something decorous and appreciative.

"Lots of people have come to see you, haven't they?" Carol hinted.

"Why, Bea's cousin Tina comes in right along, and the foreman at the mill, and---- Oh, we have good times. Say, take a look at that Bea! Wouldn't you think she was a canary-bird, to listen to her, and to see that Scandahoofian tow- head of hers? But say, know what she is? She's a mother hen! Way she fusses over me--way she makes old Miles wear a necktie! Hate to spoil her by letting her hear it, but she's one pretty darn nice--nice---- Hell! What do we care if none of the dirty snobs come and call? We've got each other."

Carol worried about their struggle, but she forgot it in the stress of sickness and fear. For that autumn she knew that a baby was coming, that at last life promised to be interesting in the peril of the great change.

CHAPTER XX

I

THE baby was coming. Each morning she was nauseated, chilly, bedraggled, and certain that she would never again be attractive; each twilight she was afraid. She did not feel exalted, but unkempt and furious. The period of daily sickness crawled into an endless time of boredom. It became difficult for her to move about, and she raged that she, who had been slim and light-footed, should have to lean on a stick, and be heartily commented upon by street gossips. She was encircled by greasy eyes. Every matron hinted, "Now that you're going to be a mother, dearie, you'll get over all these ideas of yours and settle down." She felt that willy-nilly she was being initiated into the assembly of housekeepers; with the baby for hostage, she would never escape; presently she would be drinking coffee and rocking and talking about diapers.

"I could stand fighting them. I'm used to that. But this being taken in, being taken as a matter of course, I can't stand it--and I must stand it!"

She alternately detested herself for not appreciating the kindly women, and detested them for their advice: lugubrious hints as to how much she would suffer in labor, details of baby-hygiene based on long experience and total misunderstanding, superstitious cautions about the things she must eat and read and look at in prenatal care for the baby's soul, and always a pest of simpering baby-talk. Mrs. Champ Perry bustled in to lend "Ben Hur," as a preventive of future infant immorality. The Widow Bogart appeared trailing pinkish exclamations, "And how is our lovely 'ittle muzzy today! My, ain't it just like they always say: being in a Family Way does make the girlie so lovely, just like a Madonna. Tell me--" Her whisper was tinged with salaciousness--"does oo feel the dear itsy one stirring, the pledge of love? I remember with Cy, of course he was so big----"

"I do not look lovely, Mrs. Bogart. My complexion is rotten, and my hair is coming out, and I look like a potato-bag, and I think my arches are falling, and he isn't a pledge of love, and I'm afraid he WILL look like us, and I don't believe in mother-devotion, and the whole business is a confounded nuisance of a biological process," remarked Carol.

Then the baby was born, without unusual difficulty: a boy with straight back and strong legs. The first day she hated him for the tides of pain and hopeless fear he had caused; she resented his raw ugliness. After that she loved him with all the devotion and instinct at which she had scoffed. She marveled at the perfection of the miniature hands as noisily as did Kennicott, she was overwhelmed by the trust with which the baby turned to her; passion for him grew with each unpoetic irritating thing she had to do for him.

He was named Hugh, for her father.

Hugh developed into a thin healthy child with a large head and straight delicate hair of a faint brown. He was thoughtful and casual--a Kennicott.

For two years nothing else existed. She did not, as the cynical matrons had prophesied, "give up worrying about the world and other folks' babies soon as she got one of her own to fight for." The barbarity of that willingness to sacrifice other children so that one child might have too much was impossible to her. But she would sacrifice herself. She understood consecration--she who answered Kennicott's hints about having Hugh christened: "I refuse to insult my baby and myself by asking an ignorant young man in a frock coat to sanction him, to permit me to have him! I refuse to subject him to any devil-chasing rites! If I didn't give my baby--MY BABY-- enough sanctification in those nine hours of hell, then he can't get any more out of the Reverend Mr. Zitterel!"

"Well, Baptists hardly ever christen kids. I was kind of thinking more about Reverend Warren," said Kennicott.

Hugh was her reason for living, promise of accomplishment in the future, shrine of adoration--and a diverting toy. "I thought I'd be a dilettante mother, but I'm as dismayingly natural as Mrs. Bogart," she boasted.

For two--years Carol was a part of the town; as much one of Our Young Mothers as Mrs. McGanum. Her opinionation seemed dead; she had no apparent desire for escape; her brooding centered on Hugh. While she wondered at the pearl texture of his ear she exulted, "I feel like an old woman, with a skin like sandpaper, beside him, and I'm glad of it! He is perfect. He shall have everything. He sha'n't always stay here in Gopher Prairie. . . . I wonder which is really the best, Harvard or Yale or Oxford?"

II

The people who hemmed her in had been brilliantly reinforced by Mr. and Mrs. Whittier N. Smail--Kennicott's Uncle Whittier and Aunt Bessie.

The true Main Streetite defines a relative as a person to whose house you go uninvited, to stay as long as you like. If you hear that Lym Cass on his journey East has spent all his time "visiting" in Oyster Center, it does not mean that he prefers that village to the rest of New England, but that he has relatives there. It does not mean that he has written to the relatives these many years, nor that they have ever given signs of a desire to look upon him. But "you wouldn't expect a man to go and spend good money at a hotel in Boston, when his own third cousins live right in the same state, would you?"

When the Smails sold their creamery in North Dakota they visited Mr. Smail's sister, Kennicott's mother, at Lac-qui- Meurt, then plodded on to Gopher Prairie to stay with their nephew. They appeared unannounced, before the baby was born, took their welcome for granted, and immediately began to complain of the fact that their room faced north.

Uncle Whittier and Aunt Bessie assumed that it was their privilege as relatives to laugh at Carol, and their duty as Christians to let her know how absurd her "notions" were. They objected to the food, to Oscarina's lack of friendliness, to the wind, the rain, and the immodesty of Carol's maternity gowns. They were strong and enduring; for an hour at a time they could go on heaving questions about her father's income, about her theology, and about the reason why she had not put on her rubbers when she had gone across the street. For fussy discussion they had a rich, full genius, and their example developed in Kennicott a tendency to the same form of affectionate flaying.

If Carol was so indiscreet as to murmur that she had a small headache, instantly the two Smails and Kennicott were at it. Every five minutes, every time she sat down or rose or spoke to Oscarina, they twanged, "Is your head better now? Where does it hurt? Don't you keep hartshorn in the house? Didn't you walk too far today? Have you tried hartshorn? Don't you keep some in the house so it will be handy? Does it feel better now? How does it feel? Do your eyes hurt, too? What time do you usually get to bed? As late as THAT? Well! How does it feel now?"

In her presence Uncle Whittier snorted at Kennicott, "Carol get these headaches often? Huh? Be better for her if she didn't go gadding around to all these bridge-whist parties, and took some care of herself once in a while!"

They kept it up, commenting, questioning, commenting, questioning, till her determination broke and she bleated, "For heaven's SAKE, don't dis-CUSS it! My head 's all RIGHT!"

She listened to the Smails and Kennicott trying to determine by dialectics whether the copy of the Dauntless, which Aunt Bessie wanted to send to her sister in Alberta, ought to have two or four cents postage on it. Carol would have taken it to the drug store and weighed it, but then she was a dreamer, while they were practical people (as they frequently admitted). So they sought to evolve the postal rate from their inner consciousnesses, which, combined with entire frankness in thinking aloud, was their method of settling all problems.

The Smails did not "believe in all this nonsense" about privacy and reticence. When Carol left a letter from her sister on the table, she was astounded to hear from Uncle Whittier, "I see your sister says her husband is doing fine. You ought to go see her oftener. I asked Will and he says you don't go see her very often. My! You ought to go see her oftener!"

If Carol was writing a letter to a classmate, or planning the week's menus, she could be certain that Aunt Bessie would pop in and titter, "Now don't let me disturb you, I just wanted to see where you were, don't stop, I'm not going to stay only a second. I just wondered if you could possibly have thought that I didn't eat the onions this noon because I didn't think they were properly cooked, but that wasn't the reason at all, it wasn't because I didn't think they were well cooked, I'm sure that everything in your house is always very dainty and nice, though I do think that Oscarina is careless about some things, she doesn't appreciate the big wages you pay her, and she is so cranky, all these Swedes are so cranky, I don't really see why you have a Swede, but---- But that wasn't it, I didn't eat them not because I didn't think they weren't cooked proper, it was just--I find that onions don't agree with me, it's very strange, ever since I had an attack of biliousness one time, I have found that onions, either fried onions or raw ones, and Whittier does love raw onions with vinegar and sugar on them----"

It was pure affection.

