Manhattan Noir

TAKE THE MAN’S PAYBY ROBERT KNIGHTLY

Garment District

Sergeant Thomas Cippolo, desk sergeant at Midtown South, peers over his half-moon reading glasses at Detective Morrie Goldstein and his handcuffed prisoner as they enter the precinct.

“What’s up wit’ Charlie Chang?” he asks.

“Chang?”

“Yeah.” Cippolo starts his various chins in motion with a vigorous shake of his head. “Charlie Chang. The dude made all those movies with Number One Son.”

“That’s Chan, ya moron,” Goldstein replies without relaxing his grip on the arm of his prisoner. “Charlie Chan.” Goldstein is a massive man, well over six feet tall with broad sloping shoulders that challenge the seams of an off-the-rack suit from the Big & Tall shop at Macy’s. “Anyway, he’s not Chinese. He’s a Nip. Hoshi Taiku.”

“A Nip?”

“Yeah, like Nipponese. From Japan.” Goldstein notes Cippolo’s blank stare, and sighs in disgust. “The Japanese people don’t call their country Japan. They call it Nippon. Ain’t that right, Hoshi?”

Taiku does not speak. Though he’s been in the United States for three days and has only the vaguest notion of the American criminal justice system, he’s heard about Abner Louima and wouldn’t be surprised if the giant policeman strung him up by his toes.

Goldstein steers Taiku around Cippolo’s desk and up a flight of stairs to a large room jammed with desks set back-to-back. A few of the desks are occupied by detectives who look up from their paperwork to watch Goldstein direct his prisoner to a small interview room. They do not speak. The windowless interview room contains a table and two metal chairs, one of which is bolted to the floor. The table and chairs are gray, the floor tiles brown, the walls a dull institutional yellow. All are glazed with decades of accumulated grime, even the small one-way mirror in the wall opposite the hump seat.

“That feel better?” Goldstein removes Taiku’s handcuffs, then flips them onto the table where they settle with an echoing clang. “Okay, that’s your chair.” He points to the bolted-down chair. “Take a seat.”

Hoshi Taiku is a short middle-aged man with a round face that complements his soft belly. From his seated position, looking up, Goldstein appears gigantic and menacing. Curiously, this effect remains undiminished when Goldstein draws his own chair close, then settles down with an appreciative sigh.

“My back,” he explains. “When I gotta stand around, it goes into spasm. I don’t know, maybe I should get myself one of those supports. I mean, standing around is all I ever fuckin’ do.” He removes a cheap ballpoint pen, a notebook, and a small tape recorder from his jacket pocket and sets them on the table.

“First thing I gotta do is explain your rights. Understand?”

Taiku does not reply. Instead, his gaze shifts to the wall on the other side of the room, a small act of defiance which elicits a triumphant smile from Goldstein. Goldstein has bet Sergeant Alex Mowrey $25 that Taiku will crack before 1 o’clock in the afternoon. It is now 10:30 in the morning.

Goldstein lays his hand on Hoshi’s shoulder, and notes a barely detectable shudder run along the man’s spine. “Hoshi, listen to me. You chatted up the desk clerk, the bartender in the Tiger Lounge, and a barmaid named Clara. I know you know how to speak English, so please don’t start me off with bullshit. It’s inconsiderate.”

After a moment, Hoshi bows, a short nod that Goldstein returns.

“Okay, like I already said, you got certain rights which I will now carefully enumerate. You don’t have to speak to me at all if you don’t want to, plus you can call a lawyer whenever you like. In fact, if you’re broke, which I doubt very much, the court will appoint a lawyer to represent you. But the main thing, which you should take into your heart, is that whatever you say here is on the record. Even though you haven’t been arrested and you might never be. You got it so far?”

Goldstein acknowledges a second bow with a squeeze of Taiku’s bony shoulder, then releases his grip, leans back in the chair, and scratches his head. In contrast to his body, Goldstein’s oval skull is very small and rises to a definite point in the back, a sad truth made all the more apparent by a hairline the stops an inch or so above his ears.

“So it’s up to you, Hoshi,” he finally declares. “What you’re gonna do and all. You say the word, tell me you don’t wanna clear this up, I’ll put you under arrest, and that’ll be that.”

“No lawyer.” Despite a prodigious effort, the words come out, “‘No roy-uh.’”

