Acknowledgements

The manuscript of Men in Space has had a long gestation. It started as a series of disjointed, semi-autobiographical sketches written in what seems like another era, and grew into one long, disjointed document from which a plot of sorts emerged from time to time to sniff the air before going to ground again. That it eventually found a kind of warped coherence as a novel about disjointedness and separation is to a large extent thanks to the intervention through the years of several people. They are, like the possessed man says, legion — but I’m particularly indebted to Mike Shaw and Hannah Griffiths, Alessandro Gallenzi and Mike Stocks, Jonny Pegg, Jane Lewty and Eva Stenram; also to Penny McCarthy, for her ancient-Greek techné.

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