Carol was discovering that the one thing that can be more disconcerting than intelligent hatred is demanding love.

She supposed that she was being gracefully dull and standardized in the Smails' presence, but they scented the heretic, and with forward-stooping delight they sat and tried to drag out her ludicrous concepts for their amusement. They were like the Sunday-afternoon mob starting at monkeys in the Zoo, poking fingers arid making faces and giggling at the resentment of the more dignified race.

With a loose-lipped, superior, village smile Uncle Whittier hinted, "What's this I hear about your thinking Gopher Prairie ought to be all tore down and rebuilt, Carrie? I don't know where folks get these new-fangled ideas. Lots of farmers in Dakota getting 'em these days. About co-operation. Think they can run stores better 'n storekeepers! Huh!"

"Whit and I didn't need no co-operation as long as we was farming!" triumphed Aunt Bessie. "Carrie, tell your old auntie now: don't you ever go to church on Sunday? You do go sometimes? But you ought to go every Sunday! When you're as old as I am, you'll learn that no matter how smart folks think they are, God knows a whole lot more than they do, and then you'll realize and be glad to go and listen to your pastor!"

In the manner of one who has just beheld a two-headed calf they repeated that they had "never HEARD such funny ideas!" They were staggered to learn that a real tangible person, living in Minnesota, and married to their own flesh-and-blood relation, could apparently believe that divorce may not always be immoral; that illegitimate children do not bear any special and guaranteed form of curse; that there are ethical authorities outside of the Hebrew Bible; that men have drunk wine yet not died in the gutter; that the capitalistic system of distribution and the Baptist wedding-ceremony were not known in the Garden of Eden; that mushrooms are as edible as corn-beef hash; that the word "dude" is no longer frequently used; that there are Ministers of the Gospel who accept evolution; that some persons of apparent intelligence and business ability do not always vote the Republican ticket straight; that it is not a universal custom to wear scratchy flannels next the skin in winter; that a violin is not inherently more immoral than a chapel organ; that some poets do not have long hair; and that Jews are not always pedlers or pants- makers.

"Where does she get all them the'ries?" marveled Uncle Whittier Smail; while Aunt Bessie inquired, "Do you suppose there's many folks got notions like hers? My! If there are," and her tone settled the fact that there were not, "I just don't know what the world's coming to!"

Patiently--more or less--Carol awaited the exquisite day when they would announce departure. After three weeks Uncle Whittier remarked, "We kinda like Gopher Prairie. Guess maybe we'll stay here. We'd been wondering what we'd do, now we've sold the creamery and my farms. So I had a talk with Ole Jenson about his grocery, and I guess I'll buy him out and storekeep for a while."

He did.

Carol rebelled. Kennicott soothed her: "Oh, we won't see much of them. They'll have their own house."

She resolved to be so chilly that they would stay away. But she had no talent for conscious insolence. They found a house, but Carol was never safe from their appearance with a hearty, "Thought we'd drop in this evening and keep you from being lonely. Why, you ain't had them curtains washed yet!" Invariably, whenever she was touched by the realization that it was they who were lonely, they wrecked her pitying affection by comments--questions--comments--advice.

They immediately became friendly with all of their own race, with the Luke Dawsons, the Deacon Piersons, and Mrs. Bogart; and brought them along in the evening. Aunt Bessie was a bridge over whom the older women, bearing gifts of counsel and the ignorance of experience, poured into Carol's island of reserve. Aunt Bessie urged the good Widow Bogart, "Drop in and see Carrie real often. Young folks today don't understand housekeeping like we do."

Mrs. Bogart showed herself perfectly willing to be an associate relative.

Carol was thinking up protective insults when Kennicott's mother came down to stay with Brother Whittier for two months. Carol was fond of Mrs. Kennicott. She could not carry out her insults.

She felt trapped.

She had been kidnaped by the town. She was Aunt Bessie's niece, and she was to be a mother. She was expected, she almost expected herself, to sit forever talking of babies, cooks, embroidery stitches, the price of potatoes, and the tastes of husbands in the matter of spinach.

She found a refuge in the Jolly Seventeen. She suddenly understood that they could be depended upon to laugh with her at Mrs. Bogart, and she now saw Juanita Haydock's gossip not as vulgarity but as gaiety and remarkable analysis.

Her life had changed, even before Hugh appeared. She looked forward to the next bridge of the Jolly Seventeen, and the security of whispering with her dear friends Maud Dyer and Juanita and Mrs. McGanum.

She was part of the town. Its philosophy and its feuds dominated her.

III

She was no longer irritated by the cooing of the matrons, nor by their opinion that diet didn't matter so long as the Little Ones had plenty of lace and moist kisses, but she concluded that in the care of babies as in politics, intelligence was superior to quotations about pansies. She liked best to talk about Hugh to Kennicott, Vida, and the Bjornstams. She was happily domestic when Kennicott sat by her on the floor, to watch baby make faces. She was delighted when Miles, speaking as one man to another, admonished Hugh, "I wouldn't stand them skirts if I was you. Come on. Join the union and strike. Make 'em give you pants."

As a parent, Kennicott was moved to establish the first child-welfare week held in Gopher Prairie. Carol helped him weigh babies and examine their throats, and she wrote out the diets for mute German and Scandinavian mothers.

The aristocracy of Gopher Prairie, even the wives of the rival doctors, took part, and for several days there was community spirit and much uplift. But this reign of love was overthrown when the prize for Best Baby was awarded not to decent parents but to Bea and Miles Bjornstam! The good matrons glared at Olaf Bjornstam, with his blue eyes, his honey-colored hair, and magnificent back, and they remarked, "Well, Mrs. Kennicott, maybe that Swede brat is as healthy as your husband says he is, but let me tell you I hate to think of the future that awaits any boy with a hired girl for a mother and an awful irreligious socialist for a pa!"

She raged, but so violent was the current of their respectability, so persistent was Aunt Bessie in running to her with their blabber, that she was embarrassed when she took Hugh to play with Olaf. She hated herself for it, but she hoped that no one saw her go into the Bjornstam shanty. She hated herself and the town's indifferent cruelty when she saw Bea's radiant devotion to both babies alike; when she saw Miles staring at them wistfully.

He had saved money, had quit Elder's planing-mill and started a dairy on a vacant lot near his shack. He was proud of his three cows and sixty chickens, and got up nights to nurse them.

"I'll be a big farmer before you can bat an eye! I tell you that young fellow Olaf is going to go East to college along with the Haydock kids. Uh---- Lots of folks dropping in to chin with Bea and me now. Say! Ma Bogart come in one day! She was---- I liked the old lady fine. And the mill foreman comes in right along. Oh, we got lots of friends. You bet!"

IV

Though the town seemed to Carol to change no more than the surrounding fields, there was a constant shifting, these three years. The citizen of the prairie drifts always westward. It may be because he is the heir of ancient migrations--and it may be because he finds within his own spirit so little adventure that he is driven to seek it by changing his horizon. The towns remain unvaried, yet the individual faces alter like classes in college. The Gopher Prairie jeweler sells out, for no discernible reason, and moves on to Alberta or the state of Washington, to open a shop precisely like his former one, in a town precisely like the one he has left. There is, except among professional men and the wealthy, small permanence either of residence or occupation. A man becomes farmer, grocer, town policeman, garageman, restaurant-owner, postmaster, insurance-agent, and farmer all over again, and the community more or less patiently suffers from his lack of knowledge in each of his experiments.

Ole Jenson the grocer and Dahl the butcher moved on to South Dakota and Idaho. Luke and Mrs. Dawson picked up ten thousand acres of prairie soil, in the magic portable form of a small check book, and went to Pasadena, to a bungalow and sunshine and cafeterias. Chet Dashaway sold his furniture and undertaking business and wandered to Los Angeles, where, the Dauntless reported, "Our good friend Chester has accepted a fine position with a real-estate firm, and his wife has in the charming social circles of the Queen City of the Southwestland that same popularity which she enjoyed in our own society sets."