“Okay, then you gotta sign this.” Goldstein takes a standard Miranda waiver from the inside pocket of his jacket, then spreads it on the table as if unrolling a precious scroll. “Right here, Yoshi. Right on the dotted line.”

A moment later, after Yoshi signs, a knock on the door precedes the entrance of Detective Vera Katakura.

“The lieutenant wants you in his office.”

“Now?” Goldstein is incredulous.

“Not now, Morris. Ten minutes ago.”

When he returns a few minutes later, Hoshi Taiku, though unattended, is sitting exactly as Goldstein left him, has not, in fact, moved at all.

“I’m gonna be a while,” the detective explains. “I gotta take you downstairs. Stand up.”

Re-cuffed, Hoshi is led across the squad room to a narrow stairway at the rear of the building, then down two flights to the holding cells in the basement.

“What you got here, Morrie?” Patrolman Brian O’Boyle asks when Goldstein approaches his desk. O’Boyle has been working lockup since he damaged his knee chasing a suspect ten years before. He sits with his feet on his desk, perusing a worn copy of Penthouse magazine.

“Gotta stash him for a while,” Goldstein explains. He lays his service automatic on O’Boyle’s desk, then grabs a set of keys. “Don’t get up.”

Goldstein leads Taiku through a locked door, then down a corridor to a pair of cells. The cells are constructed of steel bars, two cages side-by-side.

“Yo, Detective Goldstein, wha’chu doin’? You bringin’ me some candy?”

“That you, Speedo Brown? Again?”

“Yeah. Ah’m real popular these days.”

Taiku’s arm tightens beneath Goldstein’s grip and his steps shorten. Speedo Brown is every civilian’s nightmare, a bulked-up black giant with a prison-hard glare that overwhelms his bantering tone.

“Put your eyes back in your head, Speedo. I’m stashin’ Hoshi outta reach.”

“That the bitch cell,” Speedo protests as Goldstein unlocks the cell adjoining his. “Can’t put no man in the bitch cell lessen he a bitch. You a bitch, man? You some kinda Chinatown bitch? You Miss Saigon?”

Goldstein pushes Taiku into the cell, locks the door, then turns to leave. “C’mon, baby,” he hears Speedo coo as he walks off, “bring it on over here. Let Speedo bus’ yo cherry.”

Hoshi Taiku perches on the edge of a narrow shelf bolted to the wall at the rear of his cell. He stares out through the bars, his face composed as he studiously ignores the taunts of Speedo Brown. But he cannot compose his thoughts. He has disgraced his family and betrayed his nation. In the ordinary course of events, he would already have lost everything there is to lose. But not here in this land of barbarians. No, in the land of the barbarians there is a good deal more to lose, as Speedo Brown’s words make clear.

“You come to Rikers Island, ahm gonna own yo sorry ass. I got friends in Rikers, git you put up in my cell. You be shavin’ yo legs by sunrise.”

Taiku thinks of home, of Kyoto, of his wife and children. If he is arrested, they will be shunned by their neighbors, his disgrace falling on them as surely as if they’d committed the act themselves. But he has not been arrested, has not, in fact, even been questioned, a state of affairs he finds unfathomable. In Japan, in Kyoto, he would already have done what is expected of anyone arrested for a crime. He would have confessed, then formally apologized for upsetting the harmony of Japanese society. That was what you did when you were taken into custody: You accepted your unworthiness, took it upon yourself, the consequences falling across your shoulders like a yoke.

But he is not at home, he reminds himself for the second time, and there are decisions to make, and make soon. Should he speak to the detective? If so, what should he say? Is it dishonorable to lie to the barbarians who bombed Hiroshima and Nagasaki? Who occupied Japan? Who humiliated the emperor? Taiku no longer believes that Goldstein will hurt him, not physically. That’s because Goldstein has made the nature of his true threat absolutely clear: Talk or face immediate arrest and Speedo Brown, or someone just like him. Well, talk is one thing, truth another…

Taiku’s thoughts are interrupted by the appearance of Patrolman O’Boyle. He is walking along the hallway, a prisoner in tow, a female prisoner.

“Up ya go, Taiku,” O’Boyle orders. “You’re movin’.”

“Thank you, Lord,” Speedo Brown cries.

O’Boyle cuffs his prisoner to the bars of Taiku’s cell, then unlocks the door and motions Taiku forward. Already on his feet, Taiku finds that his legs do not respond to his will, that his heart has dropped into his feet, that he has a pressing need to immediately void his bladder. He has never known such fear, has not, prior to this moment, known that human beings had the capacity to be this afraid.