Rita Simons was married to Terry Gould, and rivaled Juanita Haydock as the gayest of the Young Married Set. But Juanita also acquired merit. Harry's father died, Harry became senior partner in the Bon Ton Store, and Juanita was more acidulous and shrewd and cackling than ever. She bought an evening frock, and exposed her collar-bone to the wonder of the Jolly Seventeen, and talked of moving to Minneapolis.

To defend her position against the new Mrs. Terry Gould she sought to attach Carol to her faction by giggling that "SOME folks might call Rita innocent, but I've got a hunch that she isn't half as ignorant of things as brides are supposed to be--and of course Terry isn't one-two-three as a doctor alongside of your husband."

Carol herself would gladly have followed Mr. Ole Jenson, and migrated even to another Main Street; flight from familiar tedium to new tedium would have for a time the outer look and promise of adventure. She hinted to Kennicott of the probable medical advantages of Montana and Oregon. She knew that he was satisfied with Gopher Prairie, but it gave her vicarious hope to think of going, to ask for railroad folders at the station, to trace the maps with a restless forefinger.

Yet to the casual eye she was not discontented, she was not an abnormal and distressing traitor to the faith of Main Street.

The settled citizen believes that the rebel is constantly in a stew of complaining and, hearing of a Carol Kennicott, he gasps, "What an awful person! She must be a Holy Terror to live with! Glad MY folks are satisfied with things way they are!" Actually, it was not so much as five minutes a day that Carol devoted to lonely desires. It is probable that the agitated citizen has within his circle at least one inarticulate rebel with aspirations as wayward as Carol's.

The presence of the baby had made her take Gopher Prairie and the brown house seriously, as natural places of residence. She pleased Kennicott by being friendly with the complacent maturity of Mrs. Clark and Mrs. Elder, and when she had often enough been in conference upon the Elders' new Cadillac car, or the job which the oldest Clark boy had taken in the office of the flour-mill, these topics became important, things to follow up day by day.

With nine-tenths of her emotion concentrated upon Hugh, she did not criticize shops, streets, acquaintances. . . this year or two. She hurried to Uncle Whittier's store for a package of corn-flakes, she abstractedly listened to Uncle Whittier's denunciation of Martin Mahoney for asserting that the wind last Tuesday had been south and not southwest, she came back along streets that held no surprises nor the startling faces of strangers. Thinking of Hugh's teething all the way, she did not reflect that this store, these drab blocks, made up all her background. She did her work, and she triumphed over winning from the Clarks at five hundred.

The most considerable event of the two years after the birth of Hugh occurred when Vida Sherwin resigned from the high school and was married. Carol was her attendant, and as the wedding was at the Episcopal Church, all the women wore new kid slippers and long white kid gloves, and looked refined.

For years Carol had been little sister to Vida, and had never in the least known to what degree Vida loved her and hated her and in curious strained ways was bound to her.

CHAPTER XXI

I

GRAY steel that seems unmoving because it spins so fast in the balanced fly-wheel, gray snow in an avenue of elms, gray dawn with the sun behind it--this was the gray of Vida Sherwin's life at thirty-six.

She was small and active and sallow; her yellow hair was faded, and looked dry; her blue silk blouses and modest lace collars and high black shoes and sailor hats were as literal and uncharming as a schoolroom desk; but her eyes determined her appearance, revealed her as a personage and a force, indicated her faith in the goodness and purpose of everything. They were blue, and they were never still; they expressed amusement, pity, enthusiasm. If she had been seen in sleep, with the wrinkles beside her eyes stilled and the creased lids hiding the radiant irises, she would have lost her potency.

She was born in a hill-smothered Wisconsin village where her father was a prosy minister; she labored through a sanctimonious college; she taught for two years in an iron-range town of blurry-faced Tatars and Montenegrins, and wastes of ore, and when she came to Gopher Prairie, its trees and the shining spaciousness of the wheat prairie made her certain that she was in paradise.

She admitted to her fellow-teachers that the schoolbuilding was slightly damp, but she insisted that the rooms were "arranged so conveniently--and then that bust of President McKinley at the head of the stairs, it's a lovely art-work, and isn't it an inspiration to have the brave, honest, martyr president to think about!" She taught French, English, and history, and the Sophomore Latin class, which dealt in matters of a metaphysical nature called Indirect Discourse and the Ablative Absolute. Each year she was reconvinced that the pupils were beginning to learn more quickly. She spent four winters in building up the Debating Society, and when the debate really was lively one Friday afternoon, and the speakers of pieces did not forget their lines, she felt rewarded.

She lived an engrossed useful life, and seemed as cool and simple as an apple. But secretly she was creeping among fears, longing, and guilt. She knew what it was, but she dared not name it. She hated even the sound of the word "sex." When she dreamed of being a woman of the harem, with great white warm limbs, she awoke to shudder, defenseless in the dusk of her room. She prayed to Jesus, always to the Son of God, offering him the terrible power of her adoration, addressing him as the eternal lover, growing passionate, exalted, large, as she contemplated his splendor. Thus she mounted to endurance and surcease.

By day, rattling about in many activities, she was able to ridicule her blazing nights of darkness. With spurious cheerfulness she announced everywhere, "I guess I'm a born spinster," and "No one will ever marry a plain schoolma'am like me," and "You men, great big noisy bothersome creatures, we women wouldn't have you round the place, dirtying up nice clean rooms, if it wasn't that you have to be petted and guided. We just ought to say `Scat!' to all of you!"

But when a man held her close at a dance, even when "Professor" George Edwin Mott patted her hand paternally as they considered the naughtinesses of Cy Bogart, she quivered, and reflected how superior she was to have kept her virginity.

In the autumn of 1911, a year before Dr. Will Kennicott was married, Vida was his partner at a five-hundred tournament. She was thirty-four then; Kennicott about thirty-six. To her he was a superb, boyish, diverting creature; all the heroic qualities in a manly magnificent body. They had been helping the hostess to serve the Waldorf salad and coffee and gingerbread. They were in the kitchen, side by side on a bench, while the others ponderously supped in the room beyond.

Kennicott was masculine and experimental. He stroked Vida's hand, he put his arm carelessly about her shoulder.

"Don't!" she said sharply.

"You're a cunning thing," he offered, patting the back of her shoulder in an exploratory manner.

While she strained away, she longed to move nearer to him. He bent over, looked at her knowingly. She glanced down at his left hand as it touched her knee. She sprang up, started noisily and needlessly to wash the dishes. He helped her. He was too lazy to adventure further--and too used to women in his profession. She was grateful for the impersonality of his talk. It enabled her to gain control. She knew that she had skirted wild thoughts.

A month after, on a sleighing-party, under the buffalo robes in the bob-sled, he whispered, "You pretend to be a grown-up schoolteacher, but you're nothing but a kiddie." His arm was about her. She resisted.

"Don't you like the poor lonely bachelor?" he yammered in a fatuous way.

"No, I don't! You don't care for me in the least. You're just practising on me."

"You're so mean! I'm terribly fond of you."

"I'm not of you. And I'm not going to let myself be fond of you, either."

He persistently drew her toward him. She clutched his arm. Then she threw off the robe, climbed out of the sled, raced after it with Harry Haydock. At the dance which followed the sleigh-ride Kennicott was devoted to the watery prettiness of Maud Dyer, and Vida was noisily interested in getting up a Virginia Reel. Without seeming to watch Kennicott, she knew that he did not once look at her.

That was all of her first love-affair.

He gave no sign of remembering that he was "terribly fond." She waited for him; she reveled in longing, and in a sense of guilt because she longed. She told herself that she did not want part of him; unless he gave her all his devotion she would never let him touch her; and when she found that she was probably lying, she burned with scorn. She fought it out in prayer. She knelt in a pink flannel nightgown, her thin hair down her back, her forehead as full of horror as a mask of tragedy, while she identified her love for the Son of God with her love for a mortal, and wondered if any other woman had ever been so sacrilegious. She wanted to be a nun and observe perpetual adoration. She bought a rosary, but she had been so bitterly reared as a Protestant that she could not bring herself to use it.

Yet none of her intimates in the school and in the boarding- house knew of her abyss of passion. They said she was "so optimistic."

When she heard that Kennicott was to marry a girl, pretty, young, and imposingly from the Cities, Vida despaired. She congratulated Kennicott; carelessly ascertained from him the hour of marriage. At that hour, sitting in her room, Vida pictured the wedding in St. Paul. Full of an ecstasy which horrified her, she followed Kennicott and the girl who had stolen her place, followed them to the train, through the evening, the night.