“You wanna hustle it up, Tojo? I don’t got all day.”

Again, Taiku wills himself to move, again he fails.

“Lemme put it this way, Taiku. If I gotta call in backup and extract you from that cell, I’m gonna carve your little Jap ass into sushi. You comprende? ”

Taiku’s mouth curls into a little circle, then he finally speaks, “Man threaten me.”

The word “threaten” emerges as “fletta,” which only adds to the humiliation Taiku feels at that moment. He has begged an inferior, a foreigner, to protect him.

“What?”

“Man threaten me.”

“Who fletta, you? Speedo?” O’Boyle glances at Speedo Brown, then laughs before answering his own question. “Little Speedo? He wouldn’t hurt a fly. Would ya, Speedo?”

“Never hurt a fly in my life, but I’m hell on Japanese beetles.”

“I am Japanese citizen. You must… protect me.” Taiku chokes on his own demand. A shudder runs through his body. If he’d had the means, he would have killed himself before speaking those words.

“Whatta ya think, Speedo? Should I ploteck him?”

“You jus’ leave the boy in my hands, officer. Ain’ nobody gonna hurt him. Leastways, nobody but me.”

O’Boyle chuckles and shakes his head. “Awright, Tojo. You can wait for Goldstein out by the desk. Bein’ as you’re a Jap citizen and you ain’t been charged with a crime, I guess it’s my beholden duty to save you from the big bad wolf.”

“I’m really sorry,” Goldstein apologizes for the second time. “A couple of uniforms picked up a rapist I been after for six months. I hadda make sure he got hit with enough counts to catch a high bail. The asshole, he goes out on the streets, he’s gonna rape someone else.”

They are sitting in the interview room they left an hour before, on either side of the gray table. Goldstein’s pen, pad, and tape recorder are laid out in a neat row. “We’re goin’ on the record now.” Goldstein sets the tape recorder on end, starts it running, then suddenly shuts it off and pushes it to the side.

“Ya know something, Hoshi? I don’t think we need to get formal. For right now, let’s just keep this between the two of us. Whatta ya say?”

Goldstein acknowledges Hoshi Taiku’s nod with one of his own, then gets to work. “Okay, why don’t we start at the beginning. Why don’t you tell me, in your own words, exactly what happened at the hotel this morning.”

Taiku draws a breath and feels his command of English, modest at the best of times, slip away. He fears that when he speaks, he will appear a clown to the detective whose eyes never leave his own. Still, he knows he must speak.

“Girl jump,” he finally says. “She whore.”

“Whore?”

“She whore,” Taiku repeats.

“A prostitute? That’s what you’re saying?”

“Yes.”

“You devil. So, how’d you meet her?” Goldstein shakes his head and mock-punches Taiku’s arm. “And by the way, her name was Jane Denning. She was twenty-eight years old and had a kid in fourth grade at Holy Savior in Brooklyn.”

Bit by bit, with Goldstein in no seeming rush, Taiku’s story emerges. First, before leaving Japan, he was handed a business card from the Monroe Escort Service by a superior who’d been quick to explain that Monroe’s specialty was large-breasted, blond-all-over blondes. Taiku had accepted the business card, not because he wished to enjoy the favors of a blond-all-over blonde, but only because a refusal would result in his superior’s losing face. He’d bowed, put the card in his wallet, and had forgotten about it until a dinner meeting was canceled at the last second and he found himself consigned to a long evening in his room at the Martinique Hotel. Jane Denning (who’d called herself Inga Johannson) had arrived an hour later.

“Did you get what you paid for?” Goldstein asks. He hasn’t stopped grinning (nor have his eyes strayed from Taiku’s) since Taiku began his story.

“What you say?”

“You know.” Goldstein cups his hands against his chest. “Did she have a big pair? Was she blond all over?”

Taiku recoils. He cannot divine the motive behind the question; the cultural differences are too vast. Policemen in Japan maintained a supremely disapproving countenance at all times. Goldstein looks as if he’s about to drool.

“Hai. Girl okay.”

“How many times you do her?” Goldstein arches his back and grunts. “I mean, it was an all-nighter, right? You took her for the whole night?”

“Yes. All night.”

“So, how many times you do her?”

Taiku has had enough. He expects foreigners to be offensive, and knows he has to make allowances. But this is too much. Next Goldstein will ask him to describe what they did. “This not your business.”