She was relieved when she had worked out a belief that she wasn't really shameful, that there was a mystical relation between herself and Carol, so that she was vicariously yet veritably with Kennicott, and had the right to be.

She saw Carol during the first five minutes in Gopher Prairie. She stared at the passing motor, at Kennicott and the girl beside him. In that fog world of transference of emotion Vida had no normal jealousy but a conviction that, since through Carol she had received Kennicott's love, then Carol was a part of her, an astral self, a heightened and more beloved self. She was glad of the girl's charm, of the smooth black hair, the airy head and young shoulders. But she was suddenly angry. Carol glanced at her for a quarter-second, but looked past her, at an old roadside barn. If she had made the great sacrifice, at least she expected gratitude and recognition, Vida raged, while her conscious schoolroom mind fussily begged her to control this insanity.

During her first call half of her wanted to welcome a fellow reader of books; the other half itched to find out whether Carol knew anything about Kennicott's former interest in herself. She discovered that Carol was not aware that he had ever touched another woman's hand. Carol was an amusing, naive, curiously learned child. While Vida was most actively describing the glories of the Thanatopsis, and complimenting this librarian on her training as a worker, she was fancying that this girl was the child born of herself and Kennicott; and out of that symbolizing she had a comfort she had not known for months.

When she came home, after supper with the Kennicotts and Guy Pollock, she had a sudden and rather pleasant backsliding from devotion. She bustled into her room, she slammed her hat on the bed, and chattered, "I don't CARE! I'm a lot like her--except a few years older. I'm light and quick, too, and I can talk just as well as she can, and I'm sure---- Men are such fools. I'd be ten times as sweet to make love to as that dreamy baby. And I AM as good-looking!"

But as she sat on the bed and stared at her thin thighs, defiance oozed away. She mourned:

"No. I'm not. Dear God, how we fool ourselves! I pretend I'm `spiritual.' I pretend my legs are graceful. They aren't. They're skinny. Old-maidish. I hate it! I hate that impertinent young woman! A selfish cat, taking his love for granted. . . . No, she's adorable. . . . I don't think she ought to be so friendly with Guy Pollock."

For a year Vida loved Carol, longed to and did not pry into the details of her relations with Kennicotts enjoyed her spirit of play as expressed in childish tea-parties, and, with the mystic bond between them forgotten, was healthily vexed by Carol's assumption that she was a sociological messiah come to save Gopher Prairie. This last facet of Vida's thought was the one which, after a year, was most often turned to the light. In a testy way she brooded, "These people that want to change everything all of a sudden without doing any work, make me tired! Here I have to go and work for four years, picking out the pupils for debates, and drilling them, and nagging at them to get them to look up references, and begging them to choose their own subjects--four years, to get up a couple of good debates! And she comes rushing in, and expects in one year to change the whole town into a lollypop paradise with everybody stopping everything else to grow tulips and drink tea. And it's a comfy homey old town, too!"

She had such an outburst after each of Carol's campaigns-- for better Thanatopsis programs, for Shavian plays, for more human schools--but she never betrayed herself, and always she was penitent.

Vida was, and always would be, a reformer, a liberal. She believed that details could excitingly be altered, but that things-in-general were comely and kind and immutable. Carol was, without understanding or accepting it, a revolutionist, a radical, and therefore possessed of "constructive ideas," which only the destroyer can have, since the reformer believes that all the essential constructing has already been done. After years of intimacy it was this unexpressed opposition more than the fancied loss of Kennicott's love which held Vida irritably fascinated.

But the birth of Hugh revived the transcendental emotion. She was indignant that Carol should not be utterly fulfilled in having borne Kennicott's child. She admitted that Carol seemed to have affection and immaculate care for the baby, but she began to identify herself now with Kennicott, and in this phase to feel that she had endured quite too much from Carol's instability.

She recalled certain other women who had come from the Outside and had not appreciated Gopher Prairie. She remembered the rector's wife who had been chilly to callers and who was rumored throughout the town to have said, "Re-ah-ly I cawn't endure this bucolic heartiness in the responses." The woman was positively known to have worn handkerchiefs in her bodice as padding--oh, the town had simply roared at her. Of course the rector and she were got rid of in a few months.

Then there was the mysterious woman with the dyed hair and penciled eyebrows, who wore tight English dresses, like basques, who smelled of stale musk, who flirted with the men and got them to advance money for her expenses in a lawsuit, who laughed at Vida's reading at a school-entertainment, and went off owing a hotel-bill and the three hundred dollars she had borrowed.

Vida insisted that she loved Carol, but with some satisfaction she compared her to these traducers of the town.

II

Vida had enjoyed Raymie Wutherspoon's singing in the Episcopal choir; she had thoroughly reviewed the weather with him at Methodist sociables and in the Bon Ton. But she did not really know him till she moved to Mrs. Gurrey's boarding- house. It was five years after her affair with Kennicott. She was thirty-nine, Raymie perhaps a year younger.

She said to him, and sincerely, "My! You can do anything, with your brains and tact and that heavenly voice. You were so good in `The Girl from Kankakee.' You made me feel terribly stupid. If you'd gone on the stage, I believe you'd be just as good as anybody in Minneapolis. But still, I'm not sorry you stuck to business. It's such a constructive career."

"Do you really think so?" yearned Raymie, across the apple-sauce.

It was the first time that either of them had found a dependable intellectual companionship. They looked down on Willis Woodford the bank-clerk, and his anxious babycentric wife, the silent Lyman Casses, the slangy traveling man, and the rest of Mrs. Gurrey's unenlightened guests. They sat opposite, and they sat late. They were exhilarated to find that they agreed in confession of faith:

"People like Sam Clark and Harry Haydock aren't earnest about music and pictures and eloquent sermons and really refined movies, but then, on the other hand, people like Carol Kennicott put too much stress on all this art. Folks ought to appreciate lovely things, but just the same, they got to be practical and--they got to look at things in a practical way."

Smiling, passing each other the pressed-glass pickle-dish, seeing Mrs. Gurrey's linty supper-cloth irradiated by the light of intimacy, Vida and Raymie talked about Carol's rose-colored turban, Carol's sweetness, Carol's new low shoes, Carol's erroneous theory that there was no need of strict discipline in school, Carol's amiability in the Bon Ton, Carol's flow of wild ideas, which, honestly, just simply made you nervous trying to keep track of them;

About the lovely display of gents' shirts in the Bon Ton window as dressed by Raymie, about Raymie's offertory last Sunday, the fact that there weren't any of these new solos as nice as "Jerusalem the Golden," and the way Raymie stood up to Juanita Haydock when she came into the store and tried to run things and he as much as told her that she was so anxious to have folks think she was smart and bright that she said things she didn't mean, and anyway, Raymie was running the shoe-department, and if Juanita, or Harry either, didn't like the way he ran things, they could go get another man;

About Vida's new jabot which made her look thirty-two (Vida's estimate) or twenty-two (Raymie's estimate), Vida's plan to have the high-school Debating Society give a playlet, and the difficulty of keeping the younger boys well behaved on the playground when a big lubber like Cy Bogart acted up so;

About the picture post-card which Mrs. Dawson had sent to Mrs. Cass from Pasadena, showing roses growing right outdoors in February, the change in time on No. 4, the reckless way Dr. Gould always drove his auto, the reckless way almost all these people drove their autos, the fallacy of supposing that these socialists could carry on a government for as much as six months if they ever did have a chance to try out their theories, and the crazy way in which Carol jumped from subject to subject.

Vida had once beheld Raymie as a thin man with spectacles, mournful drawn-out face, and colorless stiff hair. Now she noted that his jaw was square, that his long hands moved quickly and were bleached in a refined manner, and that his trusting eyes indicated that he had "led a clean life." She began to call him "Ray," and to bounce in defense of his unselfishness and thoughtfulness every time Juanita Haydock or Rita Gould giggled about him at the Jolly Seventeen.

On a Sunday afternoon of late autumn they walked down to Lake Minniemashie. Ray said that he would like to see the ocean; it must be a grand sight; it must be much grander than a lake, even a great big lake. Vida had seen it, she stated modestly; she had seen it on a summer trip to Cape Cod.

"Have you been clear to Cape Cod? Massachusetts? I knew you'd traveled, but I never realized you'd been that far!"

Made taller and younger by his interest she poured out, "Oh my yes. It was a wonderful trip. So many points of interest through Massachusetts--historical. There's Lexington where we turned back the redcoats, and Longfellow's home at Cambridge, and Cape Cod--just everything--fishermen and whale- ships and sand-dunes and everything."

She wished that she had a little cane to carry. He broke off a willow branch.

"My, you're strong!" she said.

"No, not very. I wish there was a Y. M. C. A. here, so I could take up regular exercise. I used to think I could do pretty good acrobatics, if I had a chance."

"I'm sure you could. You're unusually lithe, for a large man."

"Oh no, not so very. But I wish we had a Y. M. It would be dandy to have lectures and everything, and I'd like to take a class in improving the memory--I believe a fellow ought to go on educating himself and improving his mind even if he is in business, don't you, Vida--I guess I'm kind of fresh to call you `Vida'!"

"I've been calling you `Ray' for weeks!"

He wondered why she sounded tart.

He helped her down the bank to the edge of the lake but dropped her hand abruptly, and as they sat on a willow log and he brushed her sleeve, he delicately moved over and murmured, "Oh, excuse me--accident."

She stared at the mud-browned chilly water, the floating gray reeds.

"You look so thoughtful," he said.

She threw out her hands. "I am! Will you kindly tell me what's the use of--anything! Oh, don't mind me. I'm a moody old hen. Tell me about your plan for getting a partnership in the Bon Ton. I do think you're right: Harry Haydock and that mean old Simons ought to give you one."

He hymned the old unhappy wars in which he had been Achilles and the mellifluous Nestor, yet gone his righteous ways unheeded by the cruel kings. . . . "Why, if I've told 'em once, I've told 'em a dozen times to get in a side-line of light-weight pants for gents' summer wear, and of course here they go and let a cheap kike like Rifkin beat them to it and grab the trade right off 'em, and then Harry said-- you know how Harry is, maybe he don't mean to be grouchy, but he's such a sore-head----"

He gave her a hand to rise. "If you don't MIND. I think a fellow is awful if a lady goes on a walk with him and she can't trust him and he tries to flirt with her and all."

"I'm sure you're highly trustworthy!" she snapped, and she sprang up without his aid. Then, smiling excessively, "Uh--don't you think Carol sometimes fails to appreciate Dr. Will's ability?"

III

Ray habitually asked her about his window-trimming, the display of the new shoes, the best music for the entertainment at the Eastern Star, and (though he was recognized as a professional authority on what the town called "gents' furnishings") about his own clothes. She persuaded him not to wear the small bow ties which made him look like an elongated Sunday School scholar. Once she burst out:

"Ray, I could shake you! Do you know you're too apologetic? You always appreciate other people too much. You fuss over Carol Kennicott when she has some crazy theory that we all ought to turn anarchists or live on figs and nuts or something. And you listen when Harry Haydock tries to show off and talk about turnovers and credits and things you know lots better than he does. Look folks in the eye! Glare at 'em! Talk deep! You're the smartest man in town, if you only knew it. You ARE!"

He could not believe it. He kept coming back to her for confirmation. He practised glaring and talking deep, but he circuitously hinted to Vida that when he had tried to look Harry Haydock in the eye, Harry had inquired, "What's the matter with you, Raymie? Got a pain?" But afterward Harry had asked about Kantbeatum socks in a manner which, Ray felt, was somehow different from his former condescension.

They were sitting on the squat yellow satin settee in the boarding-house parlor. As Ray reannounced that he simply wouldn't stand it many more years if Harry didn't give him a partnership, his gesticulating hand touched Vida's shoulders.

"Oh, excuse me!" he pleaded.

"It's all right. Well, I think I must be running up to my room. Headache," she said briefly.

IV

Ray and she had stopped in at Dyer's for a hot chocolate on their way home from the movies, that March evening. Vida speculated, "Do you know that I may not be here next year?"

"What do you mean?"

With her fragile narrow nails she smoothed the glass slab which formed the top of the round table at which they sat. She peeped through the glass at the perfume-boxes of black and gold and citron in the hollow table. She looked about at shelves of red rubber water-bottles, pale yellow sponges, wash- rags with blue borders, hair-brushes of polished cherry backs. She shook her head like a nervous medium coming out of a trance, stared at him unhappily, demanded:

"Why should I stay here? And I must make up my mind. Now. Time to renew our teaching-contracts for next year. I think I'll go teach in some other town. Everybody here is tired of me. I might as well go. Before folks come out and SAY they're tired of me. I have to decide tonight. I might as well---- Oh, no matter. Come. Let's skip. It's late."

She sprang up, ignoring his wail of "Vida! Wait! Sit down! Gosh! I'm flabbergasted! Gee! Vida!" She marched out. While he was paying his check she got ahead. He ran after her, blubbering, "Vida! Wait!" In the shade of the lilacs in front of the Gougerling house he came up with her, stayed her flight by a hand on her shoulder.

"Oh, don't! Don't! What does it matter?" she begged. She was sobbing, her soft wrinkly lids soaked with tears. "Who cares for my affection or help? I might as well drift on, forgotten. O Ray, please don't hold me. Let me go. I'll just decide not to renew my contract here, and--and drift--way off----"

His hand was steady on her shoulder. She dropped her head, rubbed the back of his hand with her cheek.

They were married in June.

V

They took the Ole Jenson house. "It's small," said Vida, "but it's got the dearest vegetable garden, and I love having time to get near to Nature for once."

Though she became Vida Wutherspoon technically, and though she certainly had no ideals about the independence of keeping her name, she continued to be known as Vida Sherwin.

She had resigned from the school, but she kept up one class in English. She bustled about on every committee of the Thanatopsis; she was always popping into the rest-room to make Mrs. Nodelquist sweep the floor; she was appointed to the library-board to succeed Carol; she taught the Senior Girls' Class in the Episcopal Sunday School, and tried to revive the King's Daughters. She exploded into self-confidence and happiness; her draining thoughts were by marriage turned into energy. She became daily and visibly more plump, and though she chattered as eagerly, she was less obviously admiring of marital bliss, less sentimental about babies, sharper in demanding that the entire town share her reforms--the purchase of a park, the compulsory cleaning of back-yards.

She penned Harry Haydock at his desk in the Bon Ton; she interrupted his joking; she told him that it was Ray who had built up the shoe-department and men's department; she demanded that he be made a partner. Before Harry could answer she threatened that Ray and she would start a rival shop. "I'll clerk behind the counter myself, and a Certain Party is all ready to put up the money."

She rather wondered who the Certain Party was.

Ray was made a one-sixth partner.

He became a glorified floor-walker, greeting the men with new poise, no longer coyly subservient to pretty women. When he was not affectionately coercing people into buying things they did not need, he stood at the back of the store, glowing, abstracted, feeling masculine as he recalled the tempestuous surprises of love revealed by Vida.

The only remnant of Vida's identification of herself with Carol was a jealousy when she saw Kennicott and Ray together, and reflected that some people might suppose that Kennicott was his superior. She was sure that Carol thought so, and she wanted to shriek, "You needn't try to gloat! I wouldn't have your pokey old husband. He hasn't one single bit of Ray's spiritual nobility."

CHAPTER XXII

I

THE greatest mystery about a human being is not his reaction to sex or praise, but the manner in which he contrives to put in twenty-four hours a day. It is this which puzzles the long- shoreman about the clerk, the Londoner about the bushman. It was this which puzzled Carol in regard to the married Vida. Carol herself had the baby, a larger house to care for, all the telephone calls for Kennicott when he was away; and she read everything, while Vida was satisfied with newspaper headlines.

But after detached brown years in boarding-houses, Vida was hungry for housework, for the most pottering detail of it. She had no maid, nor wanted one. She cooked, baked, swept, washed supper-cloths, with the triumph of a chemist in a new laboratory. To her the hearth was veritably the altar. When she went shopping she hugged the cans of soup, and she bought a mop or a side of bacon as though she were preparing for a reception. She knelt beside a bean sprout and crooned, "I raised this with my own hands--I brought this new life into the world."

"I love her for being so happy," Carol brooded. "I ought to be that way. I worship the baby, but the housework---- Oh, I suppose I'm fortunate; so much better off than farm- women on a new clearing, or people in a slum."