Goldstein’s eyes narrow, but do not waver. “Awright,” he waves his hand in a vague circle. “Go on, Hoshi.”

They’d had sex, Taiku admits, then he’d gone to sleep. He’d slept through the night and when he’d awakened the next morning, found himself alone in the bed. His first thought was that he’d been robbed, but his wallet, with his cash and credit cards, was where he’d left it in the pocket of his trousers. Then a cool breeze had drawn his attention to an open window, which he’d closed without thinking to look down. It was only after he’d showered and dressed, after Goldstein knocked on his door, after a long, repeated explanation, that he’d finally understood. Inga Johannson had used the window to make her final exit.

The story is simple and carefully rehearsed, but Taiku’s voice drops in pitch and volume as he proceeds. He is lying and certain that Goldstein knows it, certain also that he has to maintain the lie if he hopes to see his country and his family any time in the near future. But the need to confess, prompted by shame and disgrace, is very strong as well. And then there is the likelihood that even should he be released, he will neither be welcomed in his country, nor embraced by his family.

“Look,” Goldstein declares after a long moment of silence, “just for the record, is this the woman who came to your hotel room?”

Goldstein dips into the breast pocket of his jacket to remove a small photo of a young woman kneeling behind a toddler. The child, a boy, is looking over his shoulder and up at his mother while she faces the camera squarely. The broad smile on her face appears to be spontaneous and genuine.

Taiku stares at the photo, remembering the heavily made-up prostitute who’d emerged from the bathroom in her transparent lingerie, who’d run her tongue over her lips and her fingertips over her belly as if possessed. “Tell me what you want me to do,” she’d said. “Just tell me.”

“Hai. This her.”

“We found it in her wallet. Good thing, too, because the way she came down on her face… Wait a second.” Goldstein’s fingers return to his breast pocket, this time removing a Polaroid taken a few hours before. He lays the photo on the table. “A fuckin’ mess, huh?”

At first, Taiku sees only a large pool of blood spreading from a headless torso. But as he continues to stare down, he finally discerns the outlines of a flattened human skull made even more obscure by a semi-detached scalp.

Goldstein’s tone, when he begins to speak, is matter-of-fact. “You did okay for an amateur, Hoshi. First, you washed up the bathroom pretty good. Then you dumped the dirty towels, her makeup, and her syringe in a plastic bag which you took from the waste basket. Then you carried the bag down two flights, and you tossed it in a service cart without being seen. The only problem is, it’s not gonna help ya, not one bit, and what you’re doin’ here, lyin’ to me and all, is only makin’ things a lot worse.”

Taiku finds that he can’t tear his eyes from the photo on the table. Not because the gore holds him prisoner, but because he can no longer face Goldstein’s steady gaze. It’s ridiculous, of course; sooner or later he will have to look up. Still, he’s relieved, at least initially, when Goldstein continues to speak.

“The way I see it, you wake up, find the bed empty, maybe check your wallet, then head into the bathroom, where you discover Jane Denning overdosed on heroin. Giving you the benefit of the doubt, you think she’s dead. Maybe she’s not breathing, maybe her skin is cool to the touch, maybe you can’t find a pulse. Either way, you don’t want her discovered in your room. Call it a culture thing. A dead whore brings dishonor on your company, your country, your family, yourself. You just can’t let that happen. You tell yourself that nobody saw her come up to your room, that the cops will take it for a suicide, that nobody will lose any sleep over a dead whore, that by the time the police figure it out, you’ll be ten thousand miles away.

“Not a bad plan, when I think about it. And if Jane hadn’t been tight with the hotel detective, it might’ve worked, too. But she was well known to Mack Cowens, who was most likely bein’ paid off, and she told him where she was goin’.”

Goldstein pauses long enough to yawn. The squeal had come through at 7:30, at the end of his tour, and it’s now a little after noon. He wants his home and his wife and his bed, but the way it is, he won’t finish the paperwork for many hours.