It has not yet been recorded that any human being has gained a very large or permanent contentment from meditation upon the fact that he is better off than others.

In Carol's own twenty-four hours a day she got up, dressed the baby, had breakfast, talked to Oscarina about the day's shopping, put the baby on the porch to play, went. to the butcher's to choose between steak and pork chops, bathed the baby, nailed up a shelf, had dinner, put the baby to bed for a nap, paid the iceman, read for an hour, took the baby out for a walk, called on Vida, had supper, put the baby to bed, darned socks, listened to Kennicott's yawning comment on what a fool Dr. McGanum was to try to use that cheap X-ray outfit of his on an epithelioma, repaired a frock, drowsily heard Kennicott stoke the furnace, tried to read a page of Thorstein Veblen--and the day was gone.

Except when Hugh was vigorously naughty, or whiney, or laughing, or saying "I like my chair" with thrilling maturity, she was always enfeebled by loneliness. She no longer felt superior about that misfortune. She would gladly have been converted to Vida's satisfaction in Gopher Prairie and mopping the floor.

II

Carol drove through an astonishing number of books from the public library and from city shops. Kennicott was at first uncomfortable over her disconcerting habit of buying them. A book was a book, and if you had several thousand of them right here in the library, free, why the dickens should you spend your good money? After worrying about it for two or three years, he decided that this was one of the Funny Ideas which she had caught as a librarian and from which she would never entirely recover.

The authors whom she read were most of them frightfully annoyed by the Vida Sherwins. They were young American sociologists, young English realists, Russian horrorists; Anatole France, Rolland, Nexo, Wells, Shaw, Key, Edgar Lee Masters, Theodore Dreiser, Sherwood Anderson, Henry Mencken, and all the other subversive philosophers and artists whom women were consulting everywhere, in batik-curtained studios in New York, in Kansas farmhouses, San Francisco drawing- rooms, Alabama schools for negroes. From them she got the same confused desire which the million other women felt; the same determination to be class-conscious without discovering the class of which she was to be conscious.

Certainly her reading precipitated her observations of Main Street, of Gopher Prairie and of the several adjacent Gopher Prairies which she had seen on drives with Kennicott. In her fluid thought certain convictions appeared, jaggedly, a fragment of an impression at a time, while she was going to sleep, or manicuring her nails, or waiting for Kennicott.

These convictions she presented to Vida Sherwin--Vida Wutherspoon--beside a radiator, over a bowl of not very good walnuts and pecans from Uncle Whittier's grocery, on an evening when both Kennicott and Raymie had gone out of town with the other officers of the Ancient and Affiliated Order of Spartans, to inaugurate a new chapter at Wakamin. Vida had come to the house for the night. She helped in putting Hugh to bed, sputtering the while about his soft skin. Then they talked till midnight.

What Carol said that evening, what she was passionately thinking, was also emerging in the minds of women in ten thousand Gopher Prairies. Her formulations were not pat solutions but visions of a tragic futility. She did not utter them so compactly that they can be given in her words; they were roughened with "Well, you see" and "if you get what I mean" and "I don't know that I'm making myself clear." But they were definite enough, and indignant enough.

III

In reading popular stories and seeing plays, asserted Carol, she had found only two traditions of the American small town. The first tradition, repeated in scores of magazines every month, is that the American village remains the one sure abode of friendship, honesty, and clean sweet marriageable girls. Therefore all men who succeed in painting in Paris or in finance in New York at last become weary of smart women, return to their native towns, assert that cities are vicious, marry their childhood sweethearts and, presumably, joyously abide in those towns until death.

The other tradition is that the significant features of all villages are whiskers, iron dogs upon lawns, gold bricks, checkers, jars of gilded cat-tails, and shrewd comic old men who are known as "hicks" and who ejaculate "Waal I swan." This altogether admirable tradition rules the vaudeville stage, facetious illustrators, and syndicated newspaper humor, but out of actual life it passed forty years ago. Carol's small town thinks not in hoss-swapping but in cheap motor cars, telephones, ready-made clothes, silos, alfalfa, kodaks, phonographs, leather-upholstered Morris chairs, bridge-prizes, oil- stocks, motion-pictures, land-deals, unread sets of Mark Twain, and a chaste version of national politics.

With such a small-town life a Kennicott or a Champ Perry is content, but there are also hundreds of thousands, par- ticularly women and young men, who are not at all content. The more intelligent young people (and the fortunate widows!) flee to the cities with agility and, despite the fictional tradition, resolutely stay there, seldom returning even for holidays. The most protesting patriots of the towns leave them in old age, if they can afford it, and go to live in California or in the cities.

The reason, Carol insisted, is not a whiskered rusticity. It is nothing so amusing!

It is an unimaginatively standardized background, a sluggishness of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment. . . the contentment of the quiet dead, who are scornful of the living for their restless walking. It is negation canonized as the one positive virtue. It is the prohibition of happiness. It is slavery self-sought and self-defended. It is dullness made God.

A savorless people, gulping tasteless food, and sitting afterward, coatless and thoughtless, in rocking-chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world.

IV

She had inquired as to the effect of this dominating dullness upon foreigners. She remembered the feeble exotic quality to be found in the first-generation Scandinavians; she recalled the Norwegian Fair at the Lutheran Church, to which Bea had taken her. There, in the bondestue, the replica of a Norse farm kitchen, pale women in scarlet jackets embroidered with gold thread and colored beads, in black skirts with a line of blue, green-striped aprons, and ridged caps very pretty to set off a fresh face, had served rommegrod og lefse-- sweet cakes and sour milk pudding spiced with cinnamon. For the first time in Gopher Prairie Carol had found novelty. She had reveled in the mild foreignness of it.

But she saw these Scandinavian women zealously exchanging their spiced puddings and red jackets for fried pork chops and congealed white blouses, trading the ancient Christmas hymns of the fjords for "She's My Jazzland Cutie," being Americanized into uniformity, and in less than a generation losing in the grayness whatever pleasant new customs they might have added to the life of the town. Their sons finished the process. In ready-made clothes and ready-made high- school phrases they sank into propriety, and the sound American customs had absorbed without one trace of pollution another alien invasion.

And along with these foreigners, she felt herself being ironed into glossy mediocrity, and she rebelled, in fear.

The respectability of the Gopher Prairies, said Carol, is reinforced by vows of poverty and chastity in the matter of knowledge. Except for half a dozen in each town the citizens are proud of that achievement of ignorance which it is so easy to come by. To be "intellectual" or "artistic" or, in their own word, to be "highbrow," is to be priggish and of dubious virtue.

Large experiments in politics and in co-operative distribution, ventures requiring knowledge, courage, and imagination, do originate in the West and Middlewest, but they are not of the towns, they are of the farmers. If these heresies are supported by the townsmen it is only by occasional teachers doctors, lawyers, the labor unions, and workmen like Miles Bjornstam, who are punished by being mocked as "cranks," as "half-baked parlor socialists." The editor and the rector preach at them. The cloud of serene ignorance submerges them in unhappiness and futility.

V

Here Vida observed, "Yes--well---- Do you know, I've always thought that Ray would have made a wonderful rector. He has what I call an essentially religious soul. My! He'd have read the service beautifully! I suppose it's too late now, but as I tell him, he can also serve the world by selling shoes and---- I wonder if we oughtn't to have family-prayers?"

VI

Doubtless all small towns, in all countries, in all ages, Carol admitted, have a tendency to be not only dull but mean, bitter, infested with curiosity. In France or Tibet quite as much as in Wyoming or Indiana these timidities are inherent in isolation.

But a village in a country which is taking pains to become altogether standardized and pure, which aspires to succeed Victorian England as the chief mediocrity of the world, is no longer merely provincial, no longer downy and restful in its leaf-shadowed ignorance. It is a force seeking to dominate the earth, to drain the hills and sea of color, to set Dante at boosting Gopher Prairie, and to dress the high gods in Klassy Kollege Klothes. Sure of itself, it bullies other civilizations, as a traveling salesman in a brown derby conquers the wisdom of China and tacks advertisements of cigarettes over arches for centuries dedicate to the sayings of Confucius.

Such a society functions admirably in the large production of cheap automobiles, dollar watches, and safety razors. But it is not satisfied until the entire world also admits that the end and joyous purpose of living is to ride in flivvers, to make advertising-pictures of dollar watches, and in the twilight to sit talking not of love and courage but of the convenience of safety razors.

And such a society, such a nation, is determined by the Gopher Prairies. The greatest manufacturer is but a busier Sam Clark, and all the rotund senators and presidents are village lawyers and bankers grown nine feet tall.

Though a Gopher Prairie regards itself as a part of the Great World, compares itself to Rome and Vienna, it will not acquire the scientific spirit, the international mind, which would make it great. It picks at information which will visibly procure money or social distinction. Its conception of a community ideal is not the grand manner, the noble aspiration, the fine aristocratic pride, but cheap labor for the kitchen and rapid increase in the price of land. It plays at cards on greasy oil- cloth in a shanty, and does not know that prophets are walking and talking on the terrace.

If all the provincials were as kindly as Champ Perry and Sam Clark there would be no reason for desiring the town to seek great traditions. It is the Harry Haydocks, the Dave Dyers, the Jackson Elders, small busy men crushingly powerful in their common purpose, viewing themselves as men of the world but keeping themselves men of the cash-register and the comic film, who make the town a sterile oligarchy.

VII

She had sought to be definite in analyzing the surface ugliness of the Gopher Prairies. She asserted that it is a matter of universal similarity; of flimsiness of construction, so that the towns resemble frontier camps; of neglect of natural advantages, so that the hills are covered with brush, the lakes shut off by railroads, and the creeks lined with dumping- grounds; of depressing sobriety of color; rectangularity of buildings; and excessive breadth and straightness of the gashed streets, so that there is no escape from gales and from sight of the grim sweep of land, nor any windings to coax the loiterer along, while the breadth which would be majestic in an avenue of palaces makes the low shabby shops creeping down the typical Main Street the more mean by comparison.

The universal similarity--that is the physical expression of the philosophy of dull safety. Nine-tenths of the American towns are so alike that it is the completest boredom to wander from one to another. Always, west of Pittsburg, and often, east of it, there is the same lumber yard, the same railroad station, the same Ford garage, the same creamery, the same box-like houses and two-story shops. The new, more conscious houses are alike in their very attempts at diversity: the same bungalows, the same square houses of stucco or tapestry brick. The shops show the same standardized, nationally advertised wares; the newspapers of sections three thousand miles apart have the same "syndicated features"; the boy in Arkansas displays just such a flamboyant ready-made suit as is found on just such a boy in Delaware, both of them iterate the same slang phrases from the same sporting-pages, and if one of them is in college and the other is a barber, no one may surmise which is which.

If Kennicott were snatched from Gopher Prairie and instantly conveyed to a town leagues away, he would not realize it. He would go down apparently the same Main Street (almost certainly it would be called Main Street); in the same drug store he would see the same young man serving the same ice-cream soda to the same young woman with the same magazines and phonograph records under her arm. Not till he had climbed to his office and found another sign on the door, another Dr. Kennicott inside, would he understand that something curious had presumably happened.

Finally, behind all her comments, Carol saw the fact that the prairie towns no more exist to serve the farmers who are their reason of existence than do the great capitals; they exist to fatten on the farmers, to provide for the townsmen large motors and social preferment; and, unlike the capitals, they do not give to the district in return for usury a stately and permanent center, but only this ragged camp. It is a "parasitic Greek civilization"--minus the civilization.

"There we are then," said Carol. "The remedy? Is there any? Criticism, perhaps, for the beginning of the beginning. Oh, there's nothing that attacks the Tribal God Mediocrity that doesn't help a little. . .and probably there's nothing that helps very much. Perhaps some day the farmers will build and own their market-towns. (Think of the club they could have!) But I'm afraid I haven't any `reform program.' Not any more! The trouble is spiritual, and no League or Party can enact a preference for gardens rather than dumping-grounds. . . . There's my confession. WELL?"

"In other words, all you want is perfection?"

"Yes! Why not?"

"How you hate this place! How can you expect to do anything with it if you haven't any sympathy?"

"But I have! And affection. Or else I wouldn't fume so. I've learned that Gopher Prairie isn't just an eruption on the prairie, as I thought first, but as large as New York. In New York I wouldn't know more than forty or fifty people, and I know that many here. Go on! Say what you're thinking."

"Well, my dear, if I DID take all your notions seriously, it would be pretty discouraging. Imagine how a person would feel, after working hard for years and helping to build up a nice town, to have you airily flit in and simply say `Rotten!' Think that's fair?"

"Why not? It must be just as discouraging for the Gopher Prairieite to see Venice and make comparisons."

"It would not! I imagine gondolas are kind of nice to ride in, but we've got better bath-rooms! But---- My dear, you're not the only person in this town who has done some thinking for herself, although (pardon my rudeness) I'm afraid you think so. I'll admit we lack some things. Maybe our theater isn't as good as shows in Paris. All right! I don't want to see any foreign culture suddenly forced on us--whether it's street-planning or table-manners or crazy communistic ideas."

Vida sketched what she termed "practical things that will make a happier and prettier town, but that do belong to our life, that actually are being done." Of the Thanatopsis Club she spoke; of the rest-room, the fight against mosquitos, the campaign for more gardens and shade-trees and sewers-- matters not fantastic and nebulous and distant, but immediate and sure.

Carol's answer was fantastic and nebulous enough:

"Yes. . . . Yes. . . . I know. They're good. But if I could put through all those reforms at once, I'd still want startling, exotic things. Life is comfortable and clean enough here already. And so secure. What it needs is to be less secure, more eager. The civic improvements which I'd like the Thanatopsis to advocate are Strindberg plays, and classic dancers--exquisite legs beneath tulle--and (I can see him so clearly!) a thick, black-bearded, cynical Frenchman who would sit about and drink and sing opera and tell bawdy stories and laugh at our proprieties and quote Rabelais and not be ashamed to kiss my hand!"

"Huh! Not sure about the rest of it but I guess that's what you and all the other discontented young women really want: some stranger kissing your hand!" At Carol's gasp, the old squirrel-like Vida darted out and cried, "Oh, my dear, don't take that too seriously. I just meant----"

"I know. You just meant it. Go on. Be good for my soul. Isn't it funny: here we all are--me trying to be good for Gopher Prairie's soul, and Gopher Prairie trying to be good for my soul. What are my other sins?"

"Oh, there's plenty of them. Possibly some day we shall have your fat cynical Frenchman (horrible, sneering, tobacco- stained object, ruining his brains and his digestion with vile liquor!) but, thank heaven, for a while we'll manage to keep busy with our lawns and pavements! You see, these things really are coming! The Thanatopsis is getting somewhere. And you----" Her tone italicized the words--"to my great disappointment, are doing less, not more, than the people you laugh at! Sam Clark, on the school-board, is working for better school ventilation. Ella Stowbody (whose elocuting you always think is so absurd) has persuaded the railroad to share the expense of a parked space at the station, to do away with that vacant lot.

"You sneer so easily. I'm sorry, but I do think there's something essentially cheap in your attitude. Especially about religion.

"If you must know, you're not a sound reformer at all. You're an impossibilist. And you give up too easily. You gave up on the new city hall, the anti-fly campaign, club papers, the library-board, the dramatic association--just because we didn't graduate into Ibsen the very first thing. You want perfection all at once. Do you know what the finest thing you've done is--aside from bringing Hugh into the world? It was the help you gave Dr. Will during baby-welfare week. You didn't demand that each baby be a philosopher and artist before you weighed him, as you do with the rest of us.

"And now I'm afraid perhaps I'll hurt you. We're going to have a new schoolbuilding in this town--in just a few years--and we'll have it without one bit of help or interest from you!

"Professor Mott and I and some others have been dinging away at the moneyed men for years. We didn't call on you because you would never stand the pound-pound-pounding year after year without one bit of encouragement. And we've won! I've got the promise of everybody who counts that just as soon as war-conditions permit, they'll vote the bonds for the schoolhouse. And we'll have a wonderful building-- lovely brown brick, with big windows, and agricultural and manual-training departments. When we get it, that'll be my answer to all your theories!"

"I'm glad. And I'm ashamed I haven't had any part in getting it. But---- Please don't think I'm unsympathetic if I ask one question: Will the teachers in the hygienic new building go on informing the children that Persia is a yellow spot on the map, and `Caesar' the title of a book of grammatical puzzles?"