“Awright, back to the ball.” He leans closer to Taiku, until his mouth is within a few inches of the smaller man’s ear. “What you did, Hoshi, you bad boy, after due consideration, was open the window, haul her across the room, and toss her out. Then you closed…” Goldstein stopped, rubbed his chin, and nodded to himself. “Oh, yeah, something we couldn’t figure out and I been wantin’ to ask you. Did you wait for the crunch before you closed the window? You know, did you wait for her to hit the sidewalk? And another thing: Did you think about what would’ve happened if Jane landed on a pedestrian? I mean, it was pretty early, but what if some little kid had been walkin’ along, mindin’ her own business, maybe thinkin’ about school or goin’ to a party, and… splat? As it was, Hoshi, the few people down there who saw it happen, they’re gonna carry that image into the grave. It’s not fair and-”

The door opens at that moment, cutting Goldstein off in mid-sentence. He jerks back as though slapped. “What the fuck is this? I’m workin’ here.”

Vera Katakura endures the outburst without altering her stern expression. “You’re wanted,” she announces.

Goldstein’s eyes squeeze shut for a moment, then, with a visible effort, he slowly gets to his feet. “Keep an eye on this jerk,” he commands. “I’ll be back in five minutes.”

Taiku watches the door close behind Goldstein, then turns to Vera Katakura. Though clearly Asian, she might be from any of a dozen countries. He guesses Chinese, maybe Korean, but it doesn’t matter because…

“Stand up.”

The simple demand, spoken in perfect Japanese, runs up Taiku’s spine, an ice cube settling onto the back of his neck. As in a dream, he feels the muscles in his thighs flex, his knees bend, his body rising until he stares directly into Vera Katakura’s unyielding black eyes. She doesn’t speak, but she doesn’t have to speak. He can see his disgrace at the very center of her pupils, a tiny shadow, a smudge, and he knows that his dishonor extends to all-and to each-of the Japanese people. He wants to bow, to bend forward until his back is parallel to the ground; he wants to acknowledge his shame, to shrivel up and die, a cockroach in a fire. Instead, though his knees tremble, he continues to stare into Vera’s eyes until, without changing expression, she lifts her open palm to her shoulder, then cracks him right across the face.

“Hai,” he says.

“She reduced him to a puddle,” Goldstein declares, not for the first time. “The poor schmuck just melted on the spot.” He turns to Vera Katakura, his partner for the last three years, and lifts his glass.

They are drinking in a hole-in-the-wall bar on Ninth Avenue, one of the last of its kind this close to Lincoln Center. Goldstein, Katakura, Brian O’Boyle, and First Grade Detective Speedo Brown.

It’s been a very good day. A signed statement in hand before 1, the paperwork completed by 2, a crowded press conference at 3:30 with Captain Anthony Borodski taking full credit for the successful investigation, though he hadn’t arrived until after Hoshi Taiku was formally charged with murder. Mowrey had stood alongside his captain, there to field the questions that followed Borodski’s official statement, while Goldstein and Katakura lounged at the rear of the dais, trying to appear at least vaguely interested.

“You were definitely right about one thing,” O’Boyle says to Katakura. “You told me the poor bastard would beg to confess and beg he did.”

Vera glances at Speedo Brown, who earned his nickname when he appeared at Captain Borodski’s annual pool party in a tiny crimson bathing suit that fit his buttocks like a condom. “As you would, Brian, if you were in Taiku’s position. For a Japanese male, Speedo Brown is the worst nightmare imaginable.”

“I resent that,” Speedo declares. “I’m really a very nice person when you get to know me.”

They go on this way for another hour, with only Vera Katakura, who holds herself responsible, lending a passing thought to Hoshi Taiku. With malice aforethought, she’d signed, sealed, and delivered him into the hands of the state, plucking his strings as though playing a harp, effectively (and efficiently) consigning him to whatever nightmare awaited him on Rikers Island. Well, in fairness to herself, she hoped he’d asked for protective custody, or to get in touch with a lawyer, or with the Japanese embassy. An outraged embassy official had called the precinct ten minutes after the press conference ended. By that time, Taiku had already been arraigned and bail denied.

The saddest part, though it didn’t seem to sadden her comrades, was that if Jane Denning was dead before Taiku pushed her out the window, the worst charge he faces is unlawful disposal of a body, an E felony for which he will likely receive probation. It all depends on the autopsy results. If Hoshi catches a break, he’ll be out within a week. If not, he’ll sit until he is indicted and re-arraigned, until his lawyer makes an application for reduced bail, an application very likely to be denied.

“C’mon, Vera.” Goldstein nudges his partner. “You got nothin’ to say?”

Vera Katakura thinks it over for a moment, then sips at her third vodka tonic and shrugs. “You take the man’s pay,” she declares in a tone that brooks no contradiction, “you do the man’s job.”