VIII

Vida was indignant; Carol was apologetic; they talked for another hour, the eternal Mary and Martha--an immoralist Mary and a reformist Martha. It was Vida who conquered.

The fact that she had been left out of the campaign for the new schoolbuilding disconcerted Carol. She laid her dreams of perfection aside. When Vida asked her to take charge of a group of Camp Fire Girls, she obeyed, and had definite pleasure out of the Indian dances and ritual and costumes. She went more regularly to the Thanatopsis. With Vida as lieutenant and unofficial commander she campaigned for a village nurse to attend poor families, raised the fund herself, saw to it that the nurse was young and strong and amiable and intelligent.

Yet all the while she beheld the burly cynical Frenchman and the diaphanous dancers as clearly as the child sees its air-born playmates; she relished the Camp Fire Girls not because, in Vida's words, "this Scout training will help so much to make them Good Wives," but because she hoped that the Sioux dances would bring subversive color into their dinginess.

She helped Ella Stowbody to set out plants in the tiny triangular park at the railroad station; she squatted in the dirt, with a small curved trowel and the most decorous of gardening gauntlets; she talked to Ella about the public- spiritedness of fuchsias and cannas; and she felt that she was scrubbing a temple deserted by the gods and empty even of incense and the sound of chanting. Passengers looking from trains saw her as a village woman of fading prettiness, incorruptible virtue, and no abnormalities; the baggageman heard her say, "Oh yes, I do think it will be a good example for the children"; and all the while she saw herself running garlanded through the streets of Babylon.

Planting led her to botanizing. She never got much farther than recognizing the tiger lily and the wild rose, but she rediscovered Hugh. "What does the buttercup say, mummy?" he cried, his hand full of straggly grasses, his cheek gilded with pollen. She knelt to embrace him; she affirmed that he made life more than full; she was altogether reconciled. . .for an hour.

But she awoke at night to hovering death. She crept away from the hump of bedding that was Kennicott; tiptoed into the bathroom and, by the mirror in the door of the medicine- cabinet, examined her pallid face.

Wasn't she growing visibly older in ratio as Vida grew plumper and younger? Wasn't her nose sharper? Wasn't her neck granulated? She stared and choked. She was only thirty. But the five years since her marriage--had they not gone by as hastily and stupidly as though she had been under ether; would time not slink past till death? She pounded her fist on the cool enameled rim of the bathtub and raged mutely against the indifferent gods:

"I don't care! I won't endure it! They lie so--Vida and Will and Aunt Bessie--they tell me I ought to be satisfied with Hugh and a good home and planting seven nasturtiums in a station garden! I am I! When I die the world will be annihilated, as far as I'm concerned. I am I! I'm not content to leave the sea and the ivory towers to others. I want them for me! Damn Vida! Damn all of them! Do they think they can make me believe that a display of potatoes at Howland & Gould's is enough beauty and strangeness?"

CHAPTER XXIII

I

WHEN America entered the Great European War, Vida sent Raymie off to an officers' training-camp--less than a year after her wedding. Raymie was diligent and rather strong. He came out a first lieutenant of infantry, and was one of the earliest sent abroad.

Carol grew definitely afraid of Vida as Vida transferred the passion which had been released in marriage to the cause of the war; as she lost all tolerance. When Carol was touched by the desire for heroism in Raymie and tried tactfully to express it, Vida made her feel like an impertinent child.

By enlistment and draft, the sons of Lyman Cass, Nat Hicks, Sam Clark joined the army. But most of the soldiers were the sons of German and Swedish farmers unknown to Carol. Dr. Terry Gould and Dr. McGanum became captains in the medical corps, and were stationed at camps in Iowa and Georgia. They were the only officers, besides Raymie, from the Gopher Prairie district. Kennicott wanted to go with them, but the several doctors of the town forgot medical rivalry and, meeting in council, decided that he would do better to wait and keep the town well till he should be needed. Kennicott was forty-two now; the only youngish doctor left in a radius of eighteen miles. Old Dr. Westlake, who loved comfort like a cat, protestingly rolled out at night for country calls, and hunted through his collar-box for his G. A. R. button.

Carol did not quite know what she thought about Kennicott's going. Certainly she was no Spartan wife. She knew that he wanted to go; she knew that this longing was always in him, behind his unchanged trudging and remarks about the weather. She felt for him an admiring affection--and she was sorry that she had nothing more than affection.

Cy Bogart was the spectacular warrior of the town. Cy was no longer the weedy boy who had sat in the loft speculating about Carol's egotism and the mysteries of generation. He was nineteen now, tall, broad, busy, the "town sport," famous for his ability to drink beer, to shake dice, to tell undesirable stories, and, from his post in front of Dyer's drug store, to embarrass the girls by "jollying" them as they passed. His face was at once peach-bloomed and pimply.

Cy was to be heard publishing it abroad that if he couldn't get the Widow Bogart's permission to enlist, he'd run away and enlist without it. He shouted that he "hated every dirty Hun; by gosh, if he could just poke a bayonet into one big fat Heinie and learn him some decency and democracy, he'd die happy." Cy got much reputation by whipping a farmboy named Adolph Pochbauer for being a "damn hyphenated German." . . . This was the younger Pochbauer, who was killed in the Argonne, while he was trying to bring the body of his Yankee captain back to the lines. At this time Cy Bogart was still dwelling in Gopher Prairie and planning to go to war.

II

Everywhere Carol heard that the war was going to bring a basic change in psychology, to purify and uplift everything from marital relations to national politics, and she tried to exult in it. Only she did not find it. She saw the women who made bandages for the Red Cross giving up bridge, and laughing at having to do without sugar, but over the surgical- dressings they did not speak of God and the souls of men, but of Miles Bjornstam's impudence, of Terry Gould's scandalous carryings-on with a farmer's daughter four years ago, of cooking cabbage, and of altering blouses. Their references to the war touched atrocities only. She herself was punctual, and efficient at making dressings, but she could not, like Mrs. Lyman Cass and Mrs. Bogart, fill the dressings with hate for enemies.

When she protested to Vida, "The young do the work while these old ones sit around and interrupt us and gag with hate because they're too feeble to do anything but hate," then Vida turned on her:

"If you can't be reverent, at least don't be so pert and opinionated, now when men and women are dying. Some of us--we have given up so much, and we're glad to. At least we expect that you others sha'n't try to be witty at our expense."

There was weeping.

Carol did desire to see the Prussian autocracy defeated; she did persuade herself that there were no autocracies save that of Prussia; she did thrill to motion-pictures of troops embarking in New York; and she was uncomfortable when she met Miles Bjornstam on the street and he croaked:

"How's tricks? Things going fine with me; got two new cows. Well, have you become a patriot? Eh? Sure, they'll bring democracy--the democracy of death. Yes, sure, in every war since the Garden of Eden the workmen have gone out to fight each other for perfectly good reasons--handed to them by their bosses. Now me, I'm wise. I'm so wise that I know I don't know anything about the war."

It was not a thought of the war that remained with her after Miles's declamation but a perception that she and Vida and all of the good-intentioners who wanted to "do something for the common people" were insignificant, because the "common people" were able to do things for themselves, and highly likely to, as soon as they learned the fact. The conception of millions of workmen like Miles taking control frightened her, and she scuttled rapidly away from the thought of a time when she might no longer retain the position of Lady Bountiful to the Bjornstams and Beas and Oscarinas whom she loved--and patronized.

III

It was in June, two months after America's entrance into the war, that the momentous event happened--the visit of the great Percy Bresnahan, the millionaire president of the Velvet Motor Car Company of Boston, the one native son who was always to be mentioned to strangers.

For two weeks there were rumors. Sam Clark cried to Kennicott, "Say, I hear Perce Bresnahan is coming! By golly it'll be great to see the old scout, eh?" Finally the Dauntless printed, on the front page with a No. 1 head, a letter from Bresnahan to Jackson Elder:

DEAR JACK:

Well, Jack, I find I can make it. I'm to go to Washington as a dollar a year man for the government, in the aviation motor section, and tell them how much I don't know about carburetors. But before I start in being a hero I want to shoot out and catch me a big black bass and cuss out you and Sam Clark and Harry Haydock and Will Kennicott and the rest of you pirates. I'll land in G. P. on June 7, on No. 7 from Mpls. Shake a day-day. Tell Bert Tybee to save me a glass of beer.